“
We have to be back in three hours," Ronan said. "I just fed Chainsaw but she'll need it again."
"This," Gansey replied "is precisely why I didn't want to have a baby with you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.
”
”
Jeffrey Eugenides (Middlesex)
“
Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really."
Here we go again, George said. Always talking about himself.
Quiet! Martha snapped. Do you want to get set on vibrate?
Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo."
"Did he get blasted to tiny pieces?" I asked.
"Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry."
So what's the moral?"
"The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?"
"Um ..."
"How about this: stealing is not always bad?"
"I don't think my mom would like that moral."
Rats are delicious, suggested George.
What does that have to do with the story? Martha demanded.
Nothing, George said. But I'm hungry.
"I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that?
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
Can you kiss me again?” the whisper came like a plea laced with honey and need, and any desire to enjoy one thing at a time was lost in that second. “Come here baby boy and I’ll kiss you forever,
”
”
Talon P.S. (What Torin Wants)
“
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
”
”
Luke Davies (Candy)
“
Warner has collapsed in the corner.
He's curled into himself, kness pulled up to his chest. arms wrapped around his legs, his head buried in this arms. And he's shaking.
Tremors are rocking his entire body.
I've never, ever seen him look like a child before. Never, not once, not in all the time I've known him. But right now, he looks just like a little boy. Scared, Vulnerable. All alone.
...
I touch his arms, so gently. I run my hand down his back, his shoulders. And then I dare to wrap myself around him until he slowly breaks apart, unfolding in front of me.
He lifts his head.
His eyes are red-rimmed and a startling, striking shade of green, shining with barely restrained emotion. His face is the picture of so much pain.
I almost can't breathe.
An earthquake hits my heart then, cracks it right down the middle. And It hink here, in him, there is more feeling then any one person should ever have to contain.
I try to hold him closer but he wraps his arms around my hips instead, his head falling into my lap. I bend over him instinctively, shielding his body with my own.
I press my cheek to his forehead. Press a kiss to his temple.
And then he breaks.
Shaking violently, shattering in my arms, a million gasping, choking pieces I'm trying so hard to hold together. And I promise myself then, in that moment that I will hold him forever, just like this, until all the pain and torture and suffering is gone, until he's given a chance to live the kind of life where no one can wound him this deeply ever again.
”
”
Tahereh Mafi
“
Do not mock my baby." He pulls away and strokes his palm over he seat. "She was my first love."
"Well your current ... er ... girl, is getting jealous with all the attention you're paying your first love, and she has orifices you can stick things in without having your boy bits burnt off."
He pulls me into him again and his mouth goes to work on my neck. “Fuck I love it when you talk dirty.
”
”
Carmen Jenner (Welcome to Sugartown (Sugartown, #1))
“
THE DREAM THAT MUST BE INTERPRETED
This place is a dream.
Only a sleeper considers it real.
Then death comes like dawn,
and you wake up laughing
at what you thought was your grief.
But there's a difference with this dream.
Everything cruel and unconscious
done in the illusion of the present world,
all that does not fade away at the death-waking.
It stays,
and it must be interpreted.
All the mean laughing,
all the quick, sexual wanting,
those torn coats of Joseph,
they change into powerful wolves
that you must face.
The retaliation that sometimes comes now,
the swift, payback hit,
is just a boy's game
to what the other will be.
You know about circumcision here.
It's full castration there!
And this groggy time we live,
this is what it's like:
A man goes to sleep in the town
where he has always lived, and he dreams he's living
in another town.
In the dream, he doesn't remember
the town he's sleeping in his bed in. He believes
the reality of the dream town.
The world is that kind of sleep.
The dust of many crumbled cities
settles over us like a forgetful doze,
but we are older than those cities.
We began
as a mineral. We emerged into plant life
and into animal state, and then into being human,
and always we have forgotten our former states,
except in early spring when we slightly recall
being green again.
That's how a young person turns
toward a teacher. That's how a baby leans
toward the breast, without knowing the secret
of its desire, yet turning instinctively.
Humankind is being led along an evolving course,
through this migration of intelligences,
and though we seem to be sleeping,
there is an inner wakefulness
that directs the dream,
and that will eventually startle us back
to the truth of who we are.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
The Patrician took a sip of his beer. “I have told this to few people, gentlemen, and I suspect I never will again, but one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining on mother and children. And that’s when I first learned about evil. It is built into the nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
”
”
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
“
We have to be back in three hours,” Ronan said. “I just fed Chainsaw but she’ll need it again.” “This,” Gansey replied, “is precisely why I didn’t want to have a baby with you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.”
She turns to me as if to say, Is he talking to me?
He’s already gone, though, his footsteps thumping up the stairs.
At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?”
That doesn’t sound ominous.
When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.”
I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion.
Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.”
Sabrina raises an eyebrow at me.
I shrug, because I legitimately don’t know what the fuck he’s talking about.
“I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.”
“Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?”
He nods, busy flipping the page.
My baby mama gapes at me.
I shrug again.
“Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile.
He cheers up again. “Well, the top contender was Garrett.”
I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?”
“Graham.”
Hannah sighs.
“But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.”
My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.”
Sabrina is mystified. “Why Gigi?” she asks slowly.
Hannah sighs again.
The name suddenly clicks in my head. Oh for fuck’s sake.
“G.G.,” I mutter to Sabrina. “As in Garrett Graham.”
She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend.
“What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.”
“What rule book?” Hannah bursts out. “You make up the rules as you go along!”
“So?
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!"
"I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room.
"Aaaaaah... did you love him, little baby Potter?"
Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!"
Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor.
"Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Boys or girls?” “Boys,” he said again immediately, and I blinked. “Really?” “Babe, my life, girls?” He shook his head and kept shaking it when he went on, “Your beauty, even a little of it, you give that to our baby?” He stopped shaking his head and his fingers gave me a gentle squeeze. “Fuck no. I’ll need to buy more guns and hire more men.” I giggled. “Make me boys,” he ordered. I giggled again.
”
”
Kristen Ashley (Knight (Unfinished Hero, #1))
“
No baby knows when the nipple is pulled from his mouth for the last time. No child knows when he last calls his mother “Mama.” No small boy knows when the book has closed on the last bedtime story that will ever be read to him. No boy knows when the water drains from the last bath he will ever take with his brother. No young man knows, as he first feels his greatest pleasure, that he will never again not be sexual. No brinking woman knows, as she sleeps, that it will be four decades before she will again awake infertile. No mother knows she is hearing the word Mama for the last time. No father knows when the book has closed on the last bedtime story he will ever read: From that day on, and for many years to come, peace reigned on the island of Ithaca, and the gods looked favorably upon Odysseus, his wife, and his son.
”
”
Jonathan Safran Foer (Here I Am)
“
This is your baby sister, Christian. Her name is Mia.”
Mommy lets me hold her. She is very small. With black, black hair.
She smiles. She has no teeth. I stick out my tongue. She has a bubbly laugh.
Mommy lets me hold the baby again. Her name is Mia.
I make her laugh. I hold her and hold her. She is safe when I hold her.
Elliot is not interested in Mia. She dribbles and cries.
And he wrinkles his nose when she does a poop.
When Mia is crying Elliot ignores her. I hold her and hold her and she stops.
She falls asleep in my arms.
“Mee a,” I whisper.
“What did you say?! Mommy asks, and her face is white like a chalk.
“Mee a.”
“Yes. Yes. Darling boy. Mia. Her name is Mia.”
And Mommy starts to cry with happy, happy tears.
”
”
E.L. James (Grey (Fifty Shades as Told by Christian, #1))
“
Since we have had this baby with us, I have never again wondering why I never got pregnant. There is no doubt in my mind that God, in His wonderful way, was saving us to be the parents of this wonderful little boy.
”
”
Kathleen Silber (Dear Birthmother)
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
Off To The Races"
My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart
Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah
Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you
My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone
Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him
Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it
My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."
And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love
You are my one true love
”
”
Lana Del Rey
“
Nick ran smack into me.
"Ooof!" he hollered, grabbing me around the waist to keep me from falling down the rest of the staircase.
That's when I realized Mom thought Nick and I were going on a date together.
Quickly Nick let me go.He looked huge, frowning down at me from the step above. "Why are you stopping in the middle of the stairs?"
"Why are you tailgating me?"
He put his hand behind me, at butt level, without touching me. "What is that?" he demanded.
I bent a little and slapped my butt, "Something the heir to a meat fortune should know all about. USDA grade-A prime,baby." I straightened. "Just kidding. Really, it's my butt."
He put his hands on his hips, and from below I noticed his strong superhero chin again.He grumbled, "Why do you have 'boy toy' written across your butt?"
"Oh!" I put my hand over the words, realizing that I probably should have been embarrassed about this sooner. "These are my brother's jeans. He wrote it to annoy me. Or to get me a date.
”
”
Jennifer Echols (The Ex Games)
“
Lucky"
(feat. Colbie Caillat)
Do you hear me,
I'm talking to you
Across the water across the deep blue ocean
Under the open sky, oh my, baby I'm trying
Boy I hear you in my dreams
I feel your whisper across the sea
I keep you with me in my heart
You make it easier when life gets hard
I'm lucky I'm in love with my best friend
Lucky to have been where I have been
Lucky to be coming home again
Ooohh ooooh oooh oooh ooh ooh ooh ooh
They don't know how long it takes
Waiting for a love like this
Every time we say goodbye
I wish we had one more kiss
I'll wait for you I promise you, I will
I'm lucky I'm in love with my best friend
Lucky to have been where I have been
Lucky to be coming home again
Lucky we're in love every way
Lucky to have stayed where we have stayed
Lucky to be coming home someday
And so I'm sailing through the sea
To an island where we'll meet
You'll hear the music fill the air
I'll put a flower in your hair
Though the breezes through trees
Move so pretty you're all I see
As the world keeps spinning round
You hold me right here right now
I'm lucky I'm in love with my best friend
Lucky to have been where I have been
Lucky to be coming home again
I'm lucky we're in love every way
Lucky to have stayed where we have stayed
Lucky to be coming home someday
”
”
Jason Mraz
“
You want it, boy?" He pulled his prick out of his jeans.
"God, yes. That's why I'm here."
"Good." He left his jeans open, left his prick hard and pushing out. "Come on. Shower."
"Turn around." He wanted to see it. Griff went a deep red, but the man turned to show the weird, stylized whip branded into one ass cheek. Groaning, Brian reached out and touched it, traced it with his fingers. He'd done that. He'd marked his boy.
"You still clean?" Brian kept rubbing his prick back and forth across Griff's hole.
"I am. I couldn't... I couldn't get it up with anyone else."
"Good." He grabbed the shampoo and poured it over his fingers.
"Was not. You fucked me up"
"We fucked each other up." He was not in this alone.
He couldn't wait to be inside Griff again. His wild, desperate baby boy. His fingers traced the brand on Griff's ass. His. All fucking his. Marked permanently. And Griff had let him do it. The man knew it was true.
”
”
Sean Michael (Breaking Cover)
“
All right. I will be a man about this…I’m so sorry Bets. I should have hidden the keys. Booted your tires. Something. I had no idea anyone would abuse you so, baby. I swear I’ll never let anyone hurt you again. Ayyy, how could they do this to you? How? Oh the humanity!” – Andy
“I really need to get that boy a girlfriend- or at least laid.” – Sundown
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.
Real women do not have curves. Real women do not look like just one thing.
Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.
Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.
Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.
Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.
Real women wear high heels and skirts. Or not.
Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.
Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.
Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.
There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.
I’m going to say it again because it’s important: There is no wrong way to have a body.
And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.
You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.
Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
”
”
Hanne Blank
“
How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words.
The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words.
I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.
”
”
Janet Fitch (White Oleander)
“
Ren crossed his arms over his chest. "is it LoJacked?"
"Of course," Andy said indignantly. "That's my baby. I even have a kill switch on her."
"Then stop the engine."
Andy appeared downright horrified by Ren's suggestion. "Are you out of your mind? What if someone hits it for stalling? I had that thing on order for over a year. Custom hand built. The epitome of German engineering. I even paid extra for the paint on her. Ain't no way I'm going to chance someone denting my baby. Or, God forbid, totaling it."
Jess rolled his eyes at the boy's hissy fit. If he kept that up, he'd be putting Andy back in diapers.
He turned to Ren. "You take the air. I'll get a bike." Then he focused his attention on Andy again. "And you-"
Andy held his cell phone out to him. "Have an app. Track her down, get my car back, and beat the hell out of her...in that precise order.
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
Pat-a-cake, pat-a-cake, baker’s man . . .” Evie chanted as she played with Stephen in the Challons’ private railway carriage. They occupied one side of a deep upholstered settee, with Sebastian lounging in the other corner. The baby clapped his tiny hands along with his grandmother, his rapt gaze fastened on her face. “Make me a cake as fast as you can . . .”
The nursery rhyme concluded, and Evie cheerfully began again. “Pat-a-cake, pat-a-cake—”
“My sweet,” Sebastian interrupted, “we’ve been involved in the manufacture of cakes ever since we set foot on the train. For my sanity, I beg you to choose another game.”
“Stephen,” Evie asked her grandson, “do you want to play peekaboo?”
“No,” came the baby’s grave answer.
“Do you want to play ‘beckoning the chickens?’”
“No.”
Evie’s impish gaze flickered to her husband before she asked the child, “Do you want to play horsie with Gramps?”
“Yes!”
Sebastian grinned ruefully and reached for the boy. “I knew I should have kept quiet.” He sat Stephen on his knee and began to bounce him, making him squeal with delight.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Take It Easy"
That the light stalks your skin,
no, that your skin makes it: a radiating
hum, jive, a freedom, a beehive
packed just as much with honey as does it
hazard; also, a balm for where the sting sits,
a treaty, country upon which I first laid
my claim, but was usurped; where
carefully do I move to cross it again. Now
here come my lips to it, pink over your body’s
good bark. Now here is my mouth, entire.
I’m scared of you, baby, it says, scared like a god
is of his faithful, and like the faithful. Light
-struck. Delighted. Terrorstruck. Come, lift up
your gates, your countenance spread like a lily upon me:
whip me, I am so whipped. These are my eyes.
”
”
Rickey Laurentiis (Boy with Thorn)
“
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
Seeing a big scratch on Andy's cheek, he tried again. "You win this fight?" he
touched the little boy's cheek lightly.
Andy's eyes filled with tears. "I fallded down."
"Fell," Jordan corrected automatically.
"DADDY!! COME HERE!!" JD commanded furiously. He stomped off to
behind the sofa. Jordan rolled his eyes and followed.
Leaning down, Jordan whispered, "What?"
JD had on his 'frog face'. The one he wore when grownups have been bad.
Brows wrinkled, mouth all scrunched and frowny, hands on hips, all 33 inches
of righteous indignation, he hissed, "He be's just a baby. He dunna talk good
yet."
Jordan cocked his eyebrow at his son.
"I'm a big boy, Daddy. I know this stuff.
”
”
Grasshopper (Just Hit Send)
“
Eventually everyone came out of the water and for hours and hours and hours we lay under the tree and talked and read and occasionally someone got up to throw a stick for the dogs and Piper played with Ding and made tiny woven wreaths of poppies and daisies to decorate his baby horns and Isaac whistled back and forth to a robin and Edmond just lay there smoking and telling me he loved me without saying anything out loud and if there ever was a more perfect day in the history of time it isn't one I've heard about.
The sun waited to go down longer than usual that day so we kept putting off the moment we had to leave and the boys and dogs swam in the river again and eventually we all headed back practically in the dark, dog-tired and too happy to talk much.
I guess there was a war going on somewhere in the world that night but it wasn't one that could touch us.
”
”
Meg Rosoff
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies.
I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony.
And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
”
”
Sloane Crosley (I Was Told There'd Be Cake: Essays)
“
I didn’t know where you were,” Johnny continued to tell me as he shook his head, looking all flustered and sounding confused. “I thought I lost you… and my head? My head is hiiiigh as balls, baby.” He called you baby. He called you baby again.
”
”
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
“
This place is a dream. Only a sleeper considers it real. Then death comes like dawn, and you wake up laughing at what you thought was your grief. But there’s a difference with this dream. Everything cruel and unconscious done in the illusion of the present world, all that does not fade away at the death-waking. It stays, and it must be interpreted. All the mean laughing, all the quick, sexual wanting, those torn coats of Joseph, they change into powerful wolves that you must face. The retaliation that sometimes comes now, the swift, payback hit, is just a boy’s game to what the other will be. You know about circumcision here. It’s full castration there! And this groggy time we live, this is what it’s like: A man goes to sleep in the town where he has always lived, and he dreams he’s living in another town. In the dream, he doesn’t remember the town he’s sleeping in his bed in. He believes the reality of the dream town. The world is that kind of sleep. The dust of many crumbled cities settles over us like a forgetful doze, but we are older than those cities. We began as a mineral. We emerged into plant life and into the animal state, and then into being human, and always we have forgotten our former states, except in early spring when we slightly recall being green again. That’s how a young person turns toward a teacher. That’s how a baby leans toward the breast, without knowing the secret of its desire, yet turning instinctively. Humankind is being led along an evolving course, through this migration of intelligences, and though we seem to be sleeping, there is an inner wakefulness that directs the dream, and that will eventually startle us back to the truth of who we are.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
Okay, i admit it," Connor looked away, "I'm a little disappointed."
"Excuse me?" snapped Kevin, sure he hadn't heard right.
"Well, now that I'm thoroughly and diligently queer, I expected more manly love-talk, you know? Not like Pretty Baby and feeding you graped and stuff," he snorted.
"Uh, you mean like, hey you bastard I don't have a beer and nobody's sucking my dick, what's wrong with this picture?"
"Oh," Connor climbed Kevin a little, his cock becoming interested again. "That's the spirit."
"Like, I've got handcuffs and I'm not afraid to yo use them, that kind of talk?"
"Oh, officer, show me your nightstick."
"I'm not even a cop anymore."
"No but oddly enough, I am." Connor grinned, holding Kevin's hands above his head. "And you there, are looking a little guilty."
"Oh man," Kevin bit his lip. "I just can't help myself, Officer Dougal. I've been such a bad, bad boy."
"Oh, well then, son, I guess you'll just have to spead 'em." He slid down beneath the covers, "This will require some in depth observation, I think."
Kevin's cock was getting hard again as Connor's tongue lapped all the way down on it then back up again, teasing the little slit in the top.
"Yep, just as I thought, blunt instrument. I'm afraid you'll have to come with me...
”
”
Z.A. Maxfield (The Long Way Home)
“
She thinks that if her son were to come home now it would be like waking from a dream. She would feel again. But the boy will not come home, and though she will not allow herself to know this, she knows it anyway. And so she makes brownies for the memory of her baby. She can't help herself---faint comfort is better than no comfort at all, you see? Her world is very cold, and this is the thing she warms herself over with.' Jennifer looked at the old woman cooking eggs in the kitchen and smiled sadly. 'It is a heart coal.
”
”
Scott Hawkins, The Library at Mount Char
“
What happened? Stan repeats.
To us?
To the country?
What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have.
What happened?
Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we
Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear.
What happened?
You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what
Happened?
Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by
Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what
Happened?
Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day
we are responsible for ourselves.
We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't
Who we wanted to be.
”
”
Don Winslow (The Kings of Cool (Savages, #1))
“
Lovin’ in My Baby’s Eyes” is playing, and Peter takes my hand and leads me out to the lawn.
We’ve never danced to this kind of song before. It’s the kind of song where you sway together and make a lot of eye contact and smile. It feels different, like we’re already older versions of Peter and Lara Jean.
Across the dance floor, Trina and Kitty and Margot are dancing in a circle, with Grandma in the middle. Haven is dancing with my dad. She catches my eye and mouths, He’s so cute. Peter, not my dad. He is. He is so, so cute.
I will never forget tonight, not for as long as I live. One day, if I’m lucky, I’ll tell some young girl all my stories, just like Stormy told me hers. And I’ll get to live them again.
When I’m old and gray, I will look back on this night, and I will remember it just as it was.
Is.
We’re still here. It’s not the future yet.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Baby, look at me,” I tell her again softly. She turns her head, her gray pools meeting mine. I wipe a tear from her cheek. “If something happens to me—or the boys—I need to know you can survive up here.” I speak softly, swiping my thumb under her eye to catch another tear before it falls.
”
”
Penelope Douglas (Credence)
“
All these men afraid of bein’ crowded, ain’t they? They need all this room, they afraid some woman gonna crawl in their head and take over. Well, surprise, surprise. Ain’t nobody crawlin’ in there ’cept you, honey, and you get older and older and it get stuffy in there. Let me tell you, you afraid of other folks takin’ away your elbow room, well, just relax. You born alone, you die alone, and you get any kind of company in between, you one lucky boy. Bein’ by yourself ain’t no accomplishment. Ain’t like being no kind of hero. Ray, see, Ray sho ’nough figures he gettin’ away with somethin’, understand me? He think he a clever boy, runnin’ round with whores, gettin’ diseases, drinkin’ his heart out till five in the a.m. Lucky Ray, huh? Well, what Raymond Harris gettin’ away with is not see his kids grow up, and when he do come back they call him Mr. Harris ’steada Daddy, and they shake his hand ’steada kiss his cheek, and they spit when he turn his back. And I spit, too, though I’ll take him in again and love him, ’cause that’s what I’s here to do. But I spit anyways, ’cause he such a dumb sucker, understand me? ’Less stupid ole Ray Harris die by hisself in some alleyway. Sho, run away. Best way in the world to be nothin’. Risk endin’ up croaked by garbage cans, when he could die in my arms?” Leonia put her coffee cup in its saucer, and it rattled softly. “That no way to be the big man, baby. That just be dumb and sad. You got me?
”
”
Lionel Shriver (The Female of the Species)
“
I remember you. You’re the boy who broke my baby’s heart.” Yep. Looked as though Grams remembered what had happened fifteen years ago, although he knew she wouldn’t remember if she’d taken her medicine that morning or not. “So, why’re you callin’ him now? You wanna play slap and tickle with him again?
”
”
Nicole Edwards (Fearless (Pier 70, #2))
“
Eddie turned away.
"Because I saved you, as tough as those years were for you, as bad as it was with your hand, you got to grow up, too. And because you got to grow up..."
When he turned back, Annie froze. Eddie was holding a baby boy, with a small blue cap on his head.
"Laurence?" Annie whispered.
Eddie stepped forward and placed her son in her trembling arms. Instantly, Annie was whole again, her body complete. She cradled the infant against her chest, a motherly cradle that filled her with the purest feeling. She smiled and wept and she could not stop weeping.
"My baby," she gushed. "Oh, my baby, my baby...
”
”
Mitch Albom (The Next Person You Meet in Heaven)
“
Ro giggled. “The adorable obliviousness strikes again!” Keefe rolled his eyes and tugged on the hem of his tunic—which was still inside out, Sophie realized. “Fine. Now that you and Fitz are dating—” “We’re not,” she interrupted. “I know, I know—not officially. But come on, Foster. You guys are totally a ‘thing.’ Fitz told me the whole sappy story about his big confession. And yours.” He kicked one of his shoes across the room. “That’s ten minutes of my life I’ll never get back,” Ro added as Sophie’s cheeks reached nuclear levels of heat. “Though I did enjoy the part where you bailed on Pretty Boy right before all the smooching.” “I didn’t bail on him,” Sophie mumbled, refusing to look at anybody. “Silveny went into labor, and we had to go save her and the babies.” “Don’t you just hate when that happens?” Ro teased. “And that doesn’t explain why you and Swoony Boy still haven’t…” She puckered her lips and made horrifyingly loud kissy sounds. “Or have you?” They… hadn’t—but no way was Sophie answering that question.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
It was strange how a person came full circle. How a man was once a baby and a boy, and then a lover and a father, and now a child again. It was strange that once she had been a little girl, climbing onto Pappy’s knee, burying her head in his shoulder, clinging to him for protection, and he had been young, and strong, and like a god. And now it was all over, the purpose of his life. The strength had ebbed away. The man who had lived, and loved, and given the beauty of his voice to millions, was weary, and crabbed, and fretful, following with his eyes the daughter he had once protected and carried in his arms. Yes, Pappy had come full circle. He was back again, on the road where he had begun. But why? To what end? Would anybody ever know?
”
”
Daphne du Maurier (The Parasites)
“
Den we git hurtee again. Somebody call hisself a deputy sheriff kill de baby boy now. (Over)1 “He say he de law, but he doan come ’rest him. If my boy done something wrong, it his place come ’rest him lak a man. If he mad wid my Cudjo ’bout something den he oughter come fight him face to face lak a man. He doan come ’rest him lak no sheriff and he doan come fight him lak no man. He have words wid my boy, but he skeered face him. Derefo’, you unnerstand me, he hidee hisself in de butcher wagon and when it gittee to my boy’s store, Cudjo walk straight to talk business. Dis man, he hidin’ hisself in de back of de wagon, an’ shootee my boy. Oh, Lor’! He shootee my boy in de throat. He got no right shootee my boy. He make out he skeered my boy goin’ shoot him and shootee my boy down in de store. Oh, Lor’! De people run come tellee me my boy hurtee. We tookee him home and lay him in de bed. De big hole in de neck. He try so hard to ketchee breath. Oh, Lor’! It hurtee me see my baby boy lak dat. It hurtee his mama so her breast swell up so. It make me cry ’cause it hurt Seely so much. She keep standin’ at de foot of de bed, you unnerstand me, an’ lookee all de time in his face. She keep telling him all de time, ‘Cudjo, Cudjo, Cudjo, baby, put whip to yo’ horse!’ “He hurtee so hard, but he answer her de best he kin, you unnerstand me. He tellee her, ‘Mama, thass whut I been doin’!’ “Two days and two nights my boy lay in de bed wid de noise in de throat. His mama never leave him. She lookee at his face and tellee him, ‘Put whip to yo’ horse, baby.’ “He pray all he could. His mama pray. I pray so hard, but he die. I so sad I wish I could die in place of my Cudjo. Maybe, I doan pray right, you unnerstand me, ’cause he die while I was prayin’ dat de Lor’ spare my boy life. “De man dat killee my boy, he de paster of Hay Chapel in Plateau today. I try forgive him.
”
”
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
“
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
”
”
Dale Carnegie (How To Win Friends and Influence People)
“
Is there a baby?” Her eyes went blank, as if he’d spoken the question in Apache. “A baby,” he repeated, “on the way. Is that why you hid out in my wagon? To trap me?” She gasped. Daniel heard the boys gasp, too, though he doubted they knew what he was really asking. She knew all right, because she unwound from the little ball she’d curled herself into and slapped him hard across the face. The boys all jumped, but they stayed under cover. Smart boys. She packed quite a wallop for a little thing. His face burned. His temper rose. Her chin began to quiver. The sparkle in her eyes blazed into fire. She pulled her hand back to paste him again. He caught her hand with a smart slap of flesh on flesh, surprised at how furious he was. He should have been sorry. He should have been begging her pardon for asking such a thing. But he wasn’t. And her anger might be over getting caught rather than being insulted. “Sorry, Mrs. Reeves, but that’s no answer.” The sting on his cheek came out in his voice. She jerked against his grip. He held fast. She raised her other hand—this one clenched in a fist—and he caught that, too. He leaned close. “You are well and truly trapped, Mrs. Reeves. Just like I am.
”
”
Mary Connealy (Calico Canyon (Lassoed in Texas, #2))
“
I hadn't told him the news yet, but in that same preternatural way he was always aware of what I was feeling or thinking, he could smell my lies a mile away. He was just giving me time to come to him.
To tell him I'd be baking his bun for the next seven and a half months.
''I'm okay."
Dex's chuckle filled my ears as he wrapped his arms around my chest from behind, his chin resting on the top of my head. "Just okay?"
He was taunting me, I knew it.
This man never did anything without a reason. And this reason had him resembling a mama bear. A really aggressive, possessive mama bear. Which said something because Dex was normally that way. I couldn't even sit around Mayhem without him or Sonny within ten feet.
I leaned my head back against his chest and laughed. "Yeah, just okay."
He made a humming noise deep in his throat. "Ritz," he drawled in that low voice that reached the darkest parts of my organs. "You're killin' me, honey."
Oh boy.
Did I want to officially break the news on the side of the road with chunks of puke possibly still on my face? Nah. So I went with the truth. "I have it all planned out in my head. I already ordered the cutest little toy motorcycle to tell you, so don't ruin it."
A loud laugh burst out of his chest, so strong it rocked my body alongside his. I friggin' loved this guy. Every single time he laughed, I swear it multiplied. At this rate, I loved him more than my own life cubed, and then cubed again.
"All right," he murmured between these low chuckles once he'd calmed down a bit. His fingers trailed over the skin of the back of my hand until he stopped at my ring finger and squeezed the slender bone. "I can be patient."
That earned him a laugh from me. Patience? Dex? Even after more than three years, that would still never be a term I'd use to describe him. And it probably never would. He'd started to lose his shit during our layover when Trip had called for instructions on how to set the alarm at the new bar.
"Dex, Ris, and Baby Locke, you done?" Sonny yelled, peeping out from over the top of the car door.
"Are you friggin' kidding me?" I yelled back. Did everyone know?
That slow, seductive smile crawled over his features. Brilliant and more affectionate than it was possible for me to handle, it sucked the breath out of me. When he palmed my cheeks and kissed each of my cheeks and nose and forehead, slowly like he was savoring the pecks and the contact, I ate it all up. Like always, and just like I always would.
And he answered the way I knew he would every single time I asked him from them on, the way that told me he would never let me down. That he was an immovable object. That he'd always be there for me to battle the demons we could see and the invisible ones we couldn't.
"Fuckin' love you, Iris," he breathed against my ear, an arm slinking around my lower back to press us together. "More than anything.
”
”
Mariana Zapata (Under Locke)
“
The few things I’d sacrificed, or put on hold, to be with my husband and
baby were worth it. That broken boy on the beach seemed like a lifetime ago. Years had passed, college and the NFL, marriage and a baby, but every once in a while, when Jude looked over at me and gave me that slow, knowing smile of his, I was that girl in a black string bikini all over again, longing for a boy I never thought could be mine.
”
”
Nicole Williams (Crush (Crash, #3))
“
The child was a boy – beautiful in the face, with a great mop of silky black hair. He was perfectly formed, but there was something attached to his back. Estelle gasped with horror when she discovered the baby had black, leathery wings, like those of a bat, neatly folded on his back.
The Fae did not have wings!
Somewhere she had heard that they used to have – long ago. Maybe her child was a throwback? But what would her father think of a baby with wings? She tried again to call Griff, to tell him his child was born.
There was a terrible sharp pain in her head, then a fierce whisper that seemed to fill her mind. ‘Don't call HIM! I forbid you to call HIM ever!’
The child's eyes had opened.
They were beautiful Faen eyes – an impossible colour of violet-black and much too intelligent for a new-born baby.
Worse than that – they were evil!
”
”
Bernie Morris (The Fury of the Fae)
“
my heart. So I fancied that your boy might fill the empty place if he tried now." "No, Mother, it is better as it is, and I'm glad Amy has learned to love him. But you are right in one thing. I am lonely, and perhaps if Teddy had tried again, I might have said 'Yes', not because I love him any more, but because I care more to be loved than when he went away." "I'm glad of that, Jo, for it shows that you are getting on. There are plenty to love you, so try to be satisfied with Father and Mother, sisters and brothers, friends and babies, till the best lover of all comes to give you your reward." "Mothers are the best lovers in the world, but I don't mind whispering to Marmee that I'd like to try all kinds. It's very curious, but the more I try to satisfy myself with all sorts of natural affections, the more I seem to want. I'd no idea hearts could take in so many. Mine is so elastic, it never seems full now, and I used to be quite contented with my family. I don't understand it." "I do," and Mrs. March smiled her wise smile, as Jo turned back the leaves to read what Amy said of Laurie. "It is so beautiful to be loved as Laurie loves me. He isn't sentimental, doesn't say much about it, but I see and feel it in all he says and does, and it makes me so happy and so humble that I don't seem to be the same girl I
”
”
Louisa May Alcott (Little Women (Illustrated))
“
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.”
There was a beat. Then John said cautiously, “What do you mean?”
“The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?”
John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me.
And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another.
“Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“
“Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“
I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say.
“Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.”
“I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.”
“I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.”
I raised my gaze to his. “You’re right about that, at least,” I said.
“So am I forgiven?” he asked.
I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his.
Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it.
“Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.”
John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
You know--a little rosy baby boy at your bosom, and what husband's heart is not touched, seeing his wife nursing his child! A plump little rosy baby, sprawling and snuggling, chubby little hands and feet, clean tiny little nails, so tiny that it makes one laugh to look at them; eyes that look as if they understand everything. And while it sucks it clutches at your bosom with its little hand, plays. When its father comes up, the child tears itself away from the bosom, flings itself back, looks at its father, laughs, as though it were fearfully funny, and falls to sucking again. Or it will bite its mother's breast when its little teeth are coming, while it looks sideways at her with its little eyes as though to say, 'Look, I am biting!' Is not all that happiness when they are the three together, husband, wife and child? One can forgive a great deal for the sake of such moments. Yes, Liza, one must first learn to live oneself before one blames others!
”
”
Fyodor Dostoevsky (Notes from Underground)
“
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember:
"The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..."
I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination.
When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me.
A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible.
After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare.
Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
”
”
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
“
I’m never going to be kissed.”
I open my eyes to see my brothers gaping at me like I’ve lost my mind.
“You don’t kiss boys,” says West. “Boys shouldn’t be anywhere near you. Guys only want one thing, Rach, and it ain’t conversation. I should know.” He waves off the subject in frustration, then shakes his head as he speaks again. “Why are we even talking about this? You aren’t seeing anyone.”
“Ah, hell,” mumbles Jack. “We’re having the sex talk with my baby sister.”
“Is she dating?” Gavin demands of West and Ethan. “She can’t be dating. Now we have to beat the snot out of some horny teenager. You should have told me this was going on.”
“Make them stop,” I whisper to Ethan. Along with the dread of speeches and vomiting, I’m also dying of embarrassment.
“She’s not dating!” West shudders as if spiders cover him. “That’s just sick, Rach. Don’t talk like that. Ever. Again.”
Gavin sends me a glare clearly meant to warn me off from kissing and dating boys before he heads for the main ballroom.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
PROLOGUE Zoey “Wow, Z, this is a seriously awesome turnout. There are more humans here than fleas on an old dog!” Stevie Rae shielded her eyes with her hand as she looked around at the newly lit-up campus. Dallas was a total jerk, but we all admitted that the twinkling lights he’d wrapped around the trunks and limbs of the old oaks gave the entire campus a magickal, fairy-like glow. “That is one of your more disgusting bumpkin analogies,” Aphrodite said. “Though it’s accurate. Especially since there are a bunch of city politicians here. Total parasites.” “Try to be nice,” I said. “Or at least try to be quiet.” “Does that mean your daddy, the mayor, is here?” Stevie Rae’s already gawking eyes got even wider. “I suppose it does. I caught a glimpse of Cruella De Vil, a.k.a. She Who Bore Me, not long ago.” Aphrodite paused and her brows went up. “We should probably keep an eye on the Street Cats kittens. I saw some cute little black and white ones with especially fluffy fur.” Stevie Rae sucked air. “Ohmygoodness, your mamma wouldn’t really make a kitten fur coat, would she?” “Faster than you can say Bubba’s drinkin’ and drivin’ again,” Aphrodite mimicked Stevie Rae’s Okie twang. “Stevie Rae—she’s kidding. Tell her the truth,” I nudged Aphrodite. “Fine. She doesn’t skin kittens. Or puppies. Just baby seals and democrats.” Stevie Rae’s brow furrowed. “See, everything is fine. Plus, Damien’s at the Street Cats booth, and you know he’d never let one little kitten whisker be hurt—let alone a whole coat,” I assured my BFF, refusing to let Aphrodite mess up our good mood. “Actually, everything is more than fine. Check out what we managed to pull off in a little over a week.” I sighed in relief at the success of our event and let my gaze wander around the packed school grounds. Stevie Rae, Shaylin, Shaunee, Aphrodite, and I were manning the bake sale booth (while Stevie Rae’s mom and a bunch of her PTA friends moved through the crowd with samples of the chocolate chip cookies we were selling, like, zillions of). From our position near Nyx’s statue, we had a great view of the whole campus. I could see a long line at Grandma’s lavender booth. That made me smile. Not far from Grandma, Thanatos had set up a job application area, and there were a bunch of humans filling out paperwork there. In the center of the grounds there were two huge silver and white tents draped with more of Dallas’s twinkling lights. In one tent Stark and Darius and the Sons of Erebus Warriors were demonstrating weaponry. I watched as Stark was showing a young boy how to hold a bow. Stark’s gaze lifted from the kid and met mine. We shared a quick, intimate smile
”
”
P.C. Cast (Revealed (House of Night #11))
“
There was a note on the table.”
“Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand.
“What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher.
Van Eck backhanded him. “If I find out you knew anything about this—”
“I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!”
Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives.
“The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again.
“Brekker,” Van Eck snarled, his voice taut with rage.
Inej couldn’t help it. She started to laugh.
Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.”
Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.”
“Shall I have Franke fetch the mallet and show you just how serious I am?”
“Mister Van Eck,” Bajan pleaded.
But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back.
“You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—”
“Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned.
“Be silent,” he shouted, spittle flying from his mouth.
“You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.”
Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do.
“Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
them again, and all would change to dull reality--the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds--the rattling teacups would change to tinkling sheep- bells, and the Queen's shrill cries to the voice of the shepherd boy--and the sneeze of the baby, the shriek of the Gryphon, and all thy other queer noises, would change (she knew) to the confused clamour of the busy farm-yard--while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. Lastly, she pictured to herself
”
”
Lewis Carroll (Alice's Adventures in Wonderland (Alice's Adventures in Wonderland, #1))
“
Paper Bag"
I was staring at the sky, just looking for a star
To pray on, or wish on, or something like that
I was having a sweet fix of a daydream of a boy
Whose reality I knew, was a hopeless to be had
But then the dove of hope began its downward slope
And I believed for a moment that my chances
Were approaching to be grabbed
But as it came down near, so did a weary tear
I thought it was a bird, but it was just a paper bag
Hunger hurts, and I want him so bad, oh it kills
'Cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
Hunger hurts, but starving works, when it costs too much to love
And I went crazy again today, looking for a strand to climb
Looking for a little hope
Baby said he couldn't stay, wouldn't put his lips to mine,
And a fail to kiss is a fail to cope
I said, 'Honey, I don't feel so good, don't feel justified
Come on put a little love here in my void,' he said
'It's all in your head,' and I said, 'So's everything'
But he didn't get it I thought he was a man
But he was just a little boy
Hunger hurts, and I want him so bad, oh it kills
'Cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
Hunger hurts, but starving works, when it costs too much to love
Hunger hurts, but I want him so bad, oh it kills
'Cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
Hunger hurts, but starving works, when it costs too much to love
Hunger hurts, but I want him so bad, oh it kills
Because I know that I'm a mess that he don't wanna clean up
I got to fold because these hands are just too shaky to hold
Hunger hurts, but starving, it works, when it costs too much to love
”
”
Fiona Apple
“
Alessandro shrugged and pushed the blade in, dragging it down the man’s skin, making him cry out. He struck him again with his fist, blood spurting onto Alessandro as well. “Did Arturo tell you that the mother of my child was in that limo? She’s carrying my baby inside of her, and that her son was in the limo too? I’m sure he did. I’m sure he left explicit instructions as to who exactly you were supposed to dispose of, didn’t he?”
“He’ll kill me. I swear, he’ll kill me,” the man cried, tears mixing in with his
blood.
“Next, I’ll take an eye, you snivelling little shit!” Alessandro growled, raising his bloody blade to the man’s left eyeball. The unmistakable scent of urine filled the air.
Alessandro stepped back in disgust and turned to Jason and his other man, Marty, two of the best Dardano soldiers, loyal and efficient. They took his cue and slipped on their brass knuckles.
“Just say the words, ol’ boy, and we’ll stop this,”
“Fuck you,” the man shouted.
Alessandro smirked. “Such defiance for a man who just pissed himself.” He crossed his arms as Marty and Jason went to work.
It only took a minute. “All right. Okay! Stop! Stop! Fine, I’ll talk!
”
”
E. Jamie (The Vendetta (Blood Vows, #1))
“
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned.
I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.”
“But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then.
I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.”
The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.”
“You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too.
“Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—”
“You weren’t thinking.”
She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—”
“The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.”
She ignored me again. “Everything makes me cry and I itch. I itch so bad.”
“Do I… want to know where you’re itching?”
“Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.”
I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever.
“He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.”
“You know you can come stay with us if you want.”
She made a noise.
“I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.”
She sighed. “I would. I really would, but I couldn’t leave Aiden.”
And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too.
“Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—”
Vanessa let out another loud laugh. “You jerk.”
“What? You could.”
There was a pause. “I don’t even know why I bother with you half the time.”
“Because you love me?”
“I don’t know why.”
“Tia,” Louie hissed, rubbing his belly like he was seriously starving.
“Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?”
Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.”
“Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—”
“Goddammit, Diana—”
I laughed. “Love you. I’ll call you back. Bye!”
“Vanny has a whale?” Lou asked.
”
”
Mariana Zapata (Wait for It)
“
I snapped my teeth at him making him retract his fingers to a safe distance away from my choppers. I grinned as I turned around and made a move to grab my duvet so I could shake it out and make my bed, only to find I couldn't because Storm was lying on top of it.
I didn't even hear him come in.
“Hello, my baby boy,” I cooed.
Alec gasped from behind me. “How does he fucking do that?”
I smiled as I leaned over and scratched behind Storm's ears. “Because he is a cool dog.”
“This is not funny, he doesn't make a fucking sound... it's not right, not right at all!”
I grinned. “I told you,” I said as I turned around to face Alec again. “He is a ninja dog.
”
”
L.A. Casey (Keela (Slater Brothers, #2.5))
“
This washroom used to be for boys. The mirrors have been replaced here too by oblongs of dull gray metal, but the urinals are still there, on one wall, white enamel with yellow stains. They look oddly like babies' coffins. I marvel again at the nakedness of men's lives: the showers right out in the open, the body exposed for inspection and comparison, the public display of privates. What is it for? What purposes of reassurance does it serve? The flashing of a badge, look, everyone, all is in order, I belong here. Why don't women have to prove to one another that they are women? Some form of unbuttoning, some split-crotch routine, just as casual. A dog-like sniffing.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
We got pregnant with Angel almost by accident. I was thinking it was just about time to go on birth control and wham-it happened. We wanted two children, but were thinking of spacing them out a little more. God and Angel had other plans.
I’m so glad. Bubba and Angel are so close in age and such good friends that I can’t imagine it any other way. But at the time, I was more than a little apprehensive about it. Once again, it worked out that Chris was preparing to leave just when I was due.
They say God only gives you what you can handle. Chris didn’t cope with crying babies very well. So either he paid the military to deploy him with each baby, or God was looking out for him with well-timed, newborn-avoiding deployments.
This time, the Team guy karma worked: the sonogram technician confirmed it was a girl several months into the pregnancy. She was going to be the first female born into the Kyle side of the family in eighty years. Which made her unique, and her grandparents particularly tickled.
Chris couldn’t resist the opportunity to tease them with the news.
“We’re having a boy,” he said when he called them back in Texas with the news.
“Oh, how nice,” they said.
“No, we’re having a girl.”
“Whoo-hoo!” they shouted.
“No, we’re having a boy.”
“Chris! Which is it!?”
“A girl!”
If they could have gotten away to visit us that night, I doubt they would have needed an airplane to fly.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Once I had found the courage to tell Rebecca about the children in my head, it wasn't so hard in the coming months to tell Roberta.
On the train from Huddersfield one day in May I made a roll call of the usual suspects: Baby Alice; Alice 2, who was two years old and liked to suck sticky lollipops; Billy; Samuel; Shirley; Kato; and the enigmatic Eliza. There was boy I would grow particularly fond of named limbo, who was ten, but like Eliza he was still forming. There were others without names or specific behaviour traits. I didn't want to confuse the issue with this crowd of 'others' and just counted off the major players with their names, ages and personalities, which Roberta scribbled down on a pad. Then she looked slightly embarrassed. 'You know, I've met Billy on a few occasions, and Samuel once too,' she said. 'You're joking.' I felt betrayed. 'Why didn't you tell me?' 'I wanted it to come from you, Alice, when you were ready.' For some reason I pulled up my sleeves and showed he my arms. 'That's Kato,' I said, 'or Shirley.' She looked a bit pale as she studied the scars. I had feeling she didn't know what to say. The problem with counsellors is that they are trained to listen, not to give advice or diagnosis. We sat there with my arms extended over the void between us like evidence in court, then I pushed down my sleeves again. 'I'm so sorry, Alice,' she said finally and I shrugged. 'It's not your fault, is it?' Now she shrugged, and we were quiet once more.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee.
Who breaks into a house, turns on the lights, and makes coffee?
I padded into the living room on soft feet, Slayer ready.
“Loud and clumsy, like a baby rhino,” said a familiar voice.
I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago.
I thought he had forgotten about me. I had been quite happy to stay forgotten.
“The Princess Bride?” he said, flipping the book over.
“What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place.
“Did everything go well with Julie?”
“Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.”
I watched him, not quite sure where we stood.
“I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.”
“Yes, he did. I’m sorry about your people. Many losses?”
A shadow darkened his face. “A third.”
He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us.
Curran turned the book over in his hands. “You own words of power.”
He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare.
“You’re an interesting woman,” he said.
“Your interest has been duly noted.” I pointed to the door.
He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.”
My mouth gaped open.
He inhaled my scent, bent close, about to kiss me . . .
I just stood there like an idiot.
Curran smirked and whispered in my ear instead. “Psych.”
And just like that, he was out the door and gone.
Oh boy.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Make out a schedule for yourself, on paper if necessary, that requires you to be busy with housework or anything else while your baby is awake. Go at it with a great bustle—to impress your baby and to impress yourself. Say you are the mother of a baby boy who has become accustomed to being carried all the time. When he frets and raises his arms, explain to him in a friendly but very firm tone that this job and that job must get done this afternoon. Though he doesn’t understand the words, he does understand the tone of voice. Stick to your busywork. The first hour of the first day is the hardest. One baby accepts the change better if his mother stays out of sight a good part of the time at first and talks little. This helps him to become absorbed in something else. Another adjusts more quickly if he can at least see his mother and hear her talking to him, even if she won’t pick him up. When you bring him a plaything or show him how to use it, or when you decide it’s time to play with him, sit down beside him on the floor. Let him climb into your arms if he wants, but don’t get back into the habit of walking him around. If you’re on the floor with him, he can crawl away when he eventually realizes you won’t walk. If you pick him up and walk him, he’ll surely object noisily just as soon as you start to put him down again. If he keeps on fretting indefinitely when you sit with him on the floor, remember another job and get busy again. What you are trying to do is to help your baby begin to build frustration tolerance—a little at a time. If she does not begin to learn this gradually between six and twelve months, it is a much harder lesson to learn later on.
”
”
Benjamin Spock (Dr. Spock's Baby and Child Care)
“
I like that,” Bree admitted. “It’s like…it’s never too late to change.” Her eyes met his, and she hoped he understood that she meant it for him as well as for herself. She wanted Alessandro to give in to the good she knew was in him and leave the Dardano family behind.
“I forgot about that. I feel rather ashamed of it now. Because of the things I’ve done. Then I was looking at this tiny creature here, and you’re going to think I’m mad but…every time I look at him, he looks different to me. He’s the same boy, but something in him is always changing. It’s not a physical thing that I can explain to you, but it’s…like…I don’t know,” Alessandro said shrugging and lowering his head. He sat on the bed next to her and stared at the incubator. The baby’s eyes were open, staring back, blinking slowly, sleepily.
“You’re seeing him become a person. Like all the parts of him are coming together and making this tiny person’s soul. He was one person in here,” Bree pointed to her stomach. “And now he’s changing on the outside so he can be a part of the world.”
“That’s it,” Alessandro nodded. “He’s a part of the world now. My world, in a completely different way than when he was inside of you. It’s like having two sons and watching them become one as a slow minute by minute process. He’s never going to stop changing. What he thinks and feels now is not going to be what he thinks and feels tomorrow or fifty years from now.”
“It’s the same for you,” Bree said, closing her fingers over his on the bed.
“I don’t want to forget that again, Brianna. I don’t ever want to forget that I can change.”
He looked so earnest that Bree couldn’t help bringing his hand to her lips. “Then don’t.
”
”
E. Jamie (The Vendetta (Blood Vows, #1))
“
And as I caught Louie with an “oomph” that knocked half the wind out of me, I accepted that I’d go through everything with Christy all over again if I had a homecoming like this from my boy. “I missed you, Buttercup,” Louie practically screamed into my ear as his arms went around my neck and he hugged the little bit of breath I had left right out of me. “I missed you. I missed you. I missed you.” “I missed you too, poo-poo face,” I said kissing his cheeks. “Oh my God, what have you been doing? Are you planning on hibernating for winter? You weigh like ten pounds more than you did before I left.” Just like when he was a baby, Louie reeled back, smacked his hands—which I was 99 percent sure were dirty—on my cheeks, and jiggled them as he leaned close enough to touch the tip of his nose to mine. “Grandma gave me a lot of pizza and chicken nuggets.
”
”
Mariana Zapata (Wait for It)
“
What happened?” Dallas asked immediately, his hand reaching out toward Louie. I didn’t miss how Lou took his hand instantly.
“She called me a brat,” Louie blurted out, his other little hand coming up to meet with the one already clutching our neighbor’s.
I blinked and told myself I was not going to look at Christy until I had the full story.
“Why?” Dallas was the one who asked.
“He spilled some of his hot chocolate on her purse,” it was Josh who explained. “He said sorry, but she called him a brat. I told her not to talk to my brother like that, and she told me I should have learned to respect my elders.”
For the second time around this woman, I went to ten. Straight through ten, past Go, and collected two hundred dollars.
“I tried to wipe it up,” Louie offered, those big blue eyes going back and forth between Dallas and me for support.
“You should teach these boys to watch where they’re going,” Christy piped up, taking a step back.
Be an adult. Be a role model, I tried telling myself. “It was an accident,” I choked out. “He said he was sorry… and your purse is leather and black, and it’ll be fine,” I managed to grind out like this whole thirty-second conversation was jabbing me in the kidneys with sharp knives.
“I’d like an apology,” the woman, who had gotten me suspended and made me cry, added quickly.
I stared at her long face. “For what?”
“From Josh, for being so rude.”
My hand started moving around the outside of my purse, trying to find the inner compartment when Louie suddenly yelled, “Mr. Dallas, don’t let her get her pepper spray!”
The fuck?
Oh my God. I glared at Louie. “I was looking for a baby wipe to offer her one, Lou. I wasn’t getting my pepper spray.”
“Nuh-uh,” he argued, and out of the corner of my eye, I noticed Christy take a step back. “I heard you on the phone with Vanny. You said, you said if she made you mad again you were gonna pepper spray her and her mom and her mom’s mom in the—”
“Holy sh—oot, Louie!” My face went red, and I opened my mouth to argue that he hadn’t heard me correctly. But… I had said those words. They had been a joke, but I’d said them. I glanced at Dallas, the serious, easygoing man who happened to look in that instant like he was holding back a fart but was hopefully just a laugh, and finally peeked at the woman who I’d like to think brought this upon herself. “Christy, I would never do that—”
...
I cleared my throat and popped my lips. “Well, that was awkward.”
“I’m not a brat.” Louie was still hung up and outraged.
I pointed my finger at him. “You’re a tattletale, that’s what you are. Nosey Rosie. What did I tell you about snitches?”
“You love them?
”
”
Mariana Zapata (Wait for It)
“
On our flight back from Arizona where we adopted our daughter three years after our ungreen one-headed son a stewardess ... paused to to adore the little girl my wife was holding. The woman was very attractive and seemed happy and easy with herself - confident enough to say to my wife 'Well congratulations and my don't you look terrific too.' My wife said 'Well we've just adopted her.' And the stewardess said 'How wonderful Congratulations again I was adopted too.' Happily the enthusiastic remark was not lost on our three-year-old boy nor was it lost on him that in Pheonix we had stayed in a close to luxurious resort hotel. He didn't know or care about the dreary heavy rain that fell in Atlanta when he came into our lives - all he knew about adoption at this point really was that it involved a warm whirpool tub cornucopian buffet breakfasts and a fascinating differently private-partsed baby.
”
”
Daniel Menaker
“
Bohemian Rhapsody"
Is this the real life?
Is this just fantasy?
Caught in a landslide
No escape from reality
Open your eyes
Look up to the skies and see
I'm just a poor boy, I need no sympathy
Because I'm easy come, easy go
Little high, little low
Any way the wind blows
Doesn't really matter to me, to me
Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, ooh
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on as if nothing really matters
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye, everybody, I've got to go
Gotta leave you all behind and face the truth
Mama, ooh (Any way the wind blows)
I don't wanna die
I sometimes wish I'd never been born at all
I see a little silhouetto of a man
Scaramouche, Scaramouche, will you do the Fandango?
Thunderbolt and lightning very, very frightening me
(Galileo) Galileo
(Galileo) Galileo
Galileo Figaro
Magnifico-o-o-o-o
I'm just a poor boy, nobody loves me
He's just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come, easy go, will you let me go?
Bismillah! No, we will not let you go (Let him go!)
Bismillah! We will not let you go (Let him go!)
Bismillah! We will not let you go (Let me go!)
Will not let you go (Let me go!)
Never let you go (Never, never, never, never let me go)
Oh oh oh oh
No, no, no, no, no, no, no
Oh, mamma mia, mamma mia (Mamma mia, let me go)
Beelzebub has a devil put aside for me, for me, for me
So you think you can stone me and spit in my eye?
So you think you can love me and leave me to die?
Oh, baby, can't do this to me, baby
Just gotta get out, just gotta get right outta here
Ooh, ooh yeah, ooh yeah
Nothing really matters
Anyone can see
Nothing really matters
Nothing really matters to me
Any way the wind blows
Freddie Mercury, A Night At The Opera (1975)
”
”
Freddie Mercury (Bohemian Rhapsody (Piano/Vocal/Guitar))
“
But remember 2003, though, when girls wore those miniskirts that were like six floaty napkins stapled to a scrunchie, with perhaps an Edwardian waistcoat sewn of cobwebs as a top? Where at any moment a baby’s sneeze across campus might expose Kaylee’s entire bunghole and even the slouchy Western belt she wore over her three layers of different-colored camisoles couldn’t save her? In case you’ve repressed the memory, 2003 was the kind of year where Jessica Simpson might wear rubber flip-flops to the Golden Globes, and Nicole Richie was nearly elected president on a platform of “straight blonde hair on top, long curly dark brown extensions underneath, one feather.” The 2003 vibe—culturally, socially, politically, spiritually—was very “energy drink commercial directed by Mark McGrath, and not Mark McGrath in his prime, either.” Millions of Americans were forced to mourn Mr. Rogers while wearing a hot-pink corduroy train conductor’s hat. Never again! Bad Boys II is a 2003 movie.
”
”
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
“
He’d stood like a baby deer. He lurched toward her with no grace at all. She enclosed him in a hug that was so much better than a restraint. She’d patted his head just like a mother. Like a mother who cared.
Cole’s body had heaved with tears. She kept hugging him. She handed his heart back the dreams it had thrown away.
“That’s it, sweetheart. Let it out.” She rubbed his back.
Her shirt was soaked by the time he stopped crying. They sat down together again.
“I’ve read your file,” Mrs. D said. “What your parents did to you was terrible. It was a horrible, horrible mistake. You should’ve been cherished. You should’ve been treated like the beautiful little boy you are. They were wrong, Cole.” She held his hand. “I’m sorry for what they did to you.”
Cole’s mind had flashed with images from his time before Evergreen. The cage. The belt. The drugs. They still made him feel scared.
“You’re going to make it. You’ll be a great, thoughtful, proud man. I can see it. I know it as sure as I know my name.” She wouldn’t let go of his hand.
“I’m always awful. How can you know that?” Cole’s voice remained thick with tears.
“I’ve been doing this job for twenty-five years. I know a good one when I see him.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid.
'Stop,' Stella breathed. 'Let me do you, baby.'
George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie.
Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly.
'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.'
'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.'
'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.'
'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.
”
”
Robert Anton Wilson (The Illuminatus! Trilogy)
“
As she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister’s dream.
The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess’s knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard’s slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle.
So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen’s shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle’s heavy sobs.
”
”
Lewis Carroll (Alice's Adventures in Wonderland)
“
The Birth of the Prince and the Pauper In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him. On the same day another English child was born to a rich family of the name of Tudor, who did want him. All England wanted him too. England had so longed for him, and hoped for him, and prayed God for him, that, now that he was really come, the people went nearly mad for joy. Mere acquaintances hugged and kissed each other and cried. Everybody took a holiday, and high and low, rich and poor, feasted and danced and sang, and got very mellow; and they kept this up for days and nights together. By day, London was a sight to see, with gay banners waving from every balcony and house-top, and splendid pageants marching along. By night, it was again a sight to see, with its great bonfires at every corner, and its troops of revelers making merry around them. There was no talk in all England but of the new baby, Edward Tudor, Prince of Wales, who lay lapped in silks and satins, unconscious of all this fuss, and not knowing that great lords and ladies were tending him and watching over him—and not caring, either. But there was no talk about the other baby, Tom Canty, lapped in his poor rags, except among the family of paupers whom he had just come to trouble with his presence.
”
”
Mark Twain (The Prince and the Pauper)
“
Is this a date? Are you on a date with him? And who the hell’s car is this?”
Before I can answer, Genevieve makes a move toward me, which I dodge. I run behind the pillar. “Don’t be such a baby, Lara Jean,” she says. “Just accept that you lose and I win!”
I peek from behind the pillar, and John is giving me a look--a look that says, Get in. Quickly I nod. Then he throws open the passenger door, and I run for it, as fast as I can. I’ve barely got the door closed before he’s driving off, Peter and Gen in our dust.
I turn back to look. Peter is staring after us, his mouth open. He’s jealous, and I’m glad. “Thanks for the save,” I say, still trying to catch my breath. My heart is pounding in my chest so hard.
John is looking straight ahead, a broad smile on his face. “Anytime.”
We stop at a stoplight, and he turns his head and looks at me, and then we’re looking at each other, laughing like crazy, and I’m breathless again.
“Did you see the looks on their faces?” John gasps, dropping his head on the steering wheel.
“It was classic!”
“Like a movie!” He grins at me, jubilant, blue eyes alight.
“Just like a movie,” I agree, leaning my head back against the seat and opening my eyes wide up at the moon, so wide it hurts. I’m in a red Mustang convertible sitting next to a boy in uniform, and the night air feels like cool satin on my skin, and all the stars are out, and I’m happy. The way John is still grinning to himself, I know he is too. We got to play make-believe for the night.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
”
”
Harper Lee (Go Set a Watchman)
“
I was still in my twenties. And here’s what I thought would be the worst: that no one else would every know me young. I would always be this age or older, from now on, to any man I met. No one would ever sit back and remember how young and frail I was at his bedside, at eighteen, reading to him in that dark room with the piano playing downstairs, and again at twenty-one, how I held the flap of my coat against the wind and held my tongue when a handsome man called me by the wrong name. What I would miss- and it occurred to me only then, with his brown eyes on me - was the unchangeable, the irreplaceable. I would never meet another man who’d met my mother, who knew her untamable hair, her sharp Kentucky accent, cracked with fury. She was dead now, and no man could ever know her again. That would be missing. I’d never know anyone, anywhere, who’d watched me weeping with rage and lack of sleep in those first few months after Sonny was born, or seen his first steps, or listened to him tell his non-sense stories. He was a boy now. No one could ever know him again as a baby. That would be missing, too. I wouldn’t just be alone in the present; I would be alone in my past as well, in my memories. Because they were a part of him, of Holland, of my husband. And in an hour that part of me would be cut off like a tail. From that night on, I would be like a traveler from a distant country that no one had ever been to, nor ever heard of, an immigrant from that vanished land: my youth. - The Story of a Marriage
”
”
Andrew Sean Greer
“
But there was more than dullness in the confessional; it was not that by itself that had sickened him or propelled him toward that always widening club, Associated Catholic Priests of the Bottle and Knights of the Cutty Sark. It was the steady, dead, onrushing engine of the church, bearing down all petty sins on its endless shuttle to heaven. It was the ritualistic acknowledgment of evil by a church now more concerned with social evils; atonement told in beads for elderly ladies whose parents had spoken European tongues. It was the actual presence of evil in the confessional, as real as the smell of old velvet. But it was a mindless, moronic evil from which there was no mercy or reprieve. The fist crashing into the baby’s face, the tire cut open with a jackknife, the barroom brawl, the insertion of razor blades into Halloween apples, the constant, vapid
qualifiers which the human mind, in all its labyrinthine twists and turns, is able to spew forth. Gentlemen, better prisons will cure this. Better cops. Better social services agencies. Better birth control. Better sterilization techniques. Better abortions. Gentlemen, if we rip this fetus from the womb in a bloody tangle of unformed arms and legs, it will never grow up to beat an old lady to death with a hammer. Ladies, if we strap this man into a specially wired chair and fry him like a pork chop in a microwave oven, he will never have an opportunity to torture any more boys to death. Countrymen, if this eugenics bill is passed, I can guarantee you that never again—
Shit
”
”
Stephen King ('Salem's Lot)
“
Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive all.
”
”
Dale Carnegie (How to Win Friends and Influence People)
“
You should be kissed and often, and by someone who knows how.’ Let me introduce myself. I’m River. I’m your current boyfriend. Cross my heart and hope to die—not really, but you know what I mean. There are three things about you that caught my attention: First, you’re smart, too smart for me, but for some reason, you don’t care. Two, if you had wings, they’d be the colors of the rainbow. Three, you touch me, and I have peace. You’re a River-whisperer. Dad told me to take care of Mom, be a good brother to Rae, and wait for Anastasia. He somehow knew you were mine. Where are you from? Apparently, everywhere. Do you know how cool I think you are? Growing up moving around must have been hard, but it created a woman who looks at someone and sees underneath to the parts others don’t. What are you doing after this? I hope after this night, in the future, we’ll be together, in some city, crazy in love. Please tell me you’re single. You aren’t single, Anastasia. You’re mine. Also… I’m not a serial killer. True. Or an alien. (People in Walker really dig that stuff.) True. Or a player. I had my moments. Or a douchebag. Again, had some moments. Or a dick. Okay…maybe once or twice. I’m just the guy in front of you on a snow-covered mountain, baring his soul to the most beautiful girl in the world. You have dreams and I get it. I’ll wait for you forever. No matter how long it takes for us to come back to a place where we can be together for real. Your first reaction to this note may be to run as far as you can, but you only live once, and we can’t lose what we have. Fate has a way of bringing people together, and, baby girl, we’re meant to be. Kappa Boy AKA River Tate AKA Snake AKA Fake River AKA Anastasia’s Man
”
”
Ilsa Madden-Mills (The Revenge Pact (Kings of Football, #1))
“
And once they have children, the most difficult times will seem to them happy, so long as there is love and courage. Even toil will be a joy, you may deny yourself bread for your children and even that will be a joy. They will love you for it afterward; so you are laying by for your future. As the children grow up you feel that you are an example, a support for them; that even after you die your children will always keep your thoughts and feelings, because they have received them from you, they will take on your semblance and likeness. So you see this is a great duty. How can it fail to draw the father and mother nearer? People say it’s a trial to have children. Who says that? It is heavenly happiness! Are you fond of little children, Liza? I am awfully fond of them. You know—a little rosy baby boy at your bosom, and what husband’s heart is not touched, seeing his wife nursing his child! A plump little rosy baby, sprawling and snuggling, chubby little hands and feet, clean tiny little nails, so tiny that it makes one laugh to look at them; eyes that look as if they understand everything. And while it sucks it clutches at your bosom with its little hand, plays. When its father comes up, the child tears itself away from the bosom, flings itself back, looks at its father, laughs, as though it were fearfully funny, and falls to sucking again. Or it will bite its mother’s breast when its little teeth are coming, while it looks sideways at her with its little eyes as though to say, ‘Look, I am biting!’ Is not all that happiness when they are the three together, husband, wife and child? One can forgive a great deal for the sake of such moments. Yes, Liza, one must first learn to live oneself before one blames others!
”
”
Fyodor Dostoevsky (Notes from the Underground)
“
Hmm. Feels like my brilliant pep talk isn’t doing its job—so how about we play Name That Baby Alicorn? Otherwise I’m going to call them Sparkle Tushie Number One and Number Two. Actually, I’m probably going to call them that anyway—but I might occasionally go with something more official, as long as Mama and Papa pick something that pleases me.” Silveny didn’t seem to understand anything he was saying, so Sophie did her best to explain telepathically. Name baby? Name baby? Silveny asked, glancing at Greyfell. “I don’t think they’ve picked anything yet,” Sophie told Keefe. He clapped his hands. “Perfect! It’s a girl and a boy, right? So how about Keeferina and the Keefster?” “Keeferina?” Sophie had to ask. Even Silveny looked like she was wincing. “Or Keefette. Or Keefelle. Or Keefiana. Honestly, I thought you’d fight me harder on the Keefster.” “How about nothing with Keefe?” Sophie suggested. “See, but there really is no better name, is there?” He glanced at Silveny, who definitely did not chant any Keefes. “Fine. Your loss. How about an homage to the Mysterious Miss F instead? We could have a little Sophie and a little Foster—though now that I’m saying that out loud, I’m realizing how confusing that would get. What’s your middle name, again? Something with an E?” “Elizabeth,” Sophie confirmed. “What’s yours?” “It’s ‘Nope’—as in nope, we’re so not going there.” “Why not?” Ro asked, momentarily breaking the Bo-Ro glarefest. “Because I have enough humiliation in my immediate future, thanks to you,” he told her. “Yeah, I think you’re going to have to tell me now,” Sophie insisted. “See, but I’m too busy naming alicorn babies. They’re silver, right? So how about Sterling and Argent?” “Argent?” Sophie repeated. “Yeah, wow, I’m pretty bad at this. You might want to help, or I’m going back to Keeferina.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
I just realized I know nothing about you. Do you have a family? Where are you from?” The idea that I just invited a relative stranger, who owns nothing, to live in my apartment gave me a stomachache, but the weird thing was that I felt like I had known him forever.
“I’m from Detroit; my entire family still lives there. My mom works in a bakery at a grocery store and my dad is a retired electrician. I have twelve brothers and sisters.”
“Really? I’m an only child. I can’t imagine having a huge family like that—it must have been awesome!”
Relaxing his stance, he leaned his tattooed forearm onto the dresser and crossed his feet. Jackson came over and sat next to him. Will unconsciously began petting Jackson’s head. It made my heart warm. “Actually, I don’t have twelve brothers and sisters. I have one brother and eleven sisters.” He paused. “I’m dead serious. My brother Ray is the oldest and I’m the youngest with eleven girls in between. I swear my parents just wanted to give Ray a brother, so they kept having more babies. By the time I was born, Ray was sixteen and didn’t give a shit. On top of it, they all have R names except me. It’s a f**king joke.”
“You’re kidding? Name ‘em,” I demanded.
In a super-fast voice Will recited, “Raymond, Reina, Rachelle, Rae, Riley, Rianna, Reese, Regan, Remy, Regina, Ranielle, Rebecca, and then me, Will.”
“Surely they could have figured out another R name?”
“Well my brother was named after my dad, so my mom felt like I should be named after someone too, being the only other boy and all. So I was named after my grandfather… Wilbur Ryan.”
“Oh my god!” I burst into laughter. “Your name is Wilbur?”
“Hey, woman, that’s my poppy’s name, too.”
Still giggling, I said, “I’m sorry, I just expected William.”
“Yeah, it’s okay. Everyone does.” He smiled and winked at me again.
”
”
Renee Carlino (Sweet Thing (Sweet Thing, #1))
“
Sam’s the man who’s come to chop us up to bits. No wonder I kicked him out. No wonder I changed the locks. If he cannot stop death, what good is he? ‘Open the door. Please. I’m so tired,’ he says. I look at the night that absorbed my life. How am I supposed to know what’s love, what’s fear? ‘If you’re Sam who am I?’ ‘I know who you are.’ ‘You do?’ ‘Yeah.’ ‘Who?’ Don’t say wife, I think. Don’t say mother. I put my face to the glass, but it’s dark. I don’t reflect. Sam and I watch each other through the window of the kitchen door. He coughs some more. ‘I want to come home,’ he says. ‘I want us to be okay. That’s it. Simple. I want to come home and be a family.’ ‘But I am not simple.’ My body’s coursing with secret genes and hormones and proteins. My body made eyeballs and I have no idea how. There’s nothing simple about eyeballs. My body made food to feed those eyeballs. How? And how can I not know or understand the things that happen inside my body? That seems very dangerous. There’s nothing simple here. I’m ruled by elixirs and compounds. I am a chemistry project conducted by a wild child. I am potentially explosive. Maybe I love Sam because hormones say I need a man to kill the coyotes at night, to bring my babies meat. But I don’t want caveman love. I want love that lives outside the body. I want love that lives.
‘In what ways are you not simple?’ I think of the women I collected upstairs. They’re inside me. And they are only a small fraction of the catalog. I think of molds, of the sea, the biodiversity of plankton. I think of my dad when he was a boy, when he was a tree bud. ‘It’s complicated,’ I say, and then the things I don’t say yet. Words aren’t going to be the best way here. How to explain something that’s coming into existence? ‘I get that now.’ His shoulders tremble some. They jerk. He coughs. I have infected him. ‘Sam.’ We see each other through the glass. We witness each other. That’s something, to be seen by another human, to be seen over all the years. That’s something, too. Love plus time. Love that’s movable, invisible as a liquid or gas, love that finds a way in. Love that leaks. ‘Unlock the door,’ he says. ‘I don’t want to love you because I’m scared.’ ‘So you imagine bad things about me. You imagine me doing things I’ve never done to get rid of me. Kick me out so you won’t have to worry about me leaving?’ ‘Yeah,’ I say. ‘Right.’ And I’m glad he gets that. Sam cocks his head the same way a coyote might, a coyote who’s been temporarily confused by a question of biology versus mortality. What’s the difference between living and imagining? What’s the difference between love and security? Coyotes are not moral. ‘Unlock the door?’ he asks. This family is an experiment, the biggest I’ve ever been part of, an experiment called: How do you let someone in? ‘Unlock the door,’ he says again. ‘Please.’ I release the lock. I open the door. That’s the best definition of love. Sam comes inside. He turns to shut the door, then stops himself. He stares out into the darkness where he came from. What does he think is out there? What does he know? Or is he scared I’ll kick him out again? That is scary. ‘What if we just left the door open?’ he asks. ‘Open.’ And more, more things I don’ts say about the bodies of women. ‘Yeah.’ ‘What about skunks?’ I mean burglars, gangs, evil. We both peer out into the dark, looking for thees scary things. We watch a long while. The night does nothing. ‘We could let them in if they want in,’ he says, but seems uncertain still. ‘Really?’ He draws the door open wider and we leave it that way, looking out at what we can’t see. Unguarded, unafraid, love and loved. We keep the door open as if there are no doors, no walls, no skin, no houses, no difference between us and all the things we think of as the night.
”
”
Samantha Hunt (The Dark Dark)
“
A loud clang of what sounded like a tray hitting the marble kitchen floor made Bree jump and Gianni go wide eyed with apparent terror. He covered his ears and shook his head. “Bang! Bang! Bang!” He fell over and covered his head. Bree rushed over to him as he began shrieking fearfully. “Maaammaaaaaa!” “Is okay, Gianni. Just a ting falled down,” Will said patting Gianni’s back but Bree noticed her little boy’s hand was shaking. “It’s okay, sweetie. Mommy’s here. That’s okay,” she crouched down and gathered Gianni into her arms. “Bang! Mama. It bang!” he wailed into her shoulder, trembling in her arms. “It was just a loud noise. Cook just dropped something, probably a whole big plate of yucky beets. Isn’t that funny?” she said, forcing a laugh. Jesus Christ, how much more violence would her children be forced to endure? Again, Bree felt selfish for bringing her innocent babies into the Dardano world. Gianni looked up at her, picking up on her tone he gave a small watery smile. “Ucky ee “Yucky yucky beets,” Bree repeated bouncing him lightly as her heart returned to its normal rhythm in her chest. Gianni giggled and shuddered against her as the last remnants of his fear dissipated. Bree looked over at Will. “You okay, sweetie?” Will blinked and looked over at her, wide eyed and his lower lip quivered, but he set his chin like she knew he’d watched Alessandro do and nodded. “I bwave. I nod scared.” Bree smiled at him and kissed his cheek as she ran her fingers through his hair. “Wow. That is pretty brave. I know I was
scared when I first heard the noise.” “Really?” Will asked hesitantly. “Definitely,” Bree nodded. Gianni echoed the gesture. “Well, dat’s diffen. You’s a girl.” “Oh, is that so?” Bree asked setting Gianni on the blanket next to her. “So you think ’cause mommy’s a girl she’s a fraidy cat. Huh? Huh?” she asked poking him. Will curled in on himself and giggled as he tried to avoid her fingers.
”
”
E. Jamie (The Betrayal (Blood Vows, #2))
“
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
So your theory is that Nancy plans to marry Samuel, pass off as her own the child he fathered on her maid, and then raise it, assuming it’s a boy, to be heir to the title. That doesn’t gain Nancy much, does it? It’s not her son, and she’s not Samuel’s only lover. He and his mistress and the son get everything; she gets only the privilege of knowing she’s married to a seducer.”
Dom ignored the fact that some of what she said made sense. “She gains an exalted rank as mother to the new viscount. She gains a husband she’s always coveted. And she might not even care if Samuel was having an affair with her maid--you said yourself that Nancy wasn’t fond of the intimate side of marriage.”
The moment Jane paled, he realized what he’d said. Something highly inappropriate. Something that revealed just how frank he and Jane had been in their conversations. God only knew what Blakeborough would make of that.
Bloody hell. Whatever it was, it wouldn’t help Dom’s situation with Jane any. Not that any of this would. Damn Nancy for coming between them yet again.
Jane’s gaze turned stormy as she poked him in the chest. “You’ve got it all figured out, don’t you? But as usual, you ignore all the ways that your theory doesn’t fit.”
He stared her down. “Such as what?”
Again she poked him in the chest. “Why did Samuel mention coming to London to see a doctor if they were sure that Nancy had lost the baby?” Another poke. “Why did she leave York in such strange circumstances that she roused our suspicions?” Poke. “Why did she not even pack bags for the journey?”
When she started to poke him once more, he grabbed her hand. “Perhaps she and Barlow worked up the scheme once she got to York.”
Jane snatched her hand free. “And she didn’t try to return to Rathmoor Park to allay the servants’ suspicions or pack or even take her dogs?”
“Nancy didn’t take her dogs?” Sadler echoed. “That’s not right, not right at all. That girl carries those deuced dogs everywhere. Many is the trip I’ve taken with her when I’ve had to endure the mutts in my lap.” Sadler approached to stand beside Jane. “I tell you, the only way she’d leave them behind is if Barlow abducted her and forced her to do his bidding. That’s what has happened. I know it!”
With a smug lift of her eyebrow, Jane crossed her arms over her chest and dared Dom to refute that.
He couldn’t. Because until he could investigate more, he simply couldn’t be sure of the truth, damn it.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus.
All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute.
He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo.
Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart.
And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again.
Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could.
They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently.
All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period.
The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
”
”
Kristan Higgins (Out of the Clear Blue Sky)
“
that everything that had ever happened to me had been a loving step in that process of my progression. every person, every circumstance, and every incident was custom created for me. It was as if the entire universe existed for my higher good and development. I felt so loved, so cherished, and so honored. I realized that not only was I being embraced by deity, but also that I myself was divine, and that we all are. I knew that there are no accidents in this life. That everything happens for a reason. yet we always get to choose how we will experience what happens to us here. I could exercise my will in everything, even in how I felt about the wreck and the death of my family members. God didn't want me to hurt and feel put upon as if my son and wife had been taken from me. He was simply there assisting me to decide how I was going to experience it. He was providing me with the opportunity, in perfect love, to exercise my personal agency in this entire situation. I knew my wife and son were gone. They had died months earlier, but time didn't exist where I was at that moment. rather than having them ripped away from me, I was being given the opportunity to actually hand them over to God. To let them go in peace, love, and gratitude. Everything suddenly made sense. Everything had divine order. I could give my son to God and not have him taken away from me. I felt my power as a creator and cocreator with God to literally let go of all that had happened to me. I held my baby son as God himself held me. I experienced the oneness of all of it. Time did not matter. Only love and order existed. Tamara and Griffin had come into my life as perfect teachers. And in leaving me in such a way, they continued as perfect teachers to bring me to that point of remembering who I was. remembering that I was created in God's image and actually came from Him. I was aware now that I could actually walk with God, empowered by what I was learning in my life. I felt the divine energy of the being behind me inviting me to let it all go and give Griffin to Him. In all that peace and knowledge, I hugged my little boy tightly one last time, kissed him on the cheek, and gently laid him back down in the crib. I willingly gave him up. No one would ever take him away from me again. He was mine. We were one, and I was one with God. As soon as I breathed in all that peace, I awoke, back into the pain and darkness of my hospital bed, but with greater perspective. I marveled at what I had just experienced. It was not just a dream. It felt too real. It was real to me, far more real than the pain, the grief, and my hospital bed. Griffin was alive in a place more real than anything here. And Tamara was there with him. I knew it. As the years have passed, I've often wondered how I could have put my son back in the crib the way I did. Maybe I should have held on and never let go. But in that place, it all made sense. I realized that no one ever really dies. We always live on. I had experienced a God as real and tangible as we are. He knows our every heartache, yet allows us to experience and endure them for our growth. His is the highest form of love; He allows us to become what we will. He watches as we create who we are. He allows us to experience life in a way that makes us more like Him, divine creators of our own destiny. My experience showed me purpose and order. I knew there was a master plan far greater than my limited earthly vision. I also learned that my choices were mine alone to make. I got to decide how I felt, and that made all the difference in the universe. even in this tragedy, I got to determine the outcome. I could choose to be a victim of what had happened or create something far greater.
”
”
Jeff Olsen (I Knew Their Hearts: The Amazing True Story of Jeff Olsen's Journey Beyond the Veil to Learn the Silent Language of the Heart)
“
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?”
“Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen.
“I’ve got this problem,” he continued, in between kisses.
“Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind.
“I’m crazy about you,” he said.
By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.”
I’d been afflicted with acute boy-craziness for over half my life. But what I was feeling for Marlboro Man was indescribably powerful. It was a primal attraction--the almost uncontrollable urge to wrap my arms and legs around him every time I looked into his eyes. The increased heart rate and respiration every time I heard his voice. The urge to have twelve thousand of his babies…and I wasn’t even sure I wanted children.
“So anyway,” he continued.
That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe.
“Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window.
I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.”
She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date.
“Well, hello again!” she exclaimed, extending her manicured hand.
He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded.
“Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house.
Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.” My sweaty hands still hid my face.
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet.
“I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?”
It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Jake,” I murmur. He opens his eyes. “Are you absolutely sure this is what you want? The baby, I mean.”
“I’m sure.” His gaze drops to my stomach. “This baby will be made of everything I have loved my whole life.”
“I’m gonna get fat,” I mumble.
“No, you’re going to get even sexier.” Coming close again, he wraps his arms around me tightly, rubbing the tip of his nose against mine. “How could I not want something made up of Trudy Wethers’s DNA?”
“Still Bennett.” I grin. “You haven’t made an honest woman of me yet.”
“You ready to hop that plane to Vegas now?”
“A shotgun wedding. My folks would be so proud.” I laugh.
“What do you want to do about the wedding?” he asks. “Move it forward?”
“That would give me a matter of weeks to plan it. Why don’t we just wait until after the baby is born?”
I see him quickly do the math in his head. “We wouldn’t be able to get married July twenty-first. You okay with that?”
“I’m going to have a mini-Jake soon. Of course I’m okay with that.”
“Or a mini-Tru,” he says. Then his expression suddenly changes. “Fuck, a girl. We might have to lock her up, Tru.”
I scrunch up my face. “Why?”
“Because, if she looks anything like you, I’m one day going to be fighting off horny teenage boys left, right, and centre. I’ll probably end up in jail for beating one to death if I find him with his hands on my baby girl.” He shudders comically.
I let out a laugh. “Let’s hope if we have a boy, he’s doesn’t grow up to be one of those horny teenagers…or God forbid, as horny as you are. Otherwise we’ll have some girl’s dad round here kicking his ass.”
“Then I’ll end up in jail for beating the shit out of the dad—fuck, this is a no-win, sweetheart,” he groans, dropping his head back against the rest. “I’m doomed to a future behind bars.”
Laughing softly, I say, “Don’t worry, baby, we’ll figure a way to keep you out of prison.” I kiss the tip of his nose, then open the door, ready to get out of the car and into the house to bed.
”
”
Samantha Towle (Wethering the Storm (The Storm, #2))
“
I see myself hunkered over him while he rocks our new born baby, so gently I'm crying. I see four kids and a French bulldog. A little boy and two twin girls, plus Mia. All ours. Equal parts miracle and beautiful. I even see my dying breath, him at my side, eyes locked on me so intense they pierce the veil and say, I will fucking find you again.
”
”
Nicole Snow (Surprise Daddy)
“
Hey,” I say back.
“How’s yours?” she asks.
“Crying. How’s yours?”
“Oh boy.” She pulls a face. “She got this email from him. Saying he loves her and that she’s the only one.”
I scowl. “The only one? After his wife and that girl from two years ago?”
“I know, right? The only one right now. Or when he was writing the email. Pig.” Paige is scowling too. “So she’s all psyched up again. I swear, it’s pathetic.”
“His wife’s pregnant,” I say hopelessly, because it seems to me such a huge deal--another baby coming!--that it should stop dead any debate Kendra’s having with herself about whether she should believe Luigi.
“I know! But she’s reading the email over and over again and playing Adele and Amy Winehouse,” Paige reveals.
“Adele and Amy Winehouse? Oh no. We’d better keep an eye on her,” I say grimly.
”
”
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
“
My first Bible was one of those Precious Moments volumes that boasted blond, doe-eyed David on the cover, two baby lambs resting in his arms, and a sparrow perched on his staff, the shepherd boy blissfully unaware that in a few short years he'd be delivering 200 Philistine foreskins to his father-in-law as a bride price. Inside were all my favorite biblical heroes and heroines depicted as children. (Well, almost all of them. The artists failed to include Jael, whose precious moment involved assassinating a general by driving a tent peg through his skull.)
”
”
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
“
Your breakfast is ready,” Toby said to Call, leaning through the open office door. “I made waffles--your favorite. And I’ve got some of that Saskatoon syrup you like.”
“Someday, you’ll make someone a great wife, Toby,” Call grumbled, forcing himself to his feet though he wasn’t really hungry.
Toby just grinned. Call walked past him into the kitchen and sat down at the breakfast table. Toby was babying him again. For nearly a week he’d been foul-tempered and edgy, and he hadn’t been sleeping well. Apparently Toby had noticed the shadows under his eyes and his surly disposition.
Call raked a hand through his hair as the boy set a steaming plate of crisp golden waffles in front of him, then sat down in the chair across the table.
“So…what’s going on with our gorgeous next-door neighbor?”
Call nearly choked on the bite of bacon he’d just taken. “Nothing’s going on. She lives there. I live here. That’s all there is to it.” And Call was determined to keep it that way. To ensure that it did, he hadn’t seen Charity since last week, hadn’t even picked up the binoculars to see what she was up to. Since then, he had been able to block thoughts of her for, oh, maybe an hour or two at a time.
Christ, the woman drove him crazy and she wasn’t even near.
“Man, she is really something,” Toby went on between bites of waffle. “I wonder how old she is.”
Call glanced up, caught the interest in Toby’s eyes. “Too old for you, so forget it.”
“Hey--I like older women. And that one is definitely hot.”
Too damned hot, Call thought, trying not to remember what it felt like to kiss her.
“If you’re really not interested, maybe I could--”
“I told you to forget it,” Call snapped, then looked over just in time to see Toby grin.
“That’s what I thought.”
Call just grunted.
”
”
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
“
Mother told me,” he sighs. “She’d been over to Drayden Hill to get a baby fix, since your sister and Courtney and the boys are visiting. Now she’s on the grandkid kick again.” Elliot is understandably frustrated. “She reminded me that I’m thirty-one already, and she’s fifty-seven, and she doesn’t want to be an old grandmother.
”
”
Lisa Wingate (Before We Were Yours)