Air Rifle Quotes

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In my world, you don’t get to call yourself “pro-life” and be against common-sense gun control — like banning public access to the kind of semiautomatic assault rifle, designed for warfare, that was used recently in a Colorado theater. You don’t get to call yourself “pro-life” and want to shut down the Environmental Protection Agency, which ensures clean air and clean water, prevents childhood asthma, preserves biodiversity and combats climate change that could disrupt every life on the planet. You don’t get to call yourself “pro-life” and oppose programs like Head Start that provide basic education, health and nutrition for the most disadvantaged children...The term “pro-life” should be a shorthand for respect for the sanctity of life. But I will not let that label apply to people for whom sanctity for life begins at conception and ends at birth. What about the rest of life? Respect for the sanctity of life, if you believe that it begins at conception, cannot end at birth.
Thomas L. Friedman
He loves weed like Alaska loves sex," the Colonel said. "This is a man who once constructed a bong using only the barrel of an air rifle, a ripe pear, and an eight-by-ten glossy photograph of Anna Kournikova. Not the brightest gem in the jewelry shop, but you've got to admire his single-minded dedication to drug abuse.
John Green (Looking for Alaska)
Too much and too long, we seem to have surrendered community excellence and community values in the mere accumulation of material things. Our gross national product...if we should judge the United States of America by that - counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for those who break them. It counts the destruction of our redwoods and the loss of our natural wonder in chaotic sprawl. It counts napalm and the cost of a nuclear warhead, and armored cars for police who fight riots in our streets. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages; the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage; neither our wisdom nor our learning; neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worthwhile. And it tells us everything about America except why we are proud that we are Americans.
Robert F. Kennedy
Beyond them stood a far greater number of men, all dressed like human versions of classic tin soldiers; dark blue jackets, white shirts, red sashes and black top hats. Definitely not 21st century military uniform; I’d have thought that they were actors had they not, on a drum roll, unshouldered their rifles and fired into the air.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Like most policemen, Landsman sails double-hulled against tragedy, stabilized against heave and storm. It's the shallows he has to worry about, the hairline fissures, the little freaks of torque. The memory of that summer, for example, or the thought that he had long since exhausted the patience of a kid who once would have waited a thousand years to spend an hour with him shooting cans off a fence with an air rifle. The sight of the Longhouse breaks some small, as yet unbroken facet of Landman's heart. All of the things they made, during their minute in this corner of the map, dissolved in brambles of salmonberry and oblivion.
Michael Chabon (The Yiddish Policemen's Union)
Good God!" she cried. She rolled off him, tugging down her clothing. "Are you mad?" He blinked and dragged in air. "Well, yes," He said thickly. "Lust does that to a man." "You thought we would--you would-- do...that in public?" "I wasn't thinking about where we were." He said. Her eyes widened. "I'm a man," he said with what he was sure must be, in the circumstances, saintly patience. "I can do one or the other. Lovemaking or thinking. But not both at the same time." She stared at him for a moment. Then she drew up her knees and folded her arms upon them and buried her face in her folded arms. She did not pick up the rifle and knock him on the head with it. Perhaps all was not lost. "Somewhere else then?" He said hopefully.
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
Childhood is, or has been, or ought to be, the great original adventure, a tale of privation, courage, constant vigilance, danger, and sometimes calamity. For the most part the young adventurer sets forth equipped only with the fragmentary map -marked HERE THERE BE TYGERS and MEAN KID WITH AIR RIFLE-that he or she has been able to construct out of patchwork of personal misfortune, bedtime reading, and the accumulated local lore of the neighbourhood children.
Michael Chabon (Manhood for Amateurs)
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
This is a man who once constructed a bong using only the barrel of an air rifle, a ripe pear, and an eight-by-ten glossy photograph of Anna Kournikova. Not the brightest gem in the jewelry shop, but you’ve got to admire his single-minded dedication to drug abuse.
John Green (Looking for Alaska)
He declined to let us take our air rifles to the Landing (I had already begun to think of shooting Francis)
Harper Lee (To Kill a Mockingbird)
The Iraqi sun quickly heated the air to an unbearable one hundred twenty three degree’s, causing an unquenchable thirst to boil up in him. Thomas then dropped his rifle under his right arm, where it hung beneath his pit by a strap called a fast sling, there the weapon dangled under his sweat soaked uniform.
Thomas Ferreolus (Sounds of War: Iraq Attack of Thomas Edington)
Last winter, she’d walked this path with Min, heading for the Christmas Fair--there’d been a ferris wheel and skating, mulled wine, minced pies. At an air-rifle booth, Min had missed the target five times in a row. “Cover”, he’d said. “Don’t want everyone knowing I’m a trained sharpshooter.
Mick Herron (Dead Lions (Slough House, #2))
Kolya rose to a crouch and crept to the front door, keeping his head below the window line. I followed. We kneeled with our backs against the door. Kolya checked his pistol one last time. I pulled the German knife from my ankle sheath. I knew I looked silly holding it, the way a young boy looks holding his father’s shaving razor. Kolya grinned at me as though he was about to start laughing. This is all very strange, I thought. I am in the middle of a battle and I am aware of my own thoughts, I am worried about how stupid I look with a knife in my hand while everyone else came to fight with rifles and machine guns. I am aware that I am aware. Even now, with bullets buzzing through the air like angry hornets, I cannot escape the chatter of my brain.
David Benioff (City of Thieves)
One officer’s response to du Picq stated quite frankly that “a good many soldiers fired into the air at long distances,” while another observed that “a certain number of our soldiers fired almost in the air, without aiming, seeming to want to stun themselves, to become drunk on rifle fire during this gripping crisis.
Dave Grossman (On Killing)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
There was something special about a carnival at night. Bright lights pierced the darkness; the tinkling music of the merry-go-round provided the perfect background for the shrill calls of the carnival workers; the giggles of the people aiming fake rifles at fake ducks were full of contagious fun; the distant shrieks coming from the roller coaster and the top of the Ferris wheel filled the air; and a warm breeze carried the tantalizing aromas of cotton candy and hot buttered popcorn.
Marilyn Kaye (Lucky Thirteen (Replica, #11))
A strange, sweet sound pierced the air. "Skerden Fjerda, kende hjertzeeeeeng, lendten isen en de waaaanden." Fjerdan words Jesper didn't understand crested over the courtyard in a shimmering, perfect tenor that seemed to catch upon the black stone battlements. Wylan. The guards whirled, rifles pointed at the walkway that led to the courtyard, seeking the source of the sound. "Olander?" one called. "Nilson?" said another. Their guns were raised, but their voices were more bemused and curious than aggressive. What the hell is he doing? A silhouette appeared in the walkway arch, lurching left and right. "Skerden Fjerda, kende hjertzeeeeeng," Wylan sang, doing a surprisingly convincing impression of a drunk but very talented Fjerdan. The guards burst out laughing, joining in on the song. "Lendten isen . . .
Leigh Bardugo (Six of Crows (Six of Crows, #1))
GRAY-EYED COLE SAT in his bedroom window, looking out over the road, a scoped Ruger 10/22 in his hands. Squirrel rifle. Below him, a quilt hung on the wire clothesline, airing out. Before the end of the day, the quilt would smell like early-summer fields, with a little gravel dust mixed in. A wonderful smell, a smell like home.
John Sandford (Extreme Prey (Lucas Davenport, #26))
Before then he has had time to wave his rifle at them, making Adrian scream like an air raid warning. “Shush! You’ll wake the bloody cat!
Fredrik Backman (A Man Called Otto)
Yesterday it was a sawn-off shotgun wound but today it’s more like a monster bruise from an air-rifle pellet.
David Mitchell (The Bone Clocks)
The shrieks were coming from two quite naked girls, who were pursued by a pair of apes snapping at their bottoms. [...] So he now raises his double-barrelled Spanish rifle, fires and kills both apes. 'God be praised, my dear Calambo! I have delivered these two poor creatures from grave peril; if it was a sin to kill an Inquisitor and a Jesuit, I have made ample amends by saving the lives of two girls [...]' He was about to continue, but words failed him when he saw the two girls throw their arms lovingly around the two apes and collapse in tears over their corpses, filling the air with the most pitiful lamentations. 'I was not expecting quite so much tenderness of heart,' he said at last to Cacambo, who replied: 'You've excelled yourself this time, Master; you have just despatched the two lovers of these young ladies.' '-Their lovers! Is it possible? You're making fun of me, Cacambo; how could anyone believe in such a thing?' - 'My dear Master,' retorted Cacambo, 'you are always astounished by everything; why do you find it so strange that in some countries it is apes who enjoy the favours of young ladies? After all, they are one-quarter human, just as I am one-quarter Spanish.
Voltaire (Candide)
Even if we act to erase material poverty, there is another greater task, it is to confront the poverty of satisfaction - purpose and dignity - that afflicts us all. Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things. Our Gross National Product, now, is over $800 billion dollars a year, but that Gross National Product - if we judge the United States of America by that - that Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans. If this is true here at home, so it is true elsewhere in world.
Robert F. Kennedy
Prison Moon Four a.m. work duty and I begin my solitary trudge from outer compound to main building. A shivering guard, chilled in his lonely outpost, strip searches me until content that my inconsequential nudity. poses no threat and then whispers the secret code that allows me admittance into the open quarter-mile walkway. I chuff my way into another day as ice glints on the razor wire and the rifles note my numbed passage, silent but for my huffs and scuffle on the cracked, slippery sidewalk A new moon, veiled in wispy fog and beringed in glory, hangs over the prison, its gaudy glow taunting the halogen spotlights. The moon’s creamy pull upsets some liquid equilibrium within me and like tides, wolves and all manner of madmen, I surrender disturbed by the certainty that under the bony luminescence of a grinning moon The lunar deliriums grip me and I howl--once, then again, and surely somewhere an unbound sleeper stirs, penitence is dying a giddy death. I shake myself sane and as the echoes hang in the frigid air I explain to the wild-eyed guard that convicts, like all animals under the leash, must bay at the beauty beyond them.
Jorge Antonio Renaud
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
If our time is up, at least we’ll be dying in fresh air,” I say. “With rifles in our hands and a hearty ‘fuck you’ on our lips.” “There are worse ways to go,” Sergeant Fallon agrees. “’Course, I want to explore every other option before we get to the ‘dying in fresh air’ part.
Marko Kloos (Lines of Departure (Frontlines, #2))
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
Charles Portis (True Grit)
So, what’s behind door number one?” Mary commented, bringing him out of his thoughts as the second air lock door opened. “Pardon?” “Oh, nothing. Game show reference, I make silly comments when I get nervous.” He led the way in to the corridor, on either side glass windows looked over the flanking rooms but it was too dark to see anything. Valdagerion suddenly stopped, listening. Abruptly he pressed her flat against the wall, almost crushing her just as four armed Unseeile appeared around the curve in the corner, rifles aiming. Blue bursts of light and heat flew past them. “Shit.” Mary squeaked. “I would have settled for the cuddly toy.
D.M. Alexandra
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
Was that really and truly what people were secretly feeling everywhere? Was that what, ultimately, war did to you? It was not the physical dangers—the mines at sea, the bombs from the air, the crisp ping of a rifle bullet as you drove over a desert track. No, it was the spiritual danger of learning how much easier life was if you ceased to think…
Agatha Christie (Taken at the Flood (Hercule Poirot, #29))
You know how summer goes. You yearn for it and yearn for it, but there's always something wrong. Everywhere you look, there are insects thickening the air, and birds rifling trees, and enormous, heavy leaves dragging down branches. You want to trammel it, wreck it, smash things down. The afternoons are so fat and long. You want to see if anything you do matters.
Emily Fridlund (History of Wolves)
This is the Sandman,’ Francisco said. ‘Its non-lethal mode is derived from the same technology as the Sleeper guns that you’re already familiar with, but with far greater range and accuracy.’ He pressed a button just above the rifle’s trigger guard and a glowing, blue holographic sight appeared in the air above the weapon. ‘This targeting array will identify and track multiple targets through heat signature, electromagnetic emissions or movement. It’s also capable of up to twelve times’ magnification for long-range sniping. If it should prove necessary the weapon can also be switched to lethal mode which fires magnetically accelerated microslugs, which have the stopping power of a bullet but are much lower in mass, giving it greatly increased ammo capacity. Each clip holds two hundred and fifty rounds, allowing for sustained rapid fire if necessary. The Sandman fires almost silently, with no muzzle flash and without the need for a suppressor, making it an ideal stealth weapon. It also has a full thermoptic camouflage coating tied into the system on board your ISIS armour. You have ten minutes to fire the weapon on the range in order to better familiarise yourself with it. Any questions?’ ‘Are they going to be in the shops in time for Christmas?’ Shelby asked.
Mark Walden (Deadlock (H.I.V.E., #8))
Prevost was an imaginative gladiator of the air. He persuaded Vann to give him a pair of the new lightweight Armalite rifles, officially designated the AR-15 and later to be designated the M-16 when the Armalite was adopted as the standard U.S. infantry rifle. The Army was experimenting with the weapon and had issued Armalites to a company of 7th Division troops to see how the soldiers liked it and how well it worked on guerrillas. (The Armalite had a selector button for full or semiautomatic fire and shot a much smaller bullet at a much higher velocity than the older .30 caliber M-1 rifle. The high velocity caused the small bullet to inflict ugly wounds when it did not kill.) Prevost strapped the pair of Armalites to the support struts under the wings of the L-19 and invented a contrivance of wire that enabled him to pull the triggers from the cockpit to strafe guerrillas he sighted. He bombed the Viet Cong by tossing hand grenades out the windows.
Neil Sheehan (A Bright Shining Lie: John Paul Vann and America in Vietnam (Pulitzer Prize Winner))
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
We landed on the island of South Beeveland, where we remained about three weeks, playing at soldiers, smoking mynheer's long clay pipes, and drinking his vrow's butter-milk, for which I paid liberally with my precious blood to their infernal musquittos ; not to mention that I had all the extra valour shaken out of me by a horrible ague, which commenced a campaign on my carcass and compelled me to retire upon Scotland, for the aid of my native air, by virtue of which it was ultimately routed.
John Kincaid (Adventures In The Rifle Brigade: In The Peninsula, France And The Netherlands From 1809 To 1815)
8:30 P.M.: Personal time. Free of Reznik at last. We wash our jumpsuits, shine our boots, scrub the barracks floor and the latrine, clean our rifles, pass around dirty magazines, and swap other contraband like candy and chewing gum. We play cards and bust each other’s nuts and complain about Reznik. We share the day’s rumors and tell bad jokes and push back against the silence inside our own heads, the place where the never-ending voiceless scream rises like the superheated air above a lava flow. Inevitably
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Please, no, please, no. I thought I heard those words, but I could have said them. Lark was trying to get up again. He pedaled one foot in the air, rolled over, onto his knees, and rose in a crouch. He locked eyes with me. Their blackness knocked me backward. The rifle was lifted from my arms. Cappy stepped forward beside me. I didn’t hear the shot. All sound, all motion, had stalled in the sullen air. My brain was ringing. Cappy picked up the ejected casings from around my feet and put them in the pockets of his jeans
Louise Erdrich (The Round House)
Do I look like the mastermind of this? I just do what I'm told. They tel me to arrest the foreign-born Jews in Paris, so I do it. They want the crowd separated - single men to Drancy, families to the Vet d'hie Viola! It's done. Point rifles at them and be prepared to shoot. The government wants all of France's foreign Jews sent east to work camps, and we're starting here.' All of France? Isabelle felt the air rush out of her lungs. Operation Spring Wind. 'You mean this isn't just happening in Paris?' 'No. This is just the start.
Kristin Hannah (The Nightingale)
Once again, it's a beautiful day to be a pirate," Auburn Sally said to her crew. "Ladies, lower the sales!" The twins looked up, expecting the sails above them to comedown and fill with the ocean air. Instead, Siren Sue peeked out of the crow's nest with a treasure chest full of scarves, jewelry, hooks, and weapons. The other pirates gathered below her with hands full of gold coins. "You heard the captain - time to lower the sales!" Siren Sue announced. "For a limited time, everything is half off!" Scarves are two coins, earring are four coins, necklaces are six coins, and the rifles are eight coins! Get your accessories while the sales are low!" Siren Sue sold off the items to the pirates below until there was nothing left in her chest. The women ogled their new purchases and showed them off to one another. It absolutely baffled Alex, and when she glanced at Conner, he looked just as confused as she did. "I don't understand what's happening," he said. "I never wrote that." "Did you mean to write lower the sails?" Like the normal sails on a ship?" Alex said. "Oops," Conner said. "I must have spelled it wrong." To his relief, once the sales were over, the pirates lowered the sails, too.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
Ashamed, shrugging a little, and then shivering, he took his bags and went out. The cold of the air seemed to lift him bodily. The moon was in the sky. On the slope he began to run, he could not help it. Just as he reached the road, where his car seemed to sit in the moonlight like a boat, his heart began to give off tremendous explosions like a rifle, bang bang bang. He sank in fright onto the road, his bags falling about him. He felt as if all this had happened before. He covered his heart with both hands to keep anyone from hearing the noise it made. But nobody heard it. ("Death of a Traveling Salesman
Eudora Welty (The Collected Stories)
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
Jack London (The Cruise of the Snark)
When he gave us our air-rifles Atticus wouldn’t teach us to shoot. Uncle Jack instructed us in the rudiments thereof; he said Atticus wasn’t interested in guns. Atticus said to Jem one day, “I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ’em, but remember it’s a sin to kill a mockingbird.” That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. “Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us.
Harper Lee (To Kill a Mockingbird)
Still gasping for breath from the exertion of the chase, the colonel lifted his rifle and aimed at the closest mountain lion. The crack of the colonel’s rifle rang through the night air, echoing off the surrounding mountains. A piece of bark flew up next to the lion as the cat leapt to a different branch of the tree. Swearing in anger that he had missed the shot, the colonel took several steps closer, levered his rifle, and fired again. Once more, the lion leaped away just in time, slinking from branch to branch as her brother hissed and snarled to keep the frenzied, stupid tree-climbing dogs at bay. Serafina ran toward her brother and sister as fast as she could, her claws out and ready to fight. The colonel fired again, and then again, twigs breaking, bark exploding, the lions hissing and snarling, the sound of the repeated shots echoing across the mist-filled valley. Discouraged by the colonel’s poor accuracy, the other hunters began to position themselves to shoot the mountain lions themselves and get it over with. “My shot!” he screamed again as he moved closer. Serafina ran straight toward them, her powerful chest expanding with raging power. She was almost there. But on the colonel’s next shot, she heard the bullet thwack into her sister’s body. Serafina watched helplessly as her sister fell from the branch of the tree and tumbled through midair, her limbs flailing as she plummeted toward the rocks below.
Robert Beatty (Serafina and the Seven Stars (Serafina, 4))
A few Grik lunged at them, but the vast majority only wanted to get out of their way. These they left alone, conserving ammunition. It was a little disconcerting. They’d never seen so many “civilian” Grik before, and it was stunning how little fight they had in them. “What a buncha pansies!” Silva panted, still having trouble with the heavy, wretched air. Three Grik had nearly fallen over themselves trying to clear his path when he menaced them with the Thompson. Its barrel was still smoking after a long burst he fired down a congested alley where another column of warriors was struggling to get at them. Those that followed fired into the writhing mass as well, the heavy booming of their rifles much louder than the stutter of the Thompson. “Pansies!” Petey cawed. “Pansies! Ack! Goddamn!
Taylor Anderson (Deadly Shores (Destroyermen, #9))
Even after years of war, some men retained scruples about licensed homicide. [...] Lieutenant Peter Downward commanded the sniper platoon of 13 Para. He had never himself killed a man with a rifle, but one day he found himself peering at a German helmet just visible at the corner of an air-raid shelter--an enemy sniper. "I had his head spot in the middle of my telescopic sight, my safety catch was off, but I simply couldn't press the trigger. I suddenly realised that I had a young man's life in my hands, and for the cost of one round, about twopence, I could wipe out eighteen or nineteen years of human life. My dithering deliberations were brought back to earth with a bump as Kirkbride suddenly shouted: 'Go on, sir. Shoot the bastard! He's going to fire again.' I pulled the trigger and saw the helmet jerk back. I had obviously got him, and felt completely drained...What had I done?
Max Hastings
You have got to be—” Her sentence is cut short when the elevator makes an abrupt stop, jostling both of us into the walls of the small carrier. “Huh, would you look at that?” I glance around the small room, wondering what’s wrong. “No, no, no,” Dottie says over and over again, as she rushes to the panel and presses the emergency button. When nothing happens, she presses all the other buttons. “That’s intelligent,” I say, arms crossed and observing her from behind. “Confuse the damn thing so it has no idea what to do.” She doesn’t answer, but instead pulls her phone out from her purse and starts holding it up in the air, searching for a signal. “It’s cute that you think raising the phone higher will grant you service. We’re in a metal box surrounded by concrete, sweetheart. I never get reception in here.” “Damn it,” she mutters, stuffing her phone back in her purse. “Looks like you’re stuck here with me until someone figures out the elevator broke, so it’s best you get comfortable.” I sit on the floor and then pat my lap. “You can sit right here.” “I’d rather lick the elevator floor.” “There’s a disgusting visual. Suit yourself.” I get comfortable and start rifling through my bag of food. Thank God I grabbed dinner before this, because I’m starving, and if I was stuck in this elevator with no food, I’d be a raging bastard, bashing his head against the metal door from pure hunger. Low blood sugar does crazy things to me. I bring the term hangry to a new level. There’s only— “Why are you smiling like that?” I look up at her. “Smiling like what? I’m just being normal.” “No, you’re smiling like you’re having a conversation inside your head and you think you’re funny.” How would she know that? “Well, I am funny.” I pop open my to-go box filled to the brim with a Philly cheesesteak sandwich and tons of fries. Staring at it, I say, “Oh yes, come to papa.
Meghan Quinn (The Lineup)
Wait,” said one of the guards. “Did you hear something?” Don’t look up. Oh, Saints, don’t look up. The guards moved in a slow circle, rifles raised. One of them craned his head back, scanning the roof. He began to turn. A strange, sweet sound pierced the air. “Skerden Fjerda, kende hjertzeeeeeng, lendten isen en de waaaanden.” Fjerdan words Jesper didn’t understand crested over the courtyard in a shimmering, perfect tenor that seemed to catch upon the black stone battlements. Wylan. The guards whirled, rifles pointed at the walkway that led to the courtyard, seeking the source of the sound. “Olander?” one called. “Nilson?” said another. Their guns were raised, but their voices were more bemused and curious than aggressive. What the hell is he doing? A silhouette appeared in the walkway arch, lurching left and right. “Skerden Fjerda, kende hjertzeeeeeng,” Wylan sang, doing a surprisingly convincing impression of a drunk but very talented Fjerdan. The guards burst out laughing, joining in on the song. “Lendten isen…
Leigh Bardugo (Six of Crows (Six of Crows, #1))
One night, I sat Beauty on my knee. —And I found her bitter. —And I hurt her. I took arms against justice. I fled, entrusting my treasure to you, o witches, o misery, o hate. I snuffed any hint of human hope from my consciousness. I made the muffled leap of a wild beast onto any hint of joy, to strangle it. Dying, I called out to my executioners so I could bite the butts of their rifles. I called plagues to suffocate me with sand, blood. Misfortune was my god. I wallowed in the mud. I withered in criminal air. And I even tricked madness more than once. And spring gave me an idiot’s unbearable laughter. Just now, having nearly reached death’s door, I even considered seeking the key to the old feast, through which, perhaps, I might regain my appetite. [...] “A hyena you’ll remain, etc.… ” cries the demon that crowns me with merry poppies. “Make for death with every appetite intact, with your egotism, and every capital sin.” Ah. It seems I have too many already: —But, dear Satan, I beg you not to look at me that way, and while you await a few belated cowardices—you who so appreciate a writer’s inability to describe or inform—I’ll tear a few terrible leaves from my book of the damned.
Arthur Rimbaud (A Season in Hell & Illuminations)
The shoot-to-kill order came through at zero one fifteen, relayed over a satellite radio. It’d been just three hours since the two-man reconnaissance team had reported the sighting. They lay in a shallow dugout on a windblown ridge, the leeward slope falling away steeply to an impassable boulder field. A desert-issue tarp all but covered the hole, protected from view on the flanks by thorny scrub. Shivering, they blew into their bunched trigger-finger mitts. The daytime temperature had dropped twenty degrees or more, and fine sleet was melting on their blackened faces. Darren Proctor extended the folded stock of his L115A3 sniper rifle. He split the legs of the swivel bi-pod and aligned the swivel cheek piece with the all-weather scope. Flipping open the lens cap, he glassed the terrain cast a muted green by the night vision. The tree line was sparse, a smattering of pines and cedars shuddering in the biting wind. Glimpsing movement on a scree slope fifty metres or so beyond, he focused in. The eyes of a striped hyena shone like glow sticks. He watched as the scavenger ripped at the carcass of an ibex or wild sheep. A second later it sniffed the air, ears pricked, and scampered off.
Gary Haynes (State of Honour)
There was an old man in a village. He had an old rifle, and whenever the foreign soldiers came near, he would fire a few shots in the air. This was because the guerrilla forces expected him to snipe at the foreign soldiers. He could not bring himself to do that. So he would fire a few wild rounds at nothing in particular, and the guerrillas would hear the shots and be satisfied he was doing his part. The foreign soldiers understood. Sometimes they'd even let off a burst or two, to make things sound lively. And the old man's family slept safely at night. "But into this there came a very young foreign soldier who didn't understand the rules of the game. So when he saw the old man fire the old rifle, he took him seriously. He killed him." Wizard's mouth was dry. Cassie had stopped talking as suddenly as the jolt of a rear-ended vehicle. He sat silently, waiting for more, but she said nothing. After a moment she bent her head to dig through her purse, and offered him a Life Saver. "The moral?" he asked, taking one. His voice cracked slightly. "There isn't one." She spoke to the roll of candy she was peeling. "Except that the next week, the guy sniping at them from that hamlet wasn't shooting into the air.
Megan Lindholm (Wizard of the Pigeons: The 35th Anniversary Illustrated Edition)
Maggie swung her head from side to side, checking the high scents first, then dipped her head to taste the smells close to the ground. The humans behind her might be able to identify five or six distinct smells if they concentrated, but Maggie’s long shepherd’s nose gave her an olfactory picture of the world no human could comprehend: She smelled the dust beneath her feet and the goats that had been herded along the road a few hours earlier and the two young male goatherds who led them. Maggie smelled the infection that one of the goats carried, and knew that two of the female goats were in heat. She smelled Pete’s fresh new sweat and the older sweat dried into his gear, his breath, the perfumed letter he kept in his trousers, and the green ball hidden beneath his flak. She smelled the CLP he used to clean his rifle, and the residual gunpowder that clung to his weapon like a fine dust of death. She smelled the small grove of palms not far from the road, and the trace scents of the wild dogs that had slept beneath the palms during the night and defecated and urinated before moving on. Maggie hated the wild dogs. She spent a moment testing the air to see if they were still in the area, decided they were gone, then ignored their scent and concentrated on searching for the scents Pete wanted her to find. Smells
Robert Crais (Suspect (Scott James & Maggie, #1))
If you’re going to shoot me, do it. Do you think I’m afraid of you?” Camille asked. No bullet could hurt worse than the thought of her father drowning, or the sight of Oscar gurgling for air as he lay in a pool of his own blood. She stared into the barrel of the rifle. “You’re a coward. Heartless and cruel, and the devil won’t even want you.” A single shot and she’d be back with her father and Oscar. She’d have them both. Perhaps that was why Umandu hadn’t worked; her heart hadn’t been able to decide. McGreenery pressed the cold steel against her throat. He bared his teeth, losing every ounce of composure and calculated grace. Camille threw a glance toward Ira, who finally jammed his knife into the ribs of his opponent. He pulled the blade free in time to see her at the end of McGreenery’s rifle. But instead of running toward her, he stopped and stared. What was he doing? McGreenery reeled forward. The rifle and stone clattered to the floor. His lips parted. “What-?” he rasped. Camille stared at him, equally bewildered. A sharp metal spike protruded from his chest and glinted in the single band of sunlight streaming from the dome’s entrance. McGreenery collapsed to his knees and revealed his assailant to her. Oscar placed a foot on McGreenery’s back and kicked him forward, sliding him off the very spear McGreenery had used to kill him. “Let’s see how you like it,” Oscar said and tossed the spear aside.
Angie Frazier (Everlasting (Everlasting, #1))
Even if we act to erase material poverty, there is another greater task; it is to confront the poverty of satisfaction – purpose and dignity – that afflicts us all. Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things. Our Gross National Product, now, is over $800 billion a year, but that Gross National Product … counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the Gross National Product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything in short, except that which makes life worthwhile.
Nic Marks (The Happiness Manifesto)
A Season in Hell - 1854-1891 A while back, if I remember right, my life was one long party where all hearts were open wide, where all wines kept flowing. One night, I sat Beauty down on my lap.—And I found her galling.—And I roughed her up. I armed myself against justice. I ran away. O witches, O misery, O hatred, my treasure's been turned over to you! I managed to make every trace of human hope vanish from my mind. I pounced on every joy like a ferocious animal eager to strangle it. I called for executioners so that, while dying, I could bite the butts of their rifles. I called for plagues to choke me with sand, with blood. Bad luck was my god. I stretched out in the muck. I dried myself in the air of crime. And I played tricks on insanity. And Spring brought me the frightening laugh of the idiot. So, just recently, when I found myself on the brink of the final squawk! it dawned on me to look again for the key to that ancient party where I might find my appetite once more. Charity is that key.—This inspiration proves I was dreaming! "You'll always be a hyena etc. . . ," yells the devil, who'd crowned me with such pretty poppies. "Deserve death with all your appetites, your selfishness, and all the capital sins!" Ah! I've been through too much:-But, sweet Satan, I beg of you, a less blazing eye! and while waiting for the new little cowardly gestures yet to come, since you like an absence of descriptive or didactic skills in a writer, let me rip out these few ghastly pages from my notebook of the damned.
Arthur Rimbaud
NOVA SLUNG THE BAG over her shoulder and reached for one of the weighted ropes she’d set up in the alley the night before. She wrapped her arm around the rope and untied the sailor’s knot from the weights holding it to the ground. The weights attached to the opposite end dropped, dragging it through the pulley on the rooftop above. Nova jerked upward, holding tight as the rope whistled past the building’s concrete wall. The second set of weights crashed into the ground below. She stopped with a shudder, her hand only a few inches shy of the pulley, her body swinging six stories in the air. Nova threw her bag onto the rooftop, then grabbed the ledge and hauled herself over. She dropped down into a crouch and riffled through the bag, pulling out the uniform she had designed with Queen Bee’s help. She slung the weaponry belt across her hips, where it hung comfortably, outfitted with specially crafted pockets and hooks for all of her favorite inventions. Next, the snug black hooded jacket: waterproof and flame-retardant, yet lightweight enough to keep from inhibiting her movements. She zipped it up to her neck and tugged the sleeves past her knuckles before pulling up the hood, where a couple of small weights stitched into the hem held it in place over her brow. The mask came last. A hard metallic shell perfectly molded to the bridge of her nose that disappeared into the high collar of the jacket, disguising the lower half of her face. Transformation complete, she stooped and pulled the rifle and a single poisoned dart from the bag.
Marissa Meyer (Renegades (Renegades, #1))
The town of Khan Yunis in the Gaza Strip, like all the other towns and villages in the West Bank and the Strip, was placed under military curfew for three days. This short period was enough for the army to perform its routine devastation. Muhammad Ahmad al-Astal, who was then twenty-four years old, recalled how the soldiers burst into the house where his friends usually gathered, about ten Palestinian men in all. The soldiers took four of them to another room. He remained with three other members of the family. Two of them were taken by the soldiers to a corner of the room and beaten with rifle stocks; they were also punched, slapped and kicked. He and another family member were ordered to empty the cupboard of its contents, clothing and other household items. In his own words: ‘The soldiers called me over, slapped me on the face and told me, ‘You are Hamas’. I returned to empty the cupboard but I was called over again. This time they told me, ‘You are Islamic Jihad’, and slapped me again.’ There was a third round of abuse in which he was told, ‘You are PLO’. Another man in the room was treated in a similar way. Then they were both summoned: ‘one soldier held me by the neck and banged our heads together’. It turned out that in the next room the same abuse was taking place and then they were united with two men from the other room and ordered to stand facing the wall with their hands up in the air: ‘the soldiers gave us back our ID cards to hold up in the air and told us to remain like this’. After half an hour the older members of the family told them the soldiers had left
Ilan Pappé (The Biggest Prison on Earth: A History of the Occupied Territories)
These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
Aware her appearance was nothing short of scandalous, Camille bounded over branches and fallen pine needles to the shield of her horse. Ira’s whistle pierced the air. “You should’a warned us you weren’t dressed, love. Though I’m not entirely sorry to see you in your unwhisperables.” She grabbed the blanket from the back of her horse and wrapped herself in it. Oscar appeared from around the bend, four pike speared on a stick. She watched him stride through the water just behind Ira. The muscle of his pale chest, stomach, and arms was enough to make her forget her clothing was still yards away near the water’s edge. Camille faced the forest as he and Ira approached the shallows. She listened to them slosh out of the water and counted off a minute as they pulled on their trousers and shirts. “Finished. Your innocence won’t be spoiled if you look now,” Ira called. She turned and saw Oscar had come up to the other side of her horse. He didn’t seem to know what to do with his eyes; they met hers, lowered to the blanket she held tight around her chest, and then focused on the horse’s stringy black mane. He held her dress over the saddle, half looking at her, half trying to be gentlemanly. But when she thanked him and tried to take it, he held on. “What is it?” he asked, then released the dress. Camille tightened the blanket around her chest. “You look frightened. Did something happen?” She hadn’t realized she’d looked upset. “It’s nothing. A deer just startled me, that’s all.” She nodded toward the woods. He backed up from the horse, his eyes lifting to her bare shoulders and then away. Ira grabbed the rifle from his horse and sprang for the trees. “When? Which way did it go?” “Ira Beam, you are not going to shoot an innocent animal,” she said, shaking out her dress. The Australian leaped into the forest. “I’ll meet you upriver!” he shouted, and then he was gone, his noisy tear into the woods enough to scatter tree ants, let alone any remaining game.
Angie Frazier (Everlasting (Everlasting, #1))
Colonel Fedmahn Kassad shouted a FORCE battle cry and charged through the dust storm to intercept the Shrike before it covered the final thirty meters to where Sol Weintraub crouched next to Brawne Lamia. The Shrike paused, its head swiveling frictionlessly, red eyes gleaming. Kassad armed his assault rifle and moved down the slope with reckless speed. The Shrike shifted. Kassad saw its movement through time as a slow blur, noting even as he watched the Shrike that movement in the valley had ceased, sand hung motionless in the air, and the light from the glowing Tombs had taken on a thick, amberish quality. Kassad’s skinsuit was somehow shifting with the Shrike, following it through its movements through time. The creature’s head snapped up, attentive now, and its four arms extended like blades from a knife, fingers snapping open in sharp greeting. Kassad skidded to a halt ten meters from the thing and activated the assault rifle, slagging the sand beneath the Shrike in a full-power wide-beam burst. The Shrike glowed as its carapace and steel-sculpture legs reflected the hellish light beneath and around it. Then the three meters of monster began to sink as the sand bubbled into a lake of molten glass beneath it. Kassad shouted in triumph as he stepped closer, playing the widebeam on the Shrike and ground the way he had sprayed his friends with stolen irrigation hoses in the Tharsis slums as a boy. The Shrike sank. Its arms splayed at the sand and rock, trying to find purchase. Sparks flew. It shifted, time running backward like a reversed holie, but Kassad shifted with it, realizing that Moneta was helping him, her suit slaved to his but guiding him through time, and then he was spraying the creature again with concentrated heat greater than the surface of a sun, melting sand beneath it, and watching the rocks around it burst into flame. Sinking in this cauldron of flame and molten rock, the Shrike threw back its head, opened its wide crevasse of a mouth, and bellowed. Kassad almost stopped firing in his shock at hearing noise from the thing. The Shrike’s scream resounded like a dragon’s roar mixed with the blast of a fusion rocket. The screech set Kassad’s teeth on edge, vibrated from the cliff walls, and tumbled suspended dust to the ground. Kassad switched to high-velocity solid shot and fired ten thousand microfléchettes at the creature’s face.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this. She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air. Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too. Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned. As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud. She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway. She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up. Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur. She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain. When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
Debra Holland (Healing Montana Sky (Montana Sky, #5))
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
When World War One broke out in 1914, planes were initially used for intelligence gathering. The machines, which moved faster than any man made device had ever, flew at approximately 80 miles per hour. No plane in WWI flew faster than 145mph, and that was at the very end of the war.               Of course, neither side wanted the other to spy on its troop movements, so within a very short period of time, pilots were trying to bring each other down. Initially, the first dogfights, strange as it may seem, were fought with grappling hooks hanging below the plane, grenades, and ramming. This was both highly inefficient and highly dangerous (for everyone involved). The first plane-to-plane combat was on the Eastern Front where a Russian pilot, who probably meant to graze his enemy, crashed his plane into an Austro-Hungarian machine. He and the two man crew of the Austrian plane were killed.               Soon, pilots began shooting at each other with pistols and the single shot rifles of the time. You can guess how effective this was.
Ryan Jenkins (World War 2 Air Battles: The Famous Air Combats that Defined WWII)
Exclamations arose from the personnel as they recognized the lifeless legs hanging in the air above them as having once belonged to Slaughter.  Derek swore and reached up to pull the body out, but it did not budge.  He looked closely and noted that the body and clothing had fused into the vessel’s own metallic material.  Everyone’s attention was so riveted above that they failed to notice the shadows in time.  Once the dark forms reached the squad’s rear, the screams began.  Laser fire erupted next, but it had no effect.  Bodies of the dead fell about the corridor.  Anne’s hands shook as she assembled the cannon.  Derek covered her as best as he was able, but his weapon seemed useless. The laser would cut through a shadowy figure, then it would simply re-materialize.  He dropped the rifle and went for his backup weapon, which was an old .45 caliber handgun in his belt pouch.  He jammed the magazine in and chambered the round and fired twice into the darkness, punctuated with flashes of white light and fire.
Karl Bjorn Erickson (Alcatraz Burning: Four Mind-Bending Short Stories)
after the echoes of the shots had died away over the stone Kremlin the French heard a curious sound above their heads. Thousands of jackdaws flew up from the walls and circled in the air, cawing and noisily flapping their wings. At the same instant a solitary human cry rose from the gateway, and amid the smoke appeared the figure of a man, bare-headed and wearing a long peasant coat. Grasping his musket, he took aim at the French. ‘Fire!’ repeated the artillery officer, the crack of a rifle rang out simultaneously
Leo Tolstoy (War and Peace)
A friend asked me, 'Do you want to come with?' I thought for a moment before replying, 'With what ... an air rifle, toaster strudels, extra pillowcases, steak knives ... paper shredder ... Halloween mask ... am I getting warm?' NEVER end a sentence with a preposition.
Peggy Randall-Martin
He liked the woods and the iron-cold air, and he liked snapping the rifle to his shoulder as the game came into view. But he did not like the killing, the thing lying there, bewildered, eyes open.
Ernest Hebert (The Dogs of March (Darby Chronicles Book 1))
Our regiment was all women…We flew to the front in May 1942… The planes they gave us were Po-2s. Small, slow. They flew only at a low level. Hedge-hopping. Just over the ground! Before the war young people in flying clubs learned to fly in them, but no one could have imagined they would have any military use. The plane was constructed entirely of plywood, covered with aircraft fabric. In fact, with cheesecloth. One direct hit and it caught fire and burned up completely in the air, before reaching the ground. Like a match. The only solid metal part was the M-11 motor. Later on, toward the end of the war, we were issued parachutes, and a machine gun was installed in the pilot’s cabin, but before there had been no weapon, except for four bomb racks under the wings—that’s all. Nowadays they’d call us kamikazes, and maybe we were kamikazes. Yes! We were! But victory was valued more than our lives. “Before I retired, I became ill from the very thought of how I could possibly not work. Why then had I completed a second degree in my fifties? I became a historian. I had been a geologist all my life. But a good geologist is always in the field, and I no longer had the strength for it. A doctor came, took a cardiogram, and asked, “When did you have a heart attack?” “What heart attack?” “Your heart is scarred all over.” I must have acquired those scars during the war. You approach a target, and you’re shaking all over. Your whole body is shaking, because below it’s all gunfire: fighter planes are shooting, antiaircraft guns are shooting…Several girls had to leave the regiment; they couldn’t stand it. We flew mostly during the night. For a while they tried sending us on day missions, but gave it up at once. A rifle shot could bring down a Po-2… We did up to twelve flights a night. (...) You come back and you can’t even get out of the cabin; they used to pull us out. We couldn’t carry the chart case; we dragged it on the ground. And the work our girl armorers did! They had to attach four bombs to the aircraft by hand—that meant eight hundred pounds. They did it all night: one plane takes off, another lands. The body reorganized itself so much during the war that we weren’t women…We didn’t have those women’s things…Periods…You know…And after the war not all of us could have children.
Svetlana Alexievich (War's Unwomanly Face)
Rambling by Afaa Michael Weaver In general population, census is consensus—ain't nowhere to run to in these walls, walls like a mind— We visitors stand in a yellow circle so the tower can frisk us with light, finger the barrels on thirsty rifles. I got rambling, rambling on my mind In general population, madness runs swift through the river changing, changing in hearts, men tacked in their chairs, resigned to hope we weave into air, talking this and talking that and one brutha asks Tell us how to get these things They got, these houses, these cars. We want the real revolution. Things... I got rambling, got rambling on my mind In the yellow circle the night stops like a boy shot running from a Ruger 9mm carrying .44 magnum shells, a sista crying in the glass booth to love's law, to violence of backs bent over to the raw libido of men, cracking, cracking, crack... I got rambling, rambling on my mind
Afaa Michael Weaver (The Plum Flower Dance: Poems 1985 to 2005 (Pitt Poetry Series))
I can tell from the crack of a rifle shot the type of weapon fired and what direction the bullet is traveling. I can listen to a mortar pop and know its size, how far away it is. I know instinctively when I should prep a tree line with artillery before I move into it. I know which draws and fields should be crossed on line, which should be assaulted, and which are safe to cross in column. ⁣ ⁣ I know where to place my men when we stop and form a perimeter. I can shoot a rifle and throw a grenade and direct air and artillery onto any target, under any circumstances. I can dress any type of wound, I have dressed all types of wounds, watered protruding intestines with my canteen to keep them from cracking under sun bake, patched sucking chests with plastic, tied off stumps with field expedient tourniquets. ⁣ ⁣ I can call in medevac helicopters, talk them, cajole them, dare them into any zone. I do these things, experience these things, repeatedly, daily. Their terrors and miseries are so compelling, and yet so regular, that I have ascended to a high emotion that is nonetheless a crusted numbness. I am an automaton, bent on survival, agent and prisoner of my misery. How terribly exciting. And how, to what purpose, will these skills serve me when this madness ends? ⁣ ⁣ What lies on the other side of all this? It frightens me. I haven't thought about it. I haven't prepared for it. I am so good, so ready for these things that were my birthright. I do not enjoy them. I know they have warped me. But it will be so hard to deal with a life empty of them.
James Webb (Fields of Fire)
Every man in Air Force uniform ought to be armed with something—a rifle, a tommy-gun, a pistol. . . . Every airman should have his place in the defence scheme. . . . It must be understood by all ranks that they are expected to fight and die in the defence of their airfields. . . . The enormous mass of noncombatant personnel who look after the very few heroic pilots, who alone in ordinary circumstances do all the fighting, is an inherent difficulty in the organization of the Air Force. . . . Every airfield should be a stronghold of fighting air-groundmen, and not the abode of uniformed civilians in the prime of life protected by detachments of soldiers.
Winston S. Churchill (The Grand Alliance (The Second World War, #3))
Every man in Air Force uniform ought to be armed with something—a rifle, a tommy-gun, a pistol. . . . Every airman should have his place in the defence scheme. . . . It must be understood by all ranks that they are expected to fight and die in the defence of their airfields. . . . The enormous mass of noncombatant personnel who look after the very few heroic pilots, who alone in ordinary circumstances do all the fighting, isan inherent difficulty in the organization of the Air Force. . . . Every airfield should be a stronghold of fighting air-groundmen, and not the abode of uniformed civilians in the prime of life protected by detachments of soldiers.
Winston S. Churchill
Every man in Air Force uniform ought to be armed with something—a rifle, a tommy-gun, a pistol, or a mace. Every airman should have his place in the defence scheme. It must be understood by all ranks that they are expected to fight and die in the defence of their airfields. The enormous mass of noncombatant personnel who look after the very few heroic pilots, who alone in ordinary circumstances do all the fighting, is an inherent difficulty in the organization of the Air Force. Every airfield should be a stronghold of fighting air groundmen, and not the abode of uniformed civilians in the prime of life protected by detachments of soldiers.
Winston Churchill
In the minds of many hunters , especially those who subscribe to the alarmist reckonings of the National Rifle Association, the primary threat to hunting is not suburban sprawl or wilderness destruction or the poisoning of our air and water. Rather, they believe that the primary threat to hunting lies within the government’s desire to take all the guns away. Animals will be running around everywhere, elk and bears will be banging down our doors, and there won’t be a thing we can do about it because of those damn liberals with their gun-control laws.
Steven Rinella (The Scavenger's Guide to Haute Cuisine)
I was very close to the age where I would have been sent to train, but was saved from that fate when we were forced out of Pinyudo, all forty thousand of us, by the Ethiopian forces that overthrew President Mengistu. ... The area near the river was marshy and the group was soaked, wading through the heavy water. The river, when we arrived, was high and moving quickly. Trees and debris flew with the current. The first shots seemed small and distant. I turned to follow the sound. I saw nothing, but the gunfire continued and grew louder. The attackers were nearby. The sounds multiplied, and I heard the first screams. A woman up the river spat a stream of blood from her mouth before falling, lifeless, into the water. She had been shot by an unseen assailant, and the current soon took “her toward my group. Now the panic began. Tens of thousands of us splashed through the shallows of the river, too many unable to swim. To stay on the bank meant certain death, but to jump into that river, swollen and rushing, was madness. “The Ethiopians were attacking, their Eritrean cohorts with them, the Anyuak doing their part. They wanted us out of their country, they were avenging a thousand crimes and slights. I paddled and kicked. I looked again for the spot on the riverbank where I had last seen the crocodiles. They were gone. —The crocodiles! —Yes. We must swim fast. Come. There are so many of us. We’re at a mathematical advantage. Swim, Achak, just keep paddling. A scream came from very close. I turned to see a boy in the jaws of a crocodile. The river bloomed red and the boy’s face disappeared. —Keep going. Now he’s too busy to eat you. We were halfway across the river now, and my ears heard the hiss under the water and the bullets and mortars cracking the air. Each time my ears fell below the surface, a hiss overtook my head, and it felt like the sound of the crocodiles coming for me. I tried to keep my ears above the surface, but when my head was too high, I pictured a bullet entering the back of my skull. ... I pushed my face into the dirt, but secretly I watched the slaughter below. Thousands of boys and men and women and babies were crossing the river, and soldiers were killing them randomly and sometimes with great care. There were a few SPLA troops fighting from our side of the river, but for the most part they had already escaped, leaving the Sudanese civilians alone and unprotected. The Ethiopians, then, had their choice of targets, most of them unarmed. “they chased the Sudanese from their land with machetes and the few rifles they possessed. They hacked and shot those running to the river, and they shot those flailing across the water. Shells exploded, sending plumes of white twenty feet into the air. Women dropped babies in the river. Boys who could not swim simply drowned... Some of the dead were then eaten by crocodiles. The river ran in many colors that day, green and white, black and brown and red. “—Come here!" a woman said. I looked to find the source of the voice, and turned to see an Ethiopian woman in a soldier’s uniform. —Come here and I will help you find Pochalla! she said. The other boys began walking toward her. —No! I said. —See how she’s dressed! —Don’t fear me, she said. I am just a woman! I am a mother trying to help you boys. Come to me, children! I am your mother! Come to me! The unknown boys ran toward her. Achor stayed with me. When they were twenty feet from her, the woman turned, lifted a gun from the grass, and with her eyes full of white, she shot the taller boy through the heart. I could see the bullet leaving his back. His body kneeled and then fell on its side, his head landing before his shoulder. “Run! he said, grabbing my shirt from behind. We ran from her, diving into the grass and then crawling and hurtling away fom the woman, who was still shouting at us. "Come back!" she said. "I am your mother, come back, my children!
Dave Eggers (What Is the What)
Which is to say that by the time I found him, he’d been briefed in detail on the graphic, horrid crime scene at Sandy Hook. He’d heard about blood pooled on the floors of classrooms and the bodies of twenty first graders and six educators torn apart by a semiautomatic rifle. His shock and grief would never compare with that of the first responders who’d rushed in to secure the building and evacuate survivors from the carnage. It was nothing next to that of the parents who endured an interminable wait in the chilly air outside the building, praying that they’d see their child’s face again. And it was nothing at all next to those whose wait would be in vain.
Michelle Obama (Becoming)
As he saw it, it was part of his responsibility, what he’d been elected to do—to look rather than look away, to stay upright when the rest of us felt ready to fall down. Which is to say that by the time I found him, he’d been briefed in detail on the graphic, horrid crime scene at Sandy Hook. He’d heard about blood pooled on the floors of classrooms and the bodies of twenty first graders and six educators torn apart by a semiautomatic rifle. His shock and grief would never compare with that of the first responders who’d rushed in to secure the building and evacuate survivors from the carnage. It was nothing next to that of the parents who endured an interminable wait in the chilly air outside the building, praying that they’d see their child’s face again. And it was nothing at all next to those whose wait would be in vain.
Michelle Obama (Becoming)
carabine /kaʀabin/ nf 1. (arme) rifle • ~ 22 long rifle | 22 rifle • coup de ~ | rifle shot • à coups de ~ | with rifle shots • ~ à air comprimé | air rifle • ~ à plombs | shotgun 2. (jouet) toy gun • ~ à flèches | pop gun
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
Only it’s not Trevor. It’s the bear. Huge. Powerful, healthy, and strong. Every bit as big as I’d imagined. The bear swings its massive head from side to side and chuffs and takes a step toward my sister. I want to let it kill her for all she’s done. But I am not my sister. I point. “Behind you. The bear. It’s come back.” Diana smiles her disbelief. “I’m serious. Look.” She turns. The bear rears up on its hind legs and paws the air, then drops to all fours and chuffs. She shoots. It stands up on its hind legs and claws at its chest and roars. Drops to all fours and keeps coming. Diana shoots again. Still the bear keeps coming. I don’t understand. She killed White Bear with two well-placed shots from my Remington, yet multiple shots fired from a rifle that’s larger and more powerful won’t bring this bear down. I watch, utterly riveted, as the bear who should have been dead continues to run toward my sister. Its fur becomes lighter and lighter. Diana shoots again and again. Yet the bear keeps coming. By the time it leaps onto my sister and sinks its teeth into her throat, the bear is completely white. I cover my eyes. Wait for her scream. Instead, a raven calls. I open my eyes. The bear is not white. My sister is not dead. It’s an illusion. Another vision. A trick of the light. There’s only me, one very dead black bear, and my sister shooting like a madwoman into its carcass. I dive for Charlotte’s rifle without thinking and flatten myself behind her body and shoot. Diana falls. She doesn’t get up.
Karen Dionne (The Wicked Sister)
1689: King William of Orange guarantees his subjects (except Catholics) the right to bear arms for self-defense in a new Bill of Rights. 1819: In response to civil unrest, a temporary Seizure of Arms Act is passed; it allows constables to search for, and confiscate, arms from people who are “dangerous to the public peace.” This expired after two years. 1870: A license is needed only if you want to carry a firearm outside of your home. 1903: The Pistols Act is introduced and seems to be full of common sense. No guns for drunks or the mentally insane, and licenses are required for handgun purchases. 1920: The Firearms Act ushers in the first registration system and gives police the power to deny a license to anyone “unfitted to be trusted with a firearm.” According to historian Clayton Cramer, this is the first true pivot point for the United Kingdom, as “the ownership of firearms ceased to be a right of Englishmen, and instead became a privilege.” 1937: An update to the Firearm Act is passed that raises the minimum age to buy a gun, gives police more power to regulate licenses, and bans most fully automatic weapons. The home secretary also rules that self-defense is no longer a valid reason to be granted a gun certificate. 1967: The Criminal Justice Act expands licensing to shotguns. 1968: Existing gun laws are placed into a single statute. Applicants have to show good reason for carrying ammunition and guns. The Home Office is also given the power to set fees for shotgun licenses. 1988: After the Hungerford Massacre, in which a crazy person uses two semi-automatic rifles to kill fifteen people, an amendment to the Firearms Act is passed. According to the BBC, this amendment “banned semi-automatic and pump-action rifles; weapons which fire explosive ammunition; short shotguns with magazines; and elevated pump-action and self-loading rifles. Registration was also made mandatory for shotguns, which were required to be kept in secure storage.” 1997: After the Dunblane massacre results in the deaths of sixteen children and a teacher (the killer uses two pistols and two revolvers), another Firearms Act amendment is passed, this one essentially banning all handguns. 2006: After a series of gun-related homicides get national attention, the Violent Crime Reduction Act is passed, making it a crime to make or sell imitation guns and further restricting the use of “air weapons.
Glenn Beck (Control: Exposing the Truth About Guns)
Far worse were the cattle: At a ranch outside Ashland, “dozens of Angus cows lay dead on the blackened ground, hooves jutting in the air. Others staggered around like broken toys, unable to see or breathe, their black fur and dark eyes burned, plastic identification tags melted to their ears,” the New York Times reported. A sixty-nine-year-old rancher walked among them with a rifle. “They’re gentle,” he said. “They know us. We know them. You just thought, ‘Wow, I am sorry.’ You think you’re done and the next day you got to go shoot more.
Bill McKibben (Falter: Has the Human Game Begun to Play Itself Out?)
Again there was an unspoken shudder at the idea of sleeping in the trailer a mere hundred yards from where the bizarre creature or creatures had apparently vanished into thin air, having been shot with a high-powered rifle. It was time to call an end to another busy day on the Skinwalker Ranch.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
Jack ran through the smoke and leapt into the trench, his eyes blinking in the acrid air as he stormed along the narrow cutting, his head turning as a man scrambled from a small dugout to his left. He swung his rifle, before the air burst from his stomach, the weapon dropping from his hands as the German kneed him between the legs.
Stuart Minor (El Alamein (The Second World War Series, #6))
We all live in the past. Your parents have given you a certain conditioning. The society has given you a certain conditioning, and to live in that conditioning is to live your life in a prison. The religions have forced you to be a Christian, a Hindu, a Mohammedan or a Buddhist, which are all conditionings.  Meditation is a freedom from all these conditionings that parents, the society and the religions have forced on you. Unless you are free you will never be able to hear your own authentic inner voice.  Your parents will tell you "do this and don't do this." The priests will goon creating guilt and shame in you. They will not allow you to be yourself.  Nobody in the world is really interested in anybody else being given the freedom to be himself or herself. Everybody is trying to impose their ideas and ideologies on others.  That is why humanity is in such misery and chaos.  We have created an ugly world, where we have not allowed children to be themselves.  We have created a prison made of ideas, theologies and ideologies. You can think that you are free, but you are not free. We have to get rid of this prison. We have to uncondition ourselves, sothat we become free. It is first when the whole sky is ours that the whole existence is ours. When one realizes this, one just wants freedom, joy, silence,  awareness, truth and love. In that inner silence and freedom,the whole heritage of humanity becomes ours. Then we know that truth is within ourselves.  My first book in English, The Silent Whisperings of the Heart, is dedicated to my parents, Essy and Sven, with the dedication: "My parents, who taught me what love and freedom are.” My whole childhood was an atmosphere and climate of love and freedom. An American astrologer said in an astrology  session in the United States that my mother seemed to be a very special  woman. She was so rebellious that the boys in elementary school held herdown and shot her in the foot with an air rifle.  Once when I was in high school, I wanted to  have a little parental conflict, and said to my mother that I would never go back to school again. My mother replied: I would never do that either. This atmosphere and climate of love and freedom made me always feel that I could be who I am. It also taught me early to listen to my inner true voice, which early began to guide me in life.
Swami Dhyan Giten (Man is Part of the Whole: Silence, Love, Joy, Truth, Compassion, Freedom and Grace)
Daniel Inouye, a nisei senior at McKinley High School long before he became a U.S. senator, furiously pedaled his bike to help at an aid station. He looked up into the sky and said to himself: “You dirty Japs!” On cruiser San Francisco an engineer came topside to join Ensign John Parrott. “I thought I’d come up and die with you.” Rear Admiral William Furlong stood on the bridge wing on Helena. A gunner called: “Excuse me, admiral, would you mind moving so we can shoot through here?” An officer playing golf went into a sand trap after his ball to find a soldier there shooting a rifle into the air. A bomb blew off a comer of a guardhouse. The inmates rushed out to help set up a .50 caliber machine gun. The phone rang in a Hickam hangar and someone reflexively picked it up. The caller wanted to know what all the noise was about. Kimmel stood in a window at his headquarters as a spent bullet tumbled in the window and hit him on the chest, smudging his whites. “It would have been better if it killed me,” he said. Down the hall Layton, Kimmel’s intelligence officer, caught sight of Admiral Bye who the day before had said the Japanese would never attack the United States. He was wearing a life jacket, his whites smeared with oil, staring wordlessly into the middle distance. “Soc” McMorris appeared: “Well, Layton, if it’s any satisfaction to you, we were wrong and you were right.” •
Associated Press (Pearl Harbor)
While Israel’s exact role in the Rwandan genocide remains hidden from public view, the Jewish state was happy to support another regime in its ethnic cleansing. Myanmar was credibly accused by the United Nations in 2018 of committing genocide against the Muslim Rohingya minority: the country’s military had used arson, rape, and murder as weapons of war in its brutal campaign. None of this had bothered Israel, and in 2015 a secret delegation from Myanmar visited Israel’s defense industries and naval and air bases to negotiate deals for drones, a mobile phone-hacking system, rifles, military training, and warships.
Antony Loewenstein (The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World)
Basically, identifying the location of a target means that you can deliver ordnance on it. Either by yourself, with a rifle, grenade, or heavier weapons like a mortar or Javelin missile, a fireteam can do a lot of damage. For targets beyond the effective range of weapons available to a platoon, you can use the most deadly device ever developed: a radio. One of my instructors told me that four soldiers with rifles are a fireteam, but one soldier with a radio is an army. With a radio, you can call in battalion artillery, or close air support, and rain hellfire down on a target.
Craig Alanson (Valkyrie (Expeditionary Force, #9))
The alien’s back feet shuffled it forward as fast as its enemy was running. When they came close, the huge arms slammed together too quickly for Dafyd’s eyes to follow. The lone soldier dropped to their knees, then folded in a way unbroken spines didn’t fold, fell in a way intact rib cages didn’t fall, and slumped to the stone in an undifferentiated lump. The air around the soldier’s body still carried a faint pink mist, which Dafyd realized was atomized blood. Their rifle clattered to the stones.
James S.A. Corey (The Mercy of Gods (The Captive's War, #1))
The twilights of ancient cities, with lost traditions inscribed in the black stones of their massive buildings; tremulous dawns over inundated fields, swampy and damp like the air before the sun comes out; the narrow lanes where anything could happen; the heavy chests in age-old sitting rooms; the well behind the farmhouse on a moonlit night; the letter dating from when our grandmother whom we never met was first in love; the mildew in the rooms where the past is stored; the rifle no one knows how to use any more; the fever of hot afternoons next to the window; not a soul on the road; fitful slumber; the blight in the vineyards; church bells; the cloistral grief of living…
Fernando Pessoa (The Book of Disquiet)
Turning on her side, she felt the friction from the rough carpet burn her exposed skin. The movement sent a shard of pain through the back of her skull. Ignoring the screaming protest of her shoulder, she dug behind her until her hand closed around the butt of her SIG P226. A few tugs and it was free. A tiny voice was yelling frantically from the mangled front seat. Renee collapsed onto her back, pistol in hand, and looking up into the front seat, she saw Joseph lying still against the steering wheel. He was bleeding heavily. A shadow appeared at his window. Renee struggled to focus and then the window exploded as the muzzle of an M4 punched through the glass. Her pistol came up, guided by the primitive part of her brain, and she fired two shots from her place on the floor. She heard the man grunt as blood misted onto the spiderwebbed windshield. Reaching above her head and grabbing the latch, Renee pushed the door open with her head. The fresh air felt good as she twisted herself onto her stomach and clawed her way out of the Jeep. A burst of rifle fire hit the Jeep like a handful of gravel being thrown against an aluminum building. She struggled to her feet as what was left of the windshield exploded into the air
Joshua Hood (Clear by Fire (Search and Destroy, #1))
They go in slowly and carefully, covering each other. Parks drops down on one knee, rifle set to full auto, ready to do a kneecapping sweep. Gallagher gets out his torch and shines it into the corners of the room. Which is empty. Clean. Nothing for anyone to hide behind, and no scope at all for nasty surprises. “All good,” Parks mutters. “Okay, this will do just fine. Go get them.” Gallagher shepherds the civilians inside and Parks shuts the door, the lock now fully engaged so it closes with a solid click. The civilians are less enthusiastic than Parks was when they see the confined space and inhale its stale, spent air, but they’re not inclined to mount much of an argument. Truth is, the two women aren’t used to keeping up a quick march, and none of them–including Parks himself, unless you go back a while–are used to being outside of a fence as night comes on. They’re freaked and exhausted and starting at shadows. So is he, except that he does his freaking and starting mostly inside, so it doesn’t notice as much. The only sticking point is the girl, which comes as no surprise. Parks suggests that she sleep in the church, and Justineau countersuggests that Parks go fuck himself. “Same point as before,” she tells him, getting all pissed off again, which he’s thinking now is pretty much Justineau’s default setting. And truth to tell, he likes it a lot. If you’re going to let yourself feel anything at all, anger’s better than most of the alternatives. “Even if hungries were the only threat here,” she’s saying now, “all of this–all of it–is as strange to Melanie as it is to us. And as scary. We can’t leave her tied up in an empty building by herself all night.” “Then stay out there with her,” Parks says. Which
M.R. Carey (The Girl With All the Gifts)
Realizing he wouldn’t get more soldiers, Schoomaker told his subordinates to squeeze more out of what they had. Each of ten regular Army divisions raised a fourth maneuver brigade, adding ten more deployable BCTs to the pool. Divisions shut down long-established but now extraneous headquarters: the division engineer brigade, the division artillery, the division support command, the MI battalion, and the signal battalion. All of their subordinate battalions and companies got divvied up and assigned to the new BCTs. Short-range air-defense battalions converted to cavalry squadrons—every BCT got one, yet another reflection of the critical importance of finding the enemy in this war. Along with the new cavalry squadrons, brigades cut to two infantry or armor battalions, giving up their old third-maneuver battalions to help create the new BCTs. Inside the heavy battalions, the ones with tanks and Bradleys, the model became two tank and two Bradley companies, plus an armored engineer company, a formidable array. The light battalions (airborne, air assault, and light infantry) also kept four companies: three rifle units and a weapons company. Cold War air defense, heavy artillery, chemical defense, and headquarters went away, cashed in to create the new BCTs.
Daniel P. Bolger (Why We Lost: A General's Inside Account of the Iraq and Afghanistan Wars)
In early 1941, the United States was a fifth-rate military power, its armed forces ranking seventeenth in size compared to other world forces. Long starved of financial support by Congress and the White House, the Army had little more than 300,000 men (most of them just drafted), compared to Germany’s 4 million and Britain’s 1.6 million. Not a single armored division existed, and draftees were training with broomsticks for rifles and sawhorses for antitank guns. The Army was in such bad shape, according to one military historian, that it would not have been able to “repel raids across the Rio Grande by Mexican bandits.” Although the Navy was in better condition, nearly half its vessels dated back to World War I. The Army Air Corps, meanwhile, could boast only about two thousand combat aircraft. After
Lynne Olson (Citizens of London: The Americans Who Stood with Britain in Its Darkest, Finest Hour)
Throwing a frightened glance at the wagons, she threw herself across his body. “Don’t shoot!” Her scream pierced the air. “Don’t shoot, damn you! Don’t shoot!” A hush fell over the flats. The whites had already ceased firing, afraid of killing one of their own. The Comanches, even those who had never seen Hunter’s golden-haired wife, had been told about her and lowered their rifles. Swift Antelope leaped off his horse and ran out. Warrior, at the far right in the front line, rode forward as well. The two men didn’t waste a second. With gentle hands they pulled Loretta away from her husband. Lifting Hunter’s limp body between them, they slung him across his horse. Loretta pushed to her feet, watching in helpless misery as Swift Antelope led Hunter’s stallion in among the others and Warrior ran back to his pinto. “Warrior! Don’t leave me here! Please don’t leave me!” Before he rode off, Warrior turned to look at her, his dark eyes piercing, his face stricken. Then he disappeared into the ranks. As quickly as they had advanced, the Comanches retreated. Loretta, buffeted by the wind, stood alone on the flats until they rode from sight. When she could no longer hear the tattoo of their horses’ hooves, she held up her hands and stared at the smears of crimson that stained her skin. Hunter’s blood. The ultimate sacrifice. And he had made it without a second’s hesitation, out of love for her. The pain that knowledge caused her ran too deep for tears.
Catherine Anderson (Comanche Moon (Comanche, #1))
Strangling fear surged up his throat. Amy, skirts flying, blond hair a gleaming target, was running in a straight line for the wagons, Loretta right behind her. Between the opposing forces. The white, spying the women, had stopped shooting, but in his peripheral vision Hunter saw a brave aim his rifle. “Ka, no!” Hunter zigzagged his mount into the man’s line of fire. “No!” With a vicious kick, Hunter sent his black into a mighty forward lunge, gaining several yards on the advancing warriors, many of whom were from another band. They wouldn’t recognize Amy or Loretta. Unless Hunter could stop the shooting, his woman and her little sister would be killed. When he felt certain everyone in the formation could see him, he wheeled his horse to face them and lifted his rifle high overhead, signaling a cease-fire. Still trailing Amy, Loretta spotted Hunter the moment his horse drew out in front of the others. Heaving for air, she stumbled to a stop and glanced over her shoulder. Hunter, broad back to the wagons, sat tall on his stallion, waving his rifle above his head. As if in a dream, she whirled. The sight of Hunter making a target of himself would be painted in full color across the canvas of her mind for the rest of her life.
Catherine Anderson (Comanche Moon (Comanche, #1))
Still trailing Amy, Loretta spotted Hunter the moment his horse drew out in front of the others. Heaving for air, she stumbled to a stop and glanced over her shoulder. Hunter, broad back to the wagons, sat tall on his stallion, waving his rifle above his head. As if in a dream, she whirled. The sight of Hunter making a target of himself would be painted in full color across the canvas of her mind for the rest of her life.
Catherine Anderson (Comanche Moon (Comanche, #1))
El mayor peligro al que uno podía enfrentarse en el espacio era el aburrimiento. Hattori Shiro, primer oficial de la Vilardell, había visto a soldados recios perder la razón al pasar meses suspendidos en la caída libre mientras esperaban y esperaban a ser asignados a su siguiente misión. Algunos no podían vivir sabiendo que más allá de los espacios reducidos de las astronaves no había nada a miles de kilómetros, se metían en alguna esclusa de aire y se dejaban llevar por el vacío. Otros recurrían a soluciones más extremas y llevados por la locura acribillaban el casco interior de las astronaves con sus rifles de plasma. Para Shiro, matar el tiempo se había vuelto una forma de supervivencia más.
Pau Varela (La Cosecha Estelar (El Eterno Retorno, #2))
You do not lie so good, Yellow Hair. Your eyes make big talk against you. But that is okay. We have had this one moment together, no? And you did not spit.” Chuckling, he ducked his head and tightened his arm around her with such crushing strength that she couldn’t breathe, let alone fight. Then he wheeled his horse, yelling gibberish. The young man who held Amy nudged his pony out of the ranks and galloped it toward the house. In a skid of hooves and flying dust, he dumped her none too gently onto the dirt and rode off. Amy scrambled to her feet, holding out her arms. “Loretta, no…Loretta, please…” To Loretta’s relief, Rachel burst out of the cabin, grabbed Amy, and dragged her up the steps. After shoving the child through the door, she reappeared with a rifle in her hands. Lifting the stock to her shoulder, she took careful aim. At Loretta… It happened so fast that even the Comanche was taken by surprise. His body snapped taut. For the space of a heartbeat, Loretta felt a shattering sense of betrayal, of fear. Then she understood. Aunt Rachel was going to kill her rather than see her taken by Comanches. The blast of the gun and a roar from the Comanche came almost simultaneously. He threw his body forward, slamming Loretta against the stallion’s neck. Pain exploded in her chest, a flattening, mind-searing pain. Insane as it was, the thought crossed her mind that the Comanche hadn’t won after all. The stallion reared, striking the air, then leaped forward, nearly tossing both his riders. Loretta was squashed between the long ridge of the animal’s neck and the Comanche’s chest. Sitting sideways as she was, her body was twisted at an impossible angle. Instinctively she clutched the horse’s mane to hold her seat. She was going to fall. The hooves of the other horses thundered all around her. If she lost her grip, the other riders would surely trample her. Desperation filled her. She was slipping. At the last moment, when her fingers lost their hold and she felt herself falling, her captor’s arm clamped around her ribs, pulling her back onto the horse. Then the weight of his chest anchored her, so heavy she couldn’t breathe. Wind blew against her face. Slack-jawed, she labored for air, pressure building to a pulsating intensity in her temples. The Indians rode a safe distance from the house before stopping. When Hunter finally drew rein and leaped off the horse, Loretta fell with him and landed in a heap at his feet. Dust plumed around her. Men dismounted, yelling, running in her direction. For a moment she thought they were going to swoop down on her, but they circled her captor instead, jabbering and touching his shoulder. There were so many legs, some naked. Brown buttocks flashed everywhere she looked. Hunter snarled something and peeled off his shirt. A furrowed flesh wound angled across his right shoulder. Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
Catherine Anderson (Comanche Moon (Comanche, #1))
Oh how lovely to hear the birds!’ an elderly friend recently exclaimed. I smiled, ‘Yes, isn’t it?’ Actually it reminded me of living in my ex’s flat; those early mornings being woken up by the incessant chirping of baby birds and myself at the window with an air rifle. Good times. Because that’s the other thing about working alone for long periods of time, you begin to get nostalgic about all the rubbish.
Emily Benet (Shop Girl Diaries)
Part Two: When St. Kari Met Darth Vader, Star Wars Dark Lord of the Sith  “What are those?” Kari shouted grasping Luke’s arm as her eyes jolted nervously into the air. “I’ve never seen such pretty planets before.” Luke tracked her line of vision and grimmed as he spotted three Corellian Imperial Star Destroyers coming out of hyperspace into the same vortex that his own damaged ship was whirlpooled into. They appeared to be stabilizing the vortex opening by their anti-gravity wells maintaining their relative positional orbit. “Hey’st, what are those white things? They look like men. Surely they are not ghosters, are they?” pawed Kari at Luke to get him to see. “Imperial troopers,” shot Luke, grabbing her arm back. “There’s too many of them C’mon, we got to hide.” “What’s does that mean? And what are those red light-thingy’s coming toward us?” Instantly Kari and Luke were inundated by a barrage of suppressing E-11 blaster rifle fire. Luke flinched out of reaction while Kari stood upright seemingly oblivious to the inherent danger. He was struck to see the girl-entity pluck a laser bolt out of the air and examine it with an other worldly look, as if it were a rare flower in a garden. “I like this,” she smiled. “I’ll pin it to my cloak.” And doing so she did, it maintaining its fiery penetrating redness that did nothing more than to adorn the girl’s wardrobe for quite some time momentarily puzzling Luke. Usually they burnt out quickly. “Can I get some more of these?” she politely asked Luke. “Not right now,” drawled Luke peering over a boulder. “If they capture us we’ve had it.” “Had what?” asked Kari naïvely. “Them ghost-men you mean’st? Oh, don’t worry, Walker of the Skies, just leave it to me,” and with that Kari pulled her blade and sashayed toward the Imperial clones humming her favorite Top 10 battle hymns. “Wait!” Luke shouted trying to snatch her back but it was too late. Luke never saw anything such as this. Like Han, he had seen a lot of strange galactic stuff in his time. Kari had become a misty blur and was skipping across the battlefield as some sort of sword-brandishing luminescence, hovering for a short time over those she slain. “Hey, Walkersky, these spirits don’t have any souls,” she yelled looking up from her blood soaked garments. What do you want me to do with the rest, kill ’em?” “I, uh ,” was all he managed to get out of his mouth as he rubbed his jaw. Kari shrugged and went back to work, picking off the whole brigade by herself. “See’st? I told’st thou not to worry” Kari said panting, coming up to Luke and sitting besides him. “What now?” “We gotta get outta here before more Imperials arrive.” “Untruth oats?” (Nether Trans. “art thou nuts?”) “Run from battle?—is that that what means?” “It means Vader’s coming—.” go to part ii con't
Douglas M. Laurent
Nocturno sin patria Yo no quiero un cuchillo en manos de la patria. Ni un cuchillo ni un rifle para nadie: la tierra es para todos, como el aire. Me gustaría tener manos enormes, violentas y salvajes, para arrancar fronteras una a una y dejar de frontera solo el aire. Que nadie tenga tierra como tiene traje: que todos tengan tierra como tienen el aire. Cogería las guerras de la punta y no dejaría una en el paisaje y abriría la tierra para todos como si fuera el aire... Que el aire no es de nadie, nadie, nadie... Y todos tienen su parcela de aire.
Jorge Debravo