Ajax The Great Quotes

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Look well at this, and speak no towering word             yourself against the gods, nor walk too grandly             because your hand is weightier than another’s, 130      or your great wealth deeper founded. One short day             inclines the balance of all human things             to sink or rise again. Know that the gods             love men of steady sense and hate the wicked.
Sophocles (Sophocles II: Ajax, The Women of Trachis, Electra, Philoctetes, The Trackers (The Complete Greek Tragedies Book 2))
Incentives and penalties are management tools. Incentives and penalties do not belong to the language of leadership. Good people will follow a great leader whether booty is in the picture or not. If you are in charge, and you cannot influence people in your group except by means of incentives and penalties, you have not served as a leader.
Paul Woodruff (The Ajax Dilemma: Justice, Fairness, and Rewards)
You promise mercy to spies so they will spill their story, then you kill them after. You beat men who mutiny. You coax heroes from their sulks. You keep spirits high at any cost. When the great hero Philoctetes was crippled with a festering wound, the men lost their courage over it. So I left him behind on an island and claimed he had asked to be left. Ajax and Agamemnon would have battered at Troy’s locked gates until they died, but it was I who thought of the trick of the giant horse, and I spun the story that convinced the Trojans to pull it inside. I crouched in the wooden belly with my picked men, and if any shook with terror and strain, I put my knife to his throat. When the Trojans finally slept, we tore through them like foxes among soft-feathered chicks.
Madeline Miller (Circe)
You seem to forget that you wished to purchase the moon for me!’ ‘Nay, I don’t forget that! The thing is I can’t purchase it, so there was no harm in saying it. Now, if I’d said I’d like to give you a diamond necklace, or some such thing, you might have taken me up on it. I remembered that just in time to stop myself,’ he explained, apparently priding himself on his forethought. ‘I should like very much to have a diamond necklace,’ said Anthea pensively. ‘Wouldn’t a paste one do as well?’ he asked, in a voice of great uneasiness. She had been so sure that he would fall into the trap that she was taken, for an instant, off her guard, and looked up at him with such a startled expression on her face that his deep chuckle escaped him, and he lifted her quite off her feet, and kissed her.
Georgette Heyer (The Unknown Ajax)
The generals take the credit, of course, and indeed they provide the gold. But they are always calling you into their tent and asking for reports of what you’re doing instead of letting you go do it. The songs say it is heroes. They are another piece. When Achilles puts on his helmet and cleaves his red path through the field, the hearts of common men swell in their chests. They think of the stories that will be told, and they long to be in them. I fought beside Achilles. I stood shield to shield with Ajax. I felt the wind and fan of their great spears. Those soldiers, of course, are yet another piece, for though they are weak and unsteady, when they are harnessed together they will carry you to victory. But there is a hand that must gather all those pieces and make them whole. A mind to guide the purpose, and not flinch from war’s necessities.
Madeline Miller (Circe)
stories of Troy, conjuring the war for me spear by spear. Proud Agamemnon, leader of the host, brittle as badly tempered iron. Menelaus, his brother, whose wife Helen’s abduction had begun the war. Brave, dull-brained Ajax, built like a mountainside. Diomedes, Odysseus’ ruthless right hand. And then the Trojans: handsome Paris, laughing thief of Helen’s heart. His father, white-bearded Priam, king of Troy, beloved by the gods for his gentleness. Hecuba, his queen with a warrior’s spirit, whose womb had borne so many noble fruits. Hector, her eldest, noble heir and bulwark to his great walled city.
Madeline Miller (Circe)
Other men fought bravely, but they flinched from war’s true nature. Only I had the stomach to see what must be done... You promise mercy to spies so they will spill their story, then you kill them after. You beat men who mutiny. You coax heroes from their sulks. You keep spirits high at any cost. When the great hero Philoctetes was crippled with a festering wound, the men lost their courage over it. So I left him behind on an island and claimed he had asked to be left. Ajax and Agamemnon would have battered at Troy’s locked gates until they died, but it was I who thought of the trick of the giant horse, and I spun the story that convinced the Trojans to pull it inside. I crouched in the wooden belly with my picked men, and if any shook with terror and strain, I put my knife to his throat. When the Trojans finally slept, we tore through them like foxes among soft-feathered chicks.
Madeline Miller (Circe)
But even if his sympathies are not with Arachne in this moment, he can still imagine that from her perspective these gods are nothing but rapists. She has been described to us as excessively arrogant about her own skills, even if her confidence is well-founded. And she has been shown to be short-tempered with an interfering old woman. But these aren’t the characteristics of a fantasist or a fool. She isn’t out of her mind, like poor Ajax. We can’t simply dismiss her opinions as those coming from a disordered mind. Whether Ovid shares her views is unimportant. What matters is that he is perfectly aware of her feelings about the pain inflicted by these gods in their cruelty, and his version of Arachne is given the space to express it. Look at the great gifts the gods have given you, Athene’s tapestry proclaims. Arachne’s response is very detailed in its execution, but very simple in its message: the price is too high.
Natalie Haynes (Divine Might: Goddesses in Greek Myth)
finding that she was determined to get to the bottom of what seemed to him a very trivial affair, extricated himself without hesitation or compunction by advising her to apply to Vincent for information, since he was the instigator of the quarrel. Before he could make good his retreat, however, he was incensed and appalled by a command to go immediately to Vincent's room, and to inform him that his mama desired to have speech with him before he went down to breakfast. Since it was the time-honoured practice of the brothers to sacrifice each other in such situations as now confronted Claud, it was not fear of Vincent's wrath at finding himself betrayed which prompted Claud to despatch Polyphant on the errand, but the knowledge that not even a messenger bearing gifts of great price would meet with anything but the rudest of receptions from Vincent at this hour of the morning.
Georgette Heyer (The Unknown Ajax)
Give with thy trumpet a loud note to Troy,Thou dreadful Ajax; that th’ appalled airMay pierce the head of thy great combatant.Shakesp. The house of peers was somewhat appalled at this alarum; but took time to consider of it till next day.Clarendon. Does neither rage inflame, nor fear appal,Nor the black fear of death that saddens all.Pope.
Samuel Johnson (A Dictionary of the English Language (Complete and Unabridged in Two Volumes), Volume One)
Frank de Boer had gone on performing, and had twice won the national championship with the first team. He had had a fantastic start as a trainer after his success with the youth team, and the current squad were showing great potential. For that reason, the Ajax board had a moral duty to ensure that he didn’t get drowned in bureaucracy, as his predecessors had done, and was allowed to get on with his job.
Johan Cruyff (My Turn: The Autobiography)
Making use of AJAX in your application design removes this potential logjam and can lead to a great end-user experience. The crux of the problem is that automated test tools are by default designed to work in synchronous fashion.
Ian Molyneaux (The Art of Application Performance Testing: Help for Programmers and Quality Assurance)
The fact that the question is even asked, the fact that black excellence in a particular field needs ‘explaining’, tells its own story. I can’t recall any documentaries trying to discover an organisational gene left over from fascism that explains why Germany and Italy have consistently been Europe’s best performing football teams. Spain’s brief spell as the best team in the world, with a generation of players born in the years immediately after Franco’s death, would seem to confirm my fascism-meets-football thesis, right? Clearly this would be a ridiculous investigation - or who knows maybe I am on to something - but the question would never be asked because German, Italian and Spanish brilliance don’t really need explaining, or at least not in such negative ways. When I was young, I vividly remember watching a BBC doc called Dreaming of Ajax which investigated why one Dutch club, Ajax Amsterdam, was able to produce better football players than the whole of England. It was a fantastic documentary that looked with great admiration at the obviously superior coaching systems of Ajax, which became so visible in their home-grown players’ performances. But it did not look for some mystery Dutch gene left over from some horrendous episode in European history. Nor did white dominance in tennis or golf - until Tiger and the Williams sisters, anyway - need to be explained by their ancestors having so much practice whipping people for so long, and ending up with strong shoulders and great technique as a result!
Akala (Natives: Race and Class in the Ruins of Empire)
It is not the last fatal crisis of a slow mental malady, as is so often the case in these more effeminate modern times; still less is it that more theoretical disgust of life, founded on a conviction of its worthlessness, which induced so many of the later Romans, on Epicurean as well as Stoical principles, to put an end to their existence. It is not through any unmanly despondency that Ajax is unfaithful to his rude heroism. His delirium is over, as well as his first comfortless feelings upon awaking from it; and it is not till after the complete return of consciousness, and when he has had time to measure the depth of the abyss into which, by a divine destiny, his overweening haughtiness has plunged him, when he contemplates his situation, and feels it ruined beyond remedy:—his honour wounded by the refusal of the arms of Achilles; and the outburst of his vindictive rage wasted in his infatuation on defenceless flocks; himself, after a long and reproachless heroic career, a source of amusement to his enemies, an object of derision and abomination to the Greeks, and to his honoured father,—should he thus return to him—a disgrace: after reviewing all this, he decides agreeably to his own motto, "gloriously to live or gloriously to die," that the latter course alone remains open to him. Even the dissimulation,—the first, perhaps, that he ever practised, by which, to prevent the execution of his purpose from being disturbed, he pacifies his comrades, must be considered as the fruit of greatness of soul. He appoints Teucer guardian to his infant boy, the future consolation of his own bereaved parents; and, like Cato, dies not before he has arranged the concerns of all who belong to him. As Antigone in her womanly tenderness, so even he in his wild manner, seems in his last speech to feel the majesty of that light of the sun from which he is departing for ever. His rude courage disdains compassion, and therefore excites it the more powerfully. What a picture of awaking from the tumult of passion, when the tent opens and in the midst of the slaughtered herds he sits on the ground bewailing himself!
August Wilhelm von Schlegel (Lectures on Dramatic Art and Literature)