Almond Joy Love Quotes

We've searched our database for all the quotes and captions related to Almond Joy Love. Here they are! All 8 of them:

This is our world. Aye, there's more than enough of darkness in it. But over everything there's all this joy, Kit. There's all this lovely, lovely light.
David Almond (Kit's Wilderness)
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
David Weber (Mission of Honor (Honor Harrington, #12))
Nice, hey?’ Her voice was just a wisp of sound. He lifted his head slightly so his smile bathed her in sunshine. ‘Nice like the crown jewels in the Tower of London are nice.’ ‘Or Almond Joys are nice.’ He laughed. ‘Christ, I can’t stay mad at you. You’re fucking irresistible. What the hell are we going to do?’ ‘I don’t know about we, but moi is going to love you to pieces. You’re way better even than an Almond Joy.’ ‘And I can make this way better, baby.’ Unwinding her legs from his waist, he stood up, grasped her thighs lightly and set the swing in motion.
C.C. Gibbs (All He Desires (All or Nothing, #3))
they had never been apart, and there was nothing Evelyn could do about it but unwrap her Almond Joy candy bar and sit there for the duration. “The front yard had a great big old chinaberry tree. I remember, we’d pick those little chinaberries all year long, and at Christmas, we’d string them and wrap them all around the tree from top to bottom. Momma was always warning us not to put chinaberries up our nose, and of course the first thing Idgie did, as soon as she learned to walk, was to go out in the yard and put chinaberries up her nose and in her ears as well. To the point that Dr. Hadley had to be called! He told Momma, ‘Mrs. Threadgoode, it looks like you’ve got yourself a little scalawag on your hands.’ “Well, of course Buddy just loved to hear that. He encouraged her every step of the way. But that’s how it is in big families. Everybody has their favorite. Her real name was Imogene, but Buddy started calling her Idgie. Buddy was eight when she was born, and he used to carry her all over town, just like she was a doll. When she got old enough to walk, she’d paddle around after him like a little duck, dragging that little wooden rooster behind her. “That Buddy had a million-dollar personality, with those dark eyes and those white teeth…he could charm you within an inch of your life. I don’t know of a girl in Whistle
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
More than putting another man on the moon, more than a New Year’s resolution of yogurt and yoga, we need the opportunity to dance with really exquisite strangers. A slow dance between the couch and dinning room table, at the end of the party, while the person we love has gone to bring the car around because it’s begun to rain and would break their heart if any part of us got wet. A slow dance to bring the evening home, to knock it out of the park. Two people rocking back and forth like a buoy. Nothing extravagant. A little music. An empty bottle of whiskey. It’s a little like cheating. Your head resting on his shoulder, your breath moving up his neck. Your hands along her spine. Her hips unfolding like a cotton napkin and you begin to think about how all the stars in the sky are dead. The my body is talking to your body slow dance. The Unchained Melody, Stairway to Heaven, power-cord slow dance. All my life I’ve made mistakes. Small and cruel. I made my plans. I never arrived. I ate my food. I drank my wine. The slow dance doesn’t care. It’s all kindness like children before they turn four. Like being held in the arms of my brother. The slow dance of siblings. Two men in the middle of the room. When I dance with him, one of my great loves, he is absolutely human, and when he turns to dip me or I step on his foot because we are both leading, I know that one of us will die first and the other will suffer. The slow dance of what’s to come and the slow dance of insomnia pouring across the floor like bath water. When the woman I’m sleeping with stands naked in the bathroom, brushing her teeth, the slow dance of ritual is being spit into the sink. There is no one to save us because there is no need to be saved. I’ve hurt you. I’ve loved you. I’ve mowed the front yard. When the stranger wearing a shear white dress covered in a million beads comes toward me like an over-sexed chandelier suddenly come to life, I take her hand in mine. I spin her out and bring her in. This is the almond grove in the dark slow dance. It is what we should be doing right now. Scrapping for joy. The haiku and honey. The orange and orangutan slow dance.
Matthew Dickman
They don’t really light up when they are stimulated. So I don’t know why people laugh or cry. Joy, sorrow, love, fear—all these things are vague ideas to me. The words “emotion” and “empathy” are just meaningless letters in print.
Sohn Won-Pyung (Almond)
As Rosie expected, Chef Petit said they were starting with pâtisserie. Specifically, with classic French tarts, and today, with the tart shells. With the three most widely used different kinds of crust. Finally, something Rosie knew! Her hand shot in the air, and Rosie noticed that the only other person in the room with his hand in the air was Bodie Tal. But Chef Petit must have recognized her, too, because he called on her, not Bodie. And she felt like Hermione, rattling off the differences between pâté brisée, a standard, unsweetened dough for sweet or savory fillings; pâté sucrée, a sugared dough achieved by creaming the butter and sugar; and pâté sablée, a crumbly, delicate, almost cookielike dough, sometimes enriched with almond flour. Ten points to Rosie! She felt flush with triumph. Finally, she wasn't an idiot. "Excellent," Chef Petit said genially, and he began two expound further upon what Rosie said. "What a bloody showoff," Priya said, teasing. Rosie bumped her with her shoulder. Chef Petit wrote the ingredients for pâté brisée on the whiteboard, informing them that they'd be making all three doughs today, then setting them in the fridge to chill until tomorrow- all crust, no matter what you did with it, was improved by a good chilling. Tomorrow, they'd do quiche, and tarte au citron, and a fresh fruit tart with crème pâtissière, and they'd move on to puff pastry and tarte tatin, and Rosie could barely restrain the shout of joy that threatened to erupt from her chest. But she restrained it, and moved through the kitchen as sedately as possible, collecting her ingredients and measuring cups.
Stephanie Kate Strohm (Love à la Mode)
The two had a special reason for loving the plum candy. Because it has both sweet and blood taste. The candy was white with a mysterious sheen and a red stripe across its surface. Rolling it inside their mouths was one of their precious little joys. The red stripe would often cut their tongues as it melted away first. “I know this sounds funny, but the salty blood taste actually goes well with the sweetness,” Granny would say with a wide smile, a bag of plum candies in her arms, while Mom looked for ointment.
Sohn Won-Pyung (Almond)