Adrenaline Related Quotes

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Fear triggers the fight-or-flight response, fueled by adrenaline, which, as it turns out, is chemically related to amphetamines. Granted, it's a very different kind of high for mindfuckers: not a mellow, floaty "my vulva is one with the universe" high but a jittery, revved-up "oh fuck oh fuck oh fuck" kind of high. Endorphins are like great downers but adrenaline is uppers all the way. And it's just as addictive. Don't believe me? Go ask anyone who likes to jump off bridges or out of airplanes. - Edge
Tristan Taormino (Ultimate Guide to Kink: BDSM, Role Play and the Erotic Edge)
Nightmares are chemical," his boyfriend, Adam, had told him once. "Inappropriate adrenaline response to stimulus, possibly related to trauma." "Talk dirty to me," Ronan had replied.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
A calmness fell over me during chaos. It was like my dat-to-day life was so full of anxious thoughts that in genuine emergencies my brain was used to the adrenaline. Daily anxieties vanished when the goal became simple: don't die.
Alexandra Larson (Ascend from the Shadows (Dark Perceptions #1))
A calmness fell over me during chaos. It was like my day-to-day life was so full of anxious thoughts that in genuine emergencies my brain was used to the adrenaline. Daily anxieties vanished when the goal became simple: don't die.
Alexandra Larson (Ascend from the Shadows (Dark Perceptions #1))
YOU CAN COME to the end of talking, about women, talking. In restaurants, cafés, kitchens, less frequently in bars or pubs, about relatives, relations, relationships, illnesses, jobs, children, men; about nuance, hunch, intimation, intuition, shadow; about themselves and each other; about what he said to her and she said to her and she said back; about what they feel. Something more definite, more outward then, some action, to drain the inner swamp, sweep the inner fluff out from under the inner bed, harden the edges. Men at sea, for instance. Not on a submarine, too claustrophobic and smelly, but something more bracing, a tang of salt, cold water, all over your calloused body, cuts and bruises, hurricanes, bravery and above all no women. Women are replaced by water, by wind, by the ocean, shifting and treacherous; a man has to know what to do, to navigate, to sail, to bail, so reach for the How-To book, and out here it’s what he said to him, or didn’t say, a narrowing of the eyes, sizing the bastard up before the pounce, the knife to the gut, and here comes a wave, hang on to the shrouds, all teeth grit, all muscles bulge together. Or sneaking along the gangway, the passageway, the right of way, the Milky Way, in the dark, your eyes shining like digital wristwatches, and the bushes, barrels, scuppers, ditches, filthy with enemies, and you on the prowl for adrenalin and loot. Corpses of your own making deliquesce behind you as you reach the cave, abandoned city, safe, sliding panel, hole in the ground, and rich beyond your wildest dreams!
Margaret Atwood (Good Bones and Simple Murders)
I was 18 wen I started driving I was 18 the first time I was pulled over. It was 2 AM on a Saturday The officer spilled his lights all over my rearview mirror, he splashed out of the car with his hand already on his weapon, and looked at me the way a tsunami looks at a beach house. Immediately, I could tell he was the kind of man who brings a gun to a food fight. He called me son and I thought to myself, that's an interesting way of pronouncing "boy," He asks for my license and registration, wants to know what I'm doing in this nieghborhood, if the car is stolen, if I have any drugs and most days, I know how to grab my voice by the handle and swing it like a hammer. But instead, I picked it up like a shard of glass. Scared of what might happen if I didn't hold it carefully because I know that this much melanin and that uniform is a plotline to a film that can easily end with a chalk outline baptism, me trying to make a body bag look stylish for the camera and becoming the newest coat in a closet full of RIP hashtags. Once, a friend of a friend asked me why there aren't more black people in the X Games and I said, "You don't get it." Being black is one of the most extreme sports in America. We don't need to invent new ways of risking our lives because the old ones have been working for decades. Jim Crow may have left the nest, but our streets are still covered with its feathers. Being black in America is knowing there's a thin line between a traffic stop and the cemetery, it's the way my body tenses up when I hear a police siren in a song, it's the quiver in my stomach when a cop car is behind me, it's the sigh of relief when I turn right and he doesn't. I don't need to go volcano surfing. Hell, I have an adrenaline rush every time an officer drives right past without pulling me over and I realize I'm going to make it home safe. This time.
Rudy Francisco (Helium (Button Poetry))
It may seem paradoxical to claim that stress, a physiological mechanism vital to life, is a cause of illness. To resolve this apparent contradiction, we must differentiate between acute stress and chronic stress. Acute stress is the immediate, short-term body response to threat. Chronic stress is activation of the stress mechanisms over long periods of time when a person is exposed to stressors that cannot be escaped either because she does not recognize them or because she has no control over them. Discharges of nervous system, hormonal output and immune changes constitute the flight-or-fight reactions that help us survive immediate danger. These biological responses are adaptive in the emergencies for which nature designed them. But the same stress responses, triggered chronically and without resolution, produce harm and even permanent damage. Chronically high cortisol levels destroy tissue. Chronically elevated adrenalin levels raise the blood pressure and damage the heart. There is extensive documentation of the inhibiting effect of chronic stress on the immune system. In one study, the activity of immune cells called natural killer (NK) cells were compared in two groups: spousal caregivers of people with Alzheimer’s disease, and age- and health-matched controls. NK cells are front-line troops in the fight against infections and against cancer, having the capacity to attack invading micro-organisms and to destroy cells with malignant mutations. The NK cell functioning of the caregivers was significantly suppressed, even in those whose spouses had died as long as three years previously. The caregivers who reported lower levels of social support also showed the greatest depression in immune activity — just as the loneliest medical students had the most impaired immune systems under the stress of examinations. Another study of caregivers assessed the efficacy of immunization against influenza. In this study 80 per cent among the non-stressed control group developed immunity against the virus, but only 20 per cent of the Alzheimer caregivers were able to do so. The stress of unremitting caregiving inhibited the immune system and left people susceptible to influenza. Research has also shown stress-related delays in tissue repair. The wounds of Alzheimer caregivers took an average of nine days longer to heal than those of controls. Higher levels of stress cause higher cortisol output via the HPA axis, and cortisol inhibits the activity of the inflammatory cells involved in wound healing. Dental students had a wound deliberately inflicted on their hard palates while they were facing immunology exams and again during vacation. In all of them the wound healed more quickly in the summer. Under stress, their white blood cells produced less of a substance essential to healing. The oft-observed relationship between stress, impaired immunity and illness has given rise to the concept of “diseases of adaptation,” a phrase of Hans Selye’s. The flight-or-fight response, it is argued, was indispensable in an era when early human beings had to confront a natural world of predators and other dangers. In civilized society, however, the flight-fight reaction is triggered in situations where it is neither necessary nor helpful, since we no longer face the same mortal threats to existence. The body’s physiological stress mechanisms are often triggered inappropriately, leading to disease. There is another way to look at it. The flight-or-fight alarm reaction exists today for the same purpose evolution originally assigned to it: to enable us to survive. What has happened is that we have lost touch with the gut feelings designed to be our warning system. The body mounts a stress response, but the mind is unaware of the threat. We keep ourselves in physiologically stressful situations, with only a dim awareness of distress or no awareness at all.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
The Biology of Animal Stress, prenatal exposure to elevated levels of stress hormones, such as cortisol and adrenaline, can set puppies up to develop abnormal brain chemistries, specifically, an abnormal regulation in the pathway between the hypothalamus in the brain and the adrenal glands (glands that produce stress-related hormones), called the hypothalamic-pituitary-adrenal (HPA) axis. HPA axis abnormalities can lead to anxiety, fear, and even aggression problems as adults.
Debra Horwitz (Decoding Your Dog: Explaining Common Dog Behaviors and How to Prevent or Change Unwanted Ones)
Quite simply, the Church is not a movie theater. It does not need a “silver screen” in order to be more relatable to modern people. A movie theater is a place where we collectively sit down to watch the unreal, the made up, the world of drama, fantasy, and pretend. We watch these dramas, comedies, or adventures to be moved to tears, to laughter, or to an adrenaline high. We watch them in order to be manipulated into feeling something that is out of the ordinary – something that we want to feel at that particular moment. We are complicit in this, of course. We pay our money for the privilege of having our emotions manipulated by this world of make believe.
Anonymous
From the true self, I asked the shameful part what it wanted. I jumped up, pacing as I explained myself. “I relate the shameful part to being like a child who had done something wrong—sent to his room— waiting for his father to come home and punish him.” I stopped in front of Keith’s desk, bending toward him. “It’s frustrating.” I rested both hands on the desktop, shaking my head. “I can’t latch onto one good deed or intention to convince myself that there is decency within.” At this point, I became physically exhausted. I plopped into the love seat and spread my arms across the back of the chair. Keith made a minor adjustment to his spectacles with a forefinger pushing its bridge, then let the finger make its way down his nose as he thought, looking down. He looked up, fixed his eyes directly on me. "The anxiety part jumped in to prevent you from having to relive and experience the pain that the shameful part was carrying." "And,” I said, leaning forward, “if I connect with the anxiety and ask it from the true self what it wants, the answer is rest, peace of mind for body and soul.” Keith slowly nodded his head as I continued. “It wants to live without stressing over everything and anything in an attempt to achieve perfection. The anxiety put me in a survival mode, pumping me up with adrenalin, putting me on guard, alerting me that there was danger ahead. I understand how the anxiety feels. It doesn’t have to worry anymore. There is no more danger ahead. The true self is now running things. We are now going to be able to take a deep breath, relax, and be at peace with ourselves. I’m so thankful that I now won’t be burdened with the nonstop torturous uproar of emotions.
Marco L. Bernardino Sr. (Sins of the Abused)
And then it actually becomes the most interesting thing in the world. A single word is embossed in fancy calligraphy letters. A single word that makes it feel like the whole room is spinning. Harksbury. What in God’s name? “What is this?” I point at it and shout in Mindy’s ear. She scrunches her eyebrows. “A coaster?” I groan. “No, I mean, the name. Harksbury.” “Oh. It’s the name of the club. I don’t know what it means, though.” I do. It’s the name of a dukedom. I wonder if that means some relative of Alex’s invested in this place or something. Or if someone borrowed their name. Or what. But it has to mean Harksbury is real, that it existed. I stare down at the word again. If the shoes weren’t enough…It has to be real. And seeing it like this reminds me of how I felt there. How it felt to be Rebecca. I tuck the coaster into my back pocket and try to ignore the stare Angela is giving me. She probably thinks I’m totally nuts, stealing a paper coaster. But it’s the closest I’ll get to a souvenir of my time-bending trip. And having it on me makes me feel stronger, somehow, like I can always be that girl at the ball. I look up when the boys file in and sit down on a bright orange couch shaped like a slug. “Ladies. This is Grant, Tim, and Alex,” door-boy says. He doesn’t even introduce himself. I guess I’m supposed to know who he is. I smile at Grant and nod at Tim, but when I get to Alex, I only stare. Alex. The Alex. No, no it can’t be. His hair is shorter, his skin smooth and shaven. He’s got on a green button-up, left open at the collar, which brings out the intense emerald shade of his eyes. There’s something different. The contour of his lips, the line of his nose. It’s almost him, but not quite. And he’s staring back at me. Does he know who I am? No, that’s silly. It’s not really him. Not Alex Thorton-Hawke, the Duke of Harksbury. Just Alex, the twenty-first-century guy standing in front of me. In a nightclub. In real life. Mindy jabs me with her elbow. “This is--” “Callie,” I say, standing and reaching my hand out. “My name is Callie.” It feels so good to say that. To be me. I grin involuntarily at the realization. He smiles and shakes it. “Hey.” For a second neither of us says anything else. We just keep shaking hands and staring at each other. My heart hammers out of control. I feel sweaty already. But it’s adrenaline. Excitement. I’m not terrified anymore. Not of Angela, not of Alex. I can do this. “Do you want to dance?” I ask. Did I really just say that out loud? That couldn’t have been me. That was someone else. “Huh?” He can’t hear me over the music. “Do you want to dance?” I say, louder this time, with a little more conviction. For emphasis, I nod my head toward the floor. I’m really doing this. “Yeah.” I’m not sure I’ve heard him correctly, but then he grabs my hand and leads me away, and I risk a glance back at the group. They’re just staring. For once in my life, I’ve upstaged them. I grin back and then turn my attention to Alex. I’ve thought about getting close to him for a month. I’m about to get my chance.
Mandy Hubbard (Prada & Prejudice)
Remember from Chapter 1 that when I say “killing you,” I mean it literally. When you are mentally and emotionally at war with yourself, it changes your physiology. It takes years off your life and makes you so much more susceptible to disease. How? Your immune cells are closely related to your nerve cells and there is instant communication between the two types of cell. For every thought you have, you have an instantaneous change in your physical body. If you are thinking negative and self-defeating thoughts about yourself, you will have a corresponding negative and defeating physiology. It might take the form of increased endocrine activity, chronic adrenaline arousal, elevated blood pressure, or even a heart attack.
Phillip C. McGraw (Self Matters: Creating Your Life from the Inside Out)
Relieving Stress Stress is your reaction to outside stimuli pushing your mind, body or spirit out of balance. Adapting to new stimuli is how you increase your capabilities and develop new skills, i.e., the basis of growth. But, if the stimuli is too great or arrives so quickly that you are unable to adapt, then the resulting stress can lead to physical, emotional or mental problems. Stress can be triggered by many factors, including: physical, emotional or mental abuse; life changing events such as a new job, moving, pregnancy or divorce; work or school-related deadlines; high stress occupations; and uncomfortable social situations Exposure to stress affects us in stages: In the first stage, when we experience stress, our bodies automatically react with the characteristic “fight or flight” response, also known as an adrenaline rush. In life threatening situations this is helpful, as adrenaline causes our bodies to increases our pulse, blood pressure and rate of breathing, better preparing us to do battle or to escape. When the outside stimuli disappear, often with a good night’s sleep, we return to normal. Continued exposure to stress, without a break, results in the second stage. In today’s modern society, everyday stress from traffic jams, work, or just plain living, triggers this same reaction. We end up in a constant state of stress. We deplete our reserves, especially our adrenal glands, and lessen our ability to handle additional stress. Even our ability to sleep can be affected. The final stage results from the accumulation of stress over time and leads to exhaustion. Unable to return our body, mind and spirit to its normal state of balance due to overwhelming stress, we suffer physical, emotional and mental breakdowns. Warning signs are: weight gain or loss, ulcers, indigestion, insomnia, depression, anxiety, fear, anger, inability to concentrate, moodiness, and other problems. It can be argued that all disease is a consequence of stress.
Edwin Harkness Spina (Escaping the Matrix: 8 Steps Beyond Stress and Anger Management For Attaining Inner Peace)
King knows what scares us. He has proven this a thousand times over. I think the secret to this is that he knows what makes us feel safe, happy, and secure; he knows our comfort zones and he turns them into completely unexpected nightmares. He takes a dog, a car, a doll, a hotel—countless things that we know and love—and then he scares the hell out of us with those very same things. Deep down, we love to be scared. We crave those moments of fear-inspired adrenaline, but then once it’s over we feel safe again. King’s work generates that adrenaline and keeps it pumping. Before King, we really didn’t have too many notables in the world of horror writers. Poe and Lovecraft led the pack, but when King came along, he broke the mold. He improved with age just like a fine wine and readers quickly became addicted, and inestimable numbers morphed into hard-core fans. People can’t wait to see what he’ll do next. What innocent, commonplace “thing” will he come up with and turn into a nightmare? I mean, think about it…do any of us look at clowns, crows, cars, or corn fields the same way after we’ve read King’s works? SS: How did your outstanding Facebook group “All Things King” come into being? AN: About five years ago, I was fairly new to Facebook and the whole social media world. I’m a very “old soul” (I’ve been told that many times throughout my life: I miss records and VHS tapes), so Facebook was very different for me. My wife and friends showed me how to do things and find fan pages and so forth. I found a Stephen King fan page and really had a fun time. I posted a lot of very cool things, and people loved my posts. So, several Stephen King fans suggested I do my own fan page. It took some convincing, but I finally did it. Since then, I have had some great co-administrators, wonderful members, and it has opened some amazing doors for me, including hosting the Stephen King Dollar Baby Film fest twice at Crypticon Horror Con in Minnesota. I have scored interviews with actors, writers, and directors who worked on Stephen King films or wrote about King; I help promote any movie, or book, and many other things that are King related, and I’ve been blessed to meet some wonderful people. I have some great friends thanks to “All Things King.” I also like to teach our members about King (his unpublished stories, lesser-known short stories, and really deep facts and trivia about his books, films, and the man himself—info the average or new fan might not know). Our page is full of fun facts, trivia, games, contests, Breaking News, and conversations about all things Stephen King. We have been doing it for five years now as of August 19th—and yes, I picked that date on purpose.
Stephen Spignesi (Stephen King, American Master: A Creepy Corpus of Facts About Stephen King & His Work)
Her heart thundered away against the inside of her ribs, the sound loud in the relative silence of the room and the flutter pulsing against his skin between their clothes. Her breathing pushed her breasts against her shirt. Against him. Despite the fear pumping adrenaline through her system, she gazed at him with wide eyes that showed an inexplicable trust that grated against him like a sandpaper sponge bath. “What are you going to do to me?” she whispered. Almost like she was daring him. “You’re a mate,” he said. “So?” “Mates are like catnip to my kind—an obsession, a driving urge to find our own. What if I took you now, claimed you, pushed my fire into you?” Her lips fell open on a silent gasp, but fear didn’t reflect back at him even still. “You’d kill me if you aren’t my destined mate.” So, someone had at least warned her of the deadly consequences should the wrong man try to turn her. Had she listened? He squeezed her wrists a little harder, pressing into her so she couldn’t mistake the heavy cock pressing into her belly. “Yes.” “You’d lose a part of your soul as well,” she pointed out. He allowed his lips to tip up in what he fully intended to be a menacing smile. “Perhaps it’s worth it.” She stared back at him for a long minute. Then, suddenly, her heart quieted, her breathing slowed, her body relaxing under his. “Go ahead.” She was fucking daring him. Inside his head, his dragon growled, but not a warning, more like approval. The animal side of him liked this woman. That scared the hell out of him enough to have him fighting the foreign urge to scramble off her. When he said nothing, she tipped her head. “Just like I thought. All bark.” Bulls facing off against a matador in a ring dealt with less provocation than this woman was daring to throw at him. “You talk a good game,” she continued. “But you won’t hurt me.” Irritation spiked and swirled with a rushing need that had gripped him since the second she’d stepped in front of him in the hangar and he’d recognized her. Drake slammed his mouth over hers, his kiss both full of frustration, but also determined to frighten her into some semblance of self-preservation. He kissed her harshly, wildly, even as he continued to pin her to the bed. Except she didn’t whimper or turn away or struggle. Instead, Cami opened her mouth and licked the full seam of his lips, demanding entrance. Fuck. Gods help him, he opened, tangling his tongue with hers, reveling in the give and take. Her flavor melted across his tongue, sweet and tart at the same time, imprinting on his mind. A glow vaguely penetrated his senses behind his closed eyes, followed by a burst of heat that seemed to be originating from her. Almost as fast as it happened, Drake jerked back with a hiss, staring at a glowing spot under her white tank top. The source of the heat. Definitely a dragon mate. Which meant off-limits. Another shifter’s mate. With a groan he rolled away from her, flopping to his back, and flung an arm over his eyes, doing his damnedest to convince his dick to get its head out of the game. “You need to get out of here.
Abigail Owen (The Enforcer (Fire’s Edge, #3))
At the heart of the theory was an astonishing change in the chemical cocktail of your brain that takes place during REM sleep. Concentrations of a key stress-related chemical called noradrenaline are completely shut off within your brain when you enter this dreaming sleep state. In fact, REM sleep is the only time during the twenty-four-hour period when your brain is completely devoid of this anxiety-triggering molecule. Noradrenaline, also known as norepinephrine, is the brain equivalent to a body chemical you already know and have felt the effects of: adrenaline (epinephrine).
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
Instead, we often use guanfacine, a nonstimulant that was originally developed to treat high blood pressure but has also been used to treat ADHD. Guanfacine targets specific circuits in the prefrontal cortex where adrenaline and noradrenaline exert their action, improving impulsiveness and concentration, even in situations of high stress. While I felt good about taking a more systemic approach, like the doctors who first began to suspect that a compromised immune system was behind HIV/AIDS, I was working on a medical frontier. There wasn’t (and still isn’t) a clear set of diagnostic criteria or a blood test for toxic stress, and there is no drug cocktail to prescribe. My biggest guide for what symptoms might be toxic stress–related was the ACE Study itself, but I knew that the number of diseases and conditions it accounted for might just be the tip of the iceberg. After all,
Nadine Burke Harris (The Deepest Well: Healing the Long-Term Effects of Childhood Trauma and Adversity)
This wonderful hill station in Karnataka, often called the Scotland of India is one of the most alluring places to begin your love. Walk over the rolling hills or just sit and relax at the Alps of nature at Coorg. What should you do at Coorg? • Walk over the bamboo bridge to the island of Cauvery Nisargadhama, located at the heart of the river or enjoy an elephant safari through the 64 acres’ bamboo groves of Cauvery Nisargadhama. • Wash away all stress and be joyful at the Abbey Waterfalls; inhaling the aroma of spice plantations and pepper vines. • Play with baby elephants at the Dubare Elephant Camp, trek through the jungles, boost your adrenaline with river rafting or enjoy fishing. • Witness the beauty of Islamic architecture at the Omkareshwara Temple; the temple is dedicated to Lord Shiva.
Sophia Peterson (Sino-Soviet-American relations: Conflict, communication, and mutual threat (Monograph series in world affairs ; v. 16, books 1-2))
The problem was I knew innately I didn’t want to be controlling and I was never happy, regardless. It wasn’t until I was diagnosed with Asperger’s Syndrome that my behavior changed. Now, before an event, I no longer subconsciously create drama in an attempt to release emotion. I didn’t consciously decide to change this; the change happened naturally. Now, I am hyperaware of why I am upset. I recognize my emotions in detail and the triggers that lead to anxiety. It might seem that knowing myself more would make the anxiety level decrease, but actually the anxiety is more intensified because I am no longer subconsciously utilizing displacement. I am not displacing my own dread about an event onto another event. I am not using or finding a scapegoat. I am not creating drama in order to diffuse my own tension. Instead, tension keeps building and I have no way to release it. Now that I am more aware of my own behavior and emotions, and the triggers, I do much more stimming, e.g., flick my nails, flap my hands, clear my throat, click my teeth, repeatedly saying “okay,” and so forth. I also have anxiety dreams related to upcoming events. In addition, on the day of a happening I have extreme fluctuations of emotions and physical symptoms, such as hives and/or stomachaches. I am now taking in the full experience and my body is responding. I don’t know if this is better or worse than the displacement. What is also happening is instead of “freaking out” before an event, I am often “freaking out” after the event. (Sir Brain and LV running around in circles in full panic after climbing out of the swimming hole, exhausted, to discover they are naked!) I feel very much like a child who holds herself together at school for the better part of the day, only to return home and have a meltdown. I have found, to date, the best way to handle my anxiety is to not turn it into the enemy, or something to be eradicated and ejected, but instead something to be accepted. The more I fight the anxiety, the worse I feel, for there isn’t any feasible avenue of solution that leads to rescue. I have to go through the discomfort in order to feel relief. The process is similar to a minor panic attack or adrenaline rush, but it passes. And the more accepting I am of the process, the quicker it passes.
Samantha Craft (Everyday Aspergers)
Every one of them who got into turnouts, and took their bodies and their minds into open flames for little money and lots of risk, for strangers, for animals they didn't own, for houses they didn't own, for people they weren't related to … they were all insane. Because this was the other side of the adrenaline rush, the savior complex, the fight. Tragedy was but a moment. Responsibility for it was forever. And eventually, the latter turned you dark on the inside, molding over your emotions, making you toxic and uncleanable even as you looked the same on the outside. For every firefighter she knew who'd been hurt or died on the job, she knew even more who were corpses in their own skin. They didn't tell you about all that when you were in the academy. Good thing, too.
J.R. Ward (Consumed (Firefighters, #1))
When used naturally, the chase and capture/kill is relatively brief and followed by a long time relaxing, chewing and eating. When we manipulate this sequence with a ball launcher, we interrupt it and the dog gets the adrenaline rush of the chase over and over – but with no effective final chew and relax. This is why ball launchers can exacerbate hyper-arousal.
Sally Gutteridge (Enrichment through Scentwork for Highly Aroused Dogs (Mission Possible Solutions Book 1))
TAKE ONE STORY, viewed from two different angles. Take a rainy Sunday morning in July, in the late 1920s, when Eddie and his friends are tossing a baseball Eddie got for his birthday nearly a year ago. Take a moment when that ball flies over Eddie’s head and out into the street. Eddie, wearing tawny pants and a wool cap, chases after it, and runs in front of an automobile, a Ford Model A. The car screeches, veers, and just misses him. He shivers, exhales, gets the ball, and races back to his friends. The game soon ends and the children run to the arcade to play the Erie Digger machine, with its claw-like mechanism that picks up small toys. Now take that same story from a different angle. A man is behind the wheel of a Ford Model A, which he has borrowed from a friend to practice his driving. The road is wet from the morning rain. Suddenly, a baseball bounces across the street, and a boy comes racing after it. The driver slams on the brakes and yanks the wheel. The car skids, the tires screech. The man somehow regains control, and the Model A rolls on. The child has disappeared in the rearview mirror, but the man’s body is still affected, thinking of how close he came to tragedy. The jolt of adrenaline has forced his heart to pump furiously and this heart is not a strong one and the pumping leaves him drained. The man feels dizzy and his head drops momentarily. His automobile nearly collides with another. The second driver honks, the man veers again, spinning the wheel, pushing on the brake pedal. He skids along an avenue then turns down an alley. His vehicle rolls until it collides with the rear of a parked truck. There is a small crashing noise. The headlights shatter. The impact smacks the man into the steering wheel. His forehead bleeds. He steps from the Model A, sees the damage, then collapses onto the wet pavement. His arm throbs. His chest hurts. It is Sunday morning. The alley is empty. He remains there, unnoticed, slumped against the side of the car. The blood from his coronary arteries no longer flows to his heart. An hour passes. A policeman finds him. A medical examiner pronounces him dead. The cause of death is listed as “heart attack.” There are no known relatives. Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily, at an arcade, with the little boy in tawny pants dropping pennies into the Erie Digger machine, and the other ends badly, in a city morgue, where one worker calls another worker over to marvel at the blue skin of the newest arrival.
Mitch Albom (The Five People You Meet in Heaven (The Five People You Meet in Heaven, #1))