Alt Song Quotes

We've searched our database for all the quotes and captions related to Alt Song. Here they are! All 8 of them:

Dragomir frowned. You were glorified in song? Of course. My deeds were great. Weren’t yours? My deeds were great, and yet no one glorified me in song . Köd alte hän. Darkness curse it, Sandu.
Christine Feehan (Dark Legacy (Dark, #27))
I am not great in a crowd. I don’t see a lot of rock shows because sometimes I am afraid I won’t get out. I used to squeeze my little self into the scrum and jump around and cause tiny trouble. Now I just want to sit down and have someone perform my five favorite songs while I eat a light dinner and receive a simultaneous pedicure. Is there some kind of awesome indie/alt/hip-hop/electronica music tour that can do that?
Amy Poehler (Yes Please)
Bach—Prelude in C, No. 1 in The Well-Tempered Clavichord Beethoven—Minuet in G Chopin—Prelude in A, Op. 28, No. 7 Grieg—Nocturne in C, Op. 54, No. 4 MacDowell—To a Wild Rose Bach—Two-Part Invention No. 1 Chopin—Mazurka in A minor, Op. 68? No. 2 Chopin—Prelude in E minor, Op. 28, No. 3 Navarro—Spanish Dance (often played as an encore by Jose Iturbi) Cyril Scott—Lento Bach—Two-Part Invention No. 13 Beethoven—Album Leaf, “For Elise” Godowsky—Alt Wien Granados-—Play era Mendelssohn—Consolation (Song Without Words No. 9) Chopin—Etude in A flat (posthumous) Chopin—Prelude in B minor, Op. 28, No. 6 Chopin—Prelude in D flat, Op. 28, No. 15 Mendelssohn—Confidence (Song Without Words No. 9) Schumann—Warum? Chopin—Nocturne in E minor, Op. 72, No. 1 Debussy—La Fille aux cheveux de lin Liszt—Consolation No. 3 Palmgren—May Night Schumann—The Prophet Bird
Charles Cooke (Playing the Piano for Pleasure: The Classic Guide to Improving Skills Through Practice and Discipline)
I don’t have an MO on my album. I literally just put down what I’m feeling at the time, and if it all comes together as ‘Fuck the alt-right,’ or ‘Word on the street you’re a Libtard,’ that’s cool. These are issues that I’m feeling and talking about now. But I was also talking about them when no one was looking, no one cared, no one was reviewing my songs. I’ve been talking about this shit since my first album, when I was 18. This is just what I care about and how I operate. So, if people want to put that on me, I don’t mind. But I don’t feel like I have a responsibility or owe anyone anything. If people see me as some flag bearer for ‘Fuck the alt-right,’ that’s fine, but people need to accept that I’m just being myself—I’m not trying to get likes or go viral. I’m just saying what I mean. I just hope that I don’t get pigeonholed like, ‘We want you to do this and nothing else.
Barrington Devaughn Hendricks (JPEGMAFIA)
It could be as straightforward as the notion of a "mental reboot"- Matt Johnson's biological control-alt-delete key- that jolts the brain out of destructive patterns (such as Kessler's "capture"), affording an opportunity for new patterns to take root. It could be that, as Franz Vollenweider has hypothesized, psychedelics enhance neuroplasticity. The myriad new connections that spring up in the brain during the psychedelic experience, as mapped by the neuroimaging done at Imperial College, and the disintegration of well traveled old connections, may serve simply to "shake the snow globe," in Robin Carhart-Harris's phrase, a predicate for establishing new pathways. Mendel Kaelen, a Dutch postdoc in the Imperial lab, proposes a more extended snow metaphor: "Think of the brain as a hill covered in snow, and thoughts as sleds gliding down that hill. As one sled after another goes down the hill, a small number of main trails will appear in the snow. And every time a new sled goes down, it will be drawn into the preexisting trails, almost like a magnet." Those main trails represent the most well-traveled neural connections in your brain, many of them passing through the default mode network. "In time, it become more and more difficult to glide down the hill on any other path or in a different direction. "Think of psychedelics as temporarily flattening the snow. The deeply worn trails disappear, and suddenly the sled can go in other directions, exploring new landscapes and, literally, creating new pathways." When the snow is freshest, the mind is most impressionable, and the slightest nudge-whether from a song or an intention or a therapists's suggestion- can powerfully influence its future course. p384
Michael Pollan (How to Change Your Mind: The New Science of Psychedelics)
I don’t see a lot of rock shows because sometimes I am afraid I won’t get out. I used to squeeze my little self into the scrum and jump around and cause tiny trouble. Now I just want to sit down and have someone perform my five favorite songs while I eat a light dinner and receive a simultaneous pedicure. Is there some kind of awesome indie/alt/hip-hop/electronica music tour that can do that?
Amy Poehler (Yes Please)
Bir kraliçe herkesi dinlemeli," diye hatırlattı Danny. "Soyluları ve alt tabakadan insanları, güçlüleri ve zayıfları, asilleri ve rüşvetçileri. Tek ses sana yalan söyleyebilir ama birden çok sesin içinde bulunacak bir gerçek mutlaka vardır. - Sayfa 122
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
The stakes of pitting disinhibition and freedom against inhibition and beauty extend far beyond the world of art. As I write, the alt-ring is waging what Wendy Brown has described as “a brilliant… campaign” to associate “anti-egalitarian, anti-immigrant, and anti-responsibility, sentiments with freedom and fun,” while casting “left and liberal commitments as repressive, regulatory, grim, and policing.” This campaign seduces its would-be converts with the promise of release from responsibilities of all kinds, be it “for the self, for others, for the world, for a social compact with others, for a social compact with the future, in the name of a certain kind of political and social disinhibition”. Brown’s warning – which has deepened in urgency over the time I've spent writing this book – is that the fusion of this libidinal “freedom and fun” with a “new authoritarian statism” has formidable velocity and power, with their particular capacity to appeal to “the young, the immature, the reckless and the wounded.” This fusion, Brown says, lands us in “deeper trouble than we knew,” and requires that we “think really hard about what strategies would most successfully counter” it. (quote from a March 2017b talk titled “Populism, Authoritarianism, and Making Fascism Fun Again”, Brown gave at the UCSD International Institute.
Maggie Nelson (On Freedom: Four Songs of Care and Constraint)