Aile Quotes

Reading is the perfect escape from whatever ails you.

Mankind is a single body and each nation a part of that body. We must never say "What does it matter to me if some part of the world is ailing?" If there is such an illness, we must concern ourselves with it as though we were having that illness.

To wish a healthy man to die is the wish from a mind of sickness. To wish an ailing man to die is the wish of the ambitious.

And what’s so bad about your being deprived of that?... All things seem unbearable to people who have become spoilt, who have become soft through a life of luxury, ailing more in the mind than they ever are in the body.

The best remedy for what ails me is being with you here under the sun.

Drink it,” I told her. “It’s good for what ails you. Caffeine and sugar. I don’t drink it, so I ran over to your house and stole the expensive stuff in your freezer. It shouldn’t be that bad. Samuel told me to make it strong and pour sugar into it. It should taste sort of like bitter syrup.” She gave me a smile smile, then a bigger one, and plugged her nose before she drank it down in one gulp. “Next time," she said in a hoarse voice, “I make the coffee.

Sordukları zaman, bana ne iş yaptığımı, evli olup olmadığımı, kocamın ne iş yaptığını, ana babamın ne olduklarını sordukları zaman, ne gibi koşullarda yaşadığımı, yanıtlarımı nasıl memnunlukla onayladıklarını yüzlerinde okuyorum. Ve hepsine haykırmak istiyorum. Onayladığınız yanıtlar yalnızca bir yüzey. Ne düzenli bir iş, ne iyi bir konut, ne sizin medeni durum dediğiniz durumsuzluk, ne de başarılı bir birey olmak ya da sayılmak benim gerçeğim değil. Bu kolay olgulara, siz bu düzeni böylesine saptadığınız için ben de eriştim. Hem de hiç bir çaba harcamadan. Belki de hiç istediğim gibi çalışmadan. istediğiniz düzeye erişmek o denli kolay ki… Ama insanın gerçek yeteneğini, tüm yaşamını, kanını, aklını, varoluşunu verdiği iç dünyasının olgularının sizler için hiç bir değeri yok ki. bırakıyorsun insan onları kendisiyle birlikte gömsün. Ama hayır, hiç değilse susarak hepsini yüzünüze haykırmak istiyorum. Sizin düzeninizle, akıl anlayışınızla, namus anlayışınızla, başarı anlayışınızla bağdaşan hiç yönüm yok. Aranızda dolaşmak için giyiniyorum, hem de iyi giyiniyorum. İyi giyinene iyi değer verdiğiniz için. İçgüdülerimi hiç bir işte uygulamama izin vermediğiniz için. Hiç bir çaba harcamadan bunları yapabiliyorum, bir şey yapıldı sanıyorsunuz. Yaşamım boyunca içimi kemirttiniz. Evlenizle. Okullarınızla. İş yerlerinizle. Özel ya da resmi kuruluşlarınızla içimi kemirttiniz. Ölmek istedim, dirilttiniz. Yazı yazmak istedim, aç kalırsın, dediniz. Aç kalmayı dendim, serum verdiniz. Delirdim, kafama elektrik verdiniz. Hiç aile olmayacak insanla bir araya geldim, gene aile olduk. Ben bütün bunların dışındayım. Şimdi tek konuğu olduğum bu otelden ayrılırken, hangi otobüs ya da tren istasyonuna, hangi havaalanı ya da hangi limana doğru gideceğimi bilmediğim bu sabahta, iyi, başarılı, düzenli bir insandan başka her şey olduğumu duyuyorum.

You see, sometimes in life, the best thing for all that ails you has fur and four legs.

Le Poëte est semblable au prince des nuées Qui hante la tempête et se rit de l'archer; Exilé sur le sol au milieu des huées, Ses ailes de géant l'empêchent de marcher.

Aile bir mayın tarlasıdır, birey olabilmek için oradan sağ salim çıkabilmek gerekir.

Many persons grow insensibly attached to that which gives them a great deal of trouble, as a mother often loves her sick and ever-ailing child better than her more healthy offspring.

I wonder if much that ails our society stems from the fact that we have allowed ourselves to be cut off from that love of, and from, the land. It is medicine for broken land and empty hearts.

By writing her self, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display - the ailing or dead figure, which so often turns out to be the nasty companion, the cause and location of inhibitions. Censor the body and you censor breath and speech at the same time. Write your self. Your body must be heard. Only then will the immense resources of the unconscious spring forth.

If it suddenly became impossible for us to cover up all the junk we normally hide from the rest of humanity, I have a feeling we would all get real motivated to deal with the source of what ails us.

I want money and a house with a pool and a partner who loves me and my own lab filled with only the most brilliant and strong women. I want a dog and a Nobel Prize and to find a cure to addiction and depression and everything else that ails us. I want everything and I want to want less.

As victims of hurt, we frequently don't bring up what ails us, because so many wounds look absurd in the light of day.

Le Poète est semblable au prince des nuées Qui hante la tempête et se rit de l’archer; Exilé sur le sol au milieu des huées, Ses ailes de géant l’empêchent de marcher.

We have patiently suffered long enough, hoping that someone or some kind of luck would one day grant us more opportunity and happiness. But nothing external can save us, and the fateful hour is at hand when we either become trapped at this level of life or we choose to ascend to a higher plane of consciousness and joy. In this ailing and turbulent world, we must find peace within and become more self-reliant in creating the life we deserve.

Time passes, people leave, we become alone again. If we don't accept that fact, memory erodes the present and exhausts the mind until it ages us and ails us.

… for there are times when disobedience heals a very ailing part of the self. It relieves the human spirit’s distress at being forced into narrow boundaries. For the nearly powerless, defying authority is often the only power available.

After all, Ailes was perhaps the person most responsible for unleashing the angry-man currents of Trump’s victory: he had invented the right-wing media that delighted in the Trump character.

Sometimes you’re so hungry, so thirsty for something to fill you up, you’ve craved it for so long, but when you finally have it, it hurts going down. It’s not a medicine for what ails you. It might just be the thing that is keeping you sick.

You're Ma's own blood son, but did she take on that time Tony Fontaine shot you in the leg? No, she just sent for old Doc Fontaine to dress it and asked the doctor what ailed Tony's aim. Said she guessed the licker was spoiling his marksmanship.

Oh what can ail thee, knight-at-arms, Alone and palely loitering?

And like some part of himself that, two days ago, had thought pray and propriety were antidote enough to what ailed the world.

l'espace de l'esprit, là où il peut ouvrir ses ailes, c'est le silence. (chapitre XXIII, dernière phrase)

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

Be just the balm you need to heal what ails you

A plate of roast duck, steamed dumplings, spicy noodles with beef gravy, pickled cucumbers, stewed tongue and eggs if you have them, cold please, and sticky rice pearls, too,' Ai Ling said, before the server girl could open her mouth. "I don't know what he wants." Ai Ling nodded toward Chen Yong. 'I'm not sure I have enough coins to order anything more,' he said, laughing.

For above all, in behalf of an ailing world which sorely needs our defiance, may we, as Negroes or women, never accept the notion of - "our place.

CLYTEMNESTRA What ails thee, raising this ado for us? SLAVE I say the dead are come to slay the living.

Finishing Year Twelve had been a blessed relief. Although, having read Looking for Alibrandi several times since Year Eight, I was disappointed when Year Twelve did not bring me a handsome, salt-of-the-earth boyfriend and ultimate emancipation from all that ailed my teenage soul.

I never get sick. Besides, I have this compulsion to take care of ailing Travises." "You would be the only one. We Travises are bad-tempered as hell when we're sick." "You're not all that nice when you're well either.

Space ails us moderns: we are sick with space.

Omitting sacrifice will gain you nothing... He is the striver, who sacrifices delight, ail, sympathy and slumber, and at the terminal Striver is the WINNER.

We all have private ails. The troublemakers are they who need public cures for their private ails.     44

Pazar günleri... Şimdilerde... Sokak aralarından geçerken...gözüme pijamalı aile babaları ilişirse, kışın, yağmurlu gri günlerde tüten soba bacalarına ilişirse gözlerim... evlerin pencere camları buharlaşmışsa... odaların içine asılmış çamaşır görürsem... bulutlar ıslak kiremitlere yakınsa, yağmur çiseliyorsa, radyolardan naklen futbol maçları yayımlanıyorsa, tartışan insanların sesleri sokaklara dek yansıyorsa, gitmek, gitmek, gitmek, gitmek, gitmek......... isterim hep.

We do well to remember dolphins. If a dolphin ails, then others come alongside and nudge him gently through the waters; because a dolphin must keep moving in order to keep breathing. We all have need of our dolphins alongside us from time to time.

The quirky little melodrama that unfolded in Bosnia on 28 June 1914 played the same role in the history of the world as might a wasp sting on a chronically ailing man who is maddened into abandoning a sickbed to devote his waning days to destroying the nest

Our bones only ache while the flesh is on them. Stretch it thin as the temple flesh of an ailing woman and still it serves to ache the bone and to move the bone about; and in like manner the night is a skin pulled over the head of day that the day may be in a torment. We will find no comfort until the night melts away; until the fury of the night rots out its fire.

İçki, sevgili,ev, aile, arkadaş, eğlence, dünya işleri, bir aralık fikir bile... Hepsi, hepsi zarına iğne batırılmış, cigara tutulmuş kırmızı, yeşil, sarı, turuncu balonlara döndüğü günlerimiz olur. Her şey rengini, uçarlığını, sevincini lahzada boşaltır. Öyle zamanlarımız olmamasına imkan mı vardır? Balonlarına hiç iğne batırılmayan insanlar da yaşıyor. Onları gün olur kıskanır, gün olur küçük görürüm.

Nous ne pouvons savoir ! - Nous sommes accablés D'un manteau d'ignorance et d'étroites chimères ! Singes d'hommes tombés de la vulve des mères, Notre pâle raison nous cache l'infini ! Nous voulons regarder : - le Doute nous punit ! Le doute, morne oiseau, nous frappe de son aile... - Et l'horizon s'enfuit d'une fuite éternelle !...

RAIN. First you Recognize the feeling. Then you Accept the feeling (rather than try to drive it away). Then you Investigate the feeling and its relationship to your body. Finally, the N stands for Nonidentification, or, equivalently, Nonattachment. Which is a nice note to end on, since not being attached to things was the Buddha’s all-purpose prescription for what ails us.

So, a little morphine, a good sweat, and a bowel movement—the cure for everything that ails you.

If anything ail a man,” says Thoreau, “so that he does not perform his functions, if he have a pain in his bowels even … he forthwith sets about reforming—the world.”3

(When ailing seamen were shielded belowdecks from the adverse elements outside, they were said to be “under the weather.”)

She complained that because of Purdue’s message about the drug being “good for whatever ails you,” OxyContin was “creeping into a whole population of people where it doesn’t belong.

Mastery of self is the endless battle in which we must pursue our consciousness straight forward, and head over heels transmute all our focus on what it is ailing our immediate reality. Question yourself without pride and ego, step out of your shoes and look from the outside it. What do you see? What do you hear? This is the reflection our your energy, your absolute control source. Does it benefit you?

Every morning, and every night, I resolved to start a new life, but I always procrastinated, acquiescing to my ailing willpower. And Saturday at eleven o’clock at night was not the right moment to make important decisions.

Yani galiba seviyordum, sanırım sevmek böyle bir şeydi. Hiç yanımdan gitmesin istemekti. Yanımdan gitmesin, gündüz de gece de benimle dursun, başka odada uyumasındansa gelsin benimle balkonda başlı-kıçlı yatsın gerekirse, benimle simit satmaya, mahalle maçına, okula, denize de gelsin. Ekmeği, babamın sigarasını birlikte alalım, birlikte büyüyelim, okulumuzu bitirip evlenelim, el ele tutuşalım, annesi de iyileşsin, bayramlarda hem onun annesini hem benimkini ziyaret edelim. Ben askere gittiğimde bile o her hafta sonu beni görmeye gelsin. Onunla aile olalım, "Araba aldık çok borcumuz var," diyelim, "Çocuk ne zaman çocuk?" desinler, biz utanalım. Ama hiç ayrılmayalım.

we never know the battles others are facing. We don’t know the demons they are hiding. Everyone you have ever met is fighting something. You may have thought no one could’ve had the kind of raw deal you were dealt in life, being ailed with a mental illness, yet the truth is, many have the same or worse problems than that of your own.

La Courbe de tes yeux La courbe de tes yeux fait le tour de mon coeur, Un rond de danse et de douceur, Auréole du temps, berceau nocturne et sûr, Et si je ne sais plus tout ce que j'ai vécu C'est que tes yeux ne m'ont pas toujours vu. Feuilles de jour et mousse de rosée, Roseaux du vent, sourires parfumés, Ailes couvrant le monde de lumière, Bateaux chargés du ciel et de la mer, Chasseurs des bruits et sources des couleurs, Parfums éclos d'une couvée d'aurores Qui gît toujours sur la paille des astres, Comme le jour dépend de l'innocence Le monde entier dépend de tes yeux purs Et tout mon sang coule dans leurs regards.

When you’re a writer, the cure for whatever ails you is always writing.

Welcome, let’s all prepare to be whisked to the magical land of candy. Be warned, candy is very addicting and at Jubilee’s the candy is the tastiest in the world,

Today television news is watched more often-than people read newspapers-than people read or gather any form of communication. The memo explained why: 'People are lazy. With television you just sit-watch-listen. The thinking is done for you.

Sometimes you're so hungry, so thirsty for something to fill you up, you've craved it for so long, but when you finally have it, it hurts going down. It's not a medicine for what ails you. It might just be the thing that is keeping you sick.

The psychotherapist must not allow his vision to be coloured by the glasses of pathology; he must never allow himself to forget that the ailing mind is a human mind, and that, for all its ailments, it shares in the whole of the psychic life of man. The psychotherapist must even be able to admit that the ego is ill for the very reason that it is cut off from the whole, and has lost its connection with mankind as well as with the spirit.

La terre est bleue La terre est bleue comme une orange Jamais une erreur les mots ne mentent pas Ils ne vous donnent plus à chanter Au tour des baisers de s’entendre Les fous et les amours Elle sa bouche d’alliance Tous les secrets tous les sourires Et quels vêtements d’indulgence À la croire toute nue. Les guêpes fleurissent vert L’aube se passe autour du cou Un collier de fenêtres Des ailes couvrent les feuilles Tu as toutes les joies solaires Tout le soleil sur la terre Sur les chemins de ta beauté.

A man cannot un-see the truth. He cannot willingly return to darkness or go blind once he has the gift of sight, anymore than he can be unborn. We are the only species capable of self-reflection. The only species with the toxin of self-doubt written into our genetic code. Unequal to our gifts we build, we buy, we consume. We wrap ourselves in the illusion of material success. We cheat and deceive as we claw our way to the pinnacle of what we define as achievement; superiority to other men. But there is a sickness inside us. Rising like the bile that leaves that bitter taste at the back of our throats. We do our best to deny its existence, dealing in lies and distraction. Until one day the body rebels against the mind and screams out… I am not a well man. Only when we know what ails us can we hope to find the cure.

So the beginning of this was a woman and she had come back from burying the dead. Not the dead of sick and ailing with friends at the pillow and the feet. She had come back from the sodden and the bloated; the sudden dead, their eyes flung wide open in judgment.

When Jan was called up to service a fourth time...my mother waited outside...the two of them were convinced that this time Jan would have to go, that they would surely send him off to cure his ailing chest in the air of France, famed for its iron and lead content.

The purpose of a pilgrimage is about setting aside a long period of time in which the only focus is to be the matters of the soul. Many believe a pilgrimage is about going away but it isn’t; it is about coming home. Those who choose to go on pilgrimage have already ventured away from themselves; and now set out in a longing to journey back to who they are. Many a time we believe we must go away from all that is familiar if we are to focus on our inner well-being because we feel it is the only way to escape all that drains and distracts us, allowing us to turn inward and tend to what ails us. Yet we do not need to go to the edges of the earth to learn who we are, only the edges of ourself.

Levin evleneli üç ay oluyordu. Mutluydu. Ama onun beklediği mutluluk değildi bu. Adımbaşı, eski hayallerinin kırıldığını hissediyor; yeni beklenmedik hayal kırıklıklarıyla karşılaşıyordu. Mutluydu, ama aile yaşamının içine girince her an, hayal ettiği şeyin bu olmadığını hissediyordu. Sıkça, durgun bir gölde küçücük bir kayığın düzgün, mutlu gidişini seyreden bir insanın, bu kayığa kendi bindiği anda hissedeceklerini hissediyordu. Bu kayıkta yolculuğun yalnızca sakin sakin, sallanmadan oturmak demek olmadığını, kayığın nereye gideceğini aklından bir an çıkarmamanın, durmadan düşünmenin, kafa yormanın; altında suyun olduğunu, kürek çekmek zorunda olduğunu unutmamasının, alışık olmadığı için avuç içleri acısa bile kürek çekmesinin gerektiğini, bunu seyretmenin hoş bir şey olduğunu, ama yapmanın, hoş olsa bile, çok güç olduğunu görüyordu. iletişim yayınları, sayfa:476.

Many of life's decisions are hard. What kind of career should you pursue? Does your ailing mother need to be put in a nursing home? You and your spouse already have two kids; should you have a third? such decisions are hard for a number of reasons. For one the stakes are high. There's also a great deal of uncertainty involved. Above all, decisions like these are rare, which means you don't get much practice making them. You've probably gotten good at buying groceries, since you do it so often, but buying your first house is another thing entirely.

Elle aimait la vie, il aimait la mort, Il aimait la mort, et ses sombres promesses, Avenir incertain d'un garçon en détresse, Il voulait mourir, laisser partir sa peine, Oublier tous ces jours à la même rengaine... Elle aimait la vie, heureuse d'exister, Voulait aider les gens et puis grandir en paix, C'était un don du ciel, toujours souriante, Fleurs et nature, qu'il pleuve ou qu'il vente. Mais un beau jour, la chute commença, Ils tombèrent amoureux, mauvais choix, Elle aimait la vie et il aimait la mort, Qui d'entre les deux allait être plus fort? Ils s'aimaient tellement, ils auraient tout sacrifié, Amis et famille, capables de tout renier, Tout donner pour s'aimer, tel était leur or, Mais elle aimait la vie et il aimait la mort... Si différents et pourtant plus proches que tout, Se comprenant pour protéger un amour fou, L'un ne rêvait que de mourir et de s'envoler, L'autre d'une vie avec lui, loin des atrocités... Fin de l'histoire : obligés de se séparer, Ils s'étaient promis leur éternelle fidélité. Aujourd'hui, le garçon torturé vit pour elle, Puisque la fille, pour lui, a rendu ses ailes... Il aimait la mort, elle aimait la vie, Il vivait pour elle, elle est morte pour lui »

I am a sick man. ... I am a spiteful man. I am an unattractive man. I believe my liver is diseased. However, I know nothing at all about my disease, and do not know for certain what ails me. I don't consult a doctor for it, and never have, though I have a respect for medicine and doctors. Besides, I am extremely superstitious, sufficiently so to respect medicine, anyway (I am well-educated enough not to be superstitious, but I am superstitious). No, I refuse to consult a doctor from spite. That you probably will not understand. Well, I understand it, though. Of course, I can't explain who it is precisely that I am mortifying in this case by my spite: I am perfectly well aware that I cannot "pay out" the doctors by not consulting them; I know better than anyone that by all this I am only injuring myself and no one else. But still, if I don't consult a doctor it is from spite. My liver is bad, well--let it get worse! I have been going on like that for a long time--twenty years. Now I am forty. I used to be in the government service, but am no longer. I was a spiteful official. I was rude and took pleasure in being so. I did not take bribes, you see, so I was bound to find a recompense in that, at least. (A poor jest, but I will not scratch it out. I wrote it thinking it would sound very witty; but now that I have seen myself that I only wanted to show off in a despicable way, I will not scratch it out on purpose!)

I've studied the disease, I've lived in the swamp. It is my informed conclusion that we are suffering, as an ex-great nation, from top-down corporate rot. And that's not just the judgement of an ailing old fart. A lot of people in my Service make a profession of not seeing things in black and white. Do not confuse me with them. I'm a late-onset, red-toothed radical with balls. Still with me?

What are You, my God? I thought angrily. How do You compare to this stricken mass gathered to affirm to You their faith, their anger, their defiance? What does Your grandeur mean, Master of the Universe, in the face of all this cowardice, this decay, and this misery? Why do you go on troubling these poor people’s wounded minds, their ailing bodies?

Doctor Spielvogel, it alleviates nothing fixing the blame - blaming is still ailing, of course, of course - but nonetheless, what was it with these Jewish parents, what, that they were able to make us little Jewish boys believe ourselves to be princes on the one hand, unique as unicorns on the one hand, geniuses and brilliant like nobody has ever been brilliant and beautiful before in the history of childhood - saviors and sheer perfection on the one hand, and such bumbling, incompetent, thoughtless, helpless, selfish, evil little shits, little ingrates, on the other!

When the lad for longing sighs, Mute and dull of cheer and pale, If at death's own door he lies, Maiden, you can heal his ail. Lovers' ills are all to buy: The wan look, the hollow tone, The hung head, the sunken eye, You can have them for your own. Buy them, buy them: eve and morn Lovers' ills are all to sell. Then you can lie down forlorn; But the lover will be well.

No, what numbed these fields, peopled with bad dreams was not the oppressive grip of a plague but rather an ailing retreat, a sort of sad widowhood. Man had started to subdue these vacant expanses, then had grown weary of eating into it, and now even the desire to preserve what had been claimed had perished. He had established everywhere an ebb, a sorrowful withdrawal. His cuttings into the forest, which were seen at long intervals, had lost their hard edges, their distinct notches: now a thick brushwood had driven its sabbath into the broad daylight of the glades, hiding the naked trunks as high as their lowest branches.

Whoo-oop! I'm the old original iron-jawed, brass-mounted, copper-bellied corpse-maker from the wilds of Arkansaw!—Look at me! I'm the man they call Sudden Death and General Desolation! Sired by a hurricane, dam'd by an earthquake, half-brother to the cholera, nearly related to the small-pox on the mother's side! Look at me! I take nineteen alligators and a bar'l of whiskey for breakfast when I'm in robust health, and a bushel of rattlesnakes and a dead body when I'm ailing! I split the everlasting rocks with my glance, and I squench the thunder when I speak! Whoo-oop! Stand back and give me room according to my strength! Blood's my natural drink, and the wails of the dying is music to my ear! Cast your eye on me, gentlemen!—and lay low and hold your breath, for I'm bout to turn myself loose!

Love is an elixir, so poets claim, a frothy hormonal brew to cure what's ailing you. Drink it in. Sip it slowly. Savor its peculiar flavour as loneliness and pain all melt away. Dive headlong into the rush, ride the raging river up against the brink, careful not to drown. Drop over the edge. Negotiate your fall, for drug or love or object thrown, one thing is certain. What goes up eventually come down.

Health outweighs all other blessings so much that one may really say that a healthy beggar is happier than an ailing king. A quiet and cheerful temperament, happy in the enjoyment of a perfectly sound physique, an intellect clear, lively, penetrating and seeing things as they are, a moderate and gentle will, and therefore a good conscience—these are privileges which no rank or wealth can make up for or replace.

Let us live happily, without hate amongst those who hate. Let us dwell unhating amidst hateful men. Let us live happily, in good health amongst those who are sick. Let us dwell in good health amidst ailing men. Let us live happily, without yearning for sensual pleasures amongst those who yearn for them. Let us dwell without yearning amidst those who yearn. Let us live happily, we who have no impediments. We shall subsist on joy even as the radiant gods.

People retreated behind their front doors into the hidden zone of their private, family worlds and when outsiders asked how things were they answered, Oh, everything’s going along just fine, not much to report, situation normal. But everyone secretly knew that behind that door things were rarely humdrum. More typically, all hell was breaking loose, as people dealt with their angry fathers, drunken mothers, resentful siblings, mad aunts, lecherous uncles and crumbling grandparents. The family was not the firm foundation upon which society rested, but stood at the dark chaotic heart of everything that ailed us. It was not normal, but surreal; not humdrum, but filled with event; not ordinary, but bizarre. He remembered with what excitement he had listened, at the age of twenty, to the Reith Lectures delivered on BBC Radio by Edmund Leach, the great anthropologist and interpreter of Claude Lévi-Strauss who, a year earlier, had succeeded Noel Annan as provost of King’s. “Far from being the basis of the good society,” Leach had said, “the family, with its narrow privacy and tawdry secrets, is the source of all our discontents.” Yes! he thought. Yes! That is a thing I also know. The families in the novels he later wrote would be explosive, operatic, arm-waving, exclamatory, wild. People who did not like his books would sometimes criticize these fictional families for being unrealistic—not “ordinary” enough. However, readers who did like his books said to him, “Those families are exactly like my family.

Beceriksiz ve korkak bir hayvandır. İnsan boyunda olanları bile vardır. İlk bakışta, dış görünüşüyle, insana benzer.Yalnız, pençeleri ve özellikle tırnakları çok zayıftır. Dik arazide, yokuş yukarı hiç tutunamaz. Yokuş aşağı, kayarak iner. (Bu arada sık sık düşer).Tüyleri yok denecek kadar azdır. Gözleri çok büyük olmakla birlikte, görme duygusu zayıftır. Bu nedenle tehlikeyi uzaktan göremez. Erkekleri, yalnız bırakıldıkları zaman acıklı sesler çıkarırlar.Dişilerini de aynı sesle çağırırlar. Genellikle başka hayvanların yuvalarında (onlar dayanabildikleri sürece) barınırlar. ya da terkedilmiş yuvalarda yaşarlar. Belirli bir aile düzenleri yoktur. Doğumdan sonra ana, baba ve yavrular ayrı yerlere giderler. Toplu olarak yaşamayı da bilmezler ve dış tehlikelere karşı birleştikleri görülmemiştir. Belirli bir beslenme düzenleri de yoktur. Başka hayvanlarla birlikte yaşarken onların getirdikleri yiyeceklerle geçinirler.Kendi başlarına kaldıkları zaman genellikle yemek yemeyi unuturlar. Bütün huyları taklit esasına dayandığı için, başka hayvanların yemek yediğini görmezlerse, acıktıklarını anlamazlar. (Bu sırada çok zayıf düştükleri için avlanmaları tavsiye edilmez). İçgüdüleri tam gelişmemiştir. Kendilerini korumayı bilmezler. Fakat -gene taklitçilikleri nedeniyle- başka hayvanların dövüşmesine özenerek kavgaya girdikleri olur. Şimdiye kadar hiçbir tutunamayanın bir kavgada başka bir hayvanı yendiği görülmemiştir. Bununla birlikte, hafızaları da zayıf olduğu için, sık sık kavga ettikleri, bazı tabiat bilginlerince gözlemlenmiştir. (Aynı bilginler, kavgacı tutunamaynların sayısının gittikçe azaldığını söylemektedirler).Din kitapları, bu hayvanları yemeyi yasaklamışsa da gizli olarak avlanmakta ve etleri kaçak olarak satılmaktadır. Tutunamayanları avlamak çok kolaydır. Anlayışlı bakışlarla süzerseniz hemen yaklaşırlar size. Ondan sonra tutup öldürmek işten bile değildir. İnsanlara zararlı bazı mikroplar taşıdıkları tespit edildiğinden, belediye sağlık müdürlüğü de tutunamayan kesimini yasak etmiştir. Yemekten sonra insanlarda görülen durgunluk, hafif sıkıntı, sebebi bilinmeyen vicdan azabı ve hiç yoktan kendini suçlama gibi duygulara sebep oldukları, hekimlerce ileri sürülmektedir. Fakat aynı hekimler, tutunamayanların bu mikropları, kasaplık hayvanlara da bulaştırdıklarını ve bu sıkıntılardan kurtulmanın ancak et yemekten vazgeçmekle sağlanabileceğini söylemektedirler.Hayvan terbiyecileri de tutunamayanlarla uzun süre uğraşmış ve bunları sirklerde çalıştırmak istemişlerdir. Fakat bu hayvanların, beceriksizlikleri nedeniyle hiçbir hüner öğrenemediklerini görünce vazgeçmişlerdir. Ayrıca birkaç sirkte halkın karşısına çıkarılan tutunamayanlar, onları güldürmek yerine mahzun etmişlerdir. (Halk gişelere saldırarak parasını geri istemiştir). Filden sonra, din duygusu en kuvvetli hayvan olarak bilinir. Öldükten sonra cennete gideceği bazı yazarlarca ileri sürülmektedir. Fakat toplu, ya da tek gittikleri her yerde hadise çıkardıkları için, bunun pek mümkün olmayacağı sanılmaktadır.Başları daima öne eğik gezdikleri için, çeşitli engellere takılırlar ve her tarafları yara bere içinde kalır. Onları bu durumda gören bazı yufka yürekli insanlar, tutunamayanları ev hayvanı olarak beslemeyi denemişlerdir. Fakat insanlar arasında barınmaları -ev düzenine uyamamaları nedeniyle- çok zor olmaktadır. Beklenmedik zamanlarda sahiplerine saldırmakta ve evden kovulunca da bir türlü gitmeyi bilmemektedirler. Evin kapısında günlerce,acıklı sesleriyle bağırarak ev sahibini canından bezdirmektedirler.(Bir keresinde, ev sahibi dayanamayıp kaçmışsa da,tutunamayan, sahibini kovalayarak, gittiği yerdedeonarahat vermemiştir

Be still, my soul, be still; the arms you bear are brittle, Earth and high heaven are fixt of old and founded strong. Think rather,--call to thought, if now you grieve a little, The days when we had rest, O soul, for they were long. Men loved unkindness then, but lightless in the quarry I slept and saw not; tears fell down, I did not mourn; Sweat ran and blood sprang out and I was never sorry: Then it was well with me, in days ere I was born. Now, and I muse for why and never find the reason, I pace the earth, and drink the air, and feel the sun. Be still, be still, my soul; it is but for a season: Let us endure an hour and see injustice done. Ay, look: high heaven and earth ail from the prime foundation; All thoughts to rive the heart are here, and all are vain: Horror and scorn and hate and fear and indignation-- Oh why did I awake? when shall I sleep again?

The dilemma, my dear sir, the tragedy, begins where nature has been cruel enough to split the personality, to shatter its harmony by imprisoning a noble and ardent spirit within a body not fit for the stresses of life. Have you heard of Leopardi, Engineer, or you, Lieutenant? An unhappy poet of my own land, a crippled, ailing man, born with a great soul, which his sufferings were constantly humiliating and dragging down into the depths of irony—its lamentations rend the heart to hear.

New caution.— Let us stop thinking so much about punishing, reproaching, and improving others! We rarely change an individual, and if we should succeed for once, something may also have been accomplished, unnoticed: we may have been changed by him. Let us rather see to it that our own influence on all that is yet to come balances and outweighs his influence. Let us not contend in a direct fight—and that is what all reproaching, punishing, and attempts to improve others amount to. Let us rather raise ourselves that much higher. Let us color our own example ever more brilliantly. Let our brilliance make them look dark. No, let us not become darker ourselves on their account, like ail those who punish others and feel dissatisfied. Let us sooner step aside. Let us look away.46

People are more likely to fall intensely in love when they are anxious and their self-esteem is lowest.... Feeling inadequate, unhappy, and empty are virtual prerequisites for falling and staying desperately in love; at least temporarily, the ecstasy of desire seems to cure everything that ails you. There is a connection between aversive states of mind -- loneliness, shame, even grief and horror -- and a propensity to feel overwhelming passion; this is one reason why romances blossom in times of war or natural disasters, as well as during the private disasters of our everyday lives.

Why should you want to exclude from your life all unsettling, all pain, all depression of spirit, when you don’t know what work it is these states are performing within you? Why do you want to persecute yourself with the question of where it all comes from and where it is leading? You well know you are in a period of transition and want nothing more than to be transformed. If there is something ailing in the way you go about things, then remember that sickness is the means by which an organism rids itself of something foreign to it. All one has to do is help it to be ill, to have its whole illness and let it break out, for that is how it mends itself. There is so much, my dear Mr Kappus, going on in you now. You must be patient as an invalid and trusting as a convalescent, for you are perhaps both. And more than that: you are also the doctor responsible for looking after himself. But with all illnesses there are many days when the doctor can do nothing but wait. And inasfar as you are your own doctor, “this above all is what you must do now.

When Debbie was fourteen, she felt "impressed by the Lord" to marry Ray Blackmore, the community leader. Debbie asked her father to share her divine impression with Prophet LeRoy Johnson, who would periodically travel to Bountiful from Short Creek to perform various religious duties. Because Debbie was lithe and beautiful, Uncle Roy approved of the match. A year later the prophet returned to Canada and married her to the ailing fifty-seven-year-old Blackmore. As his sixth wife, Debbie became a stepmother to Blackmore's thirty-one kids, most of whom were older than she was. And because he happened to be the father of Debbie's own stepmother, Mem, she unwittingly became a stepmother to her stepmother, and thus a step grandmother to herself.

When Mamaw picked me up from school, I’d ask her not to get out of the car lest my friends see her—wearing her uniform of baggy jeans and a men’s T-shirt—with a giant menthol cigarette hanging from her lip. When people asked, I lied and told them that I lived with my mom, that she and I took care of my ailing grandmother. Even today, I still regret that far too many high school friends and acquaintances never knew Mamaw was the best thing that ever happened to me. My

In an official statement, Germany depicted Hess as an ailing man who was under the influence of “mesmerists and astrologers.” A subsequent commentary called Hess “this everlasting idealist and sick man.” His astrologer was arrested and sent to a concentration camp. Göring summoned Willy Messerschmitt for a meeting and took him to task for aiding Hess. The Luftwaffe chief asked Messerschmitt how he could possibly have let an individual as obviously insane as Hess have an airplane. To which Messerschmitt offered an arch rejoinder: “How am I supposed to believe that a lunatic can hold such a high office in the Third Reich?

Have you a room that you could let?" "Yes, I have a room that I could let, but I do not want to let it. I have only two rooms, and there are six of us already, and the boys and girls are growing up. But school books cost money, and my husband is ailing, and when he is well it is only thirty-five shillings a week. And six shillings of that is for the rent, and three shillings of that is for the rent, and three shillings for travelling, and a shilling that we may all be buried decently, and a shilling for the books, and three shillings is for clothes and that is little enough, and a shilling for my husband's beer, and a shilling for his tobacco, and these I do not grudge for he is a decent man and does not gamble or spend his money on other women, and a shilling for the Church, and a shilling for sickness. And that leaves seventeen shillings for food for six, and we are always hungry. Yes I have a room but I do not want to let it. How much could you pay?" "I could pay three shillings a week for the room." "And I would not take it." "Three shillings and sixpence." "Three shillings and sixpence. You can't fill your stomach on privacy. You need privacy when your children are growing up, but you can't fill your stomach on it. Yes, I shall take three shillings and sixpence.

Our world is in turmoil. It is aging toward senility. It is very ill. Long ago it was born with brilliant prospects. It was baptized by water, and its sins were washed away. It was never baptized by fire, for that is still to come. It has had shorter periods of good health, but longer ones of ailing. Most of the time there have been pains and aches in some parts of its anatomy, but now that it is growing old, complications have set in, and all the ailments seem to be everywhere. The world has been ‘cliniced,’ and the complex diseases have been catalogued. The physicians have had summit consultations, and temporary salve has been rubbed on afflicted parts, but it has only postponed the fatal day and never cured it. It seems that while remedies have been applied, staph infection has set in, and the patient’s suffering intensified. His mind is wandering. It cannot remember its previous illnesses nor the cure which was applied. The political physicians through the ages have rejected suggested remedies as unprofessional since they came from lowly prophets. Man being what he is with tendencies such as he has, results can be prognosticated with some degree of accuracy.

My master likewise mentioned another Quality which his Servants had discovered in several Yahoos, and to him was wholly unaccountable. He said, a Fancy would sometimes take a Yahoo, to retire into a Corner, to lie down and howl, and groan, and spurn away all that came near him, although he were young and fat, wanted neither Food nor Water; nor did the Servants imagine what could possibly ail him. And the only Remedy they found was to set him to hard Work, after which he would infallibly come to himself. To this I was silent out of Partiality to my own Kind; yet here I could plainly discover the true Seeds of Spleen, which only seizeth on the Lazy, the Luxurious, and the Rich; who, if they were forced to undergo the same Regimen I would undertake for the Cure.

Nature of the Desire for Change: There is in us a tendency to locate the shaping forces of our existence outside ourselves. Success and failure are unavoidably related in our minds with the state of things around us. Hence it is that people with a sense of fulfillment think it a good world and would like to conserve it as it is, while the frustrated favor radical change. The tendency to look for all causes outside ourselves persists even when it is clear that our state of being is the product of personal qualities such as ability, character, appearance, health and so on. “If anything ail a man,” says Thoreau, “so that he does not perform his functions, if he have a pain in his bowels even … he forthwith sets about reforming—the world.” It is understandable that those who fail should incline to blame the world for their failure. The remarkable thing is that the successful, too, however much they pride themselves on their foresight, fortitude, thrift and other “sterling qualities,” are at bottom convinced that their success is the result of a fortuitous combination of circumstances. The self-confidence of even the consistently successful is never absolute. They are never sure that they know all the ingredients which go into the making of their success. The outside world seems to them a precariously balanced mechanism, and so long as it ticks in their favor they are afraid to tinker with it. Thus the resistance to change and the ardent desire for it spring from the same conviction, and the one can be as vehement as the other.

Bir hayalete karşı mücadeleye başlamak zorunda olduğumu keşfettim. Bu hayalet bir kadındı, onu daha iyi tanıdıkça "evin meleği" şiirindeki kahramanın adını verdim ona. Evin hayaleti korkunç tatlıydı. Olağanüstü alımlıydı. Genellikle hiç bencil değildi. Aile yaşamının zorlu sanatında mükemmeldi. Tavuk varsa kanadı o alırdı. Esiyorsa cereyanda o otururdu. Kısacası, öyle yaratılmıştı ki, hiçbir zaman kendi düşünceleri ya da istekleri olamazdı, tersine başkalarının düşünce ve isteklerine uymayı yeğlerdi o. Ve hepsinden öte -buna değinmeme gerek bile yok belki- arıydı. Yazmaya başladığımda daha ilk sözcüklerde onunla karşılaşıyordum. Kanatlarının gölgesi kağıdımın üzerine düşüyor, odamda eteklerinin hışırtısını duyuyordum... Arkamdan usulca yaklaşıyor ve fısıldıyordu... Sevimli ol, daha alımlı ol, kandır, cinsinin hilelerini kullan. Senin de kendine ait bir beynin olduğunu kimsenin anlamasına izin verme. Ve hepsinden önce: saf ol. Ve kalemimi yönlendirmeye çalışıyordu. Şimdi, haneme kazanç olarak geçirdiğim bir eylemi anımsıyorum... Arkama döndüm ve gırtlağına sarıldım. Onu öldürmek için elimden geleni yaptım. Eğer bu yüzden bir gün hesap vermem gerekirse, bunu kendimi korumak için yaptım, nefsi müdaafaydı. Eğer ben onu öldürmemiş olsaydım o beni öldürecekti.

Préface J'aime l'idée d'un savoir transmis de maître à élève. J'aime l'idée qu'en marge des "maîtres institutionnels" que sont parents et enseignants, d'autres maîtres soient là pour défricher les chemins de la vie et aider à y avancer. Un professeur d'aïkido côtoyé sur un tatami, un philosophe rencontré dans un essai ou sur les bancs d'un amphi-théâtre, un menuisier aux mains d'or prêt à offrir son expérience... J'aime l'idée d'un maître considérant comme une chance et un honneur d'avoir un élève à faire grandir. Une chance et un honneur d'assister aux progrès de cet élève. Une chance et un honneur de participer à son envol en lui offrant des ailes. Des ailes qui porteront l'élève bien plus haut que le maître n'ira jamais. J'aime cette idée, j'y vois une des clefs d'un équilibre fondé sur la transmission, le respect et l'évolution. Je l'aime et j'en ai fait un des axes du "Pacte des MarchOmbres". Jilano, qui a été guidé par Esîl, guide Ellana qui, elle-même, guidera Salim... Transmission. Ellana, personnage ô combien essentiel pour moi (et pour beaucoup de mes lecteurs), dans sa complexité, sa richesse, sa volonté, ne serait pas ce qu elle est si son chemin n avait pas croisé celui de Jilano. Jilano qui a su développer les qualités qu'il décelait en elle. Jilano qui l'a poussée, ciselée, enrichie, libérée, sans chercher une seule fois à la modeler, la transformer, la contraindre. Respect. q Jilano, maître marchombre accompli. Maître accompli et marchombre accompli. Il sait ce qu'il doit à Esîl qui l'a formé. Il sait que sans elle, il ne serait jamais devenu l'homme qu'il est. L'homme accompli. Elle l'a poussé, ciselé, enrichi, libéré, sans chercher une seule fois à le modeler, le transformer, le contraindre. Respect. Évolution. Esîl, uniquement présente dans les souvenirs de Jilano, ne fait qu'effleurer la trame du Pacte des Marchombres. Nul doute pourtant qu'elle soit parvenue à faire découvrir la voie à Jilano et à lui offrir un élan nécessaire pour qu'il y progresse plus loin qu'elle. Jilano agit de même avec Ellana. Il sait, dès le départ, qu'elle le distancera et attend ce moment avec joie et sérénité. Ellana est en train de libérer les ailes de Salim. Jusqu'où s envolera-t-il grâce à elle ? J'aime cette idée, dans les romans et dans la vie, d’un maître transmettant son savoir à un élève afin qu a terme il le dépasse. J'aime la générosité qu'elle induit, la confiance qu'elle implique en la capacité des hommes à s'améliorer. J'aime cette idée, même si croiser un maître est une chance rare et même s'il existe bien d'autres manières de prendre son envol. Lire. Écrire. S'envoler. Pierre Bottero

First Love I ne’er was struck before that hour With love so sudden and so sweet, Her face it bloomed like a sweet flower And stole my heart away complete. My face turned pale as deadly pale, My legs refused to walk away, And when she looked, what could I ail? My life and all seemed turned to clay. And then my blood rushed to my face And took my eyesight quite away, The trees and bushes round the place Seemed midnight at noonday. I could not see a single thing, Words from my eyes did start— They spoke as chords do from the string, And blood burnt round my heart. Are flowers the winter’s choice? Is love’s bed always snow? She seemed to hear my silent voice, Not love's appeals to know. I never saw so sweet a face As that I stood before. My heart has left its dwelling-place And can return no more.

L'Amour qui n'est pas un mot Mon Dieu jusqu'au dernier moment Avec ce coeur débile et blême Quand on est l'ombre de soi-même Comment se pourrait-il comment Comment se pourrait-il qu'on aime Ou comment nommer ce tourment Suffit-il donc que tu paraisses De l'air que te fait rattachant Tes cheveux ce geste touchant Que je renaisse et reconnaisse Un monde habité par le chant Elsa mon amour ma jeunesse O forte et douce comme un vin Pareille au soleil des fenêtres Tu me rends la caresse d'être Tu me rends la soif et la faim De vivre encore et de connaître Notre histoire jusqu'à la fin C'est miracle que d'être ensemble Que la lumière sur ta joue Qu'autour de toi le vent se joue Toujours si je te vois je tremble Comme à son premier rendez-vous Un jeune homme qui me ressemble M'habituer m'habituer Si je ne le puis qu'on m'en blâme Peut-on s'habituer aux flammes Elles vous ont avant tué Ah crevez-moi les yeux de l'âme S'ils s'habituaient aux nuées Pour la première fois ta bouche Pour la première fois ta voix D'une aile à la cime des bois L'arbre frémit jusqu'à la souche C'est toujours la première fois Quand ta robe en passant me touche Prends ce fruit lourd et palpitant Jettes-en la moitié véreuse Tu peux mordre la part heureuse Trente ans perdus et puis trente ans Au moins que ta morsure creuse C'est ma vie et je te la tends Ma vie en vérité commence Le jour que je t'ai rencontrée Toi dont les bras ont su barrer Sa route atroce à ma démence Et qui m'as montré la contrée Que la bonté seule ensemence Tu vins au coeur du désarroi Pour chasser les mauvaises fièvres Et j'ai flambé comme un genièvre A la Noël entre tes doigts Je suis né vraiment de ta lèvre Ma vie est à partir de toi

When I argue with devout statists, sometimes other voluntaryists tell me that I'm wasting my time, opining that a particular statist is never going to "get it." I often respond by saying that that's rarely my intention. Most of the time, when I argue with statists, the goal is for ME to learn more about the mentality and psychology of authoritarian indoctrination, and to hopefully help any SPECTATORS--whether statist or anarchist--learn something from the exchange. (Both of those goals can be achieved even if the statist continues to be a lunk-headed dupe.) Earlier today, a funny but possibly profound analogy came to mind about this: When I argue with "true believer" devout statists, I'm not being a doctor trying to heal an ailing patient; I'm being a coroner, doing an AUTOPSY on a patient who is already beyond any hope of saving, in the hopes that I, and anyone observing, may learn more about the "disease" of statism, in order to better understand the nature of it, and possibly prevent others from experiencing a similar fate.

At the very same time that we witnessed the explosion of white celebrity moms, and the outpouring of advice to a surveillance of middle-class mothers, the welfare mother, trapped in a "cycle of dependency," became ubiquitous in our media landscape, and she came to represent everything wrong with America. She appeared not in the glossy pages of the women's magazines but rather as the subject of news stories about the "crisis" in the American family and the newly declared "war" on welfare mothers. Whatever ailed America--drugs, crime, loss of productivity--was supposedly her fault. She was portrayed as thumbing her nose at intensive mothering. Even worse, she was depicted as bringing her kids into the realm of market values, as putting a price on their heads, by allegedly calculating how much each additional child was worth and then getting pregnant to cash in on them. For middle-class white women in the media, by contrast, their kids were priceless, these media depictions reinforced the divisions between "us" (minivan moms) and "them" (welfare mothers, working-class mothers, teenage mothers), and did so especially along the lines of race. For example, one of the most common sentences used to characterize the welfare mother was, "Tanya, who has_____ children by ______ different men" (you fill in the blanks). Like zoo animals, their lives were reduced to the numbers of successful impregnations by multiple partners. So it's interesting to note that someone like Christie Brinkley, who has exactly the same reproductive MO, was never described this way. Just imagine reading a comparable sentence in Redbook. "Christie B., who has three children by three different men." But she does, you know.

LA ROSE ET LE RESADA Celui qui croyait au ciel Celui qui n'y croyait pas Tous deux adoraient la belle Prisonnière des soldats Lequel montait à l'échelle Et lequel guettait en bas Celui qui croyait au ciel Celui qui n'y croyait pas Qu'importe comment s'appelle Cette clarté sur leur pas Que l'un fut de la chapelle Et l'autre s'y dérobât Celui qui croyait au ciel Celui qui n'y croyait pas Tous les deux étaient fidèles Des lèvres du coeur des bras Et tous les deux disaient qu'elle Vive et qui vivra verra Celui qui croyait au ciel Celui qui n'y croyait pas Quand les blés sont sous la grêle Fou qui fait le délicat Fou qui songe à ses querelles Au coeur du commun combat Celui qui croyait au ciel Celui qui n'y croyait pas Du haut de la citadelle La sentinelle tira Par deux fois et l'un chancelle L'autre tombe qui mourra Celui qui croyait au ciel Celui qui n'y croyait pas Ils sont en prison Lequel A le plus triste grabat Lequel plus que l'autre gèle Lequel préfère les rats Celui qui croyait au ciel Celui qui n'y croyait pas Un rebelle est un rebelle Deux sanglots font un seul glas Et quand vient l'aube cruelle Passent de vie à trépas Celui qui croyait au ciel Celui qui n'y croyait pas Répétant le nom de celle Qu'aucun des deux ne trompa Et leur sang rouge ruisselle Même couleur même éclat Celui qui croyait au ciel Celui qui n'y croyait pas Il coule il coule il se mêle À la terre qu'il aima Pour qu'à la saison nouvelle Mûrisse un raisin muscat Celui qui croyait au ciel Celui qui n'y croyait pas L'un court et l'autre a des ailes De Bretagne ou du Jura Et framboise ou mirabelle Le grillon rechantera Dites flûte ou violoncelle Le double amour qui brûla L'alouette et l'hirondelle La rose et le réséda

One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eyeing the teaspoon avariciously, and begging for a taste. Tom said: "Don't ask for it unless you want it, Peter." But Peter signified that he did want it. "You better make sure." Peter was sure. "Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self." Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter. "Tom, what on earth ails that cat?" "I don't know, aunt," gasped the boy. "Why, I never see anything like it. What did make him act so?

I don't know for sure what ever became of Hatsumomo. A few years after the war, I heard she was making a living as a prostitute in the Miyagawa-cho district. She couldn't have been there long, because on the night I heard it, a man at the same party swore that if Hatsumomo was a prostitute, he would find her and give her some business of his own. He did go looking for her, but she was nowhere to be found. Over the years, she probably succeeded in drinking herself to death. She certainly wouldn't have been the first geisha to do it. In just the way that a man can grow accustomed to a bad leg, we'd all grown accustomed to having Hatsumomo in our okiya. I don't think we quite understood all the ways her presence had afflicted us until long after she'd left, when things that we hadn't realized were ailing slowly began to heal. Even when Hatsumomo had been doing nothing more than sleeping in her room, the maids had known she was there, and that during the course of the day she would abuse them. They'd lived with the kind of tension you feel if you walk across a frozen pond whose ice might break at any moment. And as for Pumpkin, I think she'd grown to be dependent on her older sister and felt strangely lost without her. I'd already become the okiya's principal asset, but even I took some time to weed out all the peculiar habits that had taken root because of Hatsumomo. Every time a man looked at me strangely, I found myself wondering if he'd heard something unkind about me from her, even long after she was gone. Whenever I climbed the stairs to the second floor of the okiya, I still kept my eyes lowered for fear that Hatsumomo would be waiting there on the landing, eager for someone to abuse. I can't tell you how many times I reached that last step and looked up suddenly with the realization that there was no Hatsumomo, and there never would be again. I knew she was gone, and yet the very emptiness of the hall seemed to suggest something of her presence. Even now, as an older woman, I sometimes lift the brocade cover on the mirror of my makeup stand, and have the briefest flicker of a thought that I may find her there in the glass, smirking at me.

I am a sick man.... I am a spiteful man. I am an unattractive man. I believe my liver is diseased. However, I know nothing at all about my disease, and do not know for certain what ails me. I don’t consult a doctor for it, and never have, though I have a respect for medicine and doctors. Besides, I am extremely superstitious, sufficiently so to respect medicine, anyway (I am well-educated enough not to be superstitious, but I am superstitious). No, I refuse to consult a doctor from spite. That you probably will not understand. Well, I understand it, though. Of course, I can’t explain who it is precisely that I am mortifying in this case by my spite: I am perfectly well aware that I cannot “pay out” the doctors by not consulting them; I know better than anyone that by all this I am only injuring myself and no one else. But still, if I don’t consult a doctor it is from spite. My liver is bad, well — let it get worse! I have been going on like that for a long time — twenty years. Now I am forty. I used to be in the government service, but am no longer. I was a spiteful official. I was rude and took pleasure in being so. I did not take bribes, you see, so I was bound to find a recompense in that, at least. (A poor jest, but I will not scratch it out. I wrote it thinking it would sound very witty; but now that I have seen myself that I only wanted to show off in a despicable way, I will not scratch it out on purpose!)

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented