Afraid Of Losing Someone Quotes

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Take someone who doesn't keep score, who's not looking to be richer, or afraid of losing, who has not the slightest interest even in his own personality: he's free.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
I shouldn't have to be a liar to make someone love me. I shouldn't be so afraid of losing someone that I'll do anything to make them stay.
Deb Caletti (The Six Rules of Maybe)
Yes, my mind was wandering. I wished I were there with someone who could bring peace to my heart someone with whom I could spend a little time without being afraid that i would lose him the next day. With that reassurance, the time would pass more slowly. We could be silent for a while because we'd know we had the rest of our lives together for conversation. I wouldn't have to worry about serious matters, about difficult decisions and hard words.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
I thought that if I owned nothing, had nothing, was nothing, I would have nothing left to lose, and I wouldn't be scared anymore. Because my whole life I’ve been so damn scared. Scared to live because I was scared to die. But at the same I was so scared of living, so I wanted to die. Or maybe so scared of dying that I refused to live. You don't have to be afraid to fall, when you're already on the ground. You don't have to be scared to lose someone, when there's no one around to lose.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
Love the quick profit, the annual raise, vacation with pay. Want more of everything ready-made. Be afraid to know your neighbors and to die. And you will have a window in your head. Not even your future will be a mystery any more. Your mind will be punched in a card and shut away in a little drawer. When they want you to buy something they will call you. When they want you to die for profit they will let you know. So, friends, every day do something that won’t compute. Love the Lord. Love the world. Work for nothing. Take all that you have and be poor. Love someone who does not deserve it. Denounce the government and embrace the flag. Hope to live in that free republic for which it stands. Give your approval to all you cannot understand. Praise ignorance, for what man has not encountered he has not destroyed. Ask the questions that have no answers. Invest in the millenium. Plant sequoias. Say that your main crop is the forest that you did not plant, that you will not live to harvest. Say that the leaves are harvested when they have rotted into the mold. Call that profit. Prophesy such returns. Put your faith in the two inches of humus that will build under the trees every thousand years. Listen to carrion — put your ear close, and hear the faint chattering of the songs that are to come. Expect the end of the world. Laugh. Laughter is immeasurable. Be joyful though you have considered all the facts. So long as women do not go cheap for power, please women more than men. Ask yourself: Will this satisfy a woman satisfied to bear a child? Will this disturb the sleep of a woman near to giving birth? Go with your love to the fields. Lie down in the shade. Rest your head in her lap. Swear allegiance to what is nighest your thoughts. As soon as the generals and the politicos can predict the motions of your mind, lose it. Leave it as a sign to mark the false trail, the way you didn’t go. Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection.
Wendell Berry
I'm through accepting limits ''cause someone says they're so Some things I cannot change But till I try, I'll never know! Too long I've been afraid of Losing love I guess I've lost Well, if that's love It comes at much too high a cost!
Stephen Schwartz (Wicked: Easy Piano CD Play-Along Volume 26)
It is not the homeless, mentally ill or extremely cunning people that we have to be afraid of. When someone loses everything that meant something to them is when people should get very afraid. A person that has nothing to lose is the scariest person on earth.
Shannon L. Alder
What ever happened to creativity? What ever happened to the passion? What ever happened to speaking ones mind? I'll tell you what happened. The kids aged, but never grew up. A baby can whine if it does not like something because it doesn't know better. What's your excuse? Stop getting offended whenever the wind blows your hair the wrong way! We will get nowhere if we continue to avoid truths to avoid offense. Speak your mind and do not be afraid of stepping on toes. The truth can be ugly, and that's what makes it so beautiful. Speak your mind, but don't take this as a chance to lose respect either. Always keep respect. If someone then still claims to be offended, it is not because of you, nor is it your fault. They simply don't like the taste of the bittersweet truth.
Caitlyn Paige
Reckon it's best if you don't have anyone you care about; then it can't hurt you. Don't have to be afraid of losing someone if you no one to lose.
Karen Maitland (Company of Liars)
A winner is not someone who wins. It's someone who tries and isn't afraid to lose.
Nusrat Sultana
You don't want to say my name, because you might attach a meaning to it. You're afraid to define someone you're going to lose as a 'friend' or 'girlfriend'.
Yoru Sumino (I Want to Eat Your Pancreas)
Envy is the desire to have what someone else has. Jealousy is the fear of losing what you have. The more insecure you are about yourself or your relationship, the more jealous you are, because you are afraid to lose your significant other to someone else.
Oliver Markus Malloy (Why Men And Women Can't Be Friends)
I've always know who should be leading this resistance. Someone who's got nothing left to lose and everything to gain. Someone no longer afraid of anyone? Should be me.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I haven't had a lot of good, soft things in my life," he said against my forehead. "Not since my family sent me away. Apart from being your sire and feeling that pull to you, it's that goodness, that softness and warmth, along with the resolve and strength in you, that I love. Being turned hasn't taken that from you. If someone were going to design the perfect mate for me, it would be you. Even when you infuriate me with your pigheaded stubbornness and your temper and incredible lack of anything resembling self-preservation—" "Stop describing me please." "You're the most fascinating, maddening, adorable creature I've ever met," he said, sighing and pushing my hair out of my eyes. "So, when I seem possessive or I'm raving like a lunatic, it's just that part of me is still very afraid that I'll lose that—that I'll lose you. I love you.
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
Freedom is not the absence of commitment, and to be committed to something or to someone does not mean the loss of freedom. But freedom exists in the realm of the unbound and to be free is to be committed to that which is a part of the unbound realm. Whatever sets your soul to flight is freedom. If someone sets your soul to flight, to stay with that person is not to lose freedom but to stay with that person is to retain freedom. Together you have what is unbound. Whatever will swell your spirit and give you wings, is freedom, and it is a fault if you let go of that for the very reason that you are afraid of losing your freedom and in doing so you have in fact let go of what will keep you unbound.
C. JoyBell C.
And what is a friend? More than a father, more than a brother: a traveling companion, with him, you can conquer the impossible, even if you must lose it later. Friendship marks a life even more deeply than love. Love risks degenerating into obsession, friendship is never anything but sharing. It is a friend that you communicate the awakening of a desire, the birth of a vision or a terror, the anguish of seeing the sun disappear or of finding that order and justice are no more. That's what you can talk about with a friend. Is the soul immortal, and if so why are we afraid to die? If God exists, how can we lay claim to freedom, since He is its beginning and its end? What is death, when you come down to it? The closing of a parenthesis, and nothing more? And what about life? In the mouth of a philosopher, these questions may have a false ring, but asked during adolescence or friendship, they have the power to change being: a look burns and ordinary gestures tend to transcend themselves. What is a friend? Someone who for the first time makes you aware of your loneliness and his, and helps you to escape so you in turn can help him. Thanks to him who you can hold your tongue without shame and talk freely without risk. That's it.
Elie Wiesel (The Gates of the Forest)
To whoever loves me next, I’m sorry if I’m afraid of you or if days of flirting turn to radio silence, without warning. I’m sorry if I make you say the words over and over and over until I believe them. (I’m sorry if I don’t believe them.) I will probably spend more time worrying about losing you than I spend trying to keep you. Trouble is, every single time I’ve ever thought something was too good to be true– I’ve been right. Understand, I will know how to be vulnerable with you, but I won’t know how not to regret it. And I have no idea how deep we’ll be into this relationship before I admit I’ve never done this before. Not really. Not in any way that counts. Before I admit that I know how to put my body inside someone else’s but not how to make it beautiful. I probably won’t be easy to love. Too many people loved me badly, I’m not sure I know how to do it right.
Ashe Vernon
Life is too damn short to not tell someone how you feel. Don't let someone because you're afraid or you'll lose them forever.
Benjamin Bayani (The Nation)
I am in love with someone, but I do not know how to tell her/him. I am afraid of being judged. I am afraid of losing her/him.
Charlena E. Jackson (The Stars Choose Our Lovers)
Some of the most valued things we have in life come from changes or mistakes. Don't be afraid if you failed or if you lose someone you love, there is always the rainbow after the rain. And remember that all change is hard at first, messy in the middle and gorgeous at the end.
Angie karan
I'm through accepting limits 'cause someone says they're so Some things I cannot change But till I try, I'll never know! Too long I've been afraid of Losing love I guess I've lost Well, if that's love It comes at much too high a cost! I'd sooner buy Defying gravity Kiss me goodbye I'm defying gravity And you can't pull me down.
Joseph William Singer
I wish I'd been accepted sooner and better. When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes--and we become attached to the heroic strain in our personal history. We choose our own lives. It is not simply that we decide on the behaviors that construct our experience; when given our druthers, we elect to be ourselves. Most of us would like to be more successful or more beautiful or wealthier, and most people endure episodes of low self-esteem or even self-hatred. We despair a hundred times a day. But we retain the startling evolutionary imperative for the fact of ourselves, and with that splinter of grandiosity we redeem our flaws. These parents have, by and large, chosen to love their children, and many of them have chosen to value their own lives, even though they carry what much of the world considers an intolerable burden. Children with horizontal identities alter your self painfully; they also illuminate it. They are receptacles for rage and joy-even for salvation. When we love them, we achieve above all else the rapture of privileging what exists over what we have merely imagined. A follower of the Dalai Lama who had been imprisoned by the Chinese for decades was asked if he had ever been afraid in jail, and he said his fear was that he would lose compassion for his captors. Parents often think that they've captured something small and vulnerable, but the parents I've profiled here have been captured, locked up with their children's madness or genius or deformity, and the quest is never to lose compassion. A Buddhist scholar once explained to me that most Westerners mistakenly think that nirvana is what you arrive at when your suffering is over and only an eternity of happiness stretches ahead. But such bliss would always be shadowed by the sorrow of the past and would therefore be imperfect. Nirvana occurs when you not only look forward to rapture, but also gaze back into the times of anguish and find in them the seeds of your joy. You may not have felt that happiness at the time, but in retrospect it is incontrovertible. For some parents of children with horizontal identities, acceptance reaches its apogee when parents conclude that while they supposed that they were pinioned by a great and catastrophic loss of hope, they were in fact falling in love with someone they didn't yet know enough to want. As such parents look back, they see how every stage of loving their child has enriched them in ways they never would have conceived, ways that ar incalculably precious. Rumi said that light enters you at the bandaged place. This book's conundrum is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
I can’t put into words what it is to love someone like that. Or lose someone like that. Which is part of the reason why I don’t write anymore. Because words fail. A lot of people they don’t know what they’ve got until it’s gone, but I knew. I knew. I knew every day that we were together that what we had was extraordinary. And I was so afraid, every day, that I would lose him, lose them all. I used to worry so much about his safety, worry that they’d finally get sick of dealing with my messed-up family, but they never did. And I used to question how two people could be so lucky. How could the universe justify bringing us together when we were only nine? How could it ever be fair that what everyone was looking for was handed to us on a silver platter when we were too young to even know that we wanted it?
Krystal Sutherland (Our Chemical Hearts)
Don't allow someone to treat you poorly just because you’re afraid of losing them.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
And then there’s me, terribly afraid to step out of the box and date someone different. Afraid to get hurt in a different, more complex way—by somebody who I actually trust and care about. My biggest fear. Nice guy was a bad word to me because I feared that lurching-stomach feeling of losing someone I love. Nice meant future, and the future was always uncertain.
Alida Nugent (Don't Worry, It Gets Worse: One Twentysomething's (Mostly Failed) Attempts at Adulthood)
I no longer fear battles and storms that come in the path but afraid of losing someone that is dear to my heart, to whom without winning battles and passing through storms means nothing to me.
Irfa Rahat
Magnus was the one who hesitated. "Can I ask you something? You loved a Shadowhunter." "Do you think I stopped?" "When you loved a Shadowhunter, were you ever afraid?" "I was always afraid," said Tessa. "It's natural to be afraid of losing the most previous thing in the world. But don't be too afraid, Magnus. I know warlocks and Shadowhunters are very different, and there is a divide between your worlds that can be hard to cross. But as someone once said to me, the right man will not care. You can build a bridge over the divide and find each other. You can build something much greater than either of you could ever have built on your own." There was a silence after she spoke, as they both thought of the ages they had seen pass already, and the ages to come. The sunlight was still bright through the window outside Magnus's Rome hotel room, but it would not last. Magnus said reluctantly, "But we do lose love, in the end. We both know that." "No," said Tessa. "Love changes you. Love changes the world. You cannot lose that love, no matter how long you live, I think. Trust love. Trust him." Magnus wanted to, but he could not forget Asmodeus telling him he was a curse upon the world.. He remembered begging Shinyun with his eyes not to tell Alec who Magnus's father was. He did not want to lie to Tessa. He did not know how to promise he would do what she advised. "What if I lost him by telling the truth?" "What if you lost him by hiding it.?
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
When we encounter a friend who's depressed or afraid, we automatically try to take that distress away and to cheer the person up. While we may be operating with the best of intentions, this Band-Aid approach only reinforces the condition. Unless people experience their pain completely and begin to undrstand it, they will not only fail to overcome it, they'll also lose the opportunity of using it to advance their own growth. Pain can get you somewhere, and that somewhere can be a life-enhancing experience. We all tend to forget that pain can signal change. Alleviating the symptoms of pain in someone, without helping them to get at its underlying source, robs them of an important to for self-exploration. It's also a way of placating that reinforces the person'S need to cave in and succumb to another. This attitude undermines healthy character development and contributes to psychospiritual, moral, and ultimately social decay.
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
Some Survivors think that getting angry is inappropriate and a sign that a person is out of control. Others are afraid of anger, that of others, as well as their own. They are afraid that if they get angry, they will be rejected or abandoned, afraid they will lose control and hurt someone. But, allowing yourself to get angry and express your anger in constructive ways is one of the most healthy and empowering things you can do.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
In thousands of little ways, we pull and push our children to grow up, hurrying them along instead of inviting them to rest. We could never court each other as adults by resisting dependance...Perhaps we feel free to invite the dependance of adults becuase we are not responsible for their growth and maturity. We don't bear the burden of getting them to be independant. Here is the core of the problem: we are assuming too much responsiblity for the maturation of our children. We have forgotten that we are not alone - we have nature as our ally. Independance is the fruit of maturation; our job in raising children is to look after their dependance needs. When we do our job of meeting genuine dependance needs, nature is free to do its job of promoting maturity. In the same way, we don't have to make our children grow taller; we just need to give them food. By forgetting that growth, development and maturation are natural processes, we lose perspective. We become afraid our children will get stuck and never grow up. Perhaps we think that if we don't push a little, they will never leave the nest. Human beings are not like birds in this respect. The more children are pushed, the tighter they cling - or, failing that, they nest with someone else.
Gordon Neufeld
I'm through accepting limits 'cause someone says they're so. Some things I cannot change but 'till I try I'll never know. Too long I've been afraid of losing love, I guess I've lost. Well, if that's love, it comes at much too high a cost. I'd sooner buy defying gravity.
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
Find someone who isn’t afraid to admit that they miss you, who knows you aren’t perfect but treats you as if you are, whose biggest fear is losing you, who says “I love you” and means it with all of their heart, someone who believes leaving and giving up isn’t an option.
Nitya Prakash
To be detached from the world, (in the sense that Buddhist and Taoists and Hindus often talk about detachment), does not mean to be non-participative. By that I don't mean that you just go through doing everything mechanically and have your thoughts elsewhere. I mean a complete participation, but still detached. And the difference between the two attitudes is this.. On the one hand, there is a way of being so anxious about physical pleasure, so afraid that you won't make it, that you grab it too hard..that you just have to have that thing, and if you do that, you destroy it completely.. and therefore after every attempt to get it, you feel disappointed, you feel empty, you feel something was lost..and so you want it again, you have to keep repeating, repeating, repeating, repeating..because you never really got that. And it is this that's the hang up, this is what is meant by attachment to this world... But on the other hand, pleasure in its fullness cannot be experienced, when one is grasping it.. I knew a little girl to whom someone gave a bunny rabbit. She was so delighted with the bunny rabbit and so afraid of losing it, that taking it home in the car, she squeezed it to death with love. And lots of parents do that to their children. And lots of spouses do it to each other. They hold on too hard, and so take the life out of this transient, beautifully fragile thing that life is. To have it, to have life, and to have its pleasure, you must at the same time let go of it.
Alan W. Watts
It’s not the drug that causes the junkie it’s the laws that causes the junkie because of course the drug laws means that he can’t go and get help because he is afraid of being arrested. He also can’t have a normal life because the war on drugs has made drugs so expensive and has made drug contracts unenforceable which means they can only be enforced through criminal violence. It becomes so profitable to sell drugs to addicts that the drug dealers have every incentive to get people addicted by offering free samples and to concentrate their drug to the highest possible dose to provoke the greatest amount of addiction as possible. Overall it is a completely staggering and completely satanic human calamity. It is the new gulag and in some ways much more brutal than the soviet gulag. In the soviet gulags there was not a huge prison rape problem and in this situation your life could be destroyed through no fault of your own through sometimes, no involvement of your own and the people who end up in the drug culture are walled off and separated as a whole and thrown into this demonic, incredibly dangerous, underworld were the quality of the drugs can’t be verified. Were contracts can’t be enforced except through breaking peoples kneecaps and the price of drugs would often led them to a life of crime. People say “well, I became a drug addict and I lost my house, family, and my job and all that.” It’s not because you became a drug addict but, because there is a war on drugs which meant that you had to pay so much for the drugs that you lost your house because you couldn't go and find help or substitutes and ended up losing your job. It’s all nonsense. The government can’t keep drugs out of prisons for heaven’s sakes. The war on drugs is not designed to be won. Its designed to continue so that the government can get the profits of drug running both directly through the CIA and other drug runners that are affiliated or through bribes and having the power of terrorizing the population. To frame someone for murder is pretty hard but to palm a packet of cocaine and say that you found it in their car is pretty damn easy and the government loves having that power." -Stefan Molyneux
Stefan Molyneux
Writing is learned by imitation. I learned to write mainly by reading writers who were doing the kind of writing I wanted to do and by trying to figure out how they did it. S. J. Perelman told me that when he was starting out he could have been arrested for imitating Ring Lardner. Woody Allen could have been arrested for imitating S. J. Perelman. And who hasn’t tried to imitate Woody Allen? Students often feel guilty about modeling their writing on someone else’s writing. They think it’s unethical—which is commendable. Or they’re afraid they’ll lose their own identity. The point, however, is that we eventually move beyond our models; we take what we need and then we shed those skins and become who we are supposed to become. But
William Zinsser (Writing to Learn: How to Write--And Think--Clearly about Any Subject at All)
They say that people are innately afraid of those who need them, they say that people are afraid of "clingy-ness", afraid of attachment, afraid of being needed by another. But I beg to disagree. I believe that people, when looking at someone who is needy of them, see themselves and see their own fears and they go away because they can't handle those fears; it's their own neediness that they're afraid of! They're afraid to want and to need, because they're afraid of loss and of losing, so when they see these things in another, that's when they run away. Nobody is actually running away from other people; everybody is really running away from themselves!
C. JoyBell C.
when someone provoked you don't get angry, get curious. What do they hope to gain? What are they afraid to lose?
Sue London (Trials of Artemis (The Haberdashers, #1))
Don't be afraid to lose people. Else, you lose yourself, in the fear to lose someone.
Surya Raj
Maybe that's worse, not letting ourselves be loved. Because we're too afraid of giving ourselves to someone we might lose.
Mitch Albom (Tuesdays with Morrie)
As a woman, you walk into all kinds of unknown situations that cause you to fall in love, put someone else’s needs before your own, and make unbelievable sacrifices. As time goes by, falling in love has its consequences. You fall in love with your mate, children, family, and job. However, you do not receive a fraction of what you have given in return. Sadly, nobody sees you are beyond exhausted. They want you to go, go and go without complaining. If they carefully pay attention and think about it; when was the last time they saw you smile, truly smile? When was the last time they saw you happy, truly happy? When was the last time they offered to help you, as opposed to asking could you do this or that? When was the last time they gave you a moment to breathe? As you work so hard and give so much of yourself, you think things will finally line up. However, that is not the case. Once you set someone up to help them prosper, things in your life start to crumble, and slowly but surely you begin to feel violated. Your hard work is soon forgotten as they drop you where you stand. Life isn’t fair and it is hard. It’s even harder when you love so hard and lose so much. You are not perfect. You have your flaws, and most definitely you have your moments. However, you have a good heart and you try to treat others how you want to be treated. Time and time again you give people all of your heart by trying to be loving and understanding. You’ve learned that when it comes to some people, nothing would ever be good enough. You have to be willing to accept that you loved them to the best of your ability, and only lost someone who caused you to lose more of yourself. Those people aren’t worth saving because the question is, who will save you? However, the love you gave wasn’t in vain; it helped you to become a better person. The loss opened your eyes to see that you deserve so much better. It is alright to cry. You are finding your strength and you are beginning to find the voice within. You are special. You are unique. You are loved. There’s no need to be afraid. Life is a journey! You will make it. It’s okay to let go of the loss and count it all pure joy!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
The very thing that distinguishes us both is that I wouldn't hesitate to choose you in every lifetime, but you wouldn't even choose me in this one and although I gave you my flesh and bones, I know I cannot love you into loving me. So there you are overflowing with my love and here I am pleading for a droplet of yours or whatever I could salvage. But there must come a time where you recognize that to grieve someone hurts a lot less than forcing them to be a part of you. And I know I should not beg for love but just once I wanted for someone to be afraid of losing me.
Keira Vanderkolk
It is a hard thing to lose someone you love,” said Beast. “But perhaps the harder thing to lose is yourself.” Beast looked back in the mirror at her beautiful reflection. “We lose ourselves when we’re afraid.
Liesl Shurtliff (Red: The (Fairly) True Tale of Red Riding Hood)
In God’s economy, we usually have to be willing to lose something we have in order to gain what we really want. Why hang on to something that is never going to satisfy you anyway? Don’t live under the tyranny of what people think. Stop trying to convince them of your good intentions and let them think what they want to think. God is your defender; He will vindicate you in due time. What can someone’s thoughts do to you anyway? Why live your life being afraid of a thought?
Joyce Meyer (100 Ways to Simplify Your Life)
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I'm through accepting limits 'cause someone says they're so. Some things I cannot change but 'till I try I'll never know. Too long I've been afraid of losing love, I guess I've lost. Well, if that's love it comes at much too high a cost. I'd sooner buy defying gravity.
Stephen Schwartz (Wicked: Pro Vocal Women's Edition Volume 36 (Pro Vocal Women's Edition, 36))
You gave your heart to someone and they loved you in return. But it doesn't mean you own that person, they doesn't either. When they leave, let go. We can never tell someone to stay when they really wanted to go and find someone else. Don't be afraid to lose what was never meant to be.
Redzel Romulo
Emotionally unavailable means not fully emotionally present. It’s struggling or being unable to access emotions healthily and as a result, being emotionally distant due to ‘walls’ which basically act as barriers to true emotional intimacy. Fully experiencing all feelings, whether good, bad, or indifferent, is avoided because they create vulnerability, so feelings are experienced often for a limited time and in bursts as opposed to consistently feeling on an ongoing basis. Emotionally unavailable equates to intimacy issues, which is being afraid of the consequences of getting truly emotionally close to someone such that to lose them would hurt.
Natalie Lue (Mr Unavailable & The Fallback Girl)
Can two walk together, unless they are agreed?’ Amos 3:3 ‘Does This Person Belong in your Life?’ A toxic relationship is like a limb with gangrene: unless you amputate it the infection can spread and kill you. Without the courage to cut off what refuses to heal, you’ll end up losing a lot more. Your personal growth - and in some cases your healing - will only be expedited by establishing relationships with the right people. Maybe you’ve heard the story about the scorpion who asked the frog to carry him across the river because he couldn’t swim. ‘I’m afraid you’ll sting me,’ replied the frog. The scorpion smiled reassuringly and said, ‘Of course I won’t. If I did that we’d both drown!’ So the frog agreed, and the scorpion hopped on his back. Wouldn’t you know it: halfway across the river the scorpion stung him! As they began to sink the frog lamented, ‘You promised you wouldn’t sting me. Why’d you do it?’ The scorpion replied, ‘I can’t help it. It’s my nature!’ Until God changes the other person’s nature, they have the power to affect and infect you. For example, when you feel passionately about something but others don’t, it’s like trying to dance a foxtrot with someone who only knows how to waltz. You picked the wrong dance partner! Don’t get tied up with someone who doesn’t share your values and God-given goals. Some issues can be corrected through counselling, prayer, teaching, and leadership. But you can’t teach someone to care; if they don’t care they’ll pollute your environment, kill your productivity, and break your rhythm with constant complaints. That’s why it’s important to pray and ask God, ‘Does this person belong in my life?
Patience Johnson
La mala racha" Mientras dura la mala racha pierdo todo. Se me caen las cosas de los bolsillos y de la memoria: pierdo llaves. lapiceras, dinero, documentos, nombres, caras, palabras. Yo no se si será gualicho de alguien que me quiere mal y me piensa peor, o pura casualidad, pero a veces el bajón demora en irse y yo ando de pérdida en pérdida, pierdo lo que encuentro, no encuentro lo que busco, y siento mucho miedo de que se me caiga la vida en alguna distracción. "When Luck Runs Out” During streaks of bad luck, I lose everything. Things fall out of my pockets and my memory: I lose keys, pens, money, documents, names, faces, words. I don’t know whether someone wishes me harm and has put the evil eye on me or whether it’s pure happenstance, but sometimes this slump just won’t end and I lose one thing after another. I lose what I find, I can’t find what I’m looking for, and I’m quite afraid of losing life through some little hole in my pocket.” Eduardo Galeano: El libro de los abrazos (The Book of Embraces)
Eduardo Galeano
I hate to say this, but I am still holding somewhat of a grudge at the people that could have come to the funeral but didn't, especially when they came up with some lame excuse how it was too sad or how they were afraid of cemeteries or whatever. No justification in the world could make up for you not being there when someone needs you. Period.
Silvia Corradin (Losing Alex: The Night I Held An Angel)
I’m afraid he’s going to hurt me. I’m afraid to lose someone I love again. I’m afraid to let go. To acknowledge what I feel for him. And yet he has proven himself to me. Over and over. He found me on my darkest day. He followed me to war, to the front lines. He came between me and Death, taking wounds that were supposed to be mine. There is something electric within me. Something that is begging me to remove the last of my armor and let him see me as I am. To choose him. And yet here I sit, alone, typing word after word as I seek to make sense of myself. I watch the candlelight flicker and all I can think is … I am so afraid. And yet how I long to be vulnerable and brave when it comes to my own heart.
Rebecca Ross (Divine Rivals (Letters of Enchantment #1))
is that in some deep and important personal respects you stop growing when you start drinking alcoholically. The drink stunts you, prevents you from walking through the kinds of fearful life experiences that bring you from point A to point B on the maturity scale. When you drink in order to transform yourself, when you drink and become someone you’re not, when you do this over and over and over, your relationship to the world becomes muddied and unclear. You lose your bearings, the ground underneath you begins to feel shaky. After a while you don’t know even the most basic things about yourself—what you’re afraid of, what feels good and bad, what you need in order to feel comforted and calm—because you’ve never given yourself a chance, a clear, sober chance, to find out.
Caroline Knapp (Drinking: A Love Story)
I’ve been queen for ages and ages,” Sunny went on. She strutted across the cave floor. “No one dares challenge me for my throne! I am the strongest SandWing queen who ever lived!” “Don’t forget the treasure,” Tsunami hissed, pointing at a pile of loose rocks. “Oh, right,” Sunny said. “It’s probably because of all my treasure! I have so much treasure because I’m such an important queen!” She swept the rocks toward her and gathered them between her talons. “Did someone say treasure?” Clay bellowed, leaping out from behind a large rock formation. Sunny yelped with fright. “No!” Tsunami called. “You’re not scared! You’re Queen Oasis, the big, bad queen of the sand dragons.” “R-right,” Sunny said. “Rargh! What is this tiny scavenger doing in the Kingdom of Sand? I am not afraid of tiny scavengers! I shall go out there and eat him in one bite!” Glory started giggling so hard she had to lie down and cover her face with her wings. Even Tsunami was making faces like she was trying not to laugh. Clay swung his stalagmite in a circle. “Squeak squeak squeak!” he shouted. “And other annoying scavenger noises! I’m here to steal treasure away from a magnificent dragon!” “Not from me, you won’t,” Sunny said, bristling. She stamped forward, spread her wings, and raised her tail threateningly. Without the poisonous barb other SandWings had, Sunny’s tail was not very menacing. But nobody pointed that out. “Yaaaaaaah!” Clay shouted, lunging forward with his rock claw. Sunny darted out of the way, and they circled each other, feinting and jabbing. This was Clay’s favorite part. When Sunny forgot about trying to act queenly and focused on the battle, she was fun to fight. Her small size made it easy for her to dodge and slip under his defenses. But in the end Queen Oasis had to lose — that was how the story went. Clay drove Sunny back against the wall of the cave and thrust the fake claw between her neck and her wing, pretending it went right through her heart. “Aaaaaaaargh,” Sunny howled. “Impossible! A queen defeated by a lowly scavenger! The kingdom will fall apart! Oh, my treasure … my lovely treasure . . .” She collapsed to the ground and let her wings flop lifelessly on either side of her. “Ha ha ha!” Clay said. “And squeak squeak! The treasure is mine!” He scooped up all the rocks and paraded away, lashing his tail proudly.
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
I need someone who knows to enjoy life. Someone who'll get high with me at the Pere - Lechaise cemetery. Someone who'll lose their breath running trough the Louvre. Someone who'll go to coffee with a good book ( Fyodor Dostoyevsky, L. Tolstoy, Voltaire, A. Camus, Oscar Wilde, Gustave Flaubert ). During the weekends to the cafe de Flore, and after that lunch at Ritz. Someone who'll get lost in Paris in the middle of the night. Someone who'll lay beside Seine, drink wine and listen to Florence and Machine, Banks, Borns, Hurts, Bjork, Tom Odelle... Someone who can sit in front of S.Dali's paintings for hours and not talk. Someone who wants to live. Someone who wants to travel and see the world. Someone who'll look at the stars for hours, talk about life, someone who is not afraid of death.
SV
Oftentimes, when we want something that doesn’t come with a manual, we are afraid of it, because we could lose our way since there’s no map. Well, maybe WE are supposed to draw the map, so someone who comes behind us won’t get lost. Create the map you didn’t have. That’s what I did. We must give ourselves permission to be who we want to be, even if we don’t have the blueprint yet, and that starts with dreaming.
Luvvie Ajayi Jones (Professional Troublemaker: The Fear-Fighter Manual)
Jealousy and possessiveness in romantic relationships often destroy trust and mutual respect. Very often a jealous partner is re-enacting his pain from childhood. If he was emotionally and physically abandoned in childhood, he may be prone to jealousy in a romantic relationship. If a teenage girl was betrayed by her first love, and consequently was emotionally scarred, she may develop jealousy regarding future romantic relationships. Jealousy in a romantic relationship is based on control and possessiveness. A person suffering from jealousy unconsciously believes she is going to lose something or someone she does not own. The partner is afraid of losing her partner. She views him as an object, a possession. No one is a possession of another. The idea that we own or partly own our lovers, even if the sense of ‘ownership’ is purely emotional, is a delusion which brings suffering in its wake.
Christopher Dines (Super Self Care: How to Find Lasting Freedom from Addiction, Toxic Relationships and Dysfunctional Lifestyles)
A long time ago I abandoned someone I shouldn’t have,” she says. “Someone I loved more than anything else. I was afraid someday I’d lose this person. So I had to let go myself. If he was going to be stolen away from me, or I was going to lose him by accident, I decided it was better to discard him myself. Of course I felt anger that didn’t fade, that was part of it. But the whole thing was a huge mistake. It was someone I should never have abandoned.
Haruki Murakami (Kafka on the Shore)
Intimacy: May 12 We can let ourselves be close to people. Many of us have deeply ingrained patterns for sabotaging relationships. Some of us may instinctively terminate a relationship once it moves to a certain level of closeness and intimacy. When we start to feel close to someone, we may zero in on one of the person’s character defects, then make it so big it’s all we can see. We may withdraw, or push the person away to create distance. We may start criticizing the other person, a behavior sure to create distance. We may start trying to control the person, a behavior that prevents intimacy. We may tell ourselves we don’t want or need another person, or smother the person with our needs. Sometimes, we defeat ourselves by trying to be close to people who aren’t available for intimacy—people with active addictions, or people who don’t choose to be close to us. Sometimes, we choose people with particular faults so that when it comes time to be close, we have an escape hatch. We’re afraid, and we fear losing ourselves. We’re afraid that closeness means we won’t be able to own our power to take care of ourselves. In recovery, we’re learning that it’s okay to let ourselves be close to people. We’re choosing to relate to safe, healthy people, so closeness is a possibility. Closeness doesn’t mean we have to lose ourselves, or our life. As one man said, we’re learning that we can own our power with people, even when we’re close, even when the other person has something we need.
Melody Beattie (The Language of Letting Go: Daily Meditations on Codependency (Hazelden Meditation Series))
People today associate rivalry with boundless aggression and find it difficult to conceive of competition that does not lead directly to thoughts of murder. Kohut writes of one of his patients: "Even as a child he had become afraid of emotionally cathected competitiveness for fear of the underlying (near delusional) fantasies of exerting absolute, sadistic power." Herbert Hendin says of the students he analyzed and interviewed at Columbia that "they could conceive of no competition that did not result in someone's annihilation." The prevalence of such fears helps to explain why Americans have become uneasy about rivalry unless it is accompanied by the disclaimer that winning and losing don't matter or that games are unimportant anyway. The identification of competition with the wish to annihilate opponents inspires Dorcas Butt's accusation that competitive sports have made us a nation of militarists, fascists, and predatory egoists; have encouraged "poor sportsmanship " in all social relations; and have extinguished cooperation and compassion.
Christopher Lasch (The Culture of Narcissism: American Life in An Age of Diminishing Expectations)
Regardless of whether we choose to change our language or not, understanding the nuances of that language can help us ask ourselves the right questions when we’re experiencing jealousy or envy. If we’re feeling afraid or sad or angry or we’re deep in “coveting mode”—we have the tools now to ask ourselves: Am I fearful of losing something I value to another person, or do I want something someone else has? If I want something that someone else has, do I want to see them lose it, or is it not about that? If I’m scared I’m losing something important to me, what kind of conversation do I need to have with that person?
Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
If people want happiness so badly, why don’t they attempt to understand their false beliefs? First, because it never occurs to them to see them as false or even as beliefs. They see them as facts and reality, so deeply have they been programmed. Second, because they are scared to lose the only world they know—the world of desires, attachments, fears, social pressures, tensions, ambitions, worries, and guilt with occasional flashes of pleasure and relief and excitement. It’s like someone that is afraid to let go of a nightmare because, after all, it is the only world he knows. There you have a picture of yourself and of other people.
Anthony de Mello (Stop Fixing Yourself: Wake Up, All Is Well)
There is a custom in the Ghost Realm where if a ghost has a special someone, they entrust their ashes to that person." "I didn't know the Ghost Realm had such a romantic practice." "They do." "But, not many dare practice it." "It certainly is painful to think about, to have given everything for love and lose everything in return." "What's there to be afraid of? If it were me, I'd have no regrets giving away my ashes. Who cares if they want me to disintegrate or just scatter the ashes for fun!" ................................................................................... And dangling from the chain, there was a crystal-clear ring.
Mò Xiāng Tóng Xiù (Heaven Official's Blessing: Tian Guan Ci Fu (Novel) Vol. 1)
There are three kinds of gifts. The first is the gift of material resources.The second is the gift of knowledge, the gift of the Dharma. The third, the highest kind of gift, is the gift of non-fear. Avalokiteshvara Bodhisattva is someone who can help us liberate ourselves from fear. This is the heart of the Prajñaparamita. The most precious gift that Avalokitesvara can offer us is the gift of non-fear. People are afraid of losing their identity, of dying, of becoming nothing. When you give the kind of teaching and practice and insight that helps people touch their ultimate dimension, they lose all their fear. But you need to have that gift of non-fear within you in order for you to be able to offer it to others.
Thich Nhat Hanh
than that, he and her Honor Guard were as close to friends as she had in this strange land. They were shining lights in a year of solitary darkness. Even Sanders, as much as he raged and bickered, was someone she cared for. Was someone she wanted to see safe behind his large stone walls. She was so afraid she’d lose someone else she cared about it choked her, closed her throat until sweat beaded her forehead. She pushed the feelings down, trying to get control, and felt a pulse of relief ping through her body. It was Cayan trying to ease her mind. He was about as deft as a deaf man learning to sing, but the thought of it did help. She wasn’t a mother bird, and she needed to remember that this was a war. There would be casualties.
K.F. Breene (Chosen (The Warrior Chronicles, #1))
Fear. Alex knew he was a fine one to pontificate about fear. He'd issued the world's most tepid, careful marriage proposal. Because he'd been afraid to tell Genevieve he loved her. Not that it would have made much of a difference. She loved Harry. Harry in his youthful innocence had put his finger right on it. And Moncrieffe pushed the realization away. He took in a sharp breath. Harry took Moncrieffe's silence as a reason to go on. "God help me, it was only because I was afraid of losing her. And I honestly didn't feel I deserved her, for I had nothing to give her. I simply needed to know whether she loved me. I'm not proud of it, but I have never loved anyone more." Moncrieffe could still scarcely get the words out. "I just can't believe you would 'do' such a thing to someone you... loved." Osborne was very, very drunk, but he wasn't stupid. "But I couldn't hurt her, could I, if she didn't love me?" And now Harry's blue eyes fixed on him almost searchingly. Moncrieffe couldn't believe he had almost shown his hand. "You just said you weren't certain whether she did love you. And if she does love you anywhere as much as you claim to love her, imagine the pain you may have caused her with your whole charade." Harry looked up at him and blinked. And as he thought about it, his face slowly went white. After a moment he swallowed. "'Gallant' of you," Moncrieffe drawled, twisting the knife. Moncrieffe knew a surge of hatred for himself for saying it. But he wanted Harry to feel what he'd done to Genevieve.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Dear Sawyer and Quin, If you ever read this and I'm gone I want you to know something that has been weighing on me. I watch you two play and it can be so sad sometimes. You two have been best friends since Sawyer's birth. Always inseparable. It's been adorable , but comes with its challenges. I'm worried when I watch you boys. Quinton, you are always driven by your ego. You're strong and talented, but much too determined to beat down everyone in your efforts to be the best. You push yourself to win a competition, then shove it in someone's face. I’ve rarely seen you compliment others, but you always give yourself a pat on the back. You don't play anything for the love of it, you play to win and normally do. I've seen you tear down your brother so many times just to feel good about yourself. You don't have to do that, dear. You don't have to spend your life trying to prove that you're amazing. One day you'll fail and be alone because you've climbed to the top of a pyramid with only enough room for yourself. Don't let it get to that point and if you do, learn humility from your brother. He could do without so much of it. Sawyer, just because you're most often the underdog and the peaceful introspective kid, don't think I'm letting you off the hook. Your humility has become your worst enemy. It's so intense that I wonder if it will be your vice one day, instead of your greatest virtue. It's one thing to believe you are below all men, even when you're not, but it's another thing to be crippled by fear and to no longer try. Sometimes , dear, I think you fear being good at something because you've tasted the bitterness of being the one who comes in last and you don't want to make others feel that way. That's sweet of you and I smile inside when I see you pretending to lose when you race your younger cousins , but if you always let people beat you they may never learn to work hard for something they want. It's okay to win, just win for the right reasons and always encourage those who lose. Oh, and Sawyer, I hope one day you read this. One day when it matters. If so, remember that the bottom of a mountain can be just as lonely as the top. I hope the two of you can learn to climb together one day. As I'm writing this you are trying to climb the big pine tree out back. Quin is at the top, rejoicing in his victory and taunting Sawyer. And Sawyer is at the bottom, afraid to get hurt and afraid to be sad about it. I'm going to go talk to you two separately now. I hope my words mean something. Love you boys, Mom
Marilyn Grey (When the City Sleeps (Unspoken #6))
FEAR—THE ROOT OF VIOLENCE Some say that there are only two things in the world: God and fear; love and fear are the only two things. There’s only one evil in the world, fear. There’s only one good in the world, love. It’s sometimes called by other names. It’s sometimes called happiness or freedom or peace or joy or God or whatever. But the label doesn’t really matter. And there’s not a single evil in the world that you cannot trace to fear. Not one. Ignorance and fear, ignorance caused by fear, that’s where all the evil comes from, that’s where your violence comes from. The person who is truly nonviolent, who is incapable of violence, is the person who is fearless. It’s only when you’re afraid that you become angry. Think of the last time you were angry. Go ahead. Think of the last time you were angry and search for the fear behind it. What were you afraid of losing? What were you afraid would be taken from you? That’s where the anger comes from. Think of an angry person, maybe someone you’re afraid of. Can you see how frightened he or she is? He’s really frightened, he really is. She’s really frightened or she wouldn’t be angry. Ultimately, there are only two things, love and fear. In this retreat I’d rather leave it like this, unstructured and moving from one thing to another and returning to themes again and again, because that’s the way to really grasp what I’m saying. If it doesn’t hit you the first time, it might the second time, and what doesn’t hit one person might hit another. I’ve got different themes, but they are all about the same thing. Call it awareness, call it love, call it spirituality or freedom or awakening or whatever. It really is the same thing.
Anthony de Mello (Awareness)
But you see, Palamedes, I don’t mind dying,” said Nona, trying to make him understand. “I’ve been doing it for ages. I’m not scared.” This explanation died on impact. Palamedes said with a voice like concrete: “I will not be party to this again.” Nona was a little bit afraid of that voice. “I’m sorry, Palamedes.” “No. Don’t be. It’s simply—we can’t let your body die,” he said. “For one thing, it’s the body of someone I owe a favour to, and I’d rather see the look on her face when I present it back to her…And if we lose the body, whither goes the soul? Let’s say you are the other soul…And let’s say I lose you. You die; she wakes up. The final kick in the pants in what I gather was a life long on kicks and short on much else. And yet if I don’t preserve her… Ninth, really, I sincerely did not want to have to look after your bedamned water bottle.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
The practice of faith and courage begins with the small details of daily life. The first step is to notice where and when one loses faith, to look through the rationalizations which are used to cover up this loss of faith, to recognize where one acts in a cowardly way, and again how one rationalizes it. To recognize how every betrayal of faith weakens one, and how increased weakness leads to new betrayal, and so on, in a vicious circle. Then one will also recognize that while one is consciously afraid of not being loved, the real, though usually unconscious fear is that of loving. To love means to commit oneself without guarantee, to give oneself completely in the hope that our love will produce love in the loved person. Love is an act of faith, and whoever is of little faith is also of little love. Can one say more about the practice of faith? Someone else might; if I were a poet or a preacher, I might try. But since I am not either of these, I cannot even try to say more about the practice of faith, but am sure that anyone who is really concerned can learn to have faith as a child learns to walk.
Erich Fromm (The Art of Loving)
I see an actress smoking a cigarette in an old Fred McMurray movie. She’s clever and beautiful and manipulative. I feel envy. I suddenly wish I smoked cigarettes and was as clever and beautiful and manipulative as she. I want to be that way at the restaurants I visit, as I’m walking to my car, with certain friends who might understand. The actress has played her part well; she’s made me want to emulate her base desires if only for a while. Does that make me impressionable, a fool, or someone who will recognize the deepest secrets of her heart? I fight hard to stay young—to keep the lines from further etching my face and hands and breasts, presumably to trick the world into believing I am young. I’m an actress playing a part. I’m afraid to tell the truth. I fear losing those younger or becoming those older. In the presence of youth, a sort of unseen age-osmosis occurs within me. The years drop away and I don’t want to leave. It’s utterly selfish but I don’t care. After all, I’m no older than they—I’ve just been so longer. I was nineteen only yesterday and they don’t retire nineteen-year-old actresses.
Chila Woychik (On Being a Rat and Other Observations)
(a) A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very ‘deep’ things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published. (b) A writer has a duty and an obligation never to be understood by his own generation; convinced, as he is, that he has been born into an age of mediocrity, he believes that being understood would mean losing his chance of ever being considered a genius. A writer revises and rewrites each sentence many times. The vocabulary of the average man is made up of 3,000 words; a real writer never uses any of these, because there are another 189,000 in the dictionary, and he is not the average man. (c) Only other writers can understand what a writer is trying to say. Even so, he secretly hates all other writers, because they are always jockeying for the same vacancies left by the history of literature over the centuries. And so the writer and his peers compete for the prize of ‘most complicated book’: the one who wins will be the one who has succeeded in being the most difficult to read. (d) A writer understands about things with alarming names, like semiotics, epistemology, neoconcretism. When he wants to shock someone, he says things like: ‘Einstein is a fool’, or ‘Tolstoy was the clown of the bourgeoisie.’ Everyone is scandalized, but they nevertheless go and tell other people that the theory of relativity is bunk, and that Tolstoy was a defender of the Russian aristocracy. (e) When trying to seduce a woman, a writer says: ‘I’m a writer’, and scribbles a poem on a napkin. It always works. (f) Given his vast culture, a writer can always get work as a literary critic. In that role, he can show his generosity by writing about his friends’ books. Half of any such reviews are made up of quotations from foreign authors and the other half of analyses of sentences, always using expressions such as ‘the epistemological cut’, or ‘an integrated bi-dimensional vision of life’. Anyone reading the review will say: ‘What a cultivated person’, but he won’t buy the book because he’ll be afraid he might not know how to continue reading when the epistemological cut appears. (g) When invited to say what he is reading at the moment, a writer always mentions a book no one has ever heard of. (h) There is only one book that arouses the unanimous admiration of the writer and his peers: Ulysses by James Joyce. No writer will ever speak ill of this book, but when someone asks him what it’s about, he can’t quite explain, making one doubt that he has actually read it.
Paulo Coelho
He looks forlornly ahead of him, gazing at the road but looking at nothing in particular. The whole world is one big giant ball of light to him, and he feels like a bug inside it, waiting to be squashed. He feels like there is no sense of purpose, no direction. There is nothing waiting for him at the end of the rainbow. No pot of gold for all the pain he is feeling now, or the pain he has felt before. He just feels empty and lost, as if he is looking for something that can never be found. He feels lost that he can’t explain it to anyone and that no one will understand. He feels left out, standing alone, waiting endlessly for a ray of hope which never comes. He has suffered through this before, lurking in the shadows of his own despair, fighting for his life and losing the battle. But nothing ever makes this pain go away. Or the fear. He doesn’t fear what people fear. Not the loss of life or riches—Roman fears losing himself in this swamp called existence. He fears becoming the person he doesn’t want to become, and most of all, he fears himself. Fears his own potential to destroy and destruct. To obliterate. To suffocate his own life. He fears all that and he is afraid no one will ever know what his heart aches for, or how bad he has it. At times he feels the urge to tell this to someone, but other times he just enjoys being silent, watching on like a passerby at his own life, an observer rather than someone who’s actually living it.
Sam Hunter (The Devil's Breath)
I think one of the reasons my family survived its difficult times and is so close today is because we are always laughing at one another’s faults and mistakes, and despite whatever injustices are done, we have a good time doing it. We aren’t afraid to poke fun at one another and no one ever takes it personal for long. My brothers and I are highly competitive and world-class trash-talkers, and if you ever walk in while we are playing cards or dominoes--just like our games with Granny and Pa--you probably would think someone is fixing to die. Our neighbor, who was about my parents’ age, came over to our house once looking for my mom. She found my brothers and me playing the card game hearts. She offered to be the fourth. But about midway through the second hand, we looked up and she had tears streaming down her face. She threw her cards in the middle of the table, declared she didn’t want to play anymore, and left the house. We were a bit miffed about it and didn’t realize until later that our trash talking had led to her emotional exit. Another time, I brought a girl from high school down to my parents’ house for supper and cards because she told me she was quite the spades player. Halfway through the game, she was crying hysterically. Her sister later stood nose to nose with me and gave me quite the tongue-lashing. I came to realize that our banter was a bit extreme to people outside of our family. Maybe that is one of the reasons I married a woman who couldn’t care less about winning or losing any game.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Humans are very strange creatures, unconscious too, dominated by mechanics that are hidden in front of their eyes. They call you wrong when you quote their own books, completely oblivious to the fact you may have been the author, even when they claim to believe in reincarnation. They always think their interpretation of reality is more right than that of others, even when you use their own books to explain their mistakes. If you tell them you write books of a spiritual nature, they may call you a liar if you don't match their deductions on what spirituality is. If you don't tell them you write books, they will in many cases recommend you to do it, because of how you speak, even though your speaking is the result of a mental training accumulated with the exercise of writing. If you tell them that you want to write a book, however, they may laugh and tell you it's a waste of time. If you love someone, she will lose interest and if you don't, she will want to know why. If you teach inside a classroom or a temple, people listen to you, but if you speak outside these two places they don't, unless they want something from you. They call you selfish if you don't give them what they want, but act selfishly when you ask the same from them. They don't want to be lied to but lie to others, and they don't want to be afraid but enjoy being in control. They talk about injustices but never apologize. When you are near they ignore you, and when you disappear they remember you. They say life is about luck but they create their own luck every day.
Dan Desmarques
Any relationship will have its difficulties, but sometimes those problems are indicators of deep-rooted problems that, if not addressed quickly, will poison your marriage. If any of the following red flags—caution signs—exist in your relationship, we recommend that you talk about the situation as soon as possible with a pastor, counselor or mentor. Part of this list was adapted by permission from Bob Phillips, author of How Can I Be Sure: A Pre-Marriage Inventory.1 You have a general uneasy feeling that something is wrong in your relationship. You find yourself arguing often with your fiancé(e). Your fiancé(e) seems irrationally angry and jealous whenever you interact with someone of the opposite sex. You avoid discussing certain subjects because you’re afraid of your fiancé(e)’s reaction. Your fiancé(e) finds it extremely difficult to express emotions, or is prone to extreme emotions (such as out-of-control anger or exaggerated fear). Or he/she swings back and forth between emotional extremes (such as being very happy one minute, then suddenly exhibiting extreme sadness the next). Your fiancé(e) displays controlling behavior. This means more than a desire to be in charge—it means your fiancé(e) seems to want to control every aspect of your life: your appearance, your lifestyle, your interactions with friends or family, and so on. Your fiancé(e) seems to manipulate you into doing what he or she wants. You are continuing the relationship because of fear—of hurting your fiancé(e), or of what he or she might do if you ended the relationship. Your fiancé(e) does not treat you with respect. He or she constantly criticizes you or talks sarcastically to you, even in public. Your fiancé(e) is unable to hold down a job, doesn’t take personal responsibility for losing a job, or frequently borrows money from you or from friends. Your fiancé(e) often talks about aches and pains, and you suspect some of these are imagined. He or she goes from doctor to doctor until finding someone who will agree that there is some type of illness. Your fiancé(e) is unable to resolve conflict. He or she cannot deal with constructive criticism, or never admits a mistake, or never asks for forgiveness. Your fiancé(e) is overly dependant on parents for finances, decision-making or emotional security. Your fiancé(e) is consistently dishonest and tries to keep you from learning about certain aspects of his or her life. Your fiancé(e) does not appear to recognize right from wrong, and rationalizes questionable behavior. Your fiancé(e) consistently avoids responsibility. Your fiancé(e) exhibits patterns of physical, emotional or sexual abuse toward you or others. Your fiancé(e) displays signs of drug or alcohol abuse: unexplained absences of missed dates, frequent car accidents, the smell of alcohol or strong odor of mouthwash, erratic behavior or emotional swings, physical signs such as red eyes, unkempt look, unexplained nervousness, and so on. Your fiancé(e) has displayed a sudden, dramatic change in lifestyle after you began dating. (He or she may be changing just to win you and will revert back to old habits after marriage.) Your fiancé(e) has trouble controlling anger. He or she uses anger as a weapon or as a means of winning arguments. You have a difficult time trusting your fiancé(e)—to fulfill responsibilities, to be truthful, to help in times of need, to make ethical decisions, and so on. Your fiancé(e) has a history of multiple serious relationships that have failed—a pattern of knowing how to begin a relationship but not knowing how to keep one growing. Look over this list. Do any of these red flags apply to your relationship? If so, we recommend you talk about the situation as soon as possible with a pastor, counselor or mentor.
David Boehi (Preparing for Marriage: Discover God's Plan for a Lifetime of Love)
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
I need to check your vitals, hon,” she explained. It had been several hours since I’d given birth. I guess this was the routine. She felt my pulse, palpated my legs, asked if I had pain anywhere, and lightly pressed on my abdomen, the whole while making sure I wasn’t showing signs of a blockage or a blood clot, a fever or a hemorrhage. I stared dreamily at Marlboro Man, who gave me a wink or two. I hoped he would, in time, be able to see past the vomit. The nurse then began a battery of questions. “So, no pain?” “Nope. I feel fine now.” “No chills?” “Not at all.” “Have you been able to pass gas in the past few hours?” *Insert awkward ten-second pause* I couldn’t have heard her right. “What?” I asked, staring at her. “Have you been able to pass gas lightly?” *Another awkward pause* What kind of question is this? “Wait…,” I asked. “What?” “Sweetie, have you been able to pass gas today?” I stared at her blankly. “I don’t…” “…Pass gas? You? Today?” She was unrelenting. I continued my blank, desperate stare, completely incapable of registering her question. Throughout the entire course of my pregnancy, I’d gone to great lengths to maintain a certain level of glamour and vanity. Even during labor, I’d attempted to remain the ever-fresh and vibrant new wife, going so far as to reapply tinted lip balm before the epidural so I wouldn’t look pale. I’d also restrained myself during the pushing stage, afraid I’d lose control of my bowels, which would have been the kiss of death upon my pride and my marriage; I would have had to just divorce my husband and start fresh with someone else. I had never once so much as passed gas in front of Marlboro Man. As far as he was concerned, my body lacked this function altogether. So why was I being forced to answer these questions now? I hadn’t done anything wrong. “I’m sorry…,” I stammered. “I don’t understand the question…” The nurse began again, seemingly unconcerned with my lack of comprehension skills. “Have you…” Marlboro Man, lovingly holding our baby and patiently listening all this time from across the room, couldn’t take it anymore. “Honey! She wants to know if you’ve been able to fart today!” The nurse giggled. “Okay, well maybe that’s a little more clear.” I pulled the covers over my head. I was not having this discussion.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Dear Brave People, I realise that it appears I'm fearless. I can make that presentation with ease, I can stand near the edge of the cliff and look down, and I can befriend that spider in the bathroom. (He's called Steve). But recently I've realised that's not what makes people brave. Brave has a different meaning. I'm afraid of people leaving. After I watched my best friend become someone else's and I was forced into befriending my childhood bully, I realised I don't want to let myself go through this again. I see my fear come through when questioning my boyfriend;s affections. I see it when I distance myself from my friends who are going to leave for university. Isee it in my overanalysis of my parents' relationship and paranoia over a possible divorce. I don't want to be alone. I'm afraid of failure. I aced my exams and the bar has moved up again. I have those high expectations along with everyone else, but I know now that maybe the tower is just too tall, and I should've built stronger foundations. I act like I know what I'm doing, but really I'm drifting away from the shore faster and faster. I don't want to let anyone down. I'm afraid of change. I don't know where I lie anymore. I thought I knew what to do in my future, but I can't bear to think that I'm now not so sure. I thought I was completely straight, but now it's internal agony as I'm not so sure. Turns out I thought a lot of things. I don't want my life to not be the way I expected. I may not be scared of crowds. Or the dark. Or small spaces. But I am afraid. I am afraid of responsibility; I am afraid of not living up to expectations, of the changing future, of growing up, not knowing, sex, relationships, hardship, secrets, grades, judgment, falling short, loneliness, change, confusion, arguments, curiosity, love, hate, losing, pressure, differences, honesty, lies. I am afraid of me. Yet, despite this, I know I am brave. I know I am brave because I've accepted my invisible fears and haven't let them overcome me. I want you to know that you're brave because you know your fears. You're brave because you introduced yourself. You're brave because you said "No, I don't understand." You're brave because you're here. I hope you can learn from me and be brave in your own way. I know I am. -B
Emily Trunko (Dear My Blank: Secret Letters Never Sent)
Shrugging, I glanced at Judd who was watching someone in the corner. When I looked back at Cooper, he was studying the hair in my eyes. “You look tired,” he said, reaching out to brush away the hair. Cooper’s hand never reached my face before Judd grabbed his wrist and yanked it away. In that instant, everything shifted. The men stepped closer, eyeballing each other as the heat of their anger became palatable. I thought to step between them and calm things before violence broke out. Then, I remembered when I tried to break up a fight between my uncle’s dogs. If Farah hadn’t pulled me out of the way, I’d have been mauled. That day, I learned if predators wanted to fight, you let them while staying as far back as possible. “I’ll let this go because it’s your woman,” Cooper muttered, dark eyes still angry. “If you pull this shit again and it’s not your woman, you and I will have a problem.” Once Cooper walked away, Judd finally relaxed. I just stared at him as he led me to a booth because a group of old timers were at his table. Sitting next to him, I caressed his face, soothing him. He finally gave me a little grin. Suddenly, Vaughn appeared and took the spot across from us. “Why do you look so pissed off?” “He almost went feral on Cooper for trying to touch me.” Vaughn gave us a lazy grin. “So losing his balls makes a man stupid, eh? Good to know. Just another reason to keep mine attached.” Judd exhaled hard. “You wouldn’t want anyone touching your woman. One day, you’ll know that despite your love affair with your balls.” “A man should love his balls,” Vaughn said, still grinning. “What if I touch her?” he asked, his hand moving slowly towards my face. “I’ll stab you in the fucking eye.” Grinning, Vaughn put down his hand. “You’re pretty damn sexy when you go drama queen, O’Keefe.” “He is, isn’t he?” I said, sliding closer to Judd. “I wish we were naked right now.” Both men frowned at me, but I only smiled and Judd adjusted in the booth as his jeans grew too tight. “Stop,” he warned. “I’m not afraid of you.” “I could make a liar of you.” “You won’t though because you wish you were inside me.” Judd exhaled hard like a pissed bull and adjusted in the booth again. I just laughed and rested my head against his shoulder. “I so own you.” Vaughn nodded. “He’s a keeper. I remember how poetic he was when I asked him if he could imagine himself as an old man. He turned to me and grunted. Real profound grunt too. Oh, and once I asked if he ever imagined himself as a father. I kid you not, he burped. The man is fucking Shakespeare.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
He concluded the speech with an irritated motion of his hands. Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment. Then his face went dark. "Evie," he said, his voice containing a bladelike ferocity that frightened her. "Did you think I was about to... Christ. Someone hit you. Someone hit you in the past---who the hell was it?" He reached for her suddenly---too suddenly---and she stumbled backward, coming up hard against the wall. Sebastian went very still. "Goddamn," he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. "I would never strike a woman. I would never harm you. You know that, don't you?" Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn't move or make a sound. She started as he approached her slowly. "It's all right," he murmured. "Let me come to you. It's all right. Easy." One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. "Who was it?" he asked. "M-my uncle," she managed to say. The motion of his hand on her back paused as he heard her stammer. "Maybrick?" he asked patiently. "No, th-the other one." "Stubbins." "Yes." Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian's hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne. "How often?" she heard him ask. "More than once?" "I... i-it's not important now." "How often, Evie?" Realizing that he was going to persist until she answered, Evie muttered, "Not t-terribly often, but... sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip." "Did he?" Sebastian was silent for a long moment, and then he spoke with chilling softness. "I'm going to tear him limb from limb." "I don't want that," Evie said earnestly. "I-I just want to be safe from him. From all of them." Sebastian drew his head back to look down into her flushed face. "You are safe," he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face with his palm. "Evie," he murmured. "I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard... but I wouldn't hurt you that way. You must believe that." The delicate nerves of her skin drank in sensations thirstily... his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. "Yes," she managed to whisper. "Yes... I---" There was the sweet shock of a probing kiss against her lips... another... She opened to him with a slight gasp. His mouth was hot silk and tender fire, invading her with gently questing pressure. His fingertips traced over her face, tenderly adjusting the angle between them.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
People are too scared to gamble. Don`t want to give their heart fully to someone... People just don't want to, For they`re afraid to lose... 'Coz no one wants to get hurt... Though we are one of those people, We gambled, We took the risk... We gave it all and never gave up. Amidst of all the joys and pains, We still have each other...
NerD_Seyer
I urge, then, first of all, that petitions, prayers, intercession and thanksgiving be made for all people. —1 Timothy 2:1 (NIV) In the middle of a busy morning at the office, I’d just finished a long e-mail to a colleague when the phone rang. I didn’t recognize the number but answered. A faint voice said, “I’m Bernadette.” “I’m Rick Hamlin,” I replied, trying to remember if there was a Bernadette in any story I was working on. “May I help you?” “I need someone to pray for me,” she said. “My friend Mary is very sick from cancer. They’ve just put her on hospice care. I don’t know what to do…” Her voice broke. “You need to speak to someone at OurPrayer…,” I started to say. OurPrayer is our ministry here at Guideposts with dedicated, trained staff members and volunteers who pray for people on the Web and on the phone. But if I transferred the call, Bernadette might hang up, lose her nerve. I couldn’t put her on hold. “Tell me about your friend,” I said. They knew each other from childhood. They talked on the phone every day. The cancer had come very quickly. Bernadette was in shock. Each time she visited her friend, she was afraid of dissolving in tears. “If I could just pray with someone,” she said. I found myself asking, “Want me to pray with you right now?” “Yes, please,” she said. I closed my eyes and lowered my voice, hoping none of my colleagues would interrupt. I’m not sure what I said, but I trusted that the right words would come. “Be with Mary and Bernadette,” I ended. “Amen.” “Amen,” Bernadette said. “Thank you, sir. That was nice of you.” She hung up, and I returned to work. Maybe Bernadette was supposed to get my number. Perhaps praying for her was the most important thing I would do all day. Dear Lord, let me know how to say yes when You call. —Rick Hamlin Digging Deeper: Eph 6:18; Col 4:2
Guideposts (Daily Guideposts 2014)
My children used to occasionally ask me to proofread English papers for them.  The difficulty, for me, was in just proofreading.  I could see all kinds of ways they could make the paper better.  But I didn’t volunteer my ideas, because I was afraid that then they would lose the self-confidence and sense of accomplishment they had gotten from writing the paper.  Better to let their teacher make the suggestions, if she was so inclined, since kids expect English teachers to make suggestions.  You need to keep your long-term goals firmly in mind.  Children who are enthusiastic about working will, sooner or later, do much better work than kids who just grind out assignments because someone is standing over them.
Mary Leonhardt (99 Ways to Get Your Kids to do Their Homework (and Not Hate It) Updated and Revised)
He was in love with her. This man who had never been in love in his life. Not once. As a kid, a young man, he’d thought himself in love a couple of times, but it hadn’t felt like this. Lust, he was familiar with that. Wanting a woman was something he knew quite well—but wanting to take care of a woman so that she would never hurt, never want, never be afraid or lonely—he had no experience with that. There had been beautiful women in his past; intelligent women, clever women, women with wit and courage and passion, but as far as he could remember, never one like Mel; never before a woman who had everything he’d ever wanted. And it just figures, he thought. I’m stupid in love with a woman who isn’t available to me. She’s still in a relationship, albeit a relationship that was no longer viable. Didn’t matter. He’d held her while she was wracked with the pain of losing someone else. She had a lot to get over, to get past. Even if he stood by her and waited for that to happen, it didn’t mean she could fall in love with him. Still, he had no choice. He was into her all the way. He
Robyn Carr (Virgin River (Virgin River, #1))
I’ll tell Jamison I can’t keep my life vow. He’ll help me somehow. I’ll get you the best protector in Avalon, I promise, but... it’s not me anymore.’ ‘I don’t want another protector,’ laurel said, her chest feeling hollow, panicked. ‘You don’t understand,’ Tamani said, not looking at her. ‘It;s not about us; I can’t be your fear-gleidhidh... effectively. In hindsight, I should probably never even tried; if I was doing my job right, none of this would have happpened. When I-- when I thought you were dead, I went crazy. I honestly didn’t know myself. I was afraid of who I had become. I cna’t live always knowing that I could lose you at any moment; that I could feel that way again.’ He hesitated. ‘It’s too hard.’ ‘No, no, Tam,’ she said, smoothing his hair, caressing his cheek. ‘You can’t, not now, not--’ ‘I’m not as good as you think I am, Laurel,’ he protested, desperation filling his voice. ‘I don’t trust myself to protect you anymore.’ ‘Then find someone else to fill that role if you have to,’ she said, jaw clenched, ‘but don’t leave me!’ She scooted closer and took his face in her hands, waited while he built up the courage to raise his eyelids at her. ‘Wherever we’re going to go today, I want you with me, and I never want you to leave my side again.’ His ragged breath touched on her face now, her body pulled right against his chest, feeling his essence pull on her like a magnet. ‘I don’t care if you gaurd my and protect me-- all I care is that you love me. I want you to kiss me good night mefore I go to sleep and bid me good morning the moment I wake up. And not just today; tomorrow and the next day and everyday for the rest of my life. Will you come with me Tamani? Be with me?
Aprilynne Pike
Just once I want someone to be afraid of losing me,” Phoebe said. “But the only thing Luke’s afraid of losing is power.
Robyn Schneider (The Beginning of Everything)
Those of us who shout the loudest about Americanism in making character assassinations are all too frequently those who, by our own words and acts, ignore some of the basic principles of Americanism-- The right to criticize. The right to hold unpopular beliefs. The right to protest. The right of independent thought. The exercise of these rights should not cost one single American citizen his reputation or his right to a livelihood nor should he be in danger of losing his reputation or livelihood merely because he happens to know someone who holds unpopular beliefs. Who of us does not? Otherwise none of us could call our souls our own. Otherwise thought control would have set in. The American people are sick and tired of being afraid to speak their minds lest they be politically smeared as "Communists" or "Fascists" by their opponents. Freedom of speech is not what it used to be in America. It has been so abused by some that it is not exercised by others. The American people are sick and tired of seeing innocent people smeared and guilty people whitewashed.
Margaret Chase Smith
How can you love too much?"... "I do far more for people than I should. And that makes me very depressed." "I'm not quite sure what you are doing...but if certainly isn't love. The Bible says that true love leads to a blessed state and a state of cheer. Love brings happiness, not depression. If your loving is depressing you, it's probably not love." "...I give and give and give. How can you say that I'm not loving?" "I can say that because of the fruit of your actions. You should be feeling happy..." As we spent more time together, Stan learned that a lot of his doing and sacrificing was not motivated by love but by fear. Stan had learned early in life that if he did not do what his mother wanted, she would withdraw love from him. As a result, Stan learned to give reluctantly. His motive for giving was not love, but fear of losing love. Stan was also afraid of other people's anger....This fear kept him from saying no to others... Stan said yes out of fear that he would lose love and that other people would get angry at him. These false motives and others keep us from setting boundaries: 1. Fear of loss of love or abandonment: People who say yes and then resent saying yes fear losing someone's love. This is the dominant motive of martyrs. They give to get love, and when they don't get it, they feel abandoned.... 4. Fear of losing the good me inside. 5. Guilt. Many peoples giving is motivated by guilt. They are trying to do enough good things to overcome the guilt inside and feel good about themselves. When they say no, they feel bad. So they keep trying to earn a sense of goodness. … 7. Many feel as if they are still children seeking parental approval. Therefore, when someone wants something from them, they need to give so that this symbolic parent will be "well pleased". pg. 91-92
Henry Cloud (Boundaries)
I wished I were there with someone who could bring peace to my heart someone with whom I could spend a little time without being afraid that I would lose him the next day. With that reassurance, the time would pass more slowly.
Paulo Coelho (You Can Change the World: The Global Citizen's Handbook for Living on Planet Earth)
This world is terrifying me. Everywhere I look, people are constantly running somewhere. It feels like we are living in a never-ending maze and none of us knows the way out. Somehow, we are always busy trying to catch that bus, seize that next good opportunity, finish everything in time, please everyone around us, meet our friends for drinks and so on. And while we work hard to forge our path in life and please everyone around us, we often forget about what’s good for us. We get so caught up in the daily routines that we forget to be nice to ourselves. We convince ourselves that we have the strength to do everything that we put our mind to, and we focus on everything else but ourselves. Now, I’ve been down that road. I’ve been there for people more than I’ve been there for myself. Why? The old me would probably say that it was because of my kind heart and my urge to help others, but the new me would say that it was because I was foolish. ------------------------------------------------------------- "Don't be afraid to lose people. Else, you lose yourself, in the fear to lose someone.
Surya Raj
Without You Everything Is Hideous How are you? , sweetheart, here I am writing these letters and your thought does not leave me and here you are still the closest to me since that day, which did not end until now. I scatter my letters in front of your beautiful eyes to tell you that I am wrong and guilty ; Although I have not forgotten you for a moment, even while I am trying to convince myself that everything is finished from your point of view, but I make up for it and say well, this is enough for me to try to snatch her icy heart again, this heart that loved me with all sincerity that innocent childish heart that never hated One even over the one who is because of him has left me for a long time due to false suspicion I remember all your letters, so I read them from time to time How nice it was to call me a childish nickname - capturing like your cheeks a happy nickname. You didn’t know all my reasons, sweetie I indirectly told you about the biggest reason when I told you to read “So Forgive Me ”You are the most beautiful thing that has happened to me since I knew you. My beauty, today I want to tell you that you forgot something one day. You asked me: Have you loved before? So I told you : Yes I did it was a long time ago when I was a teenager; I never thought that I would love again after I was wounded by that deep wound, when I was left alone, the wolves of loneliness and separation scattered me, and no one comes to me to pull me from the bottom of the debris that happened in my heart, And to be honest, I was not afraid for myself as much as I feared for your tender heart; I don’t ever want to be the lover who leaves his lover, especially if it is you. My beautiful woman, I wanted to make sure that my heart never beats for anyone but you It’s not easy, believe me I admire you since we became close, since we started speaking in the innocent language of children, since you used to say to me you are late to respond, even if I was late for a few seconds since night became for us a second day we talk about it until dawn and more Since you were quarreling with others trying to make them understand my point of view. How delicious days were when you looked at me from a distance and smiled, and when I heard your laughter as much as I was jealous, my heart beat with joy All your conditions were beautiful even when you quarreled with me I am not here trying to tell you that I am innocent, I am not I hurt you many times but I swear it was not with intent They were rather fleeting and spontaneous things. I admit that I have hurt your pride and here I am now bearing the consequences of this matter, and I swear it is not an easy thing. But, my flower, when you told me that excuse to stay away from me for three months, it smashed me, how can someone take my moon from me? The one that shone my eyes and melted the ice around my heart after my heart became so attached to her that I became so addicted to her that when I talk to any girl I call her by your name. My little girl I lost my love previously, and I do not want to lose you, because I know that you are a twin of my soul, even if you deny this now, but in the depths of your heart you know the validity of this matter. I apologize for every moment that made you think with pain I just wanted to protect you from fleeting feelings or just those feelings that were attracted to you And I know you crave someone to love you just because you are beautiful I wanted to protect you from the feelings of a teenager And if it was a year or less late to reveal it You know that valuable things no matter how late they are, their value will be better, finer, sincere and thinner, and you deserve strong, sincere feelings that stem from the depths of the heart and from the depths of the soul feelings befitting you I see in you all the beauties in life And without you, everything is Hideous You have all my feelings, beautiful cheeks.
Muntadher Saleh
Just once I want someone to be afraid of losing me," Pheobe said
Robyn Schneider
It’s one thing to love and lose. But to have never had that? To never have really loved someone, and been loved back?” He sighs. “That’s no way to live a life. So afraid of bad things happening to you that you never let anything happen to you at all.
Harper Dallas (Ride (The Wild Sequence, #1))
In a war, our goal is to gain ground rather than lose it, so we’re often afraid to surrender a few battles. In a negotiation, agreeing with someone else’s argument is disarming. The experts recognized that in their dance they couldn’t stand still and expect the other person to make all the moves. To get in harmony, they needed to step back from time to time.
Adam M. Grant (Think Again: The Power of Knowing What You Don't Know)
Lord. To fear someone in the biblical sense of the word is to be in awe of that person. The ultimate application of Exodus 14 may be summarized this way: those who fear the Lord never have to be afraid of anything else. As we stand in awe of God—his love, kindness, and care—life loses any threat it might have held over us. Even when life seems out to get us, God is intent on saving us.
Deron Spoo (The Good Book: 40 Chapters That Reveal the Bible's Biggest Ideas)
We’re always children,” I said. “Everything we do, everything we love, hate, fear, it’s all the child in us reacting to our adult problems. No, it doesn’t make a difference if people see me in the paper. Not really. But it scares me because it made my parents mad. It scares me because I’m afraid I’ll lose someone close to me the way I lost them. When do we get to decide what matters to us?
C.D. Reiss (Bombshell (Hollywood A-List, #1))
better? But what would become of me if I didn’t write what I can, however inferior it may be to what I am? In my ambitions I’m a plebeian, because I try to achieve; like someone afraid of a dark room, I’m afraid to be silent. I’m like those who prize the medal more than the struggle to get it, and savour glory in a fur-lined cape. For me, to write is self-deprecating, and yet I can’t quit doing it. Writing is like the drug I abhor and keep taking, the addiction I despise and depend on. There are necessary poisons, and some are extremely subtle, composed of ingredients from the soul, herbs collected from among the ruins of dreams, black poppies found next to the graves of our intentions, the long leaves of obscene trees whose branches sway on the echoing banks of the soul’s infernal rivers. To write is to lose myself, yes, but everyone loses himself, because everything gets lost. I, however, lose myself without any joy – not like the river flowing into the sea for which it was secretly born, but like the puddle left on the beach by the high tide, and its water sinks into the sand, never returning to the sea.
Fernando Pessoa (The Book of Disquiet)
We are not perfect. We are going to argue sometimes & have our problems but I'm never going to stop loving you. We are in this together. I think of you so often you have no idea. Just imagine a boy praying to god most of the time that he gets marry to you. I instatly smile when i see a message from you. To be honest, you are the only one who motivates me to become a better person and show me the potential i don't see in me. you know your eyes gives me chill in my core when i look into them. I feel insecure sometimes because i am afraid of losing you. I just want to spend the rest of my life with someone who makes me mile, laugh, feel special, and supports me.Stay with me, I promise to make you smile everyday with my weird jokes and random kisses. I promise to hold your hand when you need someone to walk with you through the storm. I promise to share my food with you, give you good massages and laugh at your stupid jokes. I will listen when you tell me about how horrible your day was when you come home. I promise to hold you in my arms when you feel like your whole world is crashing down. I will make you see that there are a million reasons why you should stay with me. I LOVE YOU... I love the way you love me. I love the way you call me Yours.. I love the way you care for me. I love the way you treat me. I just love the way who you are. I LOVE YOU....
Himanshu Kohli