Already A Winner Quotes

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She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
REMEMBER YOUR GREATNESS Before you were born, And were still too tiny for The human eye to see, You won the race for life From among 250 million competitors. And yet, How fast you have forgotten Your strength, When your very existence Is proof of your greatness. You were born a winner, A warrior, One who defied the odds By surviving the most gruesome Battle of them all. And now that you are a giant, Why do you even doubt victory Against smaller numbers, And wider margins? The only walls that exist, Are those you have placed in your mind. And whatever obstacles you conceive, Exist only because you have forgotten What you have already Achieved. Poetry by Suzy Kassem
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
You were born a winner, a warrior, one who defied the odds by surviving the most gruesome battle of them all - the race to the egg. And now that you are a giant, why do you even doubt victory against smaller numbers and wider margins? The only walls that exist are those you have placed in your mind. And whatever obstacles you conceive, exist only because you have forgotten what you have already achieved.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
REMEMBER YOUR GREATNESS Before you were born, And were still too tiny for The human eye to see, You won the race for life From among 250 million competitors. And yet, How fast you have forgotten Your strength, When your very existence Is proof of your greatness. You were born a winner, A warrior, One who defied the odds By surviving the most gruesome Battle of them all. And now that you are a giant, Why do you even doubt victory Against smaller numbers, And wider margins? The only walls that exist, Are those you have placed in your mind. And whatever obstacles you conceive, Exist only because you have forgotten What you have already Achieved.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
The typical big winner in the Lynch portfolio (I continue to pick my share of losers, too!) generally takes three to ten years or more to play out.
Peter Lynch (One Up On Wall Street: How To Use What You Already Know To Make Money In)
As he described the night of the Valorian invasion and himself as a child, she began to see how natural the reflex of self-blame was for him. Ingrained. Insidious. You’re the reason I was in that prison. Yes. It occurred to her that he might have taken blame he didn’t deserve. It occurred to her that she had already guessed this even before he’d begun telling his nakedly awful story. And that maybe she had been cruel. This thinking was not the same as trust. Still, she listened. After he finished, she listened to his silence.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The fact that a thesis is flawed does not mean that we should not invest in it as long as other people believe in it and there is a large group of people left to be convinced. The point was made by John Maynard Keynes when he compared the stock market to a beauty contest where the winner is not the most beautiful contestant but the one whom the greatest number of people consider beautiful. Where I have something significant to add is in pointing out that it pays to look for the flaws; if we find them, we are ahead of the game because we can limit our losses when the market also discovers what we already know. It is when we are unaware of what could go wrong that we have to worry.
George Soros (The Alchemy of Finance)
Before you accomplish your dreams physically, your inner make up, mindset, emotions and perception have fought the battle mentally and that already determined how the battle will be fought physically.
Israelmore Ayivor (Shaping the dream)
Stories about boys like him only end with us no longer dreaming of time machines, because if one was ever invented in the distant future, it would already have been used to travel back here by someone who loved him
Fredrik Backman (The Winners (Beartown, #3))
She struggled not to show this. Already, that dream on the grass had faded in her memory. It was as if she’d worn it out by thinking too much about it. But in the moment, it had felt so real. Kestrel couldn’t quite believe that it hadn’t been.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
But Benji still grins, that damn smile that’s as much a bird’s as a bear’s. Then he says: "You’re already in love with me. You just haven’t realized it yet.
Fredrik Backman (The Winners (Beartown, #3))
Parents always think they have to talk to their daughters about guys. We shouldn’t wear short skirts and shouldn’t go out alone and shouldn’t get drunk and shouldn’t let guys like us too much. But you don’t have to talk to us about guys because we already know all that, for fuck’s sake, because we’re the ones they rape!! Talk to your damn sons instead!!! Teach them to talk to one another and teach them to stop one another. Raise just one fucking boy somewhere who can become a head teacher who understands that when boys pull girls by the hair, it’s the fucking boys there’s something wrong with. Tell your sons that if they have to THINK about whether or not they’ve had sex with a girl who didn’t want it, then they HAVE!!! If you can’t understand if the girl you’re having sex with wants it or not, then you’ve never had fucking sex with a girl who wants it. Stop telling your daughters. We already know it all.
Fredrik Backman (The Winners (Beartown, #3))
You have brains in your head. You have feet in your shoes. You can steer yourself any direction you choose. You're on your own. And you know what you know. And YOU are the guy who'll decide where to go... Oh, the places you'll go! There is fun to be done! There are points to be scored. There are games to be won. And the magical things you can do with that ball will make you the winning-est winner of all. Fame! You'll be as famous as famous can be, with the whole wide world watching you win on TV. Except when they don't Because, sometimes they won't. I'm afraid that some times you'll play lonely games too. Games you can't win 'cause you'll play against you. All Alone! Whether you like it or not, Alone will be something you'll be quite a lot. And when you're alone, there's a very good chance you'll meet things that scare you right out of your pants. There are some, down the road between hither and yon, that can scare you so much you won't want to go on... You'll get mixed up, of course, as you already know. You'll get mixed up with many strange birds as you go. So be sure when you step. Step with care and great tact and remember that Life's a Great Balancing Act. Just never foget to be dexterous and deft. And never mix up your right foot with your left. And will you succeed? Yes! You will, indeed! (98 and 3/4 percent guaranteed.) KID, YOU'LL MOVE MOUNTAINS! So... be your name Buxbaum or Bixby or Bray or Mordecai Ali Van Allen O'Shea, You're off the Great Places! Today is your day! Your mountain is waiting. So...get on your way!
Dr. Seuss (Oh, the Places You’ll Go!)
But she hadn't expected this: this stupid hope, this punishing one, for who would long to see someone who was already lost? What good would it have done? None. Apparently Arin knew this, too. He knew it better than she, or his hope would have been equal to hers, and would have driven him here.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Von Rumpel laughs. He appreciates that they are trying to play the game. But don’t they understand that the winner has already been determined? He
Anthony Doerr (All the Light We Cannot See)
If you find a stock with little or no institutional ownership, you’ve found a potential winner. Find a company that no analyst has ever visited, or that no analyst would admit to knowing about, and you’ve got a double winner. When I talk to a company that tells me the last analyst showed up three years ago, I can hardly contain my enthusiasm. It frequently happens with banks, savings-and-loans, and insurance companies, since there are thousands of these and Wall Street only keeps up with fifty to one hundred.
Peter Lynch (One Up On Wall Street: How To Use What You Already Know To Make Money In)
In trying so hard to win, we have instead become exactly like those whom we hate. The key is to know that there is no need to exert an effort to win; for we were already winners in the beginning when we were not like them. It's when we try so hard to overcome them that we become like them, without realizing that we were already victors in the very beginning.
C. JoyBell C.
Prizes aren’t love. Because people who never met you can’t love you. The slots for winners are already set, from here until Judgment Day.
Andrew Sean Greer (Less)
The mouse that makes jest of a cat has already seen a hole nearby... We don't fear the devil because we are leaning on the resurrection power of Christ!
Israelmore Ayivor (The Great Hand Book of Quotes)
The blame game is already a lost game, so don't attempt dressing up to play it! Blames create no change; winners don't apportion blames!
Israelmore Ayivor (The Great Hand Book of Quotes)
Make your product so simple that users already know how to use it, and you’ve got a winner.
Nir Eyal (Hooked: How to Build Habit-Forming Products)
-How does someone win?" -We're seventeen-year-olds with our own island. We're already winners.
Adi Alsaid (Let's Get Lost (English Edition))
If you think you can do it, you made the right decision. You are already a winner at first place. Rest all is secondary
William Fernandes
Archimedes was a mathematician," blurted Ethan from the back of the room. "And he was Greek. And he invented things." Ethan was the sort of student who was always keeping score--if he couldn't be the first to declare his knowledge of something, he would make certain you understood that he'd known it already. One day he would be declared the winner, and there would be a Smartest Boy trophy and a parade.
Adam Rex (Cold Cereal (The Cold Cereal Saga, #1))
Do you know anything about frogs?" "Frogs?" "Yes, various biological studies have shown that if a frog is placed in a container along with water from its own pond, it will remain there, utterly still, while the water is slowly heated up. The frog doesn't react to the gradual increase in temperature, to the changes in its environment, and when the water reaches the boiling point, the frog dies, fat and happy. On the other hand, if a frog is thrown into a container full of already boiling water it will jump straight out again, scalded, but alive!" Olivia doesn't quite see what this has to do with the destruction of the world. Igor goes on: "I was like that boiled frog. I didn't notice the changes. I thought everything was fine, that the bad things would just go away, that it was just a matter of time. I was ready to die because I lost the most important thing in my life, but instead of reacting, I sat there bobbing apathetically about in water that was getting hotter by the minute.
Paulo Coelho (The Winner Stands Alone)
I lit a candle in a Catholic church for the first time that afternoon. Me, a Presbyterian. I lit a candle in the warm, dark, waxy-smelling air of Saint Adelbert’s. I put it beside the one that Mrs. Baker lit. I don’t know what she prayed for, but I prayed that no atomic bomb would ever drop on Camillo Junior High or the Quaker meetinghouse or the old jail or Temple Emmanuel or Hicks Park or Saint Paul’s Episcopal School or Saint Adelbert’s. I prayed for Lieutenant Baker, missing in action somewhere in the jungles of Vietnam near Khesanh. I prayed for Danny Hupfer, sweating it out in Hebrew school right then. I prayed for my sister, driving in a yellow bug toward California—or maybe she was there already, trying to find herself. And I hoped that it was okay to pray for a bunch of things with one candle.
Gary D. Schmidt (The Wednesday Wars)
You are playing it already! Making guesses of who to trust, and who trusts you. Who knows what? Who is hiding behind which mask? You are playing the traitor's game, and no matter how well one wins, even the winner loses in the end." -Gerald
Jennifer A. Nielsen (The Traitor's Game (The Traitor's Game, #1))
Father... this Institute, which you have denied with all of your might... ... is the place where I've lived, grown and been reborn. I have become a different chef... ... a different person! "All right! Time for the clincher, don'tcha think? You've already swiped a ton from me, so why not finish the job? Go on and say it!" "You can't be serious?! Must I?" "C'mon! Who else could close this out but our Captain? Do it!" "Ugh. Fine. If you insist." "THE WINNER IS... THE RESISTANCE!" "HAPPY TO SERVE!
Yūto Tsukuda (食戟のソーマ 30 [Shokugeki no Souma 30] (Food Wars: Shokugeki no Soma, #30))
Then she had noticed that Arin’s fingernails were blackened, and how he kept reaching into his pocket as if to reassure himself that something was there. She had told herself not to guess. But she could never help guessing. A smile warmed her face. He shut his eyes in mock chagrin. “Gods, can I keep nothing from you?” “I didn’t mean to.” “Devious thing. I won’t give it to you yet. It’s for Ninarrith.” Time seemed strange; it was as if the ring were already on her smallest finger, the most vulnerable one. “It’s simple,” Arin had hastened to say. “I will love it.” “Will you wear it?” “Yes.” “Always?” “Yes,” she had said, “if you show me how to make one for you, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
In Paul's day, instead of giving gold medals for winning first place in an Olympic event, a crown of olive or laurel leaves was placed on the winner's head. By the time the athlete went home that night, the wreath would already be wilting and falling apart. Think of that. All that energy expended for a wreath that didn't last beyond a day.
Bill Hybels
A man of vision cannot question his potentials. He does not doubt his capabilities. He keeps going because he had seen himself gone already in his visions.
Israelmore Ayivor
Congratulations, you may already be a winner! Your case has been selected from hundreds of other appellate cases to be heard by the Supreme Court of the United States of America.
Paul Beatty (The Sellout)
I wish the fish didn't work. And I wish I was dead.
Ann Dee Ellis (You May Already Be a Winner)
Maintain the name you build. It is easier to make a good brand than to maintain a good brand already made. Wining a trophy is not as difficult as defending it.
Israelmore Ayivor (Shaping the dream)
I think the Soviets have deliberately enticed you into Vietnam. You’ll send in troops but they won’t. You’ll be fighting Viets and the jungle, and the Soviets will be the winners. Your CIA’s already there in strength. They’re running an airline. Even now airfields are being constructed with U.S. money, U.S. arms are pouring in. You’ve soldiers fighting there already.
James Clavell (Noble House (Asian Saga Book 5))
The day before, they had started eating the saltwater-damaged bread. The bread, which they had carefully dried in the sun, now contained all the salt of seawater but not, of course, the water. Already severely dehydrated, the men were, in effect, pouring gasoline on the fire of their thirsts—forcing their kidneys to extract additional fluid from their bodies to excrete the salt. They were beginning to suffer from a condition known as hypernatremia, in which an excessive amount of sodium can bring on convulsions.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Oedipus Rex vs. Tyrannosaurus Rex Oedipus Rex, a tragedy by Sophocles, chronicles the story of Oedipus, a man who becomes the king of Thebes while in the process unwittingly fulfilling a prophecy that he would murder his pops Laius and marry his mom Jocasta. Tyrannosaurus Rex , commonly abbreviated to T. Rex, was a big fucking dinosaur that kicked ass during the Jurassic period. My point? My point is there doesn't have to be a point if you have already hooked the reader with a catchy title. And the winner is... Steven Spielberg
Beryl Dov
She could look back to it from her present standing-place, and contemplate, almost as another being, the young unmarried girl absorbed in her love, having no eyes but for one special object, receiving parental affection if not ungratefully, at least indifferently, and as it were her due-her whole heart and thoughts bent on the accomplishment of one desire. The review of those days, so lately gone yet so far away, touched her with shame; and the aspect of the kind parents filled her with tender remorse. Was the prize gained-the heaven of life-and the winner still doubtful and unsatisfied? As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing to do but to link each other's arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.
William Makepeace Thackeray (Vanity Fair)
I daresay everyone has already asked you what the point of moving away from here is,” were Ramona’s parting words, “so all I’ll say is that you need to be damn clear that the only people who move away from Beartown are smug bastards who think they’re really something. And that’s good. I want you to think you’re something, girl.
Fredrik Backman (The Winners (Beartown, #3))
If People Say You're Ugly,GOD Says You're Beautiful. If People Say You're Nothing,GOD Says You're Everything. If People Say You're A Looser,GOD Says You're A Winner. If People Say You Can't Make It,GOD Says You Already Made It. If People Say You Are Not Worth It,GOD Says You're Worth More Than Diamonds Or Rubies. So Who Do You Listen To?
Godfrey Orateng
The night before Ramona's funeral is the first really cold one of the autumn. Not the first when the temperature falls below freezing, nor even the first with snow, just the first one that can't really be described in words, no matter how many years you've experienced it: the first one when you're already accustomed to it, when the cold feels normal rather than the exception. Summer is long dead, but tonight is when we lose our memory of it, the last light slides away and a sack is pulled over the town. Tomorrow suddenly our fingers won't remember life without gloves, our ears can't quite remember the sound of birdsong, and the soles of our feed have forgotten all about puddles that don't crunch when we step on them.
Fredrik Backman (The Winners (Beartown, #3))
I hear you’re going to the ball tonight.” Kestrel glanced in the mirror to see Arin standing behind her. Then she focused on her own shadowed eyes. “You’re not allowed in here,” Kestrel said. She didn’t look again at him, but sensed him waiting. She realized that she was waiting, too--waiting for the will to send him away. She sighed and continued to braid. He said, “It’s not a good idea for you to attend the ball.” “I hardly think you’re in a position to advise me on what I should or shouldn’t do.” She glanced back at his reflection. His face frayed her already sheer nerves. The braid slipped from her fingers and unraveled. “What?” she snapped. “Does this amuse you?” The corner of his mouth lifted, and Arin looked like himself, like the person she had grown to know since summer’s end. “‘Amuse’ isn’t the right word.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Keith Tyson, a winner of the Turner Prize, did a piece once where he just got the things already in the gallery and made them into artworks with what he called his ‘magical activation’. So he looked at the light switch and he called it ‘the apocalyptic switch’ and he looked at the light bulb and he called it ‘the light bulb of awareness’. He was using his power as an artist to designate things art, but it was within the art context.
Grayson Perry (Playing to the Gallery)
She sat at her dressing table, eyeing her reflection warily. Her hair was loose, spilling over her shoulders, a few shades darker than the dress. She gathered a handful and began to braid. “I hear you’re going to the ball tonight.” Kestrel glanced in the mirror to see Arin standing behind her. Then she focused on her own shadowed eyes. “You’re not allowed in here,” Kestrel said. She didn’t look again at him, but sensed him waiting. She realized that she was waiting, too--waiting for the will to send him away. She sighed and continued to braid. He said, “It’s not a good idea for you to attend the ball.” “I hardly think you’re in a position to advise me on what I should or shouldn’t do.” She glanced back at his reflection. His face frayed her already sheer nerves. The braid slipped from her fingers and unraveled. “What?” she snapped. “Does this amuse you?” The corner of his mouth lifted, and Arin looked like himself, like the person she had grown to know since summer’s end. “‘Amuse’ isn’t the right word.” Heavy locks fell forward to curtain her face. “Lirah usually does my hair,” she muttered. She heard Arin inhale as if to speak, but he didn’t. Then, quietly, he said, “I could do it.” “What?” “I could braid your hair.” “You?” “Yes.” Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Yesterday while I was on the side of the mat next to some wrestlers who were warming up for their next match, I found myself standing side by side next to an extraordinary wrestler. He was warming up and he had that look of desperation on his face that wrestlers get when their match is about to start and their coach is across the gym coaching on another mat in a match that is already in progress. “Hey do you have a coach.” I asked him. “He's not here right now.” He quietly answered me ready to take on the task of wrestling his opponent alone. “Would you mind if I coached you?” His face tilted up at me with a slight smile and said. “That would be great.” Through the sounds of whistles and yelling fans I heard him ask me what my name was. “My name is John.” I replied. “Hi John, I am Nishan” he said while extending his hand for a handshake. He paused for a second and then he said to me: “John I am going to lose this match”. He said that as if he was preparing me so I wouldn’t get hurt when my coaching skills didn’t work magic with him today. I just said, “Nishan - No score of a match will ever make you a winner. You are already a winner by stepping onto that mat.” With that he just smiled and slowly ran on to the mat, ready for battle, but half knowing what the probable outcome would be. When you first see Nishan you will notice that his legs are frail - very frail. So frail that they have to be supported by custom made, form fitted braces to help support and straighten his limbs. Braces that I recognize all to well. Some would say Nishan has a handicap. I say that he has a gift. To me the word handicap is a word that describes what one “can’t do”. That doesn’t describe Nishan. Nishan is doing. The word “gift” is a word that describes something of value that you give to others. And without knowing it, Nishan is giving us all a gift. I believe Nishan’s gift is inspiration. The ability to look the odds in the eye and say “You don’t pertain to me.” The ability to keep moving forward. Perseverance. A “Whatever it takes” attitude. As he predicted, the outcome of his match wasn’t great. That is, if the only thing you judge a wrestling match by is the actual score. Nishan tried as hard as he could, but he couldn’t overcome the twenty-six pound weight difference that he was giving up to his opponent on this day in order to compete. You see, Nishan weighs only 80 pounds and the lowest weight class in this tournament was 106. Nishan knew he was spotting his opponent 26 pounds going into every match on this day. He wrestled anyway. I never did get the chance to ask him why he wrestles, but if I had to guess I would say, after watching him all day long, that Nishan wrestles for the same reasons that we all wrestle for. We wrestle to feel alive, to push ourselves to our mental, physical and emotional limits - levels we never knew we could reach. We wrestle to learn to use 100% of what we have today in hopes that our maximum today will be our minimum tomorrow. We wrestle to measure where we started from, to know where we are now, and to plan on getting where we want to be in the future. We wrestle to look the seemingly insurmountable opponent right in the eye and say, “Bring it on. - I can take whatever you can dish out.” Sometimes life is your opponent and just showing up is a victory. You don't need to score more points than your opponent in order to accomplish that. No Nishan didn’t score more points than any of his opponents on this day, that would have been nice, but I don’t believe that was the most important thing to Nishan. Without knowing for sure - the most important thing to him on this day was to walk with pride like a wrestler up to a thirty two foot circle, have all eyes from the crowd on him, to watch him compete one on one against his opponent - giving it all that he had. That is what competition is all about. Most of the times in wrestlin
JohnA Passaro
Groves already had Oppenheimer in mind as a candidate for the directorship of the proposed central laboratory. He perceived three drawbacks to Oppenheimer’s selection. First, the physicist lacked a Nobel Prize, and Groves thought that fact might make it difficult for him to direct the activities of so many of his colleagues who had won that prestigious award. Second, he had no administrative experience. And third, “[his political] background included much that was not to our liking by any means.
Kai Bird (American Prometheus: THE INSPIRATION FOR 'OPPENHEIMER', WINNER OF 7 OSCARS, INCLUDING BEST PICTURE, BEST DIRECTOR AND BEST ACTOR)
Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
If you want, I’ll show them to you later.” “Sorry, what?” My gaze returned to her face. Only to have her point to her breasts. “I said, I can show them to you sometime if you want.” “I would like that very much.” “Okay then.” She grinned. “Next make-out session, no shirts. Agreed?” I was a total winner at life. Forget how much money currently sat in my bank account. Ignore my maturity levels and emotional stability or lack thereof. Jean had offered to show me her tits. The year had only just started and mine was already made.
Kylie Scott (Chaser (Dive Bar, #3))
If either one or two candidates is dominating the field at the time of the first primaries and caucuses, the voters are superfluous because the victor is already guaranteed. If, however, no candidate is dominant, then the primaries and caucuses will determine the winner. Nonetheless, in recent campaign cycles, that determination has been made earlier and earlier in the process, by fewer and fewer voters, who pick from only a few candidates - the ones who have not already eliminated themselves from serious contention by their weak performances in the pre-primary phase.
Roger Lawrence Butler (Claiming the Mantle: How Presidential Nominations Are Won and Lost Before the Votes Are Cast (Dilemmas in American Politics))
It was late afternoon and she was sitting alone in her breakfast room, blankly staring out a window at bad weather, when she heard rapid, fierce footfalls striding toward her. “Stop crying.” Arin’s tone was brutal. Kestrel lifted fingertips to her cheek. They came away wet. “You shouldn’t be here,” she said, her voice hoarse. The breakfast room was one into which men were not allowed. “I don’t care.” He tugged Kestrel to her feet, and the shock of it forced her gaze to his. The blacks of his eyes were blown wide with feeling. With anger. “Stop it,” he said. “Stop pretending to mourn someone who wasn’t your blood.” His hand was iron around her wrist. She pulled free, the cruelty of what he had said bringing fresh tears to her eyes. “I loved her,” Kestrel whispered. “You loved her because she did anything you wanted.” “That’s not true.” “She didn’t love you. She could never love you. Where is her real family, Kestrel?” She didn’t know. She had been afraid to ask. “Where is her daughter? Her grandchildren? If she loved you, it was because she had no choice, and there was no one else left.” “Get out,” she told him, but he was already gone.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
A night breeze ruffled a curtain. Arin’s bedroom--she realized with soft surprise--had come to feel like her own. He was lazily tracing circles on her belly. It hypnotized her into a rare, pure unthinking. He settled back on the bed, propped on one elbow. “It occurs to me that there is something we have never done.” Her thoughts rushed back. She arched one brow. He moved to whisper in her ear. “Yes,” she laughed. “Let’s.” “Now?” “Now.” So they reached for dressing robes and the bedside lamp, and padded barefoot through his suite, rushing slightly, and then through the silent house, suppressing giddy breaths. They couldn’t look each other in the face; a wild, loud joyousness threatened to break free if they did. They wound down the staircase and into the parlor. They shut the door behind them, but still… “We are going to wake the whole house,” Kestrel said. “How should we do this?” She led him to her piano. “Easy.” He placed a palm on the instrument as if already feeling it vibrate with music. He cleared his throat. “Now that I think about it, I’m a little nervous.” “You’ve sung for me before.” “Not the same.” “Arin. I’ve wanted to do this for a long time.” Her words silenced him, steadied him. Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. “Ready?” He smiled. “Play.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You have asked too many questions. If you want more, you will have to win them.” He showed no sign of distraction now. As they played, he ignored her attempts to provoke him or make him laugh. “I’ve seen your tricks on others,” he said. “They won’t work with me.” He won. Kestrel waited, nervous, and wondered if the way she felt was how he felt when he lost. His voice came haltingly. “Will you play for me?” “Play for you?” Arin winced. In a more determined tone, he said, “Yes. Something I choose.” “I don’t mind. It’s only…people rarely ask.” He stood from the table, searched the shelves along the wall, and returned with a sheaf of sheet music. She took it. “It’s for the flute,” he said. “It will probably take you time to transpose it for the piano. I can wait. Maybe after our next game--” She fanned the paper impatiently to silence him. “It’s not that hard.” He nodded, then sat in the chair farthest away from the piano, by the glass garden doors. Kestrel was glad for his distance. She settled on the piano’s bench, flipping through the sheet music. The title and notations were in Herrani, the page yellow with age. She propped the paper on the piano’s rack, taking more time than necessary to neaten the sheets. Excitement coursed through her fingers as if she had already plunged her hands into the music, but that feeling was edged with a metallic lace of fear.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin heard the door to the barracks creak. The sound brought him immediately to his feet, for only one person would come to his cell this late at night. Then he heard the first heavy footfall, and his hands slackened around the metal bars. The footsteps coming were not hers. They belonged to someone big. Solid, slow. Probably a man. Torchlight pulsed toward Arin’s cell. When he saw who carried it, he pulled away from the bars. He saw a child’s nightmare come to life. The general set the torch in a sconce. He stared, taking in Arin’s fresh bruises, his height, his features. The general’s frown deepened. This man didn’t look like Kestrel. He was all mass and muscle. But Arin found her in the way her father lifted his chin, and his eyes held the same dangerous intelligence. “Is she all right?” Arin said. When he received no response, he asked again in Valorian. And because he had already damned himself with a question he couldn’t bear not to ask, Arin said something he had sworn he would never say. “Sir.” “She’s fine.” A feeling flowed into Arin, something like sleep or the sudden absence of pain. “If I had my choice, I would kill you,” said the general, “but that would cause more talk. You’ll be sold. Not right away, because I don’t want to be seen reacting to a scandal. But soon. “I’ll be spending some time at home, and I will be watching you. If you come near my daughter, I will forget my better judgment. I will have you torn limb from limb. Do you understand?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
About 4.6 billion years ago, a great swirl of gas and dust some 15 billion miles across accumulated in space where we are now and began to aggregate. Virtually all of it—99.9 percent of the mass of the solar system—went to make the Sun. Out of the floating material that was left over, two microscopic grains floated close enough together to be joined by electrostatic forces. This was the moment of conception for our planet. All over the inchoate solar system, the same was happening. Colliding dust grains formed larger and larger clumps. Eventually the clumps grew large enough to be called planetesimals. As these endlessly bumped and collided, they fractured or split or recombined in endless random permutations, but in every encounter there was a winner, and some of the winners grew big enough to dominate the orbit around which they traveled. It all happened remarkably quickly. To grow from a tiny cluster of grains to a baby planet some hundreds of miles across is thought to have taken only a few tens of thousands of years. In just 200 million years, possibly less, the Earth was essentially formed, though still molten and subject to constant bombardment from all the debris that remained floating about. At this point, about 4.5 billion years ago, an object the size of Mars crashed into Earth, blowing out enough material to form a companion sphere, the Moon. Within weeks, it is thought, the flung material had reassembled itself into a single clump, and within a year it had formed into the spherical rock that companions us yet. Most of the lunar material, it is thought, came from the Earth’s crust, not its core, which is why the Moon has so little iron while we have a lot. The theory, incidentally, is almost always presented as a recent one, but in fact it was first proposed in the 1940s by Reginald Daly of Harvard. The only recent thing about it is people paying any attention to it. When Earth was only about a third of its eventual size, it was probably already beginning to form an atmosphere, mostly of carbon dioxide, nitrogen, methane, and sulfur. Hardly the sort of stuff that we would associate with life, and yet from this noxious stew life formed. Carbon dioxide is a powerful greenhouse gas. This was a good thing because the Sun was significantly dimmer back then. Had we not had the benefit of a greenhouse effect, the Earth might well have frozen over permanently, and life might never have gotten a toehold. But somehow life did. For the next 500 million years the young Earth continued to be pelted relentlessly by comets, meteorites, and other galactic debris, which brought water to fill the oceans and the components necessary for the successful formation of life. It was a singularly hostile environment and yet somehow life got going. Some tiny bag of chemicals twitched and became animate. We were on our way. Four billion years later people began to wonder how it had all happened. And it is there that our story next takes us.
Bill Bryson (A Short History of Nearly Everything)
POLLARD had known better, but instead of pulling rank and insisting that his officers carry out his proposal to sail for the Society Islands, he embraced a more democratic style of command. Modern survival psychologists have determined that this “social”—as opposed to “authoritarian”—form of leadership is ill suited to the early stages of a disaster, when decisions must be made quickly and firmly. Only later, as the ordeal drags on and it is necessary to maintain morale, do social leadership skills become important. Whalemen in the nineteenth century had a clear understanding of these two approaches. The captain was expected to be the authoritarian, what Nantucketers called a fishy man. A fishy man loved to kill whales and lacked the tendency toward self-doubt and self-examination that could get in the way of making a quick decision. To be called “fishy to the backbone” was the ultimate compliment a Nantucketer could receive and meant that he was destined to become, if he wasn’t already, a captain. Mates, however, were expected to temper their fishiness with a more personal, even outgoing, approach. After breaking in the green hands at the onset of the voyage—when they gained their well-deserved reputations as “spit-fires”—mates worked to instill a sense of cooperation among the men. This required them to remain sensitive to the crew’s changeable moods and to keep the lines of communication open. Nantucketers recognized that the positions of captain and first mate required contrasting personalities. Not all mates had the necessary edge to become captains, and there were many future captains who did not have the patience to be successful mates. There was a saying on the island: “[I]t is a pity to spoil a good mate by making him a master.” Pollard’s behavior, after both the knockdown and the whale attack, indicates that he lacked the resolve to overrule his two younger and less experienced officers. In his deference to others, Pollard was conducting himself less like a captain and more like the veteran mate described by the Nantucketer William H. Macy: “[H]e had no lungs to blow his own trumpet, and sometimes distrusted his own powers, though generally found equal to any emergency after it arose. This want of confidence sometimes led him to hesitate, where a more impulsive or less thoughtful man would act at once. In the course of his career he had seen many ‘fishy’ young men lifted over his head.” Shipowners hoped to combine a fishy, hard-driving captain with an approachable and steady mate. But in the labor-starved frenzy of Nantucket in 1819, the Essex had ended up with a captain who had the instincts and soul of a mate, and a mate who had the ambition and fire of a captain. Instead of giving an order and sticking with it, Pollard indulged his matelike tendency to listen to others. This provided Chase—who had no qualms about speaking up—with the opportunity to impose his own will. For better or worse, the men of the Essex were sailing toward a destiny that would be determined, in large part, not by their unassertive captain but by their forceful and fishy mate.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
They're not just looking to be offended. They are hunting for opportunities to vilify people. These opportunistic attacks are impossible to anticipate because in many cases the target doesn't even know the SJW who complained to Human Resources or contacted the media, and even in the case of a public accusation on Twitter or a blog, he probably won't be aware of the attack until it has already blown up on social media because he doesn't follow his accuser. Sir Tim Hunt had probably made similar jokes about female scientists in laboratories before, but he had not made them in front of a status-seeking SJW like Connie St. Louis. Sensing an opportunity to make a name for herself by vilifying a Nobel Prize winner, she struck, and in doing so promptly put herself in front of the charge.
Vox Day (SJWs Always Lie: Taking Down the Thought Police (The Laws of Social Justice Book 1))
Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.” Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak. She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable. Yet his hands held hers, and she could do nothing. He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Lady Kestrel?” said an anxious voice. Kestrel opened her eyes to see a girl dressed in a Herrani serving uniform. “Yes?” “Will you please follow me? There is a problem with your escort.” Kestrel stood. “What’s wrong?” “He has stolen something.” Kestrel rushed from the room, wishing the girl would move more quickly down the villa’s halls. There must be some mistake. Arin was intelligent, far too canny to do something so dangerous. He must know what happened to Herrani thieves. The girl led Kestrel into the library. Several men were gathered there: two senators, who held Arin by his arms, and Irex, whose expression when he saw Kestrel was gloating, as if he had just drawn a high tile in Bite and Sting. “Lady Kestrel,” he said, “what exactly did you bring into my house?” Kestrel looked at Arin, who refused to return her gaze. “He wouldn’t steal.” She heard something desperate in her voice. Irex must have, too. He smiled. “We saw him,” said one of the senators. “He was slipping that inside his shirt.” He nodded at a book that had fallen to the floor. No. The accusation couldn’t be true. No slave would risk a flogging for theft, not for a book. Kestrel steadied herself. “May I?” she asked Irex, nodding at the fallen book. He swept a hand to indicate permission. Kestrel stooped to retrieve the book, and Arin’s eyes flashed to hers. Her heart failed. His face was twisted with misery. She considered the closed, leather-bound book in her hands. She recognized the title: it was a volume of Herrani poetry, a common one. There was a copy in her library as well. Kestrel held the book, not understanding, not seeing anything worth the risk of theft--at least not here, from Irex’s library, when her own could easily serve Arin’s purposes. A suspicion whispered in her mind. She recalled Arin’s odd question in the carriage. Where are we going? His tone had been incredulous. Yet he had known their destination. Now Kestrel wondered if he had recognized something in the passing landscape that she hadn’t, and if his question had been less a question than the automatic words of someone sickened by a sudden understanding. She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin said, “If I win, I will ask a question, and you will answer.” She felt a nervous flutter. “I could lie. People lie.” “I’m willing to risk it.” “If those are your stakes, then I assume my prize would be the same.” “If you win.” She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably. “Whereas matches make the perfect ante, and are so exciting to win and lose.” “Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound. Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win. She didn’t. “I want to know,” Arin said, “why you are not already a soldier.” Kestrel couldn’t have said what she had thought he would ask, but this was not it, and the question recalled years of arguments she would rather forget. She was curt. “I’m seventeen. I’m not yet required by law to enlist or marry.” He settled back in his chair, toying with one of his winning pieces. He tapped a thin side against the table, spun the tile in his fingers, and tapped another side. “That’s not a full answer.” “I don’t think we specified how short or long these answers should be. Let’s play again.” “If you win, will you be satisfied with the kind of answer you have given me?” Slowly, she said, “The military is my father’s life. Not mine. I’m not even a skilled fighter.” “Really?” His surprise seemed genuine. “Oh, I pass muster. I can defend myself as well as most Valorians, but I’m not good at combat. I know what it’s like to be good at something.” Arin glanced again at the piano. “There is also my music,” Kestrel acknowledged. “A piano is not very portable. I could hardly take it with me if I were sent into battle.” “Playing music is for slaves,” Arin said. “Like cooking or cleaning.” Kestrel heard anger in his words, buried like bedrock under the careless ripple of his voice. “It wasn’t always like that.” Arin was silent, and even though Kestrel had initially tried to answer his question in the briefest of ways, she felt compelled to explain the final reason behind her resistance to the general. “Also…I don’t want to kill.” Arin frowned at this, so Kestrel laughed to make light of the conversation. “I drive my father mad. Yet don’t all daughters? So we’ve made a truce. I have agreed that, in the spring, I will either enlist or marry.” He stopped spinning the tile in his fingers. “You’ll marry, then.” “Yes. But at least I will have six months of peace first.” Arin dropped the tile to the table. “Let’s play again.” This time Kestrel won, and wasn’t prepared for how her blood buzzed with triumph.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Some employees were offered jobs in Georgia, but few took up the offer to relocate. They had houses and mortgages, and the real estate market was already grim, thanks to the closing of two smaller mills the year before. True, people weren’t sure how they’d pay those mortgages now, but they had kids in school and family nearby that might be able to help a little, and many irrationally clung to the possibility that the mill might reopen under new ownership. They stayed, many of them, because staying was easier and less scary than leaving, and because for a while at least they’d be able to draw unemployment benefits. Others remained out of pride. When the realization dawned that they were the victims of corporate greed and global economic forces, they said, okay, sure, fine, they’d been fools but they would not, by God, be run out of the town their grandparents and parents had grown up in and called home.
Richard Russo (Empire Falls: Winner of the Pulitzer Prize for Fiction)
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
She knew that he would stop her. Perhaps he would be cunning about it. Maybe he would go to the steward behind her back, tell him of the theft and challenge, and ask to be brought before the judge and Irex. If that plan didn’t suit Arin, he would find another. He was going to be a problem. “You’re right,” she told him. Arin blinked, then narrowed his eyes. “In fact,” she continued, “if you had let me explain, I would have told you that I had already decided to call off the duel.” “You have.” She showed him the two letters. The one addressed to her father was on top. She let the mere edge of the other letter show. “One is for my father, telling him what has happened. The other is for Irex, making my apologies and inviting him to collect his five hundred gold pieces whenever he likes.” Arin still looked skeptical. “He’ll also collect you, of course. Knowing him, he’ll have you whipped until you’re unconscious and even after that. I’m sure that when you wake up, you’ll be very glad that I decided to do exactly as you wanted.” Arin snorted. “If you doubt me, you’re welcome to walk with me to the barracks to watch as I give my father’s letter to a soldier, with orders for its swift delivery.” “I think I will.” He opened the library door. They left the house and crossed the hard ground. Kestrel shivered. She hadn’t stopped to fetch a cloak. She couldn’t risk that Arin would change his mind. When they entered the barracks, Kestrel looked among the six off-duty guards. She was relieved, since she had counted on finding only four, and not necessarily Rax, whom she trusted most. She approached him, Arin just a step behind her. “Bring this to the general as swiftly as you can.” She gave Rax the first letter. “Have a messenger deliver this other letter to Jess and Ronan.” “What?” Arin said. “Wait--” “And lock this slave up.” Kestrel turned so that she wouldn’t see what happened next. She heard the room descend into chaos. She heard the scuffle, a shout, the sound of fists thudding against flesh. She let the door shut behind her and walked away.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
In this cosmic arena, Luo Ji faced not the fancy moves of Chinese sword fighting, resembling dance more than war; nor the flourishes of Western sword fighting, designed to show off the wielder’s skill; but the fatal blows of Japanese kenjutsu. Real Japanese sword fights often ended after a very brief struggle lasting no more than half a second to two seconds. By the time the swords had clashed but once, one side had already fallen in a pool of blood. But before this moment, the opponents stared at each other like statues, sometimes for as long as ten minutes. During this contest, the swordsman’s weapon wasn’t held by the hands, but by his heart. The heart-sword, transformed through the eyes into the gaze, stabbed into the depths of the enemy’s soul. The real winner was determined during this process: In the silence suspended between the two swordsmen, the blades of their spirits parried and stabbed as soundless claps of thunder. Before a single blow was struck, victory, defeat, life, and death had already been decided.
Liu Cixin (Remembrance of Earth's Past: The Three-Body Trilogy (Remembrance of Earth's Past, #1-3))
You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
There’s my girl,” he said. “On her feet already. You’ll be a military officer in no time with an attitude like that.” Kestrel sat. She gave him a slight, ironic smile. He returned it. “What I meant to say is that I’m glad you’re better, and that I’m sorry I can’t go to the Firstwinter ball.” It was good that she was already sitting. “Why would you want to go to a ball?” “I thought I would take you.” She stared. “It occurred to me that I have never danced with my daughter,” he said. “And it would have been a wise move.” A wise move. A show of force, then. A reminder of the respect due to the general’s family. Quietly, Kestrel said, “You’ve heard the rumors.” He raised a hand, palm flat and facing her. “Father--” “Stop.” “It’s not true. I--” “We will not have this discussion.” His hand lifted to block his eyes, then fell. “Kestrel, I’m not here for that. I’m here to tell you that I’m leaving. The emperor is sending me east to fight the barbarians.” It wasn’t the first time in Kestrel’s memory that her father had been sent to war, but the fear she felt was always the same, always keen. “For how long?” “As long as it takes. I leave the morning of the ball with my regiment.” “The entire regiment?” He caught the tone in her voice. He sighed. “Yes.” “That means there will be no soldiers in the city or its surroundings. If there’s a problem--” “The city guard will be here. The emperor feels they can deal with any problem, at least until a force arrives from the capital.” “Then the emperor is a fool. The captain of the city guard isn’t up to the task. You yourself said that the new captain is nothing but a bungler, someone who got the position because he’s the governor’s toady--” “Kestrel.” His voice was quelling. “I’ve already expressed my reservations to the emperor. But he gave me orders. It’s my duty to follow them.” Kestrel studied her fingers, the way they wove together. She didn’t say Come back safely, and he didn’t say I always have. She said what a Valorian should. “Fight well.” “I will.” He was halfway to the door when he glanced back and said, “I’m trusting you to do what’s right while I’m gone.” Which meant that he didn’t trust her--not quite.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Then she had noticed that Arin’s fingernails were blackened, and how he kept reaching into his pocket as if to reassure himself that something was there. She had told herself not to guess. But she could never help guessing. A smile warmed her face. He shut his eyes in mock chagrin. “Gods, can I keep nothing from you?” “I didn’t mean to.” “Devious thing. I won’t give it to you yet. It’s for Ninarrith.” Time seemed strange; it was as if the ring were already on her smallest finger, the most vulnerable one. “It’s simple,” Arin had hastened to say. “I will love it.” “Will you wear it?” “Yes.” “Always?” “Yes,” she had said, “if you show me how to make one for you, too.” Kestrel gave her horse a final caress. It was full night. She left the stables. Fireflies spangled the black lawn. She thought about Arin’s expression when she’d asked if he would teach her how to forge a ring for him, and the whole conversation glowed within her like one of those fireflies. Watching them, you’d almost think that a firefly winks out of existence, then comes to life, vanishes again, returns. That when it’s not lit, it’s not there at all. But it is.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The ancient Greeks set very high store by physical prowess and encouraged its pursuit by awarding valuable prizes to the winners of all sorts of athletic contests. But, strangely enough, there is no record that they ever offered prizes for intellectual prowess. ..... The prizes awarded at Greek contests were worth more than the performances that earned them, for the prizes were intended not only to stimulate effort but to reward achievement. Consequently, if one were to give a prize for intellectual prowess, for knowledge itself, one would have to find something to award which was more valuable than knowledge. But knowledge already is the rarest gem in the world. The Greeks, unwilling to debase the value of knowledge, piled up chests all crammed with gold to the height of Mount Olympus. They gathered in the wealth of Croesus, and wealth beyond that wealth, but in the end they recognized that the value of knowledge cannot be matched, let alone exceeded. So, masters of reason that they were, they decided that the prize should be nothing at all. From this, Suzuki, I trust you will have learnt that, whatever the color of your money, it is worthless stuff compared with learning.
Natsume Sōseki (I am a Cat II)
About 4.6 billion years ago, a great swirl of gas and dust some 24 billion kilometres across accumulated in space where we are now and began to aggregate. Virtually all of it – 99.9 per cent of the mass of the solar system21 – went to make the Sun. Out of the floating material that was left over, two microscopic grains floated close enough together to be joined by electrostatic forces. This was the moment of conception for our planet. All over the inchoate solar system, the same was happening. Colliding dust grains formed larger and larger clumps. Eventually the clumps grew large enough to be called planetesimals. As these endlessly bumped and collided, they fractured or split or recombined in endless random permutations, but in every encounter there was a winner, and some of the winners grew big enough to dominate the orbit around which they travelled. It all happened remarkably quickly. To grow from a tiny cluster of grains to a baby planet some hundreds of kilometres across is thought to have taken only a few tens of thousands of years. In just 200 million years, possibly less22, the Earth was essentially formed, though still molten and subject to constant bombardment from all the debris that remained floating about. At this point, about 4.4 billion years ago, an object the size of Mars crashed into the Earth, blowing out enough material to form a companion sphere, the Moon. Within weeks, it is thought, the flung material had reassembled itself into a single clump, and within a year it had formed into the spherical rock that companions us yet. Most of the lunar material, it is thought, came from the Earth’s crust, not its core23, which is why the Moon has so little iron while we have a lot. The theory, incidentally, is almost always presented as a recent one, but in fact it was first proposed in the 1940s by Reginald Daly of Harvard24. The only recent thing about it is people paying any attention to it. When the Earth was only about a third of its eventual size, it was probably already beginning to form an atmosphere, mostly of carbon dioxide, nitrogen, methane and sulphur. Hardly the sort of stuff that we would associate with life, and yet from this noxious stew life formed. Carbon dioxide is a powerful greenhouse gas. This was a good thing, because the Sun was significantly dimmer back then. Had we not had the benefit of a greenhouse effect, the Earth might well have frozen over permanently25, and life might never have got a toehold. But somehow life did. For the next 500 million years the young Earth continued to be pelted relentlessly by comets, meteorites and other galactic debris, which brought water to fill the oceans and the components necessary for the successful formation of life. It was a singularly hostile environment, and yet somehow life got going. Some tiny bag of chemicals twitched and became animate. We were on our way. Four billion years later, people began to wonder how it had all happened. And it is there that our story next takes us.
Bill Bryson (A Short History of Nearly Everything)
It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
On the phone a few nights later, Peter suddenly says, “You have me, don’t you?” “No!” I haven’t told him I took out John over the weekend. I don’t want him--or Genevieve, for that matter--to have any extra info. It’s down to the three of us now. “So you do have me!” He lets out a groan. “I don’t want to play this game anymore. It’s making me lonely and really…frustrated. I haven’t seen you outside of school for a week! When is this going to be over?” “Peter, I don’t have you. I have John.” I feel a little guilty for lying, but this is how winners play this game. You can’t second-guess yourself. There’s a silence on the other end. Then he says, “So are you going to drive over to his house to tag him out? He lives in the middle of nowhere. I could take you if you want.” “I haven’t figured out my game plan yet,” I say. “Who do you have?” I know it has to be me or Genevieve. He gets quiet. “I’m not saying.” “Well, have you told anyone else?” Like, say, Genevieve? “No.” Hmm. “Okay, well, I just told you, so you obviously owe me that same courtesy.” Peter bursts out, “I didn’t make you, you offered up that information yourself, and look, if it was a lie and you have me, please just freaking take me out already! I’m begging you. Come to my house right now, and I’ll let you sneak up to my room. I’ll be a sitting duck for you if it means I can see you again.” “No.” “No?” “No, I don’t want to win like that. When I get your name, I want to have the satisfaction of knowing I beat you fair and square. My first ever Assassins win can’t be tainted.” I pause. “And besides, your house is a safe zone.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Kestrel…do you really want to marry the prince?” “I thought you didn’t want to talk about him.” “Want and need aren’t the same.” His mouth hovered near hers. “Tell me. Is this engagement really your choice? Because I don’t believe it. Not unless I hear you say so.” The glass against her back was a blaze of cold. She shivered. He was so close. All she had to do was uncurl her fingers from the balustrade and lean forward into him. It felt inevitable, like an overfull cup ready to spill. The rasp of his unshaved cheek brushed hers. “Do you?” he said. “Do you want him?” “Yes.” “Prove it,” Arin murmured into her ear. The heat of him settled against her. His palm squeaked against the glass by her head. “Arin.” She could barely speak. “Let me pass.” His lips caught at the base of her neck, slid upward. “Prove that you want him,” he said into her hair. His kiss traveled across her cheek. It brushed her forehead, then rested right on the golden line that marked her engagement. “I do,” she said, but her voice sounded like she was drowning. His kiss was there, waiting near her lips. “Liar,” he breathed. Her hand came between them, and pushed. She was shaken, startled by the way she had shoved him. She felt suddenly, cruelly starved--and angry at herself for this hunger of her own making. “I said, let me go. Or will you hold me here against my will?” He recoiled. His boots scraped back. She couldn’t see his expression, only the way he snatched his arms to his sides and stood stiff. He covered his face as if it weren’t already hidden by the dark. He muttered something into his palms, then they fell away. “I’m sorry,” he said. He tore open the curtain, and was gone.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
It occurred to her that she had never thanked Arin for bringing her piano here. She found him in the library and meant to say what she had come to say, yet when she saw him studying a map near the fire, lit by an upward shower of sparks as one log fell on another, she remembered her promise precisely because of how she longed to forget it. She blurted something that had nothing to do with anything. “Do you know how to make honeyed half-moons?” “Do I…?” He lowered the map. “Kestrel, I hate to disappoint you, but I was never a cook.” “You know how to make tea.” He laughed. “You do realize that boiling water is within the capabilities of anybody?” “Oh.” Kestrel moved to leave, feeling foolish. What had possessed her to ask such a ridiculous question anyway? “I mean, yes,” Arin said. “Yes, I know how to make half-moons.” “Really?” “Ah…no. But we can try.” They went into the kitchens. A glance from Arin cleared the room, and then it was only the two of them, dumping flour onto the wooden worktable, Arin palming a jar of honey out of a cabinet. Kestrel cracked an egg into a bowl and knew why she had asked for this. So that she could pretend that there had been no war, there were no sides, and that this was her life. The half-moons came out as hard as rocks. “Hmm.” Arin inspected one. “I could use these as weapons.” She laughed before she could tell herself it wasn’t funny. “Actually, they’re about the size of your weapon of choice,” he said. “Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
When we left, we were told it would be another month before the winner was announced. Then I felt really discouraged. Friends were telling me that my injuries and my fitness level guaranteed me the cover. I felt the opposite. I didn’t feel I was as fit as the others and I felt like the war was too controversial a topic for the magazine to want to feature a wounded veteran. I had completely talked myself out of even the slightest possibility of winning by the time I was back on a plane to New York a month later to find out the results. My family didn’t believe that I didn’t know already. They thought I’d been told and kept asking me about it. But I really didn’t know. The winner was being announced live on NBC’s Today show. I had made my peace with not winning and Jamie and I were just excited to go to New York and be on Today. We had a layover in Charlotte, North Carolina, and when we landed there I had a voice mail from my friend Billy. His message: “I thought we had to wait to see who won? It’s already out!” I clicked onto my Facebook app and saw that Billy had posted a picture of him and some of his buddies at a truck stop in Kentucky posing with a Men’s Health magazine--and I was on the cover! I was shocked. But even then I was convinced this wasn’t real. Maybe the editors had decided to give the cover to all three of us and we each had a different region of the country. It felt incredible to see myself on the cover of that magazine but I just wasn’t convinced I was the outright winner. Jamie and I got to our hotel room late. I called my contact at Men’s Health, Nora, and said, “I’ve already seen the magazine.” There was a beat on the other end of the line before she flatly said, “We’ll talk about it in the morning.” So Jamie and I went to bed. The next morning we met up with Finny and Kavan and headed over to 30 Rockefeller Plaza for the Today show. I didn’t say a word about what I’d seen. When we arrived, Nora was at the door. I waited for the others to go in before I said to her, “So we’re not going to talk about what we’re not going to talk about?” I was smirking a little but quickly wiped the grin off my face when I saw the look on Nora’s. “You’re not the only person in this competition, Noah. Not everyone knows.” Roger that. I wouldn’t say another word.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
She said, “Why can’t you see that people care for you?” She said, “I care for you.” “I know that you care. But…” He searched her face. “Anyone would, for a friend.” “You’re more than a friend.” “On the battlefield, you stayed--” “Of course I did.” “You have a strong sense of honor. You always have. I think you think you owe me something.” “I stayed because I love you.” He flinched and looked away. “You don’t mean that.” “Yes, I do.” The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure. There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin. He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else. He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them. He bit his lip. “That hurts?” “No.” “What is this? What happened?” “I’ll tell you,” he said. “Later.” His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin. “Kestrel…I’ve never--” She whispered that this was new for her, too. There was a long pause. “Are you certain you want--” “Yes.” “Because…” “Arin.” “Maybe you--” “Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound. When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She faced her pretend Arin. His scar was healed. His gray eyes were startlingly clear. “You’re not real,” she reminded him. “I feel real.” He brushed one finger across her lower lip. It suddenly seemed that there were no clouds in the sky, and that she sat in full sunshine. “You feel real,” he said. The puppy yawned, her jaws closing with a snap. The sound brought Kestrel to herself. She felt a little embarrassed. Her pulse was high. But she couldn’t stop pretending. Kestrel reached beneath her skirts to pull down a knee-high stocking. Arin made a sound. “I want to feel the grass beneath my feet,” Kestrel told him. “Someone’s going to see you.” “I don’t care.” “But that someone is me, and you should have a care, Kestrel, for my poor heart.” He reached under the hem of her dress to catch her hand in the act of pulling down the second stocking. “You’re treating me quite badly,” he said, and slid the stocking free, his palm skimming along the path of her calf. He looked at her. His hand wrapped around her bare ankle. Kestrel became shy…though she had known full well what she was doing. Arin grinned. With his free hand, he plucked a blade of grass. He tickled it against the sole of her foot. She laughed, jerking away. He let her go. He settled down beside her, lying on his stomach on the grass, propped up by his elbow. Kestrel lay on her back. She heard birdsong: high and long, with a trill at the end. She gazed up at the sky. It was blue enough for summer. “Perfect,” she said. “Almost.” She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said. The air smelled like new leaves. “You said you trusted me.” “I did.” He added, “I do.” “You are a dream.” He smiled. “I lied to you,” Kestrel said. “I kept secrets. I thought it was for the best. But it was because I didn’t trust you.” Arin shifted onto his side. He caressed her cheek lightly with the back of his hand. That trailing sensation felt like the last note of the bird’s song. “No,” he agreed, his voice gentle. “You didn’t.” Kestrel woke. The puppy was draped across her feet, sleeping. Her stockings lay in a small heap beside her. The sun had climbed in the sky. Her cheek was flushed, the skin tight: a little sunburned. The puppy twitched, still lost in sleep. Kestrel envied her. She rested her head again on the grass. She closed her eyes, and tried to find her way back into her dream.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.
Adam M. Grant (Originals: How Non-Conformists Move the World)
Before you were born, And were still too tiny for The human eye to see, You won the race for life From among 250 million competitors. And yet, How fast you have forgotten Your strength, When your very existence Is proof of your greatness. You were born a winner, A warrior, One who defied the odds By surviving the most gruesome Battle of them all. And now that you are a giant, Why do you even doubt victory Against smaller numbers, And wider margins? The only walls that exist, Are those you have placed in your mind. And whatever obstacles you conceive, Exist only because you have forgotten What you have already Achieved.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Old movies already in progress, already passed over twice, watched with indifference until orchestras swell over happy endings, new beginnings. The images black and white, the lie white. (Ours is a world of heroes and of winners, and rarely are they one in the same.)
J. Andrew Schrecker (Insomniacs, We)
Ronaldo moved from Real Madrid to Juventus ahead of the 2018-19 season. As he moved away from Lariga and moved his nest to Serie A, Messi and Ronaldo's face-to-face confrontation was often overlooked. "Real Madrid, without Ronaldo, will be a less powerful team," Messi said. Juventus, on the other hand, will be a clear winner of the Champions League. Because Juventus already had a great squad, and added to Ronaldo, "Ronaldo told the team about his presence and influence. "I have lived here (Barcelona) since I was thirteen, and all my life has been made here, I belong to the best team in the world, and this is probably the best city in the world. Also, all my children were born in Catalonia. I do not need to leave anyway, "he said, adding that he wanted to stay in Barcelona. ♥100%정품보장 ♥총알배송 ♥투명한 가격 ♥편한 상담 ♥끝내주는 서비스 ♥고객님 정보 보호 ♥깔끔한 거래 ◀경영항목▶ 수면제,여성-최음제,,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,드래곤,99정,바오메이,정력제,남성성기확대제,카마-그라젤,비닉스,센돔,꽃물,남성-조-루제,네노마정 등많은제품 판매중입니다 센돔 판매,센돔 구입방법,센돔 구매방법,센돔 효과,센돔 처방,센돔 파는곳,센돔 지속시간,센돔 구입,센돔 구매,센돔 복용법 News | "[Video] Huntelault Multi-goal, the class is alive!" Born in Argentina in 1987, Messi played in a youth soccer team in his hometown Rosario and was spotted by FC Barcelona scouts. At the age of 13, Barcelona scouted him for the potential of Messi, and Messi then moved to Barcelona, ​​where he lived for about 18 years. For Messiah, Barcelona is more than just a member of your team. Finally, Messi revealed his commitment to achieve the UEFA Champions League title in the 2018-19 season. "We have to focus on the Champions League. He has been eliminated in the last three years. I believe it is time to win. We have a brilliant squad, so we can do this (win).
Messi's 'Ronaldo transfer, UCL, and his future'
Every day we get to choose our attitudes. We can determine to be happy and look on the bright side--expecting good things, and believing we will accomplish our dreams--or we can elect to be negative by focusing on our problems, dwelling on what didn’t work out, and living worried and discouraged. These are the choices we all can make. Nobody can force you to have a certain attitude. Life will go so much better if you simply decide to be positive. When you wake up, choose to be happy. That is the fourth undeniable quality of a winner. Choose to be grateful for the day. Choose to look on the bright side. Choose to focus on the possibilities. A good attitude does not automatically come. If you don’t choose it, then more than likely you’ll default to a negative mind-set, thinking: “I don’t feel like going to work. I’ve got so many obstacles. Nothing good is in my future.” A negative attitude will limit your life. We all face difficulties. We all have tough times, but the right attitude is, “This is not permanent, it’s only temporary. In the meantime I’m going to enjoy my life.” Maybe you didn’t get the promotion you worked hard for, or you didn’t qualify for that house you wanted. You could easily live with a sour attitude. Instead, you should think: “That’s all right. I know something better is coming.” If you become caught in traffic, think positively: “I’m not going to be stressed. I know I’m at the right place at the right time.” If your medical report wasn’t good, you can choose to think: “I’m not worried. This too shall pass.” If your dream is taking longer than you thought, you can choose to think: “I’m not discouraged. I know the right people, and the right opportunities are already in my future, and at the right time it will come to pass.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Set your mind to positive When you have this positive mind-set, you cannot be defeated. No matter what comes your way, you shake it off and keep moving ahead. Life is like a car; you have a forward gear and a reverse gear. You decide which way you want to go. It doesn’t take any more effort to go forward than it does backward. If you choose to focus on the positive and keep your mind set on your possibilities, then you will move forward and see increase and favor. But if you dwell on the negative and stay focused on problems and what you don’t have, and how impossible your dream looks, that’s just like putting your car in reverse--you’ll go backward. It’s all about what you choose to dwell on. You can choose to dwell on what’s wrong with you or what’s right with you. You can choose to look at how far you’ve got to go, or you can look at how far you’ve already come. There is good and bad in every situation. If you’ll have the right attitude, you can always find the good.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
You may have had disappointments and unfair situations, but don’t make the mistake of living in a negative frame of mind. Instead of expecting more of the same, start expecting it to turn around. Don’t think you will barely get by; know that you will excel. Don’t expect to be overcome. Expect to be the overcomer. You may not always feel like it, but when you get up each day you need to remind yourself that you are more than a conqueror. Your greatest victories are still out in front of you. The right people, the right opportunities, the right breaks are already in your future. Now go out and be excited about the day, expecting things to change in your favor. Your attitude should be: “I’m expecting good breaks, to meet the right people, to see an increase in business, to get my child back on track, and for my health to improve. I’m expecting to be at the right place at the right time.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
One assumption that is already being shattered is the idea that only routine, semi-skilled jobs like taxi driving, food delivery, or household chores are susceptible. Even traditional professions like medicine and law are proving to be susceptible to platform models. We’ve already mentioned Medicast, which applies an Uber-like model to finding a doctor. Several platform companies are providing online venues where legal services are available with comparable ease, speed, and convenience. Axiom Law has built a $200 million platform business by using a combination of data-mining software and freelance law talent to provide legal guidance and services to business clients; InCloudCounsel claims it can process basic legal documents such as licensing forms and nondisclosure agreements at a savings of up to 80 percent compared with a traditional law firm.11 In the decades to come, it seems likely that the platform model will be applied—or at least tested—in virtually every market for labor and professional services. How will this trend impact the service industries—not to mention the working lives of hundreds of millions of people? One likely result will be an even greater stratification of wealth, power, and prestige among service providers. Routine and standardized tasks will move to online platforms, where an army of relatively low-paid, self-employed professionals will be available to handle them. Meanwhile, the world’s great law firms, medical centers, consulting partnerships, and accounting practices will not vanish, but their relative size and importance will shrink as much of the work they used to do migrates to platforms that can provide comparable services at a fraction of the cost and with far greater convenience. A surviving handful of world-class experts will increasingly focus on a tiny subset of the most highly specialized and challenging assignments, which they can tackle from anywhere in the world using online tools. Thus, at the very highest level of professional expertise, winner-take-all markets are likely to emerge, with (say) two dozen internationally renowned attorneys competing for the splashiest and most lucrative cases anywhere on the globe.
Geoffrey G. Parker (Platform Revolution: How Networked Markets Are Transforming the Economy and How to Make Them Work for You: How Networked Markets Are Transforming the Economy―and How to Make Them Work for You)
I've been reading poetry manuscripts for a poetry prize, not as many this time as in the past--I guess the screening process is more stringent than it used to be. But I haven't found a single book I can be enthusiastic about. I wish now I hadn't agreed to do it, because it puts me in a bind: I've already received and cashed the check, and I must choose a winner, I must write a statement about it, I must have my name attached to it. Which means, in effect, I must tell a lie and be a hypocrite. Of course I could write a check and turn down the assignment, late as it is. But that would bother me a lot too, it's not my style. Damn. These manuscripts--anonymous, but equally divided between women and men--are frightfully stylish and clever and Cantabridgian. Anyway to me they are, for all their brilliance, dry as dust, trivial, pretentious, over-refined, and unrewarding. Not the direction in which our poetry should be moving at this point--or at any point.
Hayden Carruth (Letters to Jane)
I've been reading poetry manuscripts for a poetry prize, not as many this time as in the past--I guess the screening process is more stringent than it used to be. But I haven't found a single book I can be enthusiastic about. I wish now I hadn't agreed to do it, because it puts me in a bind: I've already received and cashed the check, and I must choose a winner, I must write a statement about it, I must have my name attached to it. Which means, in effect, I must tell a lie and be a hypocrite. Of course I could write a check and turn down the assignment, late as it is. But that would bother me a lot too, it's not my style. Damn. These manuscripts--anonymous, buy equally divided between women and me--are frightfully stylish and clever and Cantabridgian. Anyway to me they are, for all their brilliance, dry as dust, trivial, pretentious, over-refined, and unrewarding. Not the direction in which our poetry should be moving at this point--or at any point.
Hayden Carruth (Letters to Jane)
Would you two just kiss and be done with it already?” Darren and I gape at her. Fire creeps up my neck, and I press my body against the window, as far from Darren as possible. “I thought you were asleep,” Darren says to her. “With the both of you whining like children? Please,” she huffs. “I’m going to the little girl’s room.” She stands and her long legs step over Tate’s without waking him. “Fix this or we’re all going to be miserable,” she whispers to Darren loud enough for me to hear. I face the window, but my eyes focus on Darren’s reflection. He scratches the top of his head through his curls, then slides his hand down, pressing his thumb and fingers over his eyelids. I’ve lost my nerve to bring up Bruno again. “Pippa.” He sighs. “I don’t want to argue with you.” I reach to grip the armrest between us but his hand is already taking up half of it. I’m caught off guard and I can’t decide if it’s more awkward to jerk my hand away or leave it there. Electricity runs up my arm when he hooks my pinkie with his. “Still crooked,” he says. “I’m lucky it’s still there, actually.” “Oh yeah?” “Yeah, some guy tried to bite it off once.” He releases my pinkie and tugs at a loose string on his shorts. “He sounds like a real winner.” I pick at a ripple in the fabric of the armrest. “He’s all right.” “I’m sorry,” he says. I’m surprised by the tightness in my throat. This week is going to kill me. “It’s just the little finger,” I deflect. “I’m sure I’d have survived.” “That’s not what I meant.” I swallow down the lump. “I know. It’s fine.” We sit in silence a moment before he points his pinkie at me and wiggles it closer and closer to my face. We erupt into laughter and Tate jolts awake, giving us the stink eye, which makes us laugh even harder. I’m clutching my stomach when Nina plops back down in her seat. She appraises us with wide eyes until a smirk plays at the corners of her mouth. “Now,” she says, “that’s more like it.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I was impressed, although unsurprised. She was obviously in the habit of thinking operationally, and was as matter-of-fact about it as she was effective. I’d already concluded she was trained. To that assessment I now added a probable minimum of several years of field experience.
Barry Eisler (Winner Take All (John Rain #3))
And immediately his fame spread abroad throughout all the region round about Galilee. Mark 1:28 There is a movement today among the youth to make Jesus famous across the world. Jesus is not looking for fame. He has already been famous. Fame is fleeting. Jesus is looking for us to share our faith and be bold soul winners for God. He is looking for people to repent and believe. Fame is futile and passing by the wayside, but the salvation of souls will last forever! It is not good to eat much honey: so for men to search their own glory is not glory. Proverbs 25:27 If you don’t worry about the praises of men, then you won’t worry about the contempt of men either. Someone can mock you or your ministry, and it is really no big deal. Why? You aren’t here to please people. You are here to please God alone.
Mark Cahill (Ten Questions from the King)
There is only one you. So the only point of life is to be you. That’s it. Whatever that is. Whatever that means. Nothing more. Nothing less. It’s just… a ride, ya know? There’s no winners. We’re all losers in the end. We’re all gonna die. So what’s the point in quitting the game early when we already know how it ends?
J.A. Huss (In to Her)
I never had a plan B. Not once tried to create one. Because I believe plan B's take away the focus of plan A. You're already putting yourself into the mindset that you're going to fail so you need to create another plan. Think of it like this, when you get on a plane. Do you think of what if the plane goes down? Or do you focus on getting there? Focus on plan A, getting there. Don't try to create a plan B, because you're already in the mindset that the plane will crash.
Isaac Tillman (Winners & Lovers)
The commissioners received thirty-three proposals; Vaux and Olmsted’s—entry no. 33—arrived on March 31, 1858, one day before the deadline. That deadline had already been pushed back a month, ostensibly to accommodate new specifications that had been added to the contest, but perhaps because Vaux and Olmsted weren’t ready. There’s no evidence the contest was rigged, but the second-, third-, and fourth-place winners also already
James Nevius (Footprints in New York: Tracing the Lives of Four Centuries of New Yorkers)
I heard Dad tell Grandpa it doesn’t matter how much money Blueberry is worth because she’s the biggest bitch he’s ever ridden, and her mean attitude already makes her a winner.
Elsie Silver (Heartless (Chestnut Springs, #2))
Real Japanese sword fights often ended after a very brief struggle lasting no more than half a second to two seconds. By the time the swords had clashed but once, one side had already fallen in a pool of blood. But before this moment, the opponents stared at each other like statues, sometimes for as long as ten minutes. During this contest, the swordsman’s weapon wasn’t held by the hands, but by his heart. The heart-sword, transformed through the eyes into the gaze, stabbed into the depths of the enemy’s soul. The real winner was determined during this process: In the silence suspended between the two swordsmen, the blades of their spirits parried and stabbed as soundless claps of thunder. Before a single blow was struck, victory, defeat, life, and death had already been decided.
Liu Cixin (Remembrance of Earth's Past: The Three-Body Trilogy (Remembrance of Earth's Past, #1-3))
Ross’s “arbitrage pricing theory” and Rosenberg’s “bionic betas” posited that the returns of any financial security are the result of several systematic factors. Although seemingly stating the obvious, this was a seminal moment in the move toward a more vibrant understanding of markets. The eclectic Rosenberg was even put on the cover of Institutional Investor in May 1978, the bald, mustachioed man depicted as a giant meditating guru with flowers in his hair, worshipped by a gathering of besuited portfolio managers. The headline was “Who Is Barr Rosenberg? And What the Hell Is He Talking About?”8 What he was talking about was how academics were beginning to classify stocks according to not just their industry or their geography, but their financial characteristics. And some of these characteristics might actually prove to deliver better long-term returns than the broader stock market. In 1973, Sanjoy Basu, a finance professor at McMaster University in Ontario, published a paper that indicated that companies with low stock prices relative to their earnings did better than the efficient-markets hypothesis would suggest. Essentially, he showed that the value investing principles espoused by Benjamin Graham in the 1930s—which revolved around buying cheap, out-of-favor stocks trading below their intrinsic worth—was a durable investment factor. By systematically buying all cheap stocks, investors could in theory beat the broader market over time. Then Banz showed the same for small caps, another big moment in the evolution of factor investing. Follow-up studies on smaller stocks in Japan and the UK showed similar results, so in 1986 DFA launched dedicated small-cap funds for those two markets as well. In the early 1990s, finance professors Narasimhan Jegadeesh and Sheridan Titman published a paper indicating that simply surfing market momentum—in practice buying stocks that were already bouncing and selling those that were sliding—could also produce market-beating returns.9 The reasons for these apparent anomalies divide academics. Efficient-markets disciples stipulate that they are the compensation investors receive for taking extra risks. Value stocks, for example, are often found in beaten-up, unpopular, and shunned companies, such as boring industrial conglomerates in the middle of the dotcom bubble. While they can underperform for long stretches, eventually their underlying worth shines through and rewards investors who kept the faith. Small stocks do well largely because small companies are more likely to fail than bigger ones. Behavioral economists, on the other hand, argue that factors tend to be the product of our irrational human biases. For example, just like how we buy pricey lottery tickets for the infinitesimal chance of big wins, investors tend to overpay for fast-growing, glamorous stocks, and unfairly shun duller, steadier ones. Smaller stocks do well because we are illogically drawn to names we know well. The momentum factor, on the other hand, works because investors initially underreact to news but overreact in the long run, or often sell winners too quickly and hang on to bad bets for far longer than is advisable.
Robin Wigglesworth (Trillions: How a Band of Wall Street Renegades Invented the Index Fund and Changed Finance Forever)