“
When the Fox hears the Rabbit scream he comes a-runnin', but not to help.
”
”
Thomas Harris (The Silence of the Lambs)
“
Percy, let me go" she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above.
"The other side, Nico! We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them!" Percy shouted. "Promise me!"
"I-I will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
sarcasm and jokes were often the bottle in which clinical depressives sent out their most plangent screams for someone to care and help them.
”
”
David Foster Wallace (Infinite Jest)
“
And I mean to hear ye groan like that again. And to moan and sob, even though you dinna wish to, for ye canna help it. I mean to make you sigh as though your heart would break, and scream with the wanting, and at last to cry out in my arms, and I shall know that I've served ye well.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Why do I read?
I just can't help myself.
I read to learn and to grow, to laugh
and to be motivated.
I read to understand things I've never
been exposed to.
I read when I'm crabby, when I've just
said monumentally dumb things to the
people I love.
I read for strength to help me when I
feel broken, discouraged, and afraid.
I read when I'm angry at the whole
world.
I read when everything is going right.
I read to find hope.
I read because I'm made up not just of
skin and bones, of sights, feelings,
and a deep need for chocolate, but I'm
also made up of words.
Words describe my thoughts and what's
hidden in my heart.
Words are alive--when I've found a
story that I love, I read it again and
again, like playing a favorite song
over and over.
Reading isn't passive--I enter the
story with the characters, breathe
their air, feel their frustrations,
scream at them to stop when they're
about to do something stupid, cry with
them, laugh with them.
Reading for me, is spending time with a
friend.
A book is a friend.
You can never have too many.
”
”
Gary Paulsen (Shelf Life: Stories by the Book)
“
All things one has forgotten scream for help in dreams.
”
”
Elias Canetti
“
I can always hear Harry screaming in the shower cause shampoo goes in his eyes, and Louis always goes in and helps him.
”
”
Zayn Malik
“
Having a mother helps you believe that everybody wants to hear every little thing you think. Having a mother helps you speak without thinking. It allows you to trust in your most awful self, to yell and scream and cry, knowing that your mother will still love you by the end of it.
”
”
Alison Espach (The Wedding People)
“
Now, let's never talk about you being related to her again. Because I'm technically still engaged to her, and that's really weird."
Cinder couldn't help laughing, even exhaustedly, even just to cover up the screaming inside, as he bound her up in his arms again. Her headache began to fade, replaced with the strength of his heartbeat and the way she felt almost delicate when she was pressed up against him like this.
Almost fragile.
Almost safe.
Almost like a princess.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
I'm screaming for help and everybody's acting as if I'm singing Ethel Merman covers...
”
”
David Foster Wallace (Infinite Jest)
“
Sam," she said.
"I'm trying!"
"Sam," she repeated.
"No," he spat, hearing her tone. "No!"
He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough.
"Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't."
She knew he wasn't speaking to her.
The water hit her neck.
"Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words.
"Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
I let out a laugh that sounded more like the yip of a startled poodle. "Superp-powers? I wish. My powers aren't winning me a slot on the Cartoon Network anytime soon... except as a comic relief. Ghost Whisperer Junior. Or Ghost Screamer, more like it. Tune in, every week, as Chloe Saunders runs screaming from yet another ghost looking for her help."
Okay, superpower might be pushing it.
”
”
Kelley Armstrong (The Summoning (Darkest Powers #1))
“
We’re staying together,” he promised. “You’re not getting away from me. Never again.” Only then did she understand what would happen. A one-way trip. A very hard fall. ”As long as we’re together,” she said. She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see. Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Anyone who wants to help me doesn't. Anyone who wants to kill me might. Anyone who wants to love me better not.
”
”
Henry Rollins (Eye Scream (Henry Rollins))
“
There's an easy method for finding someone when you hear them scream. First get a clean sheet of paper and a sharp pencil. Then sketch out nine rows of fourteen squares each. Then throw the piece of paper away and find whoever is screaming so you can help them. It is no time to fiddle with paper.
”
”
Lemony Snicket (Who Could That Be at This Hour? (All the Wrong Questions, #1))
“
Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help. That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
I close my eyes and I let my body shut itself down and I let my mind wander. It wanders to a familiar place. A place I don’t talk about or acknowledge exists. A place where there is only me. A place that I hate. I am alone. Alone here and alone in the world. Alone in my heart and alone in my mind. Alone everywhere, all the time, for as long as I can remember. Alone with my Family, alone with my friends, alone in a Room full of People. Alone when I wake, alone through each awful day, alone when I finally meet the blackness. I am alone in my horror. Alone in my horror. I don’t want to be alone. I have never wanted to be alone. I fucking hate it. I hate that I have no one to talk to, I hate that I have no one to call, I hate that I have no one to hold my hand, hug me, tell me everything is going to be all right. I hate that I have no one to share my hopes and dreams with, I hate that I no longer have any hopes or dreams, I hate that I have no one to tell me to hold on, that I can find them again. I hate that when I scream, and I scream bloody murder, that I am screaming into emptiness. I hate that there is no one to hear my scream and that there is no one to help me learn how to stop screaming. . . More than anything, all I have ever wanted is to be close to someone. More than anything, all I have ever wanted is to feel as if I wasn’t alone.
”
”
James Frey (A Million Little Pieces)
“
Jules: Why are you on the floor?
Emma: I've heard roling out of bed in the morning helps you build up resistance to surprise attacks.
Jules: Oh yeah? What does screaming "holy crap!" do?
Emma: That part's optional.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw the sunlight far,f ar above-maybe the last sunlight she would ever see.
Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
The best time to cry is at night, when the lights are out and someone is being beaten up and screaming for help.
”
”
Walter Dean Myers (Monster: A Story About Crime, Justice, and Life on Trial)
“
I didn’t know how to communicate my suffering to anyone else. My anger was returning. I was screaming for help, but the language I was speaking no one seemed to understand.
”
”
Lori Schiller (The Quiet Room: A Journey Out of the Torment of Madness)
“
Oh, the torment bred in the race,
the grinding scream of death
and the stroke that hits the vein,
the hemorrhage none can staunch, the grief,
the curse no man can bear.
But there is a cure in the house, and not outside it, no,
not from others but from them,
their bloody strife. We sing to you,
dark gods beneath the earth.
Now hear, you blissful powers underground --
answer the call, send help.
Bless the children, give them triumph now.
”
”
Aeschylus (The Oresteia Trilogy: Agamemnon, the Libation-Bearers and the Furies)
“
Toxic relationships are dangerous to your health; they will literally kill you. Stress shortens your lifespan. Even a broken heart can kill you. There is an undeniable mind-body connection. Your arguments and hateful talk can land you in the emergency room or in the morgue. You were not meant to live in a fever of anxiety; screaming yourself hoarse in a frenzy of dreadful, panicked fight-or-flight that leaves you exhausted and numb with grief. You were not meant to live like animals tearing one another to shreds. Don't turn your hair gray. Don't carve a roadmap of pain into the sweet wrinkles on your face. Don't lay in the quiet with your heart pounding like a trapped, frightened creature. For your own precious and beautiful life, and for those around you — seek help or get out before it is too late. This is your wake-up call!
”
”
Bryant McGill
“
Ms. Iparis told me about what you did to her on the streets. How dare you force yourself onto someone of her rank."
Ah.Here is what's really bothering him-I guess he found out about the kiss. I can't help grinning,even though my face screams in pain. "Awww. Is that what's got you down? I've seen the way you look at her.You want her bad,yeah? Is that something you're also trying to earn your way up to, trot? Hate to burst your bubble,but I didn't force her into anything."
A deep scarlet rage flashes across his face. "She's looking forward to your execution,Mr. Wing. I can guarantee you that."
I laugh. "Sore loser,huh? Here,I'll make you feel better. I'll tell you all about what it was like.Hearing about it is the next best thing,isn't it?
”
”
Marie Lu (Legend (Legend, #1))
“
There are times I feel like I'm the kid screaming at the bottom of the well, and my dog runs off to pee on trees instead of getting help.
”
”
Neal Shusterman (Challenger Deep)
“
If she's in pain now she doesn't show it; she just closes her eyes and surrenders, and that is worse than her screaming for help, somehow.
”
”
Veronica Roth
“
The dhampir dorm appeared before me, about half its windows lit. It was near curfew; people were going to bed. I burst in through the doors, feeling like my heart was going to explode from the exertion. The first person I saw was Stan, and I nearly knocked him over. He caught my wrists to steady me.
"Rose, wh—"
"Strigoi," I gasped out. "There are Strigoi on campus."
He stared at me, and for the first time I'd ever seen, his mouth seriously dropped open. Then, he recovered himself, and I could immediately see what he was thinking. More ghost stories. "Rose, I don't know what you're—"
"I'm not crazy!" I screamed. Everyone in the dorm's lobby was staring at us. "They're out there! They're out there, and Dimitri is fighting them alone. You have to help him." What had Dimitri told me? What was that word? "Buria. He said to tell you buria."
And like that, Stan was gone.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Amid the screams of his leaving, I leaned down and whispered, “You just can’t help it, can you?”
His expression innocent, he asked, “Help what?”
Smiling, I kissed his cheek. “Being ridiculously attractive.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
...and when somebody comes up to me with big hair and gobs of makeup on and says, 'Can I help you,' it's all I can do not to scream, 'Bitch, you can't even help yourself.
”
”
Michael Cunningham (The Hours)
“
Another thing I learned in therapy?" Angie said. "The kids in dysfunctional families who act out and rebel are the ones who are the healthiest mentally. They're the ones who see that something's wrong. That's why they act out, because they see the house is burning down, and they're screaming for help. That was you.
”
”
Meg Shaffer (The Wishing Game)
“
...our family became a place where you screamed for help but no one heard, not ever.
”
”
Marceline Loridan-Ivens (But You Did Not Come Back)
“
You would think it best to save your breath for running, but I often find screaming helps.
”
”
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
“
When I was certain he was going to kill me, my mind went blank, and I didn't have any hope anymore. All I could do was scream my lungs out. I felt so helpless, I couldn't even bring myself to believe someone might save me. And then you showed up Al, and I realized that if we don't take care of each other then no one else will. So I'll do anything in my power to get our bodies back, even if it means being the militaries lap dog. And we'll just have to hope our powers are good enough to help us rise above our own limits. Because we're not Gods, we're humans, tiny insignificant humans. Who couldn't even save a little girl. "
Edward- Elric
”
”
Hiromu Arakawa
“
When you go out hunting wicked spirits, it's the simple things that matter most. The silvered point of your rapier flashing in the dark; the iron filings scattered on the floor; the sealed canisters of best Greek Fire, ready as a last resort...
But tea bags, brown and fresh and plenty of them, and made (for preference) by Pitkin Brothers of Bond Street, are perhaps the simplest and best of all.
OK, they may not save your life like a sword-tip or an iron circle can, and they haven't the protective power of a sudden wall of fire. But they do provide something just as vital. They help keep you sane.
”
”
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
“
Our children are fighting a silent war because they are broken down and tired. They isolate themselves from the pain. Deep inside they are screaming for help. They should not fight this silent killer alone.
”
”
Charlena E. Jackson
“
If we meet and I say, "Hi,"
That's a salutation.
If you ask me how I feel,
That's a consideration.
If we stop and talk awhile,
That's a conversation.
If we understand each other,
That's communication.
If we argue, scream and fight,
That's an altercation.
If later we apologize,
That's a reconciliation.
If we help each other home,
That's cooperation.
And all these ations added up
Make civilization.
(And if I say this is a wonderful poem, Is that exaggeration?)
”
”
Shel Silverstein (A Light in the Attic)
“
All writing is pigshit.
”
”
Antonin Artaud (Watchfiends and Rack Screams: Works from the Final Period)
“
punishment—shaming a person, caging them, making them unemployable—traps them in addiction. Taking that money and spending it instead on helping them to get jobs and homes and decent lives makes it possible for many of them to stop.
”
”
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
“
Strigoi," I gasped out. "There are Strigoi on campus."
He stared at me, and for the first time I'd ever seen, his mouth seriously dropped open. Then, he recovered himself, and I could immediately see what he was thinking, More ghost stories. "Rose, I don't know what you're—"
"I'm not crazy!" I screamed. Everyone in the dorm's lobby was staring at us. "They're out there! They're out there, and Dimitri is fighting them alone. You have to help him." What had Dimitri told me? What was that word? "Buria. He said to tell you buria."
And like that, Stan was gone.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Maggots are freaky hideous,’ I say, getting up. I try to salvage some dignity, but I can’t help but shiver and shake my hands in the air. It’s an instinctive impulse, one I’m not up for resisting right now.
‘You’ve fought off a gang of men twice your size, killed an angel warrior, stood up to an archangel, and wielded an angel sword.’ Raffe cocks his head. ‘But you scream like a little girl when you see a maggot?’
‘It’s not just a maggot,’ I say. ‘A hand burst out of the ground and grabbed my ankle. And maggots crawled out of it and tried to burrow into me. You would scream like a little girl too if that happened to you.’
‘They didn’t try to burrow into you. They were just crawling. It’s what maggots do. They crawl.’
‘You don’t know anything.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
The first thing I noticed when I woke up was that I was covered in blood.
The second thing I noticed was that this didn’t bother me the way it should have.
I didn’t feel the urge to scream or speak, to beg for help, or even to wonder where I was. Those instincts were dead, and I was calm as my wet fingers slid up the tiled wall, groping for a light switch. I found one without even having to stand. Four lights slammed on above me, one after the other, illuminating the dead body on the floor just a few feet away.
My mind processed the facts first. Male. Heavy. He was lying face down in a wide, red puddle that spread out from beneath him. The tips of his curly black hair were wet with it. There was something in his hand.
The fluorescent lights in the white room flickered and buzzed and hummed. I moved to get a better view of the body. His eyes were closed. He could have been asleep, really, if it weren’t for the blood. There was so much of it. And by one of his hands it was smeared into a weird pattern.
No. Not a pattern. Words.
PLAY ME.
My gaze flicked to his hand. His fist was curled around a small tape recorder. I moved his fingers—still warm—and pressed play. A male voice started to speak.
"Do I have your attention?" the voice said.
I knew that voice. But I couldn’t believe I was hearing it.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
You know what they say. When God slams a door on your fingers, he opens a window so you can scream for help.
”
”
Jennifer Sommersby (Sleight)
“
News flash: The whole thing is a huge mess and a giant nightmare and it’s all about to explode in your face and you have no idea what
you’ve gotten yourself into. Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their
possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help.
That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
Believe me, I should know.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
She suddenly began to jump up and down, screaming at the top of her lungs. "The arks are after me! The arks are after me! Help me, the arks are after me!"
....
"The arks! You don't understand, I have the ring and the arks are after me!"
....
(and so the police officer is puzzled long enough for Miriam and Seth to escape)
”
”
Ted Dekker (Blink)
“
He screamed.
Mmm?' inquired the gentleman.
I...I would never presume to interrupt you, sir. But the ground appears to be swallowing me up.'
It is a bog,' said the gentleman, helpfully.
It is certainly a most terrifying substance.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
Nico leaned over the edge o the chasm, thrusting out his hand, but he was much too far away to help. Hazel was yelling for the others, but even if they heard her over the chaos, they'd never make it in time.
Annabeth's leg felt like it was pulling free of her body. Pain washed everything in red. The force of the Underworld tugged at her like dark gravity. She didn't have the strength to fight. She knew she was too far down to be saved.
"Percy, let me go," she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them there!" Percy shouted. "Promise me!"
"I- will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never been more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A oneway trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw the sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
And looking up at him right now, half of me doesn't even want to fight him. I don’t know if I should scream for help or rip off my clothes.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
Be sensitive to those around you, sometimes they could be silent but screaming for help from within
”
”
Dr. Patricia Dsouza Lobo (When Roses are Crushed)
“
I think,” she said, glaring at him with murderous intent, “that if you or that damn battering ram you have the nerve to call a dick ever comes near me again so help me I will – Aaaaaaggggghhhhh!” she broke off her beautiful words of love to scream.
”
”
R.L. Mathewson (Sudden Response (EMS, #1))
“
Jesper struck a match and one, two, three, four, five of the rockets Wylan had prepared were screaming toward the sky, exploding in crackling bursts of color. The last was a shimmer of pink. Strontium chloride, Wylan had told him, working away on his collection of fireworks and explosives, flash bombs, weevils, and whatever else was needed. In the dark, it burns red.
Things are always more interesting in the dark, Jesper had replied. He hadn’t been able to help it. Really, if the merchling was going to offer those kinds of opportunities, he had a duty to take them.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Under many houses, people screamed for help, but no one helped; in general, survivors that day assisted only their relatives or immediate neighbors, for they could not comprehend or tolerate a wider circle of misery.
”
”
John Hersey (Hiroshima)
“
She tried to tear herself away from him. The effort broke against his arms that had not felt it. Her fists beat against his shoulders, against his face. He moved one had, took her two wrists, pinned them behind her, under his arm, wrenching her shoulder blades. She twisted her head back. She felt his lips on her breast. She tore herself free…She fought like an animal. But she made no sound. She did not call for help. She heard the echoes of her blows in a gasp of his breath, and she knew that it was a gasp of pleasure…She felt the hatred and his hands; his hands moving over her body, the hands that broke granite. She fought the last convulsion. Then the sudden pain shot up, through her body, to her throat, and she screamed. Then she laid still. It was an act that could be performed in tenderness, as a seal of love, or in contempt, as a symbol of humiliation and conquest. It could be an act of a lover or the act of a soldier violating an enemy woman. He did it as an act of scorn. Not as love, but as defilement. And this made her still and submit…the act of a master taking shameful , contemptuous possession of her was the kind of rapture she had wanted…
”
”
Ayn Rand (The Fountainhead)
“
Sometimes they need help in the form of a furie running at them, her mouth open in a scream, her eyes white hot, her heart forever pure.
”
”
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
“
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
”
”
Paulo Coelho (Maktub)
“
And then, with all her might, she focused her attention on the back of Po's head and screamed his name, inside her mind. He pulled on his reins so hard that his horse screeched and staggered and almost sat down. her own horse nearly collided with his. And he looked so startled and flabbergasted---and irritated---that she couldn't help it: She exploded with laughter.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
Help!' he shrieked shrilly in a voice strangling in its own emotion, as the policemen carried him to the open doors in the rear of the ambulance and threw him inside. 'Police! Help! Police!' The doors were shut and bolted, and the ambulance raced away. There was a humorless irony in the ludicrous panic of the man screaming for help to the police while policemen were all around him. Yossarian smiled wryly at the futile and ridiculous cry for aid, then saw with a start that the words were ambiguous, realized with alarm that they were not perhaps, intended as a call for police but as a heroic warning from the grave by a doomed friend to everyone who was not a policeman with a club and gun and a mob of other policemen with clubs and guns to back him up. 'Help! Police!' the man had cried, and he could have been shouting of danger.
”
”
Joseph Heller (Catch-22)
“
I'd been making desicions for days.
I picked out the dress Bailey would wear forever-
a black slinky one- innapropriate- that she loved.
I chose a sweater to go over it, earrings, bracelet, necklace,
her most beloved strappy sandals.
I collected her makeup to give to the funeral director with a recent photo-
I thought it would be me that would dress her;
I didn't think a strange man should see her naked
touch her body
shave her legs
apply her lipstick
but that's what happened all the same.
I helped Gram pick out the casket,
the plot at the cemetery.
I changed a few lines
in the obituary that Big composed.
I wrote on a piece of paper what I thought
should go on the headstone.
I did all this without uttering a word.
Not one word, for days,
until I saw Bailey before the funeral
and lost my mind.
I hadn't realized that when people say so-and-so
snapped
that's what actually happens-
I started shaking her-
I thought I could wake her up
and get her the hell out of that box.
When she didn't wake,
I screamed: Talk to me.
Big swooped me up in his arms,
carried me out of the room, the church,
into the slamming rain,
and down to the creek
where we sobbed together
under the black coat he held over our heads
to protect us from the weather.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
We usually know more about suppressing anger than feeling it. Tell a counselor how angry you are. Share it with friends and family. Scream into a pillow. Find ways to get it out without hurting yourself or someone else. Try walking, swimming, gardening—any type of exercise helps you externalize your anger. Do not bottle up anger inside. Instead, explore it. The anger is just another indication of the intensity of your love.
”
”
Elisabeth Kübler-Ross (On Grief and Grieving: Finding the Meaning of Grief Through the Five Stages of Loss)
“
Let me out of here, Katra. Now. (Sin)
I can't. (Kat)
Then I hope you can live with the death of humanity on your conscience. I’ll just sit myself over here until it’s over. You got any good DVDs I can watch? It’ll help drown out the screams for mercy. Especially from the kids. Those are always the hardest to ignore. (Sin)
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
What am I in this instant? I’m a typewriter making the dry echo in the dark, humid dawn. I haven’t been human for a long time. They wanted me to be an object. I am an object. An object dirty with blood. An object that creates other objects and the machine creates us all. It makes demands. Mechanisms make endless demands on my life. But I don’t totally obey: if I have to be an object, let me be an object that screams. There’s something inside of me that hurts. Oh, how it hurts and how it screams for help. But tears aren’t there in the machine that is me. I’m an object without a destiny. I’m an object in whose hands? such is my human destiny. What saves me is the scream. I protest in the name of what’s inside the object behind the behind of the thought-feeling. I’m an urgent object.
”
”
Clarice Lispector (The Stream of Life)
“
No one can hear you scream, Rika. We’re both going to fuck you, and you’re going to love every second if it. No one’s coming to help you.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
It was the first day in the life of the new lean and mean Peabody.
An hour later, she lay on the grubby floor wheezing like the dying. Her quads and hamstrings burned, her glutes wept, and her arms couldn't stop screaming for mama.
"Never doing this again," she announced. "Yes, you are," she corrected. "Can't. Dying. Can. Will. Help me, I think I broke my ass. Wimp, pussy. Shut up.
”
”
J.D. Robb (Treachery in Death (In Death, #32))
“
I’m on a side of a road somewhere, stuck in the middle of a very deep hole, with no way of getting out. Never mind how I got in there, it’s not relevant to the story. I’ll invent a back-story… I was walking to get pizza and a chasm opened up in the earth and I fell in, and now I’m at the bottom of this hole, screaming for help. And along comes you. Now, maybe you just keep walking. You know, there’s a strange guy screaming from the center of the Earth. It’s perhaps best to just ignore him. But let’s say that you don’t. Let’s say that you stop. The sensible thing to do in this situation is to call down to me and say “I’m going to look for a ladder. I will be right back.” But you don’t do that. Instead you sit down at the edge of this abyss, and then you push yourself forward, and jump. And when you land at the bottom of the hole and dust yourself off, I’m like “What the hell are you doing?! Now there are two of us in this hole!” And you look at me and say, “Well yeah, but now I’m highly motivated to get you out.” This is what I love about novels, both reading them and writing them. They jump into the abyss to be with you where you are
”
”
John Green
“
Watching someone you love go through difficult times is like being trapped in your own body but paralyzed. You want to yell at them, scream, help them, but your body won't move, and you know that no matter how hard you try, in the end, the path is theirs to choose, you can't choose for them. What a terrifying concept, especially considering we hardly see every option when we're stuck in our own self-defeat.
”
”
Rachel Van Dyken (Toxic (Ruin, #2))
“
a rescuer appeared out of the forest.
“You screamed, madam?”
“Why, Lord Mersey, what are you doing here?”
“Following you, of course. Spot of bother?”
“Little bit of one, yes.”
The young man looked with interest at Sophronia’s opponents, one holding a collapsed Dimity, one bleeding from a gash to the arm, and the third bleeding from a wound to the back.
“My dear Ria, you hardly need my help.”
“Hardly.
”
”
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
“
The cat was freaked out because he was running away from the tinkle bell hanging out of his butthole and when I called the vet he said to definitely NOT pull on the twine because it could pull out his intestines, which would be the grossest piñata ever, and so I just ran after the cat with some scissors to cut off the tinkle bell (which, impressively, was still tinkling after seeing things no tinkle bell should ever see). Probably the cat was running away because of the tinkle bell and because I was chasing it with scissors screaming, “LET ME HELP YOU.
”
”
Jenny Lawson
“
Everyone screams for help in their own different way. Just because you don't understand it, does not mean they're not screaming. Let's not have opinions or judgments on how people survive their lives.
”
”
C. JoyBell C.
“
Exposure to nature - cold, heat, water - is the most dehumanizing way to die. Violence is passionate and real - the final moments as you struggle for your life, firing a gun or wrestling a mugger or screaming for help, your heart pumps loudly and your body tingles with energy; you are alert and awake and, for that brief moment, more alive and human than you've ever been before. Not so with nature.
At the mercy of the elements the opposite happens: your body slows, your thoughts grow sluggish, and you realize just how mechanical you really are. Your body is a machine, full of tubes and valves and motors, of electrical signals and hydraulic pumps, and they function properly only within a certain range of conditions. As temperatures drop, your machine breaks down. Cells begin to freeze and shatter; muscles use more energy to do less; blood flows too slowly, and to the wrong places. Your sense fade, your core temperature plummets, and your brain fires random signals that your body is too weak to interpret or follow. In that stat you are no longer a human being, you are a malfunction - an engine without oil, grinding itself to pieces in its last futile effort to complete its last meaningless task.
”
”
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
“
Forgive me father,
but sometimes my God
is a woman
sitting on the kitchen floor
her hands holding her legs
screaming for help
without making a sound.
Forgive me father
but sometimes my God
is a woman
calling me on the phone
begging me to call her
"beautiful"
because her lover forced
ugliness into her soul.
Forgive me father
but sometimes my God
is a woman
crying in the shower
begging for another God
to lift her burden.
”
”
Ijeoma Umebinyuo (Questions for Ada)
“
There should be more natural disasters. I like those because you can't blame anyone. You can't put an earthquake on trial. You can't send a flood to the chair. Look at the fucking zoo I live in. All these bent up little players running around through the ruins saying, "Isn't this groovy and decadent? Cool!" Looking like Death and thinking they're something. I would like to help. I really would. I wonder if the guy at the gun store would give me a discount on the bullets I'll need if I told him what I was up to.
”
”
Henry Rollins (Eye Scream (Henry Rollins))
“
You screamed, which I appreciated, and Shadow went bersek, also kind but not much more helpful, but fortunately, Lilja has her wits about her and yanked the arrow out [...].
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
DAD!” I screamed as I barreled into the house, Toby at my heels. A second later, I realized how that sounded. “Everything is fine!” I yelled a moment later. There was no need to give my father a heart attack.
“No, it’s not!” Toby yelled, though a little less loudly than me. “We need help!”
“What’s going on?
”
”
Morgan Matson (The Unexpected Everything)
“
Maybe I’m stupid. Maybe I’m just as evil as he is by keeping my mouth shut. But he told me once that I was different. And I can’t help but hope that me being different is the one thing in this world that can save him from what he fears the most…Himself.
”
”
Lauren Hammond (A Whisper To A Scream (The Sociopath Diaries, #1))
“
I don’t know if I should scream for help or rip off my clothes.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
I opened my mouth, but the same words came to me again and again.
I will not scream. I will not scream. I will not scream.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Fate.
She'd never been a big beliver in things like that, had always believed that solid decisions and hard work were what paid off. And they had.
But, really, it was getting to the point where it felt like the universe was screaming at her to pay attention!
”
”
Bella Andre (Can't Help Falling in Love (San Francisco Sullivans, #3; The Sullivans, #3))
“
MY MOTHER GETS DRESSED
It is impossible for my mother to do even
the simplest things for herself anymore
so we do it together,
get her dressed.
I choose the clothes without
zippers or buckles or straps,
clothes that are simple
but elegant, and easy to get into.
Otherwise, it's just like every other day.
After bathing, getting dressed.
The stockings go on first.
This time, it's the new ones,
the special ones with opaque black triangles
that she's never worn before,
bought just two weeks ago
at her favorite department store.
We start with the heavy, careful stuff of the right toes
into the stocking tip
then a smooth yank past the knob of her ankle
and over her cool, smooth calf
then the other toe
cool ankle, smooth calf
up the legs
and the pantyhose is coaxed to her waist.
You're doing great, Mom,
I tell her
as we ease her body
against mine, rest her whole weight against me
to slide her black dress
with the black empire collar
over her head
struggle her fingers through the dark tunnel of the sleeve.
I reach from the outside
deep into the dark for her hand,
grasp where I can't see for her touch.
You've got to help me a little here, Mom
I tell her
then her fingertips touch mine
and we work her fingers through the sleeve's mouth
together, then we rest, her weight against me
before threading the other fingers, wrist, forearm, elbow, bicep
and now over the head.
I gentle the black dress over her breasts,
thighs, bring her makeup to her,
put some color on her skin.
Green for her eyes.
Coral for her lips.
I get her black hat.
She's ready for her company.
I tell the two women in simple, elegant suits
waiting outside the bedroom, come in.
They tell me, She's beautiful.
Yes, she is, I tell them.
I leave as they carefully
zip her into
the black body bag.
Three days later,
I dream a large, green
suitcase arrives.
When I unzip it,
my mother is inside.
Her dress matches
her eyeshadow, which matches
the suitcase
perfectly. She's wearing
coral lipstick.
"I'm here," she says, smiling delightedly, waving
and I wake up.
Four days later, she comes home
in a plastic black box
that is heavier than it looks.
In the middle of a meadow,
I learn a naked
more than naked.
I learn a new way to hug
as I tighten my fist
around her body,
my hand filled with her ashes
and the small stones of bones.
I squeeze her tight
then open my hand
and release her
into the smallest, hottest sun,
a dandelion screaming yellow at the sky.
”
”
Daphne Gottlieb (Final Girl)
“
They call it the drowning instinct. It´s when drowning doesn´t look like drowning. In real life, if the water´s very cold, a person can´t help but gasp. It´s reflex. The thing is as soon as water hits your lungs, your throat closes off, even it the water´s warm. Your body´s trying to protect itself, and the reality is that a lot more people suffocate than truly drown. Regardless, to people on land, especially when you´re really close to the end, you don´t look like you´re in trouble. You don´t scream, but that´s because you can ´t, and you don´t wave your arms either or expend a lot of energy flailing. You´re just there. So people don´t notice that you´re drowning. That´s me. I think I´ve been drowning all this time and doing it so quietly, even I didn´t know it.
”
”
Ilsa J. Bick (Drowning Instinct)
“
Just remember, sometimes people will put you ahead of themselves. It does happen. (Leta)
Yeah, the whole world is just rainbows and puppies. Boy Scouts really do help old ladies cross the street without mugging them and no one ever ignores a trauma victim’s screams. (Aiden)
”
”
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
“
Next, the secretary advised me to take a seat while she notified the headmaster of my arrival. During those dreadful moments I did everything I could to remain calm. Nervously, I kept patting my foot to the floor and heard each and every tap. Suddenly, shouts of extreme havoc rung out just like the other times! “Oh God no! Jesus, please help me Lawd! I got you, Sir, I got you,” were screams filling the airwaves. The door opened and a battered female raced rightpast me with her hands covering her face. She kept mumbling phrases that shouldn’t be repeated by innocent lips. I couldn’t believe those disgusting words coming out of her baby-sized mouth.
Then damn, another nightmare was possibly moments away. I needed an out and fast. Fearing for my life, I formulated my plan of action. Right before Principal Shellshock steadies his paddle, I was going to blow out all the gas I reserved in my little butt. I was never a fan of the fart game, but I was scheming like a veteran. That’s all I had, and it was my “A game.” My intentions were to rip a good hard one that opens my belt, ruffles my pants, and sends my new shoes flyingacross the room. Then all options would be left to the principal. He could chance tearing into me and losing a lung or take cover and let me go. Punishing me will become a hazard to his health.
For the moment, I felt really good about that notion. I didn’t have much else to cling to, but I was dangerously packing breakfast from Aunt Kathy. Yes, I was sure my stink bomb defense would win that day. According to past reports, I would be the first and only kid at Mitchell Memorial to get on the scoreboard against the headmaster. Make that, Hal “1” and Principal Shell Shock “0.
”
”
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
I know I'm not going to say good-bye. And if these staggering refugees want to help, if they think they see something bigger here than a boy chasing a girl, then they can help, and we'll see what happens when we say yes while the rigor mortis world screams no.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
To put it in conclusion, sir, final girls are the vessel we keep all our hope in. Bad guys don't just die by themselves, I mean. Sometimes they need help in the form of a furie running at them, her mouth open in scream, her eyes white hot, her heart forever pure.
”
”
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
“
Vonnegut's war was necessary. And yet it was massacre and screaming and confusion and blood and death. It was the mammoth projection outward of the confused inner life of men. In war, the sad tidy constructs we make to help us believe life is orderly and controllable are roughly thrown aside like the delusions they are. In war, love is outed as an insane, insupportable emotion, a kind of luxury emotion, because everywhere you look, someone beloved to someone is being slaughtered, by someone whose own beloved has been slaughtered, or will be, or could be.
”
”
George Saunders (The Braindead Megaphone)
“
...we were different boys, we were brave new boys without a Mum. So when he told us what happened I don't know what my brother was thinking but I was thinking this:
Where are the fire engines? Where is the noise and clamour of an event like this? Where are the strangers going out of their way to help, screaming, flinging bits of emergency glow-in-the-dark equipment at us to try and settle us and save us?
There should be men in helmets speaking a new and dramatic language of crisis. There should be horrible levels of noise, completely foreign and inappropriate for our cosy London flat.
”
”
Max Porter (Grief Is the Thing with Feathers)
“
[...] she couldn't help but think that this was how Persephone would be dragged to the underworld in 1880s London: not screaming, not twisting wildly, but painfully composed while Hades wore a velvet jacket.
”
”
Evie Dunmore (Portrait of a Scotsman (A League of Extraordinary Women, #3))
“
you have been strong for so long cry if you need to scream if it helps
”
”
R.H. Sin (A Beautiful Composition of Broken)
“
Falling down through the darkness. She doesn’t scream or cry for help, lost her mind a long time ago. She prefers falling down.
”
”
Nicole Fiorina (Stay With Me (Stay with Me, #1))
“
You really do love him, don’t you?” she said quietly.
Vadim blinked, then looked to the side, without seeing colours and patterns, but it helped him find words. Speaking about love without cliché, without borrowing somebody else’s well-worn words that were too comfortable. "Dan changed me in ways that stripped away the man I wanted to be, and the man I was made to be, and the man I was expected to be. He skinned me alive, and left only…..somebody who….” He breathed but barely. “…can live and die now, like a human being, not an automation, not somebody else’s creation. Dan took my fear of death. I can’t die now. I know I’m immortal.”
“Immortal?” she said quietly, sitting still. “Your soul? Your being?”
“I don’t believe there’s anything like a soul. But I believe most people are asleep. They aren’t even aware what they are, or that they are alive. And we are all scared to die, so when it happens we scream for our mothers and clutch our guts because we’re scared. I’m not. I’m not afraid of death. The only thing I’m afraid of is losing Dan.” But if that happens, he thought, Dan might just keep the promise and kill him on the way out.
”
”
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
“
That is why in adult life, people generally tend to relive rather than live, that is, to repeat the patterns of the past and defend the primary fantasy in the defiance, and avoid the real gamble or real adventure of taking a chance on something new. They are afraid that if they really cry out, if they really ask, if they really scream for help, that it won't come, and they'll be in the same panicky frightened state they were in when they were little.
”
”
Robert W. Firestone
“
Maybe he could help her make sense of it. Or maybe he’d run away screaming. Or maybe she’d die of embarrassment. Or maybe he’d take her hand, and she’d stare into his ice blue eyes as he stepped even closer and… “STOP!
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
I find a grin spreading across my face. I don't know what I'm doing, how I'm doing it, or what will happen when it's done, but at the very bottom of this rising siege-ladder, I at least know I'm going to see Julie again. I know I'm not going to say goodbye. And if these staggering refugees want to help, if they think they see something bigger here than a boy chasing a girl, then they can help, and we'll see what happens when we say Yes while this rigor mortis world screams No.
We start lumbering north on the southbound freeway, and the thunder drifts away towards the mountains as if it's scared of us.
Here we are on the road. We must be going somewhere.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage...
The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything...
One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice.
Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy?
I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know?
You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
I am a southern woman. I don’t need your help in the kitchen, boy,” Emersyn screamed from downstairs, two floors down. She was cooking fried chicken for everyone, and the smell was pure Heaven. “Touch my chicken, and you’ll lose an arm, Easton! GET! SHOO!
”
”
Chandelle LaVaun (Academy Magic: The Complete Series (The Coven))
“
I looked up at Lee when we stopped in front of Hector and informed him helpfully, “You might want to take your arm away. Blanca tells me Hector doesn’t like men touching me.”
“Blanca told you that?” Lee asked, his smile (and arm) still firmly in place.
“Yes. She’s known Hector, like, his whole life so I think she’s in the position to know.”
Lee nodded, his smile somehow bigger like he was trying not to laugh then his eyes moved to Hector and he said, “I tried to stop it.”
Hector looked at Lee then looked at me then he muttered, “Oh fuck.”
“It was Ally’s idea,” Lee told Hector.
“What was Ally’s idea?” Hector asked Lee.
“It was not Ally’s idea!” I cried.
“It wasn’t!” super-power-eared Ally yelled from the open back window of Lee’s Explorer. “It was Sadie’s idea. I just was offering moral support.”
“Shut up, Ally!” Indy shouted out the open passenger side window.
“I will not shut up! I’m not taking the fall for this one!” Ally shouted back.
I turned to the car, dislodging Lee’s arm and lifted both my hands and pressed down. “No one’s going to take a fall. Everyone calm down. It’s all okay. It’s rock ‘n’ roll!” I screamed.
“Righteous!” Ally screamed back.
“Rock on, sister!” Indy screamed too.
“It’s rock ‘n’ roll?” Lee asked, sounding as amused as he looked.
“You all wanna quit screamin’ at three o’clock in the mornin’ in my fuckin’ neighborhood?” Hector suggested.
Mm, well maybe we were being an eensy bit loud.
“Time for beddie by,” I announced (sounding like Ralphie), got up on tiptoe, kissed Lee’s cheek (like Ralphie and Buddy would do to me), turned and gave Indy and Ally a double devil’s horns (like Ava taught me) and shouted, “Rock on!”
They shouted back in unison, “Rock on!”
“Christ,” Hector muttered.
”
”
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
“
She brought her elbow
backward and connected with Rand’s ribs. He swore and released her.
She whirled on him. “That’s for being so arrogant!”
Rand advanced on her, and the grin on his face wasn’t at all reassuring. She took one step
back, then turned to sprint into the bathroom, when a pair of hands caught her and slung her over
a hard muscled shoulder.
“Put me down right now!” She screamed as she pummeled his back. “You are the most
annoying, selfish, barbaric, horny man I know, Rand Miller!”
He set her back on her feet inside the bathroom, then cupped her chin in his palm. “You
are the most gorgeous, intelligent, feisty woman I know, Lucy Flemming.”
Lucy narrowed her eyes. What was he up to now? “Flattery won’t help you out of this
one.”
“It’s not flattery. It’s the truth,” he murmured as he leaned close to her ear. “And, baby?”
“Yes?” she answered, her voice nearly inaudible as his nearness began to override her
anger.
“I’d better be the only horny man you know.
”
”
Anne Rainey (Reckless Exposure (Three Kinds of Wicked, #3))
“
The right lifestyle is something that is worn, not discussed. Money, fame, and looks, though helpful, are not required. It is, rather, something that screams: Ladies, abandon your boring, mundane, unfulfilled lives and step into my exciting world, full of interesting people, new experiences, good times, easy living, and dreams fulfilled.
”
”
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
“
It's stores, it's the whole thing, all that shit everywhere, 'scuse me, that merchandise, all those goods, and ads screaming at you from all over the place, buy buy buy buy buy, and when somebody comes up to me with big hair and gobs of makeup on and says, `Can I help you?`, it's all I can do not to scream, `Bitch, you can't even help yourself.
”
”
Michael Cunningham (The Hours)
“
An intense cold swept over them all. Harry felt his own breath catch in his chest. The cold went deeper than his skin. It was inside his chest, it was inside his very heart. . . .
Harry’s eyes rolled up into his head. He couldn’t see. He was drowning in cold. There was a rushing in his ears as though of water. He was being dragged downward, the roaring growing louder . . .
And then, from far away, he heard screaming, terrible, terrified, pleading screams. He wanted to help whoever it was, he tried to move his arms, but couldn’t . . . a thick white fog was swirling around him, inside him —
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
You will keep other people out of it!” she screamed, so loudly that the birds stopped chattering. She thrashed against him, gripping his wrists. “No one else!”
“Tell me why, Aelin.”
That gods-damned name . . . She dug her nails into his wrists. “Because I am sick of it!” She was gulping down air, each breath shuddering as the horrific realization she'd been holding at bay since Nehemia's death came loose. “I told her I would not help, so she orchestrated her own death. Because she thought . . .” She laughed—a horrible, wild sound. “She thought that her death would spur me into action. She thought I could somehow do more than her—that she was worth more dead. And she lied—about everything. She lied to me because I was a coward, and I hate her for it. I hate her for leaving me.
Rowan still pinned her, his warm blood dripping onto her face.
She had said it. Said the words she'd been choking on for weeks and weeks. The rage seeped from her like a wave pulling away from shore, and she let go of his wrists.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
I just wanted to know what it was like," she said, "in case it was my last chance. I never wanted to take him away from you."
"You didn't. It's not like you tied him down and forced him." Sparrow paused, considering. "You didn't, did you?"
"Practically. But he didn't scream for help, so..."
Sparrow launched the plum. It was close range, and hit Ruby on her collarbone. She said, "Ow!" though it hadn't really hurt. Rubbing at the place of impact, she glared at Sparrow. "Is that it, then? Have you spent your wrath?"
"Yes," said Sparrow, dusting off her palms. "It was one-plum wrath."
"How sad for Feral. He was only worth one plum. Won't he mope when we tell him.
”
”
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
“
And she swung the old oar at him with all her strength.
It hit with a great thwack, splintering in two, and he went over the side, into the dark, cold waters of the lake, sinking like a stone.
It took her two seconds. And then she let out a scream for help, tossing the broken oar away from her, and jumped into the water after him.
It was very cold, numbingly so, and as it closed over her head she grabbed for
him, wrapping her arms around his body, ready to sink to the bottom with him.
Instead he kicked, pushing them up so that they broke the surface, his arm
clamped around hers as she struggled. "Jesus, woman!" he snapped. "When did we have to become Romeo and Juliet?
”
”
Anne Stuart (Breathless (The House of Rohan, #3))
“
Mrs. Breedlove considered herself an upright and Christian woman, burdened with a no-count man, whom God wanted her to punish. (Cholly was beyond redemption, of course, and redemption was hardly the point - Mrs. Breedlove was not interested in Christ the Redeemer, but rather Christ the Judge.) Often she could be heard discoursing with Jesus about Cholly, pleading with Him to help her "strike the bastard down from his pea-knuckle of pride." And once when a drunken gesture catapulted Cholly into the red-hot stove, she screamed, "Get him, Jesus! Get him!" If Cholly had stopped drinking, she would have never forgiven Jesus.
”
”
Toni Morrison (The Bluest Eye)
“
And don't think that has anything to do with this." He points to his eye.
"I'm aware in the moments I lack emotion. You and Garrick don't need to share little oh no glances. I already feel it. It's like sliding over a frozen lake while a shrinking part of me screams that I'm supposed to be swimming in those pieces I've bartered away, and those feelings are right beneath the surface, but fuck is skating faster and a hell of a lot less messy. This shit?" He swings his finger back toward the house. "It's messy and painful and infuriating, and if I could choose to give this portion of myself away, so help me, Malek, I would. I get it now. It's not just the power that's addicting; it's the freedom to not feel this."
"Xaden," I whisper, all but bleeding out by the time he finishes.
[...]
"Don't barter it away." I beg as he stares at the sea and the words spill out of me faster and faster as his eyes harden and he resurrects the defences it took me a year to break past. "The pain. The mess. Give it to me. I'll hold it. I know that sounds ludicrous, but I'll find a way." I lace our fingers. "I will hold everything you don't want to feel because I love every part of you."
"You already hold my soul and now you want my pain? Getting greedy, Violence." He brings my hand to his mouth and brushes a kiss over my knuckles before letting go.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
“
So this is what you two do when you’re up here,” Dean drawls. “All that deep, intensive tutoring.” He air-quotes the last word, chuckling in delight.
“Actually, Garrett’s just helping me brush up on my make-out skills,” I tell Dean in the most casual voice I can muster.
Dean snickers. “’That so?”
“Okay…” Dean’s eyes gleam. “Then I’m calling your bluff, baby doll. Show me your moves.”
I blink in surprise. “What?”
“If a doctor told you you’ve got ten days to live, you’d go for a second opinion, wouldn’t you? Well, if you’re worried about being a crappy kisser, you can’t just take G’s word for it. You need a second opinion.” His brows lift in challenge. “Let me see what you’ve got.”
“Stop being a jackass,” Garrett mutters.
“No, he has a point,” I answer awkwardly, and my brain screams, What?
He has a point? Apparently Garrett’s body-melting kisses have turned me into a crazy person.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
I always try to stay positive, but right now I just want to scream and cry a little. I have an amazing support system here, but sometimes I feel like I can't cry or be mad because they think I'm not being positive.
”
”
Lynda Wolters (Voices of Cancer: What We Really Want, What We Really Need)
“
People are almost always safe from ghosts and ghouls and the living dead in daylight, and they're usually safe from them at night if they're with others, but when a person is alone in the dark, all bets are off. Men and women alone in the dark are like open doors, Jessie, and if they call out or scream for help, who knows what dread things may answer? Who knows what some men and women have seen in the hour of their solitary deaths? Is it so hard to believe that some of them may have died of fear, no matter what the words on the death certificates say?
”
”
Stephen King (Gerald's Game)
“
Yawn...
I believe that I love sleep
much more than anybody I’ve ever
met.
I have the ability to sleep for
2 or 3 days and
nights.
I will go to bed at any given
moment.
I often confused my girlfriends
this way—
say it would be about onethirty
in the afternoon:
“well, I’m going to bed now, I’m
going to sleep…”
most of them wouldn’t mind, they
would go to bed with me
thinking I was hinting for
sex
but I would just turn my back
and snore off.
this, of course, could explain
why so many of my girlfriends
left me.
as for doctors, they were never
any help:
“listen, I have this desire to
go to bed and sleep, almost all
the time.
what is wrong with
me?”
“do you get enough exercise?”
“yes…”
“are you getting enough
nourishment?”
“yes…”
they always handed me a
prescription
which I threw away
between the office and the
parking lot.
it’s a curious malady
because I can’t sleep between
6 p.m. and midnight.
it must occur after
midnight
and when I arise
it can never be
before noon.
and should the phone ring
say at 10:30 a.m.
I go into a mad rage
don’t even ask who the caller
is
scream into the
phone: “WHAT ARE YOU
CALLING ME FOR AT THIS
HOUR!”
hang
up…
every person, I suppose, has
their eccentricities
but in an effort to be
normal
in the world’s
eye
they overcome them
and therefore
destroy their
special calling.
I’ve kept mine
and do believe that
they have lent generously to
my existence.
I think it’s the main reason I
decided to become a
writer: I can type
anytime and
sleep
when I damn well
please.
”
”
Charles Bukowski
“
Maze: “I’m alerting HQ. Stand by.”
*on the private comlink*
Corr: “How are you Omega? Can we help? We’re really concerned that you’re stranded on a shabla rock surrounded by an infinite number of natives who’ll cut your gett’se off when they haul you screaming from the summit.
”
”
Karen Traviss (Order 66 (Star Wars: Republic Commando #4))
“
Percy tightened his grip on Annabeth’s wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
“We’re staying together,” he promised. “You’re not getting away from me. Never again.”
Only then did she understand what would happen. A one-way trip. A very hard fall.
“As long as we’re together,” she said.
She heard Nico and Hazel still screaming for help. She saw the sunlight far, far above—maybe the last
sunlight she would ever see.
Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless
darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw the sunlight far, far above--maybe the last sunlight she would ever see.
Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Another sign of suicide attempt which is mentioned in the leaflet is being silent. You stop talking about your problems, showing emotions or reacting to anything, you enter a hopeless path, with no return. I realised that whenever I screamed or complained, I wanted help but when I stopped acting out, my mind was already made up.
”
”
Lunga Noélia Izata (The story is about me)
“
Walls keep you from seeing things. They help make things less real. Sure, maybe you hear loud, sharp noises outside some nights. But it’s easy to tell yourself that those aren’t gunshots, that there’s no need to call the police, no need to even worry. It’s probably just a car backfiring. Sure. Or a kid with fireworks. There might be loud wailing or screams coming from the apartment upstairs, but you don’t know that the drunken neighbor is beating his wife with a rolling pin again. It’s not really any of your business, and they’re always fighting, and the man is scary, besides. Yeah, you know that there are cars coming and going at all hours from your neighbor’s place, and that the crowd there isn’t exactly the most upright-looking bunch, but you haven’t seen him dealing drugs. Not even to the kids you see going over there sometimes. It’s easier and safer to shut the door, be quiet, and turn up the TV.
We’re ostriches and the whole world is sand.
”
”
Jim Butcher (Small Favor (The Dresden Files, #10))
“
Talking to the parents of older kids was helpful for me, since the parents of kids the same age as yours won't admit how horrible their children are. ... you can either practice being right or practice being kind. Screaming in the car helped. [p. 94]
”
”
Anne Lamott (Plan B: Further Thoughts on Faith)
“
I know why people die of hopelessness. It comes on like a thick blanket, covering your thoughts, your confidence, creeping into your mind and filling the corners. I lie in the dark, suffocating under horrible dispare, wishing I were dead. I sleep, then wake, then sleep. The sleep is filled with monstrous dreams that attack, cry out, and vanish, leaving me once more awake and staring into the darkness. Help me! My mind is screaming, but there is no one to hear.
”
”
Joan Lowery Nixon
“
Down vith children! Do them in!
Boil their bones and fry their skin!
Bish them, sqvish them, bash them, mash them!
Brrreak them, shake them, slash them, smash them!
Offer chocs vith magic powder!
Say “Eat up!” then say it louder.
Crrram them full of sticky eats,
Send them home still guzzling sveets.
And in the morning little fools
Go marching off to separate schools.
A girl feels sick and goes all pale.
She yells, “Hey look! I've grrrown a tail!”
A boy who's standing next to her
Screams, “Help! I think I'm grrrowing fur!”
Another shouts, “Vee look like frrreaks!
There's viskers growing on our cheeks!”
A boy who vos extremely tall
Cries out, “Vot's wrong? I'm grrrowing small!”
Four tiny legs begin to sprrrout
From everybody rrround about.
And all at vunce, all in a trrrice,
There are no children! Only MICE!
”
”
Roald Dahl (The Witches)
“
Can I be honest with you, Mr. Wind-Up Bird? I mean, really, really, really honest? Sometimes I get sooo scared! I’ll wake up in the middle of the night all alone, hundreds of miles away from anybody, and it’s pitch dark, and I have absolutely no idea what’s going to happen to me in the future, and I get so scared I want to scream. Does that happen to you, Mr. Wind-Up Bird? When it happens, I try to remind myself that I am connected to others—other things and other people. I work as hard as I can to list their names in my head. On that list, of course, is you, Mr. Wind-Up Bird. And the alley, and the well, and the persimmon tree, and that kind of thing. And the wigs that I’ve made here with my own hands. And the little bits and pieces I remember about the boy. All these little things (though you’re not just another one of those little things, Mr. Wind-Up Bird, but anyhow…) help me to come back “here” little by little.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
We read, we wrote, we prayed, we cried, we listened,we screamed, we spoke out, we marched, we helped others in need. But how much do we change for good? It’s sake and forever? For those of us who survived, when and how we see the benefits of what we went through during those turbulent times is relative. But if we work individually to make justified changes for more value driven and righteous tomorrow, the redlight year that 2020 was will one day in the rear view mirror of life inevitably turn green. And perhaps be seen as one of our finest hours.
”
”
Matthew McConaughey (Greenlights)
“
Ildiko tried to embrace him and frowned when he stepped out of reach, still retaining his hold on her hand.
“I’m filthy, wife, and need a bath of my own.” His nostrils flared, and his voice lowered to a more guttural timbre. “Lover of thorns, but you smell good enough to eat.”
She arched an eyebrow and glanced at the platters on the table. “Considering our people’s respective histories, not to mention that wolf smile when you say such a thing, I’m not sure if I should be flattered or scream for help.
”
”
Grace Draven (Eidolon (Wraith Kings, #2))
“
Imagine you're evil.
Not misunderstood.
Not sad.
But evil.
Imagine you've got a heart that spends all day wanting more.
Imagine your mind is a selfish room full of pride or pity.
Imagine you're like Brandon Goff and you find poor kids in the halls and make fun of their clothes, and you flick their ears until they scream in pain and swing their arms, and so you pin them down and break their fingers.
Or you spit in his food in the cafeteria.
Or you just call him things like cockroach and sand monkey.
Imagine you're evil and you don't do any of those things, but you're like Julie Jenkins and you laugh and you laugh at everything Brandon does, and you even help when a teacher comes and asks what's going on and you say nothing's going on, and he believes you because you get A-pluses in English.
Or imagine you just watch all of this. And you act like you're disgusted, because you don't like meanness. But you don't do anything or tell anyone.
Imagine how much you've got compared to all the kids in the world getting blown up or starved, and the good you could do if you spent half a second thinking about it.
Suddenly evil isn't punching people or even hating them.
Suddenly it's all that stuff you've left undone.
All the kindness you could have given.
All the excuses you gave instead.
Imagine that for a minute.
Imagine what it means.
”
”
Daniel Nayeri (Everything Sad Is Untrue)
“
I just want to serve and help people and be good to everybody, only it always goes wrong somehow—I think about suicide all the time, every bloody day I want to die and stop this torture, but I go crawling on . . . I'm so Christ-awful bloody lonely I could scream with it for hours on end.
”
”
Iris Murdoch (The Black Prince)
“
Cry Out in Your Weakness
A dragon was pulling a bear into its terrible mouth.
A courageous man went and rescued the bear.
There are such helpers in the world, who rush to save
anyone who cries out. Like Mercy itself,
they run toward the screaming.
And they can’t be bought off.
If you were to ask one of those, “Why did you come
so quickly?” He or she would say, “Because I heard
your helplessness.”
Where lowland is,
that’s where water goes. All medicine wants
is pain to cure.
And don’t just ask for one mercy.
Let them flood in. Let the sky open under your feet.
Take the cotton out of your ears, the cotton
of consolations, so you can hear the sphere-music. . . .
Give your weakness
to One Who Helps.
Crying out loud and weeping are great resources.
A nursing mother, all she does
is wait to hear her child.
Just a little beginning-whimper,
and she’s there.
God created the child, that is, your wanting,
so that it might cry out, so that milk might come.
Cry out! Don’t be stolid and silent
with your pain. Lament! And let the milk
of Loving flow into you.
The hard rain and wind
are ways the cloud has
to take care of us.
Be patient.
Respond to every call
that excites your spirit.
Ignore those that make you fearful
and sad, that degrade you
back toward disease and death.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
[I] threw open the door to find Rob sitting on the low stool in front of my bookcase, surrounded by cardboard boxes. He was sealing the last one up with tape and string. There were eight boxes - eight boxes of my books bound up and ready for the basement!
"He looked up and said, 'Hello, darling. Don't mind the mess, the caretaker said he'd help me carry these down to the basement.' He nodded towards my bookshelves and said, 'Don't they look wonderful?'
"Well, there were no words! I was too appalled to speak. Sidney, every single shelf - where my books had stood - was filled with athletic trophies: silver cups, gold cups, blue rosettes, red ribbons. There were awards for every game that could possibly be played with a wooden object: cricket bats, squash racquets, tennis racquets, oars, golf clubs, ping-pong bats, bows and arrows, snooker cues, lacrosse sticks, hockey sticks and polo mallets. There were statues for everything a man could jump over, either by himself or on a horse. Next came the framed certificates - for shooting the most birds on such and such a date, for First Place in running races, for Last Man Standing in some filthy tug of war against Scotland.
"All I could do was scream, 'How dare you! What have you DONE?! Put my books back!'
"Well, that's how it started. Eventually, I said something to the effect that I could never marry a man whose idea of bliss was to strike out at little balls and little birds. Rob countered with remarks about damned bluestockings and shrews. And it all degenerated from there - the only thought we probably had in common was, What the hell have we talked about for the last four months? What, indeed? He huffed and puffed and snorted and left. And I unpacked my books.
”
”
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
“
Holland stared at his own hand, the knife’s edge crimson.
They left they body where it fell.
And brought another in.
“No,” snarled Holland at the sight of him. A boy from the kitchens, hardly fourteen, who looked at him with wide, uncertain eyes. “Help,” he begged.
Then they brought another.
And another.
One by one, Athos and Astrid paraded the remains of Vor’s life before Holland, instructing him again and again to cut their throats. Every time, he tried to fight the order. Every time, he failed. Every time, he had to look them in their eyes and see the hatred, the betrayal, the anguished confusion before he cut them down.
The bodies piled. Athos watched. Astrid grinned.
Holland’s hand moved on its puppet string.
And his mind screamed until it finally lost its voice.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Sometimes we take leaps of faith, and sometimes we take tiny steps. Even the tiniest step can require a lot of courage. Like climbing out of denial and admitting my real need for help. Like trusting someone who said I wouldn’t die from eating a bowl of pasta, and taking another bite. Like reaching for a pen or a yoga mat when what I really wanted to do was reach for a cookie. Like searching for a smile in my heart when my mind was busy screaming about how sad and serious I should be.
”
”
Shannon Kopp (Pound for Pound: A Story of One Woman's Recovery and the Shelter Dogs Who Loved Her Back to Life)
“
For dinner Jade microwaves some Stars-n-Flags. They're addictive. They put sugar in the sauce and sugar in the meat nuggets. I think also caffeine. Someone told me the brown streaks in the Flags are caffeine. We have like five bowls each.
After dinner the babies get fussy and Min puts a mush of ice cream and Hershey's syrup in their bottles and we watch The Worst That Could Happen, a half hour computer simulation of tragedies that have never actually occurred but theoretically could. A kid gets hit by a train and flies into a zoo, where he's eaten by wolves. A man cuts his hand off chopping wood and while he's wandering around screaming for help is picked up by a tornado and dropped on a preschool during recess and lands on a pregnant teacher.
”
”
George Saunders (Pastoralia)
“
I cover my eyes. I'm crying with my whole body and all I want to do is disappear. I feel his hand hesitate, hovering over my back, then rubbing awkward circles, and then his fingers in my hair. If he's saying anything, I don't hear.
All can I hear is my blood rushing and my heart drumming in my ears. A pulsing in my throat, like there's a big jumbled ball of words stuck in there dying to get out. He puts both arms around me, but I feel suffocated.
Don't want to be held. Don't want to be touched. Not by anyone ever again in my entire life. I crunch my teeth together to keep myself from screaming.
Screaming in general, screaming at him to get his hands off me, screaming for help, screaming because I can't make sense out of anything that is happening, has happened, will happen.
Screaming because I still feel like I'm back there, always back there, in my heart I'm still that girl.
”
”
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Jenna had tried to cheer me up that morning, saying, "At least you have it with a hot guy."
"Archer isn't hot anymore," I'd fired back. "He tried to kill me, and his girlfriend is Satan."
But I have to admit that as we stood beside each other on the cellar steps and listened to the Vandy ramble on about what we were supposed to do down there, I couldn't help but sneak sideways glances at him and notice that, homicidal tendencies and evil girlfriends aside, he was still hot. As usual,his tie was loose and his shirt-sleeves were rolled up. He was watching the Vandy with this bored, vaguely amused look, arms crossed over his chest.
That pose did most excellent things for his chest and arms.How unfair was it that Elodie of all people got that as a boyfriend? I mean, where is the justice when-"
"Miss Mercer!" the Vandy barked, and I jumped high enough to nearly lose my balance.
I clutched the banister next to me, and Archer caught my other elbow.
Then he winked, and I immediately turned my attention back to the Vandy like she was the most fascinating person I'd ever seen.
"Do you need me to repeat anything, Miss Mercer?" she sneered.
"N-no. I got it," I stammered.
She stared at me for a minute. I think she was trying to come up with a witty put-down.But the Vandy,like most mean people, was dumb, so in the end, she just sort of growled and pushed between me and Archer to stalk up the stairs.
"One hour!" she called over her shoulder.
The ancient door didn't so much as creak as scream in pain as she pushed it closed.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already. The heroin helps users deal with the pain of being unable to form normal bonds with other humans. The heroin subculture gives them bonds with other human beings.
”
”
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
“
—but Mahler stood up with a groan while the nurse screamed at him, ‘You’ve got to help me! Please!’
He couldn’t. Not right now. Had to see what was going on. Shamed, he staggered away to the autopsy room; the photographer who takes pictures of the famine victims, goes back to the hotel room and drinks to assuage his guilt.
Photographs…the camera…
”
”
John Ajvide Lindqvist (Handling the Undead)
“
It will get easier’ is probably the most offensive thing you can say to someone in the grip of pain. You are borrowing from a future that isn’t promised, a future that depends entirely on their endurance of the pain. You are taking for granted a well of strength within them that they may not possess, fast-forwarding through the ugly bits that you don’t want to watch but they must live through, nonetheless. ‘It will get easier’ is not a helpful thing to say to someone for whom only the present moment can exist, so vivid, so intense that it’s not possible to imagine a moment beyond it. The future doesn’t matter to someone enduring an unimaginable pain, so let’s not entertain that childish fantasy. All that matters is the pain that is consuming you in this moment, that you grit your teeth and try to survive it. You invalidate the pain and the damage it inflicts when you hasten to skip past it to a brighter tomorrow. Sometimes things are just unremittingly shit and the only respectful thing to do is to stand next to the person going through it and scream along with them.
”
”
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and The Glory of Growing Up (A Memoir))
“
Valette?" Elend asked, stupefied.
Vin jumped up, grabbing him in a joyful embrace, hanging onto him tightly and burying her face into his shoulder. "You came back," she whispered. "You came back, you came back, you came back..."
"Um, yes. And ... I see that you're a Mistborn. That's rather interesting. You know, it's generally common courtesy to tell one's friends about things like that."
"Sorry," she mumbled, still holding on to him.
"Well, yes," he said, sounding very distracted. "Um, Valette? What happened to your clothes?"
"They're on the floor over there," she said, looking up at him. "Elend, how did you find me?"
"Your friend, one Master Dockson, told me that you'd been captured in the palace. And well, this fine gentleman here - Captain Goradel, I believe his name is - happens to be a palace soldier, and he knew the way here. With his help - and as a nobleman of some rank - I was able to get into the building without much problem, and then we heard screaming down this hallway ... And, um, yes. Valette? Do you think you could go put your clothes on? This is ... kind of distracting."
She smiled up at him. "You found me."
"For all the good it did," he said wryly. "It doesn't look like you needed our help very much..."
"That doesn't matter," she said. "You came back. No one's ever come back before.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
I don’t understand hospital chaplains that try to rob my patients of their anger. Sometimes anger is a key motivator that gets people to take action. Anger can push a cancer patient to jump out of his hospital bed, walk down to the nurses station and scream, “I am getting the hell out of here!”. There is a misconception that God is simply sweet and passive. Actually, God can be quite cunning, manipulative and relentless with his children. What we consider as negative traits are actually helpful in molding us. He will use a negative emotion if needed to push people to do things that will change them for the better. He will allow people or situations to derail us if there is a chance that those interactions will push us forward. Personally, I don’t want a God that is going to send some church member to my deathbed with a plate of cookies and tell me to have faith. Actually, I rather have a God that screams, “Get the hell off your ass, stop feeling sorry for yourself. Walk down the hall with that Physical Therapist so you can get on with your life!" A little anger in a person can push them to do amazing things.
”
”
Shannon L. Alder
“
Let go of me,” I choke out, clawing blindly at Teren. The sharp tang of blood suddenly fills my nostrils, and I realize that it is from his wrists, spreading a film of scarlet around us. Somewhere ahead, the silhouette of our ship looms. We are getting closer.
“I wish I could,” Teren spits, dripping venom. “There’s nothing I’d like to see more than you in the Underworld, Adelina.”
His words spark my fury. He never intended to finish this journey with you. Teren grips my arm again so hard that I scream in pain. He is pulling us both toward the ship, his face set in grim determination.
Then I hear him shout, “But I won’t.”
But I won’t. My fury wavers, turning into bewilderment.
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
Elayne could not help herself. Nynaeve wielding her tongue like a needle, Cerandin stubborn as two mules, and now this. She threw back her head and screamed with frustration.
When the sound died, it seemed as if the animals had quieted. Horse handlers stood about, staring at her. Coolly, she ignored them. Nothing could worm its way under her skin now. She was as calm as ice, perfectly in control of herself.
“Was that a cry for help,” Birgitte said, tilting her head, “or are you hungry? I suppose I could find a wet nurse in—”
Elayne strode away with a snarl that would have done any of the leopards proud.
”
”
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
“
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero.
Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.
”
”
Tana French (Broken Harbour)
“
There she was, welcoming him in, farting prrrrrrp like ten thousand earthquakes, belching arrrp and og like a million volcanoes, while the whole universe roared with approving laughter. She swung tits like sagging moons at him, drew from black teeth an endless snake of bacon-rind, pelted him with balls of ear-wax and snuffled green snot in his direction. The thrones roared and the powers were helpless. Enderby was suffocated by smells: sulphuretted hydrogren, unwashed armpits, halitosis, faeces, standing urine, putrefying meat - all thrust into his mouth and nostrils in squelchy balls. 'Help,' he tried to call. 'Help help help.' He fell, crawled, crying, 'Help, help.' The black, which was solid laughter and filth, closed on him. He gave one last scream before yielding to it.
”
”
Anthony Burgess (Inside Mr. Enderby)
“
Watching someone you love go through difficult times is like being trapped in your own body but paralyzed. You want to yell at them, scream, help them, but your body won’t move, and you know that no matter how hard you try, in the end, the path is theirs to choose. You can’t choose for them. What a terrifying concept, especially considering we hardly see every option when we’re stuck in our own self-defeat.
”
”
Rachel Van Dyken (Toxic (Ruin, #2))
“
The boldest of the three (thieves) moved suddenly, grabbed Angua and pulled her upright. "We walk out of here unharmed or the girl gets it, all right?" he snarled. Someone sniggered.
"I hope you're not going to kill anyone," said Carrot.
"That's up to us!"
"Sorry, was I talking to you?" said Carrot.
"Don't worry, I'll be fine," said Angua. She looked around to make sure Cheery wasn't there and then sighed.
"Come on, gentlemen, let's get this over with."
"Don't play with your food!" said a voice from the crowd.
There were one or two giggles until Carrot turned in his seat, whereupon everyone was suddenly intensely interested in their drinks.
"It's OK," said Angua quietly.
Aware that something was off kilter, but not quite sure what it was, the thieves edged back to the door. No one moved as they unbolted it and, still holding Angua, stepped out into the fog, shutting the door behind them.
"Hadn't we better help," said a constable who was new to the Watch.
"They don't deserve help," said Vimes. there was a clank of armor and then a long, deep growl, right outside in the street. And a scream and then another scream. and a third scream modulated with "NONONOnonononononoNO!...aarghaarghaargh!" Something heavy hit the door.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
What have I learned from all of it? There is absolutely no way whatsoever to get through life without scars. No way!! It's a friggin' emotional boxing ring, and either you go one round, four rounds, or forty rounds, depending on your opponent. And by God, if you opponent is you...you will go forty. If it's God, you'll barely go one because Big Daddy has a rope-dope down! He's a shape shifter. You think you're fighting him, screaming, punching, begging him for help. And he leaves you with...YOU.
”
”
Viola Davis (Finding Me)
“
The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
”
”
Sabrina K
“
I used to be a Catholic, and when I first started police work, I worried about that. I saw a lot of people dead or dying for no apparent reason . . . not people I killed, just people. Little kids who'd drowned, people dying in auto accidents and with heart attacks and strokes. I saw a lineman burn to death, up on a pole, little bits and pieces, and nobody could help . . . . I watched them go, screaming and crying and sometimes just lying there with their tongues stuck out, heaving, with all the screaming and hollering from friends and relatives . . . and I never saw anyone looking beyond. I think, Michael, I think they just blink out. That's all. I think they go where the words on a computer screen go, when you turn it off. One minute they exist, maybe they're even profound, maybe the result of a great deal of work. The next . . . . Whiff. Gone.
”
”
John Sandford (Eyes of Prey (Lucas Davenport, #3))
“
On the morning of our second day, we were strolling down the Champs-Elysées when a bird shit on his head. ‘Did you know a bird’s shit on your head?’ I asked a block or two later.
Instinctively Katz put a hand to his head, looked at it in horror – he was always something of a sissy where excrement was concerned; I once saw him running through Greenwood Park in Des Moines like the figure in Edvard Munch’s ‘The Scream’ just because he had inadvertently probed some dog shit with the tip of his finger – and with only a mumbled ‘Wait here’ walked with ramrod stiffness in the direction of our hotel. When he reappeared twenty minutes later he smelled overpoweringly of Brut aftershave and his hair was plastered down like a third-rate Spanish gigolo’s, but he appeared to have regained his composure. ‘I’m ready now,’ he announced.
Almost immediately another bird shit on his head. Only this time it really shit. I don’t want to get too graphic, in case you’re snacking or anything, but if you can imagine a pot of yoghurt upended onto his scalp, I think you’ll get the picture. ‘Gosh, Steve, that was one sick bird,’ I observed helpfully.
Katz was literally speechless. Without a word he turned and walked stiffly back to the hotel, ignoring the turning heads of passers-by. He was gone for nearly an hour. When at last he returned, he was wearing a windcheater with the hood up. ‘Just don’t say a word,’ he warned me and strode past. He never really warmed to Paris after that.
”
”
Bill Bryson (Neither Here nor There: Travels in Europe)
“
When alone in a dark forest waiting for an audience with an evil god, the most prudent course of action is to be quiet and wait. ‘Prudent’ wasn’t one of my favourite words.
“Hello? I’ve come to borrow a cup of sugar. Anybody? Perhaps there is an old woman with a house made of candy who could help me?”
“Marrying for love isn’t wise.”
The voice came from somewhere to the left. Melodious, but not soft, definitely female and charged with a promise of hidden power. Something told me that hearing her scream would end very badly for me.
I stopped and pivoted toward the voice.
“Marry for safety. Marry for power. But only fools marry for love.”
When a strange voice talks to you in the black woods, only idiots answer.
I was that idiot. “Thank you, counsellor. How much do I owe you for this session?
”
”
Ilona Andrews (Magic Binds (Kate Daniels, #9))
“
I... I don't, I don't think I can do this."
"Do what?"
It didn't answer.
"Do the tests?"
"I can't work with you when you're like this!" it blurted. "To every one of my specimens, I am the last thing they see! Terrror is what I am used to-- terror is what I like! I prefer my subjects to scream and beg, not ask to see results!"
"I'll scream my questions, if that helps."
"It won't," it said sadly. "I'll know you're only trying to make me feel better.
”
”
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
“
1.
I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates.
2.
The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.”
3.
Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay.
4.
The last eight times I told you I loved you, they sounded like apologies.
5.
You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice.
6.
Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.”
7.
You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent.
8.
I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it.
9.
I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.”
10.
I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave.
11.
I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help.
12.
Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself.
13.
I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.”
14.
The entire time, I was only pretending that I knew it was coming.
”
”
Miles Walser
“
On Rachel's show for November 7, 2012:
We're not going to have a supreme court that will overturn Roe versus Wade. There will be no more Antonio Scalias and Samuel Aleatos added to this court. We're not going to repeal health reform. Nobody is going to kill medicare and make old people in this generation or any other generation fight it out on the open market to try to get health insurance. We are not going to do that. We are not going to give a 20% tax cut to millionaires and billionaires and expect programs like food stamps and kid's insurance to cover the cost of that tax cut. We'll not make you clear it with your boss if you want to get birth control under the insurance plan that you're on. We are not going to redefine rape. We are not going to amend the United States constitution to stop gay people from getting married. We are not going to double Guantanamo. We are not eliminating the Department of Energy or the Department of Education or Housing at the federal level. We are not going to spend $2 trillion on the military that the military does not want. We are not scaling back on student loans because the country's new plan is that you should borrow money from your parents. We are not vetoing the Dream Act. We are not self-deporting. We are not letting Detroit go bankrupt. We are not starting a trade war with China on Inauguration Day in January. We are not going to have, as a president, a man who once led a mob of friends to run down a scared, gay kid, to hold him down and forcibly cut his hair off with a pair of scissors while that kid cried and screamed for help and there was no apology, not ever. We are not going to have a Secretary of State John Bolton. We are not bringing Dick Cheney back. We are not going to have a foreign policy shop stocked with architects of the Iraq War. We are not going to do it. We had the chance to do that if we wanted to do that, as a country. and we said no, last night, loudly.
”
”
Rachel Maddow
“
She cleared her mind of anything to do with Po. I’ll hunt down a goose for dinner, she thought. The leaves on these trees are just beginning to change color. The weather is so lovely and cool. And then, with all her might, she focused her attention on the back of Po’s head and screamed his name, inside her mind. He pulled on his reins so hard that his horse screeched and staggered and almost sat down. Her own horse nearly collided with his. And he looked so startled and flabbergasted—and irritated—that she couldn’t help it: She exploded with laughter.
”
”
Kristin Cashore (Graceling (Graceling Realm #1))
“
And then a man of forty or so, with a French accent, asked, "How do you achieve the presence of mind to initiate the writing of a poem?" And something cracked open in me, and I finally stopped hoarding and told them my most useful secret. The only secret that has helped me consistently over all the years that I've written. I said, "Well, I'll tell you how. I ask a simple question. I ask myself: What was the very best moment of your day??" The wonder of it was, I told them that this one question could lift out from my life exactly what I will want to write a poem about. Something I hadn't known was important will leap out and hover there in front of me, saying I am— I am the best moment of the day. I noticed two people were writing down what I was saying. Often, I went on, it's a moment when you're waiting for someone, or you're driving somewhere, or maybe you're just walking across a parking lot and admiring the oil stains and the dribbled tar patterns. One time it was when I was driving past a certain house that was screaming with sunlitness on its white clapboards, and then I plunged through tree shadows that splashed and splayed across the windshield. I thought, Ah, of course— I'd forgotten. You, windshield shadows, you are the best moment of the day. "And that's my secret, such as it is," I said.
”
”
Nicholson Baker (The Anthologist (The Paul Chowder Chronicles #1))
“
In a popular teaching story, a man being chased by a tiger leaps off a cliff in his attempt to get away. Fortunately, a tree growing on the side of the cliff breaks his fall. Dangling from it by one arm—tiger pacing above, jutting rocks hundreds of feet below—he yells out in desperation, “Help! Somebody help me!!” A voice responds, “Yes?” The man screams, “God, God, is that you?” Again, “Yes.” Terrified, the man says, “God, I’ll do anything, just please, please, help me.” God responds, “Okay then, just let go.” The man pauses for a moment, then calls out, “Is anyone else there?
”
”
Tara Brach (Radical Acceptance: Embracing Your Life with the Heart of a Buddha)
“
Thank the gods I did not have to sleep. Every minute I must wash and boil and clean and scrub and put to soak. Yet how could I do that, when every minute he also needed something, food and change and sleep? That last I had always thought the most natural thing for mortals, easy as breathing, yet he could not seem to do it. However I wrapped him, however I rocked and sang, he screamed, gasping and shaking until the lions fled, until I feared he would do himself harm. I made a sling to carry him, so he might lie against my heart. I gave him soothing herbs, I burned incenses, I called birds to sing at our windows. The only thing that helped was if I walked—walked the halls, walked the hills, walked the shore. Then at last he would wear himself out, close his eyes, and sleep.
”
”
Madeline Miller (Circe)
“
Then I'll wake up and I’ll be with you and I’ll never leave or be afraid or dream again. Oh no. I can’t. I can’t stand it. Scream. Move. Shake something. Make a noise any noise. I can’t stand it. Oh no no no. Please I can’t. Please no. Somebody come. Help me. I can’t lie here forever like this until maybe years from now I die. I can’t. Nobody can. It isn’t possible. I can’t breathe but I’m breathing. I’m so scared I can’t think but I’m thinking. Oh please please no. No no. It isn’t me. Help me. It can’t be me. Not me. No no no. Oh please oh oh please. No no no please no. Please. Not me.
”
”
Dalton Trumbo
“
Though every instinct screamed against it, she closed her eyes. Took a breath. Then another. Her lungs opened, full of cool, soothing air, and she wondered if Rowan was helping with that, too. He was helping. And he was willing to meet a horrible fate in order to keep her alive. He hadn’t left her alone. She hadn’t been alone. There was a muffled curse, and Rowan slammed his body against hers, as if he could somehow shield her. No, not shield her. Cover her, the flash of light. She barely registered the pain—if only because the moment her Fae senses snapped into place, she had to shove a hand against her own mouth to keep from retching. Oh, gods, the festering smell of them, worse than any corpse she’d ever dealt with.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
But most days, if you’re aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-lady who just screamed at her little child in the checkout line — maybe she’s not usually like this; maybe she’s been up three straight nights holding the hand of her husband who’s dying of bone cancer, or maybe this very lady is the low-wage clerk at the Motor Vehicles Dept. who just yesterday helped your spouse resolve a nightmarish red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it’s also not impossible — it just depends on what you want to consider. If you’re automatically sure that you know what reality is and who and what is really important — if you want to operate on your default-setting — then you, like me, will not consider possibilities that aren’t pointless and annoying. But if you’ve really learned how to think, how to pay attention, then you will know you have other options. It will actually be within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars — compassion, love, the sub-surface unity of all things. Not that that mystical stuff’s necessarily true: The only thing that’s capital-T True is that you get to decide how you’re going to try to see it. You get to consciously decide what has meaning and what doesn’t. You get to decide what to worship…
”
”
David Foster Wallace
“
She was someone who heard each grain in the hour-glass, she felt the passing seconds like sandpaper against her softest skin. Time actually seemed to hurt her, and people helped her get through it. [..] Sometimes it seemed to Nathan that her life was just that, a feat of held breath, just another ten seconds, just another five, and then death would flood her lungs like water, a string of glass bubbles to the surface and then nothing. She was scared in a way that he could understand. The kind of fear that sends you running across a six-lane highway or jumping into rapids. She was someone who ran towards her fear, screaming. Who tried to frighten it. Who, in another period of history, would have been worshipped as a saint or burned as a witch.
”
”
Rupert Thomson (The Five Gates of Hell)
“
He realized that all men were like this; that each person was to himself one alone. One oneness, a unit in a society, but always afraid. Like here, standing. If he should scream, if he should holler for help, would it matter?
Blackness could come swiftly, swallowing; in one titanically freezing moment all would be concluded. Long before dawn, long before police with flashlights might probe the dark, disturbed pathway, long before men with trembling brains could rustle down the pebbles
to his help. Even if they were within five hundred yards of him now, and help certainly was, in three seconds a dark tide could rise to take all ten years from him and— The essential impact of life’s loneliness crushed his beginning-to-tremble body. Mother was alone, too. She could not look to the sanctity of marriage, the protection of her family’s love, she could not look to the United States Constitution or the City Police, she could not look anywhere, in this very instant, save into her heart, and there she would find nothing but uncontrollable repugnance and a will to fear. In this instant it was an individual problem seeking an individual solution. He must accept being alone and work on from there.
”
”
Ray Bradbury (Dandelion Wine)
“
Don't be afraid."
And then we were gone.
Weightless.
The ground at my feet suddenly disappeared along with everything else.
A scream lodged in my throat, coming out broken and pathetic.
And then we were sitting on a wide ledge. High above Jackson Square. Christ, he'd blinked me to - I gazed above me.
Not just a ledge. Oh God, oh God, oh God.
"It helps if you breathe."
"I think I might kill you," I said in a near whisper.
Sebastian's shoulder bumped mine as he tried to hide a smile. "Well, you've got time, because we'll be up here for an hour or so before I have enough power again to get us down. I didn't think you'd be afraid of heights."
I glared at him. "I'm not afraid of heights. I am, apparently, afraid of disappearing from solid ground and then reappearing on a ledge.
”
”
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
“
The room behind me was dark. "Thief," intoned a lovely voice in the blackness.
"You do know," Ianthe tittered from outside the cottage, her steps slowing into a walk, "that we'll have to kill whoever is inside there with you. Selfish of you, Feyre."
I panted, holding the door open, making sure they couldn't see me on the other side.
"You have seen my twin," the Weaver hissed softly- with a hint of wonder. "I smell him on you."
Outside, Ianthe and the guard grew closer. Closer and closer.
Somewhere deep in the room, I felt her move. Felt her stand. And take a step toward me.
"What are you," the Weaver breathed.
"Feyre, you can be quite tedious," Ianthe said. Right outside. I could barely make out her pale robes through the crack between the door and the threshold. "Do you think you can ambush us in there? I saw your shield. You're drained. And I do not think your glowing trick will help."
The Weaver's dress rustled as she crept closer in the gloom. "Who did you bring, little wolf? Who did you bring to me?"
Ianthe and her two guards stepped over the threshold. Then another step. Past the open door. They didn't see me in the shadows behind it.
"Dinner," I said to the Weaver, whirling around the door- to it's outside face. And let go of the handle.
Just as the door slammed shut hard enough to rattle the cottage, I saw the ball of faelight that Ianthe lifted to illuminate the room.
Saw the horrible face of the Weaver, that mouth of stumped teeth opening wide with delight and unholy hunger. A death-god of old- starved for life. With a beautiful priestess before her.
I was already hurtling for the trees when the guards and Ianthe began screaming.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
But most days, if you're aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's not usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it's also not impossible. It just depends what you want to consider. If you're automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won't consider possibilities that aren't annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.
Not that that mystical stuff is necessarily true. The only thing that's capital-T True is that you get to decide how you're gonna try to see it.
This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.
”
”
David Foster Wallace (This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life)
“
Though floating on the water, I was not part of it. I thought that if I died at that moment, I would have died as I was born — without any volition of mine. All my life I had not chosen, had not decided. Now I am making a decision. I choose life. I shall live because there are a few people I want to stay with for the longest possible time and because I have duties to discharge. It is not my concern whether or not life has meaning. If I am unable to forgive, then I shall try to forget. I shall live by force and cunning. I moved my feet and arms, violently and with difficulty until the upper part of my body was above water. Like a comic actor shouting on a stage, I screamed with all my remaining strength, ‘Help! Help!
”
”
Tayeb Salih (Season of Migration to the North)
“
Why are Muslims being “preserved” in some time capsule of centuries gone by? Why is it okay that we continue to live in a world where our women are compared to candy waiting to be consumed? Why is it okay for women of the rest of the world to fight for freedom and equality while we are told to cover our shameful bodies? Can’t you see that we are being held back from joining this elite club known as the 21st century? Noble liberals like yourself always stand up for the misrepresented Muslims and stand against the Islamophobes, which is great but who stands in my corner and for the others who feel oppressed by the religion? Every time we raise our voices, one of us is killed or threatened. . . . What you did by screaming “racist!” was shut down a conversation that many of us have been waiting to have. You helped those who wish to deny there are issues, deny them. What is so wrong with wanting to step into the current century? There should be no shame. There is no denying that violence, misogyny and homophobia exist in all religious texts, but Islam is the only religion that is adhered to so literally, to this day. In your culture you have the luxury of calling such literalists “crazies.” . . . In my culture, such values are upheld by more people than we realise. Many will try to deny it, but please hear me when I say that these are not fringe values. It is apparent in the lacking numbers of Muslims willing to speak out against the archaic Shariah law. The punishment for blasphemy and apostasy, etc, are tools of oppression. Why are they not addressed even by the peaceful folk who aren’t fanatical, who just want to have some sandwiches and pray five times a day? Where are the Muslim protestors against blasphemy laws/apostasy? Where are the Muslims who take a stand against harsh interpretation of Shariah?7
”
”
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
“
He's tried to explain this a couple of times to a few of his buddies after about five beers. Like listen, listen. Imagine you live in this country, right? And there's a brutal war, and you witness and maybe participate in a horrific amount of violence, and you lose absolutely everyone you care about. Then you end up in this other country, where the culture and ways of doing things are completely foreign to you, and random assholes make fun of you for how you dress and act and talk while you're still coming to grips with the fact that everyone you love is gone and you can never go home again. Meanwhile, everyone around you is like "smile, motherfucker, you're in the Land of Plenty now, where there's a Starbucks on every corner and 500 channels on TV. You should be grateful! Why aren't you acting more grateful?" So you have to pretend to be grateful while you're dying inside. Sound like an traumatized, orphaned refugee? Also sounds like Steve fucking Rogers, Captain Goddamn America. Except that most refugees were part of a community of other people who were going through the same thing. Steve is all alone, the last damn unicorn, if the last unicorn had horrible screaming nightmares about the time when it helped to liberate Buchenwald.
”
”
Spitandvinegar (Ain't No Grave (Can Keep My Body Down) (Ain't No Grave, #2))
“
My name is CRPS, or so they say
But I actually go by; a few different names.
I was once called causalgia,
nearly 150 years ago
And then I had a new name It was RSD, apparently so.
I went by that name because the burn lived inside of me.
Now I am called CRPS, because I have so much to say I struggle to be free.
I don't have one symptom and this is where I change, I attack the home of where I live; with shooting/burning pains.
Depression fills the mind of the body I belong, it starts to speak harsh to self, negativity growing strong.
Then I start to annoy them; with the issues with sensitivity,
You'd think the pain enough; but no, it wants to make you aware of its trembling disability.
I silently make my move; but the screams are loud and clear, Because I enter your physical reality and you can't disappear.
I confuse your thoughts; I contain apart of your memory,
I cover your perspective, the fog makes it sometimes unbearable to see.
I play with your temperature levels, I make you nervous all the time -
I take away your independance and take away your pride.
I stay with you by the day & I remind you by the night,
I am an awful journey and you will struggle with this fight.
Then there's a side to me; not many understand,
I have the ability to heal and you can be my friend.
Help yourself find the strength to fight me with all you have, because eventually I'll get tired of making you grow mad.
It will take some time; remember I mainly live inside your brain,
Curing me is hard work but I promise you,
You can beat me if you feed love to my pain.
Find the strength to carry on and feed the fears with light; hold on to the seat because, like I said, it's going to be a fight.
But I hope to meet you, when your healthy and healed, & you will silenty say to me - I did this, I am cured is this real?
That day could possibly come; closer than I want-
After all I am a disease and im fighting for my spot.
I won't deny from my medical angle, I am close to losing the " incurable " battle.
”
”
Nikki Rowe
“
Whenever somebody challenges me with the notion that killing carrots is no different to killing cows, I make a point of pointing out how different they would feel if they spent the day weeding in the garden, or the day slaughtering chickens. Just to make it clear how ridiculous they are being, because there can be no doubt, their argument is ridiculous, there isn’t a person out there who given both scenarios would look at them and say “yes they are the same”. I like to state this clearly, because I understand that even if the person challenging me refuses to acknowledge the difference, others who come along later and read the conversation will see both sides to the argument and maybe it will help these new people to not start presenting the same kind of ridiculous logic in opposition towards compassionate living.
”
”
Mango Wodzak
“
I break out laughing. I frown.
I yell and scream. Sometimes,
if one jokes and giggles,
one causes war.
So I hide how tickled I am.
Tears well up in my eyes.
My body is a large city.
Much grieving in one sector.
I live in another part.
Lakewater.
Something on fire over here.
I am sour when you are sour,
sweet when you are sweet.
You are my face and my back.
Only through you can I know
this back-scratching pleasure.
Now people the likes of you and I
come clapping, inventing dances,
climbing into this high meadow.
I am a spoiled parrot who eats only candy.
I have no interest in bitter food.
Some have been given harsh knowledge. Not I.
Some are lame and jerking along.
I am smooth and glidingly quick.
Their road is full of washed-out places
and long inclines. Mine is
royally level, effortless.
The huge Jerusalem mosque stands inside me,
and women full of light.
Laughter leaps out.
It is the nature of the rose to laugh.
It cannot help but laugh.
”
”
Jalal ad-Din Muhammad ar-Rumi (Bridge to the Soul: Journeys Into the Music and Silence of the Heart)
“
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on."
"So the wife has to be all those things?"
"No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said."
Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me."
"And did you think he would?"
Momentarily Meggie was taken aback. "Well, yes."
"Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together."
Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
”
”
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
“
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!”
He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?”
The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky.
“REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?”
“Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—”
“Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!”
“Hey, Sunshine,” Leo said. “I’m right here, you know.”
She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!”
“Well, since you asked so nicely …”
Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up.
She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.”
“Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!”
She snarled and kept walking along the edge of the water.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
Sorry. It’s a technique I use to fend off the panic — screaming at the top of my lungs.”
“That’s the best technique you have?”
“I have a few different techniques. I can also massage my balls."
“Excuse me?”
“I have balls. Massaging them really helps.”
“Your… balls? You looked like a woman to me, pretty damn shapely from the back, at least.”
“They’re Boading balls. Metal meditation balls. I massage them against each other in a circular motion in my palm. It helps calm me down.” I began to frantically search through my purse.
“What’s all that rustling?” he asked.
“I’m trying to find them. They’re somewhere in my bag.” Without light, I wasn’t able to easily locate them. “Shit, where are they?”
He chuckled. “I have some balls you could massage if you’re in a pickle.
”
”
Vi Keeland (Mister Moneybags)
“
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake.
When I told my mother about the dream, she was puzzled.
'But what's scary about that? You were never scared of that doll.'
I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying.
My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears.
Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")
”
”
Lisa Tuttle (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
“
Hammond shook his head sadly. “Yet, you’ll remember,” he said, “the original genetic engineering companies, like Genentech and Cetus, were all started to make pharmaceuticals. New drugs for mankind. Noble, noble purpose. Unfortunately, drugs face all kinds of barriers. FDA testing alone takes five to eight years—if you’re lucky. Even worse, there are forces at work in the marketplace. Suppose you make a miracle drug for cancer or heart disease—as Genentech did. Suppose you now want to charge a thousand dollars or two thousand dollars a dose. You might imagine that is your privilege. After all, you invented the drug, you paid to develop and test it; you should be able to charge whatever you wish. But do you really think that the government will let you do that? No, Henry, they will not. Sick people aren’t going to pay a thousand dollars a dose for needed medication—they won’t be grateful, they’ll be outraged. Blue Cross isn’t going to pay it. They’ll scream highway robbery. So something will happen. Your patent application will be denied. Your permits will be delayed. Something will force you to see reason—and to sell your drug at a lower cost. From a business standpoint, that makes helping mankind a very risky business. Personally, I would never help mankind.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.'
Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words.
'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...'
'What don't I know?' asked Dumbledore calmly.
It was too much. Harry turned around, shaking with rage.
'I don't want to talk about how I feel, all right?'
'Harry, suffering like this proves you are still a man! This pain is part of being human--'
'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!'
'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--'
He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions.
'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.'
'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself.
'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.'
'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--'
But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness.
”
”
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
“
How stubborn are the scars when they won't fade away?
Or just a gentle reminder that now are better days?
We'll be home soon, so dry your eyes,
You'll be okay (you'll be okay!)
Oh my God!
The water is rising!
It's rising!
You just have to believe in me!
Failing that I'll ride this storm alone!
We can still make it out,
'Fuck'
I can help you through this,
But you have to take my hand!
I can take you home,
Take my hand,
Take my hand!
I should've known the tides were getting higher.
We can still survive.
They think we're drowning but our heads are still above the waves,
Above the waves.
(I should've known the tides were getting higher)
(We can still survive)
(Above the waves)
(I should've known the tides were getting higher)
(I should've known the tides were getting higher)
We can still survive!
You never said goodbye, goodbye!
[x4]
And now you're on your own!
You never said goodbye!
You never said goodbye, goodbye!
”
”
Asking Alexandria (Stand Up and Scream)
“
Last night, at a press conference, the City Council reminded everyone that the Dog Park is there for our community enjoyment and use, and so it is important that no one enter, look at, or think about the Dog Park. They are adding a new advanced camera system to keep an eye on the great black walls of the Dog Park at all times, and if anyone is caught trying to enter it, they will be forced to enter it, and will never be heard from again. If you see hooded figures in the Dog Park, no you didn’t. The hooded figures are perfectly safe, and should not be approached at any costs. The City Council ended the conference by devouring a raw potato in quick, small bites of their sharp teeth and rough tongues. No follow-up questions were asked, although there were a few follow-up screams.
We have also received word via encrypted radio pulses about the opening of a new store: Lenny’s Bargain House of Gardenwares and Machine Parts, which until recently was that abandoned warehouse the government was using for the highly classified and completely secret tests I was telling you about last week. Lenny’s will serve as a helpful new source for all needs involving landscaping and lawn-decorating materials and also as a way for the government to unload all the machines and failed tests and dangerous substances that otherwise would be wasted on things like “safe disposal” or “burying in a concrete tomb until the sun goes out.”
Get out to Lenny’s for their big grand opening sale. Find eight government secrets and get a free kidnapping and personality reassignment so that you’ll forget you found them!
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
PHOENIX: As I was about to say… “Telekinesis” means “mind over matter.”
U-Men: I’m not scared… I’ll match your natural powers with my electric blood transfusion.
PHOENIX: No… No. I’m sorry, you won’t. All your minds… looking out through those little portholes… Naked insecurities crawling all over you like graffiti… So sad… You’ll be quiet and you’ll listen to someone else for just 5 minutes. Mind over matter? Think back to all that processed food you ate today to help calm your nerves. I’m thinking about it right now. I’m thinking of moving it up.
U-Men: Aaautch! Bblaaauuurrr!
PHOENIX: And moving it down.
U-Men: Oh! Awwwww!
PHOENIX: I don’t want you to get hurt but you have to understand… the more you annoy me the more I can’t help thinking about deconstructing you, molecule by molecule, memory by memory… until there’s nothing left but screaming, traumatized atoms. So don’t patronize me. Don’t threaten me. And don’t ever endanger any of my students again. Don’t even think about it. Or I’ll know.
”
”
Grant Morrison
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
War thoughts again. I think back to the business cards from that health shop earlier on. I think about miniature wars that individuals fight all the time. They fight against cellulite, or negative emotions, or addictions, or stress. I think about how we can now hire all different sorts of mercenaries to help us fight against ourselves…Therapists, manicurists, hairdressers, personal trainers, life coaches. But what’s it all for? What do all these little wars achieve? Although it is a part of my life too, and I want to be thin and pretty and not laughed at in the street and not so stressed and mad that I start screaming on the tube, it suddenly seems a little bit ridiculous. All the time we do these things we are trying to enlist ourselves into a bigger war. We are trying to join up, constantly, with the enemy.
-
Hitler tried to impose his shiny, blonde, neat, sparkling world on us all and we resisted. So how is it that when McDonald’s and Disney and The Gap and L’Oreal and all the others try to do the same thing we all just say, ‘OK’? Hitler needed marketing, that’s all. His propaganda was, of course, brilliant for its time, everyone knows that. What a great idea, to make people feel that they belong to something, that their identity makes them special. If Hilter had bee able to enlist a twenty-first-century marketing department, would he have been able to sell Nazism to everyone? Why not? You can just see a beautiful, thin woman with her long blonde hair moving softly in the breezes, and the tagline ‘Because I’m worth it’.
”
”
Scarlett Thomas (PopCo)
“
See!” Dad yelled. “Boys don’t stay with whores, Bianca. They leave them. And I’m not going to let you turn into a whore. Not my daughter. This is for your own good.”
I looked up as he reached a hand down to grab my arm. I squeezed my eyes shut, waiting to feel his fingers clamp around my forearm.
But they never did.
I heard a loud thud, and Dad grunted in pain. My eyes flew open. Wesley moved away from Dad, who was massaging his jaw with a shocked look on his face. “Why you little shithead!”
“Are you all right?” Wesley asked, kneeling in front of me.
“Did you just punch my dad?” I couldn’t help but wonder if I was delirious. Had all of this really just happened? Totally bizarre.
“Yes,” Wesley admitted.
“How dare you touch me!” Dad screamed, but he was having trouble balancing enough to approach us again. “How dare you fuck my daughter, then hit me, you son of a bitch!”
I’d never heard my father swear like that before.
“Come on,” Wesley said, helping me to my feet. “Let’s get out of here. You’re coming with me.” He wrapped an arm around me, pulling me close against his warm body, and ushered me out the open door.
”
”
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
“
In every way there is, murder is chaos. Our job is simple, when you get down to it: we stand against that, for order. I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid’s mind to tell an adult to fuck off. There was plenty of bad there, I don’t forget that, but we all knew exactly where we stood and we didn’t break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it’s spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can’t have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone. The final step into feral is murder.
”
”
Tana French (Broken Harbor)
“
Malfoy swaggered forward when his name was called and got his wish at once: the hat had barely touched his head when it screamed, ‘SLYTHERIN!’ Malfoy went to join his friends Crabbe and Goyle, looking pleased with himself. There weren’t many people left now. ‘Moon’ … ‘Nott’ … ‘Parkinson’ … then a pair of twin girls, ‘Patil’ and ‘Patil’ … then ‘Perks, Sally-Anne’ … and then, at last – ‘Potter, Harry!’ As Harry stepped forward, whispers suddenly broke out like little hissing fires all over the hall. ‘Potter, did she say?’ ‘The Harry Potter?’ The last thing Harry saw before the hat dropped over his eyes was the Hall full of people craning to get a good look at him. Next second he was looking at the black inside of the hat. He waited. ‘Hmm,’ said a small voice in his ear. ‘Difficult. Very difficult. Plenty of courage, I see. Not a bad mind, either. There’s talent, oh my goodness, yes – and a nice thirst to prove yourself, now that’s interesting … So where shall I put you?’ Harry gripped the edges of the stool and thought, ‘Not Slytherin, not Slytherin.’ ‘Not Slytherin, eh?’ said the small voice. ‘Are you sure? You could be great, you know, it’s all here in your head, and Slytherin will help you on the way to greatness, no doubt about that – no? Well, if you’re sure – better be GRYFFINDOR!
”
”
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
“
He sighs and wiggles around in his chair to get comfortable-it's going to be a long night. Watching humans play pretend for two hours doesn't exactly flip his fin. But he can tell Emma's getting restless. And so is he.
Just as he nods off, a loud noise pops from the screen. Emma latches onto his arm as if he's dangling her over a cliff. She presses her face into his biceps and moans. "Is it over yet?" she whispers.
"The movie?"
"No. The thing that jumped out at her. Is it gone?"
Galen chuckles and pries his arm from her grasp, then wraps it around her. "No. You should definitely stay there until I tell you it's clear."
She whips her head up, but there's an almost-smile in her eyes. "I might take you up on that, pretend date or no. I hate scary movies."
"Why didn't you tell me that? Everyone at school was practically salivating over this movie."
The lady next to her leans over. "Shhh!" she whisper-yells.
Emma nestles into the crook of his arm and buries her face in his chest, where she returns frequently as the movie goes on. Galen admits to himself that humans can make everything look pretty real. Still, he can't understand how Emma can be afraid when she knows they're only actors on the screen getting paid to scream like boiling lobsters. But who is he to complain? Their convincing performance keeps Emma in his arms for almost two solid hours.
When the movie is over, he pulls the car to the curb and opens the door for her just as Rachel instructed. Emma accepts his hand as he helps her in.
"What should we call our new little game?" he says on the way home.
"Game?"
"You know, 'Have some Lemonheads, sweet lips!'"
"Oh, right." She laughs. "How about...Upchuck?"
"Sounds appropriate. You realize it's your turn, right? I was thinking of making you eat a live crab."
She leans over him. He almost swerves off the road when her lips brush his ear. "Where will you get a live crab? All I have to do is poke my head in the water and tell them to scatter."
He grins. She's been getting more comfortable with her Gift. Yesterday, she sent some dolphins chasing after him.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Hazel sometimes had a fantasy daydream at school where the teacher walked into the classroom and yelled,
ISN’T EVERYTHING HORRIBLE? DOESN’T THE PAIN OF THE WORLD OUTWEIGH THE JOY BY TRILLIONS? WOULD YOU LIKE TO PUSH ALL OF THE DESKS INTO THE CENTER OF THE ROOM AND BURN THEM IN A GIANT BONFIRE? THEN WE CAN RUN AROUND SCREAMING AND WEEPING AMIDST THE SMOKE IN A TRUTHFUL PARADE OF OUR HUMAN CONDITION. SINCE YOU ARE SMALL STATURED, CHILDREN, IT MIGHT HELP OTHERS TO FEEL THE FULL BRUNT OF YOUR AGITATION IF YOU WAVE STICKS AND SHRUBBERY OVER YOUR HEADS ALL THE WHILE. WE DON’T WANT TO KILL ANYTHING WE DON’T HAVE TO KILL; EVERYTHING LIVING THAT WE’VE EVER SEEN OR KNOWN WILL DIE WITHOUT OUR INTERVENTION, OURSELVES INCLUDED; THIS IS A PSYCHOLOGICAL LEAD BLANKET THAT EVEN OUR MOST PERVASIVE MOMENTS OF COMFORT CANNOT CRAWL OUT FROM UNDER AND ONE UNEXTINGUISHABLE SOURCE OF DESPAIR, SO WE WON’T BE PERFORMING ANY RITUALISTIC SACRIFICES; THAT’S NOT THE DIRECTION WE WILL GO IN JUST YET; HOWEVER, ASSISTANT PRINCIPAL LAWRENCE IS ON THE PROWL FOR A ROAD CARCASS WE MIGHT BE ABLE TO USE AS A REPRESENTATIVE PROP BECAUSE NOWHERE IN OUR AUTUMN-THEMED POSTER BOARD DéCOR IS MORBIDITY OR DECAY SYMBOLIZED. OUR SCHOOL BOARD MEMBERS CANNOT AGREE ON HOW BEST TO ACKNOWLEDGE THE BOUNDLESSNESS OF HUMAN CRUELTY. IN OUR SOCIETY SOME OF YOU ARE FAR SAFER AND MORE ADVANTAGED THAN OTHERS; AT HOME SOME OF YOU ARE FAR MORE LOVED; SOME OF YOU WILL FIND THAT CONCEPTS LIKE FAIRNESS AND JUSTICE WILL BE THIN, FLICKERING HOLOGRAMS ON THE PERIPHERY OF YOUR LIVES. OH, LOOK, CHILDREN—I SEE MR. LAWRENCE IN THE DISTANCE DRAGGING A PORTION OF A HIGHWAY-SLAUGHTERED DEER. LET’S GO HELP HIM LUG IT INSIDE AND BE REMINDED THAT WE TOO INHABIT BODIES MADE OF MEAT-WRAPPED BONES; LET’S MEDITATE ON THIS CORPOREAL TERROR.
Whenever her mother had asked, Hazel always told her, School is great.
”
”
Alissa Nutting (Made for Love)
“
the reactions were generally the same. As a rule, most people seem to appreciate being rescued by dashing strangers. Most people, perhaps, but not Sophie Quire. “Are you insane?” she shouted, her voice hoarse from screaming at him. “You nearly killed those men!” Peter almost fell over as she wrenched a book out from under his boot. He listened as she riffled through the pages, as though inspecting the book for damage. “And what were you doing up on that lamppost, anyway?” she demanded. “Were you following me?” Peter stepped back, caught off guard. “I . . . um . . .” Obviously he had been following her. People didn’t just spend their mornings climbing lampposts for the fun of it. But to hear her describe the activity, you would think it was the worst thing in the world. “In case you forgot,” he said finally, “I just rescued you.” “Rescued me?” The girl got right in his face. She was radiating indignation like a furnace. “I was going to have to pay a fine . . . Now I’m party to attempted murder. Who knows what they will do to me, or my father? One word from the Inquisitor and we’ll be on the street or worse—and it will all be thanks to you!” Peter opened his mouth but closed it again. He could feel his whole face flushing with anger, or perhaps embarrassment—he wasn’t sure which. All he knew was this was not what he had planned. “I . . . I was only trying to help,” he said, inching back. “Next time, resist the urge.” The girl yanked her cloak over her shoulders with a dramatic flap. “And if you’re going to throw something into the river,” she added, “why not start with that ridiculous hat? You look like an ostrich in mourning.” With a dramatic heel, she turned away and ran toward the road.
”
”
Jonathan Auxier (Sophie Quire and the Last Storyguard: A Peter Nimble Adventure)
“
Ronan Lynch was becoming a jagged, shaggy horror of a thing. She could feel the same wordless dread that the Lace invoked rising in her.
Hennessy hugged him.
She didn't even know where the impulse came from. She was not a sentimental hugger. She had not been hugged as a child, unless the hug was being emotionally weaponized for later. And Ronan Lynch did not seem like the sort of person who would care about getting a hug. Giving someone care and receiving it were two unrelated actions.
At first it did not seem to do anything.
Ronan kept screaming. The hug had not made him appear more human. He seemed more like Bryde than ever--and not Bryde when he was his most man-shaped. He just seemed like a dream entity that hated everything.
"Ronan Lynch, you asshole," Hennessy said.
Once, he'd hugged her. At the time, she had thought it didn't help, but she'd been wrong.
So she held on now, and kept holding on, though he became even less recognizable as Ronan Lynch for a little bit. Then, after a while, the scream gave way to quiet.
She could feel his body quivering. Like a pencil sketch, it conveyed misery with the smallest of gestures.
And then there was nothing at all, just stillness.
Finally, she realized he was hugging her, too, tightly.
There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understand you'd been using words and silence the wrong way for a long time.
”
”
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
“
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
SELF-HELP FOR FELLOW REFUGEES
If your name suggests a country where bells
might have been used for entertainment,
or to announce the entrances and exits of the seasons
and the birthdays of gods and demons,
it's probably best to dress in plain clothes
when you arrive in the United States.
And try not to talk too loud.
If you happen to have watched armed men
beat and drag your father
out the front door of your house
and into the back of an idling truck,
before your mother jerked you from the threshold
and buried your face in her skirt folds,
try not to judge your mother too harshly.
Don't ask her what she thought she was doing,
turning a child's eyes
away from history
and toward that place all human aching starts.
And if you meet someone
in your adopted country
and think you see in the other's face
an open sky, some promise of a new beginning,
it probably means you're standing too far.
Or if you think you read in the other, as in a book
whose first and last pages are missing,
the story of your own birthplace,
a country twice erased,
once by fire, once by forgetfulness,
it probably means you're standing too close.
In any case, try not to let another carry
the burden of your own nostalgia or hope.
And if you're one of those
whose left side of the face doesn't match
the right, it might be a clue
looking the other way was a habit
your predecessors found useful for survival.
Don't lament not being beautiful.
Get used to seeing while not seeing.
Get busy remembering while forgetting.
Dying to live while not wanting to go on.
Very likely, your ancestors decorated
their bells of every shape and size
with elaborate calendars
and diagrams of distant star systems,
but with no maps for scattered descendants.
And I bet you can't say what language
your father spoke when he shouted to your mother
from the back of the truck, "Let the boy see!"
Maybe it wasn't the language you used at home.
Maybe it was a forbidden language.
Or maybe there was too much screaming
and weeping and the noise of guns in the streets.
It doesn't matter. What matters is this:
The kingdom of heaven is good.
But heaven on earth is better.
Thinking is good.
But living is better.
Alone in your favorite chair
with a book you enjoy
is fine. But spooning
is even better.
”
”
Li-Young Lee (Behind My Eyes: Poems)
“
Returning from a hunting trip, Orde-Lees, traveling on skis across the rotting surface of the ice, had just about reached camp when an evil, knoblike head burst out of the water just in front of him. He turned and fled, pushing as hard as he could with his ski poles and shouting for Wild to bring his rifle. The animal—a sea leopard—sprang out of the water and came after him, bounding across the ice with the peculiar rocking-horse gait of a seal on land. The beast looked like a small dinosaur, with a long, serpentine neck. After a half-dozen leaps, the sea leopard had almost caught up with Orde-Lees when it unaccountably wheeled and plunged again into the water. By then, Orde-Lees had nearly reached the opposite side of the floe; he was about to cross to safe ice when the sea leopard’s head exploded out of the water directly ahead of him. The animal had tracked his shadow across the ice. It made a savage lunge for Orde-Lees with its mouth open, revealing an enormous array of sawlike teeth. Orde-Lees’ shouts for help rose to screams and he turned and raced away from his attacker. The animal leaped out of the water again in pursuit just as Wild arrived with his rifle. The sea leopard spotted Wild, and turned to attack him. Wild dropped to one knee and fired again and again at the onrushing beast. It was less than 30 feet away when it finally dropped. Two dog teams were required to bring the carcass into camp. It measured 12 feet long, and they estimated its weight at about 1,100 pounds. It was a predatory species of seal, and resembled a leopard only in its spotted coat—and its disposition. When it was butchered, balls of hair 2 and 3 inches in diameter were found in its stomach—the remains of crabeater seals it had eaten. The sea leopard’s jawbone, which measured nearly 9 inches across, was given to Orde-Lees as a souvenir of his encounter. In his diary that night, Worsley observed: “A man on foot in soft, deep snow and unarmed would not have a chance against such an animal as they almost bound along with a rearing, undulating motion at least five miles an hour. They attack without provocation, looking on man as a penguin or seal.
”
”
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
“
Humanistic propaganda screams at us everywhere we go. “You deserve better.” “There’s no one like you.” “Stand up for yourself.” And after a while we start believing the mantra. The most influential culture-shaping document in American history is the Declaration of Independence. And built into the ethos of American society are three inalienable rights: life, liberty, and the pursuit of happiness. I think the wording is ironic: the pursuit of happiness. It’s almost like the architects of modern democracy said, “We guarantee you life, and we promise you liberty. But happiness? Good luck.” America is a social experiment founded on the pursuit of happiness. Hundreds of millions of Americans are chasing down happiness. Money, materialism, sex, romance, religion, family, and fame are all pursuits of the same human craving—joy. But apart from Jesus, we never get there. People spend decades searching high and low for happiness and never land at joy. In an odd twist of fate, America, for all her life and liberty, is one of the most depressed nations in the world. And many of us are mad at God. Somehow we think God owes us. We deserve happiness. We deserve a good, comfortable life, free from pain and suffering. We have rights! Right? The scriptures present a totally different worldview that stands against the humanism of Western Europe. It is written, “By grace you have been saved.”[17] The word grace is (charis) in the Greek, which can be translated as “gift.” All of life is grace. All of life is a gift. Humans have no rights. Everything is a gift. Food, shelter, the clothes on our backs, the oxygen in our lungs—it’s all grace. The entire planet, the sky above us and the ground beneath our feet, is all on loan from the Creator God. We live under his roof, eat his food, and drink his water. We are guests. And we are blessed. A reporter once asked Bob Dylan if he was happy. Dylan’s response was, “These are yuppie words, happiness and unhappiness. It’s not happiness or unhappiness. It’s either blessed or unblessed.”[18] I like that. We are blessed. When you reorient yourself to a biblical worldview, the only posture left to take is gratitude. If all of life is a gift, how could we help but thank God?
”
”
John Mark Comer (My Name is Hope: Anxiety, depression, and life after melancholy)
“
Then it was horn time. Time for the big solo.
Sonny lifted the trumpet - One! Two! - He got it into sight - Three!
We all stopped dead. I mean we stopped.
That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit.
Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?"
I looked close and said: "Man, I hope not."
But why kid? We'd seen that trumpet a million times.
It was Spoof's.
Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night...
I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and -
That blast got into our ears like long knives.
Spoof's own trademark!
Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide.
Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat.
The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves...
And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted:
'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!'
And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz.
Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep...
And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!'
God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
”
”
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Get away from the door." she whispered. "Both of you get out of here NOW." "Miss," said Alf. "We don't mean no..." "You don't know what you're getting into." she said. "You must leave here this instant." Alf, his face worried said to Peter. "Maybe we should..." "No," sad Peter, furious. "We've come this far, and we're going to go in there, and she can't stop us." "Yes I can." said Molly, her voice dead calm. Peter and Alf both looked at her. "I can scream." she said. "You wouldn't." Peter said. "Yes I would." "You don't dare." said Peter. "You're not supposed to be here, either. You'd be in as much trouble as us." "I could say I heard a noise," she said. "I heard something fall." she pointed to the padlcok. "I came to investigate, and when I saw you I screamed." "All right miss. said Alf. "No need for that." he put a hand on Peter's shoulder. "Come on lad." "No," said Peter, shrugging off the hand, glaring at Molly. "You go if you want. She doesn't scare me." "I'm going to count," said Molly. "If you're not gone when I get to ten, I WILL scream." "You're bluffing." said Peter." said Peter. "One." said Molly. On the floor Leatherface stirred, rolling over, resumed snoring. "Little friend." whispered Alf, his tone urgent now. "I'm going." "Go then." said Peter. "Two." "Please little friend." "NO." "Three" "All right, then." said Alf, shaking his head. "Good luck, then." "Four" Alf was up the ladder and gone. "Five" "Why are you doing this?" hissed Peter. "Six. Because I have to." Her face was grim. "But why?" "Seven. I can't tell you." "Tell me WHAT? Why can't you tell me anyway? How do you know if you don't try?" "Nine. Because I... Because it... it's so..." Molly's voice broke. Peter saw she was crying. "Molly, please, whatever it is, JUST TELL ME.. Maybe...maybe I can help you." For several seconds, Molly looked at him, a look of lonely desperation, tears brimming in her luminescent green eyes. Then she made a decision- Peter saw it happen- and her expression was grim again. She's going to say ten, thought Peter. She's going to scream. Molly opened her mouth. "All right, then." she said. "I'll tell you.
”
”
Dave Barry
“
There was a note on the table.”
“Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand.
“What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher.
Van Eck backhanded him. “If I find out you knew anything about this—”
“I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!”
Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives.
“The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again.
“Brekker,” Van Eck snarled, his voice taut with rage.
Inej couldn’t help it. She started to laugh.
Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.”
Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.”
“Shall I have Franke fetch the mallet and show you just how serious I am?”
“Mister Van Eck,” Bajan pleaded.
But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back.
“You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—”
“Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned.
“Be silent,” he shouted, spittle flying from his mouth.
“You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.”
Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do.
“Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
WHEN I DESCRIBED THE TUMOR IN MY ESOPHAGUS as a “blind, emotionless alien,” I suppose that even I couldn’t help awarding it some of the qualities of a living thing. This at least I know to be a mistake: an instance of the pathetic fallacy (angry cloud, proud mountain, presumptuous little Beaujolais) by which we ascribe animate qualities to inanimate phenomena. To exist, a cancer needs a living organism, but it cannot ever become a living organism. Its whole malice—there I go again—lies in the fact that the “best” it can do is to die with its host. Either that or its host will find the measures with which to extirpate and outlive it. But, as I knew before I became ill, there are some people for whom this explanation is unsatisfying. To them, a rodent carcinoma really is a dedicated, conscious agent—a slow–acting suicide–murderer—on a consecrated mission from heaven. You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful:
Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing and then die a horrible agonizing death, and THEN comes the real fun, when he’s sent to HELLFIRE forever to be tortured and set afire.
There are numerous passages in holy scripture and religious tradition that for centuries made this kind of gloating into a mainstream belief. Long before it concerned me particularly I had understood the obvious objections. First, which mere primate is so damn sure that he can know the mind of god? Second, would this anonymous author want his views to be read by my unoffending children, who are also being given a hard time in their way, and by the same god? Third, why not a thunderbolt for yours truly, or something similarly awe–inspiring? The vengeful deity has a sadly depleted arsenal if all he can think of is exactly the cancer that my age and former “lifestyle” would suggest that I got. Fourth, why cancer at all? Almost all men get cancer of the prostate if they live long enough: It’s an undignified thing but quite evenly distributed among saints and sinners, believers and unbelievers. If you maintain that god awards the appropriate cancers, you must also account for the numbers of infants who contract leukemia. Devout persons have died young and in pain. Betrand Russell and Voltaire, by contrast, remained spry until the end, as many psychopathic criminals and tyrants have also done. These visitations, then, seem awfully random. My so far uncancerous throat, let me rush to assure my Christian correspondent above, is not at all the only organ with which I have blasphemed. And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half–aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)
”
”
Christopher Hitchens (Mortality)
“
Anna? Anna,are you there? I've been waiting in the lobby for fifteen minutes." A scrambling noise,and St. Clair curses from the floorboards. "And I see your light's off.Brilliant. Could've mentioned you'd decided to go on without me."
I explode out of bed. I overslept! I can't believe I overslept! How could this happen?
St. Clair's boots clomp away,and his suitcase drags heavily behind him. I throw open my door. Even though they're dimmed this time of night,the crystal sconces in the hall make me blink and shade my eyes.
St. Clair twists into focus.He's stunned. "Anna?"
"Help," I gasp. "Help me."
He drops his suitcase and runs to me. "Are you all right? What happened?"
I pull him in and flick on my light. The room is illuminated in its disheveled entirety. My luggage with its zippers open and clothes piled on top like acrobats. Toiletries scattered around my sink. Bedsheets twined into ropes. And me. Belatedly, I remember that not only is my hair crazy and my face smeared with zit cream,but I'm also wearing matching flannel Batman pajamas.
"No way." He's gleeful. "You slept in? I woke you up?"
I fall to the floor and frantically squish clothes into my suitcase.
"You haven't packed yet?"
"I was gonna finish this morning! WOULD YOU FREAKING HELP ALREADY?" I tug on a zipper.It catches a yellow Bat symbol, and I scream in frustration.
We're going to miss our flight. We're going to iss it,and it's my fault. And who knows when the next plane will leave, and we'll be stuck here all day, and I'll never make it in time for Bridge and Toph's show. And St. Clair's mom will cry when she has to go to the hospital without him for her first round of internal radiation, because he'll be stuck iin an airport on the other side of the world,and its ALL. MY FAULT.
"Okay,okay." He takes the zipper and wiggles it from my pajama bottoms. I make a strange sound between a moan and a squeal. The suitcase finally lets go, and St. Clair rests his arms on my shoulders to steady them. "Get dressed. Wipe your face off.I'll takecare of the rest."
Yes,one thing at a time.I can do this. I can do this.
ARRRGH!
He packs my clothes. Don't think about him touching your underwear. Do NOT think about him touching your underwear. I grab my travel outfit-thankfully laid out the night before-and freeze. "Um."
St. Clair looks up and sees me holding my jeans. He sputters. "I'll, I'll step out-"
"Turn around.Just turn around, there's not time!"
He quickly turns,and his shoulders hunch low over my suitcase to prove by posture how hard he is Not Looking.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down.
"You should have returned my calls. Or my texts," he says, his voice tight.
As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?"
You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma."
"Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.”
He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand.
Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate?
“Where are you taking me? I told you I want to go home.”
“We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.”
“I don’t want to talk. You might have realized that when I didn’t answer your calls.”
He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.”
One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?”
“Absolutely. But I happen to be a nice guy, too.”
Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.”
“You threw Rayna through a window. Call it even?”
“When are you going to get over that? Besides, she provoked me!”
“Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.”
“Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Jacob, is something wrong? Is Isabella okay?”
“Probably. She is not well today. It could be a normal thing for a human female, but since she is usually as resistant to common ailments now as we are, she is nervous. I figured Gideon could ease her mind.”
Noah missed the wince that crossed his friend’s face that would have given away the indignant argument flying through the Enforcer’s thoughts. Jacob’s female counterpart huffily took umbrage to his claims of exactly who it was that was nervous and who had insisted on seeking Gideon, because it certainly had not been her.
“Tell her I hope she feels better,” Noah said, his fondness for Bella quite clear in his tone. “Bear with her, old friend. She’s breaking new ground. It can be pretty frightening to play Eve for an entire race.”
“Do not worry. When it comes to my Bella, I would do anything to see to her happiness. That includes making others do anything to see to her happiness,” Jacob said. He meant the words, of course, but he was hoping they’d help sooth someone’s bristling pride.
“I’m sure Gideon is going to love that,” Noah laughed.
Jacob grinned, altering gravity so that he began to float up from the floor.
“If you see Gideon before I do, will you tell him to come to Bella?”
“Of course. Tell her I said to start behaving like a real Druid or I—” Noah was cut off by a sharp hand motion and a warning expression from the Enforcer. It came a little too late, however, if Jacob’s pained expression was anything to judge by.
“There goes your invitation for our wedding,” Jacob muttered. “And I think I am close behind you.”
“I would believe that if I were not the one who is supposed to perform it and if you were not the father of her otherwise illegitimate child,” Noah countered loudly, clearly talking to the person beyond his immediate perception.
“Ow! Damn it, Noah!” Jacob grumbled, rubbing his temples as Bella’s scream of frustration echoed through him. “Do you remember I am the one who has to go home to her, would you?”
“Sorry, my friend,” Noah chuckled, not looking at all repentant. “Now get out of here, Enforcer. Find Gideon and tend to your beautiful and charming mate. Be sure to mention to her that I said she looks ravishing and that her pregnancy has made her shine like a precious jewel.”
“Noah, if you were not my King, I would kill you for this.”
“Yes, well, as your King I would have you arrested for treason just for saying that. Luckily for you, Jacob, you are the man who would arrest you, and the woman who also has the power to do so is sure to punish you far better than I can when you get home.”
“You are all heart, my liege,” Jacob said wryly.
“Thank you. Now leave, before I begin to expound on the disrespect that this mouthy little female of yours seems to have engendered my formerly loyal subjects.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her.
'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling.
Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet.
Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart.
She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
”
”
Toni Morrison (Beloved)
“
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
”
”
Kelly Bryson (Don't Be Nice, Be Real)
“
Mom?” Then again, louder. “Mom?”
She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared.
“I don’t feel good. Can I stay home today?”
No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?”
“I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again.
“I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?”
Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her.
Funny things, though. Not scary things.
“Can you tell me your name?” she repeated.
“Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?”
She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?”
Something tightened in my chest to the point of snapping.
“Mom, Mommy, why—”
“Stop it,” she hissed, “stop calling me that!”
“What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it.
“We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—”
“I live here!” I told her. “I live here! I’m Ruby!”
When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby.
“Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!”
She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.”
The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage.
She hadn’t even turned on the light for me.
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))