“
Belief isn't simply a thing for fair times and bright days...What is belief - what is faith - if you don't continue in it after failure?...Anyone can believe in someone, or something that always succeeds...But failure...ah, now, that is hard to believe in, certainly and truly. Difficult enough to have value. Sometimes we just have to wait long enough...then we find out why exactly it was that we kept believing...There's always another secret.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
He wondered whether home was a thing that happened to a place after a while, or if it was something that you found in the end, if you simply walked and waited and willed it long enough.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
”
”
Rudyard Kipling (If: A Father's Advice to His Son)
“
after all that waiting they hadn't had very long at all in the end
”
”
MsKingBean89 (All the Young Dudes)
“
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact I called to give you the good news. I asked you daughter to marry me. Now, do you want me to call you Mum straightaway, or wait until after the wedding?
”
”
Jeaniene Frost (At Grave's End (Night Huntress, #3))
“
I'd like to repeat the advice that I gave you before, in that I think you really should make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
If you want to get more out of life, Ron, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty. And so, Ron, in short, get out of Salton City and hit the Road. I guarantee you will be very glad you did. But I fear that you will ignore my advice. You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover.
Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long time, Ron, and it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience.
You are wrong if you think Joy emanates only or principally from human relationships. God has placed it all around us. It is in everything and anything we might experience. We just have to have the courage to turn against our habitual lifestyle and engage in unconventional living.
My point is that you do not need me or anyone else around to bring this new kind of light in your life. It is simply waiting out there for you to grasp it, and all you have to do is reach for it. The only person you are fighting is yourself and your stubbornness to engage in new circumstances.
”
”
Jon Krakauer (Into the Wild)
“
Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried.
"You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?"
He scratches behind his ear and looks away, like he's embarrassed by what he said.
I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care.
I reach out and take his hand. His fingers slide between mine. I can't breathe.
I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
She was breathing deeply, she forgot the cold, the weight of beings, the insane or static life, the long anguish of living or dying. After so many years running from fear, fleeing crazily, uselessly, she was finally coming to a halt. At the same time she seemed to be recovering her roots, and the sap rose anew in her body, which was no longer trembling. Pressing her whole belly against the parapet, leaning toward the wheeling sky, she was only waiting for her pounding heart to settle down, and for the silence to form in her. The last constellations of stars fell in bunches a little lower on the horizon of the desert, and stood motionless. Then, with an unbearable sweetness, the waters of the night began to fill her, submerging the cold, rising gradually to the center of her being, and overflowing wave upon wave to her moaning mouth. A moment later, the whole sky stretched out above her as she lay with her back against the cold earth.
”
”
Albert Camus
“
I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love.
”
”
Haruki Murakami (After the Quake)
“
How long are you going to wait before you demand the best for yourself and in no instance bypass the discriminations of reason? You have been given the principles that you ought to endorse, and you have endorsed them. What kind of teacher, then, are you still waiting for in order to refer your self-improvement to him? You are no longer a boy, but a full-grown man. If you are careless and lazy now and keep putting things off and always deferring the day after which you will attend to yourself, you will not notice that you are making no progress, but you will live and die as someone quite ordinary.
From now on, then, resolve to live as a grown-up who is making progress, and make whatever you think best a law that you never set aside. And whenever you encounter anything that is difficult or pleasurable, or highly or lowly regarded, remember that the contest is now: you are at the Olympic Games, you cannot wait any longer, and that your progress is wrecked or preserved by a single day and a single event. That is how Socrates fulfilled himself by attending to nothing except reason in everything he encountered. And you, although you are not yet a Socrates, should live as someone who at least wants to be a Socrates.
”
”
Epictetus
“
That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
After dinner, I become afraid despite myself. I know I should be joyous, for this reunion is the proof that love can still be ours, but I know the bell has tolled this evening. The sun has long since set and the thief is about to come, and there is nothing I can do to stop it. So I stare at her and wait and live a lifetime in these last remaining moments.
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
We'd just shared the last beer and slung the empty can out the window at a stop sign and were just waiting back to get the feel of the day, swimming in that kind of tasty drowsiness that comes over you after a day of going hard at something you enjoy doing -- half sunburned and half drunk and keeping awake only because you wanted to savor the taste as long as you could.
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest)
“
Josh grins. "Just give me your hand."
"W-what?"
"Your hand," he repeats. "Give it to me."
I extend my shaking right hand. And-in a moment that is a hundred dreams come true-Joshua Wasserstein laces his fingers through mine. A staggering shock of energy shoots straight into my veins. Straight into my heart.
"There," he says. "I've been waiting a long time to do that."
Not nearly as long as I've been waiting.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
Would you have done that in his place? Would you have left him and gone on?"
"Of course I would!" Halt replied immediately. But something in his voice rang false and Horse looked at him, raising one eyebrow. He'd waited a long time for an opportunity to use that expression of disbelief on Halt.
After a pause, the Ranger's anger subsided.
"All right. Perhaps I wouldn't," he admitted. Then he glared at Horace. "And stop raising that eyebrow on me. You can't even do it properly. Your other eyebrow moves with it!
”
”
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
“
Sam- " After you were bitten, i knew what would happen. I waited for you to change, every night, so i could bring you back and keep you from getting hurt."
Grace- " How long did you wait?"
Sam- " I haven't stopped.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
The Minister of Army answered, “Bob, I thought that you would have been an astute and clever enough a politician to think of this yourself, but seeing how you have asked me, I suggest that you wait until eight in the night on Thursday 29/April/1965 to announce that Australia will send the First Battalion Royal Australian Regiment to fight in South Vietnam. By you waiting until the evening of 29/April/1965 to announce this in Parliament, the labour opposition leader of Arthur Caldwell and his deputy leader of Gough Whitlam should be absent, as will be most of the entire parliament, because the following day is the beginning of a long week-
end. You are legally not required to give advanced warning to the house, so you can easily get away with this!
”
”
Michael G. Kramer (A Gracious Enemy & After the War Volume One)
“
My books happen. They tend to blast in from nowhere, seize me by the throat, and howl 'Write me! Write me now!' But they rarely stand still long enough for me to see what and who they are, before they hurtle away again. And so I spend a lot of time running after them, like a thrown rider after an escaped horse, saying 'Wait for me! Wait for me!' and waving my notebook in the air.
”
”
Robin McKinley
“
As with men, it has always seemed to me that books have their own peculiar destinies. They go towards the people who are waiting for them and reach them at the right moment. They are made of living material and continue to cast light through the darkness long after the death of their authors.
”
”
Miguel Serrano (C.G. Jung and Hermann Hesse: A Book of Two Friendships)
“
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.
And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.
When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.
When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."
And yet, for someone who's apparently done this already, I still haven't figured anything out yet.
My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.
And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.
There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth.
When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all.
So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in.
This isn't my first time here. This isn't my last time here. These aren't the last words I'll share.
But just in case, I'm trying my hardest to get it right this time around.
”
”
Sarah Kay
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again. In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered. The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion. So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate. The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so. Occasionally Fate can pull itself together again. And Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.
”
”
Marcel Proust
“
But, when nothing subsists of an old past, after the death of people, after the destruction of things, alone, frailer but more enduring, more immaterial, more persistent, more faithful, smell and taste still remain for a long time, like souls, remembering, waiting, hoping, on the ruin of all the rest, bearing without giving way, on their almost impalpable droplet, the immense edifice of memory.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
After all, we were young. We were fourteen and fifteen, scornful of childhood, remote from the world of stern and ludicrous adults. We were bored, we were restless, we longed to be seized by any whim or passion and follow it to the farthest reaches of our natures. We wanted to live – to die – to burst into flame – to be transformed into angels or explosions. Only the mundane offended us, as if we secretly feared it was our destiny . By late afternoon our muscles ached, our eyelids grew heavy with obscure desires. And so we dreamed and did nothing, for what was there to do, played ping-pong and went to the beach, loafed in backyards, slept late into the morning – and always we craved adventures so extreme we could never imagine them. In the long dusks of summer we walked the suburban streets through scents of maple and cut grass, waiting for something to happen.
”
”
Steven Millhauser (Dangerous Laughter)
“
He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.
”
”
Stefan Zweig (The Burning Secret and other stories)
“
But it was a happy and beautiful bride who came down the old, homespun-
carpeted stairs that September noon - the first bride of Green Gables, slender and shining-eyed, in the mist of her maiden veil, with her arms full of roses. Gilbert, waiting for her in the hall below, looked up at her with adoring eyes. She was his at last, this evasive, long-sought Anne, won after years of patient waiting. It was to him she was coming in the sweet surrender of the bride. Was he worthy of her? Could he make her as happy as he hoped? If he failed her - if he could not measure up to her standard of manhood - then, as she held out her hand, their eyes met and all doubt was swept away in a glad certainty. They belonged to each other; and, no matter what life might hold for them, it could never alter that. Their happiness was in each other’s keeping and both were unafraid.
”
”
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
“
We passionately long that there may be another life in which we shall be similar to what we are here below. But we do not pause to reflect that, even without waiting for that other life, in this life, after a few years we are unfaithful to what we have been, to what we wished to remain immortally.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
The problem with playing hide-and-seek with your sister is that sometimes she gets bored and stops looking for you.And there you are—under the couch, in the closet, wedged behind the lilac tree—and you don’t want to give up,because maybe she’s just biding her time. But maybe she’s wandered off.…Maybe she’s downstairs watching TV and eating the rest of the Pringles.You wait. You wait until you forget that you’re waiting, until you forget that there’s anything to you beyond stillnessand quiet; an ant crawls over your knee, and you don’t flinch. And it doesn’t matter now whether she’s coming for you— the hiding is enough. (You win when no one finds you, even if they’re not looking.)When you break from behind the tree, it’s because you want to. It’s the first breath after a long dive. Branches snapunder your feet, and the world is hotter and brighter.
Ready or not, here I come. Here I come, ready or not.
”
”
Rainbow Rowell (Fangirl)
“
For all its material advantages, the sedentary life has left us edgy, unfulfilled. Even after 400 generations in villages and cities, we haven’t forgotten. The open road still softly calls, like a nearly forgotten song of childhood. We invest far-off places with a certain romance. This appeal, I suspect, has been meticulously crafted by natural selection as an essential element in our survival. Long summers, mild winters, rich harvests, plentiful game—none of them lasts forever. It is beyond our powers to predict the future. Catastrophic events have a way of sneaking up on us, of catching us unaware. Your own life, or your band’s, or even your species’ might be owed to a restless few—drawn, by a craving they can hardly articulate or understand, to undiscovered lands and new worlds.
Herman Melville, in Moby Dick, spoke for wanderers in all epochs and meridians: “I am tormented with an everlasting itch for things remote. I love to sail forbidden seas…”
Maybe it’s a little early. Maybe the time is not quite yet. But those other worlds— promising untold opportunities—beckon.
Silently, they orbit the Sun, waiting.
”
”
Carl Sagan
“
I looked after that Dudley family for too long, over six years. His daddy would take him to the garage and whip him with a rubber hose-pipe trying to beat the girl out a that boy until I couldn't stand it no more.... I wish to God I'd told John Green Dudley he ain't going to hell. That he ain't no sideshow freak cause he like boys. I wish to God I'd filled his ears with good things like I'm trying to do with Mae Mobley. Instead, I just sat in the kitchen, waiting to put the salve on them hose-pipe welts.
”
”
Kathryn Stockett (The Help)
“
It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences.
”
”
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
“
I used to collect snow globes when I was younger. They lined a shelf in my bedroom, and sometimes I would shake them up, one after the other, then sit on my bed and watch as the flurries and the glitter swirled around inside the glass. Eventually, the contents inside the globe would begin to settle. All would grow still, and then the globes on my shelf would return to their quiet, peaceful states. I liked them because they reminded me of life. How sometimes, it feels like someone is shaking the world around you, and things are flying at you from every direction, but if you wait long enough, everything will start to calm. I liked that feeling of knowing that the storm inside always eventually settles.
”
”
Colleen Hoover (Regretting You)
“
After spending most of her life scanning the horizon for slights and threats, genuine and imagined, she knew the real threat to her happiness came not from the dot in the distance, but from looking for it. Expecting it. Waiting for it. And in some cases, creating it. Her father had jokingly accused her of living in the wreckage of her future. Until one day she’d looked deep into his eyes and saw he wasn’t joking. He was warning her.
”
”
Louise Penny (The Long Way Home (Chief Inspector Armand Gamache #10))
“
He remembers another moment: They'd just found each other again after their fight. She'd talked about the number of events that had to exactly right to form their universe. She'd said falling in love couldn't compete.
He's always thought she was wrong about that.
Because everything looks like chaos up close. Daniel thinks it's a matter of scale. If you pull back far enough and wait for long enough, then order emerges.
Maybe their universe is just taking longer to form.
”
”
Nicola Yoon (The Sun Is Also a Star)
“
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them."
Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry.
"I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?"
His uncertainty made me smile. "Yes. Now would be a great time."
He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me.
"I only really ever hug my mother. Is this okay?" he asked.
I laughed. "It's hard to get a hug wrong."
After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family."
I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me.
"America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first."
I nodded.
"I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America."
He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay.
“Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal.
“Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’”
Cagney sighed, listened to the leather creak as he shifted his weight in his chair.
“No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
”
”
J. Conrad Guest (The Cobb Legacy)
“
The worst part of being okay is that okay is far from happy. Okay is that gray space in the middle where you can wake up each day and carry on with your life, even laugh and smile often, but okay isn’t joy. Okay isn’t looking forward to each second of your day, and okay isn’t getting the most out of life. Being okay is what most people settle for, myself included, and we pretend that okay is fine, when we actually hate it, and we spend the majority of our time waiting to break out of just being okay. He gave me a taste of how great life can be outside of okay, and I’ve missed it ever since. I’ve been okay for a long time, and I’m not sure how to get out of it now, but I hope for the day that I can say I’m great instead of I’m okay.
”
”
Anna Todd (After Ever Happy (After, #4))
“
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact..."
I sucked in a breath as Bones divulged yet another tidbit about his past to my mother, who must be frothing at the mouth by now.
"...called to give you the good news. I asked your daughter to marry me and she accepted. Congratulations, I will officially be your son-in-law. Now, do you want me to call you Mum straightaway, or wait until after the wedding?"
I flew through the air in a dive that finally tackled him, wrenching the phone away. Bones was laughing so hard, he had to breathe to get it all out.
"Mom? Are you there? Mom...?"
"You might want to give her a moment, Kitten. I believe she fainted.
”
”
Jeaniene Frost (At Grave's End (Night Huntress, #3))
“
Laurelyn, I once asked you to be mine for three months. Now, I’m asking you to be mine forever.” She opens her mouth to speak and I place my fingers to her lips. “But I don’t want your answer right now because you’re not ready to say yes. You still need time to spread your wings and fly. I love you with all my heart and I want you to experience everything this life has to offer you because it won’t wait. But I will. I’ll wait for you as long as it takes, and you can come to me after you ‘ve had enough of this life…when you’re ready to spend forever with me.
”
”
Georgia Cates (Beauty from Surrender (Beauty, #2))
“
Everybody is waiting for the end to come, but what if it already passed us by? What if the final joke of Judgment Day was that it had already come and gone and we were none the wiser? Apocalypse arrives quietly; the chosen are herded off to heaven, and the rest of us, the ones who failed the test, just keep on going, oblivious. Dead already, wandering around long after the gods have stopped keeping score, still optimistic about the future.
”
”
Jonathan Nolan (Memento Mori)
“
I want to write stories that are different from the ones I've written so far, Junpei thought: I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love. But right now I have to stay here and keep watch over this woman and this girl. I will never let anyone-not anyone-try to put them into that crazy box- not even if the sky should fall or the earth crack open with a roar.
”
”
Haruki Murakami (After the Quake)
“
I don't know what to apologise for first,' I say. 'Cutting off your head or hesitating so long to do it. I didn't want to lose what little there was left of you. And I can't quite think past how wonderous it is that you're alive.'
'You don't know how long I've waited to hear those words,' he says. 'You don't want me dead.'
'If you joke about this, I am going to-'
'Kill me?' he asks, raising both black brows.
I think I might hate him after all.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
I don’t like big weddings.” Her panic is clear. “All those people make me nervous. I’ll mess up the vows and say something inappropriate.”
“It doesn’t have to be big. It can be just the two of us if you want. We can wait until next summer—or the one after if a year isn’t long enough. We can get married up here by a justice of the peace on the end of the dock at sunset. A damn Rastafarian can perform the ceremony if that’s what you want. I don’t care about the wedding part. All I want to be is connected to you in the most significant way possible. I want you as my wife.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
I squint my eyes and glare at him.
“I don’t have a crush on Quinn anymore.”
He raises a golden eyebrow.
“No?”
I shake my head. “No.”
“Why is that?”
I stare at him long and hard, trying to decide what to say. Should I be downright, painfully honest? I’ve always found that the best way to be, so I nod.
“Two words.”
He waits.
“Dante. Giliberti.”
I hear him suck in his breath and I smile. Sometimes, honesty is refreshing and so very worth it.
“Me?” He sounds so surprised, as though he doesn’t know that he is practically a living breathing Adonis. I nod.
“You.”
He studies me again and I fight the need to fidget as I wait for his reaction.
After a minute of nerve-wracking silence, he finally answers.
“So, will you keep the bracelet?”
I nod.
“Can I kiss you again?”
I nod.
So he does.
”
”
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
“
Nobody moved.
Everybody sat in the dark cellar, suspended in the suddenly frozen task of this October game; the wind blew outside, banging the house, the smell of pumpkins and apples filled the room with smell of the objects in their fingers while one boy cried, “I'll go upstairs and look!” and he ran upstairs hopefully and out around the house, four times around the house, calling, “Marion, Marion, Marion!” over and over and at last coming slowly down the stairs into the waiting breathing cellar and saying to the darkness, “I can't find her.”
Then... some idiot turned on the lights.
("The October Game")
”
”
Ray Bradbury (Long After Midnight)
“
To wait so long/And want a man refined and strong/Is not at all uncommon. And yet to wait one hundred years/Without a tear, without a care/Makes for a very rare woman. So here our tale appears to show/How marriage deferred/Brings joy unheard/Nothing lost after a century or so. But others love with more ardor/And wed quickly out of passion/Whatever they do/I won’t deplore/Nor shall I preach a lesson.
”
”
Charles Perrault (The Sleeping Beauty and Other Classic French Fairy Tales)
“
After you were bitten, I knew what would happen. I waited for you to change, every night, so I could bring you back and keep you from getting hurt." A chilly gust of wind lifter his hair and sent a shower of golden leaves glimmering down around him. He spred out his arms, letting them fall into his hands. He looked like a dark angel in an eternal autumn wood. "Did you know you get one happy day for everyone you catch?"
I didn't know what he meant, even after he opened his fist to show me the quivering leaves crumpled in his palm.
One happy day for every falling leaf you catch." Sam's voice was low.
I watched the egdes of the leaves slowly unfold, fluttering in the breeze."How long did you wait?"
It would have been romantic if hr'd had the courage to look into my face to say it, but instead, he dropped his eyes to the ground and scuffed his boots in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped."
And I should've said something romantic too, but i didn't have the courage, either. So instead, I watched the shy way he was chewing his lip and studying the leaves, and said, "That must've been very borring.
”
”
Maggie Stiefvater
“
Several yards away – closer to the cathedral’s legendary carved doorways – Anna and St. Clair are standing on top of Point Zéro. It’s been hand-brushed clear of its dusting of snow. Point Zéro is the bronze marker, a star, which designates the official centre of France. There are at least two superstitions about it. One is that anyone who stands on the star will return to France. The other is that you can use it to make a wish.
“Wait for it,” Josh says.
Lola stands straighter, excited. “No!”
“Yes,” Cricket says.
I’m the last one in the dark, until – suddenly – it happens. St. Clair removes something from his pocket. And then he gets down on one knee.
Anna’s entire body lights with shock and joy and love. She nods a vigorous yes. St. Clair places the ring on her finger. He stands, she throws her arms around him, and they kiss. He spins her in a circle. They kiss again. Deep, hungry, long. And then he turns to us and waves – with the biggest smile I’ve ever seen – clearly aware that we’ve been standing here the whole time.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
I know now what was happening to me, what was overwhelming me, what was about to consume and almost destroy me. Didier had even given me a name for it - assassin grief, he'd once called it: the kind of grief that lies in wait and attacks you from ambush, with no warning and no mercy. I know now that assassin grief can hide for years and then strike suddenly on the happiest day, without discernible reason or exegesis. But on that day, ... almost a year after Khader's death, I couldn't understand the dark and trembling mood that was moving in me, swelling to the sorrow I'd too long denied. I couldn't understand it, so i tried to fight it as a man fights pain or despair. But you can't bite down on assassin grief and will it away. The enemy stalks you, step for step, and knows your every move before you make it. The enemy is your own grieving heart and, when it strikes, it can't miss.
”
”
Gregory David Roberts (Shantaram)
“
Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year.
Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself.
See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all.
Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.
And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well.
The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants."
[Getting Into Print (The Editor magazine, March 1903)]
”
”
Jack London
“
Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake…when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains.
”
”
Rebecca Solnit (Wanderlust: A History of Walking)
“
Live or die, but don't poison everything...
Well, death's been here
for a long time --
it has a hell of a lot
to do with hell
and suspicion of the eye
and the religious objects
and how I mourned them
when they were made obscene
by my dwarf-heart's doodle.
The chief ingredient
is mutilation.
And mud, day after day,
mud like a ritual,
and the baby on the platter,
cooked but still human,
cooked also with little maggots,
sewn onto it maybe by somebody's mother,
the damn bitch!
Even so,
I kept right on going on,
a sort of human statement,
lugging myself as if
I were a sawed-off body
in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie
and even though I dressed the body
it was still naked, still killed.
It was caught
in the first place at birth,
like a fish.
But I play it, dressed it up,
dressed it up like somebody's doll.
Is life something you play?
And all the time wanting to get rid of it?
And further, everyone yelling at you
to shut up. And no wonder!
People don't like to be told
that you're sick
and then be forced
to watch
you
come
down with the hammer.
Today life opened inside me like an egg
and there inside
after considerable digging
I found the answer.
What a bargain!
There was the sun,
her yolk moving feverishly,
tumbling her prize --
and you realize she does this daily!
I'd known she was a purifier
but I hadn't thought
she was solid,
hadn't known she was an answer.
God! It's a dream,
lovers sprouting in the yard
like celery stalks
and better,
a husband straight as a redwood,
two daughters, two sea urchings,
picking roses off my hackles.
If I'm on fire they dance around it
and cook marshmallows.
And if I'm ice
they simply skate on me
in little ballet costumes.
Here,
all along,
thinking I was a killer,
anointing myself daily
with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice
as a chocolate bar.
Even with the witches' gymnastics
they trust my incalculable city,
my corruptible bed.
O dearest three,
I make a soft reply.
The witch comes on
and you paint her pink.
I come with kisses in my hood
and the sun, the smart one,
rolling in my arms.
So I say Live
and turn my shadow three times round
to feed our puppies as they come,
the eight Dalmatians we didn't drown,
despite the warnings: The abort! The destroy!
Despite the pails of water that waited,
to drown them, to pull them down like stones,
they came, each one headfirst, blowing bubbles the color of cataract-blue
and fumbling for the tiny tits.
Just last week, eight Dalmatians,
3/4 of a lb., lined up like cord wood
each
like a
birch tree.
I promise to love more if they come,
because in spite of cruelty
and the stuffed railroad cars for the ovens,
I am not what I expected. Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
”
”
Anne Sexton (The Complete Poems)
“
In this scheme of things we don’t create our lives; we are summoned by life. The important answers are not found inside, they are found outside. This perspective begins not within the autonomous self, but with the concrete circumstances in which you happen to be embedded. This perspective begins with an awareness that the world existed long before you and will last long after you, and that in the brief span of your life you have been thrown by fate, by history, by chance, by evolution, or by God into a specific place with specific problems and needs. Your job is to figure certain things out: What does this environment need in order to be made whole? What is it that needs repair? What tasks are lying around waiting to be performed? As the novelist Frederick Buechner put it, “At what points do my talents and deep gladness meet the world’s deep need?
”
”
David Brooks (The Road to Character)
“
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.”
I looked at him, quizzical. Again, it was a strange enough concept to hold my attention.
“There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face.
My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?”
“Sad things,” Beck said. “Do you have a lot of sad things in your head?”
“No,” I said.
Beck sucked in his lower lip and released it slowly. “Well, I do.”
This was shocking. I didn’t ask a question, but I tilted toward him.
“And these things would make me cry,” Beck continued. “They used to make me cry all day long.”
I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable.
“You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.”
“Brain tape?” I suggested, with a little smirk. I was eight, after all.
Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.”
“How did you use the brain tape?”
“You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?”
I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open.
“Mom,” I whispered.
I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow.
“What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars.
Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken.
“Me,” I said.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
In Plaster
I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was
Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.
Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.
I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.
In time our relationship grew more intense.
She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.
She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.
I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.
I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.
--written 26 Feburary 1961
”
”
Sylvia Plath (The Collected Poems)
“
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
”
”
Olivia Gatwood (New American Best Friend)
“
I liked hurting girls.
Mentally, not physically, I never hit a girl in my life. Well, once. But that was a mistake. I’ll tell you about it later. The thing is, I got off on it. I really enjoyed it.
It’s like when you hear serial killers say they feel no regret, no remorse for all the people they killed. I was like that. Loved it. I didn’t care how long it took either, because I was in no hurry. I’d wait until they were totally in love with me. Till the big saucer eyes were looking at me. I loved the shock on their faces. Then the glaze as they tried to hide how much I was hurting them. And it was legal. I think I killed a few of them. Their souls, I mean. It was their souls I was after.
”
”
Anonymous (Diary of an Oxygen Thief)
“
America," he begged.
I turned to Maxon.
"They're fine. The rebels were slow, and everyone here knows what to do in an emergency."
I nodded. We stood there quietly for a minute, and I could tell he was about to move on.
"Maxon," I whispered.
He turned back, a little surprised to be addressed so casually.
"About last night. Let me explain. When they came to prep us, to get us ready to come here, there was a man who told me that I was never to turn you down. No matter what you asked for. Not ever."
He was dumbfounded. "What?"
"He made it sound like you might ask for certain things. And you said yourself that you hadn't been around many women. After eighteen years...and then you sent the cameras away. I just got scared when you got that close to me."
Maxon shook his head, trying to process all this. Humiliation, rage, and disbelief all played across his typically even-tempered face.
"Was everyone told this?" he asked, sounding appalled at the idea.
"I don't know. I can't imagine many girls would need such a warning. They're probably waiting to pounce on you," I noted, nodding my head toward the rest of the room.
He gave a dark chuckle. "But you're not, so you had absolutely no qualms about kneeing me in the groin, right?"
"I hit your thigh!"
"Oh, please. A man doesn't need that long to recover from a knee to the thigh," he replied, his voice full of skepticism.
A laugh escaped me. Thankfully, Maxon join in. Just then another mass hit the windows, and we stopped in unison. For a moment I had forgotten where I was.
"So how are you handling a roomful of crying women?" I asked.
There was a comical bewilderment in his expression. "Nothing in the world is more confusing!" he whispered urgently. "I haven't the faintest clue how to stop it."
This was the man who was going to lead our country: the guy rendered useless by tears. It was too funny.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
I’ll wear you down,” he proclaimed.
“No, you won’t,” I denied.
“You won’t let me in, I’ll break in, sneak in, blast in,” he promised.
“You won’t get in,” I contradicted.
He shut up again and stared at me.
After long moments, I watched as suddenly, weirdly and, most of all, scarily, he saw something in me that made his face clear.
I didn’t think that was good.
I would find out I was right.
“Let you in on a secret, babe, and you think on this,” he told me.
I was not going to think on anything.
“Hop… get… off… me,” I snapped.
His body pressed into mine so he could lift his hands up and frame my face.
“I’m already in. Just gotta wait for you to realize it.
”
”
Kristen Ashley (Fire Inside (Chaos, #2))
“
1.
WE'VE LEFT SHORE SOMEHOW
BECOME THE FRIENDS
OF EARLY THEORY
CLOSE ENOUGH TO SPEAK
DESIRE AND PAIN OF ABSENCE
OF MISTAKES WE'D MAKE
GIVEN THE CHANCE.
EACH SMILE RETURNED
MAKES HARDER AVOIDING
DREAMS THAT SEE US
LYING IN EARLY EVENING
CURTAIN SHADOWS, SKIN
SAFE AGAINST SKIN.
BLOOM OF COMPASSION
RESPECT FOR MOMENTS
EYES LOCK TURNS
FOREVER INTO ONE MORE
VEIL THAT FALLS AWAY.
2.
THIS AFTER SEEING YOU
LAST NIGHT, FIRST TIME
SMELLING YOU WITH
PERMISSION: SHOULDERS TO
WONDER OPENLY AT
AS CAREFULLY KISSED
AS THOSE ARMS
WAITED IMPOSSIBLY ON.
THEY'VE HELD ME NOW
AND YOUR BREATH
DOWN MY BACK
SENT AWAY NIGHT AIR
THAT HAD ME SHAKING
IN THE UNLIT ANGLICAN
DOORWAY.
3.
ARE WE RUINED FOR
FINDING OUR FACES FIT
AND WANT TO KNOW MORE
ABOUT MORNING? IS
FRIENDSHIP CANCELLED
IF WE CAN'T CALL
EACH OTHER ANYMORE
IN AMNESIA, INVITE
OURSELVES TO LAST GLANCES
UNDER SUSPICIOUS CLOCKS
TELLING US WHEN WE'VE
HAD ENOUGH?
4.
YOUR STEADY HANDS
CRADLING MY GRATEFUL
SKULL: WERE YOU TAKING
IN MY FACE TO
SAVE AN IMAGE
YOU'VE RARELY ALLOWED
YOURSELF AFTER LEAVING
THAT COLD ALCOVE?
AM I A PHOTOGRAPH
YOU GAZE AT IN
MOMENTS OF WEAKNESS?
YOU ORDERED ME
OFF MY KNEES
INTO YOUR ARMS.
WASN'T TO BEG
THAT I KNELT; ONLY
TO SEE YOU ONCE
FROM BELOW.
TRIED TO SAY SOMETHING
THAT FILLED MY MOUTH
AND LONGED TO REST
IN YOUR EAR.
DON'T DARE WRITE
IT DOWN FOR FEAR IT'LL
BECOME WORDS, JUST
WORDS.
”
”
Viggo Mortensen (Coincidence of Memory)
“
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!).
Yet you haven’t any friends.
The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities.
Nevertheless, some free time remains. What’s to be done? How do you use your
time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less.
Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering.
And yet you haven’t always wanted to die.
You have had a life. There have been moments when you were having a life. Of
course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela.
More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world!
You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
”
”
Michel Houellebecq (Whatever)
“
Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room.
But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
”
”
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
“
Have you ever noticed,” said Dimble, “that the universe, and every bit of the universe is always hardening and narrowing and coming to a point?”
His wife waited as those wait who know by long experience the mental processes of the person who is talking to them.
“I mean this,” said Dimble in answer to the question she had not asked. “If you dip into any college, or school, or parish, or family – anything you like – at a given point in its history, you always find that there was a time before that point when there was more elbow room and contrasts weren’t quite so sharp; and that there’s going to be a time after that point when there is even less room for indecision and choices are even more momentous. Good is always getting better and bad is always getting worse: the possibilities of even apparent neutrality are always diminishing. The whole thing is sorting itself out all the time, coming to a point, getting sharper and harder.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
When we spoke about attempts to give a man in camp mental courage, we said that he had to be shown something to look forward to in the future. He had to be reminded that life still waited for him, that a human being waited for his return. But after liberation? There were some men who found that no one awaited them. Woe to him who found that the person whose memory alone had given him courage in camp did not exist any more! Woe to him who, when the day of his dreams finally came, found it so different from all he had longed for! Perhaps he boarded a trolley, traveled out to the home which he had seen for years in his mind, and only in his mind, and pressed the bell, just as he has longed to do in thousands of dreams, only to find that the person who should open the door was not there, and would never be there again.
”
”
Viktor E. Frankl (Man’s Search for Meaning)
“
The cliche about prison life is that I am actually integrated into it, ruined by it, when my accommodation to it is so overwhelming that I can no longer stand or even imagine freedom, life outside prison, so that my release brings about a total psychic breakdown, or at least gives rise to a longing for the lost safety of prison life. The actual dialectic of prison life, however, is somewhat more refined. Prison in effect destroys me, attains a total hold over me, precisely when I do not fully consent to the fact that I am in prison but maintain a kind of inner distance towards it, stick to the illusion that ‘real life is elsewhere’ and indulge all the time in daydreaming about life outside, about nice things that are waiting for me after my release or escape. I thereby get caught in the vicious cycle of fantasy, so that when, eventually, I am released, the grotesque discord between fantasy and reality breaks me down. The only true solution is therefore fully to accept the rules of prison life and then, within the universe governed by these rules, to work out a way to beat them. In short, inner distance and daydreaming about Life Elsewhere in effect enchain me to prison, whereas full acceptance of the fact that I am really there, bound by prison rules, opens up a space for true hope.
”
”
Slavoj Žižek
“
The universe is so very complicated," said Dr Dimble.
"So you have said rather often before, dear," replied Mrs Dimble
"Have I?" he said with a smile. "How often, I wonder? As often as you've told the story of the pony and trap at Dawlish?"
"Cecil! I haven't told it for years."
"My dear, I heard you telling it to Camilla the night before last."
"Oh, Camilla! That was quite different. She'd never heard it before."
"I don't know if we can even be certain about that...the universe being so complicated and all." For a few minutes there was silence between them.
"But about Merlin?" asked Mrs Dimble presently.
"Have you ever noticed," said Dimble," that the universe, and every little bit of the universe, is always hardening and narrowing and coming to a point?"
His wife waited as those wait who know by long experience the mental processes of the person who is talking to them.
"I mean this," said Dimble, answering the question she had not asked. "If you dip into any college, or school, or parish, or family—anything you like—at a given point in its history, you always find that there was a time before that point when there was more elbow room and contrasts weren't quite so sharp; and that there's going to be a time after that point when there is even less room for indecision and choices are even more momentous. Good is always getting better and bad is always getting worse: the possibilities of even apparent neutrality are always diminishing.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
All I wanted to do was get back to Africa. We had not left it, yet, but when I would wake in the night I would lie, listening, homesick for it already. Now, looking out the tunnel of trees over the ravine at the sky with white clouds moving across in the wind, I loved the country so that I was happy as you are after you have been with a woman that you really love, when, empty, you feel it welling up again and there it is and you can never have it all and yet what there is, now, you can have, and you want more and more, to have, and be, and live in, to possess now again for always, for that long sudden-ended always; making time stand still, sometimes so very still that afterwards you wait to hear it move, and it is slow in starting. But you are not alone because if you have every really loved her happy and untragic, she loves you always; no matter whom she loves nor where she goes she loves you more.
”
”
Ernest Hemingway (Green Hills of Africa)
“
Yet the upcoming year was going to be a new phase of my life. I would get to follow my big
brother to the big house. I had reached that golden age of six. Finally, I was going to experience
the real deal. This was no appetizer, or tater tots, or French fries. This was the whole Ore-Ida. I would be amongst thechaos like all the neighborhood kids. Everyone that knew Jerry would get to know me, too.
Since we were at Aunt Kathy’s, I had to curtail my exuberance. We had nothing like the freedom at mom’s shack. So, I did my best to remain out of sight. But those efforts were futile. School was just hours away. I really couldn’t contain myself without medication or God forbid, a good old-fashioned ass beating.
Well, Aunt Kathy implored me to settle down. She kept issuing threat after threat with such statements, “Boy, do I needto beat the black off of you,” or “Gorilla will be your name when
I’m finish!” Yes, I got the message but beating my butt wasn’t going to be enough. Heck, I had been waiting for three long, long years just to join Jerry. Anything short of a bullet wasn’t going to stop me.
”
”
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
You are right, Sahara. There are no mists, or veils, or distances. But the mist is surrounded by a mist; and the veil is hidden behind a veil; and the distance continually draws away from the distance. That is why there are no mists, or veils, or distances. That is why it is called The Great Distance of Mist and Veils. It is here that The Traveler becomes The Wanderer, and The Wanderer becomes The One Who Is Lost, and The One Who Is Lost becomes The Seeker, and The Seeker becomes The Passionate Lover, and The Passionate Lover becomes The Beggar, and The Beggar becomes The Wretch, and The Wretch becomes The One Who Must Be Sacrificed, and The One Who Must Be Sacrificed becomes The Resurrected One and The Resurrected One becomes The One Who has Transcended The Great Distance of Mist and Veils. Then for a thousand years, or the rest of the afternoon, such a One spins in the Blazing Fire of Changes, embodying all the transformations, one after the other, and then beginning again, and then ending again, 86,000 times a second. Then such a one, if he is a man, is ready to love the woman Sahara; and such a one, if she is a woman, is ready to love the man who can put into song The Great Distance of Mist and Veils. Is it you who are waiting, Sahara, or is it I?
”
”
Leonard Cohen (Book of Longing)
“
In the end Navidson is left with one page and one match. For a long time he waits in darkness and cold, postponing this final bit of illumination. At last though, he grips the match by the neck and after locating the friction strip sparks to life a final ball of light.
First, he reads a few lines by match light and then as the heat bites his fingertips he applies the flame to the page. Here then is one end: a final act of reading, a final act of consumption. And as the fire rapidly devours the paper, Navidson's eyes frantically sweep down over the text, keeping just ahead of the necessary immolation, until as he reaches the last few words, flames lick around his hands, ash peels off into the surrounding emptiness, and then as the fire retreats, dimming, its light suddenly spent, the book is gone leaving nothing behind but invisible traces already dismantled in the dark.
”
”
Mark Z. Danielewski (House of Leaves)
“
I agree that it seems vulgar, decadent, even epistemically violent, to invest energy in the trivialities of sex and friendship when human civilization is facing collapse. But at the same time, that is what I do every day. We can wait, if you like, to ascend to some higher plane of being, at which point we’ll start directing all our mental and material resources toward existential questions and thinking nothing of our own families, friends and lovers and so on. But we’ll be waiting, in my opinion, a long time. And, in fact, we’ll die first. After all, when people are lying on their deathbeds, don’t they always start talking about their spouses and children? And isn’t death just the apocalypse in the first person? So, in that sense, there is nothing bigger than what you so derisively call “breaking up and staying together,” because at the end of our lives, when there is nothing left in front of us, it’s still the only thing we want to talk about. Maybe we’re just born to love and worry about the people we know and to go on loving and worrying, even when there are more important things we should be doing. And if that means the human species is going to die out, isn’t it -- in a way -- a nice reason to die out? The nicest reason you can imagine? Because when we should have been reorganizing the distribution of the world’s resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much, and found each other too interesting. And I love that about humanity. And in fact it’s the very reason I root for us to survive -- because we are so stupid about each other.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
Not long ago you are in a room where someone asks the philosopher Judith Butler what makes language hurtful. You can feel everyone lean in. Our very being exposes us to the address of another, she answers. We suffer from the condition of being addressable. Our emotional openness, she adds, is carried by our addressability. Language navigates this. For so long you thought the ambition of racist language was to denigrate and erase you as a person. After considering Butler’s remarks, you begin to understand yourself as rendered hypervisible in the face of such language acts. Language that feels hurtful is intended to exploit all the ways that you are present. Your alertness, your openness, and your desire to engage actually demand your presence, your looking up, your talking back, and, as insane as it is, saying please. Standing outside the conference room, unseen by the two men waiting for the others to arrive, you hear one say to the other that being around black people is like watching a foreign film without translation. Because you will spend the next two hours around the round table that makes conversing easier, you consider waiting a few minutes before entering the room.
”
”
Claudia Rankine (Citizen: An American Lyric)
“
Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!”
There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace.
My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble
something down or risk being ridiculed by my aunt.
Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the
yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!”
“Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.
But if I hated something then I had to be force-fed.
As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.”
“Yes Ma’am,” I said once again.
”
”
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
FOR THE DYING May death come gently toward you, Leaving you time to make your way Through the cold embrace of fear To the place of inner tranquillity. May death arrive only after a long life To find you at home among your own With every comfort and care you require. May your leave-taking be gracious, Enabling you to hold dignity Through awkwardness and illness. May you see the reflection Of your life’s kindness and beauty In all the tears that fall for you. As your eyes focus on each face, May your soul take its imprint, Drawing each image within As companions for the journey. May you find for each one you love A different locket of jeweled words To be worn around the heart To warm your absence. May someone who knows and loves The complex village of your heart Be there to echo you back to yourself And create a sure word-raft To carry you to the further shore. May your spirit feel The surge of true delight When the veil of the visible Is raised, and you glimpse again The living faces Of departed family and friends. May there be some beautiful surprise Waiting for you inside death, Something you never knew or felt, Which with one simple touch, Absolves you of all loneliness and loss, As you quicken within the embrace For which your soul was eternally made. May your heart be speechless At the sight of the truth Of all belief had hoped, Your heart breathless In the light and lightness Where each and everything Is at last its true self Within that serene belonging That dwells beside us On the other side Of what we see.
”
”
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
“
Not a breath, not a sound—except at intervals the muffled crackling of stones that the cold was reducing to sand—disturbed the solitude and silence surrounding Janine. After a moment, however, it seemed to her that the sky above her was moving in a sort of slow gyration. In the vast reaches of the dry, cold night, thousands of stars were constantly appearing, and their sparkling icicles, loosened at once, began to slip gradually towards the horizon. Janine could not tear herself away from contemplating those drifting flares. She was turning with them, and the apparently stationary progress little by little identified her with the core of her being, where cold and desire were now vying with each other. Before her the stars were falling one by one and being snuffed out among the stones of the desert, and each time Janine opened a little more to the night. Breathing deeply, she forgot the cold, the dead weight of others, the craziness or stuffiness of life, the long anguish of living and dying. After so many years of mad, aimless fleeing from fear, she had come to a stop at last. At the same time, she seemed to recover her roots and the sap again rose in her body, which had ceased trembling. Her whole belly pressed against the parapet as she strained towards the moving sky; she was merely waiting for her fluttering heart to calm down and establish silence within her. The last stars of the constellations dropped their clusters a little lower on the desert horizon and became still. Then, with unbearable gentleness, the water of night began to fill Janine, drowned the cold, rose gradually from the hidden core of her being and overflowed in wave after wave, rising up even to her mouth full of moans. The next moment, the whole sky stretched out over her, fallen on her back on the cold earth.
”
”
Albert Camus (Exile and the Kingdom)
“
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.'
Tears slip down my face. 'Yes,' I murmur.
Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes.
I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.'
Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck.
No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.'
I'm sure I don't know what you mean.' she says, sounding uncertain for the first time.
That's why they were able to take you. They found your fear.'
And what, pray, was it?'
Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.'
I am not like them. I am their hope. I sustain them.'
No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.'
Circe laughts, a splintered cackle that finds a way under my skin.
And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?'
I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.'
And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone.
It's as if she's delivered a blow to my heart. My hand falters. 'I-I...'
Gemma, you're not alone,' Circe gasps, and my hand touches metal.
No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths.
As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be.
It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting.
One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower.
And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on.
So it goes.
And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment.
Rome passed into the past, and became New York.
Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love.
("For The Rest Of Her Life")
”
”
Cornell Woolrich (Angels of Darkness)
“
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just
because you can’t think with your upstairs brain.”
“No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what
anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else.
“You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t.
You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just
had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All
this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith
in him, but Ryan couldn’t stop there.
Oh, no, not Ryan Miller.
“After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed,
smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much,
you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look
at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much.
When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me,
leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule.
It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you?
I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up.
“Sorry,” I breathed as he pulled away.
“Don’t be sorry,” he teased. “Just stop.”
“Sorry,” I said again when I noticed that his leg was now bouncing under the table.
“Yeah. Looks like I don’t get to sleep through economics today.”
“On the bright side, Coach could make you run laps all practice long and you’d be fine.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . .
Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week.
My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations.
When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love.
What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.
”
”
Vladimir Nabokov (Letters to Vera)
“
I've seen all I want to see and I know all I want to know. I just look forward to death.
He might hear you, Suttree said.
I wisht he would, said the ragpicker. He glared out across the river with his redrimmed eyes at the town where dusk was settling in. As if death might be hiding in that quarter.
No one wants to die.
Shit, said the ragpicker. Here's one that's sick of livin. Would you give all you own?
The ragman eyed him suspiciously but he did not smile. It wont be long, he said. An old man's days are hours.
And what happens then?
When?
After you're dead.
Dont nothin happen. You're dead.
You told me once you believed in God.
The old man waved his hand. Maybe, he said. I got no reason to think he believes in me. Oh I'd like to see him for a minute if I could.
What would you say to him?
Well, I think I'd just tell him. I'd say: Wait a minute. Wait just one minute before you start in on me. Before you say anything, there's just one thing I'd like to know. And he'll say: What's that? And then I'm goin to ast him: What did you have me in that crapgame down there for anyway? I couldnt put any part of it together.
Suttree smiled. What do you think he'll say?
The ragpicker spat and wiped his mouth. I dont believe he can answer it, he said. I dont believe there is a answer.
”
”
Cormac McCarthy (Suttree)
“
The relations one has with a woman one loves (and that can apply also to love for a youth) can remain platonic for other reasons than the chastity of the woman or the unsensual nature of the love she inspires. The reason may be that the lover is too impatient and by the very excess of his love is unable to await the moment when he will obtain his desires by sufficient pretence of indifference. Continually, he returns to the charge, he never ceases writing to her whom he loves, he is always trying to see her, she refuses herself, he becomes desperate. From that time she knows, if she grants him her company, her friendship, that these benefits will seem so considerable to one who believed he was going to be deprived of them, that she need grant nothing more and that she can take advantage of the moment when he can no longer bear being unable to see her and when, at all costs, he must put an end to the struggle by accepting a truce which will impose upon him a platonic relationship as its preliminary condition. Moreover, during all the time that preceded this truce, the lover, in a constant state of anxiety, ceaselessly hoping for a letter, a glance, has long ceased thinking of the physical desire which at first tormented him but which has been exhausted by waiting and has been replaced by another order of longings more painful still if left unsatisfied. The pleasure formerly anticipated from caresses will later be accorded but transmuted into friendly words and promises of intercourse which brings delicious moments after the strain of uncertainty or after a look impregnated with such coldness that it seemed to remove the loved one beyond hope of his ever seeing her again. Women divine all this and know they can afford the luxury of never yielding to those who, from the first, have betrayed their inextinguishable desire. A woman is enchanted if, without giving anything, she can receive more than she generally gets when she does give herself.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now…
In our ”“special place.”
Waiting for you…
Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you...
Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is...
The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance...
I think you know what I mean...
Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm afraid you don't really want me to come home.
Whenever you come see me, I can tell how hard it is on you...
I don't know if you hate me or pity me... Or maybe I just disgust you....
I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James.
That's why I understand if you do hate me. But I want you to know this, James. I'll always love you.
Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together.
Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead.
I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us...
You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James.
James...
You made me happy.
“I love you, Mary.”
As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
”
”
Sadamu Yamashita (Silent Hill 2: The Novel)
“
Buried how long?”
The answer was always the same: “Almost eighteen years.”
You had abandoned all hope of being dug out?”
Long ago.”
You know that you are recalled to life?”
They tell me so.”
I hope that you care to live?”
I can’t say.”
Shall I show her to you? Will you come and see her?”
The answers to this question were various and contradictory. Sometimes the broken reply was, “Wait! It would kill me if I saw her too soon.” Sometimes it was given in a tender rain of tears, and then it was, “Take me to her.” Sometimes it was staring and bewildered, and then it was, “I don’t know her. I don’t understand.”
After such imaginary discourse, the passenger in his fancy would dig, and dig, dig – to dig this wretched creature out. Got out at last, with earth hanging about his face and hair, he would suddenly fall away to dust. The passenger would then start to himself, and lower the window, to get the reality of mist and rain on his cheek.
Yet even when his eyes were opened on the mist and rain, on the moving patch of light from the lamps, and the hedge of the roadside retreating by jerks, the night shadows outside the coach would fall into the train of night shadows within. Out of the midst in them, a ghostly face would rise, and he would accost it again.
Buried how long?”
Almost eighteen years.”
I hope you care to live?”
I can’t say.”
Dig – dig – dig – until an impatient movement from one of the two passengers would admonish him to pull up the window, draw his arm securely through the leather strap, and speculate on the two slumbering life forms, until his mind lost hold of them, and they again slid away into the bank and the grave.
Buried how long?”
Almost eighteen years.”
You had abandoned all hope of being dug out?”
Long ago.”
The words were still in his hearing just as spoken – distinctly in his hearing as ever spoken words had been in his life – when the weary passenger started to the consciousness of daylight, and found that the shadows of night were gone.
”
”
Charles Dickens (A Tale of Two Cities)
“
How long does a mouse live?"
"Ah," she said. "I've been waiting for you to ask me that."
There was a silence. She sat there smoking away and gazing at the fire.
"Well," I said. "How long do we live, us mice?"
"I have been reading about mice," she said. "I have been trying to find out everything I can about them."
"Go on then, Grandmamma. Why don't you tell me?"
"If you really want to know," she said, "I'm afraid a mouse doesn't live for a very long time."
"How long?" I asked.
"Well, an ordinary mouse only lives for about three years," she said. "But you are not an ordinary mouse. You are a mouse-person, and that is a very different matter."
"How different?" I asked. "How long does a mouse-person live, Grandmamma?"
"Longer," she said. "Much longer."
"A mouse-person will almost certainly live for three times as long as an ordinary mouse," my grandmother said. "About nine years."
"Good!" I cried. "That's great! It's the best news I've ever had!"
"Why do you say that?" she asked, surprised.
"Because I would never want to live longer than you," I said. "I couldn't stand being looked after by anybody else."
There was a short silence. She had a way of fondling me behind the ears with the tip of one finger. It felt lovely.
"How old are you, Grandmamma?" I asked.
"I'm eighty-six," she said.
"Will you live another eight or nine years?"
"I might," she said. "With a bit of luck."
"You've got to," I said. "Because by then I'll be a very old mouse and you'll be a very old grandmother and soon after that we'll both die together."
"That would be perfect," she said.
”
”
Roald Dahl (The Witches)
“
As they walked, Tehol spoke. ‘…the assumption is the foundation stone of Letherii society, perhaps all societies the world over. The notion of inequity, my friends. For from inequity derives the concept of value, whether measured by money or the countless other means of gauging human worth. Simply put, there resides in all of us the unchallenged belief that the poor and the starving are in some way deserving of their fate. In other words, there will always be poor people. A truism to grant structure to the continual task of comparison, the establishment through observation of not our mutual similarities, but our essential differences. ‘I know what you’re thinking, to which I have no choice but to challenge you both. Like this. Imagine walking down this street, doling out coins by the thousands. Until everyone here is in possession of vast wealth. A solution? No, you say, because among these suddenly rich folk there will be perhaps a majority who will prove wasteful, profligate and foolish, and before long they will be poor once again. Besides, if wealth were distributed in such a fashion, the coins themselves would lose all value—they would cease being useful. And without such utility, the entire social structure we love so dearly would collapse. ‘Ah, but to that I say, so what? There are other ways of measuring self-worth. To which you both heatedly reply: with no value applicable to labour, all sense of worth vanishes! And in answer to that I simply smile and shake my head. Labour and its product become the negotiable commodities. But wait, you object, then value sneaks in after all! Because a man who makes bricks cannot be equated with, say, a man who paints portraits. Material is inherently value-laden, on the basis of our need to assert comparison—but ah, was I not challenging the very assumption that one must proceed with such intricate structures of value? ‘And so you ask, what’s your point, Tehol? To which I reply with a shrug. Did I say my discourse was a valuable means of using this time? I did not. No, you assumed it was. Thus proving my point!’ ‘I’m sorry, master,’ Bugg said, ‘but what was that point again?’ ‘I forget. But we’ve arrived. Behold, gentlemen, the poor.
”
”
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
“
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists.
“…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…”
What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks.
I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me.
“The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.”
“I know what you mean,” I said.
His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.”
“I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.
“I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
”
”
Wally Lamb (She’s Come Undone)
“
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home.
By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy.
She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it.
She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him.
"Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth."
She didn't wait for him to say anything, just turned around and walked back to her house.
He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it.
But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her.
He ate another cookie before getting up to make himself dinner.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his.
Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind.
Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me.
"I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are."
I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life.
Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love."
No way. Noah's experienced reputation walked down the hallway before he did. "But..."
Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square.
I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek.
"And since break?" I asked.
"There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else."
I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin."
Now Noah froze. "But you were with Luke."
A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready."
He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
As a physician, I was trained to deal with uncertainty as aggressively as I dealt with disease itself. The unknown was the enemy. Within this worldview, having a question feels like an emergency; it means that something is out of control and needs to be made known as rapidly, efficiently, and cost-effectively as possible. But death has taken me to the edge of certainty, to the place of questions.
After years of trading mystery for mastery, it was hard and even frightening to stop offering myself reasonable explanations for some of the things that I observed and that others told me, and simply take them as they are. "I don't know" had long been a statement of shame, of personal and professional failing. In all of my training I do not recall hearing it said aloud even once.
But as I listened to more and more people with life-threatening illnesses tell their stories, not knowing simply became a matter of integrity. Things happened. And the explanations I offered myself became increasingly hollow, like a child whistling in the dark. The truth was that very often I didn't know and couldn't explain, and finally, weighed down by the many, many instances of the mysterious which are such an integral part of illness and healing, I surrendered. It was a moment of awakening.
For the first time, I became curious about the things I had been unwilling to see before, more sensitive to inconsistencies I had glibly explained or successfully ignored, more willing to ask people questions and draw them out about stories I would have otherwise dismissed. What I have found in the end was that the life I had defended as a doctor as precious was also Holy.
I no longer feel that life is ordinary. Everyday life is filled with mystery. The things we know are only a small part of the things we cannot know but can only glimpse. Yet even the smallest of glimpses can sustain us.
Mystery seems to have the power to comfort, to offer hope, and to lend meaning in times of loss and pain. In surprising ways it is the mysterious that strengthens us at such times. I used to try to offer people certainty in times that were not at all certain and could not be made certain. I now just offer my companionship and share my sense of mystery, of the possible, of wonder. After twenty years of working with people with cancer, I find it possible to neither doubt nor accept the unprovable but simply to remain open and wait.
I accept that I may never know where truth lies in such matters. The most important questions don't seem to have ready answers. But the questions themselves have a healing power when they are shared. An answer is an invitation to stop thinking about something, to stop wondering. Life has no such stopping places, life is a process whose every event is connected to the moment that just went by. An unanswered question is a fine traveling companion. It sharpens your eye for the road.
”
”
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
“
I am not so much fun
Anymore;
Couldn’t carry the role of ingenue
In a bucket, you say, laughing.
And I want to punch you.
I was never innocent, but
Thanks to you I know things
I wish I did not remember.
You don’t like it
When I talk to the man myself,
Specifying quantities and
Give him the money
Instead of giving it to you
And letting you take care of it.
You keep asking me,
Where’s the dope?
Until I finally say,
I hid it.
The look you give me is
Pure bile.
Well, fuck you.
This isn’t like Buying somebody a drink.
You don’t leave your stash out
Where I might find it.
Finally I think I’ve made you wait
Long enough,
So I get out the little paper envelope
And hand it to you.
You are still in charge of
This part, so you relax.
Performing your junky ritual with
Your favorite razor blade, until
I ask you how to calculate my dose
So I won’t O.D. when I do this
And you’re not around.
Then you really flip.
You tell me it’s a bad idea
For me to do this with other people.
**
Was it such a good idea
For me to do it with you?
Do you wait for me to turn up
Once every three months
So you can get high?
Is this our version of that famous
Lesbian fight about
Nonmonogamy?
Let me tell you what I don’t like.
I don’t like it when you
Take forever to cut up brown powder
And cook it down and
Suck it up into the needle
And measure it, then take
Three times as much for yourself
AS you give me.
I don’t like it when you
Fuck me
After you’ve taken the needle
Out of my arm.
You talk too much
And spoil my rush.
All I really want to do
Is listen to the tides of blood
Wash around inside my body
Telling me everything is
Fine, fine, fine._
And I certainly don’t want to
Eat you or fuck you
Because it will take forever
To make you come,
If you can come at all,
And by then the smack will have worn off
And there isn’t any more.
I’m trying to remember
What the part is that I do like.
I think this shit likes me
A lot more than I like it.
Now you’re hurt and angry because
I don’t want to see you again
And the truth is,
I would love to see you,
As long as I knew you were holding.
So you tell me
Is this what you want?
I bet it was what you wanted
All along.
”
”
Patrick Califia
“
The most realistic distinction between the investor and the speculator is found in their attitude toward stock-market movements. The speculator’s primary interest lies in anticipating and profiting from market fluctuations. The investor’s primary interest lies in acquiring and holding suitable securities at suitable prices. Market movements are important to him in a practical sense, because they alternately create low price levels at which he would be wise to buy and high price levels at which he certainly should refrain from buying and probably would be wise to sell. It is far from certain that the typical investor should regularly hold off buying until low market levels appear, because this may involve a long wait, very likely the loss of income, and the possible missing of investment opportunities. On the whole it may be better for the investor to do his stock buying whenever he has money to put in stocks, except when the general market level is much higher than can be justified by well-established standards of value. If he wants to be shrewd he can look for the ever-present bargain opportunities in individual securities. Aside from forecasting the movements of the general market, much effort and ability are directed on Wall Street toward selecting stocks or industrial groups that in matter of price will “do better” than the rest over a fairly short period in the future. Logical as this endeavor may seem, we do not believe it is suited to the needs or temperament of the true investor—particularly since he would be competing with a large number of stock-market traders and first-class financial analysts who are trying to do the same thing. As in all other activities that emphasize price movements first and underlying values second, the work of many intelligent minds constantly engaged in this field tends to be self-neutralizing and self-defeating over the years. The investor with a portfolio of sound stocks should expect their prices to fluctuate and should neither be concerned by sizable declines nor become excited by sizable advances. He should always remember that market quotations are there for his convenience, either to be taken advantage of or to be ignored. He should never buy a stock because it has gone up or sell one because it has gone down. He would not be far wrong if this motto read more simply: “Never buy a stock immediately after a substantial rise or sell one immediately after a substantial drop.” An
”
”
Benjamin Graham (The Intelligent Investor)
“
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for —
Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand.
“Don’t kill me!”
“That was not my intention.”
Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand.
“Well, Severus? What message does Lord Voldemort have for me?”
“No — no message — I’m here on my own account!”
Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him.
“I — I come with a warning — no, a request — please —”
Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other.
“What request could a Death Eater make of me?”
“The — the prophecy… the prediction… Trelawney…”
“Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?”
“Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!”
“The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —”
“You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —”
“If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?”
“I have — I have asked him —”
“You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?”
Snape said nothing, but merely looked up at Dumbledore.
“Hide them all, then,” he croaked. “Keep her — them — safe. Please.”
“And what will you give me in return, Severus?”
“In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
How did you find out?” he asked.
I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.”
He sighed and sat on the arm of my couch and stared into space.
“That’s it? You have nothing else to say?” I asked.
“I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.”
“Were you ever going to tell me?”
“Yeah...of course.”
His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome.
Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.”
I sank down into the arm chair opposite him. “Then…then…what happened?”
It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…”
“Aroused? Horny? Lust-filled?”
He grimaced. “Something like that. But, I don’t know. There was more to it than just that.”
The tape in my mind rewound. “Did you say you were going to call Niphon?”
“Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.”
“Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath.
“Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.”
He tilted his head curiously. “What do you mean?”
“This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.”
A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response.
“Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.”
My hand froze on Aubrey’s back. “What are you saying?”
“I…don’t have flings.”
“Are you saying you want to start something with her?”
He looked miserable. “I don’t know.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited:
"O sweet treasures, discovered to my sorrow." She did not understand.
"It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did."
"Was he a priest too?"
"A soldier," he said.
Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering.
"I am always in this state," he said.
And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask:
"And now?"
"And now nothing," he said. "It is enough for me that you know."
He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads.
Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?"
"I reach my end, for artless I surrendered to one who is my undoing and my end," he said.
She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
”
”
Gabriel García Márquez (Of Love and Other Demons)
“
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt.
He opens his mouth but then closes it swallowing.
“Pike, Jesus—”
“The day you left,” he blurts out, and I stop.
I wait, listening as a look of fear crosses his eyes.
“The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.”
A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out.
“But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.”
My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms.
He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.”
His tone grows thick, and I see his eyes water.
“I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.”
My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him.
“I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.”
A tear spills over, gliding down my cheek.
“Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.”
My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him.
His arms are around me in a second, and he hugs me from behind, burying his face in my neck.
“I’m sorry I took so long,” he whispers in my ear.
”
”
Penelope Douglas (Birthday Girl)
“
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?”
Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.”
As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!”
“Oy,” says Peter, “another one - wait here.”
He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten.
“What is it, my son?” he asks.
The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?”
“Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ”
Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?”
“No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?”
The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
”
”
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))