Air Gear Quotes

We've searched our database for all the quotes and captions related to Air Gear. Here they are! All 76 of them:

Ride?" Rhage snorted. "Please. That thing is a sewing machine with an air dam taped to it. My GTO could dust the fucker in fourth gear from a dead stop." When there was an odd sound from behind, John looked back. So did the three Brothers. "What." Xhex bristled and crossed her arms over her chest. "I can laugh, you know. And that's . . . pretty damn funny." Rhage beamed. "I knew I liked you.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger . "I heard a rumor." "What's that?" I struggled to get out. "It's your birthday." Terrified speaking would break the spell, I licked my suddenly dry lips and nodded. "Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Everything in modern city life is calculated to keep man from entering into himself and thinking about spiritual things. Even with the best of intentions a spiritual man finds himself exhausted and deadened and debased by the constant noise of machines and loudspeakers, the dead air and the glaring lights of offices and shops, the everlasting suggestion of advertising and propaganda. The whole mechanism of modern life is geared for a flight from God and from the spirit into the wilderness of neurosis.
Thomas Merton (No Man Is an Island)
Ty glanced anxiously at the clock. A moment later Kit was downstairs, looking uncomfortable in a white gear jacket. Ty didn’t say anything, or even glance over at him, but the tension in his shoulders relaxed slightly.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Keep flying higher, so that others are inspired to fly with you!
Oh! Great
Between them was fifteen or so feet of frozen space, bounded by his window and hers, but it was as if the windows had liquefied, or else the air had, and his vision skewed and rippled and it was all he could do to put the Newport into gear and ease forward to let the next car in.
Anthony Doerr (About Grace)
We live stitch by stitch, when we’re lucky. If you fixate on the big picture, the whole shebang, the overview, you miss the stitching. And maybe the stitching is crude, or it is unraveling, but if it were precise, we’d pretend that life was just fine and running like a Swiss watch. This is not helpful if on the inside our understanding is that life is more often a cuckoo clock with rusty gears. In the aftermath of loss, we do what we’ve always done, although we are changed, maybe more afraid. We do what we can, as well as we can. My pastor, Veronica, one Sunday told the story of a sparrow lying in the street with its legs straight up in the air, sweating a little under its feathery arms. A warhorse walks up to the bird and asks, “What on earth are you doing?” The sparrow replies, “I heard the sky was falling, and I wanted to help.” The horse laughs a big, loud, sneering horse laugh, and says, “Do you really think you’re going to hold back the sky, with those scrawny little legs?” And the sparrow says, “One does what one can.
Anne Lamott (Stitches: A Handbook on Meaning, Hope and Repair)
Air and earth form an anthill traversed, level upon level, by roads live with traffic. Air trains, ground trains, underground trains, people mailed through tubes special-delivery, and chains of cars race along horizontally, while express elevators pump masses of people vertically from one traffic level to another; at the junctions, people leap from one vehicle to the next, instantly sucked in and snatched away by the rhythm of it, which makes a syncope, a pause, a little gap of twenty seconds during which a word might be hastily exchanged with someone else. Questions and answers synchronize like meshing gears; everyone has only certain fixed tasks.
Robert Musil (The Man Without Qualities: Volume I)
For suddenly it had changed into that gear when time is slower - as when, falling off a ladder, one has time to think: I shall land so, just there, and I must turn in the air slightly... All this in a space of time normally too short for any thought at all. But we are wrong in dividing the mind's machinery from time: they are the same. It is only in such sharp emphatic moments that we recognize this fact.
Doris Lessing (Briefing for a Descent Into Hell)
I walked to the windows and pulled the shades up and opened the windows wide. The night air came drifting in with a kind of stale sweetness that still remembered automobile exhausts and the streets of the city. I reached for my drink and drank it slowly. The apartment house door closed itself down below me. Steps tinkled on the quiet sidewalk. A car started up not far away. It rushed off into the night with a rough clashing of gears. I went back to the bed and looked down at it. The imprint of her head was still in the pillow, of her small corrupt body still on the sheets. I put my empty glass down and tore the bed to pieces savagely.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
Olive Wellwood told no stories about Goldthorpe, or the Gullfoss mine. She had packed away the slag-heaps and winding-gear, the little house in Morton Row, with its dark uninhabited parlour, its animated kitchen and pocket-sized garden, the ever-present stink of the ash pits across the yards, and the grime that floated onto the strips of lace curtain. She had packed it away in what she saw in her mind as a roped parcel, in oiled silk, with red wax seals on the knots, which a woman like and unlike herself carried perpetually over a windswept moor, sometimes on her head, sometimes held before her on two arms, like the cushion on which the regalia lie at coronations. This vision was not a story. The woman never arrived, and the parcel was never opened. The weather was grey and the air was turbulent. When Olive Wellwood found her mind heading in that direction, she was able to move imaginary points on an imaginary rail and shunt her mind away from “there” and back to Todefright, with its penumbra of wild woods and flying elementals.
A.S. Byatt (The Children's Book)
She’s always been beautiful. But her by my side while I battle my demons? It’s a look that can’t compare.  “Focus on the damn road!”  “I’m confused. Did you expect me to go slow?” I push against the accelerator, surging past Noah’s car and cutting him off. I press my foot on the brake and smoke billows from the tires.  “Oh, God. I’m sorry I don’t pray to you enough, but now is the best time. Please don’t let me die.” She presses her palms together.  I chuckle, switching gears to match the curves and straights of the track. “You’ll only die when my tongue is fucking you into oblivion. I promise.
Lauren Asher (Redeemed (Dirty Air, #4))
Joy in the Woods There is joy in the woods just now, The leaves are whispers of song, And the birds make mirth on the bough And music the whole day long, And God! to dwell in the town In these springlike summer days, On my brow an unfading frown And hate in my heart always— A machine out of gear, aye, tired, Yet forced to go on—for I’m hired. Just forced to go on through fear, For every day I must eat And find ugly clothes to wear, And bad shoes to hurt my feet And a shelter for work-drugged sleep! A mere drudge! but what can one do? A man that’s a man cannot weep! Suicide? A quitter? Oh, no! But a slave should never grow tired, Whom the masters have kindly hired. But oh! for the woods, the flowers Of natural, sweet perfume, The heartening, summer showers And the smiling shrubs in bloom, Dust-free, dew-tinted at morn, The fresh and life-giving air, The billowing waves of corn And the birds’ notes rich and clear:— For a man-machine toil-tired May crave beauty too—though he’s hired.
Claude McKay
What do you feel passionately about? What irks you the most at your office, or your campus? Create a protest around it. Ideas: Make stickers that say “FFC IS WATCHING” and place them over the mouths of sexist ads you see on the subway. Organize the women in your office to wear your bulkiest winter gear for a day—to protest how goddamn cold the air conditioning is.
Jessica Bennett (Feminist Fight Club: An Office Survival Manual for a Sexist Workplace)
That was some shady shit out there, Rome,” Braeden said once the total chaos of winning the game had gone down to a considerable roar. We were finally in the locker room, and I was stripping off my sweat and grass-stained gear. “Total douche move.” I agreed. It wasn’t the first time a team had tried to take me out of a game. It was pretty much common practice, especially when something like a title and championship was at stake. Still, I’d never quite had anyone come at me like that before. The play was already in progress. Sacking me wouldn’t have changed the touchdown I’d just thrown. Except of course to keep me from throwing another one. That guy deliberately came in like a freight train and plowed me down. I lay there stunned for long moments, waiting for the air to come back in my lungs and for my body to process the shock of the hit. Thankfully, he wasn’t that good at tackling and it did nothing more than stun me. And it got him thrown out of the game. It really hadn’t been a big deal. Like I said, it happened a lot. But it was the first time it happened in front of Rimmel. I couldn’t help but notice how the large screen on the field had zeroed in on the girl in number twenty-four’s hoodie, who was climbing over the railing and preparing to leap down onto the field. The security guard was yelling at her, but she barely noticed him. Her eyes were trained out on the field, where I was. It was almost laughable that her tiny ass was going to rush out onto a field full of men more than double her size to make sure I was okay. G**damn. I loved her even more just then. When the guard put his hand on her ankle, trying to stop her from going back to her seat, something happened. Something that never had in my entire life of playing football. The game faded away. For once, I was out on the field and unable to focus on only the game. It took a backseat to the girl teetering on the edge of the railing.
Cambria Hebert (#Hater (Hashtag, #2))
When he found out his wife was unfaithful, Hector Castillo told his son to get in the car because they were going fishing. It was after midnight but this was nothing unusual. The Rickenbacker Bridge suspended across Biscayne Bay was full of night fishermen leaning on the railings, avoiding going home to their wives. Except Hector didn't bring any fishing gear with him. He led his son, Carlito, who'd just turned three, by the hand to the concrete wall, picked him up by his waist, and held him so that the boy grinned and stretched his arms out like a bird, telling his papi he was flying, flying, and Hector said, "Si, Carlito, tienes alas, you have wings." Then Hector pushed little Carlito up into the air, spun him around, and the boy giggled, kicking up his legs up and about, telling his father, "Higher, Papi! Higher!" before Hector took a step back and with all his might hoisted the boy as high in the sky as he'd go, told him he loved him, and threw his son over the railing into the sea.
Patricia Engel (The Veins of the Ocean)
His last words hung in the air, their gravity slowly sinking in. After a few heavy moments, I spoke. “Then what hope is there for us, David?” David smiled reassuringly. “Only the grace of God.” “But why would He give me His grace?” “Because He loves you.” “Why would He love me, a sinner?” “Because He’s your Father.” David’s words hit me powerfully. I had heard Christians call God “Father,” but it never clicked. Only when trying to figure out why God would give me mercy and grace when I deserved none did the gears start turning.
Nabeel Qureshi (Seeking Allah, Finding Jesus: A Devout Muslim Encounters Christianity)
I have spent my entire adult life studying safety practices in adventure sports, and have concluded that the primary problem is that we are in fact the generation least prepared to engage high-risk situations. We have grown up in a society that lives far from “the edge”. We watch life as spectators, more than as participants. We then go out and buy the gear that some website says is necessary, and we are surprised when we get hurt. We are a generation of naïve dreamers, who awaken occasionally to dare our fate in the real world.
Brian Germain (Parachute And Its Pilot,The: The Ultimate Guide For The Ram-Air Aviator)
Two soldiers sprang out in front of Roxy and me, their tactical gear erasing all humanity from their shapes. I landed my fist in one of their stomachs, hearing the air explode outward. Tearing off their helmet, I slammed their face down into my knee to the crunch of cartilage. Grabbing them by the back of their neck, I used the weight of their body to crash their head against the trunk of a tree and felt consciousness leave them. Roxy followed suit with an expert kick to the other soldier’s knee, followed by punches to the throat and the temple.
Bella Forrest (Darkthirst (Darklight #2))
He leaned back against the Jeep and smiled. “More orders for your CEO, Madam President?” Her eyes were huge and solemn with concern. “I want you to be very careful tonight.” “I will,” he promised. “Joel, I love you. You know that, don't you?” For an instant he was stunned at the admission. Then elation soared in him. For the moment, at least, it blotted out all the other things he had been feeling since he'd walked into his apartment and seen the evidence of Victor Copeland's ungovernable rage. He reached for Letty. “Damn, Letty,” he muttered thickly, “you've picked a fine time to tell me.” He pulled her into his arms, fumbling for the feel of her through the plump layers of her Thornquist Gear down coat. “You know I love you, too, don't you?” “Well, you hadn't actually said so,” she reminded him. The comment was tart, but her eyes were brimming with delight. “However, I have been extremely optimistic.” “Don't ever forget it.” He kissed her mouth, the only part of her that was not swallowed up by her voluminous jacket. Her lips were warm in spite of the cold air. Joel groaned and pulled her closer.
Jayne Ann Krentz (Perfect Partners)
A tailwind, on the other hand, is one of the most beautiful experiences you can have on a bike. There’s no wind in my ears, so I hear everything around me. The chain purrs sweetly as it pulls the gears under the coaxing of my legs. The soft hiss of my tires on the smooth hard pavement, the sound of little critters scurrying in the desert around me as I pass. Smells aren’t as big a deal out here in the dry desert, but even the smells are more accessible in a tailwind, since I’m moving through air at a slower relative speed, and the smells linger around my face long enough to register and enjoy them. Relative progress, speed, sights, smells, sounds. It all goes together to create a gestalt for the ride that’s pure sweetness, and I never want it to end. Hozho.
Neil M. Hanson (Pilgrim Wheels: Reflections of a Cyclist Crossing America)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The Confederate Air Force planes carried gear that when flown close to a cell phone tower allowed those on board to log in passively and see a real-time record of every phone making a call. Task force personnel could then search for numbers in which they were interested, and the database would tell them if those phones were in use, and if so, where. “We’d pinpoint the location, we’d go hit the target,” said an operator. The cell phone tower info might guide the task force to a particular city block. At that point, the operators would use an “electronic divining rod,” a handheld paddlelike sensor that could be programmed to detect a specific phone and would beep increasingly loudly as it got closer to the device.22 The divining rod could even detect a phone that had been turned off, although not one with the battery and SIM card removed.
Sean Naylor (Relentless Strike: The Secret History of Joint Special Operations Command)
How Evolution Came to Indiana In Indianapolis they drive five hundred miles and end up where they started: survival of the fittest. In the swamps of Auburn and Elkhart, in the jungles of South Bend, one-cylinder chain-driven runabouts fall to air-cooled V-4’s, a-speed gearboxes, 16-horse flat-twin midships engines— carcasses left behind by monobloc motors, electric starters, 3-speed gears, six cylinders, 2-chain drive, overhead cams, supercharged to 88 miles an hour in second gear, the age of Leviathan ... There is grandeur in this view of life, as endless forms most beautiful and wonderful are being evolved. And then the drying up, the panic, the monsters dying: Elcar, Cord, Auburn, Duesenberg, Stutz—somewhere out there, the chassis of Studebakers, Marmons, Lafayettes, Bendixes, all rusting in high-octane smog, ashes to ashes, they end up where they started.
Philip Appleman
cabin for a long moment. Just looking at it made her smile. It was tiny and whimsical – a cedar sided A-frame with a bright green roof and purple trim, complete with a purple star at the point of the A-frame. It sat in a small open area amongst spruce and alder. The hill tumbled down behind it, offering a wide-open view of Kachemak Bay. She’d been in Diamond Creek, Alaska for almost three years. The sun was rising behind the mountains across the bay, streaks of gold and pink reaching into the sky and filtering through the wispy clouds that sat above the mountains this morning. The air was cool and crisp, typical for an Alaskan summer morning. When the sun was high, the chill would dissipate. A faded blue Subaru pulled into the driveway. Susie climbed out of her car, grabbed some fishing gear and walked to Emma’s truck. “Morning! Sorry I’m late,” Susie said. Emma reached over and took a fishing rod out of Susie’s hands.
J.H. Croix (Love Unbroken (Diamond Creek, Alaska #3))
The possibility of any nuclear explosion occurring as a result of an accident involving either impact or fire is virtually non-existent,” Secretary of Defense Wilson assured the public. His press release about the Genie didn’t mention the risk of plutonium contamination. It did note, however, that someone standing on the ground directly beneath the high-altitude detonation of a Genie would be exposed to less radiation than “a hundredth of a dose received in a standard (medical) X-ray.” To prove the point, a Genie was set off 18,000 feet above the heads of five Air Force officers and a photographer at the Nevada test site. The officers wore summer uniforms and no protective gear. A photograph, taken at the moment of detonation, shows that two of the men instinctively ducked, two shielded their eyes, and one stared upward, looking straight at the blast. “It glowed for an instant like a newborn sun,” Time magazine reported, “then faded into a rosy, doughnut-shaped cloud.
Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
It Is the Rising That I Love" As long as I struggle to float above the ground and fail, there is reason for this poetry. On the stone back of the Ludovici throne, Venus is rising from the water. Her face and arms are raised, and two women trained in the ways of the world help her rise, covering her nakedness with a cloth at the same time. If this continues, she, goddess of beauty and love will have accomplished the earth where I stand. She from water to land, me from earth to air as if I had a soul. It is the rising I love, in no matter what element, to the one above. As I ascend, helped by prayers and not by women, I say in all my sexual glamor, see my body bathed in light and air. See me rise like a flame, like the sun, moon, stars, birds, wind. In light. In dark. But I never achieve it. I get down on my knees this grey April to see if open crocuses have a smell. I must live in the suffering and desire of what rises and falls. The terrible blind grinding of gears against our bodies and lives.
Linda Gregg
The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (Grapes of Wrath, The)
Maggie swung her head from side to side, checking the high scents first, then dipped her head to taste the smells close to the ground. The humans behind her might be able to identify five or six distinct smells if they concentrated, but Maggie’s long shepherd’s nose gave her an olfactory picture of the world no human could comprehend: She smelled the dust beneath her feet and the goats that had been herded along the road a few hours earlier and the two young male goatherds who led them. Maggie smelled the infection that one of the goats carried, and knew that two of the female goats were in heat. She smelled Pete’s fresh new sweat and the older sweat dried into his gear, his breath, the perfumed letter he kept in his trousers, and the green ball hidden beneath his flak. She smelled the CLP he used to clean his rifle, and the residual gunpowder that clung to his weapon like a fine dust of death. She smelled the small grove of palms not far from the road, and the trace scents of the wild dogs that had slept beneath the palms during the night and defecated and urinated before moving on. Maggie hated the wild dogs. She spent a moment testing the air to see if they were still in the area, decided they were gone, then ignored their scent and concentrated on searching for the scents Pete wanted her to find. Smells
Robert Crais (Suspect (Scott James & Maggie, #1))
Yes, that. Would you care to explain where the money is going, Madam President?” Letty laughed up at him with warm, loving eyes. “Certainly, Mr. Blackstone. Do you want to hear the explanation before or after I tell you that I have every reason to believe I'm pregnant?” That very morning Joel had decided that it was probably not possible for him to be any happier than he was already. Now he realized he was wrong. He forgot about the little matter of a fifty thousand dollar cost overrun and started to grin like an idiot. “You're pregnant?” Joel ignored the embarrassed expression on the face of the blond Adonis. “You're going to have our baby?” “It would appear so.” Letty pushed her glasses up onto her nose and smiled demurely. “What do you say to that, Mr. Blackstone?” Joel tossed the file over his left shoulder. The data on the ad budget was sent flying into the air. Eyes gleaming, he walked over to Letty and lifted her carefully into his arms. “I say the hell with the fifty thousand dollars. What's a few bucks between a president and her CEO?” “I knew you'd be reasonable about it, Joel.” Joel carried her out the door and down the hall. “Let's go back to my office, Mrs. Blackstone, and discuss something far more important than ad budget overruns.” “Yes, of course, Mr. Blackstone.” Letty glowed up at him. “And this time we must remember to lock the door before we start our discussions.” Joel's laughter echoed down the halls of Thornquist Gear. Life was very good.
Jayne Ann Krentz (Perfect Partners)
Where is everyone?" Alec shrugged, striding across the hall as if he owned the place, which Magnus supposed he sort of did. "I expect everyone's off gathering gear and weapons. We should just go find my mother." "How do you propose to find her?" Magnus said. "Ah," said Alec, "the Institute has a very old magic woven into its walls. I shall now use it to commune with my mother, wherever she might be found." He put his hands around his mouth and bellowed at the top of his lungs. "MOOOOOOOOOM!" Alec's voice reverberated impressively against the stone walls. Max giggled and yelled, "Maaaaaaaaaaaaaaaaaaa!" alongside Alec. The sound faded away and Magnus waited. "Well?" he said, and Alec held up a finger. After a moment, there was a flare, and a fire-message appeared in front of him. He plucked it from the air and opened it, giving Magnus a superior look. "'She's in the library,'" he read. A second fire-message appeared, in the same spot as the first. Alec opened it. "'Did you know you can send fire-messages within the Institute?'" he read. "'I just found out.'" He looked at Magnus in bewilderment. "Of course I knew that." "To the library, then?" said Magnus. A third fire-message appeared. Max lunged to try to grab it, but it was too far above his head. Magnus grabbed that one and read, "'I love fire-messages, have a great day, your friend, Simon Lovelace, Shadowhunter.' Can we go?" They heard a fourth one burst behind them as they left by the hall door, but neither of them looked back at it.
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
In January 2004 President George W. Bush put NASA in high gear, heading back to the moon with a space vision that was to have set in motion future exploration of Mars and other destinations. The Bush space policy focused on U.S. astronauts first returning to the moon as early as 2015 and no later than 2020. Portraying the moon as home to abundant resources, President Bush did underscore the availability of raw materials that might be harvested and processed into rocket fuel or breathable air. “We can use our time on the moon to develop and test new approaches and technologies and systems that will allow us to function in other, more challenging, environments. The moon is a logical step toward further progress and achievement,” he remarked in rolling out his space policy. To fulfill the Bush space agenda required expensive new rockets—the Ares I launcher and the large, unfunded Ares V booster—plus a new lunar module, all elements of the so-called Constellation Program. The Bush plan forced retirement of the space shuttle in 2010 to pay for the return to the moon, but there were other ramifications as well. Putting the shuttle out to pasture created a large human spaceflight gap in reaching the International Space Station. The price tag for building the station is roughly $100 billion, and without the space shuttle, there’s no way to reach it without Russian assistance. In the end, the stars of the Constellation Program were out of financial alignment. It was an impossible policy to implement given limited NASA money.
Buzz Aldrin (Mission to Mars: My Vision for Space Exploration)
That’s right, whine,” said Katharine. “Children,” said their mother. “I,” said Mr. Smith, “suggest we stop and have lunch.” So they did, and it was a town called Angola, which interested Mark because it was named after one of the countries in his stamp album, but it turned out not to be very romantic, just red brick buildings and a drugstore that specialized in hairnets and rubber bathing caps and Allen’s Wild Cherry Extract. Half an hour later, replete with sandwiches and tasting of wild cherry, the four children were on the open road again. Only now it was a different road, one that kept changing as it went along. First it was loose crushed stone that slithered and banged pleasingly underwheel. Then it gave up all pretense of paving and became just red clay that got narrower and narrower and went up and down hill. There was no room to pass, and they had to back down most of the fourth hill and nearly into a ditch to let a car go by that was heading the other way. This was interestingly perilous, and Katharine and Martha shrieked in delighted terror. The people in the other car had luggage with them, and the four children felt sorry for them, going back to cities and sameness when their own vacation was just beginning. But they forgot the people as they faced the fifth hill. The fifth hill was higher and steeper than any of the others; as they came toward it the road seemed to go straight up in the air. And halfway up it the car balked, even though Mr. Smith used his lowest gear, and hung straining and groaning and motionless like a live and complaining thing. “Children, get out,” said their mother. So they did. And relieved of their cloying weight, the car leaped forward and mounted to the brow of the hill, and the four children had to run up the hill after it. That is, Jane and Mark and Katharine did.
Edward Eager (Magic by the Lake (Tales of Magic))
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
Ernest Cline (Ready Player One)
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started. I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers. On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said. “No,” I said. “Stop it! I’m not doing that.” I was all of twenty-three, and I wasn’t exactly outgoing. She was a bit awkward--no doubt about that. I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it. “Who is this guy, anyway?” I asked, since they all seemed to know him for some reason. “Oh, they call him Hot John,” someone said, laughing. Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.” I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me. Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door. When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
Joanna Gaines (The Magnolia Story)
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
Why do you live out here? You're a great healer; you could get work in the inner city if you wanted to. Even in E-star, I bet." "Well, I just don't want to live anywhere else," She looked up, smiling so that the lines at the edges of her eyes crinkled. As she looked out into the expanse of endless desert that led up to the crater wall, she seemed as though her thoughts were far away. "This place is our home. It was my mother's home, and her mother's before that. This is what we know, and even though our lives aren't as long as those with the clean air... this is our land.
Hazel Blackthorn (His Brother's Keeper (The Melody of the Gears 1))
Storm Warning Something not the wind shakes along far like a sky truck in low gear over Oregon. Like the shore wind baying along through fir but not now the wind, no, not really so, it is a new weight and force that begins to blow. This winter they'll still call it wind and let it explore; and when they talk it over next summer there by the shore, along through the scrub and salal the new something will range. In a hurry, late, it won't wait for the air. In the fall again they'll remember, each of them, back to now. They'll no longer call it wind, they'll want it all changed. They'll want it all different then, but they won't know how.
William Stafford
Emissions of carbon dioxide reasonable commercial For those who do not know each other with the phrase "carbon footprint" and its consequences or is questionable, which is headed "reasonable conversion" is a fast lens here. Statements are described by the British coal climatic believe. "..The GC installed (fuel emissions) The issue has directly or indirectly affected by a company or work activities, products," only in relation to the application, especially to introduce a special procedure for the efforts of B. fight against carbon crank function What is important? Carbon dioxide ", uh, (on screen), the main fuel emissions" and the main result of global warming, improve a process that determines the atmosphere in the air in the heat as greenhouse gases greenhouse, carbon dioxide is reduced by the environment, methane, nitrous oxide and chlorofluorocarbons (CFCs more typically classified as). The consequences are disastrous in the sense of life on the planet. The exchange is described at a reasonable price in Wikipedia as "...geared a social movement and market-based procedures, especially the objectives of the development of international guidelines and improve local sustainability." The activity is for the price "reasonable effort" as well as social and environmental criteria as part of the same in the direction of production. It focuses exclusively on exports under the auspices of the acquisition of the world's nations to coffee most international destinations, cocoa, sugar, tea, vegetables, wine, specially designed, refreshing fruits, bananas, chocolate and simple. In 2007 trade, the conversion of skilled gross sales serious enough alone suffered due the supermarket was in the direction of approximately US $ 3.62 billion to improve (2.39 million), rich environment and 47% within 12 months of the calendar year. Fair trade is often providing 1-20% of gross sales in their classification of medicines in Europe and North America, the United States. ..Properly Faith in the plan ... cursed interventions towards closing in failure "vice president Cato Industries, appointed to inquire into the meaning of fair trade Brink Lindsey 2003 '. "Sensible changes direction Lindsay inaccurate provides guidance to the market in a heart that continues to change a design style and price of the unit complies without success. It is based very difficult, and you must deliver or later although costs Rule implementation and reduces the cost if you have a little time in the mirror. You'll be able to afford the really wide range plan alternatives to products and expenditures price to pay here. With the efficient configuration package offered in the interpretation question fraction "which is a collaboration with the Carbon Fund worldwide, and acceptable substitute?" In the statement, which tend to be small, and more? They allow you to search for carbon dioxide transport and delivery. All vehicles are responsible dioxide pollution, but they are the worst offenders? Aviation. Quota of the EU said that the greenhouse gas jet fuel greenhouse on the basis of 87% since 1990 years Boeing Company, Boeing said more than 5 747 liters of fuel burns kilometer. Paul Charles, spokesman for Virgin Atlantic, said flight CO² gas burned in different periods of rule. For example: (. The United Kingdom) Jorge Chavez airport to fly only in the vast world of Peru to London Heathrow with British Family Islands 6.314 miles (10162 km) works with about 31,570 liters of kerosene, which produces changes in only 358 for the incredible carbon. Delivery. John Vidal, Environment Editor parents argue that research on the oil company BP and researchers from the Department of Physics and the environment in Germany Wising said that about once a year before the transport height of 600 to 800 million tons. This is simply nothing more than twice in Colombia and more than all African nations spend together.
PointHero
As their uncle, Earl Spencer, says their characters are very different from the public image. “The press have always written up William as the terror and Harry as a rather quiet second son. In fact William is a very self-possessed, intelligent and mature boy and quite shy. He is quite formal and stiff, sounding older than his years when he answers the phone.” It is Harry who is the mischievous imp of the family. Harry’s puckish character manifested itself to his uncle during the return flight from Necker, the Caribbean island owned by Virgin airline boss Richard Branson. He recalls: “Harry was presented with his breakfast. He had his headphones on and a computer game in front of him but he was determined to eat his croissant. It took him about five minutes to manoeuvre all his electronic gear, his knife, his croissant and his butter. When he eventually managed to get a mouthful there was a look of such complete satisfaction on his face. It was a really wonderful moment.” His godparent Carolyn Bartholomew says, without an ounce of prejudice, that Harry is “the most affectionate, demonstrative and huggable little boy” while William is very much like his mother, “intuitive, switched on and highly perceptive.” At first she thought the future king was a “little terror.” “He was naughty and had tantrums,” she recalls. “But when I had my two children I realized that they are all like that at some point. In fact William is kind-hearted, very much like Diana. He would give you his last Rolo sweet. In fact he did on one occasion. He was longing for this sweet, he only had one left and he gave it to me.” Further evidence of his generous heart occurred when he gathered together all his pocket money, which only amounted to a few pence, and solemnly handed it over to her. But he is no angel as Carolyn saw when she visited Highgrove. Diana had just finished a swim in the open air pool and had changed into a white toweling dressing gown as she waited for William to follow her. Instead he splashed about as though he were drowning and slowly sank to the bottom. His mother, not knowing whether it was a fake or not, struggled to get out of her robe. Then, realizing the urgency, she dived in still in her dressing gown. At that moment he resurfaced, shouting and laughing at the success of his ruse. Diana was not amused. Generally William is a youngster who displays qualities of responsibility and thoughtfulness beyond his years and enjoys a close rapport with his younger brother whom friends believe will make an admirable adviser behind the scenes when William eventually becomes king. Diana feels that it is a sign that in some way they will share the burdens of monarchy in the years to come. Her approach is conditioned by her firmly held belief that she will never become queen and that her husband will never become King Charles III.
Andrew Morton (Diana: Her True Story in Her Own Words)
WALSH AND FOUR AGENTS from the Bureau of Alcohol, Tobacco, and Firearms arrived at Cole’s house an hour later. Two stayed with their cars, but two male agents came in with Walsh—a tough-looking Latin guy named Paul Rodriguez and a tall lanky guy named Steve Hurwitz. Hurwitz was wearing an olive green Special Response Team jumpsuit. SRT was the ATF’s version of SWAT. They spread through Cole’s living room with an air of watchful suspicion, as if someone might jump out of a closet. Jon Stone had brought in a large box of his surveillance gear, and Cole was helping him set up. Cole was shirtless, but had strapped on a bullet-resistant vest. Pike couldn’t blame them for being wary, especially with the cash. Seven
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
A dead run and he began to be afraid because she had to start in the next three or it was no go, after twenty-six days, no go. Risk the next cartridge on clearing the pots—she was too rich, stank of the stuff. Mixture weak, switches off, throttle wide open and risk it. Five. Steady and no kick, a clearer, with black-and-blue muck curling out of the pipe; he shivered in the heat with two to go and the fear of Christ in him. Six. A spinner and she kicked, banging on the gears with the air frame shaking, blue smoke curling, clearing—orange flame and the big prop spinning at a run and settling, putting out a roar from the pipe that drowned the sound of the sobbing in his throat as he eased the revs up and sat like a sack listening to the cylinders beating, hunting, one of them choked still but picking up—then she was running with a will and in the long sweet sound he heard another, faintly, and turned his head and saw them standing there with their mouths open, cheering.
Elleston Trevor (The Flight of the Phoenix)
WALSH AND FOUR AGENTS from the Bureau of Alcohol, Tobacco, and Firearms arrived at Cole’s house an hour later. Two stayed with their cars, but two male agents came in with Walsh—a tough-looking Latin guy named Paul Rodriguez and a tall lanky guy named Steve Hurwitz. Hurwitz was wearing an olive green Special Response Team jumpsuit. SRT was the ATF’s version of SWAT. They spread through Cole’s living room with an air of watchful suspicion, as if someone might jump out of a closet. Jon Stone had brought in a large box of his surveillance gear, and Cole was helping him set up. Cole was shirtless, but had strapped on a bullet-resistant vest. Pike couldn’t blame them for being wary, especially with the cash.
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
GRACE’S HANDS SHOOK AS SHE TRIED to put the key in the ignition. She looked back at the house, threw the gear in reverse, and backed out of the drive, the tires spitting up gravel. Shifting into drive, she slammed her foot on the accelerator and flew down the road. The neighborhood was quiet, the sun still hidden, just an orange and pink glow rising through the barren trees. The car bounced over the railroad tracks, jolting her body into the air, smacking her head against the roof. She slowed as she reached Red Arrow Highway and made a right onto the empty road.
E.C. Diskin (Broken Grace)
is July 2009. We step off our respective planes and lug our gear into the sweltering Vegas sun. Our taxis creep through downtown tourist traffic, swing around the airport, and unceremoniously drop us off in a giant, industrial-looking parking lot. The Las Vegas Sports Center sulks unimpressively in the heat, but under the sounds of arriving planes, there’s also a low hum and periodic whistles. Inside, the air is cooler and smells vaguely of . . . what is that smell? Sweat? Feet? Happiness? And when our eyes adjust to the light, we see skaters from every corner of the world—their helmets whiz by in every direction looking as if they are floating on air. On their feet are skates—black skates, white skates, blue skates, camouflage skates—propelled by a rainbow of wheels. On the sport floor, coaches with names like Carmen Getsome and Miss Fortune are drilling a centipede line of skaters in the fine art of knocking each other’s asses to the ground. Refs and skaters gear up for the mixed league, multination, battle du jour: Team Australia vs. Team Canada. Someone hobbles by with an ice pack strapped to her knee, still smiling. We smile too. Across town, nearly one thousand other skaters throng the casino and head to seminars in the meeting halls of the Imperial Palace Hotel, with nothing but roller derby on their minds. This is the fifth annual derby convention known as RollerCon.
Alex Cohen (Down and Derby: The Insider's Guide to Roller Derby)
River Rafting in Rishikesh is one of the most thrilling water based adventure sports that gives you an up close splatter of untamed nature in a world where the royal river is what you are up adjacent to. Aboard a raft, when the water wave hits your face for the first time; you be familiar with that it will take a little more than a few ounces of bravery to tame the river beast and indeed this duel next to mother nature will enrich your life forever, even if tried only once in a life time…The modern raft is a boat that is inflated comprising of a very durable and thick coated rubberized or vinyl fabric and also has a number of air chambers. The chief apparatus required for rafting are a life jacket ,Safety helmet, Safety Helmet, Paddles, River guide and a Self-Bailing Raft, etc. It is a very daring activity and it may appear a very perilous sport, but once you knowledge it, you will certainly realize the actual thrill of rafting. The best time for water river rafting is spiral summer to February to May and in winter September to November. You probably think that there is completely no way to extreme sports such as rafting can be fun at all. This is false, because all you need for a great sport like this is fun to be an expert to take manages of all rafting. It is a fun place to take part in all the summer sports, when it's nice and warm and all you need is a movement related to the water to take temperatures down. It is also a thrilling sport that many people can participate at the same time. Friends and family can get together and everybody can have a brilliant day of fun. As you begin your boat journey, you will encounter a number of rapids, which you will be necessary to sail over. Uttarakhand adventure is well known rafting company in Rishikesh. This excursion will roughly be two hours long, and will make you use all your power and skill to keep the boat under control. Water will stay splash all over you, and will keep you invigorated and bouncing if you start feeling tired due to the corporeal work that you will do. As an extreme sport, rafting certainly has its drawbacks, but not all make games? The best way to take safety measures so that you can avoid fatal accidents is to acquire a knowledgeable scout who is qualified for the chore and the best gear for rafting. For example, you should always have a life jacket on the obverse rafting, in the unfortunate event that the boat capsize; you'll be able to stay afloat and hope to swim to defense. Also, if you are unsure of your rafting skills, rapids and waterfalls stay away from very high.
uttarakhand adventure
On the ninth anniversary celebration of the Moncada Barracks Attack, Castro gave a speech in Santiago stating that the only thing Cuba had to fear was a direct attack by the United States. At the same time, the Russians were off-loading men and equipment from ships at the small, hardly-noticed port of Mariel. They transported their equipment, mostly at night, into a thickly wooded area in the mountains near San Cristóbal, which was 26 miles away from the port and approximately 50 miles from Havana. The CIA received a report that a twenty-six foot missile had been seen being transported on Cuban Highway A 1. This was twice the size of a SAM missile and the CIA deemed it highly unlikely that the Soviet Union would send offensive weapons of this size to Cuba. However, with the cold war in high gear, Khrushchev thought that he could change the balance of power between the United States and the Soviet Union by placing missiles on Cuban soil. This operation was conducted in strict secrecy, with Castro reluctantly agreeing to it. Castro still felt that Cuba’s alliance with the Soviet’s was risky and that this was a negative compromise undermining Cuban autonomy. Their secret however became confirmed by an Air Force U 2 surveillance aircraft, sent on a reconnaissance mission, dispatched over the western part of the island. The United States and the Soviet Union agreed on a deal. In return for pulling the Russian missiles out of Cuba the U.S. agreed to pull its missiles out of Turkey.
Hank Bracker
Warning signs went unheeded as the ferocious kisses continued, kicking Trevor’s need into high gear. But the unfamiliar prickle of Edgard’s beard on his cheek began to rouse him from that dark desire. Coupled with the low-pitched masculine moans—not Chassie’s feminine sighs—and Trevor broke away, knocking Edgard’s hands free. “Stop. No.” “Yes,” Edgard grabbed Trevor’s shirt. “This is why I’m here. Because it’s still there, Trevor. This need didn’t go away just because I did.” “It don’t matter.” “It should. God. Please let it matter.” “Ed—” “Don’t. Just…don’t.” Edgard gently rested his forehead against Trevor’s and retreated into silence. The heat of their bodies, the cold air, the confusion, the passion, the anger, the guilt, all swirled in Trevor’s head until he didn’t know which way was up. Unable to squirm either closer or away, damn near unable to breathe, Trevor squeezed his eyes shut and gave in, leaning against Edgard, just for a moment. Finally he dredged up a semblance of sanity. “I love her, Ed. I’m not with her because she was my second choice.” “I know. Why do you think it hurts me so bad, meu amore?” My love. That single, familiar endearment could prove to be his undoing. Another pause lingered before Trevor said, “I can’t do this. I swear to f**king God I cannot do this again.” “We’ll figure something out this time.” “No.” “Look at me.” Trevor shook his head. “Goddammit. Look. At. Me.” Heart thumping crazily, Trevor pulled back and caught the golden gaze that’d haunted his dreams since the day they’d gone from friends to something more. Edgard curled one hand around Trevor’s face, keeping the other fisted in his shirt. “Tell me how to fix this.” “We can’t and talkin’ about it ain’t gonna change nothin’.” “We were always better at f**king away our problems rather than talking them out, eh?” No hint of a smile graced either of their faces.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
On many a Friday night, coming home from a week-long training mission in a T-38 just like the one I was in now, Roger and I would buzz our houses just before turning sharply left, dropping the gear and landing at Ellington Air Force Base. From as far as San Antonio, we would point the needle nose of our plane directly at the driveway separating our houses and roar over Barbuda Lane, shaking the shingles and rattling the dishes at 600 knots. The noisy message let our wives (and neighbors) know that we would be home soon. We would land, jump into our cars, and race down the two-lane Old Galveston Highway, through the single stoplight in the town of Webster at eighty miles per hour and screech up to our houses in less than ten minutes. It was all somewhat illegal, but what the hell, we were astronauts!
Eugene Cernan (The Last Man on the Moon: Astronaut Eugene Cernan and America's Race in Space)
Within half a block the man was sweating. By the intersection, his clothes were sticking to his body. The Glock tucked behind his right hip was slick with perspiration. Guns, money, and a bunch of high-tech gear. Just like something out of a movie. Except it wasn’t. This was real. Turning right, he headed into the large open-air market. It looked as if a car bomb packed with neon paint cans had detonated.
Brad Thor (Act of War (Scot Harvath, #13))
Creativity testing owes its existence to World War II, when the air force commissioned J. P. Guilford, a psychologist at the University of Southern California, to study the subject. The air force wanted to select pilots who in an emergency—the unexpected failure of a gear or instrument—would respond with appropriately original behavior, saving themselves and the plane.
Mihály Csíkszentmihályi (Creativity: Flow and the Psychology of Discovery and Invention)
The frog in the well can't communicate with the ocean creatures, as it knows the depth of the sky. It's because the frog lived inside a cramped and small space, so he knows better than anyone, how precious freedom is.
Oh! Great
As a designer, I was an individual cog in a much larger machine, but I still had the opportunity to choose which direction to turn or to decide not to turn at all. Granted, I couldn’t throw a monkey wrench into the gears anytime I wanted and still keep my job. Instead, I used every decision-making opportunity to offer alternative solutions to things I thought were socially or environmentally harmful. Not all my ideas saw light, but I was always given the chance to air my concerns, because it was in an area in which I was considered the expert.
Noah Scalin (The Design Activist's Handbook: How to Change the World (Or at Least Your Part of It) with Socially Conscious Design)
There are no dawns like the dawns that come to desert lands, nor are there colors anywhere like the pastels of the wastelands. There is no atmosphere anywhere with half the sharp clarity of the desert air following a rain--and no land holds death so close, so ready, so waiting. Now the rain was over, the dry washes had carried away the weight of water, their swift torrents running away to leave their sands once more exposed to the relentless heat of the sun. Only the desert plants were greener, and the countless tiny roots that lay just beneath the surface had drunk greedily of the sudden rush of desert water. Nowhere is survival so sharply geared to the changes of weather. Seeds lie dormant, mixed with the sand; a little rain falls, and nothing happens, for the water that has fallen is not enough for the seed to sprout. Within the seed some delicate mechanism awaits sufficient water; then suddenly, when it comes, the seed sprouts and grows, other plants put out their quick leaves, and for the moment the desert is alive, glowing, beautiful.
Louis L'Amour (High Lonesome)
Liam dropped down to one knee and clasped her hand. "From the day we first met, I knew I needed you in my life. You took the chaos and made it calm. You lifted my heart with your smile and awed me with your brilliant mind. I kept every secret valentine, every scribbled note, your stuffed rabbit, and the answer to every math question I gave you. I hoped one day to be the kind of man you could love, a man who would hold and cherish you, a man worthy of you, and who would protect you with the sword you are going to allow him to have at our wedding." He fumbled in his pocket. "I didn't really plan this..." Daisy laughed. "Of course not." "I did try, but it wasn't me, and if I had, I would have missed this incredible opportunity to turn the ultimate cinematic symbol of uncontrollable passion upside down and make the fantasy of a love so intense that nothing else matters into something real." Her face softened. "You remembered all that?" "I remember every moment I spend with you." He pulled out a silver ring with a Sharks logo on top. "I keep my fan gear in Hamish's warehouse. I grabbed it when I left with the bike, just in case." He slipped the ring on her finger. "Daisy Patel, my humraaz, love of my life, will you marry me?" Her happiness bubbled over and she punched her fist in the air. "Go Sharks!" "Is that a yes?" He looked up, frowning. "It's a little less romantic than I had anticipated..." "Of course it's a yes.
Sara Desai (The Dating Plan (Marriage Game, #2))
We stood there maybe five minutes. We didn’t say anything, because there was nothing to say. And then I heard one of the most beautiful sounds I have ever heard in my entire life, that whap! whap! whap!—the distinctive chop of a helicopter. Long before we could see this thing we could hear it claw its way up that two-thousand-foot wall, once again this same lone man rising into view. He moved up the valley with greater authority. With the same consummate skill he lay those skids down again. Not waiting, I hot-footed across there and dove into the back of this machine. They slammed the door and one more time the helicopter tail went up and we moved toward the precipice, crevasses gliding by beneath the skids. We crested the edge and then went screaming down that face with the blades whipping around above us, trying to grab hold of cold, heavy, dense air that would provide lift. The machine felt alive beneath us as it pulled us out of the dive, and we knew we were safe. We retrieved Makalu at Base Camp and put him back in. We got the copilot and put him back in. We got all the gear that Madan had stripped off this machine, and we put it back in. That’s when I discovered that when Madan returned to get me, he was flying the Squirrel on just seven minutes of fuel. Madan is to me the most extraordinary person in this story, because he didn’t know me at all. He didn’t know my family, and he has his own family, for whom he is the sole provider. We were separated by language, by culture, by religion, by the entire breadth of this world, but bound together by a bond of common humanity. This man will never have to wonder again whether he has a brave heart.
Beck Weathers (Left for Dead: My Journey Home from Everest)
She, too, had an air of discipline and precision about her, but it was at odds with her aristocratic face, mane of rich mahogany hair, brown eyes, and civilian dress. The others were kitted out in body armor, helmets, night-vision gear, and assault weaponry: all she had was a string of pearls. Who in God’s name would wear a string of pearls on a mission like this?
Douglas Preston (Crooked River (Pendergast, #19))
Never mind. Sorry. Everything can wait. Let’s stay on topic. You feel I’ve neglected you. Physically in general. Kissing specifically. Fair enough. Challenge accepted.” “Challenge? I didn’t issue any challenge.” Did I? “Let’s do this.” “Do what?” “I’m going to kiss you.” “Whoa!” My hands flew into the air and I moved to escape. “This is stupid.” He blocked my path. “Hold on. Not stupid at all. You have a valid point, just give me a minute.” He rolled his shoulders, shook out his arms, rocked on the balls of his feet a few times, took a deep breath, and exhaled slowly. “Okay. I’m ready.” I frowned. “You have to gear-up to kiss me?
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
But I held no interest for the bird. It circled away from the house, banking so lazily I could only dream of being that elegant in flight. I could watch the air rippling its feathers as it flew, could see the diagram I knew so well, of airflow and airspeed over the wings. In my world, on a plane, it was comparatively so clumsy and mechanical as it was made of computer design and fuel and force and gears and wires. In theirs, it was an effortless, natural fusion of hollow bones and a pure instinct for the wind.
Jenny Colgan (The Summer Skies)
Once sworn in, Mrs. Mullion delivered her evidence at a breakneck speed, every now and then drawing in a huge gulp of air, which, like the momentary pause of a gear-change, only served to increase the speed of her narrative.
John Bude (The Cornish Coast Murder)
Celyn handed Phoebe a leather satchel. Phoebe rummaged inside. “Let’s see...healing potions. Tranquilizer darts like the ones we used on you. Hmm, what else? Oh, yeah!” Phoebe triumphantly produced a rectangle of folded silvery cloth. “A handkerchief?” Reyna asked. “Better. Back up a little.” Phoebe tossed the cloth on the floor. Instantly it expanded into a ten-by-ten camping tent. “It’s air-conditioned,” Phoebe said. “Sleeps four. It has a buffet table and sleeping bags inside. Whatever extra gear you put in it will collapse with the tent. Um, within reason...don’t try to stick your giant statue in there.” Celyn snickered. “If your male traveling companions get annoying, you could always leave them inside.” Naomi frowned. “That wouldn’t work...would it?
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
DON’T forget, Frank, any treasure we find will be divided fifty-fifty!” Blond, seventeen-year-old Joe Hardy grinned. He checked his skin-diving gear and slid, flippers first, over the gunwale of their motorboat. “I’ll settle for a pot of gold,” retorted Frank. He was similarly attired in trunks, air tank, and face mask, and carried a shark knife. The boys had anchored their boat, the Sleuth, off a secluded area of dunes, which ran beneath a low, rocky promontory called Pirates’ Hill. “Here goes!” said Frank as he plunged into the cool waters of the Atlantic. Together, the Hardys swam toward the bottom.
Franklin W. Dixon (The Secret of Pirates' Hill (Hardy Boys, #36))
Chapter 2 After stopping for a hot breakfast, Dad and I were ready to hit the mountain and now our anticipation was really building. My heart was beating a little faster and my eyes were alert watching the headlights paint a mountain picture in front of us. We pulled off the highway and made our way up a narrow two-lane road that ran through a little old mining town. About a half mile past the last house, we came to our turn. The road was pretty quiet on this Saturday morning. We only passed two or three trucks on our way to the dirt road. “Here we go!” Dad said, turning the wheel. The blacktop was behind us and we were now on a well-packed gravel road. It started by winding right, then left, and then back right again. It was like riding a rollercoaster up the mountain. We finally came to the end of the gravel and now we were heading up a true back country mountain road. The road was littered with huge rocks Dad had to swerve around and plenty of big gullies where rain had washed the road away. The truck growled in low gear as we crawled our way up the mountain, heading to our camp. I could feel butterflies of excitement building in my stomach with each turn. I rolled down my window to get some fresh air and the crisp mountain breeze instantly sent chills down my back. “Whoa, it’s pretty cold out,” “The truck thermometer says its thirty-six degrees. That sure is a change from the sixty-five degrees we had yesterday at home. But don’t you worry, that Colorado sun always warms it up around noon,” Dad explained. That last half hour seemed to take forever because we could only manage about five or ten miles per hour on the steep, rugged road. The last thing we wanted to do, after all the hours we spent on the journey to elk camp, was get a flat tire or bust a shock. Dad patiently and expertly guided the truck through the obstacle course as we kept climbing up, up, up. Finally we leveled off and I could tell we had reached the top. We made our way around the back side of the mountain and headed down a dead-end road to a grassy field where we have camped before. “I sure hope no one is in our spot.” “I’m not worried. There are plenty of areas to pitch a tent,” Dad replied. “That’s true, but I really like our old spot. It’s flat, which is perfect for the tent, it’s
Kevin Lovegreen (The Muddy Elk (Lucky Luke's Hunting Adventures #6))
Even so, Watt was nothing if not fair-minded. He may have resented the time Murdock spent inventing rather than on the company’s real business, which was installing, and collecting royalties based on the continued performance of, the Watt engines.* He was, however, just as often delighted by the inventions he made on behalf of Boulton & Watt, including a compressed air pump and a cement that would bond two pieces of iron, calling Murdock “the most active man and best engine erector I ever saw.”41 His value was never, however, to be higher than when Watt enlisted his talents on what came to be known as the sun-and-planet gear.
William Rosen (The Most Powerful Idea in the World: A Story of Steam, Industry, and Invention)
Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.
Alice McDermott (After This)
A truck came flying into town, horn honking. Corny, also a professional firefighter, climbed out and yelled, “Hey! Forget anyone?” Greetings ripped the air. “What about that new baby?” “Aw, she’s not so new anymore. We had her two days ago.” “And your wife let you out of town?” “You’re kidding, right? She told me to get my ass down here and help.” He grinned, pulling his own gear out of the truck bed. “She’s got her mother—I’m just in the way now. I have years with those kids.” “Another girl, huh?” Jack said. “Yeah, but I know I have a boy in me. I just know it.” “You better keep that to yourself for a while, pal,” someone advised. There
Robyn Carr (Second Chance Pass)
When you’re in need of a rescue the approaching thump-thump-thump of rapidly rotating blades is a joyous sound. To give the helicopter rescue the greatest chance of success, a suitable landing zone will have to be found. The ideal landing zone should not require a completely vertical landing or takeoff, both of which reduce the pilot’s control. The ground should slope away on all sides, allowing the helicopter to immediately drop into forward flight when it’s time to take off. Landings and liftoffs work best when the aircraft is pointed into the wind because that gives the machine the greatest lift. The area should be as large as possible, at least 60 feet across for most small rescue helicopters, and as clear as possible for obstructions such as trees and boulders. Clear away debris (pine needles, dust, leaves) that can be blown up by the wash of air, with the possibility of producing mechanical failure. Light snow can be especially dangerous if it fluffs up dramatically to blind the pilot. Wet snow sticks to the ground and adds dangerous weight. If you have the opportunity, pack snow flat well before the helicopter arrives—the night before would be ideal—to harden the surface of the landing zone. Tall grass can be a hazard because it disturbs the helicopter’s cushion of supporting air and hides obstacles such as rocks and tree stumps. To prepare a landing zone, clear out the area as much as possible, including removing your equipment and all the people except the one who is going to be signaling the pilot. Mark the landing zone with weighted bright clothing or gear during the day or with bright lights at night. In case of a night rescue, turn off the bright lights before the helicopter starts to land—they can blind the pilot. Use instead a low-intensity light to mark the perimeter of the landing area, such as chemical light sticks, or at least turn the light away from the helicopter’s direction. Indicate the wind’s direction by building a very small smoky fire, hanging brightly colored streamers, throwing up handfuls of light debris, or signaling with your arms pointed in the direction of the wind. The greatest danger to you occurs while you’re moving toward or away from the helicopter on the ground. Never approach the rear and never walk around the rear of a helicopter. The pilot can’t see you, and the rapidly spinning tail rotor is virtually invisible and soundless. In a sudden shift of the aircraft, you can be sliced to death. Don’t approach by walking downhill toward the helicopter, where the large overhead blade is closest to the ground. It is safest to come toward the helicopter from directly in front, where the pilot has a clear field of view, and only after the pilot or another of the aircraft’s personnel has signaled you to approach. Remove your hat or anything that can be sucked up into the rotors. Stay low because blades can sink closer to the ground as their speed diminishes. Make sure nothing is sticking up above your pack, such as an ice ax or ski pole. In most cases someone from the helicopter will come out to remind you of the important safety measures. One-skid landings or hovering while a rescue is attempted are solely at the discretion of the pilot. They are a high risk at best, and finding a landing zone and preparing it should always be given priority.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
We know Job's faith survived because his reaction to his devastating loss was to worship God: "Then Job arose and tore his robe and shaved his head, and he fell to the ground and worshiped. He said, 'Naked I came from my mother's womb, and naked I shall return there. The Lord gave and the Lord has taken away. Blessed be the name of the Lord'" (Job 1:20-21). Let me encourage you and your messed up man, should he be willing, to begin to worship God from your place of brokenness. Tina shares a dramatic story from her work as a music therapist for hospice. One day, as she prepared to leave the hospice floor at the hospital, a nurse called her back to work with a patient in respiratory arrest. Music therapists use music to match the beat of a patient's heart rate, and as the therapist slows down the beat of music, most of the time the heart rate follows, as well as the breathing. At the start of the process, the patient's wife shouted, "Sing 'Amazing Grace'?" Deciding to minister rather than work, Tina sang "Amazing Grace." The patient's distress was overwhelming. He could hardly take in air, and his chest heaved while his wife wept. Right in the middle of "Amazing Grace," The wife once more blurted out, "Sing 'Jesus Loves Me'!" Tina, switched gears and sang, "Yes, Jesus loves me." Tears streamed down the man's cheeks as he sang with her, "Yes, Jesus loves me." His words were broken and he could hardly say them, but in that moment, he worshiped the God who was about to take him home. Whatever you're facing . . . worship.
Tina Samples (Messed Up Men of the Bible)
There was no benefit in trying to make the machine go on any further. The river Elbe was within walking distance, the fuel was gone, and the engine was in danger of catching fire.  We drove the old panzer further into the marshes, knowing this was the end, and not wanting the machine to fall into any other hands, either Russian, American or even German. With the wounded and the civilians lifted off, we drove the Panther in second gear for a few more metres, until it hit a stretch of water surrounded by bulrushes. It began to subside, the engine end going down first. We jumped clear and watched it sink. With fumes rising into the air, the front plate rose up, the long gun barrel dripping with marsh water. The cupola, from which I had seen so much and given so many orders in the heat of combat, filled up with the stagnant water, and slid below the surface. There were some final bubbles and fumes. I stood there in silence as the green weeds gathered over the Panther, and, when the surface was still, I turned with my crew and we walked at the head of our small column along the choked roads down to the great River Elbe.
Wolfgang Faust (The Last Panther - Slaughter of the Reich - The Halbe Kessel 1945 (Wolfgang Faust's Panzer Books))
Hollywood Hotel was the first major network show to broadcast from the West Coast. The film capital was rich in nationally known talent untapped by radio. It had remained untapped because of a telephone company policy that cost the networks up to $1,000 to reverse radio circuits: everything then was geared to broadcast from east to west, and it was sometimes said that a producer could bring a film star east for a five-day train trip for less money than it cost him to air a radio show from California. In 1934 the radio centers were Chicago and New York. This all changed with Hollywood Hotel. Hostess Louella Parsons immediately offset the technical tariff by persuading the elite of the film world to appear on the show without pay. Parsons was then the most feared and powerful newspaper columnist in Hollywood: her column, which appeared across the nation in Hearst newspapers, was widely seen as a maker or breaker of films and careers. She lined up stars who otherwise might be paid $1,000 for a single radio appearance, and scheduled as many as half a dozen each
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Like a gust of wind, Scott swept past all of this. The scenery stretched and distorted in his vision, blurring like the wild strokes of Postimpressionists. He had to keep himself from howling, and all sound was tossed behind with the streaming air, fading rapidly. He shifted and sensed the higher torque from a lower gear, as though the mechanical beast between his legs had melded with his body so that no matter what the road conditions, the machine would sensitively and appropriately translate his intent into motion. Fusing Man with machine. The idea surfaced in Scott’s mind, unbidden. Just like the shocking tale he had heard a few hours ago. The mysterious prosthesis with the serial number SBT-VBPII32503439 was intended to replace the back of the skull between the coronal suture and the lambdoid suture, including parts of the parietal and occipital bones.
Chen Qiufan (Waste Tide)
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Macroair Energylogic
Civil Aviation Authoritues are the custodians of the National Air Transport Critical Infrastructure in their respective countries, They are therefore duty bound towards having a Critical Infrastructure Resilience Strategy geared towards the continued operation of air transport in the face of all hazards. As a mandatory, CAA's are duty bound therefore to ensure their charge achieves the continued provision of essential services (provided by the critical infrastructure in their charge) to businesses, governments and the stakeholding community within the aviation industry, as well as to other critical infrastructure sectors.
Taib Ahmed ICAO AVSEC PM
Yet, could it be (we should press the question) that there are some circumstances in which being overly esteemed in one’s capacity as a knower would do one harm of a sort that merits the label ‘testimonial injustice’? Suppose we imagine someone growing up who, because of various social prejudices overwhelmingly in his favour, is constantly epistemically puffed up by the people around him. Let’s say that he is a member of a ruling elite, and that his education and entire upbringing are subtly geared to installing this message firmly in his psychology. Perhaps the pupils who attend his school even wind up with a distinctive accent and certainly a confident air that helps mark them out as epistemically authoritative. No doubt the credibility excess he tends to receive from most interlocutors in his class-ridden society will be advantageous: it is very likely to bring him lucrative employment and a certain automatic high status in many of his discursive exchanges, and so on. But what if all this also causes him to develop such an epistemic arrogance that a range of epistemic virtues are put out of his reach, rendering him closed-minded, dogmatic, blithely impervious to criticism, and so on? Is it not the case that such a person has in some degree quite literally been made a fool of?
Miranda Fricker (Epistemic Injustice: Power and the Ethics of Knowing)