Airport Movie Quotes

It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.

My favourite characters are people who think they’re normal but they’re not. I live in Baltimore, and it’s full of people like that. I’ve also lived in New York, which is full of people who think they’re crazy, but they’re completely normal. I get my best material in Baltimore – you get dialogue that you just couldn’t imagine. I asked this guy in a bar what he did for a living and he said he traded deer meat for crack. I never realised that job even existed. You could make a whole movie about that person. And he was kind of cute too, if you could ignore his eyes rolling around his head. Although I did crack once, accidentally, and I thought: Oh my God, what, am I gonna rob my parents now? I prefer poppers – they’re legal in London, right? I used to do them on roller coasters. They’re illegal in Provincetown, which is the gay fishing village where I live in the summer. In the airport there are signs warning you to get rid of your poppers.

That’s the point. This healthy-feeling time now just feels like a tease. Like I’m in this holding pattern, flying in smooth circles within sight of the airport, in super-comfortable first class. But I can’t enjoy the in-flight movie or free chocolate chip cookies because I know that before the airport is able to make room for us, the plane is going to run out of fuel, and we’re going to crash-land into a fiery, agonizing death.

I do need that time, though, for Naoko's face to appear. And as the years have passed, the time has grown longer. The sad truth is that what I could recall in five seconds all too needed ten, then thirty, then a full minute-like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand-ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time is appears, it delivers a kick to some part of my mind. "Wake up," it says. "I'm still here. Wake up and think about it. Think about why I'm still here." The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. At the Hamburg airport, though, the kicks were longer and harder than usual. Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.

All of her adult life people have asked Rena why she goes to such dangerous places, and she has always wanted to ask them where the safe place is. The danger is in chemicals and airports and refugee camps and war zones and regions known for sex tourism. The danger also sometimes took their trash out for them. The danger came over for movie night and bought them a popcorn maker for Christmas. The danger hugged her mother and shook her father’s hand.

Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around.

Alexa sniffled. “Oh my God, he gave her an airport scene! Just like in the books I read and all those movies. He followed her to an airport and confessed his love before she could board the plane!” Nick laughed. “Sweetheart, she wasn’t boarding the plane.” “Close enough.

I knew that he was filled with grief when he finally kissed me one last time in one of the bathroom stalls at Fiumicino Airport and that, even if on the plane the drinks and the movie had distracted him, once alone in his room in New York, he too would be sad again, and I hated thinking of him sad, just as I knew he'd hate to see me sad in our bedroom, which had all too soon become my bedroom.

Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.

BILLY CRYSTAL It’s been one of the little jewels of my career. Very often, still to this day, in airports or movie theaters, people will walk by and go, “Have fun storming the castle!” Or the really cool ones will whisper to me, “Don’t go swimming for an hour, a good hour,” and then just walk away. Those are the really cool ones.

The war—the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more—the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are—would be fought by men like Richards: men with faces you didn’t notice and couldn’t remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees—the subjects hadn’t changed, they never would, all coming down, after you’d boiled away the bullshit, to somebody’s quarterly earnings report and who got to sit where—but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.

I wish there was a movie of my life. Something I could turn on when I wanted to know what was coming. Even if it meant I'd know the ending, at least I'd know what to do next. But there aren't movies for boys like me. Growing up I could never find myself in the Hollywood endings or music montages. I wasn't giving speeches at prom, or racing to the airport. I grew up watching movies for other boys, learning from the wrong playbook. Stealing notes from someone else's paper. Maybe that's my problem.

So what happened?" "I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment. No.Not funny.One hundred percent the exact opposite of funny. "I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened." Underwear,on. "Did you turn the ringer back on last night?" "What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red. "You went to see a film,right? Don't you set your mobile to silent at the theater?" He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror. A mirror St. Clair is facing. "It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..." "Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.

The Batman movie theater killer, James Holmes, initially considered attacking an airport. In his diary, which was released in 2015, he explained his decision against targeting the airport because of “substantial security.”23 He then selected the only theater within twenty minutes of his apartment that banned permitted concealed handguns.

love is sharing a banana split. and letting you have the last spring roll. it’s reminding me that i need to wake up early tomorrow. and staying up until i fall asleep. love is driving me to the airport. bringing takeout when you pick me up. love is grabbing your hand on a roller coaster. or during a scary movie. love is asking if you need a jacket. it’s feeling sad for me when i’m sad. love is knowing your favorite pizza toppings. love is surprise notes. love is being honest. love is showing up. love is all of it.

There's an urban myth, still popular in some quarters, that the Glock can't be detected by X-ray machines. The myth was spread by a Bruce Willis line in the 1990 movie Die Hard 2: "That punk pulled a Glock 7 on me. You know what that is? It's a porcelain gun, made in Germany. Doesn't show up on your airport X-ray machines." Every bit of the line was false: there was no such thing as a "Glock 7"; Glocks are made of polymer, not porcelain; it was made in Austria, not Germany; and they do show up on X-ray machines. But in a strange twist, the firestorm of controversy triggered by the false rumors may have helped goose publicity and aid Glock sales.

To escape the throngs, we decided to see the new Neil Degrasse Tyson planetarium show, Dark Universe. It costs more than two movie tickets and is less than thirty minutes long, but still I want to go back and see it again, preferably as soon as possible. It was more visually stunning than any Hollywood special effect I’d ever seen, making our smallness as individuals both staggering and - strangely - rather comforting. Only five percent of the universe consists of ordinary matter, Neil tells us. That includes all matter - you, and me, and the body of Michael Brown, and Mork’s rainbow suspenders, and the letters I wrote all summer, and the air conditioner I put out on the curb on Christmas Day because I was tired of looking at it and being reminded of the person who had installed it, and my sad dying computer that sounds like a swarm of bees when it gets too hot, and the fields of Point Reyes, and this year’s blossoms which are dust now, and the drafts of my book, and Israeli tanks, and the untaxed cigarettes that Eric Garner sold, and my father’s ill-fitting leg brace that did not accomplish what he’d hoped for in terms of restoring mobility, and the Denver airport, and haunting sperm whales that sleep vertically, and the water they sleep in, and Mars and Jupiter and all of the stars we see and all of the ones we don’t. That’s all regular matter, just five percent. A quarter is “dark matter,” which is invisible and detectable only by gravitational pull, and a whopping 70 percent of the universe is made up of “dark energy,” described as a cosmic antigravity, as yet totally unknowable. It’s basically all mystery out there - all of it, with just this one sliver of knowable, livable, finite light and life. And did I mention the effects were really cool? After seeing something like that it’s hard to stay mad at anyone, even yourself.

University, where she is an adjunct professor of education and serves on the Veterans Committee, among about a thousand other things. That’s heroism. I have taken the kernel of her story and do what I do, which is dramatize, romanticize, exaggerate, and open fire. Hence, Game of Snipers. Now, on to apologies, excuses, and evasions. Let me offer the first to Tel Aviv; Dearborn, Michigan; Greenville, Ohio; Wichita, Kansas; Rock Springs, Wyoming; and Anacostia, D.C. I generally go to places I write about to check the lay of streets, the fall of shadows, the color of police cars, and the taste of local beer. At seventy-three, such ordeals-by-airport are no longer fun, not even the beer part; I only go where there’s beaches. For this book, I worked from maps and Google, and any geographical mistakes emerge out of that practice. Is the cathedral three hundred yards from the courthouse in Wichita? Hmm, seems about right, and that’s good enough for me on this. On the other hand, I finally got Bob’s wife’s name correct. It’s Julie, right? I’ve called her Jen more than once, but I’m pretty sure Jen was Bud Pewtie’s wife in Dirty White Boys. For some reason, this mistake seemed to trigger certain Amazon reviewers into psychotic episodes. Folks, calm down, have a drink, hug someone soft. It’ll be all right. As for the shooting, my account of the difficulties of hitting at over a mile is more or less accurate (snipers have done it at least eight times). I have simplified, because it is so arcane it would put all but the most dedicated in a coma. I have also been quite accurate about the ballistics app FirstShot, because I made it up and can make it do anything I want. The other shot, the three hundred, benefits from the wisdom of Craig Boddington, the great hunter and writer, who looked it over and sent me a detailed email, from which I have borrowed much. Naturally, any errors are mine, not Craig’s. I met Craig when shooting something (on film!) for another boon companion, Michael Bane, and his Outdoor Channel Gun Stories crew. For some reason, he finds it amusing when I start jabbering away and likes to turn the camera on. Don’t ask me why. On the same trip, I also met the great firearms historian and all-around movie guy (he knows more than I do) Garry James, who has become

Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone? Would you believe the local Holiday Inn? Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie. Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert. Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch. I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear. That’s Clint Eastwood and Bradley Cooper! Awesome!

The irony I’ve always found most haunting about Grizzly Man was how close it came to avoiding its ending, thus never being made at all. How close Timothy Treadwell and Amie Huguenard came to going home. They’d called it a season, packed up their gear, and got as far as the airport ticket counter before deciding to return to the Alaskan bush awhile longer. As if they’d heard a call to go back. Had Lydia seen this, and never told me? She would know I had. And trusted I would understand exactly what it meant when, after a trip to the bathroom at Vancouver International, I found her seat in our gate’s waiting area empty. Or if not right away, I’d get the message eventually. When I missed our flight, too, I couldn’t say if it was because I was still waiting for her to come back. Or because I wasn’t aware of when everyone else started to board. Or because I was trying to work up the courage to go after her, but couldn’t get past my fear of the mess that might be waiting. Mostly I wished I’d paid more attention to how much of herself Lydia must have seen in Stefan—alive in the wrong time, unable to see anything more ahead for her. All I’d ever wanted was someone to watch movies with, and talk about what they meant before we went to bed. Profound ones. Silly ones. All the ones in between. It seemed so simple, so little to ask for. So why couldn’t I have reached out a hand’s length farther, and accepted it? But as I sat transfixed by the sky, by the clouds and all they concealed, the maker of teeth made it clear. That’s not how this universe works. That’s not how any of this works.

I didn’t turn around until “Cullen!” rang out around me in Houston’s voice. My body whipped around, and there Houston was…running through the airport like we were in a movie or something. He pushed his way through crowds of people, his face pink with a mixture of embarrassment and exhaustion. How far had he run?

You’re brutal.” “Not brutal. Honest. So, she left and you…” Her head tilts to the side. “Just let her go. Just like that? You didn’t fight for her?” “This is real life. It isn’t some cheesy romance movie, Ariana.” “Obviously not. Future NHL star with up-and-coming songwriter. Best childhood friends turned high school enemies with a second chance at love. But no. You’re a colossal idiot. Not romance movie material at all. You let her go. Wuss move. If you were in a romance movie, you’d chase after her to the airport, or announce your love for her in front of the entire college. You wouldn’t run like a coward with your tail between your legs.” “She’s not flying anywhere.” “Totally missing the point, brother. If you don’t go after her, you’ve got zero chance. Personally, I think the odds are low even if you go after her, but a slim chance is better than no chance.” She glances around. “How about I stay another night? Before we have to go back to school on Monday.” “After that inspiring speech, how could I possibly say no?” I duck to avoid the second swat aimed at me.

I felt like the world’s worst movie cliché. Running through the airport trying to get the woman I loved to give me another chance… how original. But if it got me to Ava in time, I’d do it in front of prime-time TV.

Once you get out of Copenhagen airport, you may think you have walked on to the set of a ninja movie. In Denmark, everyone wears black. You want to aim for a look that would be fitting for Karl Lagerfeld’s funeral: stylish but monochrome. In the summertime, you are allowed to go for a wider range of colours, even something crazily flamboyant like grey.

Aedus reached into the center console and pulled out a pair of sunglasses. There was hardly a cloud in the sky. He drove for ten minutes before the helicopter came in sight, gradually descending towards the airport in his opposite direction. He looked around for a place to make a U-turn, but there was no legal turn available. Aedus sighed. The things a good guy has to do. He made a turn onto a side road and looped back around, tires squealing. In an action movie he’d just make a U-turn wherever, speed down the road, and weave in and out of traffic. Alas, this wasn’t an action movie and he wasn’t a certain Jason Bour—no time to think about that. The airport was coming up quick and as bustling as ever.

I thought about heaven, about how if we were shooting a movie about heaven, at the airport, we would want to shoot it there, and how in the movie, people would be arriving from earth and from other planets, and when the angels picked us up, they’d put us in their cars and drive a million miles for a thousand years, and it would be miserable until you got to where you were supposed to stay, where you would see your family and the girlfriend you had in the second grade, the girl you always believed was the only one who really loved you.

Baseball player’s description of Cincinnati: “Horseshit park, horseshit clubhouse, horseshit hotel, lots of movies, nice place to eat after the game, tough town to get laid in.” We had to wait for an hour-and-a-half at the airport because there were no taxis and our bus didn’t arrive on time. It was three in the morning, but that’s no excuse. And do you know that all you can hear at the Cincinnati airport at three in the morning are crickets? Goddam crickets? While we were standing there Larry Dierker said, “This city isn’t a completely lost cause. Look, they’ve got one of those computer IQ games.” So we walked over, dropped a couple of quarters in and discovered the machine was broken.

And finally . . . real love isn’t like a movie or a TV show, and it’s not supposed to be. Real love doesn’t have to chase you to the airport at the end of the movie, because real love doesn’t leave in the first place. If he was and is the one you were meant to be with, he would have stuck around. Or you would have stuck around. You both would have stuck around—for the hard stuff, for the intense stuff, for the messy stuff. Don’t get so sucked into the idea of a perfect Hollywood ending that you mistake glitter for gold.

Yeah, I get it. They live happily ever after and wash, rinse, repeat." She sat down on the bed next to him. "This isn't a movie, Blake. And you are definitely not some handsome, strapping stud who's racing through the airport to win the heart of the plucky heroine.

Anyhow, I drove like my daddy was chasing me, which he did a few times when I was a teenager and I snuck out of the house, and made it to the airport. I stowed away on a plane, which looks a lot more fun in the movies by the way, and made it back home. Most guys would have stopped at that point but Dmitri, being stubborn, called a few times spouting off, so I had my number changed.” “But?” “But, he got my family’s number and started calling them. Which was fine. My aunts and stuff blocked him, but thing is, he showed up on my parents’ doorstep while I was out shopping. My parents are vacationing in Mexico, and so Aunt Cecily had to deal with him.” “They scared her.” She laughed. “Scare my Aunt Cecily? Not in this lifetime. She wields a mean right hook. Daddy’s sister is the one who taught me to fight dirty.” “Something had to have happened to get you banished.” “Well, she was kind of worried about me, on account of me being delicate and stuff.” He couldn’t help but snort. “Yeah, that was my reaction too, but that’s what I get for being the youngest in the family. Teena beat me into the world by like ten seconds. Anyhow, Aunt Cecily would have kept me around, except the goons trampled Mama’s flower garden during one of their kidnapping attempts.” “You got banished over flowers?” “No, I got banished before the goons did any more damage to Mama’s stuff. When my mother cries, Daddy gets a little upset, and when Daddy gets upset, things happen. Dealing with the disposal of bodies is always a pain, and law enforcement really frowns upon murder. And Daddy’s been trying so hard to stay out of jail. Anyhow, for the good of the family, it was strongly suggested I take an extended vacation in the hopes my absence would see Dmitri call off his paid thugs and give up on the whole marriage business.” “Except he realized you took off and followed you here.” A frown creased her brow. “Yeah, which is weird because I was certain I didn’t have a tail.” “Well, you’re going to have one now, twenty-four-seven, until I locate this Dmitri fellow and tell him to get the hell out of pride territory.” -Meena & Leo

What had happened, for instance, at one of the war's biggest battles, the Battle of Midway? It was in the Pacific, there was something about aircraft carriers. Wasn't there a movie about it, one of those Hollywood all-star behemoths in which a lot of admirals look worried while pushing toy ships around a map? (Midway, released in 1976 and starring Glenn Ford, Charlton Heston, and -- inevitably -- Henry Fonda.) A couple of people were even surprised to hear that Midway Airport was named after the battle, though they'd walked past the ugly commemorative sculpture in the concourse so many times. All in all, this was a dispiriting exercise. The astonishing events of that morning, the "fatal five minutes" on which the war and the fate of the world hung, had been reduced to a plaque nobody reads, at an airport with a vaguely puzzling name, midway between Chicago and nowhere at all.

Before I even think too hard about it, I drive Pretty Girl, my 1980 Chevrolet Citation that I bought on Craigslist for $300, to the airport and book the first ticket to West Virginia. Yeah, West Virginia. That alone is proof that I must be going crazy. I’ve seen WAY too many horror movies that use that state as a backdrop to ever go there in my right mind. If I get murdered by some inbred “The Hills Have Eyes” lunatic, I’m gonna be so mad!

...you should’ve seen me ready to shiv security for making me take my ring off earlier.” I frowned as I accidently lost control of my chopsticks, my California roll dropping into the little plastic cup of soy sauce. “See?Sounds like classic Bridezilla behavior to me.” She almost choked on her wasabi-laced sushi piece. “Bridezilla? I am the least likely person to turn Bridezilla you will ever meet. In fact, I am like the Mothra of the Bridezilla world.” “Mothra.” I tsked. “Pedestrian. Destoroyah—no, Bridestoroyah—could totally take on Bridezilla.” “You have the chopstick skill level of a preschooler, and you dare to go around citing Japanese monster movie characters to me?” Laney seethed. “I have my reasons for choosing Mothra.” “Yeah?” I stabbed my chopsticks straight through the middle of my errant sushi piece. “Let’s hear them.” “Don’t, it’s bad luck!” she exclaimed. “What, to talk to a bride about her wedding dress before the big day?” And I thought Sloane was taking the wedding superstitions too far. “No, to stab your chopstick through the middle of your food.” She reached across the table and readjusted my sticks for me with one hand. I noticed she kept her other hand on the garment bag riding shotgun in the chair next to her. Its midnight blue sheen and fancy silver embroidery looked out of place in the middle of the airport food court.

I’m at the airport. I’m waiting for the plane to take me home to my sister and my mother. I bought cream at Lush to rub onto Elf’s body. She has a surprisingly beautiful body for a woman in her late forties. Her legs are slim and firm. She has muscular thighs. Her smile is an event. She laughs so hard. She makes me laugh so hard. She gets surprised. Her eyes open wide, comically, she can’t believe it. Her skin is pristine, smooth and pale. Her hair is so black and her eyes so green like they’re saying go, go, go! She doesn’t have horrible freckles and moles and facial hair like me and big bones poking out like twisted rebar at the dump. She’s petite and feminine. She’s glamorous and dark and jazzy like a French movie star. She loves me. She mocks sentimentality. She helps me stay calm. Her hands aren’t ravaged by time and her breasts don’t sag. They’re small, pert, like a girl’s. Her eyes are wet emeralds. Her eyelashes are too long. The snow weighs them down in the winter and she makes me cut them shorter with our mother’s sewing scissors so they don’t obscure her vision. I knocked over a tray of bath bombs the size of tennis balls, bright yellow, onto the floor and I couldn’t figure out how to pick them up. The woman said it was okay. I can’t remember now if I paid for the cream. I’m going home. NINE When Elf went away to Europe my mother decided to emancipate herself as well and enrolled in university classes in the city to become a social worker and then a therapist.

In the film Casablanca, Ilsa Lund (Ingrid Bergman) and Victor Laszlo (Paul Henreid) were to fly to Portela; in fact Portela Airport actually looked rather similar to the movie set version of Casablanca Airport.

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