Almanac Of The Dead Quotes

We've searched our database for all the quotes and captions related to Almanac Of The Dead. Here they are! All 28 of them:

Because if you weren't born white, you were forced to see differences; or if you weren't born what they called normal, or if you got injured, then you were left to explore the world of the different.
Leslie Marmon Silko (Almanac of the Dead)
The truth of course was otherwise, but Lecha had never felt she owed anyone the truth, unless it was truth about their own lives, and then they had to pay her to tell them.
Leslie Marmon Silko (Almanac of the Dead)
There was not, and there never had been, a legal government by Europeans anywhere in the Americas. Not by any definition, not even by the Europeans’ own definitions and laws. Because no legal government could be established on stolen land.
Leslie Marmon Silko (Almanac of the Dead)
There will always be pigeons in books and in museums, but these are effigies and images, dead to all hardships and to all delights. Book-pigeons cannot dive out of a cloud to make the deer run for cover, or clap their wings in thunderous applause of mast-laden woods. Book-pigeons cannot breakfast on new-mown wheat in Minnesota, and dine on blueberries in Canada. They know no urge of seasons; they feel no kiss of sun, no lash of wind and weather. They live forever by not living at all.
Aldo Leopold (A Sand County Almanac and Sketches Here and There)
The powers who controlled the United States didn't want the people to know their history. If the people knew their history, they would realize they must rise up.
Leslie Marmon Silko (Almanac of the Dead)
Even idiots can understand a church that tortures and kills is a church that can no longer heal.
Leslie Marmon Silko (Almanac of the Dead)
The white man had violated the Mother Earth, and he had been stricken with the sensation of a gaping emptiness between his throat and his heart.
Leslie Marmon Silko (Almanac of the Dead)
Sacred time is always in the Present.
Leslie Marmon Silko (Almanac of the Dead)
The real jewel of my disease-ridden woodlot is the prothonotary warbler. He nests in an old woodpecker hole, or other small cavity, in a dead snag overhanging water. The flash of his gold-and-blue plumage amid the dank decay of the June woods is in itself proof that dead trees are transmuted into living animals, and vice versa. When you doubt the wisdom of this arrangement, take a look at the prothonotary.
Aldo Leopold (A Sand County Almanac)
We don’t believe in boundaries. Borders. Nothing like that. We are here thousands of years before the first whites. We are here before maps or quit claims. We know where we belong on this earth. We have always moved freely. North-south. East-west. We pay no attention to what isn’t real. Imaginary lines. Imaginary minutes and hours. Written law. We recognize none of that. And we carry a great many things back and forth. We don’t see any border. We have been here and this has continued thousands of years.
Leslie Marmon Silko (Almanac of the Dead)
The white man had sprinkled holy water and had prayed for almost five hundred years in the Americas, and still the Christian God was absent. Now Clinton understood why European philosophers had told their people God was dead: the white man’s God had died about the time the Europeans had started sailing around the world. In the Americas the white man never referred to the past but only to the future. The white man didn’t seem to understand he had no future here because he had no past, no spirits of ancestors here.
Leslie Marmon Silko (Almanac of the Dead)
Earth was their mother, but her land and water could never be desecrated; blasted open and polluted by man, but never desecrated. Man only desecrated himself in such acts; puny humans could not affect the integrity of Earth. Earth always was and would ever be sacred. Mother Earth might be ravaged by the Destroyers, but she still loved the people.
Leslie Marmon Silko (Almanac of the Dead)
As the human soul approached death, it got more and more restless and more and more energy for wandering, a preparation for all eternity where the old people believed no one would rest or sleep but would range over the earth and between the moon and stars, traveling on winds and clouds, in constant motion with ocean tides, migrations of birds and animals, pulsing within all life and all beings ever created,
Leslie Marmon Silko (Almanac of the Dead)
The humans would not be a great loss to the earth. The energy or “electricity” of a being’s spirit was not extinguished by death; it was set free from the flesh. Dust to dust or as a meal for pack rats, the energy of the spirit was never lost. Out of the dust grew the plants; the plants were consumed and became muscle and bone; and all the time, the energy had only been changing form, nothing had been lost or destroyed.
Leslie Marmon Silko (Almanac of the Dead)
What was coming could not be stopped; the people might join or not […] It made no difference because what was coming was relentless and inevitable; it might require five or ten years of great violence and conflict. It might require a hundred years of spirit voices and simple population growth, but the result would be the same: tribal people would retake the Americas; tribal people would retake ancestral land all over the world. This was what earth’s spirits wanted: her indigenous children who loved her and did not harm her.
Leslie Marmon Silko (Almanac of the Dead)
The almanac cut her and her babies adrift; she and they fell into the vast ocean of ordinary people, whose births and deaths and marriages are, like their loves and fears and breakfast preferences, too insignificant to be worth recording for posterity. Charlie, though, was a male. The almanac could stretch itself—just—to include him, though the dimness of insignificance was already casting its shadow. Information was scant. His name was Charles Angelfield. He had been born. He lived at Angelfield. He was not married. He was not dead. As far as the almanac was concerned, this information was sufficient.
Diane Setterfield (The Thirteenth Tale)
The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marines' consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.
Gabriel García Márquez (Collected Stories)
What are we to do with the knowledge that Tayo was once a woman? That Ceremony held but abandoned considerable investments in Chicana identity, in urban life, and shades of acculturation? By outlining the trajectory of a composition process, drafts can be indicative of important variables in a finished work. The Angie drafts show that (despite Silko’s efforts to deflect it) considerable pressure can be brought to bear upon the choice of a male protagonist for the novel and upon the shallowness of its representation of human women, as well as upon the choice of a 1940s setting, and even on the rural setting and the novel’s form. Ceremony
David L. Moore (Leslie Marmon Silko: Ceremony, Almanac of the Dead, Gardens in the Dunes (Bloomsbury Studies in Contemporary North American Fiction))
All across earth there were those listening and waiting, isolated and lonely, despised outcasts of the earth. First the lights would go out— dynamite or earthquake, it did not matter. All sources of electrical power generation would be destroyed. Darkness was the ally of the poor. [...] With the return of Indian land would come the return of justice, followed by peace.
Leslie Marmon Silko (Almanac of the Dead)
In my dissertation the novels I’d chosen were astonishing pieces of noisy art. White Noise and Almanac of the Dead and Empire of the Senseless - a book which I promise you, if you’ve never read it, will scrape your eyeballs
Lidia Yuknavitch (The Chronology of Water)
But emotion, for most people, too often is like some sort of slumbering giant, lulled to sleep by preoccupation with the dead facts of that outer world we call objective. When we look at a painting, we see a price tag. A trip is logistics more than pleasure. Romance dies in household routine. Yet life without feeling is a sort of death. Most of us know this. So, we long wistfully for speeded heartbeat, sharpened senses, brighter colors. This search for feeling is what turns your reader to fiction; the reason why he reads your story. He seeks a reawakening: heightened pulse; richer awareness. Facts are the least of his concern. For them, he can always go to the World Almanac or Encyclopedia Britannica.
Dwight V. Swain (Techniques of the Selling Writer)
The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marine's consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.
Gabriel García Márquez (Leaf Storm and Other Stories)
Christianity might work on other continents and with other human beings; Yoeme did not dispute those possibilities. But from the beginning in the Americas, the outsiders had sensed their Christianity was somehow inadequate in the face of the immensely powerful and splendid spirit beings who inhabited the vastness of the Americas. The Europeans had not been able to sleep soundly on the American continents, not even with a full military guard.
Leslie Marmon Silko (Almanac of the Dead)
Indians flung across the world forever separated from their tribes and from their ancestral lands—that kind of thing had been happening to human beings since the beginning of time. African tribes had been sold into slavery all over the earth.
Leslie Marmon Silko (Almanac of the Dead)
AFTER THE NIGHT rain, a blue mist rose above the rolling green llanos from dawn until noon. A hundred miles in the distance, the high mountains were still hidden in clouds, and it had been easy for David to imagine he was Adam in the Garden. For as far as he could see to the south and the west, there were no jet vapor trails, no engine sounds, no glitter of metal or glass, no dogs barking, no human voice; only the insects whirring and the calls of birds.
Leslie Marmon Silko (Almanac of the Dead)
No wonder the blood sacrifices and the blood-spilling had stopped when the people reached this high desert plateau; every drop of moisture, every drop of blood, each tear, had been made precious by this arid land.
Leslie Marmon Silko (Almanac of the Dead)
Because people everywhere had forgotten the spirits, the spirits of all their ancestors who had preceded them on these vast continents. Yes, the Americas were full of furious, bitter spirits; five hundred years of slaughter had left the continents swarming with millions of spirits that never rested and would never stop until justice had been done.
Leslie Marmon Silko (Almanac of the Dead)
The ancestors had called Europeans “the orphan people” and had noted that as with orphans taken in by selfish or coldhearted clanspeople, few Europeans had remained whole. They failed to recognize the earth was their mother. Europeans were like their first parents, Adam and Eve, wandering aimlessly because the insane God who had sired them had abandoned them.
Leslie Marmon Silko (Almanac of the Dead)