African Beauty Quotes

I would not have you descend into your own dream. I would have you be a conscious citizen of this terrible and beautiful world.

Most people write me off when they see me. They do not know my story. They say I am just an African. They judge me before they get to know me. What they do not know is The pride I have in the blood that runs through my veins; The pride I have in my rich culture and the history of my people; The pride I have in my strong family ties and the deep connection to my community; The pride I have in the African music, African art, and African dance; The pride I have in my name and the meaning behind it. Just as my name has meaning, I too will live my life with meaning. So you think I am nothing? Don’t worry about what I am now, For what I will be, I am gradually becoming. I will raise my head high wherever I go Because of my African pride, And nobody will take that away from me.

It is a beautiful thing to be on fire for justice… there is no greater joy than inspiring and empowering others––especially the least of these, the precious and priceless wretched of the earth!

I prayed that our growth would be as strong and determined as the seeds of coconut palms, boldly reaching skyward toward the sun diligently boring deeper into the earth to secure a firm foundation for the beautiful, durable, fruit-bearing trees they would become. For me, Mhonda was the place to continue the growth of the still young but strong roots of my tree planted in Kifungilo. This was my life now, the life I’d prayed for, the life that would provide me with an education and would open doors. I wanted this life very much. I told my wavering spirit to bear with me because, just like the coconut palm, I would sway and bend and bruise, but I would survive. I would have to become the tree in the African saying: ‘The tree that bends with the wind does not break.

You have a color of your own- Dark chocolate, You have a culture your own- Hip pop, You have a revival of your own- Harlem Renaissance, You are the spot on a ladybug that adds its beauty, You are the pupil of an eye, You are the vastness of space, You are the richness of soil, You are the sweetness of dark chocolate, You are the mystery in nature, Blessed Black chocolate, God has made You to rule the Land, that made You a slave.

In a Kenya game park once I saw a family of wart-hogs waddling ungainly and in a tremendous hurry across the grass. Contemptuous though I am of those who find animals comic…still I could not help laughing at this quaint spectacle. My African companion rightly rebuked me. “You should not laugh at them,” he said. “They are beautiful to each other.

I feel that the kinks, curls, or tight coils in Afro hair is beautiful and unique. No other race on this planet has hair like ours - that makes me proud.

Black Girls… Stop settling for less than what you deserve. That’s why I stress self-love! There comes a time when you can no longer blame a man. You’ve got to hold yourself accountable for the choices that you make. Choose wisely! Slow down. Pay attention. Don’t allow his good looks and swag to blind you from the truth. Don’t be so easily flattered by money, cars, jewelry, and all of that other stuff. Your heart and well-being is worth much more than that. Choose someone who respects, loves, and adores you. Somebody who has your best interest at heart. Nothing less! Allow yourself to experience REAL love. Stop giving your love, time, and attention to men who clearly don’t deserve it. #ItsAllUpToYou

Don’t be so hard on yourself. Be perfectly okay with being who YOU are. Fully embrace yourself, flaws and all. Love yourself right where you are. Strive to do better, but don’t beat yourself up for every shortcoming that you may have. Be brave in your journey! Hold your head up high, and keep moving forward.

The God of Imagination lived in fairytales. And the best fairytales made you fall in love. It was while flicking through "Sleeping Beauty" that I met my first love, Ivar. He was a six-year-old bello ragazzo with blond hair and eyebrows. He had bomb-blue eyes and his two front teeth were missing. The road to Happily Ever After, however, was paved with political barbed wire. Three things stood in my way. 1. The object of my affection didn't know he was the object of my affection. 2. The object of my affection preferred Action Man to Princess Aurora. 3. The object of my affection was a boy and I wasn't allowed to love a boy.

The most beautiful women in the world were African.

To be a black male is to be always at war, and no flight to the county can save us, because even there we are met by the assupmtion of violence, by the specter of who we might turn on next.

Sorry,” I said, realizing I was taking my frustrations out on her. “I’m still getting over Soph,” I said, referring to my old prep school friend. Sophie Price was the most beautiful girl you’d ever met. Seriously. Take it from someone who’s met Bar Refaeli in person. Soph was even more stunning. Especially since she’d had a personality makeover. I’d never regret anything as much as I would not making her fall in love with me. “You can’t make anyone fall, Spence. Either they do or they don’t.” “I said that out loud?” “Duh and it’s been two years, Spencer. You seriously need to get over her. She’s with that Ian guy anyway, right?” “Right.” “That hot South African guy named Ian,” she concluded. “Thanks.” “That hot saffy named Ian who gives his life to mutilated Ugandan orphans and worships the ground Sophie walks on.” I stopped and glared at her. “That’ll do, Bridge.

I write my resolution in black Sharpie marker on top of a background made out of cut-up scriptures, words from newspaper headlines, and numbers from last year's calendar. Be bold. Be brave. Be beautiful. Be brilliant. Be (your) best.

Melanin is an incomparable beauty. From the lightest to the darkest skin tone, Black women and Black girls are exquisite beauty in every shade. Yes, Black females have that special something that just can’t be ignored. We are Melanin Queens, beautifully created! Respect the complexion.

Black Girls… Beautiful in EVERY shade and size. We’ve got that special something! Our melanin is exquisitely beautiful! Love & embrace the skin that you’re in. Our skin tones represent beauty. Light, brown, and dark skinned girls are equally gorgeous!

Life is beautiful if you take the best option.

We all have scars. Just because mine are hidden doesn’t make them any less painful.

Beauty is a wonderful tapestry embroidered by the many single threads woven together by the unspeakable tender hand of God.

You may be amazed that you are still unique and beautiful as your natural self. Only you can decide if this style is for you.

Roy is my favorite security guy. He's a huge African-American gentleman who always has a beautiful smile on his face. He's the King of the Main Desk, and I'm always glad to arrive at work and bask in his magnificent good cheer.

Those who love you are not fooled by mistakes you have made or dark images you hold about yourself. They remember your beauty when you feel ugly; your wholeness when you are broken; your innocence when you feel guilty; and your purpose when you are confused.

Israelis are a mix of North African, Levantine, and Eastern European, which inflames the politics but does amazing things for the women.

On our life map, he drew a bright circle around twelve through eighteen. This was the abyss where, unguided, black boys were swallowed whole, only to reemerge on corners and prison tiers.

Black Girls… Naturally resilient! We persevere, stand tall, and fight to the end. We don’t give up! We make moves and succeed. We’re go-getters by nature. We are stronger than most. We are unstoppable! Fearless and confident in our capabilities. WE are Black Girl Strong! #Incomparable

Black Girls… Don’t be afraid to use your voice. Your thoughts, opinions, and ideas are just as important as anybody else’s. When you speak, speak with boldness and purpose. Have courage, be confident, and always be true to yourself! Live your life fearlessly! Your voice has GREAT power; don’t be afraid to utilize it when needed. You’re NOT an angry Black woman; you’re a woman who has something important to say. Your voice matters and so do YOU.

The sun began to set behind Bethlehem and the beams were breaking through some white and gray clouds. There was a slight and beautiful chill from the autumn air. I gave thanks for that beautiful day and for the fact that the sun does not know Palestinian from Israeli, Christian from Muslim or Jew, and Asian from American or African, and I asked myself: If the sun shines on all of us as one, how much more does the sun's Creator see and love us all as one?

A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.

Spoil me differently! Spoil me with your love, honesty, and commitment. Spoil me with respect, honor, and appreciation. Spoil me with engaging conversations. Spoil me with your attentiveness. Spoil me by being kind, understanding, and genuine. Spoil me with laughter and let’s create memorable memories together. Spoil me by giving me your heart wholeheartedly. Spoil me baby, and I vow to do the same. Material things are okay, but nothing compares to knowing and feeling that you’re genuinely loved. Any man can buy a woman gifts, but it takes a special King to love his Queen properly.

Whatever you are I never want to see you different," he answered slowly. "To me you are most beautiful.

I don't strive on being the most beautiful woman in the room! I strive to be the most unique! The one who stands out, the one you will never forget.

Fufi was the love of my life. Beautiful but stupid.

My inspiration for writing music is like Don McLean did when he did "American Pie" or "Vincent". Lorraine Hansberry with "A Raisin in the Sun". Like Shakespeare when he does his thing, like deep stories, raw human needs. I'm trying to think of a good analogy. It's like, you've got the Vietnam War, and because you had reporters showing us pictures of the war at home, that's what made the war end, or that shit would have lasted longer. If no one knew what was going on we would have thought they were just dying valiantly in some beautiful way. But because we saw the horror, that's what made us stop the war. So I thought, that's what I'm going to do as an artist, as a rapper. I'm gonna show the most graphic details of what I see in my community and hopefully they'll stop it quick. I've seen all of that-- the crack babies, what we had to go through, losing everything, being poor, and getting beat down. All of that. Being the person I am, I said no no no no. I'm changing this.

Black Girls… Strive to be a woman of substance! Don’t solely allow your big butt, thick thighs, wide hips, large breasts, and overall good looks to define you as a woman. Your looks alone shouldn’t define who you are. What more do you have to offer? What is your TRUE character? How is your attitude? What have you accomplished? Do you have respect for yourself? What do you represent? Everywhere you look, there’s another beautiful, stunning, fine looking sista. Stand out from the rest and dare to be different! Your good looks should only be a bonus, not the main factor. #RealTalk

Those who have not lived in New Orleans have missed an incredible, glorious, vital city--a place with an energy unlike anywhere else in the world, a majority-African American city where resistance to white supremacy has cultivated and supported a generous, subversive, and unique culture of vivid beauty. From jazz, blues, and and hip-hop to secondlines, Mardi Gras Indians, jazz funerals, and the citywide tradition of red beans and rice on Monday nights, New Orleans is a place of art and music and food and traditions and sexuality and liberation.

God knew the African woman was going to have a very, very hard life. That is why He gave her skin as tough as Mother Earth herself. He gave her that tough, timeless skin so that her woes would not be written all over her face, so that her face would not be a map to her torn and tattered heart.

Let me begin with a caveat to any and all who find these pages. Do not trust large bodies of water, and do not cross them. If you, dear reader, have an African hue and find yourself led toward water with vanishing shores, seize your freedom by any means necessary. And cultivate distrust of the colour pink. Pink is taken as the colour of innocence, the colour of childhood, but as it spills across the water in the light of the dying sun, do not fall into its pretty path. There, right underneath, lies a bottomless graveyard of children, mothers and men. I shudder to imagine all the Africans rocking in the deep. Every time I have sailed the seas, I have had the sense of gliding over the unburied. Some people call the sunset a creation of extraordinary beauty, and proof of God's existence. But what benevolent force would bewitch the human spirit by choosing pink to light the path of a slave vessel? Do not be fooled by the pretty colour, and do not submit to its beckoning.

Black Girls… Always remember: It’s so easy, and it takes very little effort, to be like the next person. Don’t insult yourself like that. Be yourself! Walk YOUR walk. Talk YOUR talk. Be uniquely YOU in everything that you do. A confident woman who has a strong sense of self is quite beautiful. Allow your light to shine from the inside out. Self-love is the greatest love of all. Love, respect, and be good to yourself, first! You matter! You count! And you’re important, too!

Colored people had it rough. Imagine: You’ve been brainwashed into believing that your blood is tainted. You’ve spent all your time assimilating and aspiring to whiteness. Then, just as you think you’re closing in on the finish line, some fucking guy named Nelson Mandela comes along and flips the country on its head. Now the finish line is back where the starting line was, and the benchmark is black. Black is in charge. Black is beautiful. Black is powerful. For centuries colored people were told: Blacks are monkeys. Don’t swing from the trees like them. Learn to walk upright like the white man. Then all of a sudden it’s Planet of the Apes, and the monkeys have taken over.

My African maiden,you are beautiful! You have not grown to just be a wife;stand out and be outstanding.

Exquisite... I was born this way!

Black Barbie? Nah… I’m an unapologetic Exquisite Black Queen who’s intelligent, creative, courageous, confident, ambitious, and authentic. My beauty is just a bonus!

I plan to take thinking outside the box to a whole new level

Hacking shampoos, conditioners, gels and creams with your oil(s) of choice is a great way to promote healthy strong hair growth.

Black Girls and Black Women… Respect the Complexion! Our skin tones are exquisitely beautiful in EVERY shade!

A little white woman, . . . [a] tiny little white woman I could fit in my pocket.’ . . . ‘And I don’t know why I’m surprised. You don’t even notice it – you never notice. You think it’s normal. Everywhere we go, I’m alone in this… this sea of white. I barely know any black folk any more, Howie. My whole life is white. I don’t see any black folk unless they be cleaning under my feet in the fucking café in your fucking college. Or pushing a fucking hospital bed through a corridor . . . ‘I gave up my life for you. I don’t even know who I am any more.’ . . . ‘Could you have found anybody less like me if you’d scoured the earth? . . . My leg weighs more than that woman. What have you made me look like in front of everybody in this town? You married a big black bitch and you run off with a fucking leprechaun?

Beautiful things such as an African wooden bird, strange things like a singing magnetic pig, and funny things like a solar-powered waving bear are all things that I adore. My vice is really things. It took me a while to understand this, but you can enjoy all these things without owning them. Even though this may sometimes seem quite hard to do, training yourself to enjoy only looking at things, instead of buying them, is very nice and also a good practice. You really can't take everything with you, so maybe it is better to not try to own it all.

He Said... Your garden at dusk Is the soul of love Blurred in its beauty And softly caressing; I, gently daring This sweetest confessing, Say your garden at dusk Is your soul, My Love.

Black Girls… Always believe in yourself, even if nobody else does! Sometimes in life, you won’t always get the encouragement and support that you desire, but don’t allow that to stop you from accomplishing YOUR dreams. You’ve got to learn how to encourage yourself and be happy for yourself in spite of. Everybody won’t be happy for you, and that’s okay. Be happy for yourself and always see the best in yourself! Do it for YOU. Don’t focus on the negative. Negativity is only a distraction. Stay the course and stay focused! Be encouraged and do GREAT things. You’ve got this!

Ingredients taste as much in the hands of a beautiful ‘angel’ as in the hands of an ugly ‘gorilla’. The face or physique of a cook does not influence the ‘rhyme’ and ‘rhythm’ in a simmering pot.

There was not just one American dream, in a nation of immigrants, there are countless versions of the dream; the Mexican American dream, the African American dream, the Cuban American dream, etc. I've always thught that was such a beautiful lesson and I've carried it with me throughout my life.

It takes a long time to accept yourself for who you are. To see the poetry in your walk,” she says, shaking her hips like she’s doing some African dance. Kids bust out laughing. “To look in the mirror and like what you see, even when it doesn’t look like anybody else’s idea of beauty.” For a minute,

This book is dedicated to every woman who has ever felt self-conscious about her size. Outer beauty comes in all sizes, shapes, heights, ages, and colors. And inner beauty will always shine through, no matter what the packaging.

O Lord of love and kindness, who created the beautiful earth and all the creatures walking and flying in it, so that they may proclaim your glory. I thank you to my dying day that you have placed me amongst them.’ – St Francis of Assisi

Baby, let me tell you what's going to happen. In a few years, there are going to be beautiful posters of Malcolm X, and his photographs will be everywhere. The same people who don't give a damn now will lie and say they always supported him.

It's a nice big fat philosophical question, about: how do you get through? Sometimes you don't survive whole, you just survive in part. But the grandeur of life is that attempt. It's not about that solution. It is about being as fearless as one can, and behaving as beautifully as one can, under completely impossible circumstances. It's that, that makes it elegant. Good is just more interesting, more complex, more demanding. Evil is silly, it may be horrible, but at the same time it's not a compelling idea. It's predictable. It needs a tuxedo, it needs a headline, it needs blood, it needs fingernails. It needs all that costume in order to get anybody's attention. But the opposite, which is survival, blossoming, endurance, those things are just more compelling intellectually if not spiritually, and they certainly are spiritually. This is a more fascinating job. We are already born, we are going to die. So you have to do something interesting that you respect in between.

A rainbow is a storm’s masterpiece. A seed is a flower’s masterpiece. A rock is a diamond’s masterpiece. A butterfly is a caterpillar’s masterpiece. A flame is a spark’s masterpiece. A drop is an ocean’s masterpiece. A brick is a mansion’s masterpiece. A cell is a body’s masterpiece. A nest is a bird’s masterpiece. A flame is a spark’s masterpiece. A note is a symphony’s masterpiece. A flower is a garden’s masterpiece. Herbs are a plant’s masterpiece. Honey is a bee’s masterpiece. Silk is a spider’s masterpiece. Wool is a sheep’s masterpiece. Perfume is a flower’s masterpiece. Syrup is a tree’s masterpiece. Wine is a grape’s masterpiece. Fruit is a seed’s masterpiece. Pearls are an oyster’s masterpiece. Beauty is a sky’s masterpiece. Charm is a star’s masterpiece. Spring is nature’s masterpiece. Time is eternity’s masterpiece. Energy is light’s masterpiece. Heat is fire’s masterpiece. Knowledge is truth’s masterpiece. Thoughts are the mind’s masterpiece. Desires are the heart’s masterpiece. Experiences are the soul’s masterpiece. Intelligence is nature’s masterpiece. Enlightenment is wisdom’s masterpiece. The world is the universe’s masterpiece. Life is the Divine One’s masterpiece. Awareness is life’s masterpiece.

How could a white girl know how only someone you trust should braid your hair, how someone bad could work magic against you? How could a white girl know what the braid means to an African man? How a braid factors into the girl’s value as a bride, her beauty and quick tongue, her education, her prospects as a mother. Her virginity. All these things add value. How can this white girl know?

Dear Young Black Males, Show respect for our young sistas. They are young Queens, and you’re young Kings. Black is beautiful, period. If you’re one of those young men who put light-skinned women on a pedestal, but look down on dark-skinned young ladies, stop it! Black women come in all shades, and all black families have all shades within their families. It’s one thing to have a preference, and that’s okay, but don’t belittle the other. Respect, appreciate, and protect our sistas. In closing: We already have to deal with race related crap from other ethnic groups, so why add to it amongst our own? We need to build each other up and be united as one, no matter what our skin tone is. Don’t physically or mentally abuse your young Queen. Respect her just like you’d like your mother, grandmother, or sister to be respected by another male. There’s nothing attractive or cool about mistreating a woman. Nothing at all!

... after daybreak is when I will already have died. At that moment I will only know of beautiful things: the certainties, the desires. When the sun bathes me, I will be something else: without mirrors, without sadness. I will have passed away, but will have been reborn. I will whistle mellifluous melodies. Discredited but, in the end, light.

Laziness has made our cities unclean. If we begin to work and act appropriately, we will clean our cities of any dirt.

African leaders must desire to liberates it’s people through intensive education (formal and informal). The African people deserve to be educated.

I've never seen anyone as beautiful as you, sweetheart. All supple and voluptuous, a mountain of curves I can't wait to climb.

Three things cause sorrow to flee; water, green trees, and a beautiful face. ~ Moroccan Proverb

The history of Africans in America is brutal, but we have made art out of pain, sustaining our spirits with sunbursts of beauty, teaching ourselves how to rise the next day.

You can buy a clock, but you cannot buy time. You can buy a bed, but you cannot buy sleep. You can buy excitement, but you cannot buy bliss. You can buy luxuries, but you cannot buy satisfaction. You can buy pleasure, but you cannot buy peace. You can buy possessions, but you cannot buy contentment. You can buy entertainment, but you cannot buy fulfillment. You can buy amusement, but you cannot buy happiness. You can buy books, but you cannot buy intelligence. You can buy degrees, but you cannot buy wisdom. You can buy fame, but you cannot buy honor. You can buy a reputation, but you cannot buy character. You can buy a priest, but you cannot buy a miracle. You can buy a doctor, but you cannot buy health. You can buy a scientist, but you cannot buy discoveries. You can buy a leader, but you cannot buy power. You can buy acceptance, but you cannot buy friendship. You can buy companions, but you cannot buy loyalty. You can buy allies, but you cannot buy dependability. You can buy partners, but you cannot buy fidelity. You can buy clothes, but you cannot buy class. You can buy toys, but you cannot buy youth. You can buy women, but you cannot buy love. You can buy houses, but you cannot buy homes. You can buy a computer, but you cannot buy intellect. You can buy makeup, but you cannot buy beauty. You can buy a pen, but you cannot buy imagination. You can buy a paintbrush, but you cannot buy inspiration. You can buy opinions, but you cannot buy truth. You can buy assumptions, but you cannot buy facts. You can buy evidence, but you cannot buy faith. You can buy fantasies, but you cannot buy reality.

The weird thing about these gangsters was that they were all, at a glance, identical. They drove the same red sports car. They dated the same beautiful eighteen-year-old girls. It was strange. It was like they didn’t have personalities; they shared a personality. One could be the other, and the other could be the one. They’d each studied how to be that gangster.

By the middle of the eighteenth century the black slave had sunk, with hushed murmurs, to his place at the bottom of a new economic system, and was unconsciously ripe for a new philosophy of life. Nothing suited his condition then better than the doctrines of passive submission embodied in the newly learned Christianity. Slave masters early realized this, and cheerfully aided religious propaganda within certain bounds. The long system of repression and degradation of the Negro tended to emphasize the elements of his character which made him a valuable chattel: courtesy became humility, moral strength degenerated into submission, and the exquisite native appreciation of the beautiful became an infinite capacity for dumb suffering. The Negro, losing the joy of this world, eagerly seized upon the offered conceptions of the next; the avenging Spirit of the Lord enjoining patience in this world, under sorrow and tribulation until the Great Day when He should lead His dark children home,—this became his comforting dream.

We exist, not as wholly singular, autonomous beings, nor completely merged, but in a fluctuating space in between. This idea was expressed beautifully in Desmond Tutu's explanation of the South African concept of Ubuntu. He said, "It is to say, my humanity is caught up, is inextricably bound up, in yours. We belong in a bundle of life. It is not I think therefore I am. It says rather: I am human because I belong, I participate, and I share.

We were in a shop once, and the shopkeeper, right in front of us, turned to his security guard and said, in Afrikaans, “Volg daai swartes, netnou steel hulle iets.” “Follow those blacks in case they steal something.” My mother turned around and said, in beautiful, fluent Afrikaans, “Hoekom volg jy nie daai swartes sodat jy hulle kan help kry waarna hulle soek nie?” “Why don’t you follow these blacks so you can help them find what they’re looking for?

His accent was delicious. A result of British deliberateness changed by the rhythm of an African tongue and the grace of African lips. I moved away after smiling, needing to sit apart and collect myself. I had not met such a man.

but the African has not yet endured the utter alienation of himself from his people and his past. His mother did not sing "Sometimes I Feel Like a Motherless Child," and he has not, all his life long, ached for acceptance in a culture which pronounced straight hair and white skin the only acceptable beauty. They face each other, the Negro and the African, over a gulf of three hundred years - an alienation too vast to be conquered in an evening's good-will

One such individual was Amos Tutuola, who was a talented writer. His most famous novels, The Palm-Wine Drinkard, published in 1946, and My Life in the Bush of Ghosts, in 1954, explore Yoruba traditions and folklore. He received a great deal of criticism from Nigerian literary critics for his use of “broken or Pidgin English.” Luckily for all of us, Dylan Thomas, the Welsh poet and writer, was enthralled by Tutuola’s “bewitching literary prose” and wrote glowing reviews that helped Tutuola’s work attain international acclaim. I still believe that Tutuola’s critics in Nigeria missed the point. The beauty of his tales was fantastical expression of a form of an indigenous Yoruba, therefore African, magical realism. It is important to note that his books came out several decades before the brilliant Gabriel García Márquez published his own masterpieces of Latin American literature, such as One Hundred Years of Solitude.

The most beautiful eyes haven’t been seen yet; the most beautiful tongue hasn’t been heard yet; the most beautiful hands haven’t been held yet; the most beautiful mind hasn’t been understood yet; the most beautiful heart hasn’t been felt yet; and the most beautiful life hasn’t been lived yet. The most beautiful thought hasn’t been contemplated yet; the most beautiful desire hasn’t been savored yet; the most beautiful experience hasn’t been relished yet; the most beautiful impression hasn’t been formed yet; the most beautiful characteristic hasn’t been discovered yet; and the most beautiful person hasn’t been identified yet. The most beautiful sky hasn’t been viewed yet; the most beautiful star hasn’t been detected yet; the most beautiful galaxy hasn’t been explored yet; the most beautiful cosmos haven’t been observed yet; the most beautiful world hasn’t been examined yet; and the most beautiful universe hasn’t been appreciated yet.

We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad. If they are not, it doesn’t matter. We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs. If colored people are pleased we are glad. If they are not, their displeasure doesn’t matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.

When I see my wife’s eyes, I see beauty. When I see my wife’s lips, I see charm. When I see my wife’s nose, I see elegance. When I see my wife’s face, I see dignity. When I see my wife’s neck, I see grace. When I see my wife’s hands, I see strength. When I see my wife’s feet, I see glamour. When I see my wife’s hips, I see majesty. When I see my wife’s mind, I see reason. When I see my wife’s heart, I see passion. When I see my wife’s soul, I see devotion. When I see my wife’s life, I see love.

Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty—or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne’s thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or ‘Eurocentric’; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the ‘radical’; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly ‘committed’. Traditionally then, or tediously as some will think, I saw no reason to discard the Orwellian standard in considering modern literature. While a sort of etiolation, tricked out as playfulness, had its way among the non-judgemental, much good work was still done by those who weighed words as if they meant what they said. Some authors, indeed, stood by their works as if they had composed them in solitude and out of conviction. Of these, an encouraging number spoke for the ironic against the literal mind; for the generously interpreted interest of all against the renewal of what Orwell termed the ‘smelly little orthodoxies’—tribe and Faith, monotheist and polytheist, being most conspicuous among these new/old disfigurements. In the course of making a film about the decaffeinated hedonism of modern Los Angeles, I visited the house where Thomas Mann, in another time of torment, wrote Dr Faustus. My German friends were filling the streets of Munich and Berlin to combat the recrudescence of the same old shit as I read: This old, folkish layer survives in us all, and to speak as I really think, I do. not consider religion the most adequate means of keeping it under lock and key. For that, literature alone avails, humanistic science, the ideal of the free and beautiful human being. [italics mine] The path to this concept of enlightenment is not to be found in the pursuit of self-pity, or of self-love. Of course to be merely a political animal is to miss Mann’s point; while, as ever, to be an apolitical animal is to leave fellow-citizens at the mercy of Ideolo’. For the sake of argument, then, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.

Poets who write mostly about love, roses and moonlight, sunsets and snow, must lead a very quiet life. Seldom, I imagine, does their poetry get them into difficulties. Beauty and lyricism are really related to another world, to ivory towers, to your head in the clouds, feet floating off the earth. Unfortunately, having been born poor--and also colored--in Missouri, I was stuck in the mud from the beginning. Try as I might to float off into the clouds, poverty and Jim Crow would grab me by the heels, and right back on earth I would land.

Every where the years bring to all enough of sin and sorrow; but in slavery the very dawn of life is darkened by these shadows. Even the little child, who is accustomed to wait on her mistress and her children, will learn, before she is twelve years old, why it is that her mistress hates such and such a one among the slaves. Perhaps the child's own mother is among those hated ones. She listens to violent outbreaks of jealous passion, and cannot help understanding what is the cause. She will become prematurely knowing in evil things. Soon she will learn to tremble when she hears her master's footfall. She will be compelled to realize that she is no longer a child. If God has bestowed beauty upon her, it will prove her greatest curse. That which commands admiration in the white woman only hastens the degradation of the female slave.

Through The Mecca I saw that we were, in our own segregated body politic, cosmopolitans. The black diaspora was not just our own world but, in so many ways, the Western world itself. Now, the heirs of those Virginia planters could never directly acknowledge this legacy or reckon with its power. And so that beauty that Malcolm pledged us to protect, black beauty, was never celebrated in movies, in television, or in the textbooks I’d seen as a child. Everyone of any import, from Jesus to George Washington, was white. This was why your grandparents banned Tarzan and the Lone Ranger and toys with white faces from the house. They were rebelling against the history books that spoke of black people only as sentimental “firsts”—first black five-star general, first black congressman, first black mayor—always presented in the bemused manner of a category of Trivial Pursuit. Serious history was the West, and the West was white. This was all distilled for me in a quote I once read from the novelist Saul Bellow. I can’t remember where I read it, or when—only that I was already at Howard. “Who is the Tolstoy of the Zulus?” Bellow quipped. Tolstoy was “white,” and so Tolstoy “mattered,” like everything else that was white “mattered.” And this view of things was connected to the fear that passed through the generations, to the sense of dispossession. We were black, beyond the visible spectrum, beyond civilization. Our history was inferior because we were inferior, which is to say our bodies were inferior. And our inferior bodies could not possibly be accorded the same respect as those that built the West. Would it not be better, then, if our bodies were civilized, improved, and put to some legitimate Christian use?

Skin color or the shape of one’s nose cannot be the criteria upon which individuals are judged. Black is not beautiful; it’s racist. Being African-American, conscious of your culture, fascinated by your history, this is beautiful—and really has nothing to do with putting a color chart next to your face.

Women with dark skin are sharing selfies on social media after decades of being underrepresented in the mainstream media. From what I have observed much of the dark skin adoration on social media appears to come from us - black women. We tend to use the appreciation hashtags with our own pictures of photographs of dark skin women whom we feel are stunning. While I am loving this fierceness.. There is just one sidetone to this revolution: I feel as if we are much more appreciated if we show more skin. The timelines are filled with absolutely beautiful dark-skinned women but most sadly most of the time they are all oiled up and showing their body parts in different angles. Now, I am definitely in to art and as a model I know that this comes with the territory. But we most not forget that we are Queens.. We need to stop degrading ourselves for likes on the gram. You don't have to be naked to show the world you're beautiful. You my sister are an African Queen. I feel as if black women are only appreciated if they wear very provocative clothes or if they do naked photoshoots. To me, it's degrading and reminds me of the time that we couldn't ride the bus because we were black. Women were seen as servants. The black women that weren't servants were sex slaves. We are not objects, we are not meat and people need to stop looking at us as sex objects. BUT we need to start respecting ourselves first! A black woman is a woman first and it should not even be necessary to specify the colour but this is the society we live in and I feel like I had to share this.

Contemplating while barefoot on the grounds my father and grandfather walked, I saw my life clearly. With African sun nibbling on my dark skin and gentle winds soothing my foreboding, my past life and current responsibilities overwhelmed me occasionally. Abundant tears flowed freely. Dripping on my face and clothes. Travelling through the ancient roads created by my forefathers, grasslands, trees and anthills kept me company. A lonely journey. I knew that nothing remains the same, but ones past never changes. Even in the loneliness of my past, I accepted that you cannot effectively go forward without knowing how and where you started your journey. Even in that state of near dejection I was aware that my sojourn in foreign lands is not forever, but my lording of this beautiful land, my own Africa, where my spent body will finally rest someday, is for eternity. Nothing remains the same, but nothing ever changes. It depends on how you look at your life.

Within the aesthetic system of the High Renaissance, pointed noses and fine lips were typically associated with a refined facial beauty. At the same time, well-formed, proportionate figures represented the height of bodily beauty. This aesthetic pairing led to the degradation of the African face and the exaltation of the African body.

The clever seek comfort, the wise seek peace. The clever seek pleasure, the wise seek contentment. The clever seek riches, the wise seek happiness. The clever seek laughter, the wise seek joy. The clever seek company, the wise seek comrades. The clever seek crowds, the wise seek friends. The clever seek approval, the wise seek respect. The clever seek fame, the wise seek reverence. The clever seek acquaintances, the wise seek allies. The clever seek accomplices, the wise seek helpers. The clever seek associates, the wise seek partners. The clever seek connections, the wise seek mentors. The clever seek accolades, the wise seek excellence. The clever seek recognition, the wise seek awards. The clever seek prominence, the wise seek followers. The clever seek leadership, the wise seek impact. The clever seek power, the wise seek influence. The clever seek titles, the wise seek respect. The clever seek fame, the wise seek dignity. The clever seek glory, the wise seek integrity. The clever seek wants, the wise seek needs. The clever seek luxury, the wise seek convenience. The clever seek enjoyment, the wise seek fulfillment. The clever seek entertainment, the wise seek rest. The clever seek style, the wise seek grace. The clever seek brains, the wise seek heart. The clever seek appearance, the wise seek etiquette. The clever seek beauty, the wise seek honesty. The clever seek opinions, the wise seek facts. The clever seek truth, the wise seek knowledge. The clever seek ideas, the wise seek wisdom. The clever seek adventure, the wise seek discovery. The clever seek questions, the wise seek answers. The clever seek problems, the wise seek solutions. The clever seek amusement, the wise seek books. The clever seek an education, the wise seek enlightenment.

America’s patriotic song “America the Beautiful” invokes our spacious skies, our amber waves of grain, from sea to shining sea. Actually, that song reverses geographic realities. As in Africa, in the Americas the spread of native crops and domestic animals was slowed by constricted skies and environmental barriers. No waves of native grain ever stretched from the Atlantic to the Pacific coast of North America, from Canada to Patagonia, or from Egypt to South Africa, while amber waves of wheat and barley came to stretch from the Atlantic to the Pacific across the spacious skies of Eurasia. That faster spread of Eurasian agriculture, compared with that of Native American and sub-Saharan African agriculture, played a role (as the next part of this book will show) in the more rapid diffusion of Eurasian writing, metallurgy, technology, and empires.

God will restore the South African economy and He will heal our beautiful land because He is an unchanging and forgiving God. He is the same God who liberated us from decades and decades of racial struggle. Let's come together in one, seek for His forgiveness and admit that we really messed up big time. Let's also pray 'for all those in authority, that we may live peaceful and quiet lives in all godliness and holiness.' His mercies are new every morning.

If you try to sell rivers to oceans, they will mock you; fish to seas, they will belittle you; rocks to mountains, they will taunt you; clouds to skies, they will deride you; color to rainbows, they will revile you; stars to galaxies, they will chide you; wind to storms, they will denounce you; sand to deserts, they will ridicule you; speed to cheetahs, they will criticize you; venom to serpents, they will disparage you; beauty to stars, they will discredit you; pearls to oysters, they will berate you; trees to forests, they will spite you; birds to skies, they will disdain you; music to birds, they will dismiss you; wool to sheep, they will detest you; silk to spiders, they will defame you; seasons to nature, they will despise you; honey to bees, they will laugh at you; perfume to flowers, they will chuckle at you; fruit to trees, they will jeer at you; rain to clouds, they will scoff at you; fear to wolves, they will howl at you; and terror to lions, they will roar at you.

I like flowers because they are presentable, birds because they are musical, trees because they are natural, plants because they are beneficial, dogs because they are loyal, foxes because they are guileful, wolves because they are forceful, lions because they are royal, sharks because they are remarkable, crocodiles because they are formidable, bees because they are exceptional, spiders because they are artful, ants because they are responsible, chameleons because they are colorful, hawks because they are special, falcons because they are noble, owls because they are watchful, eagles because they are regal, streams because they are peaceful, rivers because they are predictable, lakes because they are crucial, oceans because they are beautiful, skies because they are delightful, stars because they are celestial, planets because they are spiritual, galaxies because they are incredible, winters because they are essential, summers because they are enjoyable, autumns because they are graceful, and springs because they are wonderful.

I. Carthage. 900–200 B.C. In the third century B.C., Rome and Carthage divided the power of the Mediterranean world. Rome was first on land, Carthage first at sea. Intolerant of powerful neighbors, Rome quarreled with Carthage, and in the First Punic War brought her to her knees. The Carthaginians were of Phœnician origin, one of the early settlements of Tyre. By their energy and intelligence they succeeded in acquiring the hegemony of all the Phœnician colonies on the Mediterranean, as Tyre had done at home. The government was an aristocracy of capitalists, controlled by a senate. This “London of antiquity” gradually extended her conquests all around the western Mediterranean. The city was strongly walled and beautifully built; and in addition possessed vast commercial works, harbors and arsenals. Agriculture was as highly esteemed and practiced as commerce, and the land was worked by rich planters. The prosperity of the city was equally indebted to either art. Carthage was really the capital of a great North African empire, as Rome was of the Italian peninsula.

In a world without caste, instead of a false swagger over our own tribe or family or ascribed community, we would look upon all of humanity with wonderment: the lithe beauty of an Ethiopian runner, the bravery of a Swedish girl determined to save the planet, the physics-defying aerobatics of an African-American Olympian, the brilliance of a composer of Puerto Rican descent who can rap the history of the founding of America at 144 words a minute—all of these feats should fill us with astonishment at what the species is capable of and gratitude to be alive for this.

In some ways, the only thing we have in common is the color of our skin. Our ancestors came from all over the African continent. It's quite large... They had different ways of subsistence, different customs, spoke a hundred different languages. And that great mixture was brought to America in the holds of slave ships. To the north, the south. Their sons and daughters picked tobacco, cultivated cotton, worked on the largest estates and smallest farms. We are craftsmen and midwives and preachers and peddlers. Black hands built the White House, the seat of our nation's government. The word we. We are not one people, but many different people. How can one person speak for this great, beautiful race - which is not one race but many, with a million desires and hopes and wishes for ourselves and our children? For we are Africans in America. Something new in the history of the world, without models for what we will become. Color must suffice. It has brought us to this night, this discussion, and it will take us into the future. All I truly know is that we rise and fall as one, one colored family living next door to one white family. We may not know the way through the forest, but we can pick each other up when we fall, and we will arrive together.

breath, life after seven decades plus three years is a lot of breathing. seventy three years on this earth is a lot of taking in and giving out, is a life of coming from somewhere and for many a bunch of going nowhere. how do we celebrate a poet who has created music with words for over fifty years, who has showered magic on her people, who has redefined poetry into a black world exactness thereby giving the universe an insight into darkroads? just say she interprets beauty and wants to give life, say she is patient with phoniness and doesn’t mind people calling her gwen or sister. say she sees the genius in our children, is visionary about possibilities, sees as clearly as ray charles and stevie wonder, hears like determined elephants looking for food. say that her touch is fine wood, her memory is like an african roadmap detailing adventure and clarity, yet returning to chicago’s south evans to record the journey. say her voice is majestic and magnetic as she speaks in poetry, rhythms, song and spirited trumpets, say she is dark skinned, melanin rich, small-boned, hurricane-willed, with a mind like a tornado redefining the landscape. life after seven decades plus three years is a lot of breathing. gwendolyn, gwen, sister g has not disappointed our expectations. in the middle of her eldership she brings us vigorous language, memory, illumination. she brings breath. (Quality: Gwendolyn Brooks at 73)

In the Black World, the Preacher and Teacher embodied once the ideals of this people—the strife for another and a juster world, the vague dream of righteousness, the mystery of knowing; but to-day the danger is that these ideals, with their simple beauty and weird inspiration, will suddenly sink to a question of cash and a lust for gold.... What if the Negro people be wooed from a strife for righteousness, from a love of knowing, to regard dollars as the be-all and end-all of life? What if to the Mammonism of America be added the rising Mammonism of the re-born South, and the Mammonism of this South be reinforced by the budding Mammonism of its half-wakened black millions? Whither, then, is the new-world quest of Goodness and Beauty and Truth gone glimmering?

The news of [James Baldwin's] death reached me in Trinidad around midnight. I was lecturing in the country about African-American literature and liberation, longevity and love, commitment and courage. I could not sleep. I got up and walked out of my hotel room into a night filled with stars. And I sat down in the park and talked to him. About the world. About his work. How grateful we all are that he walked on the earth, that he breathed, that he preached, that he came toward us baptizing us with his holy words. And some of us were saved because of him. Harlem man. Genius. Piercing us with his eyes and his pen. How to write of this beautiful big-eyed man who took on the country with his words? How to make anyone understand his beauty in a country that hates Blacks?

1. Close Friend, someone who got yo back, yo "main nigga." 2. Rooted in blackness and the Black experience. From a middle-aged social worker: "That Brotha ain like dem ol e-lights, he real, he a shonuff nigga" 3. Generic, neutral refrence to African Americans. From a 30 something college educated Sista: "The party was live, it was wall to wall niggaz there" 4. A sista's man/lover/partner. from the beauty shop. "Guess we ain gon be seein too much of girlfriend no mo since she got herself a new nigga" From Hip Hop artist Foxy brown, "Ain no nigga like the on I got." 5. Rebellious, fearless unconventional, in-yo-face Black man. From former NBA superstar Charles Barkley, "Nineties niggas... The DailyNews, The Inquirer has been on my back... They want their Black Athletes to be Uncle Tom. I told you white boys you've never heard of a 90s nigga. We do what we want to do" quoted in The Source, December 1992). 6. Vulgar, disrespectful Black Person, antisocial, conforming to negative sterotype of African Americans. From former Hip Hop group Arrested Development, in their best-selling song, "People Everyday" 1992: A black man actin like a nigga... got stomped by an African" 7. A cool, down person, rooted in Hip Hop and black culture, regardless of race, used today by non-blacks to refer to other non-Blacks. 8. Anyone engaged in inappropriate, negative behavior; in this sense, Blacks may even apply the term to White folk. According to African American scholar Clarence Major's From Juba to Jive, Queen Latifah was quoted in Newsweek as criticizing the US government with these words. "Those niggers don't know what the fuck they doing

There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.

The fall of dusk upon the Egyptian scene is an unforgettable event, an event of unearthly beauty. Everything is transformed in colour and the most vivid contrasts come into being between sky and earth. I sat alone on the yielding yellow sand before the stately, regal figure of the crouching Sphinx, a little to one side, watching with fascinated eyes the wonderful play of ethereal colours which swiftly appear and as swiftly pass when the dying sun no longer covers Egypt with golden glory. For who can receive the sacred message which is given him by the beautiful, mysterious afterglow of an African sunset, without being taken into a temporary paradise? So long as men are not entirely coarse and spiritually dead, so long will they continue to love the Father of Life, the sun, which makes these things possible by its unique sorceries. They were not fools, those ancients, who revered Ra, the great light, and took it into their hearts as god.

Behind the last door is oblivion. Standing before it, one can go forwards or backwards; but beside it are not the places of exquisite pleasure: the faces of pure ones confined to pavilions, reclining on green cushions and beautiful carpets amid thornless lote-trees and banana trees, one over another; for these have gone with the smoke of the opium. What remains, four years afterwards, are the haunted rooms of the departed: of a young, vigorous man with red hair and an old man left in his blood in a bothy; of a henchman dragged from his horse with an arrow in him, and another, darker of skin, dead of fighting in a Greek courtyard. Of a man returning from perilous seas to drown, seeking his son, near his homeland; of a girl dying blind behind yellow silk curtains, and another burning at night in an African pavilion. And a child, a son … an only son … playing with shells at the feet of the father who shortly would kill it. One does not, of set purpose, linger long on such a threshold. Sooner or later, the chains must give way; the accusing, querulous voices cease; and the insistent, imperious summons, saying over and over, ‘Aucassins, damoisiax, sire! Ja sui jou li vostre amie, Et vos ne me haés mie!

It was 1996, and the word “appropriation” never occurred to either of them. They were drawn to these references because they loved them, and they found them inspiring. They weren’t trying to steal from another culture, though that is probably what they did. Consider Mazer in a 2017 interview with Kotaku, celebrating the twentieth-anniversary Nintendo Switch port of the original Ichigo: kotaku: It is said that the original Ichigo is one of the most graphically beautiful low-budget games ever made, but its critics also accuse it of appropriation. How do you respond to that? mazer: I do not respond to that. kotaku: Okay…But would you make the same game if you were making it now? mazer: No, because I am a different person than I was then. kotaku: In terms of its obvious Japanese references, I mean. Ichigo looks like a character Yoshitomo Nara could have painted. The world design looks like Hokusai, except for the Undead level, which looks like Murakami. The soundtrack sounds like Toshiro Mayuzumi… mazer: I won’t apologize for the game Sadie and I made. [Long pause.] We had many references—Dickens, Shakespeare, Homer, the Bible, Philip Glass, Chuck Close, Escher. [Another long pause.] And what is the alternative to appropriation? kotaku: I don’t know. mazer: The alternative to appropriation is a world in which artists only reference their own cultures. kotaku: That’s an oversimplification of the issue. mazer: The alternative to appropriation is a world where white European people make art about white European people, with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world, don’t you? I’m terrified of that world, and I don’t want to live in that world, and as a mixed-race person, I literally don’t exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Koreatown, Los Angeles. And as any mixed-race person will tell you—to be half of two things is to be whole of nothing. And, by the way, I don’t own or have a particularly rich understanding of the references of Jewishness or Koreanness because I happen to be those things. But if Ichigo had been fucking Korean, it wouldn’t be a problem for you, I guess?