Afraid Of Heights Quotes

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She was afraid of heights but she was much more afraid of never flying.
Atticus Poetry (Love Her Wild)
I looked at Thalia. "You're afraid of heights." Now that we were safely down the mountain, her eyes had their usual angry look. "Don't be stupid." That explains why you freaked out on Apollo's bus. Why you didn't want to talk about it." She took a deep breath. Then she brushed the pine needles out of her hair. "If you tell anyone, I swear—" No, no," I said. "That's cool. It's just… the daughter of Zeus, the Lord of the Sky, afraid of heights?
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
Love is like learning to ride a midget, which I’ve never done because I’m afraid of heights.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
No one is afraid of heights, they're afraid of falling down. No one is afraid of saying I love you, they're afraid of the answer...
Kurt Cobain
Don’t tell me you’re afraid of heights,” she said, shimmying along the edge. “Not heights,” he murmured. “Just falling.
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
You said parachute. You think we're going to parachute out of here?" "Yep." "I don't think so." "Ah, come on. Tigers aren't afraid of heights, are they?" "This isn't about heights. This is about being extremely high up in a tree and hurtling out bodies into oblivion based on a strange fabric that you now claim is a parachute.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
I'm not afraid of heights, but the idea of falling from them, well, that I'm afraid of.
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
What he was afraid of, he’d come to realize, was not dark spaces or falling from great heights or being buried alive. His greatest fears, in the end, were letting down those he loved and saying the words “I love you” without any hope of hearing them in return.
Abigail Roux (Sticks & Stones (Cut & Run, #2))
My family never went skiing. My dad was afraid of heights and my mom felt that a vacation was only a vacation if it involved reading at least two books on the beach.
Lisa Greenwald (Sweet Treats & Secret Crushes)
Proud people breed sad sorrows for themselves. But if you be afraid of your touchiness, you must ask pardon, mind, when she comes in.
Emily Brontë (Wuthering Heights)
I want you, Hank. I'm much more of an animal than you think. I wanted you from the first moment I saw you - and the only thing I'm ashamed of is that I did not know it. I did not know why, for two years, the brightest moments I found were the ones in your office, where I could lift my head to look up at you. I did not know the nature of what I felt in your presence, nor the reason. I know it now. That is all I want, Hank. I want you in my bed - and you are free of me for all the rest of your time. There's nothing you'll have to pretend - don't think of me, don't feel; don't care - I do not want your mind, your will, your being or your soul, so long as it's to me you will come for that lowest one of your desires. I am an animal who wants nothing but the sensation of pleasure which you despise - but I want it from you. You'd give up amy height of virtue for it , while I - I haven't any to give up. There's none I seek or wish to reach. I am so low that I would exchange the greatest sight of beauty in the world for the sight of your figure in the cab of a railroad engine. Amd seeing it, I would not be able to see it indifferently. You don't have to fear that you're now dependent on me. It's I who will depend on any whim of yours. You'll have me anytime you wish, anywhere, on any terms. Did you call it the obscenity of my talent? It's such that it gives you a safer hold on me than on any other property you own. You may dispose of me as you please - I'm not afraid to admit it - I have nothing to protect from you and nothing to reserve. You think that this is a threat to your achievement, but it is not to mine. I will sit at my desk, and work, and when the things around me get hard to bear, I will think that for my reward I will be in your bed that night. Did you call it depravity? I am much more depraved than you are: you hold it as your guilt, and I - as my pride. I'm more proud of it than anything I've done, more proud than of building the Line. If I'm asked to name my proudest attainment, I will say: I have slept with Hank Rearden. I had earned it.
Ayn Rand
All the librarians of my childhood. Who saw that a boy was afraid of heights and lent him wings.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
If then you do not make yourself equal to God, you cannot apprehend God; for like is known by like. Leap clear of all that is corporeal, and make yourself grown to a like expanse with that greatness which is beyond all measure; rise above all time and become eternal; then you will apprehend God. Think that for you too nothing is impossible; deem that you too are immortal, and that you are able to grasp all things in your thought, to know every craft and science; find your home in the haunts of every living creature; make yourself higher than all heights and lower than all depths; bring together in yourself all opposites of quality, heat and cold, dryness and fluidity; think that you are everywhere at once, on land, at sea, in heaven; think that you are not yet begotten, that you are in the womb, that you are young, that you are old, that you have died, that you are in the world beyond the grave; grasp in your thought all of this at once, all times and places, all substances and qualities and magnitudes together; then you can apprehend God. But if you shut up your soul in your body, and abase yourself, and say “I know nothing, I can do nothing; I am afraid of earth and sea, I cannot mount to heaven; I know not what I was, nor what I shall be,” then what have you to do with God?
Hermes Trismegistus (Hermetica: The Greek Corpus Hermeticum and the Latin Asclepius)
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
You're afraid of heights," I say. "How do you survive in the Dauntless compound?" "I ignore my fear," he says. "When I make decisions, I pretend it doesn't exist." I stare at him for a second. I can't help it. To me there's a difference between not being afraid and acting in spite of fear, as he does. I have been staring at him too long. "What?" he says quietly. "Nothing.
Veronica Roth (Divergent (Divergent, #1))
A soft and sheltered Christianity, afraid to be lean and lone, unwilling to face the storms and brave the heights, will end up fat and foul in the cages of conformity.
Vance Havner
My ideas aren't afraid of height.
Leena Ahmad Almashat (Harmony Letters)
You're afraid of heights,'I say. 'How do you survive in the Dauntless compound?' 'I ignore my fear,' he (Four) says. 'When I make decisions, I pretend it doesn't exist.
Veronica Roth
I'm not afraid of heights, I'm afraid of widths.
Steven Wright
Remember why the Sith are more powerful than the Jedi, Sidious: because we are not afraid to feel. We embrace the spectrum of emotions, from the heights of transcendent joy to the depths of hatred and despair. Fearless, we welcome whatever paths the dark side sets us on, and whatever destiny it lays out for us.
James Luceno (Darth Plagueis)
Are you too frightened to go any farther?" asked the silk-monkey, who found all this very easy, having four legs herself. "I'm never afraid," answered Sniff. "But I think the view is better from here.
Tove Jansson (Comet in Moominland (The Moomins, #2))
Jump "Don't you get it?" he said. "The ones who are afraid of heights don't trust themselves enough to jump.
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
Tiffany was not afraid of heights at all.  She could walk past tall trees without batting an eyelid.  Looking up at huge towering mountains didn’t bother her a bit. What she was afraid of, although she hadn’t realized it up until this point, was depths.
Terry Pratchett
Terrible things happen sometimes, but you can’t avoid the high of happiness or joy, because you’re too afraid of falling from a great height.
Tessa Bailey (My Killer Vacation)
and I said, 'That is why you don't climb mountains, Gwen.' But now I wonder. You aren't afraid of heights." "No", she said. "Not particularly." "Only missteps." She paused midstroke. Did he mean to imply this had been a misstep? "I was afraid," she said carefully. "For a very long time. But no longer." "So was I," he said, and lifted her chin and kissed her.
Meredith Duran (Wicked Becomes You)
Gage appears beneath me. 'Jump, and I'll catch you.' 'No.' I strengthen my death grip on the trunk of the tree. 'I'm very afraid of heights. I'll need hours of therapy to repair the damage done here today.'
Addison Moore (Ethereal (Celestra, #1))
When you said you were afraid of heights, you were joking, right?
Nora Sakavic (The King's Men (All for the Game, #3))
If we do not have the depths, how do we have the heights? Yet you fear the depths, and do not want to confess that you are afraid of them. It is good, though, that you fear yourselves; say it out loud that you are afraid of yourselves. It is wisdom to fear oneself.
C.G. Jung (The Red Book: Liber Novus)
I think there is a certain age, for women, when you become fearless. It may be a different age for every woman, I don’t know. It’s not that you stop fearing things: I’m still afraid of heights, for example. Or rather, of falling — heights aren’t the problem. But you stop fearing life itself. It’s when you become fearless in that way that you decide to live. Perhaps it’s when you come to the realization that the point of life isn’t to be rich, or secure, or even to be loved — to be any of the things that people usually think is the point. The point of life is to live as deeply as possible, to experience fully. And that can be done in so many ways." (From her blog post "Fearless Women")
Theodora Goss
the reality of fear: your not afraid of the dark, your afraid of what's in it. your not afraid of heights, your afraid of falling. your not afraid of the people around you, your afraid of what they might think. your not afraid to love, your afraid of love not coming back. your not afraid to try again, your afraid of getting hurt for the same reason.
Lucy
Afraid? No!" he replied. "I have neither a fear, nor a presentiment, nor a hope of death. Why should I? With my hard constitution and temperate mode of living, and unperilous occupations, I ought to, and probably shall, remain above ground till there is scarcely a black hair on my head. And yet I cannot continue in this condition! I have to remind myself to breathe - almost to remind my heart to beat! And it is like bending back a stiff spring: it is by compulsion that I do the slightest act not prompted by one thought; and by compulsion that I notice anything alive or dead, which is not associated with one universal idea. I have a single wish, and my whole being and faculties are yearning to attain it. They have yearned towards it so long, and so unwaveringly, that I'm convinced it will be reached - and soon - because it has devoured my existence: I am swallowed up in the anticipation of its fulfillment. My confessions have not revieved me; but they may account for some otherwise unaccountable phases of humour which I show. Oh God! It is a long fight; I wish it were over!
Emily Brontë (Wuthering Heights)
When I asked her what was the matter? answered, she didn't know; but she felt so afraid of dying!
Emily Brontë (Wuthering Heights)
rather take the pain than sit in the dark like a dumbass because I’m too afraid to turn on the light and see the monster under the bed.
Selena . (Brutal Boy (Willow Heights Prep Academy: The Exile, #2))
Do you know,” he said, “that there are people who can’t go near high places not because they’re afraid of heights but because they feel such a lure to jump?
Margot Livesey (The Flight of Gemma Hardy)
Look, I'm terrified of heights," I said. "If I can do this, you sure as heck can." "I thought it was water you were afraid of." "I'm not exactly president of the Altitude Fan Club either.
Karen Akins (Loop (Loop #1))
She also mentioned how close my balcony was to yours; so close that even an old lady like herself could leap between the two without the least effort." Venetia's cheek heated and she pulled her night gown closer, "Grandmama is anything but subtle." "Almost as subtle as your mother." "Oh no! Not mama too." ..."Your mother was concerned I might be afraid of heights. She told me if she were thinking of jumping between the balconies and couldn't bring herself to make the leap, it might be possible to pick the lock on the connecting door with, say, a cravat pin.
Karen Hawkins (To Scotland, With Love (MacLean Curse, #2))
Our ancestors who did not have a fear of heights, who did not have a fear of eating something poisonous, who did not have a fear of venomous snakes and spiders, who were not afraid of drowning, well—they’re dead.
Bill Nye (Undeniable: Evolution and the Science of Creation)
Yeah," he replied, his voice scratchy and raw as he stared at Will. "I am sick. Sick of lying, sick of being afraid, sick of pretending the person I love most in the world isn't standing right in front of me." He slipped his fingers into Will's and before the other man could register what was happening, Scott pulled him up hard against his body and kissed him, deep and tender. When he pulled back, he stared into Will's astonished eyes.
Lisa Worrall (Laurel Heights (Laurel Heights, #1))
Zlata Dromenko was a stout Cossack about my height with a thick single eyebrow giving her a serious, severe look. I found out she’d been a mail-order bride who came over from Ukraine to marry a local farmer, a Russian immigrant. He died, though, and now Mrs. Dromenko worked in the hospital bullying patients like me. I called her “Hun,” because she made me think of Attila. I was curious as to how Mr. Dromenko died but was afraid to ask.
Phil Truman (Dire Wolf of the Quapaw: a Jubal Smoak Mystery (Jubal Smoak Mysteries Book 1))
I am afraid of heights I have fallen from a high place I am afraid of fire I have been burned many times I am afraid of separation often I have been offended I am not afraid of death I have never died before not even once
Abbas Kiarostami (گرگی در کمین / A Wolf Lying in Wait)
Don't be afraid." And then we were gone. Weightless. The ground at my feet suddenly disappeared along with everything else. A scream lodged in my throat, coming out broken and pathetic. And then we were sitting on a wide ledge. High above Jackson Square. Christ, he'd blinked me to - I gazed above me. Not just a ledge. Oh God, oh God, oh God. "It helps if you breathe." "I think I might kill you," I said in a near whisper. Sebastian's shoulder bumped mine as he tried to hide a smile. "Well, you've got time, because we'll be up here for an hour or so before I have enough power again to get us down. I didn't think you'd be afraid of heights." I glared at him. "I'm not afraid of heights. I am, apparently, afraid of disappearing from solid ground and then reappearing on a ledge.
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
How she does stare! It's odd what a savage feeling I have to anything that seems afraid of me.
Emily Brontë (Wuthering Heights)
They are afraid of nothing... Together they would brave Satan and all his legions.
Emily Brontë (Wuthering Heights)
I’m not going to ride on a magic carpet!” he hissed. “I’m afraid of grounds!” “You mean heights,” said Conina. “And stop being silly.” “I know what I mean! It’s the grounds that kill you!
Terry Pratchett (Sourcery (Discworld, #5))
People who are saying that they are afraid of heights are usually not actually afraid of heights. They are afraid of falling, which means it's a synonym for losing control. So they have to get in touch with the definitional belief to find out what's really going on.
Bashar
Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree— do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
I wish I could climb the corporate ladder like I could climb a tree, but I can’t, because I’m afraid of heights. And bark.
Jarod Kintz (This Book is Not for Sale)
I'm not afraid of heights, I actually want to go higher.
Innocent Mwatsikesimbe (This Is My Life)
He jammed the sodden cap back on. The lumps of cloth clung to his skull like an overweight cat afraid of heights, and ruined the image of dignity.
Sarah E. Morin (Waking Beauty)
You're not afraid of heights, you're afraid of not being in control.
Elena Wilkes (The Man I Married)
In the forest, I can be another Wick, a new Wick, a better version of myself. Someone who opens up to his friends. Someone who’s not afraid of heights.
Tim Tilley (Harklights)
She wants to say 'I love you' but keeps it to 'I miss you' because love will mean some falling and she is afraid of heights.
Nitya Prakash
Not afraid of heights - afraid of widths.
Thomas St Germain
Remember your Creator in the days of your youth, before the days of trouble come and the years approach when you will say, “I find no pleasure in them”— before the sun and the light and the moon and the stars grow dark, and the clouds return after the rain; when the keepers of the house tremble, and the strong men stoop, when the grinders cease because they are few, and those looking through the windows grow dim; when the doors to the street are closed and the sound of grinding fades; when people rise up at the sound of birds, but all their songs grow faint; when people are afraid of heights and of dangers in the streets; when the almond tree blossoms and the grasshopper drags itself along and desire no longer is stirred. Then people go to their eternal home and mourners go about the streets. Remember him—before the silver cord is severed, and the golden bowl is broken; before the pitcher is shattered at the spring, and the wheel broken at the well, and the dust returns to the ground it came from, and the spirit returns to God who gave it. “Meaningless! Meaningless!” says the Teacher. “Everything is meaningless!
Anonymous
There’s a lot we don’t know about each other. For instance, I didn’t know you were afraid of heights.” “What?” Ailish’s brow wrinkled. “I’m not afraid of heights.” “No.” Erin’s nodded at Ailish’s jean shorts. “Your zipper is, though.
Tessa Bailey (Raw Redemption (Crossing the Line #4))
Lachlan stared at me, a curious expression on his face. “You’re afraid of heights.” I shrugged. “Why didn’t you say so?” “It wouldn’t have made the fear go away.” He nodded, respect flashing in his eyes. “You’re tough, Ana Blackwood.
Linsey Hall (Institute of Magic (Dragon's Gift: The Druid, #1))
Only I still had a problem. The problem was my parents. Of the many things I was afraid of in those days - spiders, insomnia, fish hooks, school dances, hardball, heights, bees, urinals, puberty, music teachers, dogs, the school cafeteria, censure, older teenagers, jellyfish, locker rooms, boomerangs, popular girls, the high dive - I was probably most afraid of my parents.
Jonathan Franzen (The Discomfort Zone: A Personal History)
What height is this table?' he said suddenly, just as I was about to go to the bread bin for a slice to wipe my plate with. I turned round and looked at him, wondering why he was bothering with such an easy question. 'Thirty inches,' I told him, and took a crust from the bin. 'Wrong,' he said with an eager grin. 'Two foot six.' I shook my head at him, scowling, and wiped the brown rim of soup from the inside of my plate. There was a time when I was genuinely afraid of these idiotic questions, but now, apart from the fact that I must know the height, length, breadth, area and volume of just about every part of the house and everything in it, I can see my father's obsession for what it is. It gets embarrassing at times when there are guests in the house, even if they are family and ought to know what to expect. They'll be sitting there, probably in the lounge, wondering whether Father's going to feed them anything or just give an impromptu lecture on cancer of the colon or tapeworms, when he'll sidle up to somebody, look round to make sure everybody's watching, then in a conspiratorial stage-whisper say: 'See that door over there? It's eighty-five inches, corner to corner. ' Then he'll wink and walk off, or slide over on his seat, looking nonchalant.
Iain Banks (The Wasp Factory)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
He himself, he realized, had always been most abominably frightened, even at the height of his divine power, a frail god upon a rickety throne, afraid of opening letters, of making decisions, afraid of the instinctive knowledge in the eyes of mules, of the innocent eyes of good men, of the elastic nature of the passions, even of the devotion he had received from some men, and one woman, and dogs.
Patrick White (Voss)
Many more villagers, who have seen an elephant for the first time in their lives, give absurd exaggerations regarding his size, weight, and height. One of them describes him as ‘a fundament!’. Another, elaborating, alludes to the term ‘firmament,’ because of the elephant’s hugeness. He felt as though the sky was obliterated from his vision. The last to be interviewed by the local TV station swears that he sensed the world lean forward as the elephant came closer and tilt backwards as the beast walked away. This large mammal ambles purposefully. He pays no heed to the crowded silence following him in stealthy consciousness. One of the villagers, a woman often suspected of dabbling in witchcraft, talks of her inspired theory: that this was no elephant, more like a human on a holy mission of avenging justice. Two other witnesses, neither having had any contact with the woman, speak in substantiation of the woman’s claims, giving as evidence the observation that the elephant turned around when someone said something in Somali. Several villagers will not comment, afraid of a fitting retribution should they do so.
Nuruddin Farah
What’s Mombi doing then?” I asked. Nox wiggled his eyebrows and lowered his voice to a conspiratorial stage whisper. “Mombi’s afraid of heights,” he said. “She’s not casting a spell. She’s saying her prayers.” “Who exactly do wicked witches pray to?” Nox laughed. “Who knows? She’s just trying to stay distracted so she doesn’t piss herself before we land.
Danielle Paige (Dorothy Must Die (Dorothy Must Die, #1))
Terrible things happen sometimes, but you can't avoid the high of happiness or joy, because you're too afraid of falling from a great height.
Tessa Bailey (My Killer Vacation)
What strange hesitancy, fear, or apathy stops us from looking within ourselves, from trying to grasp the true essence of joy and sadness, desire and hatred? Fear of the unknown prevails, and the courage to explore that inner world fails at the frontier of our mind. A Japanese astronomer once confided to me: “It takes a lot of daring to look within.” This remark—made by a scientist at the height of his powers, a steady and open-minded man—intrigued me. Recently I also met a Californian teenager who told me: “I don’t want to look inside myself. I’m afraid of what I’d find there.” Why should he falter before what promised to be an absolutely fascinating research project? As Marcus Aurelius wrote: “Look within; within is the fountain of all good.
Matthieu Ricard (Happiness: A Guide to Developing Life's Most Important Skill)
YOU CAN ARGUE that all fear is related to death. Fear of spiders? You’re really afraid of being bitten and killed. Fear of heights? Falling to your death. Fear of flying? Crashing. Snakes, fire—you get it.
Jodi Picoult (The Book of Two Ways)
Would you change that bulb, then?" He held out a fresh bulb from the drawer beside him. It was a perfect glass bubble with a tangle of fine wire inside. Thaniel took it and felt unqualified to be doing anything with it. "Why can't you?" "I'd have to stand on the desk." He shifted. "I'm afraid of heights." "And you can't even stand on a desk?" "Shall we not dwell on it?" Mori said, at a slightly higher pitch then usual.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
Captain Piltchard and Captain Wren, the inoffensive joint squadron operations officers, were both mild, soft-spoken men of less than middle height who enjoyed flying combat missions and begged nothing more of life and Colonel Cathcart than the opportunity to continue flying them. They had flown hundreds of combat missions and wanted to fly hundreds more. They assigned themselves to every one. Nothing so wonderful as war had ever happened to them before; and they were afraid it might never happen to them again.
Joseph Heller (Catch-22)
What he was afraid of, he’d come to realize, was not dark spaces or falling from great heights or being buried alive. His greatest fears, in the end, were letting down those he loved and saying the words “I love you” without any hope of hearing them in return.
Madeleine Urban (Sticks & Stones (Cut & Run, #2))
You scandalous old hypocrite!’ she replied.  ‘Are you not afraid of being carried away bodily, whenever you mention the devil’s name?  I warn you to refrain from provoking me, or I’ll ask your abduction as a special favour!  Stop! look here, Joseph,’ she continued, taking a long, dark book from a shelf; ‘I’ll show you how far I’ve progressed in the Black Art: I shall soon be competent to make a clear house of it.  The red cow didn’t die by chance; and your rheumatism can hardly be reckoned among providential visitations!
Emily Brontë (Wuthering Heights)
Why do you wear those?" asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass.'' "Gah!" I said. "Don't do that!" My miniature captive came to the edge of the dresser and peered down at me. "Don't ask questions?" "Don't come in here all quiet and spooky and scare me like that!" "You're six times my height, and fifty times my weight," Lacuna said gravely. "And I've agreed to be your captive. You don't have any reason to be afraid." "Not afraid," I snapped back. "Startled. It isn't wise to startle a wizard!" "Why not?" "Because of what could happen!" "Because they might fall down on the floor?" "No!" I snarled.Lacuna frowned and said, "You aren't very good at answering questions." I started shoving myself into my clothes. "I'm starting to agree with you.
Jim Butcher (Cold Days (The Dresden Files, #14))
... because the Legs wasn't fearful of heights or swimming in rough water or Death itself she wasn't afraid to risk making a fool of herself. Maybe you think that's something of no consequence but it isn't - for making a fool of yourself, offering yourself to others to laugh at, to jeer, that takes guts.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
But it turned out that this “unlearning” was not as complete as the scientists first thought. When they severed the neural connections between the rats’ cortex and amygdala, the rats became afraid of the sound again. This was because the fear conditioning had been suppressed by the activity of the cortex, but was still present in the amygdala. In humans with unwarranted fears, like batophobia, or fear of heights, the same thing happens. Repeated trips to the top of the Empire State Building seem to extinguish the fear, but it may come roaring back during times of stress—when the cortex has other things to do than soothe an excitable amygdala.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
The way of life is towards fulfillment, however, wherever it may lead. To restore a human being to the current of life means not only to impart self-confidence but also an abiding faith in the processes of life. A man who has confidence in himself must have confidence in others, confidence in the fitness and Tightness of the universe. When a man is thus anchored he ceases to worry about the fitness of things, about the behavior of his fellow-men, about right and wrong and justice and injustice. If his roots are in the current of life he will float on the surface like a lotus and he will blossom and give forth fruit. He will draw his nourishment from above and below; he will send his roots down deeper and deeper, fearing neither the depths nor the heights. The life that’s is in him will manifest itself in growth, and growth is an endless eternal process. He will not be afraid of withering, because decay and death are part of growth. As a seed he began and as a seed he will return. Beginnings and endings are only partial steps in the eternal process. The process is everything … the way … the Tao. The way of life! A grand expression. Like saying Truth. There is nothing beyond it … it is all. And so the analyst says Adapt yourself! He does not mean, as some wish to think—adapt yourself to this rotten state of affairs! He means: adapt yourself to life! Become an adept! That is the highest adjustment—to make oneself an adept.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Hop on." "What?" "Hop on. You're bored, I can see it. Terribly bored, and I'm just as bored just floating here with you ground-ridden. So get on." "I don't like to fly, Ginny, you know that--" "Oh, yes. The big, tough Gryffindor afraid of heights." Hermione glowers and Ginny laughs. "Come on." Hermione eyes the broom in speculation, and then the woman astride it. "I don't know." Ginny dips her head before making her voice deeper. "I promise I'll be gentle." Hermione barks a laugh and shakes her head. "Will you hold me tight?" "With my rippling muscles, love." "You're an idiot." "And you're a coward." Ginny grins, dropping the manly act and tapping the front of the broom. "Come here and ride my stick." "Oh, my God! Ginny!
Everythursday (The Fallout)
We think that we are afraid of the things we might fail at. But that's not true. Look at the heart of your fears: you're afraid of your brilliant Light. You're afraid of the possibility of never falling. What if you outshine the Sun? What if you stand atop these mountains? We are afraid of the heights that our spirits know, belong to us. You're afraid of being more, of being much. That is what you are really afraid of.
C. JoyBell C.
Superfluity was the only relationship I could establish between these trees, these hedges, these paths. Vainly I strove to compute the number of the chestnut trees, or their distance from the Velleda, or their height as compared with that of the plane trees; each of them escaped from the pattern I made for it, overflowed from it or withdrew. And I too among them, vile, languorous, obscene, chewing the cud of my thoughts, I too was superfluous. [I is you or I or anyone.] Luckily I did not feel it, I only understood it, but I felt uncomfortable because I was afraid of feeling it. . . . I thought vaguely of doing away with myself, to do away with at least one of these superfluous existences. But my death – my corpse, my blood poured out on this gravel, among these plants, in this smiling garden – would have been superfluous as well. I was superfluous to all eternity.
Jean-Paul Sartre (Nausea)
She pushed him away from her. The rain swept over her face as she lifted her emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem casual. ”Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.” She walked with him a few more yards and stopped, staring up a sheer cliff face that seemed to go up forever. There had been no division between the forest and the rock face to warn her. “Up what? Not that.” The dark, malevolent feeling had faded away. Whoever it was no longer was watching them. She could tell. “I feel another argument coming on.” His mocking amusement might not have shown on his face, but she could feel it in her mind. Jacques simply lifted her and tossed her over his shoulder. “No way, you wild man. You aren’t Tarzan. I don’t like heights. Put me down.” “Close your eyes. Who is Tarzan? Not another male, I hope.” The wind rushed over her body, and she could feel them moving fast, so fast the world seemed to blur. She closed her eyes and clutched at him, afraid to do anything else. His laughter was happy and carefree, and it warmed her heart, dispelling any residue of fear she carried. It was a miracle to her that he could laugh, that he was happy. Tarzan is the ultimate male. He swung through trees and carries his woman off into the jungle. He patterns himself after me. She nuzzled his neck. He tries.
Christine Feehan (Dark Desire (Dark, #2))
Is there not some—I do not know the word. Some device. Some bargain with the Fates, some trick, some pharmaka—” It was the word Aeëtes had used, when he spoke of herbs with wondrous powers, sprung from the fallen blood of gods. The sea snake at my grandmother’s neck uncoiled and flicked a black tongue from its arrow mouth. Her voice was low and angry. “You dare to speak of that?” The sudden change surprised me. “Speak of what?” But she was rising, her full height unfurling before me. “Child, I have done as much for you as may be done, and there is no more. Go from here, and let me never hear you speak of that wickedness again.” My head was churning, my mouth sharp as though I had drunk raw wine. I walked back through the couches, the chairs, past the skirts of whispering, smirking naiads. She thinks just because she is daughter of the sun, she may uproot the world to please herself. I was too wild to feel any shame. It was true. I would not just uproot the world, but tear it, burn it, do any evil I could to keep Glaucos by my side. But what stayed most in my mind was the look on my grandmother’s face when I’d said that word, pharmaka. It was not a look I knew well, among the gods. But I had seen Glaucos when he spoke of the levy and empty nets and his father. I had begun to know what fear was. What could make a god afraid? I knew that answer too. A power greater than their own.
Madeline Miller (Circe)
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line. “I’m going into hiding with Jim.” The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need. “I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.” “Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.” I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.” “No?” “There will be no falling, no sex, no you and me.” “I wanted to kiss you when you were in your house. In Savannah.” Why the hell was my heart pounding? “And?” “You looked afraid. That wasn’t the reaction I was hoping for.” Be calm and reasonable. “You flatter yourself. You’re not that scary.” “After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.” Melt? “You’re scared there might be something there, between you and me.” Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.” “You thought about dragging me into your bed this morning.” “I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.” “I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.” “Enjoy the memory,” I ground out. “That’s the last time it will ever happen.” “Go play your games with Jim. I’ll find you both when I need you.” Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.” “Is that a promise?” “Yes. Go fuck yourself.” I slammed the phone down. Well, then. That was perfectly reasonable. On the other side of the counter an older, heavyset man stared at me like I had sprouted horns. Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Celestial Music” I have a friend who still believes in heaven. Not a stupid person, yet with all she knows, she literally talks to god, she thinks someone listens in heaven. On earth, she’s unusually competent. Brave, too, able to face unpleasantness. We found a caterpillar dying in the dirt, greedy ants crawling over it. I’m always moved by weakness, by disaster, always eager to oppose vitality. But timid, also, quick to shut my eyes. Whereas my friend was able to watch, to let events play out according to nature. For my sake, she intervened, brushing a few ants off the torn thing, and set it down across the road. My friend says I shut my eyes to god, that nothing else explains my aversion to reality. She says I’m like the child who buries her head in the pillow so as not to see, the child who tells herself that light causes sadness— My friend is like the mother. Patient, urging me to wake up an adult like herself, a courageous person— In my dreams, my friend reproaches me. We’re walking on the same road, except it’s winter now; she’s telling me that when you love the world you hear celestial music: look up, she says. When I look up, nothing. Only clouds, snow, a white business in the trees like brides leaping to a great height— Then I’m afraid for her; I see her caught in a net deliberately cast over the earth— In reality, we sit by the side of the road, watching the sun set; from time to time, the silence pierced by a birdcall. It’s this moment we’re both trying to explain, the fact that we’re at ease with death, with solitude. My friend draws a circle in the dirt; inside, the caterpillar doesn’t move. She’s always trying to make something whole, something beautiful, an image capable of life apart from her. We’re very quiet. It’s peaceful sitting here, not speaking, the composition fixed, the road turning suddenly dark, the air going cool, here and there the rocks shining and glittering— it’s this stillness that we both love. The love of form is a love of endings.
Louise Glück (Ararat)
It isn’t the height that scares me—the height makes me feel alive with energy, every organ and vessel and muscle in my body singing at the same pitch. Then I realize what it is. It’s him. Something about him makes me feel like I am about to fall. Or turn to liquid. Or burst into flames. My hand almost misses the next rung. “Now tell me…,” he says through a bursting breath, “what do you think learning strategy has to do with…bravery?” The question reminds me that he is my instructor, and I am supposed to learn something from this. A cloud passes over the moon, and the light shifts across my hands. “It…it prepares you to act,” I say finally. “You learn strategy so you can use it.” I hear him breathing behind me, loud and fast. “Are you all right, Four?” “Are you human, Tris? Being up this high…” He gulps for air. “It doesn’t scare you at all?” I look over my shoulder at the ground. If I fall now, I will die. But I don’t think I will fall. A gust of air presses against my left side, throwing my body weight to the right. I gasp and cling to the rungs, my balance shifting. Four’s cold hand clamps around one of my hips, one of his fingers finding a strip of bare skin just under the hem of my T-shirt. He squeezes, steadying me and pushing me gently to the left, restoring my balance. Now I can’t breathe. I pause, staring at my hands, my mouth dry. I feel the ghost of where his hand was, his fingers long and narrow. “You okay?” he asks quietly. “Yes,” I say, my voice strained. I keep climbing, silently, until I reach the platform. Judging by the blunted ends of metal rods, it used to have railings, but it doesn’t anymore. I sit down and scoot to the end of it so Four has somewhere to sit. Without thinking, I put my legs over the side. Four, however, crouches and presses his back to the metal support, breathing heavily. “You’re afraid of heights,” I say. “How do you survive in the Dauntless compound?” “I ignore my fear,” he says. “When I make decisions, I pretend it doesn’t exist.” I stare at him for a second. I can’t help it. To me there’s a
Veronica Roth (Divergent (Divergent, #1))
Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed." "I'll do it," Win said at once. "And I'll take up a supper tray." "Beatrix will accompany you," Amelia advised. "I can manage the tray," Win protested. "It's not that... I meant it's not proper for you to be alone with Merripen in his room." Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all." After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-" "I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head." "I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did." Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked. "Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window." "Washed her window?" both older sisters asked at the same time. "Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?" "No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that." "Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?" Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper." "So did I," Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Noah turned to face his younger sister, arching one brow to a fairly smug height. Lenga lifted a brow back at him, giving him a delicate smattering of applause. “And I was afraid you would never learn the art of diplomacy,” she remarked, her lips twitching with her humor. “It merely took you the entire two and a half centuries of my life. Longer, actually. You had a few centuries’ head start.” “Funny how you seem to recall the fact that I am far older than you only when it suits your arguments, my sister,” he taunted her, reaching to tug on her hair as he had been doing since her childhood. “Well, I can say with all honesty that this is the first time I have ever seen you forgo a good argument with Hannah, opting for peace instead. I was beginning to wonder if you were my brother at all. Perhaps some imposter . . .” “Legna, be careful. You are speaking words of treason,” he teased her, tugging her hair once more, making her turn around to swat at his hand. “I don’t know how you convinced the entire Council that you were mature enough to be King, Noah! You are such a child!” She twisted her body so he couldn’t grab at her hair again. “And I swear, if you pull my hair once more like some sort of schoolyard bully, I am going to put you to sleep and shave you bald!” Noah immediately raised his hands in acquiescence, laughing as Legna flushed in exasperation. For all her grace and ladylike ways, Noah’s little sister was quite capable of making good on any threat she made. “I mean really, Noah. You are just about seven hundred years old. One would think you could at least act like it.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
Her gaze flickered to the balcony doors and back, her brows knitted in confusion. “My balcony doesn’t connect to yours.” “I jumped.” He grinned at the flash of concern he saw in “her eyes. “At dinner, your grandmother informed me that you’d be moving to the room beside mine. She also mentioned how close my balcony was to yours; so close that even an old lady like herself could leap between the two without the least effort.” Venetia’s cheeks heated and she pulled her nightgown closer. “Grandmama is anything but subtle.” “Almost as subtle as your mother.” “Oh, no! Not Mama, too.” Gregor paused beside a small table to pick up a silver tray holding a cut crystal decanter and matching glasses and set it on the table before Venetia. “Your mother was concerned I might be afraid of heights. She told me that if she were thinking of jumping between the balconies and couldn’t bring herself to make the leap, it might be possible to pick the lock on the connecting door with, say, a cravat pin.” Venetia blushed. “I’m surprised they aren’t in here now, throwing rose petals before you as you walk.” “I would never countenance petal tossing. Too showy.
Karen Hawkins (To Scotland, With Love (MacLean Curse, #2))
Growing up I was afraid of heights; if I looked down I got instantly queasy. So what did I decide to do a few years ago? Go skydiving with my sisters. I stood on the ground, waiting for my turn, watching them jump out of a small plane strapped to some dude’s back. All I could see were these tiny blond dots floating in the air. Then one of the instructors (thankfully he was on his own and not tied to a Hough!) lost control of his chute. It got twisted and he began to spiral toward the ground. Everyone watching below gasped; he was plunging to his death. At the very last second, he pulled his auxiliary chute and glided down to safety. After landing, he walked right over to me. “Phew, that was a close one. Okay, Derek, you’re up next. You’re comin’ with me.” I felt my stomach leap into my throat. Are you serious? You’re a dead man walking and you want me to go up with you? Then reason kicked in: What was the likelihood lightning would strike twice and his chute would fail again? And if it did, clearly the guy knew how to get out of trouble. “Um, okay…I guess.” I read the disclaimer and signed it. In a nutshell, it said, “If you die, we’re not responsible.” Thanks a lot.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Landsman is a tough guy, in his way, given to the taking of wild chances. He has been called hard-boiled and foolhardy, a momzer, a crazy son of a bitch. He has faced down shtarkers and psychopaths, he has been shot at, beaten, frozen, burned. He has pursued suspects between the flashing walls of urban firefights and deep into bear country. Heights, crowds, snakes, burning houses, dogs schooled to hate the smell of a policeman, he has shrugged them all off or functioned in spite of them. But when he finds himself in lightless or confined spaces, something in the animal core of Meyer Landsman convulses. No one but his ex-wife knows it, but Detective Meyer Landsman is afraid of the dark.
Michael Chabon (The Yiddish Policemen's Union)
Do you think that Win really doesn’t know how he—” “I have no idea. And I’ve never dared to broach the subject, because I don’t want to put ideas into her head.” “I hope she doesn’t know,” Beatrix ventured. “It would be dreadfully sad if she did.” Amelia and Poppy both glanced at their younger sister quizzically. “Do you know what we’re talking about, Bea?” Amelia asked. “Yes, of course. Merripen’s in love with her. I knew it a long time ago, from the way he washed her window.” “Washed her window?” both older sisters asked at the same time. “Yes, when we lived in the cottage at Primrose Place. Win’s room had a casement window that looked out onto the big maple tree—do you remember? After the scarlet fever, when Win couldn’t get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds’ nest on one of the tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?” “No,” Amelia said with difficulty, her eyes stinging. “I didn’t know he did that.” “Merripen said the sky should always be blue for her,” Beatrix said. “And that was when I knew he … are you crying, Poppy?” Poppy used a napkin to dab at the corners of her eyes. “No. I just inh-haled some pepper.” “So did I,” Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 
William Faulkner (Absalom, Absalom!)
Tris,” he says. “What did they do to you? You’re acting like a lunatic.” “That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--” “I’m not going to kiss you. I’m going to figure out what’s going on,” he says. I pout my lower lip for a second, but then I grin as the pieces come together in my mind. “That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.” “Come on,” he says. “We’re going to see Johanna.” “I like you, too.” “That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.” He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works. When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face. “You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.” Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange. “What did you do to her?” Tobias says, terse. “What in God’s name did you do?” “I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.” “They must have given her too much of what?” he says. “You have a nice voice,” I say. “Tris,” he says, “please be quiet.” “The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.” Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.” Johanna does not respond for a few seconds. She folds her hands in front of her. “Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.” “Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.” “Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.” “Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
Veronica Roth (Insurgent (Divergent, #2))
If then you do not make yourself equal to God, you cannot apprehend God; for like is known by like. Leap clear of all that is corporeal, and make yourself grown to a like expanse with that greatness which is beyond all measure; rise above all time and become eternal; then you will apprehend God. Think that for you too nothing is impossible; deem that you too are immortal, and that you are able to grasp all things in your thought, to know every craft and science; find your home in the haunts of every living creature; make yourself higher than all heights and lower than all depths; bring together in yourself all opposites of quality, heat and cold, dryness and fluidity; think that you are everywhere at once, on land, at sea, in heaven; think that you are not yet begotten, that you are in the womb, that you are young, that you are old, that you have died, that you are in the world beyond the grave; grasp in your thought all of this at once, all times and places, all substances and qualities and magnitudes together; then you can apprehend God. But if you shut up your soul in your body, and abase yourself, and say “I know nothing, I can do nothing; I am afraid of earth and sea, I cannot mount to heaven; I know not what I was, nor what I shall be,” then what have you to do with God?
Dennis William Hauck (The Emerald Tablet: Alchemy of Personal Transformation (Compass))
Mrs. Barnstable took her to a beautiful room with windows overlooking the gardens. “This is yours,” the housekeeper said. “No one has occupied it before.” The bed was made of light blue upholstered panels, the bedclothes of white linen. There was a graceful lady’s writing desk in the corner, and a satin maple wardrobe with a looking glass set in the door. “Mr. Merripen personally selected the wallpaper,” Mrs. Barnstable said. “He nearly drove the interior architect mad with his insistence on seeing hundreds of samples until he found this pattern.” The wallpaper was white, with a delicate pattern of flowering branches. And at sparse intervals, there was the motif of a little robin perched on one of the twigs. Slowly Win went to one of the walls and touched one of the birds with her fingertips. Her vision blurred. During her long recuperation from the scarlet fever, when she had grown tired of holding a book in her hands and no one had been available to read to her, she had stared out the window at a robin’s nest in a nearby maple tree. She had watched the fledglings hatch from their blue eggs, their bodies pink and veined and fuzzy. She had watched their feathers grow in, and she had watched the mother robin working to fill their ravenous beaks. And Win had watched as, one by one, they had flown from the nest while she remained in bed. Merripen, despite his fear of heights, had often climbed a ladder to wash the second-floor window for her. He had wanted her view of the outside world to be clear. He had said the sky should always be blue for her. “You’re fond of birds, Miss Hathaway?” the housekeeper asked. Win nodded without looking around, afraid that her face was red with unexpressed emotion. “Robins especially,” she half-whispered.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
Now this might sound strange to you, Serafina Pekkala, but I know the man better than any wife could know him, better than a mother. He’s been my master and my study for nigh on forty years. I can’t follow him to the height of his thought any more than I can fly, but I can see where he’s a-heading even if I can’t go after him. No, it’s my belief he turned away from a rebellion against the Church not because the Church was too strong, but because it was too weak to be worth the fighting.” “So…what is he doing?” “I think he’s a-waging a higher war than that. I think he’s aiming a rebellion against the highest power of all. He’s gone a-searching for the dwelling place of the Authority Himself, and he’s a-going to destroy Him. That’s what I think. It shakes my heart to voice it, ma’am. I hardly dare think of it. But I can’t put together any other story that makes sense of what he’s doing.” Serafina sat quiet for a few moments, absorbing what Thorold had said. Before she could speak, he went on: “ ’Course, anyone setting out to do a grand thing like that would be the target of the Church’s anger. Goes without saying. It’d be the most gigantic blasphemy, that’s what they’d say. They’d have him before the Consistorial Court and sentenced to death before you could blink. I’ve never spoke of it before and I shan’t again; I’d be afraid to speak it aloud to you if you weren’t a witch and beyond the power of the Church; but that makes sense, and nothing else does. He’s a-going to find the Authority and kill Him.” “Is that possible?” said Serafina. “Lord Asriel’s life has been filled with things that were impossible. I wouldn’t like to say there was anything he couldn’t do. But on the face of it, Serafina Pekkala, yes, he’s stark mad. If angels couldn’t do it, how can a man dare to think about it?” “Angels? What are angels?” “Beings of pure spirit, the Church says. The Church teaches that some of the angels rebelled before the world was created, and got flung out of heaven and into hell. They failed, you see, that’s the point. They couldn’t do it. And they had the power of angels. Lord Asriel is just a man, with human power, no more than that. But his ambition is limitless. He dares to do what men and women don’t even dare to think. And look what he’s done already: he’s torn open the sky, he’s opened the way to another world.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
But that is a lie! Here we have been breaking our backs for years at All-Union hard labor. Here in slow annual spirals we have been climbing up to an understanding of life—and from this height it can all be seen so clearly: It is not the result that counts! It is not the result—but the spirit! Not what—but how. Not what has been attained—but at what price. And so it is with us the prisoners—if it is the result which counts, then it is also true that one must survive at any price. And what that means is: One must become a stool pigeon, betray one’s comrades. And thereby get oneself set up comfortably. And perhaps even get time off sentence. In the light of the Infallible Teaching there is, evidently, nothing reprehensible in this. After all, if one does that, then the result will be in our favor, and the result is what counts. No one is going to argue. It is pleasant to win. But not at the price of losing one’s human countenance. If it is the result which counts—you must strain every nerve and sinew to avoid general work. You must bend down, be servile, act meanly—yet hang on to your position as a trusty. And by this means . . . survive. If it is the essence that counts, then the time has come to reconcile yourself to general work. To tatters. To torn skin on the hands. To a piece of bread which is smaller and worse. And perhaps . . . to death. But while you’re alive, you drag your way along proudly with an aching back. And that is when—when you have ceased to be afraid of threats and are not chasing after rewards—you become the most dangerous character in the owllike view of the bosses. Because . . . what hold do they have on you? You even begin to like carrying hand barrows with rubbish (yes, but not with stone!) and discussing with your work mate how the movies influence literature. You begin to like sitting down on the empty cement mixing trough and lighting up a smoke next to your bricklaying. And you are actually and simply proud if, when the foreman passes you, he squints at your courses, checks their alignment with the rest of the wall, and says: “Did you lay that? Good line.” You need that wall like you need a hole in the head, nor do you believe it is going to bring closer the happy future of the people, but, pitiful tattered slave that you are, you smile at this creation of your own hands. The Anarchist’s daughter, Galya Venediktova, worked as a nurse in the Medical Section, but when she saw that what went on there was not healing but only the business of getting fixed up in a good spot—out of stubbornness she left and went off to general work, taking up a spade and a sledge hammer. And she says that this saved her spiritually. For a good person even a crust is healthy food, and to an evil person even meat brings no benefit.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
A lot of people are afraid of heights. Not me, I'm afraid of widths.
Akash lal karotia
I’m not that afraid of heights. I’ve been 7,000 feet above sea level. Just so long as the land is flat, with no sudden drop-offs, I’m fine.
Jarod Kintz (This Book is Not for Sale)
I had a dream about you. I’d just invented a flying bathtub, and you were dirty and afraid of heights. I thought I could cure both at once, so I tricked you into getting naked and getting in. Actually, that’s all I really wanted was to get you naked, so I never even pushed the launch button or turned on the water. Isn’t love wonderful?
Jarod Kintz (Dreaming is for lovers)
In all of the elite companies studied, Level 5 Leaders were in charge when they made the leap from good to great. Level 5 Leadership refers to a type of leader who is not only a highly capable individual, team player, and manager, but also embodies two essential traits: personal humility and the will to do whatever it takes to get results. Level 5 Leaders are quiet, modest, self-effacing, even reserved. They lack over-sized egos or inflated sense of self-importance. Level 5 Leaders are driven to create great results. They are not afraid to make difficult or unpopular decisions if it will better their company. While Level 5 Leaders demonstrate tenacious ambition and will to succeed, they do not devote this energy for their own benefit but instead drive it towards the company’s success. In contrast, the outsized egos and self-serving nature of the “control set” executives contributed to the deaths of their own companies. When good results happen, Level 5 Leaders credit good luck. When results are disappointing, Level 5 Leaders blame only themselves and take responsibility. Other leaders credit themselves when good results come and blame luck or other people for failures. Level 5 Leaders make sure their companies maintain excellence by setting up competent successors who will push their companies to even greater heights. In contrast, other types of managers often leave gaping holes in leadership once they retire. An unexpected finding showed that a majority of the great CEOs were home-grown. In contrast, “celebrity” executives brought into a company have shown to cause more harm than good. It is incredibly detrimental for a company to elect an ego-driven and self-serving CEO instead of a Level 5 Leader. Potential Level 5 Leaders are all around us, and it is possible for one to become a Level 5 leader by embodying their basic traits.
Eighty Twenty Publishing (Summary of Good To Great by Jim Collins)