“
Because time is cruel to all, and crueler still to artists. Because visions weakens, and voices wither, and talent fades.... Because happiness is brief, and history is lasting, and in the end... everyone wants to be remembered
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Nothing is all good or all bad,” she says. “Life is so much messier than that.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Happiness is the most insidious prison of all.
”
”
Alan Moore (V for Vendetta)
“
V-Day…if you need this one day in a year to show everyone else you truly care for “your loved one” I think it’s quite stupid. I hate this commercialism. It’s all artificial, and has nothing to do with real love.
”
”
Jess C. Scott (EyeLeash: A Blog Novel)
“
Being forgotten, she thinks, is a bit like going mad. You begin to wonder what is real, if you are real. After all, how can a thing be real if it cannot be remembered?
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
My mother said I broke her heart...but it was my integrity that was important. Is that so selfish? It sells for so little, but it's all we have left in this place. It is the very last inch of us...but within that inch we are free.
”
”
Alan Moore (V for Vendetta)
“
But these words people threw around - humans, monsters, heroes, villains - to Victor it was all just a matter of semantics. Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
Yelena, you've driven me crazy. You've caused me considerable trouble and I've contemplated ending your life twice since I've known you." Valek's warm breath in my ear sent a shiver down my spine.
"But you’ve slipped under my skin, invaded my blood and seized my heart.”
“That sounds more like a poison than a person,” was all I could say. His confession had both shocked and thrilled me.
“Exactly,” Valek replied. “You have poisoned me.
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
corrode, v.
I spent all this time building a relationship. Then one night I left the window open and it started to rust.
”
”
David Levithan (The Lover's Dictionary)
“
Life isn't made of choices, it's made of trades. Some are good, some are bad, but they all have a cost.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
All things are ready, if our mind be so.
”
”
William Shakespeare (Henry V)
“
The ending is nearer than you think, and it is already written. All that we have left to choose is the correct moment to begin.
”
”
Alan Moore (V for Vendetta)
“
Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that – everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.
”
”
Virginia Woolf
“
I have never known what to make of you. Not since the day we met. And it terrifies me. You terrify me. And the idea of you walking away again, vanishing from my life, that terrifies me most of all.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Aurelia, not all those women are uppity aristocratic bitches. Most of them are normal nice girls trying to survive in shark-infested waters, so if you want to make a difference, why not go in there and change the way things work?" "How?" Marcus smiled deviously. "By unseating the queen bee and changing the rules." "That sounds like a great idea, Colonel. Lead me to the beehive.
”
”
Therisa Peimer (Taming Flame)
“
But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you.
”
”
Alan Moore (V for Vendetta)
“
If all mankind minus one, were of one opinion, and only one person were of the contrary opinion, mankind would be no more justified in silencing that one person, than he, if he had the power, would be justified in silencing mankind.
”
”
John Stuart Mill (On Liberty)
“
My beloved is the sun
And I am the earth that thrives only in her warmth. My beloved is the rain
And I am the grass that thirsts for her quenching kiss. My beloved is the wind
And I am the wings that soar when she fills me with her gentle strength.
My beloved is the rock
Upon which rests the happiness of all my days.
—The Elements of Love, a poem by Aileron v'En Kavali of the Fey
”
”
C.L. Wilson (Lord of the Fading Lands (Tairen Soul, #1))
“
You are the most dangerous kind of female the world can ever know. You carry the seeds for your own destruction and the destruction of everyone who loves you. And a great many will love you for your beautiful face for your seductive body; but you will fail them all because you will believe they all fail you first. You are an idealist of the worst kind - the romantic idealist. Born to destroy and self destruct.
”
”
V.C. Andrews (Fallen Hearts (Casteel, #3))
“
There were a hundred shades between a truth and lie, and she knew them all.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Death comes for us all," said Holland evenly. "I would simply have mine mean something.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Other people would call him sensitive, but it is more than that. The dial is broken, the volume turned all the way up. Moments of joy registered as brief, but ecstatic. Moments of pain stretched long and unbearably loud.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
After all, if you run far enough, no one can catch you.
”
”
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
“
There is a reason for everything, Opal. You might not be able to figure it out, and time might have made us all forget it, but the reason is there all the same.
”
”
Maria V. Snyder (Storm Glass (Glass, #1))
“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
Many have tried to kill us. All have failed.
-Valek
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
You can trust a few some of the time, and most none of the time. Feel lucky if you have even one to trust all of the time.
”
”
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
“
My nails dug into his back, and he trailed his lips down the edge of my chin, down the center of my neck. He kept going until he reached the bottom of the dress’s V-neck. I let out a small gasp, and he kissed all around the neckline, just enough to tease.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
But wise is the man who disdains no character, but with searching glance explores him to the root and cause of all.
”
”
Nikolai Gogol (Dead Souls)
“
His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although it‘s none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like V‘lane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped.
"Sometimes it‘s over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldn‘t find you. You‘ll have to choose a new bedroom, too. And I‘m sorry your pretty little world got all screwed up, but everybody‘s does, and you go on. It‘s how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
And Tarquin,’ Semilla said quietly. ‘He has been in league with them all along?’
‘Yes, I am afraid so,’ Rupert confirmed.
”
”
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
“
They crashed into each other as if propelled by gravity, and he didn't know which one of them was the object and which the earth, only that they were colliding. The kiss was Lila pressed into a single gesture. Her brazen pride and her stubborn resolve, her recklessness and her daring and her hunger for freedom. It was all those things, and it took Kell's breath away.
”
”
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
“
You usually can’t recall all the people you’ve shared laughs with. But you rarely forget the people you’ve shared your tears with.
”
”
Mya Robarts (The V Girl: A Coming of Age Story)
“
Myths do not happen all at once.
They do not spring forth whole into the world. They form slowly, rolled between the hands of time until their edges smooth, until the saying of the story gives enough weight to the words—to the memories—to keep them rolling on their own.
But all stories start somewhere, and that night, as Rhy Maresh walked through the streets of London, a new myth was taking shape.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Muhammad (PBUH) is not the father of any man among you, but He is Messenger of Allah and the last of the Prophets. And Allah is Ever AllAware of everything." (Surah Ahzaab Ch33 V40)
”
”
Anonymous (القرآن الكريم)
“
All she knows is that she is tired, and he is the place she wants to rest. And that, somehow, she was happy. But it is not love.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Anarchy wears two faces, both creator and destroyer. Thus destroyers topple empires; make a canvas of clean rubble where creators then can build another world. Rubble, once achieved, makes further ruins' means irrelevant.
Away with our explosives, then!
Away with our destroyers! They have no place within our better world.
But let us raise a toast to all our bombers, all our bastards, most unlovely and most unforgivable.
Let's drink their health... then meet with them no more.
”
”
Alan Moore (V for Vendetta)
“
We are all immortal until proven otherwise?
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
Some people were matches, a bit of light and no heat. And some were furnaces, all heat but little light. And then, once in a blue moon, there was a bonfire, something so hot and bright you couldn't stand too near without burning.
”
”
Victoria E. Schwab (Vengeful (Villains, #2))
“
Eve: All this riot and uproar, V... is this Anarchy? Is this the Land of Do-As-You-Please?
V: No. This is only the land of take-what-you-want. Anarchy means "without leaders", not "without order". With anarchy comes an age or ordnung, of true order, which is to say voluntary order... this age of ordung will begin when the mad and incoherent cycle of verwirrung that these bulletins reveal has run its course... This is not anarchy, Eve. This is chaos.
”
”
Alan Moore (V for Vendetta)
“
Like wildflowers; You must allow yourself to grow in all the places people thought you never would.
”
”
E.V
“
Don't worry. I'm only your escort tonight. I would offer to protect you from the drunken attentions of the other men, but I know all to well that you're quite capagble of holding your own. You're probably armed. Right?"
Always.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
Butch nodded, finding as comfortable a bite as he could on the leather. He braced himself as V lifted an arm.
Except when his roommate's palm landed on his bare chest all he felt was a warm weight. Butch frowned. This was it? This was fucking it? Scaring the shit out of Marissa for no good-
He looked down, pissed off.
Oh, wrong hand.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
After all, we make ourselves according to the ideas we have of our possibilities.
”
”
V.S. Naipaul (A Bend in the River)
“
I peered deeper and found my soul. A little tattered and with some holes, but there all the same. It had always been there, I realized with shock.
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
How do you know when the Sarows is coming?
(Is coming is coming is coming aboard)
When the wind dies away but still sings in your ears,
(In your ears in your head in your blood in your bones.)
When the current goes still but the ship, it drifts along,
(Drifts on drifts away drifts alone.)
When the moon and the stars all hide from the dark,
(For the dark is not empty at all at all.)
(For the dark is not empty at all.)
How do you know when the Sarows is coming?
(Is coming is coming is coming aboard)
Why you don't and you don't and you won't see it coming,
(You won't see it coming at all.)
”
”
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
“
I love you, but why must you love the law? 'Tis plain for all to see that she's a whore...that virtuous persons have no need to woo; that villains screw, then studiously ignore.
”
”
Alan Moore (V for Vendetta)
“
Your Honor, years ago I recognized my kinship with all living beings, and I made up my mind that I was not one bit better than the meanest on earth. I said then, and I say now, that while there is a lower class, I am in it, and while there is a criminal element I am of it, and while there is a soul in prison, I am not free.
”
”
Eugene V. Debs
“
I do not want to belong to someone else. I do not want to belong to anyone but myself. I want to be free. Free to live, and to find my own way, to love, or to be alone, but at least it is my choice, and I am so tired of not having choices, so scared of the years rushing past beneath my feet. I do not want to die as I’ve lived, which is no life at all.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Inside of all of us there is the need and the desire to be heard, to have our innermost thoughts, feelings and desires expressed for others to hear, to see and to understand. We all want to matter to someone, to leave a mark. Writers just take those thoughts, feelings and desires and express them in such a way that the reader not only reads them but feels them as well.
”
”
Vicktor Alexander
“
I don't pretend to see the path, but I know it's there all the same. One day, we'll look back and wonder how we ever missed it.
”
”
Peter V. Brett (The Warded Man (The Demon Cycle, #1))
“
Her amber eyes burned into mine with all the hate and loathing she could muster. Underneath, though, she was terrified. Hate and loathing didn't bother me, but fear was a powerful emotion. Fear causes the dog to bite and Roze was one bitch.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
But the truth is, death is everywhere. Death comes for the roses and the apples, it comes for the mice and the birds. It comes for us all. Why should death stop us from living?
”
”
Victoria E. Schwab (Gallant)
“
I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.
”
”
Thomas Pynchon (V.)
“
Life at H.I.V.E. may have its attractions after all, Otto thought. Friends, as they say, may come and go, but high-powered laser weapons are forever.
”
”
Mark Walden (H.I.V.E. Higher Institute of Villainous Education (H.I.V.E., #1))
“
How can a three-pound mass of jelly that you can hold in your palm imagine angels, contemplate the meaning of infinity, and even question its own place in the cosmos? Especially awe inspiring is the fact that any single brain, including yours, is made up of atoms that were forged in the hearts of countless, far-flung stars billions of years ago. These particles drifted for eons and light-years until gravity and change brought them together here, now. These atoms now form a conglomerate- your brain- that can not only ponder the very stars that gave it birth but can also think about its own ability to think and wonder about its own ability to wonder. With the arrival of humans, it has been said, the universe has suddenly become conscious of itself. This, truly, it the greatest mystery of all.
”
”
V.S. Ramachandran (The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human)
“
-BDB on the board-
Knitter's Anonimous
May 8, 2006
Rhage (in his bedroom posting in V's room on the board)
Hi, my name is V.
("Hi, V")
I've been knitting for 125 years now.
(*gasping noises*)
It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks.
(*sounds of sympathy*)
I've come seeking a community of people who, like me, are trying not to knit.
Can you help me?
(*We're with you*)
Thank you (*takes out hand-knitted hankie in pink*)
(*sniffles*)
("We embrace you, V")
Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother.
Rhage: Four words? Okay...lemme see... Rhage, you're so sexy.
hmmm....
Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me.
Vishous: First one starts with a "P"
Use your head for the other three.
Bastard.
Rhage: P? Hmm... Please pass the yarn
Vishous: Payback is a bitch!
Rhage: Ohhhhhhhhhhhh
I'm so scuuuuuurred.
Can you whip me up a blanket to hide under?
”
”
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
“
Kell wore a very peculiar coat.
It had neither one side, which would be conventional, nor two, which would be unexpected, but several, which was, of course, impossible.
The first thing he did whenever he stepped out of one London and into another was take off the coat and turn it inside out once or twice (or even three times) until he found the side he needed. Not all of them were fashionable, but they each served a purpose. There were ones that blended in and ones that stood out, and one that served no purpose but of which he was just particularly fond.
”
”
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
“
Of all the ways to die, only a fool chooses pride.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
I want you, Anastasia,” he murmurs. “I love and I hate, and I love arguing with you. It’s very new. I need to know that we’re okay. It’s the only way I know how.”
“My feelings for you haven’t changed,” I whisper.
His proximity is overwhelming, exhilarating. The familiar pull is there, all my synapses goading me toward him, my inner goddess at her most libidinous. Staring at the patch of hair in the V of his shirt, I bite my lip, helpless, driven by desire—I want to taste him there.
He’s so close, but he doesn’t touch me. His heat is warming my skin.
“I’m not going to touch you until you say yes,” he says softly. “But right now, after a really shitty morning, I want to bury myself in you and just forget everything but us.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
ONCE upon a time, when the marks on his back were still fresh, Eli told himself that he was growing wings.
After all, his mother thought Eli was an angel, even if his father said he had the devil in him.
”
”
Victoria E. Schwab (Vengeful (Villains, #2))
“
And bring me back that knife,” she added. “It’s my favorite one.”
Kell shook his head, and freed the blade from where it had lodged in the wood. “They’re all your favorite.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Happiness is a prison, Evey. Happiness is the most insidious prison of all.
”
”
Alan Moore (V for Vendetta)
“
Lief. That's not nice, considering all your sister has done for you," admonished Perl.
"Oh right. How could I forget that she made me bait for a snake, left me on house arrest in Ixia, and smuggled me into the Keep in a coffin.
”
”
Maria V. Snyder (Fire Study (Study, #3))
“
Those deep hazel eyes held his and didn't blink.
"You'd be amazed what I would do to keep you alive."
Abruptly, V's mouth opened, his breath growing tight. And as the two of them stood chest-to-chest, he knew every inch of his body, felt it all at once.
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
He's of the colour of the nutmeg. And of the heat of the ginger.... he is pure air and fire; and the dull elements of earth and water never appear in him, but only in patient stillness while his rider mounts him; he is indeed a horse, and all other jades you may call beasts.
”
”
William Shakespeare (Henry V)
“
You had lots of visitors, but they were all quiet."
"Oh real funny. Tease the blind man."
~Trella to Logan, pg. 114-115
”
”
Maria V. Snyder (Outside In (Insider, #2))
“
Years ago I recognized my kinship with all living things, and I made up my mind that I was not one bit better than the meanest on the earth. I said then and I say now, that while there is a lower class, I am in it; while there is a criminal element, I am of it; while there is a soul in prison, I am not free.
”
”
Eugene V. Debs (Debs: His Life, Writings and Speeches)
“
Indeed, the line between perceiving and hallucinating is not as crisp as we like to think. In a sense, when we look at the world, we are hallucinating all the time. One could almost regard perception as the act of choosing the one hallucination that best fits the incoming data.
”
”
V.S. Ramachandran (The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human)
“
He shook his head, just looking at me.
- "What?" I asked.
- "Nothing" he said.
- "Why are you looking at me like that?"
Augustus half smiled. "Because you`re beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence." A brief awkward silence ensued. Augustus plowed through: "I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything."
I kind of scoffed or sighed or exhaled in a way that was vaguely coughy and then said, "I`m not beau-"
- "You are like a millennial Natalie Portman. Like V for Vendetta Natalie Portman."
- "Never seen it."
- "Really?" he asked. "Pixie-haired gorgeous girl dislikes authority and can`t help but fall for a boy she knows is trouble. It`s your autobiography, so far as I can tell."
His every syllable flirted. Honestly, he kind of turned me on. I didn`t even know that guys could turn me on - not, like, in real life.
”
”
John Green
“
Rhy shook his head, exasperated. “Kell isn't the only one you fail to understand. My bond with him didn't start with this curse. You wanted him to kill for me, die for me, protect me at all costs. Well, Mother, you got your wish. You simply failed to realize that that kind of love, that bond, it goes both ways. I would kill for him, and I would die for him, and I will protect him however I am able, from Faro and Vesk, from White London, and Black London, and from you.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Love … I put so much faith in it. Truth … I kept believing it falls always from the lips of the one you love and trust the most. Faith … it’s all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
Wrath: What the hell are you supposed to ask?
Rhage: I know! Who do you like the most? It's me right?Come on, you know it is. Come oooooonnnnn-
Butch: If its you,, I'll kill myself.
V: No, that just means she's blind.
Rhage: It has to be me.
V: She said she didn't like you at first.
Rhage: Ah, but I won her over, which is more than anyone else can say about you, hot stuff.
J.R.: I don't like anyone the best
Wrath: Right answer.
Rhage: She's just sparing all of you feelings. (grins, becoming impossibly handsome) She's so polite.
J.R.: Next question?
Rhage: Why do you like me the best?
”
”
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
“
At first, it feels as if she has vanished forever, and all traces are destroyed. But later, when the pain of loss doesn't overwhelm all your other feelings, every time you think of her, or hear her voice in your head, or remember a happy time together, you realize she's still a part of you and will never be totally gone.
”
”
Maria V. Snyder (Storm Glass (Glass, #1))
“
I'm sorry," Butch croaked. "Oh God, I'm so sorry..."
V put his arm out and curled it around the cop. Pulling the male close to his chest, he laid his head down on his buddy's.
"It's okay," He said roughly. "It's all right. It's okay...You did the right thing...
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
Nothing is all good or all bad," she says. "Life is so much messier than that."
And there in the dark, he asks if it was really worth it.
Were the instants of joy worth the stretches of sorrow?
Were the moments of beauty worth the years of pain?
And she turns her head, and looks at him, and says, "Always.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
And when I fall in love,” I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
Before the man could answer V cursed "If I have to hear all that Keanu Reeves, Matrix, I am Neo' kind of shit my head's going to explode."
"Don't you mean Neon?" Butch shot back "Cause he reminds me of the Citgo sign."
Wraths head turned "Shut the fuck up. All of you.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
I. Those of us born by water are never afraid enough of drowning. Bruises used to trophy my knees from my death-defying tree climb jumps. Growing up, my backyard was a forest of blackberry bushes. I learned early nothing sweet will come to you unthorned.
II. At twelve your body becomes a currency. So Jenny and I sat down and cut up all our clothes into nothing. That year I failed math class but knew the exact number of calories in a carrot stick. I learned early being desired goes hand in hand with hunger.
III. The last time I tried to scream I felt my father climbing up through my throat and into my mouth.
IV. There is a certain kind of girl who reads Lolita at fourteen and finds religion. I painted my eyes black and sucked barroom cherries to red my tongue. There was a boy who promised Judas really did love Jesus. I learned early every kiss and betrayal are up for interpretation.
V. I think he must have conferenced with my nightmares on exactly how to hurt me.
VI. He never broke my heart. He only turned it into a compass that always points me back to him.
”
”
Clementine von Radics
“
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
”
”
Alan Moore (V for Vendetta)
“
And when the girl looks at him, she doesn't see perfect. She sees someone who cares too much, who feels too much, who is lost, and hungry, and wasting inside his curse. She sees the truth, and he doesn't know how, or why, only knows that he doesn't want it to end. Because for the first time in months, in years, his whole life, perhaps, Henry doesn't feel cursed at all. For the first time, he feels seen.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
You had me tied in knots. You saved Belen's life, and I wanted to kill and thank you all at the same time. And during those nights when we didn't know if you'd live or die, I went from being angry, to worried to frustrated to scared all within a single heartbeat. If you had die, I would have killed you.
”
”
Maria V. Snyder (Scent of Magic (Healer, #2))
“
I'm a woman, Aleksey. I'm not the simplistic, flawless creature the world expects me to be. I'm imperfect, I'm multidimensional. I make mistakes all the time and I'll make even more as life challenges me. And I don't want to be afraid of messing things up. Firstly because I'll learn from my mistakes, but more importantly, they're what make me human.
”
”
Mya Robarts (The V Girl: A Coming of Age Story)
“
I want to see the front of you.”
“That’s what all the girls say.”
“Do you expect me to roll you over? ’Cuz I will.”
“Your mate’s not going to like this.”
“As if that’s going to bother you?”
“True. It actually makes it worth the effort.”
With a groan, he shoved his palms into the shimmering silver pool of blood beneath him, and flopped over like the side of beef he was.
“Wow,” she breathed.
“I know, right? Hung like a horse.”
“If you’re really nice—and you live through this—I’ll promise not to tell V.”
“About my size.”
She laughed a little. “No, that you assumed I’d look at you in any fashion other than professionally.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.'
'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?'
'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside.
”
”
Alan Moore (V for Vendetta)
“
Life with you was lovely—and when I say lovely, I mean doves and lilies, and velvet, and that soft pink ‘v’ in the middle and the way your tongue curved up to the long, lingering ‘l.’ Our life together was alliterative, and when I think of all the little things which will die, now that we cannot share them, I feel as if we were dead too.
”
”
Vladimir Nabokov
“
Isn't there something in living dangerously?'
There's a great deal in it,' the Controller replied. 'Men and women must have their adrenals stimulated from time to time.'
What?' questioned the Savage, uncomprehending.
It's one of the conditions of perfect health. That's why we've made the V.P.S. treatments compulsory.'
V.P.S.?'
Violent Passion Surrogate. Regularly once a month. We flood the whole system with adrenin. It's the complete physiological equivalent of fear and rage. All the tonic effects of murdering Desdemona and being murdered by Othello, without any of the inconvenience.'
But I like the inconveniences.'
We don't,' said the Controller. 'We prefer to do things comfortably.'
But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.'
In fact,' said Mustapha Mond, 'you're claiming the right to be unhappy. Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer, the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.' There was a long silence.
I claim them all,' said the Savage at last.
Mustapha Mond shrugged his shoulders. 'You're welcome,' he said.
”
”
Aldous Huxley (Brave New World)
“
I found a few springs of rosemary and returned. Ignoring the collective sigh when I appeared, I stripped off the leaves and handed them to Loren.
He sniffed them in suspicion. "What's this?"
I guess it would take more than my word for them to trust me, "Rosemary." No glimmer of recognition. "It's to make your stew taste better. Don't you know the basic herbs and spices?"
"No. I took this job in self-defence. Quain burns everything. Belen thinks jerky is all we need to survive. Flea's idea of good meal is something that hasn't been in garbage can first. And Kerrick poisoned us---"
"Not on purpose." Kerrick said. "The meat looked done.
”
”
Maria V. Snyder (Touch of Power (Healer, #1))
“
Time moves so fucking fast.
Blink, and you’re halfway through school, paralyzed by the idea that whatever you choose to do, it means choosing not to do a hundred other things, so you change your major half a dozen times before finally ending up in theology, and for a while it seems like the right path, but that’s really just a reflex to the pride on your parents’ faces, because they assume they’ve got a budding rabbi, but the truth is, you have no desire to practice, you see the holy texts as stories, sweeping epics, and the more you study, the less you believe in any of it.
Blink, and you’re twenty-four, and you travel through Europe, thinking—hoping—that the change will spark something in you, that a glimpse of the greater, grander world will bring your own into focus. And for a little while, it does. But there’s no job, no future, only an interlude, and when it’s over, your bank account is dry, and you’re not any closer to anything.
Blink, and you’re twenty-six, and you’re called into the dean’s office because he can tell that your heart’s not in it anymore, and he advises you to find another path, and he assures you that you’ll find your calling, but that’s the whole problem, you’ve never felt called to any one thing. There is no violent push in one direction, but a softer nudge a hundred different ways, and now all of them feel out of reach.
Blink and you’re twenty-eight, and everyone else is now a mile down the road, and you’re still trying to find it, and the irony is hardly lost on you that in wanting to live, to learn, to find yourself, you’ve gotten lost.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
The husband is the head of the wife just in so far as he is to her what Christ is to the Church - read on - and give his life for her (Eph. V, 25). This headship, then, is most fully embodied not in the husband we should all wish to be but in him whose marriage is most like a crucifixion; whose wife receives most and gives least, is most unworthy of him, is - in her own mere nature - least lovable. For the Church has not beauty but what the Bride-groom gives her; he does not find, but makes her, lovely. The chrism of this terrible coronation is to be seen not in the joys of any man's marriage but in its sorrows, in the sickness and sufferings of a good wife or the faults of a bad one, in his unwearying (never paraded) care or his inexhaustible forgiveness: forgiveness, not acquiescence. As Christ sees in the flawed, proud, fanatical or lukewarm Church on earth that Bride who will one day be without spot or wrinkle, and labours to produce the latter, so the husband whose headship is Christ-like (and he is allowed no other sort) never despairs. He is a King Cophetua who after twenty years still hopes that the beggar-girl will one day learn to speak the truth and wash behind her ears.
”
”
C.S. Lewis (The Four Loves)
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
WESTMORELAND. O that we now had here
But one ten thousand of those men in England
That do no work to-day!
KING. What's he that wishes so?
My cousin Westmoreland? No, my fair cousin;
If we are mark'd to die, we are enow
To do our country loss; and if to live,
The fewer men, the greater share of honour.
God's will! I pray thee, wish not one man more.
By Jove, I am not covetous for gold,
Nor care I who doth feed upon my cost;
It yearns me not if men my garments wear;
Such outward things dwell not in my desires.
But if it be a sin to covet honour,
I am the most offending soul alive.
No, faith, my coz, wish not a man from England.
God's peace! I would not lose so great an honour
As one man more methinks would share from me
For the best hope I have. O, do not wish one more!
Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this fight,
Let him depart; his passport shall be made,
And crowns for convoy put into his purse;
We would not die in that man's company
That fears his fellowship to die with us.
This day is call'd the feast of Crispian.
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is nam'd,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say 'To-morrow is Saint Crispian.'
Then will he strip his sleeve and show his scars,
And say 'These wounds I had on Crispian's day.'
Old men forget; yet all shall be forgot,
But he'll remember, with advantages,
What feats he did that day. Then shall our names,
Familiar in his mouth as household words-
Harry the King, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester-
Be in their flowing cups freshly rememb'red.
This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remembered-
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition;
And gentlemen in England now-a-bed
Shall think themselves accurs'd they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day.
”
”
William Shakespeare (Henry V)
“
Tony:...but you need something to do about Noah.
Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
”
”
David Levithan (Boy Meets Boy)
“
That dead-eyed anhedonia is but a remora on the ventral flank of the true predator, the Great White Shark of pain. Authorities term this condition clinical depression or involutional depression or unipolar dysphoria. Instead of just an incapacity for feeling, a deadening of soul, the predator-grade depression Kate Gompert always feels as she Withdraws from secret marijuana is itself a feeling. It goes by many names — anguish, despair, torment, or q.v. Burton's melancholia or Yevtuschenko's more authoritative psychotic depression — but Kate Gompert, down in the trenches with the thing itself, knows it simply as It.
It is a level of psychic pain wholly incompatible with human life as we know it. It is a sense of radical and thoroughgoing evil not just as a feature but as the essence of conscious existence. It is a sense of poisoning that pervades the self at the self's most elementary levels. It is a nausea of the cells and soul. It is an unnumb intuition in which the world is fully rich and animate and un-map-like and also thoroughly painful and malignant and antagonistic to the self, which depressed self It billows on and coagulates around and wraps in Its black folds and absorbs into Itself, so that an almost mystical unity is achieved with a world every constituent of which means painful harm to the self. Its emotional character, the feeling Gompert describes It as, is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency — sitting or standing, doing or resting, speaking or keeping silent, living or dying — are not just unpleasant but literally horrible.
It is also lonely on a level that cannot be conveyed. There is no way Kate Gompert could ever even begin to make someone else understand what clinical depression feels like, not even another person who is herself clinically depressed, because a person in such a state is incapable of empathy with any other living thing. This anhedonic Inability To Identify is also an integral part of It. If a person in physical pain has a hard time attending to anything except that pain, a clinically depressed person cannot even perceive any other person or thing as independent of the universal pain that is digesting her cell by cell. Everything is part of the problem, and there is no solution. It is a hell for one.
The authoritative term psychotic depression makes Kate Gompert feel especially lonely. Specifically the psychotic part. Think of it this way. Two people are screaming in pain. One of them is being tortured with electric current. The other is not. The screamer who's being tortured with electric current is not psychotic: her screams are circumstantially appropriate. The screaming person who's not being tortured, however, is psychotic, since the outside parties making the diagnoses can see no electrodes or measurable amperage. One of the least pleasant things about being psychotically depressed on a ward full of psychotically depressed patients is coming to see that none of them is really psychotic, that their screams are entirely appropriate to certain circumstances part of whose special charm is that they are undetectable by any outside party. Thus the loneliness: it's a closed circuit: the current is both applied and received from within.
”
”
David Foster Wallace (Infinite Jest)
“
The bad psychological material is not a sin but a disease. It does not need to be repented of, but to be cured. And by the way, that is very important. Human beings judge one another by their external actions. God judges them by their moral choices. When a neurotic who has a pathological horror of cats forces himself to pick up a cat for some good reason, it is quite possible that in God's eyes he has shown more courage than a healthy man may have shown in winning the V.C. When a man who has been perverted from his youth and taught that cruelty is the right thing does dome tiny little kindness, or refrains from some cruelty he might have committed, and thereby, perhaps, risks being sneered at by his companions, he may, in God's eyes, be doing more than you and I would do if we gave up life itself for a friend.
It is as well to put this the other way round. Some of us who seem quite nice people may, in fact, have made so little use of a good heredity and good upbringing that we are really worse than those whom we regard as fiends. Can we be quite certain how we should have behaved if we had been saddled with the psychological outfit, and then with the bad upbringing, and then with the power, say, of Himmler? That is why Christians are told not to judge. We see only the results which a man's choices make out of his raw material. But God does not judge him on the raw material at all, but on what he has done with it. Most of the man's psychological makeup is probably due to his body: when his body dies all that will fall off him, and the real central man, the thing that chose, that made the best or worst out of this material, will stand naked. All sorts of nice things which we thought our own, but which were really due to a good digestion, will fall off some of us: all sorts of nasty things which were due to complexes or bad health will fall off others. We shall then, for the first time, see every one as he really was. There will be surprises.
”
”
C.S. Lewis (Mere Christianity)
“
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing.
He looked like a living, breathing jewelry tree.
“I’m here. Where’s my chauffeur hat?”
“Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.”
The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.”
“Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.”
Lassiter tossed the cap back. Whistled. Looked casual.
“Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure.
“No fucking way,” V echoed. “When and where did you become a friend of the enemy—”
The angel held up his palms. “It’s not my fault you guys suck—”
Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash'd in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts
The perilous narrow ocean parts asunder:
Piece out our imperfections with your thoughts;
Into a thousand parts divide on man,
And make imaginary puissance;
Think when we talk of horses, that you see them
Printing their proud hoofs i' the receiving earth;
For 'tis your thoughts that now must deck our kings,
Carry them here and there; jumping o'er times,
Turning the accomplishment of many years
Into an hour-glass: for the which supply,
Admit me Chorus to this history;
Who prologue-like your humble patience pray,
Gently to hear, kindly to judge, our play.
”
”
William Shakespeare (Henry V)
“
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden.
Time present and time past
Are both perhaps present in time future
And time future contained in time past. (I)
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know. (I)
Go, go, go, said the bird: human kind
Cannot bear very much reality.
What might have been and what has been
Point to one end, which is always present.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present. (I)
At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is...
At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement.
And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where
And I cannot say, how long, for that is to place it in time. (II)
All is always now.
Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered. (II)
Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. (V)
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Will not stay still. (V)
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being. (V)
”
”
T.S. Eliot (Four Quartets)
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters)