Album Titles In Quotes

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My first album will be titled One Foot in Hell Already.
Cassandra Clare (The Shadowhunter's Codex)
Sienna's Pick for Best Pink Floyd Combined Song and Album Title Ever: "Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict," Ummagumma
Sienna McQuillen
Another fact involves Iron Maiden’s self title album which introduced the new image of Maiden’s old mascot Eddie the ’ed to the new decade of the 1980s. According to the art sleeve creator Derick Riggs, the artwork was initially created for a Punk Rock band that ultimately rejected it, with Iron Maiden Picking up the bone. The design for the sleeve had come about by a concept based on a photograph of a burnt decapitated head of a Vietnamese soldier
Javier Medina (Thrash Metal: The Eighties Phenomenon That Grew Out Of Punk Rock)
When I placed the album cover side by side with the screenshot of the game screen, the two symbols matched exactly. 2112’s title track is an epic seven-part song, over twenty minutes in length. The song tells the story of an anonymous rebel living in the year 2112, a time when creativity and self-expression have been outlawed. The red star on the album’s cover was the symbol of the Solar Federation, the oppressive interstellar society in the story. The Solar Federation was controlled by a group of “priests,” who are described in Part II of the song, titled “The Temples of Syrinx.” Its lyrics told me exactly where the Crystal Key was hidden:
Ernest Cline (Ready Player One)
42. What is the name of her first EP? Title 43. When was her first EP released? September 9, 2014 44. What was she nominated for at the 2014 American Music Awards? New Artist of the Year 45. What was she nominated for at the 2014 MTV Europe Music Awards? Best Song with a Social Message 46. What was she nominated for at the 2014 NewNowNext Awards? Best New Female Musician 47. What was she nominated for at the 2014 Capricho Awards? Revelation International 48. What was she nominated for at the 2015 People's Choice Awards? Favorite Breakout Artist and Favorite Song 49. What was she nominated for at the 2015 Grammy Awards? Record of the Year and Song of the Year 50. Which albums of hers are self-released? I'll Sing with You and Only 17
Nancy Smith (Meghan Trainor Quiz Book - 50 Fun & Fact Filled Questions About Singer Meghan Trainor)
How I Threw Big Party for Jane Austen It was at a petting party in the White House that I first met Jane Austen. The beautiful little Englishwoman had come to our shores in response to an attractive offer from the Metro-Goldwyn-Mayer people, one of whose officers had spelled out her novel ‘Pride and Prejudice’ and considered it good material for a seven reel comedy. Syd Chaplin was at that time with this firm and was slated for the title role. Miss Austen had a few weeks’ time to spare before she was due in Hollywood and it fell to my lot to entertain her. I postponed my engagement with President Pierce, whom I intended to interview in regard to my pension as general in the Spanish war, and placed myself entirely at the disposal of the little authoress. She expressed a desire to see the night life of New York and I organized a party to visit Texas Guinan’s. In the party, besides myself and Miss Austen, or Janey as we called her, were Brinck Thorne, then captain of the Yale football nine, and Harry Wills.* *Editor’s note: The author evidently means ‘eleven,’ not ‘nine.’ *Author’s note: Other teams would not play against Mr. Thorne unless he limited himself to eight helpers instead of the regulation ten. After two or three rounds of drinks we decided we had had enough and a water brought us a check for $22.75. The other two men seemed to have paralysis of the arms and as I found on $1.50 in my pocket, I asked Miss Guinan if she would take my check. She said yes and I made out a check on the Great Neck Trust Company, but knowing my balance there was only $7.00, I purposely neglected to affix my signature. Miss Guinana’s sharp eyes noticed the oversight and asked for my autograph. This piqued Miss Austen as she was really more famous than I at that time, so to smooth matters over I suggested that we all give Miss Guinan our autographs and start an album for her. I next took Miss Austen to Albany to meet Gov. Al (‘Peaches’) Smith. The governor received us with his usual simplicity and said he was a great admirer of Miss Austen’s work. ‘I thought “The Green Hat” was a scream,’ he complimented her. Miss Austen wanted to go to Hollywood by way of Pittsburgh, but at that time there was a federal law forbidding any railroad to run a train near that city. President Pierce was a born hater of Pittsburgh and remained in that frame of mind to his dying day. ‘Janey’ was obliged to make the journey via Niagara Falls. She eventually reached Hollywood and supervised the screening of ‘Pride and Prejudice,’ which made a big success under its new title, ‘The Bath in Champagne.’ It was about a month subsequent to my affair with Jane that the world was startled by Robert Fulton’s invention of the taxicab. The first taxi now would seem a crude vehicle, but at the time it was hailed as a marvel. It was a sidewheeler and was steered from the rear seat, by the passenger, thus insuring at least, its arrival at the point where the passenger wanted to go. The driver sat in front and warned pedestrians out of the way. He generally did this by cupping his hands to his mouth and shouting, almost continuously, ‘Halloa! Halloa!’ For a while the new conveyances were known as ‘Halloa cabs.’* *Editor’s note: They still are in some cities.
Ring Lardner Jr. (The Story of a Wonder Man: Being the Autobiography of Ring Lardner)
QUICK TALK Kelis The 34-year-old singer first hit it big in 2003 with a single called "Milkshake." In the decade since, she's diversified her menu with a stint at Le Cordon Bleu culinary school, a hosting gig for the Cooking Channel and a new album, out April 22. It's titled--what else?--Food.
Anonymous
wearer at risk of an involuntary psychiatric hold. Gaga would have you believe that she was “born this way”—the title of both her second album and its lead track. But no one is born looking like a zombie with horns coming out of her head:
Anonymous
Born on March 20, 1971, she celebrated her 100th birthday this past March. During the war she toured the battle zones, where British forces were fighting by giving concerts for the troops. The songs most remembered from that era are We'll Meet Again, The White Cliffs of Dover, A Nightingale Sang in Berkeley Square and There'll Always Be an England. During the Second World War she earned the title of “the Allied Forces Sweetheart.” And in 1945 she was awarded the British War Medal and the Burma Star for her untiring devotion to the Crown and the men in uniform. As a songwriter and actress, her recordings and performances were enormously popular. This popularity remained solid after the war with recording of Auf Wiedersehen Sweetheart, My Son, My Son and I Love This Land, which was released to mark the end of the Falklands War. In 2009, at age 92, she became the oldest living artist to top the UK Albums Chart, with We'll Meet Again, The Very Best of Vera Lynn. Commemorating her 100th birthday she released the album Vera Lynn 100, in 2017, which number 3 on the charts, making her the oldest recording artist in the world and the first centenarian performer to have an album in the charts. Vera Lynn devoted much time working with wounded ex-servicemen, disabled children, and breast cancer. She is held in great affection by veterans of the Second World War and in 2000 was named the Briton who best exemplified the spirit of the 20th century.
Hank Bracker
Black Sabbath’s self-titled debut album stands as a death knell for the idealistic hippie dreams of the Sixties. Inspired by horror movies, bad dreams, drug come-downs and the terminal grind of the factory floor, it was designed to unnerve and unsettle
Paul Brannigan (Birth School Metallica Death, Volume 1: The Biography)
Back in my room I put my earphones in. Put on A Tribe Called Red. They’re a group of First Nations DJs and producers based out of Ottawa. They make electronic music with samples from powwow drum groups. It’s the most modern, or most postmodern, form of Indigenous music I’ve heard that’s both traditional and new-sounding. The problem with Indigenous art in general is that it’s stuck in the past. The catch, or the double bind, about the whole thing is this: If it isn’t pulling from tradition, how is it Indigenous? And if it is stuck in tradition, in the past, how can it be relevant to other Indigenous people living now, how can it be modern? So to get close to but keep enough distance from tradition, in order to be recognizably Native and modern-sounding, is a small kind of miracle these three First Nations producers made happen on a particularly accessible self-titled album, which they, in the spirit of the age of the mixtape, gave away for free online.
Tommy Orange (There There)
THE WHITE ALBUM IS THE BROKEN ALBUM, THE DOUBLE-VINYL mess, a build-your-own-Beatles kit forcing you to edit the album yourself. They even made the audience come up with the title. (Nobody has ever called it The Beatles.) In the predigital days, everybody made their own cassette for actual listening, with each fan taping a different playlist.
Rob Sheffield (Dreaming the Beatles: The Love Story of One Band and the Whole World)
There was a lot of downtime sitting by Mike, so I read. I had a little table on which I had my pile of books and, by the end, they were nearly as high as the studio ceiling. I used to get all the song titles from them. Even the album titles, as it turned out, because ‘A startling tale of power, corruption and lies’ was a review quote from the Daily Telegraph on the back of 1984 by George Orwell. ‘Leave Me Alone’ came from Tender Is the Night by F. Scott Fitzgerald, and ‘Ultraviolence’ was from A Clockwork Orange, to name but a few.
Peter Hook (Substance: Inside New Order)
Help was at hand in the rather large shape of Douglas Adams. As well as being the author of The Hitchhiker’s Guide To The Galaxy, Douglas was an Apple Mac genius, guitar enthusiast and – fortunately for us – a fan of Pink Floyd. He could bring a marvellous sense of humour to the most desperate moments. He became party to a lot of the discussions about the album title.
Nick Mason (Inside Out: A Personal History of Pink Floyd)
title from the second album of the introspective beat group Joy Division, Closer
Graham Saunders (Patrick Marber's Closer)
One very big album, bound in expensive leather with a gold-stamped title on the cover - This is our life: The Austers - was totally blank inside.
Paul Auster (The Invention of Solitude)
April 1965, then, marked the beginning of a new epoch for the new breed of singer-songwriters in Britain. As well as Collins and Graham’s Folk Roots, New Routes, in that year there appeared Donovan’s What’s Bin Did and What’s Bin Hid and Fairytale; John Renbourn’s self-titled first album; Mick Softley’s Songs for Swingin’ Survivors; Martin Carthy, a collection of folk songs with violinist Dave Swarbrick; Jackson C. Frank’s Jackson C. Frank; and Bert Jansch, the debut by the fastest-rising star of them all. Jansch, who was born
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
Please to See the King is a piercing, keen-edged record, perhaps the closest a British act has come to what Bob Dylan, speaking of his own recordings of 1965–6, called ‘that thin, that wild mercury sound … metallic and bright gold’. The title, taken from the song ‘The King’ that Carthy introduced to the album sessions, was spoken, according to custom, by ‘wren-hunters’ who went knocking on doors and requesting money in return for a peep at the slaughtered bird in a coffin, bound with a ribbon. And like the wren-hunters of yore, the early Steeleye found themselves in the midst of a difficult economy, hawking their wares around the country at a succession of student-union gigs, in the community which was most receptive to this new incarnation of folk music.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
McNair is one of the more interesting figures floating around in the crowded world of mid-1960s Soho, and his trajectory reveals much about the musical fluidity of the times. In the closing years of the 1960s McNair released his giddy flute to fly across John Martyn’s second album The Tumbler, Davy Graham’s Large as Life and Twice as Natural (1968), Magna Carta’s self-titled progressive-folk debut from 1969, and Hello (also 1969), an album of introspective, symphonic folk-pop by Marc Brierley.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
Try describing a few of the most wildly successful pop albums of the twentieth century without mentioning the artist and title. A concept rock album about a fictional Edwardian military band, featuring musical styles borrowed from Indian classical music, vaudeville, and musique concrete, its sleeve design including images of Karl Marx, Oscar Wilde, Marilyn Monroe, Carl Gustav Jung, Sir Robert Peel, Marlene Dietrich, and Aleister Crowley? That’s Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, one of the biggest selling records of all time. How about a record exploring the perception of time, mental illness, and alterity? Pink Floyd’s The Dark Side of the Moon, which has to date sold around 45 million copies worldwide. Ask any of those 45 million who bought a copy of The Dark Side of the Moon if they thought themselves pretentious for listening to an album described by one of the band members as “an expression of political, philosophical, humanitarian empathy,” and the answer would almost certainly be no.
Dan Fox (Pretentiousness: Why It Matters)
I put the photo in an album called Mortifying Emotional Moments, and I title it Soggy Napkin Note. The last selfie I posted in there was of me on the day I graduated college. My perfectly made up face is happy ... relieved. I called that one: Sallie Mae Can Suck It.
Tarryn Fisher (F*ck Love)
The Lion, the Beast, the Beat.
Grace Potter
The events of 9/11 were predicted in the ‘Back to the Future’ movies, and, in dozens of other, movies, magazines, and album covers…including Busta Rhymes’ 1997 album, titled, ‘When Disaster Strikes.’ When Disaster Strikes, was released a mere four years before the events of 9/11 unfolded. The art on the DVD features a sinister-looking
Judah (Back Upright: Sacred Scroll of Seven Seals II)
The album title came when Noel drunkenly misquoted Isaac Newtown’s line, “If I have seen further, it is by standing on the shoulders of giants”,
Tom Boniface-Webb (Modern Music Masters - Oasis)