Aftermath Of War Quotes

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We're going to meet a lot of lonely people in the next week and the next month and the next year. And when they ask us what we're doing, you can say, We're remembering. That's where we'll win out in the long run. And someday we'll remember so much that we'll build the biggest goddamn steamshovel in history and dig the biggest grave of all time and shove war in it and cover it up.
Ray Bradbury (Fahrenheit 451)
There’s a word Trevor once told me about, one he learned from Buford, who served in the navy in Hawaii during the Korean War: kipuka. The piece of land that’s spared after a lava flow runs down the slope of a hill—an island formed from what survives the smallest apocalypse. Before the lava descended, scorching the moss along the hill, that piece of land was insignificant, just another scrap in an endless mass of green. Only by enduring does it earn its name. Lying on the mat with you, I cannot help but want us to be our own kipuka, our own aftermath, visible. But I know better.
Ocean Vuong (On Earth We're Briefly Gorgeous)
In the aftermath, we are because they were.
R.J. Heller (Holding Grace: Prose & Poetry)
For here was Casablanca, a far-flung outpost in a time of war. And here at the heart of the city, right under the sweep of the searchlights, was Rick’s Café Américain, where the beleaguered could assemble for the moment to gamble and drink and listen to music; to conspire, console, and most importantly, hope. And at the center of this oasis was Rick. As the Count’s friend had observed, the saloonkeeper’s cool response to Ugarte’s arrest and his instruction for the band to play on could suggest a certain indifference to the fates of men. But in setting upright the cocktail glass in the aftermath of the commotion, didn’t he also exhibit an essential faith that by the smallest of one’s actions one can restore some sense of order to the world?
Amor Towles (A Gentleman in Moscow)
Wimsey stooped for an empty sardine-tin which lay, horribly battered, at his feet, and slung it idly into the quag. It struck the surface with a noise like a wet kiss, and vanished instantly. With that instinct which prompts one, when depressed, to wallow in every circumstance of gloom, Peter leaned sadly against the hurdles and abandoned himself to a variety of shallow considerations upon (1) The vanity of human wishes; (2) Mutability; (3) First love; (4) The decay of idealism; (5) The aftermath of the Great war; (6) Birth-control; and (7) The fallacy of free-will.
Dorothy L. Sayers (Clouds of Witness (Lord Peter Wimsey, #2))
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
With the blood of a scoundrel and a princess in his veins, his defiance will shake the stars.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
Here I was! Living in a district that echoed a dead San Francisco. Gay, Cambodian, and not even twenty-six, carrying in my body the aftermath of war, genocide, colonialism. And yet, my task was to teach kids a decade younger, existing across an oceanic difference, what it meant to be human. How absurd, I admitted. How fucking hilarious. I was actually excited.
Anthony Veasna So (Afterparties: Stories)
But as she and Rin had both discovered, the battles were easy. Destroying was easy. The hard part was the aftermath.
R.F. Kuang (The Burning God (The Poppy War, #3))
if there’s one mystical energy that powers the galaxy, it’s not the Force. It’s pure, unadulterated irony.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
Even a small group of people can change the galaxy.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
Buying gifts for a kid. Can we get him a cute little cape and a mustache so he looks like old Uncle Lando?” Lobot
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
A HUG IS LIKE VIOLENCE MADE OF LOVE.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
In the aftermath of the war, Virginia led the South in creating and maintaining a police state based on racial control.
Ty Seidule (Robert E. Lee and Me: A Southerner's Reckoning with the Myth of the Lost Cause)
Nothing changed, in the aftermath of loss. Songs kept getting written. Books kept getting read. Wars didn't stop....Life renewed itself, over and over, without sympathy. Time surged on in its usual rhythms, those comings and goings, beginnings and ends, sensible progressions that fixed things in place, without a thought to the whistling in the woods on the outskirts of town....
Emma Stonex (The Lamplighters)
The fervor and single-mindedness of this deification probably have no precedent in history. It's not like Duvalier or Assad passing the torch to the son and heir. It surpasses anything I have read about the Roman or Babylonian or even Pharaonic excesses. An estimated $2.68 billion was spent on ceremonies and monuments in the aftermath of Kim Il Sung's death. The concept is not that his son is his successor, but that his son is his reincarnation. North Korea has an equivalent of Mount Fuji—a mountain sacred to all Koreans. It's called Mount Paekdu, a beautiful peak with a deep blue lake, on the Chinese border. Here, according to the new mythology, Kim Jong Il was born on February 16, 1942. His birth was attended by a double rainbow and by songs of praise (in human voice) uttered by the local birds. In fact, in February 1942 his father and mother were hiding under Stalin's protection in the dank Russian city of Khabarovsk, but as with all miraculous births it's considered best not to allow the facts to get in the way of a good story.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
I have tried to communicate my ideas in a language that preserves connections, a language that is faithful both to the dispassionate, reasoned traditions of my profession and to the passionate claims of people who have been violated and outraged. I have tried to find a language that can withstand the imperatives of doublethink and allows all of us to come a little closer to facing the unspeakable.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
The war draws you into it and changes you forever. That’s what war does best.
Michael Zboray (Teenagers War: Vietnam 1969)
Never were we freer than under the German Occupation.
Jean-Paul Sartre (The Aftermath of War)
War and the fear of war have always been considered the main incentives to technological extension of our bodies. Indeed, Lewis Mumford, in his The City in History, considers the walled city itself an extension of our skins, as much as housing and clothing. More even than the preparation for war, the aftermath of invasion is a rich technological period; because the subject culture has to adjust all its sense ratios to accommodate the impact of the invading culture.
Marshall McLuhan (Understanding Media: The Extensions of Man)
Thanks, Darth Obvious. Or is it Emperor Palpable?
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
She lay a moment longer. Oh it was queer; she was ignited. Now she understood it. Love. And she was changed.
Lesley Glaister (Blasted Things)
As we all know, everyone feels fear. How it’s handled is what’s different between people. You look into the eyes of anyone on board the plane and see it. It’s ever-present.
Michael Zboray (Teenagers War: Vietnam 1969)
how do you steal a Republic? By convincing its people that they cannot govern themselves—that freedom is their enemy and that fear is their ally.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
Princess Leia’s baby, he knows, will have a good life. The best life.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
War is not a state of being. It is meant to be a temporary chaos between periods of peace. Some want it to be a course of things: a default fact of existence. But I will not let that be so.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
Readers of history may decide that joking while two guys are driving around through a town that has recently been slaughtered by six-foot-tall praying mantis beasts with shark-tooth-studded arms is in poor taste. It is. But that is exactly what real boys have always done when confronted with the brutal aftermath of warfare.
Andrew Smith (Grasshopper Jungle)
Far from breaking with tradition, they understood the Great War and its aftermath in the light of tradition, believing, as did their literary and spiritual ancestors, that ours is a fallen world yet not a forsaken one.
Philip Zaleski (The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C. S. Lewis, Owen Barfield, Charles Williams)
Saedii sits there in the aftermath of my confession. I expect her to laugh. To call me a liar and a lunatic, to react the way any normal person might when you tell them that an ancient plant-being that lost a war against a race of ancient psychics is set to wake up after a million-year dirt-nap and nom down on the entire galaxy.
Amie Kaufman
The militarization of the police leads us to think about Israel and the militarization of the police there—if only the images of the police and not of the demonstrators had been shown, one might have assumed that Ferguson was Gaza. I think that it is important to recognize the extent to which, in the aftermath of the advent of the war on terror, police departments all over the US have been equipped with the means to allegedly “fight terror.
Angela Y. Davis (Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement)
War is not a state of being. It is meant to be a temporary chaos between periods of peace.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
In the darkness, a red lightsaber rises from its hilt.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
People like the illusion of choice. Gives them comfort in these strange times.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
A person is formed by experiences. The past is a blind sculptor. To deny that artist his masterwork is to mock your own experience.
Jim Starlin (Infinity War Aftermath)
This is a terrible plan,” he says to Han Solo—Solo, who crouches down so as not to be seen. Han Solo, the jerk. The very handsome, very charismatic jerk. “And I hate you very much.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
I smuggle, not snuggle.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
All hail the light, the dark, and the grey.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
Not it. Her. Give the Falcon some respect, kid.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
I don’t know what I’m doing here, either. I suspect that the moment I have it figured out, I’ll probably die half a second later.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
My name’s Mapo,” the boy says. “Mesa Jar Jar.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
If ever she is to die, it should be out here, in space. Born from stardust, returned to stardust.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
I am going to do what every wife must do now and again," she says. "I am going to go rescue my husband.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
And the lone Jedi that exists—the son of Anakin Skywalker—possesses an untouchable soul. At least for now.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
He is less a human-shaped thing and more a pulsing, living band of light. Light that sometimes dims, that sometimes is thrust through with a vein of darkness. She tells herself that it’s normal—Luke said to her, Leia, we all have that. He explained that the brighter the light, the darker the shadow. Right
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
Stormtroopers were literally supposed to be within the same range of height and weight in part because of exactly that—he wasn’t joking when he said he was too tall to be a stormtrooper.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
And the New Republic or the New-New Republic or the Republic We Got This Week will clamp down hard and then those people with the so-called better way will become the brave rebel alliance and the Republic will become the enemy and the wheel will turn once more.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
An event of great agony is bearable only in the belief that it will bring about a better world. When it does not, as in the aftermath of another vast calamity in 1914–18, disillusion is deep and moves on to self-doubt and self-disgust. In creating a climate for pessimism, the Black Death was the equivalent of the First World War, although it took fifty years for the psychological effects to develop.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
I think, though, that another shame of war is that when it’s over, a soldier don’t get to leave it behind where he fought it. He’s gotta carry it right back home with him, in his head, and in his heart.
Sandra Kring (Carry Me Home)
We will continue to march, even if everything shatters, because today Germany hears us, and tomorrow, the whole world. And because of the Great War, the world lies in ruins, but devil may care, we build it up again.
Rhidian Brook (The Aftermath)
Islam is not a native calling settled for spreading its principles in one specific medium, and it is not a sectarian or communal calling, either, particular of one group of people. It is rather a universal appeal. And for that, it is not in our welfare the continuation of war: that which hinders preachers from conveying the message of Islam to people around the globe, and which sends people away worrying about what has befallen them in the aftermath of war, instead of pondering the teachings of this religion. Therefore, Islam favors peace, abides by law, and ensures security and order. For when such circumstances exist, people are free to present themselves accurately, and free to believe and choose, and think and decide upon what is best for them.
محمد السيد الوكيل (تأملات فى سيرة الرسول صلى الله عليه و سلم)
He doesn't trust people because he knows they are all the same. Everyone cares about their own survival and nothing else, just like him. Since he is more than willing to kill for it, so are they. After all, he has endured through all these years, leading him to be alone, it was the only conclusion that made sense.
Joe Reyes (Aftermath)
I’ve been raised by a father who is the consummate macho man. He has a face carved of stone and wouldn’t give anyone the chance to believe that he might have any feelings of pain or sadness. He brought me and my there brothers up not to cry.
Michael Zboray (Teenagers War: Vietnam 1969)
The challenge to which these two groups responded was the interdependence of human kind, North and South, Rich and Pool, Industrialised and Rural, in the aftermath of the Second World War. To the United World College group it called for the establishment of a new kind of school where young people of all nations and backgrounds could live and learn together at the most formative period of their adolescence and so form those ties of friendship and understanding that would last them through their lives
Prince Charles HRH the Prince of Wales
Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is no smooth road into the future: but we go round, or scramble over the obstacles. We've got to live, no matter how many skies have fallen.
D.H. Lawrence (Lady Chatterley’s Lover)
The rebellion is home to all kinds.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
suddenly he’s forced to wonder if each Jawa is just a fraternity of wet rats gathering together under brown robes and a black face veil.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
So why, then, can’t Ackbar shake the feeling that once again they are about to fall into a trap?
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
Food for the native Ewoks.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
Everything means something, but not every something matters.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
If one wants power, one must take it.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
Friendship here is like a flower that blooms in the desert; it blossoms from the harshest environment to add something special to the lives it touches.
Michael Zboray (Teenagers War: Vietnam 1969)
This is Tracene Kane, HoloNet news reporter embedded with the New Republic Thirty-First. And I’d like to tell you about a friend of mine. A friend the Empire just stole from me.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
The New Republic is not a military entity. It is one of democracy. And it is painfully naïve to think that democracy can work on a galactic scale.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
She treats herself as if she is a divine worm born of sand and stone.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
Where there’s smoke, there’s usually fire,” Solo says before adding quietly, “Usually an electrical fire near the hyperspace drive, which Chewie always warns me about…
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
Bones!” Temmin says, throwing his arms around the droid. “I PERFORMED VIOLENCE,” the droid warbles. Jas wonders if that’s pride she hears in the thing’s discordant voice. “ROGER-ROGER.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
Ackbar interjects: “But we also must recognize the Empire’s ability to play the long game. Our victory over Endor was fortunate, but the Empire orchestrated that trap with great patience.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
I had become a Great Depression buff in the way that other people are Civil War buffs, reading not only about the economics of the period but about the politics, sociology, and history as well.
Ben S. Bernanke (The Courage to Act: A Memoir of a Crisis and Its Aftermath)
He's heard tales of the Clone Wars -tales spoken by his own father. He knows how war goes. It's not many wars, but just one, drawn out again and again, cut up into slices so it seems more manageable.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
There are a few unfortunate souls on the streets as she waddles along, but every one of them swerves out of her way. It isn't clear whether Mama's height is a result of some aftermath of the big war or if, as she maintains, she comes from a long line of short people, but either way her elbows are always level with something soft and delicate and she has no compunctions about lashing out at anyone that gets too close.
G.D. Penman
The droid stands up. Servomotors whir as it regards its repaired arm—an arm that’s not so much an arm as it is an astromech leg. It spins the leg around, slow at first, then faster and faster until it’s just a blur. “THIS IS NOT MY ARM.” “I know, Bones. Sorry.” “THIS IS AN ASTROMECH LEG.” “No, no, I know.” “ASTROMECHS ARE INFERIOR. THEY ARE BEEPING BOOPING TRASH CANS. I AM MADE INFERIOR BY THE INCLUSION OF THIS NON-ARM.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
The Holocaust was the product of a particular time and place: Europe in the aftermath of the Industrial Revolution and the upheavals of World War I and the Bolshevik Revolution. These were the contexts in which ancient hostilities toward Jews and Judaism, deeply rooted in religious rivalry but updated with the trappings of modern science, turned into a fixation on removing Jews from civil society as a magical solution to all social problems.
Peter Hayes (Why?: Explaining the Holocaust)
HYPERAROUSAL After a traumatic experience, the human system of self-preservation seems to go onto permanent alert, as if the danger might return at any moment. Physiological arousal continues unabated. In this state of hyerarousal, which is the first cardinal symptom of post-traumatic stress disorder, the traumatized person startles easily, reacts irritably to small provocations, and sleeps poorly. Kardiner propsed that "the nucleus of the [traumatic] neurosis is physioneurosis."8 He believed that many of the symptoms observed in combat veterans of the First World War-startle reactions, hyperalertness, vigilance for the return of danger, nightmares, and psychosomatic complaints-could be understood as resulting from chronic arousal of the autonomic nervous system. He also interpreted the irritability and explosively aggressive behavior of traumatized men as disorganized fragments of a shattered "fight or flight" response to overwhelming danger.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
The Wookiee tilts his head back and ululates a loud, joyful growl, then wraps his impossible arms around the smuggler. Solo looks like a child snatched up by an eager parent—for a moment his whole body lifts up off the ground, his legs kicking as the Wookiee purrs and barks.
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
In the immediate aftermath of Chris’s death, Bubba dealt with his grief by playing. He played all the time, with anyone and everyone who came to the house. It was his way of staying busy and not focusing on sadness. Angel, younger, was a little more direct, though quieter. She often looked toward her brother as her spokesman and maybe test case: his emotions guided hers. She expressed her connection with her dad directly, mentioning that she often felt him still close to her. I came to take that as a comfort and reassurance: Chris walked with us still.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
This book appears at a time when public discussion of the common atrocities of sexual and domestic life has been made possible by the women’s movement, and when public discussion of the common atrocities of political life has been made possible by the movement for human rights. I expect the book to be controversial—first, because it is written from a feminist perspective; second, because it challenges established diagnostic concepts; but third and perhaps most importantly, because it speaks about horrible things, things that no one really wants to hear about.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
Given the intervention of the gods and other magical and supernatural happenings, I have—as mentioned in the Introduction that you so wisely skipped—thought it best to tell the story of the war and its aftermath without attempting to dot every sequential iota or cross every chronological tau.
Stephen Fry (Troy: The Greek Myths Reimagined (Stephen Fry's Great Mythology #3))
That what guided me was the Force.” “You’re lying. The Force is only for the Jedi.” “No!” Jumon says, not angry so much as he is incredulous. “They wield it, but the Force is in all living things. It is what gives us our intuition, our drive, it’s what connects us to one another. We are all one with the Force.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
The tyrant Palpatine is dead. But the fight isn’t over. The war goes on even as the Empire’s power diminishes. But we are here for you. Know that wherever you are, no matter how far out into the Outer Rim you dwell, the New Republic is coming to help. Already we’ve captured dozens of Imperial capital ships and Destroyers—
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
In 1855, at the height of the Crimean War, Roger Fenton’s photograph, ‘The Valley of the Shadow of Death’, published in The Times, poignantly captured the aftermath of British retreat in the face of the Russian army with a single image of an empty battlefield. There was only one problem. Fenton had constructed the entire scene, moving cannon balls artfully until he had the perfect image. In 1945, on the beach of Iwo Jima, legendary war photographer Joe Rosenthal captured the most famous image of battle ever taken: the raising of the Stars and Stripes as American soldiers took the summit from the Japanese. It won him the Pulitzer Prize. Both are a lie.
Jacques Peretti (Done: The Secret Deals that are Changing Our World)
From the box, he withdraws a helmet. Pitted and pocked, as if with some kind of acid. But still—he raps his knuckles on it. The Mandalorians knew how to make armor, didn’t they? “Look at this,” he says, holding it up. “Mandalorian battle armor. Whole box. Complete set, by the looks of it. Been through hell and back. I think my boss will appreciate this.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
When they say to one another, 'May the Force be with you,' it is precisely this that they mean: It is a wish that when the time comes to leap into the void and to make a decision based on instinct and trust, you are rewarded for that act and not punished. The hope is that if you meet the galaxy halfway, it meets you in the middle and carries you the rest of the distance.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
There arose in the aftermath of this battle the strangest and most beautiful legend of the war. It was said that, when the British peril was at its height, a majestic figure had appeared high in the sky with arm upraised. Some said it had been pointing to victory, others that it held back the Germans as the Tommies got away. It came to be known as the Angel of Mons. Even more colorful was the simultaneous legend of the Archers of Agincourt. In the late Middle Ages at Agincourt—not a great distance from Mons—English yeomen armed with longbows had won a great victory over a much bigger force of mounted and armored French knights. Four hundred and ninety-nine years later there were stories of German soldiers found dead at Mons with arrows through their bodies.
G.J. Meyer (A World Undone: The Story of the Great War, 1914 to 1918)
I spent my childhood and youth on the outskirts of the Alps, in a region that was largely spared the immediate effects of the so-called hostilities. At the end of the war I was just one year old, so I can hardly have any impressions of that period of destruction based on personal experience. Yet to this day, when I see photographs or documentary films dating from the war I feel as if I were its child, so to speak, as if those horrors I did not experience cast a shadow over me … I see pictures merging before my mind’s eye—paths through the fields, river meadows, and mountain pastures mingling with images of destruction—and oddly enough, it is the latter, not the now entirely unreal idylls of my early childhood, that make me feel rather as if I were coming home…
W.G. Sebald (On the Natural History of Destruction)
For most of the twentieth century, it was the study of combat veterans that led to the development of a body of knowledge about traumatic disorders. Not until the women's liberation movement of the 1970s was it recognized that the most common post-traumatic disorders are not those of men in war but of women in civilian life. The real conditions of women's lives were hidden in the sphere of the personal, in private life. The cherished value of privacy created a powerful barrier to consciousness and rendered women's reality practically invisible. To speak about experiences in sexual or domestic life was to invite public humiliation, ridicule, and disbelief. Women were silenced by fear and shame, and the silence of women gave license to every form of sexual and domestic exploitation. Women did not have a name for the tyranny of private life. It was difficult to recognize that a well-established democracy in the public sphere could coexist with conditions of primitive autocracy or advanced dictatorship in the home.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
No Tie Fighters. No blasts across the bow of his X-Wing. No X-Wing, in fact, and though he loves flying one, it's nice to be out. No Death Star--and here, Wedge shudders, because he helped take down two of those things. Some days that fills him with pride. Other days it's something else, something worse. Like he's drawn back to it. The fight still going on around him. But that isn't today. Today it's quiet. Wedge like's the quiet.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
The man tut-tut-tuts. “Hardly. I am Tashu. Merely a historian. An eager student of the old ways. And, until recently, an adviser to Palpatine.” “My friend Luke told me some things about him.” Tashu’s grin broadens. Showing off his too-white teeth. “Yes, I imagine he did. Seen through the lens of a confused, naïve boy, most assuredly.” His fingers pluck at the air like a spider testing its webs. “I know I won’t break you physically.” “So why come here at all?
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
But the battle station was destroyed, Dad! The battle is over!” They just watched it only an hour before. The supposed end of the Empire. The start of something better. The confusion in the boy’s shining eyes is clear: He doesn’t understand what’s happening. But Rorak does. He’s heard tales of the Clone Wars—tales spoken by his own father. He knows how war goes. It’s not many wars, but just one, drawn out again and again, cut up into slices so it seems more manageable.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
This isn’t some kind of inspirational story. Some scrappy, ragtag underdog tale, some pugilistic match where we’re the goodhearted gladiator who brings down the oppressive regime that put him in the arena. They get to have that narrative. We are the ones who enslaved whole worlds full of alien inhabitants. We are the ones who built something called a Death Star under the leadership of a decrepit old goblin who believed in the ‘dark side’ of some ancient, insane religion.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
The funeral was a vast, elaborate affair, befitting a monarch or head of state, in marked contrast to the essential simplicity of the man honored. The grandeur emphasized the central place that Grant had occupied in the Civil War and its aftermath. “Out of all the hubbub of the war,” wrote Walt Whitman, “Lincoln and Grant emerge, the towering majestic figures.”146 He thought they had lived exemplary lives that vindicated the American spirit, showing how people lifted from the lower ranks of society could attain greatness.
Ron Chernow (Grant)
The story of the “exquisite cadavers” is as follows. In the aftermath of the First World War, a collection of surrealist poets—which included André Breton, their pope, Paul Eluard, and others—got together in cafés and tried the following exercise (modern literary critics attribute the exercise to the depressed mood after the war and the need to escape reality). On a folded piece of paper, in turn, each one of them would write a predetermined part of a sentence, not knowing the others’ choice. The first would pick an adjective, the second a noun, the third a verb, the fourth an adjective, and the fifth a noun. The first publicized exercise of such random (and collective) arrangement produced the following poetic sentence: The exquisite cadavers shall drink the new wine. (Les cadavres exquis boiront le vin nouveau.) Impressive? It sounds even more poetic in the native French. Quite impressive poetry has been produced in such a manner, sometimes with the aid of a computer. But poetry has never been truly taken seriously outside of the beauty of its associations, whether they have been produced by the random ranting of one or more disorganized brains, or the more elaborate constructions of one conscious creator.
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto Book 1))
Mon wants this transition to be as peaceable as possible. That is, of course, a noble goal. And in late nights the chancellor confided in Leia that she is wisely struck by the fear of what happened the first time the parasite of Palpatine squirmed under the skin. How easy it was for him to prey on the anxieties of the galaxy. How simple it was for him to turn system against system by stoking the fires of xenophobia, anger, selfishness. (And here Luke’s voice echoes in her mind: The ways and tools of the dark side, Leia.) How do you form an Empire? By stealing a Republic. And how do you steal a Republic? By convincing its people that they cannot govern themselves—that freedom is their enemy and that fear is their ally. Palpatine
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
The interrogator droid hovers. A small panel along its bottom slides open with a whir and a click. An extensor arm unfolds—an arm that ends in a pair of cruel-looking pincers. So precise and so sharp they look like they could pluck a man’s eye clean from his head. (A performance this droid has likely performed once upon a time.) The arm reaches down toward its target. It grabs the ten-sided die, lifts it, drops it. The die clatters. Face up: a 7. The droid exclaims in a loud, digitized monotone: “AH. I AM AFFORDED THE CHANCE TO PROCURE A NEW RESOURCE. I WILL BUY A SPICE LANE. THAT CONNECTS TO MY FOUR OTHER SPICE LANES. THAT GIVES ME FIVE TOTAL, WHICH GRANTS ME ONE VICTORY POINT. I AM NOW WINNING. THE SCORE IS SIX TO FIVE.” Temmin’s lips
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
An alliance with France was enlisted in the war for independence from Britain, then loosened in the aftermath, as France undertook revolution and embarked on a European crusade in which the United States had no direct interest. When President Washington, in his 1796 Farewell Address—delivered in the midst of the French revolutionary wars—counseled that the United States “steer clear of permanent alliances with any portion of the foreign world” and instead “safely trust to temporary alliances for extraordinary emergencies,” he was issuing not so much a moral pronouncement as a canny judgment about how to exploit America’s comparative advantage: the United States, a fledgling power safe behind oceans, did not have the need or the resources to embroil itself in continental controversies over the balance of power.
Henry Kissinger (World Order)
Allow me to introduce my shepherd,” The Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs were as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s. Her light would have no effect on something that was already blind. The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscles. Claws like razor blades sliced into the dry ground. Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know. “An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd…Well, it herds them for me. As it shall herd you.” “Fry this fucker,” Bryce muttered to Hunt as the dog snarled. “I’m assessing.” “Assess faster. Roast it like a—” “Do not make a joke about—” “Hot dog.” Bryce had no sooner finished saying the words than the hound lunged. Hunt struck, swift and sure, a lightning bolt spearing toward its neck.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The Muslim world in general, the Arab world in particular was confirmed in its grievances, particularly that the West was prepared to use its overwhelming military superiority to keep Muslims subordinate. 'Europe', the Europe of the Franco-German plan to create a federal union strong enough to stand on terms of equality with the United States as a world power, had been humiliated by the failure of its efforts to avert the war. Liberal opinion, dominant throughout the European media and academia, strong also in their American equivalents, was outraged by the spectacle of raw military force supplanting reason and legality as the means by which relations between states were ordered. Reality is an uncomfortable companion, particularly to people of good will. George H.W. Bush's proclamation of a new world order had persuaded too many in the West that the world's future could be managed within a legal framework, by discussion and conciliation. The warning uttered by his son that the United States was determined to bring other enemies of nuclear and regional stability to book - Iran, North Korea - was founded by his political opponents profoundly unsettling. The reality of the Iraq campaign of March - April 2003 is, however, a better guide to what needs to be done to secure the safety of our world than any amount of law-making or treaty-writing can offer.
John Keegan (The Iraq War: The Military Offensive, from Victory in 21 Days to the Insurgent Aftermath)
ALL ARE WELCOME. (NO FIGHTING.) That rule is simple on the surface, but not easy in the execution, because Maz Kanata's castle has been a meeting place since time immemorial-- a nexus point drawing together countless lines of allegiance and opposition, a place not only where friend and foe can meet, but where complex conflicts are worn down flat so that all may sit, have a drink and a meal, listen to a song, and broker whatever deals their hearts or politics require. That's why the flags outside her castle represent hundreds of cities and civilizations and guilds from before forever. The galaxy is not now, nor has it ever been, two polar forces battling for supremacy. It has been thousands of forces: a tug-of-war not with as ingle rope but a spider's web of influence, dominance, and desire. Clans and cults, tribes and families, governments and anti-governments. Queens, satraps, warlords! Diplomats, buccaneers, droids! Slicers, spicers, ramblers, and gamblers! To repeat: ALL ARE WELCOME. (NO FIGHTING.)
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
You chastise the dark side as if it is an evil path, laughable for its malevolence. But do not confuse it with evil. And do not confuse the light as being the product of benevolence. The Jedi of old were cheats and liars. Power-hungry maniacs operating under the guise of a holy monastic order. Moral crusaders whose diplomacy was that of the lightsaber. The dark side is honest. The dark side is direct. It is the knife in the front rather than one stuck in your back. The dark side is self-interested, yes, but it is about extending that interest outward. To yourself, but then beyond yourself. Palpatine cared about the galaxy. He did not wrest control simply to have power for himself—he already had power, as chancellor. He wanted to take power from those who abused it. He wanted to extend control and safety to the people of all worlds. That came with costs. He knew them and lamented them. But paid them just the same because the dark side understands that everything has a cost, and the cost must always be paid.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
He staggers through the forest. The burning forest. Bits of brush smoldering. A stormtrooper helmet nearby, charred and half melted. A small fire burns nearby. In the distance, the skeleton of an AT-AT walker. Its top blown open in the blast, peeled open like a metal flower. That burns, too. Bodies all around. Some of them are faceless, nameless. To him, at least. But others, he knows. Or knew. There—the fresh-faced officer, Cerk Lormin. Good kid. Eager to please. Joined the Empire because it’s what you did. Not a true believer, not by a long stretch. Not far from him: Captain Blevins. Definitely a true believer. A froth-mouthed braggart and bully, too. His face is a mask of blood. Sinjir is glad that one is dead. Nearby, a young woman: He knows her face from the mess, but not her name, and the insignia rank on her chest has been covered in blood. Whoever she was, she’s nobody now. Mulch for the forest. Food for the native Ewoks. Just stardust and nothing. We’re all stardust and nothing, he thinks. An absurd thought. But no less absurd than the one that follows: We did this to ourselves. He should blame them. The rebels. Even now he can hear them applauding. Firing blasters into the air. Hicks and yokels. Farm boy warriors and pipe-fitter pilots. Good for them. They deserve their celebration. Just as we deserve our graves.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
When I was growing up, we took Texas history twice—if I remember correctly, in the fourth and the seventh grades. I cannot say with certainty that slavery was never mentioned. Of course, I didn’t need school to tell me that Blacks had been enslaved in Texas. I heard references to slavery from my parents and grandparents. A common retort when another kid—often a sibling—insisted you do something for them you didn’t want to do was “Slavery time is over.” And we celebrated Juneteenth, which marked the end of the institution. But if slavery was mentioned in the early days of my education, it didn’t figure prominently enough in our lessons to give us a clear and complete picture of the role the institution played in the state’s early development, its days as a Republic, its entry into the Union, and its role in the Civil War and its aftermath. Instead, as with the claim “The American Civil War was not about slavery. It was about states’ rights,” the move when talking about Texas’s rebellion against Mexico was to take similar refuge in concerns about overreaching federal authorities. Anglo-Texans chafed at the centralizing tendencies of the Mexican government and longed to be free. As one could ask about the states’ rights argument—states’ rights to do what?—I don’t recall my teachers giving a complete explanation for why Anglo-Texans felt so threatened by the Mexican government.
Annette Gordon-Reed (On Juneteenth)