Admiring Someone Quotes

Have you ever felt the longing for someone you could admire? For something, not to look down at, but up to?

It is often difficult to admit that someone you love is not perfect, or to consider aspects of a person that are less than admirable.

But knowing you’re good can only take you so far. At some point, you need someone else to see it, too. Appreciation from people you admire changes how you see yourself.

As someone who understands why you did this, and admires your ability to actually accomplish it, I am-pleading with you. Cinder. Please. Take me back." She filled up her lungs. "No.

It means thanks, it means admiration, it means good-bye to someone you love.

I'm not a mess but a deeply feeling person in a messy world. I explain that now, when someone asks me why I cry so often, I say, 'For the same reason I laugh so often--because I'm paying attention.' I tell them that we can choose to be perfect and admired or to be real and loved. We must decide.

Your question is the most difficult in the world. It is not a question I can answer simply with yes or no. I am not an Atheist. I do not know if I can define myself as a Pantheist. The problem involved is too vast for our limited minds. May I not reply with a parable? The human mind, no matter how highly trained, cannot grasp the universe. We are in the position of a little child, entering a huge library whose walls are covered to the ceiling with books in many different tongues. The child knows that someone must have written those books. It does not know who or how. It does not understand the languages in which they are written. The child notes a definite plan in the arrangement of the books, a mysterious order, which it does not comprehend, but only dimly suspects. That, it seems to me, is the attitude of the human mind, even the greatest and most cultured, toward God. We see a universe marvelously arranged, obeying certain laws, but we understand the laws only dimly. Our limited minds cannot grasp the mysterious force that sways the constellations. I am fascinated by Spinoza's Pantheism. I admire even more his contributions to modern thought. Spinoza is the greatest of modern philosophers, because he is the first philosopher who deals with the soul and the body as one, not as two separate things.

I can get my head turned by a good-looking guy as much as the next girl. But sexy doesn't impress me. Smart impresses me, strength of character impresses me. But most of all, I am impressed by kindness. Kindness, I think, comes from learning hard lessons well, from falling and picking yourself up. It comes from surviving failure and loss. It implies an understanding of the human condition, forgives its many flaws and quirks. When I see that in someone, it fills me with admiration.

You become like what you worship. When you gaze in awe, admiration, and wonder at something or someone, you begin to take on something of the character of the object of your worship.

What a test that is: more than devotion, admiration, passion. If you long and long for someone’s company you love them.

You differ from a great man in only one respect: the great man was once a very little man, but he developed one important quality: he recognized the smallness and narrowness of his thoughts and actions. Under the pressure of some task that meant a great deal to him, he learned to see how his smallness, his pettiness endangered his happiness. In other words, a great man knows when and in what way he is a little man. A little man does not know he is little and is afraid to know. He hides his pettiness and narrowness behind illusions of strength and greatness, someone else's strength and greatness. He's proud of his great generals but not of himself. He admires an idea he has not had, not one he has had. The less he understands something, the more firmly he believes in it. And the better he understands an idea, the less he believes in it.

Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.

Close your eyes, and think of someone you physically admire, and let me kiss you.

A good father. A man with a head, a heart, and a soul. A man capable of listening, of leading and respecting a child, and not of drowning his own defects in him. Someone whom a child will not only love because he's his father, but will also admire for the person he is. Someone he would want to grow up to resemble.

Do you know the hallmark of a second rater? It's resentment of another man's achievement. Those touchy mediocrities who sit trembling lest someone's work prove greater than their own - they have no inkling of the loneliness that comes when you reach the top. The loneliness for an equal - for a mind to respect and an achievement to admire. They bare their teeth at you from out of their rat holes,thinking that you take pleasure in letting your brilliance dim them - while you'd give a year of my life to see a flicker of talent anywhere among them. They envy achievement, and their dream of greatness is a world where all men have become their acknowledged inferiors. They don't know that that dream is the infallible proof of mediocrity, because that sort of world is what the man of achievement would not be able to bear. They have no way of knowing what he feels when surrounded by inferiors - hatred? no, not hatred, but boredom - the terrible, hopeless, draining, paralyzing boredom. Of what account are praise and adulation from men whom you don't respect? Have you ever felt the longing for someone you could admire? For something, not to look down at, but up to?" "I've felt it all my life," she said.

Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads. Kizzy wanted.

He was someone whom everyone admired and liked but whom nobody knew. He was like a book that you could feel good holding, that you could talk about without ever having read, that you could recommend.

The more you try to impress, the more you become depressed, and the more they get tired of your coercion. It doesn't make them love you, instead, they'll see you as a little child, trying to draw a senseless picture on a piece of paper, begging people to look at it and admire it by force. You can persuade someone to look at your face, but you can't persuade them to see the beauty therein.

You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-­consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time. At least, that’s the way I remember it. That’s why my mother always said we memorialize our past. Everything seems better in a memory.

The world needs someone they can admire from a distance; from a very far distance.

But knowing you're good can only take you so far. At some point, you need someone else to see it, too. Appreciation from people you admire changes how you see yourself. And Billy saw me the way I wanted to be seen. There is nothing more powerful than that. I really believe that. Everybody wants somebody to hold up the right mirror

I have just discovered that I have no feelings, just thoughts, borrowed thoughts taken from someone I admire because he seems to have feelings.

I am for the most part so convinced that everything is lacking in basis, consequence, justification, that if someone dared to contradict me, even the man I most admire, he would seem to me a charlatan or a fool.

It's not easy, pairing yourself off with someone forever. It's an admirable thing, and I'm glad you're both doing it, but, boy-oh-girl-oh, there will be days you wish you'd never done it. And those will be the good times, when it's only days of regret and not months.

Think about your hero. Do you think of this person as someone with extraordinary abilities who achieved with little effort? Now go find out the truth. Find out the tremendous effort that went into their accomplishment—and admire them more.

But a shift has occurred since I stepped up to take Prim’s place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.

If someone burns out your eye I will take your socket and use it for an ashtray.

When I get hold of a book I particularly admire, I am so enthusiastic that I loan it to someone who never brings it back.

What is the greatest reward a writer can have? Isn't it that day when someone rushes up to you, his face bursting with honesty, his eyes afire with admiration and cries, "That new story of yours was fine, really wonderful!

When someone I admire turns out to be a rather normal guy, I get offended because it’s an insult to my jealousy.

Those touchy mediocrities who sit trembling lest someone's work prove greater than their own - they have no inkling of the loneliness that comes when you reach the top. The loneliness for an equal - for a mind to respect and an achievement to admire.

But more than that, he admired the way she'd always spoken her mind. He remembered that after they'd gone out a few times, he'd said to her what he said to all women he dated-that he wasn't ready for a steady relationship. Unlike the others, though, Allie had simply nodded and said, "Fine." But on her way out the door, she'd turned and said: "But your problem isn't me, or your job, or your freedom, or whatever else you think it is. Your problem is that you're alone. Your father made the Hammond name famous, and you've probably been compared to him all your life. You've never been your own person. A life like that makes you empty inside, and you're looking for someone who will magically fill that void. But no one can do that but you.

If you take a trait that by all appearances is a merit—a trait that is praised by pastors and poets, a trait that we have come to admire in our friends and hope to foster in our children—and you give it to some poor soul in abundance, it will almost certainly prove an obstacle to their happiness. Just as someone can be too smart for their own good, there are those who are too patient for their own good, or too hardworking.

Politeness, it turned out, was almost as effective when you wanted someone to do something for you. And kindness went further toward lasting admiration than any amount of mind control. Word

You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life.

Admiration is the feeling you get when you find that someone is superior to you, or someone is better than you in certain ways.

I just had an out-of-body experience. Niall Stella just took off my shirt and admired my chest.” “Do you need to text someone?

December 27, 11:00 p.m. My Dear America, I’ve never written a love letter, so forgive me if I fail now. . . . The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you. I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me. I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife. And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now. I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want. I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion. You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do. You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side. I love you, America. Yours forever, Maxon

Once, not too long ago, you were the good brother. You were careful with everyone's feelings. It was fucking ridiculous how polite and thoughtful you were. You've changed man. Cant believe I'm saying this, but I miss that guy. He was someone I always admired. I couldn't be proud of my choices, but I was always so damn proud of yours.

When Einstein died, his greatest rival, Bohr, found for him words of moving admiration. When a few years later Bohr in turn died, someone took a photograph of the blackboard in his study. There’s a drawing on it. A drawing of the ‘light-filled box’ in Einstein’s thought experiment. To the very last, the desire to challenge oneself and understand more. And to the very last: doubt

If fame is a curse, successful people―by definition―can’t be seen. Almost every person I admire has a quiet life at home with someone they love, working on projects they love―designing their life as they love.

When you admire someone you want to be them, when you love someone, you want to be with them.

I want to be someone she respects. Admires. But in order for that to happen, I'm going to have to change. To become stronger. As strong as her.

Live like you are extraordinary. Love like you admire someone's most painful burden. Breathe like the air is scented with lavender and fire. See like the droplets of rain are each exquisite. Laugh like the events of existence are to be cherished. Imagine like there is magic in you fingertips. Give freedom to your instincts, to your spirit, to your longing.

So let me see-you've got a boyfriend, a not boyfriend, and a secret admirer. " He shook his head at me. "Girl, no wonder someone tried to run you down.

Falling in love is not an act of will. It is not a conscious choice. No matter how open to or eager for it we may be, the experience may still elude us. Contrarily, the experience may capture us at times when we are definitely not seeking it, when it is inconvenient and undesirable. We are as likely to fall in love with someone with whom we are obviously ill matched as with someone more suitable. Indeed, we may not even like or admire the object of our passion, yet, try as we might, we may not be able to fall in love with a person whom we deeply respect and with whom a deep relationship would be in all ways desirable. This is not to say that the experience of falling in love is immune to discipline. Psychiatrists, for instance, frequently fall in love with their patients, just as their patients fall in love with them, yet out of duty to the patient and their role they are usually able to abort the collapse of their ego boundaries and give up the patient as a romantic object. The struggle and suffering of the discipline involved may be enormous. But discipline and will can only control the experience; they cannot create it. We can choose how to respond to the experience of falling in love, but we cannot choose the experience itself.

I think Wordsworth was as surprised to see me as I was him. It can't be usual to go to your favorite memory only to find someone already there, admiring the view ahead of you.

So I didn't adopt Homer because he was cute and little and sweet, or because he was helpless and needed me. I adopted him because when you think you see something so fundamentally worthwhile in someone else, you don't look for the reasons - like bad timing or a negative bank balance - that might keep it out of your life. You commit to being strong enough to build your life around it, no matter what. In doing so, you begin to become the thing you admire.

I don't dislike them, nor do I like them. I've never understood why one must love children simply because they are children. I don't love people because they are people; in fact, I rarely like any people at all. If a child is somehow deserving of admiration, I certainly won't deny it, but why hand it out like candy on Queen's Day?

Sophronia felt bound to object. "I, for one, should prefer not to shoot at someone I like." "Admirable scruples, Miss Temminnick. Get over them. For you will do it anyway.

An interesting paradox of the therapy process: In order to do their job, therapists try to see patients as they really are, which means noticing their vulnerabilities and entrenched patterns and struggles. Patients, of course, want to be helped, but they also want to be liked and admired. In other words, they want to hide their vulnerabilities and entrenched patterns and struggles. That’s not to say that therapists don’t look for a patient’s strengths and try to build on those. We do. But while we aim to discover what’s not working, patients try to keep the illusion going to avoid shame—to seem more together than they really are. Both parties have the well-being of the patient in mind but often work at cross-purposes in the service of a mutual goal.

But knowing you're good can only take you so far. At some point, you need someone else to see it, too. Appreciation from people you admire changes how you see yourself. And Billy saw me the way I wanted to be seen. There is nothing more powerful than that. I really believe that. EVERYBODY WANTS SOMEBODY TO HOLD UP THE RIGHT MIRROR.

I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!

My mind is, to use a disgustingly obvious simile, like a wastebasket full of waste paper; bits of hair, and rotting apple cores. I am feeling depressed from being exposed to so many lives, so many of them exciting, new to my realm of experience. I pass by people, grazing them on the edges, and it bothers me. I've got to admire someone to really like them deeply - to value them as friends. It was that way with Ann: I admired her wit, her riding, her vivacious imagination - all the things that made her the way she was. I could lean on her as she leaned on me. Together the two of us could face anything - only not quite anything, or she would be back. And so she is gone, and I am bereft for awhile. But what do I know of sorrow?

I never needed a Man. I needed a Viking. I needed someone who wasn't afraid of my strengths, or of my needs. I chose wrong... in the past. I thought I had to find someone who could put up with my hunger for life. But I was so damn wrong. I needed a Viking. I needed someone who would admire all the things about me that tepid men were intimidated by.

Focus on whether you are fulfilling your own potential than comparing yourself to someone else. The fact that you have a natural limit to any specific ability has nothing too do with whether you are reaching the ceiling of your capabilities. People get so caught up in the fact that they have limits that they rarely exert the effort required to get close to them. Genes can not make you successful if you’re not doing the work. Until you work as hard as those you admire, don’t explain away their success as luck.

Some girls can't stand to be around the guy they like. They get really nervous, and rather than make fools of themselves, they just stay away. I was the opposite; the more I liked a guy, the more I wanted to be around him. I was the type who'd join the same org, or pick the same elective. Sure I was probably looking like a fool five times a day over a bunch of things, but I liked being close to someone I admired.

Can you explain away love too?' I asked. 'Oh yes,' he said. 'The desire to possess in some, like avarice: in others the desire to surrender, to lose the sense of responsibility, the wish to be admired. Sometimes just the wish to be able to talk, to unburden yourself to someone who won't be bored. The desire to find again a father or a mother. And of course under it all the biological motive.

Rose stood in the last faint beams of sunset. “Whoa!” “Is he wearing a leather cat suit?” “Holy Mother!" “Dude!” The guys all quickly averted their eyes and raised their hands to further block any chance of catching a view. Anything to not see Rose in his painted-on leather one-piece that left absolutely nothing to the imagination. “Stunning, right?” Rose spread his palms as far as the cuffs would allow. “Oh, I’m stunned.” Ayden looked ill. Rose looked down at himself with admiration. “Not many males can pull off this look.” “No male can pull off that look.” "Actually, his finely sculptured physique would be considered the perfect complement for this type of anatomically revealing attire which accentuates his—” “Bloody hell, Jayden, shut it!” “Dude, this is so not right.” “I feel like it’s looking at me.” “Feel like what’s looking at—? Oh. Oh! Ugh, now I feel like it’s looking at me too.” “How can it be looking at both of us?” “Are you serious?” “I’m gonna be sick.” “Someone please gouge out my eyes.

I think people expect too much from marriage today" he said. "They expect perfection. Every moment should be a bliss. That´s TV or movies. But that is not the human experience. Like Sarah says, twenty good minutes here, forty good minutes there, it adds up to something beautiful. The trick is when things aren´t so great, you don´t junk the whole thing. It´s okay to have an argument. It´s okay that the other one nudges you a little, bothers you a little. It´s part of being close to someone. But the joy you get from the sam closeness - when you watch your children, whan you wake up and smile at each other - that, as our tradition teaches us, is a blessing. People forget that. Why do they forget it? Because the word "commitment" has lost its meaning. I´m old enough to remember when it used to be positive. A committed person was someone to be admired. He was loyal and steady. Now a commitment is something you avoid. You don´t want to tie yourself down

What do you see when you look at me?” My eyes narrowed and I pressed my lips together, weighing my thoughts. All of his bimbo admirers aside, what did I see? What did my gut tell me about this man? What did it say that allowed me to wind up here with him, under such impulsive circumstances? “You’re a sad man,” I swallowed. “You’re arrogant and set in your ways, but that creates a fortress for you. It’s your safe haven. Behind the moat is someone who has lost something he loved, only I’m not sure what, or who. You’re afraid of something and your loyalty is hidden away in a cell, wounded by betrayal.” I rested my head on the pillow. “That’s what I see.” “On second thought,” he exhaled, letting his head drop next to mine. “You’re psychic.

Loving someone is something you can do from afar, admiring someone and appreciationg their existence in your life - but in love's different. It's all-cosnuming to the point where being away from taht person seems unbearable. There's no stopping that feeling... ~ Ben

It was a machine that required constant feeding- Henry hated the machine, and he hated himself for wanting the sort of admiration it promised, as if he had no worth unless someone was there to applaud it

The memory of having sat at someone’s feet will later make you want to trample him underfoot. I’m trying to fend off your admiration for me, you see, in order to save myself from your future contempt. I prefer to put up with my present state of loneliness rather than suffer more loneliness later. We who are born into this age of freedom and independence and the self must undergo this loneliness. It’s the price we pay for these times of ours.

-A Word On Statistics- Out of every hundred people, those who always know better: fifty-two. Unsure of every step: almost all the rest. Ready to help, if it doesn't take long: forty-nine. Always good, because they cannot be otherwise: fourwell, maybe five. Able to admire without envy: eighteen. Led to error by youth (which passes): sixty, plus or minus. Those not to be messed with: four-and-forty. Living in constant fear of someone or something: seventy-seven. Capable of happiness: twenty-some-odd at most. Harmless alone, turning savage in crowds: more than half, for sure. Cruel when forced by circumstances: it's better not to know, not even approximately. Wise in hindsight: not many more than wise in foresight. Getting nothing out of life except things: thirty (though I would like to be wrong). Balled up in pain and without a flashlight in the dark: eighty-three, sooner or later. Those who are just: quite a few, thirty-five. But if it takes effort to understand: three. Worthy of empathy: ninety-nine. Mortal: one hundred out of one hundred a figure that has never varied yet.

You start admiring someone who's famous for actually doing something---imagine that---and I swear to you I will buy you every item in her entire wardrobe. But over my own dead body will I spend my own time and money turning you into a clone of some brain-dead waste of skin who thinks the pinnacle of achievement is selling her wedding shots to a magazine.

I admire independence. The world would be a stronger place if we were all capable of handling life on our own. But being capable of it doesn't mean being unable to share and depend on someone else. It shouldn't mean being unwilling to. That's the romance.

I wanted, then, to become what I most admired, what now seemed most real to me. I wanted to be that exalted, complicated presence in someone's life, the familiar body, the source of another's existence. But I knew what I wanted was not always what I needed.

We saw a pale echo of what is now possible in 1990-1991, when Saddam Hussein, the autocrat of Iraq, made a sudden transition in the American consciousness from an obscure near-ally - granted commodities, high technology, weaponry, and even satellite intelligence data - to a slavering monster menacing the world. I am not myself an admirer of Mr. Hussein, but it was striking how quickly he could be brought from someone almost no American had heard of into the incarnation of evil. These days the apparatus for generating indignation is busy elsewhere. How confident are we that the power to drive and determine public opinion will always reside in responsible hands?

What is patriotism? Let us begin with what patriotism is not. It is not patriotic to dodge the draft and to mock war heroes and their families. It is not patriotic to discriminate against active-duty members of the armed forces in one’s companies, or to campaign to keep disabled veterans away from one’s property. It is not patriotic to compare one’s search for sexual partners in New York with the military service in Vietnam that one has dodged. It is not patriotic to avoid paying taxes, especially when American working families do pay. It is not patriotic to ask those working, taxpaying American families to finance one’s own presidential campaign, and then to spend their contributions in one’s own companies. It is not patriotic to admire foreign dictators. It is not patriotic to cultivate a relationship with Muammar Gaddafi; or to say that Bashar al-Assad and Vladimir Putin are superior leaders. It is not patriotic to call upon Russia to intervene in an American presidential election. It is not patriotic to cite Russian propaganda at rallies. It is not patriotic to share an adviser with Russian oligarchs. It is not patriotic to solicit foreign policy advice from someone who owns shares in a Russian energy company. It is not patriotic to read a foreign policy speech written by someone on the payroll of a Russian energy company. It is not patriotic to appoint a national security adviser who has taken money from a Russian propaganda organ. It is not patriotic to appoint as secretary of state an oilman with Russian financial interests who is the director of a Russian-American energy company and has received the “Order of Friendship” from Putin. The point is not that Russia and America must be enemies. The point is that patriotism involves serving your own country. The

I am jealous. I’m envious of the easy options all the rest of you enjoy. To date someone or not to date someone? Does she like him? Does he like her? You can try out whatever you like and change your minds at any time. Everyone is available to everyone else. Me? I might be permitted to admire someone from afar, to harbor a yearning in secret, but to act on it would cost me everything.

I asked my schoolmate Mary to write a letter to me. She was funny and full of life. She liked to run around her empty house without any clothes on, even once she was too old for that. Nothing embarrassed her. I admired that so much, because everything embarrassed me, and that hurt me. She loved to jump on her bed. She jumped on her bed for so many years that one afternoon, while I watched her jump, the seams burst. Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn’t someone, somewhere, laughing?

I read it as if it had been written by someone else, although it was my own experience being recounted. The endless questioning finally ended. My psychiatrist looked at me, there was no uncertainty in his voice. "Maniac-depressive illness." I admired his bluntness. I wished him locusts in his land and a pox upon his house. Silent, unbelievable rage. I smiled pleasantly. He smiled back. The war had just begun,

It does not take the striking pose of a high-fashion model or the strict stance of someone in uniform to earn respect and admiration.

If you think someone is humble, never tell them so. You will unknowingly rob them of the very thing you admire.

She was sweating and pale but beautiful in the firelight. Showing a woman’s strength in a delicate vessel, holding strong like a warrior. I have never admired someone more.

This lady has deep feelings for Tengo, Ushikawa thought admiringly. Almost a kind of unconditional love. What would it feel like to be loved that deeply by someone else?

You may be a person I admire, but you can't be a person that everyone admires. You are not everyone's favourite, but you are someone's favourite whether you like them or not.

Live like you are extraordinary. Love like you admire someone’s most painful burden. Breathe like the air is scented with lavender and fire. See like the droplets of rain are each exquisite. Laugh like the events of existence are to be cherished. Imagine like there is magic in you fingertips. Give freedom to your instincts, to your spirit, to your longing.

When someone doesn't have what you have, their heart fills with admiration and head with envy. Their heart wants them to become closer to you and their head wants them to become like you.

Those touchy mediocrities who sit trembling lest someone's work prove greater than their own - they have no inkling of the loneliness that comes when you reach the top. The loneliness for an equal - for a mind to respect and an achievement to admire...They envy achievement, and their dream of greatness is a world where all men have become their acknowledged inferiors. They don't know that that dream is the infallible proof of mediocrity, because that sort of world is what the man of achievement would not be able to bear.

I admire your courage. I know what you’ve given up to be here. I know the kind of artist it takes to land a role. I know that you won’t receive one on your own. And I imagine you, myshka, two years from now, working at Phantom with the same aspirations, the same dreams, in the same place where you are now. It’s wasted courage. And wasted love. You shouldn’t have to waste those things.” I’m speechless. And overwhelmed. When someone reaches out and gives you a hand—for no other reason than to see your success—it’s powerful. And rare. He wipes beneath my eye with his thumb. “I’d rather feed your hunger than watch you starve

We aren't fighting right now." I blurted out. He gave me a sidelong look. "Do you want to fight?" "No. I hate fighting with you. Verbally, I mean. I don't mind in the gym." I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either." Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love. The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them. "You should take it." He flinched. "What?" "Tasha's offer. You should take her up on it. It's a really great chance." I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them. "I never expected to hear you say anything like that," he told me, voice tight. "Especially after-" "What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy." Silence yet again. I noticed then that my chest hurt. Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said. It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with. Dimitri might run off with Tasha, but I would still love him. I would probably always love him. I cared about Mason. But I would probably never love him. I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had. Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease. "Where you going?" he asked. "To break someone's heart," I replied. I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.

This is eminently true of many happy moments in life. Freed from the demands of decision and intention, adrift on some inner sea, we observe our various movements as if they belonged to someone else, and yet we admire their involuntary excellence.

...a lot of people never find the person God created them to be. They’re too busy trying to live up to other people’s expectations, or they try to create themselves in the image of a person they admire or envy. Just because we respect someone or think their life might be more exciting than ours doesn’t mean God created us to be just like them. Sometimes we have to ignore the people in our lives so we can hear the voice of God...But making a decision to put someone else first out of love isn’t the same thing as putting them first out of fear. Because you’re afraid they won’t love you if you don’t act the way they might want you to.

I have learned, that in this life, you must always be your own advocate. We yearn for someone to always be on our side, to always trust us, to always believe us and believe in us, regardless of the world and everything in it! But the reality of life proves that the majority of people are only capable of a shallow love. They will only advocate you as much as you advocate yourself. They are admirers who have fallen into adoration of your own publication of yourself and once that image begins to shake and quiver? Their "love" shakes and quivers, too. Very seldom will you find someone who will love the way that you tremble. And yet, this is the only type of love that is ever even true! If you are not loved for the way that you tremble and the way that you come unhinged, then you are not even loved at all.

She is bizarre, fantastic, nervous, like someone in a high fever. Her beauty drowned me. As I sat before her, I felt I would do anything she asked of me. Henry suddenly faded. She was color and brilliance and strangeness. By the end of the evening I had extricated myself from her power. She killed my admiration by her talk. Her talk. The enormous ego, false, weak, posturing. She

It is sadly true that most institutions and nations admire and reward sins of the "spirit," and various forms of arrogance and greed often lead to promotions and praise. But pride, ambition, and vanity are still pride, ambition, and vanity; they do not stop being capital sins because someone is pope or president. "Greed is good" in America, extravagant bonuses are envied and imitated, and careerism is rampant among the clergy . . . Sins of the flesh, however, carry shame and guilt and can always be used to bring anybody down in church, culture, or the state.

To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong. Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.

I know you can take care of yourself. Hell, your strength is one of the things I admire most about you. And, I know you don't need me, but I do want you to need me. I want you to need my strength. I want you to come to me when you have a problem, knowing I'll help you solve it any way I can. I want you to share with me your hopes and your fears. I want you to depend on me, rely on me, knowing I'll take care of you. Do you understand why I want all these things?" Alexis could only manage to shake her head. Jack leaned in close, captured her face with his hands and rested his forehead against hers. "I want all that, so I can be that someone, you think is special.

Perhaps the most admirable reason to seek rapport would be to put someone at ease, but if that is a stranger’s entire intent, a far simpler way is to just leave the woman alone. Charm

Is there anything more embarrassing than being caught imitating someone you really admire, by someone who knows you really well? Apart from being caught taking a shit in public, maybe not.

In fact, I'd go one better, and venture that there's nothing more important than friendship: if it should then take you to the ends of the earth with someone you like and admire, so much the better

In some ways I admire Aunt Helen's unwavering certainty in God's divine plan. It must be comforting, to have faith like that. To believe so concretely that there's someone—something—out there watching guard, keeping us safe, testing us only with what we can handle. I've never believed in anything the way Aunt Helen believes in God.

If someone has not learned to stop and admire something beautiful, we should not be surprised if he or she treats everything as an object to be used and abused without scruple. If we want to bring about deep change, we need to realize that certain mindsets really do influence our behaviour. Our efforts at education will be inadequate and ineffectual unless we strive to promote a new way of thinking about human beings, life, society and our relationship with nature. Otherwise, the paradigm of consumerism will continue to advance, with the help of the media and the highly effective workings of the market.

imitation of notable models as an effective spring of learning; was the most ancient and effective motivation to learn—to become like someone admirable—put to death deliberately by institutional pedagogy.

Which is precisely why I wanted to write this book: these unruly women are so magnetic, but that magnetism is countered, at every point, by ideologies that train both men and women to distance themselves from those behaviors in our own lives. Put differently, it’s one thing to admire such abrasiveness and disrespect for the status quo in someone else; it’s quite another to take that risk in one’s own life.

Anti-Americanism is in the process of being consecrated into an ideology. The term 'anti-American' is usually used by the American establishment to discredit and, not falsely -- but shall we say inaccurately -- define its critics. Once someone is branded anti-American, the chances are that he or she will be judged before they're heard and the argument will be lost in the welter of bruised national pride. What does the term 'anti-American' mean? Does it mean you're anti-jazz? Or that you're opposed to free speech? That you don't delight in Toni Morrison or John Updike? That you have a quarrel with giant sequoias? Does it mean you don't admire the hundreds of thousands of American citizens who marched against nuclear weapons, or the thousands of war resisters who forced their government to withdraw from Vietnam? Does it mean that you hate all Americans? ..... To call someone 'anti-American', indeed, to be anti-American, (or for that matter anti-Indian, or anti- Timbuktuan) is not just racist, it's a failure of the imagination. An inability to see the world in terms other than those that the establishment has set out for you: If you're not a Bushie you're a Taliban. If you don't love us, you hate us. If you're not good you're evil. If you're not with us, you're with the terrorists.

I admire someone who in the literal sense can say, 'If it is broken, I can fix it. If it's lost I can find it. IF you fall, I can catch you.' because if you can say it in the literal sense, you can mean it in the figurative sense. The littlest things can change the world. A smile can save someone's life, and a hand freely given when you have nothing to give other than yourself, can mean the world to someone else

Why must they share their uncensored reactions?” She was referring to the corrosive criticism that wears couples down as they selectively attend to what bothers them in a partner rather than speaking to what they appreciate and admire. And she was referring to the raw, unbridled emotional exchanges that, when unchecked, erode intimacy and connection in family relationships.

It happened all the time. Maybe someone had a legitimate gripe that deserved airing. Maybe someone had a compliment that shouldn't go unspoken. No one said a thing. So long and stay in touch, that's usually all we said. Take care of yourself, good luck. We said nothing about affection, appreciation, admiration.

Is that why we give flowers? To express admiration? Sometimes. But there are other reasons. A symbol of love or of commiseration. A way of saying thank you. A mark of respect. Proof we like someone and want them to smile. And we put flowers on graves to say “Look, we still think of you. You've left a space behind.

I try to go out of my way to connect with each person as much as I possibly can despite the long lines an stifling crowds and people in cosplay with fakes weapons who accidentally poke people in the eyes with rubber broadswords. Because that single moment you get with someone you admire is so important, I never want anyone to walk away feeling mortified like I generally do when meeting someone I fan over.

I couldn’t think of anyone I’d ever felt sorry for. There were plenty of kids I was envious of. There were others I achingly admired, but that might simply be another form of jealousy. Then there were those I feared, dreaded. And the worst of them, the man who shamed me. I could see my father’s angry features looming over my mother. I could clearly picture her beside him in his truck, cowering against the door while he belittled and assaulted her. I guess I did know someone I felt sorry for.

The objection to profit is as if a bystander, observing the planter digging his crop, should say: "You put in only one potato and you are taking out a dozen. You must have taken them away from someone else; those extra potatoes cannot be yours by right." If profit is denounced, it must be assumed that running at a loss is admirable. On the contrary, that is what requires justification. Profit is self-justifying.

Anyway, the fervent hope of every undisciplined person (even an undisciplined genius) is that his current worthlessness and stupidity is someone else's fault. If—in the best of cases—it is society's fault, then society can be made to pay. This sleight-of-hand maneuver transforms the undisciplined into the admirable rebel, at least in his own eyes, and allows him to seek unjustified revenge in the disguise of the revolutionary hero. A more absurd parody of heroic behavior can hardly be imagined.

As June walked toward me from the darkness of the garden into the light of the door, I saw for the first time the most beautiful woman on earth. Astartling white face, burning dark eyes, a face so alive I felt it would consume itself before my eyes. Years ago I tried to imagine a true beauty; I created in my mind an image of just such a woman. I had never seen her until last night. Yet I knew long ago the phosphorescent color of her skin, her huntress profile, the evenness of her teeth. She is bizarre, fantastic, nervous, like someone in a high fever. Her beauty drowned me... By the end of the evening I had extricated myself from her power. She killed my admiration by her talk. Her talk. The enormous ego, false, weak, posturing. She lacks the courage of her personality, which is sensual, heavy with experience. Her role alone preoccupies her. She invents drama in which she always stars. I am sure she creates genuine dramas, genuine chaos and whirlpools of feelings, but I feel that her share in it is a pose. That night, in spite of my response to her, she sought to be whatever she felt I wanted her to be. She is an actress every moment. I cannot grasp the core of June.

Look what the cat dragged in," Ms. Skoglund said. "Were you waylaid by all your female admirers?" "It's nothing like that," the boy said. "Besides, you know I only have eyes for you." "Sure you do," Ms. Skoglund said. "I mean, why bother with one of those skinny little things your age when you can go for someone who's trying to lose another thirty pounds before her twenty-year class reunion next summer? That makes sense.

But sometimes, very occasionally, songs and books and films and pictures express who you are perfectly. And they don’t do this in words or images, necessarily; the connection is a lot less direct and more complicated than that. When I was first beginning to write seriously, I read Anne Tyler’s Dinner at the Homesick Restaurant, and suddenly knew what I was, and what I wanted to be, for better or worse. It’s a process something like falling in love. You don’t necessarily choose the best person, or the wisest, or the most beautiful; there’s something else going on. There was a part of me that would rather have fallen for Updike or Kerouac, or DeLillo – for someone masculine, or at least, maybe somebody a little more opaque, and certainly someone who uses more swearwords- and, though I have admired those writers, at various stages in my life, admiration is a very different thing from the kind of transference I’m talking about. I’m talking about understanding – or at least feeling like I understand- every artistic decision, every impulse, the soul of both the work and its creator. “This is me,” I wanted to say when I read Tyler’s rich, sad, lovely novel. “I’m not a character, I’m nothing like the author, I haven’t had the experiences she writes about. But even so, this is what I feel like, inside. This is what I would sound like, if I ever I were to find a voice.” And I did find a voice, eventually, and it was mine, not hers; but nevertheless, so powerful was the process of identification that I still don’t feel as though I’ve expressed myself as well, as completely, as Tyler did on my behalf.

You can start training yourself in this Stoic practice of objective representation right now by writing down a description of an upsetting or problematic event in plain language. Phrase things as accurately as possible and view them from a more philosophical perspective, with studied indifference. Once you’ve mastered this art, take it a step further by following the example of Paconius Agrippinus and look for positive opportunities. Write how you could exercise strength of character and cope wisely with the situation. Ask yourself how someone you admire might cope with the same situation or what that person might advise you to do. Treat the event like a sparring partner in the gym, giving you an opportunity to strengthen your emotional resilience and coping skills. You might want to read your script aloud and review it several times or compose several versions until you’re satisfied it’s helped you change how you feel about events.

Pella felt relieved to sit across from someone who was willing to act so unreservedly glum in her presence, as if she weren't there. David never did that--David's eyes were always right on her, probing, admiring, assessing, enjoying. That was what he called love.

Telling someone something that he does not understand is pointless, even if you add that he will not understand it. (That so often happens with someone you love.) If you have a room which you do not want certain people to get into, put a lock on it for which they do not have the key. But there is no point in talking to them about it, unless of course you want them to admire the room from the outside! The honourable thing to do is to put a lock on the door which will be noticed only by those who can open it, not by the rest.

Knowing that wisdom waits to be gathered, I actively search her out. I will change my actions TODAY! I will train my eyes and ears to read and listen to books and recordings that bring about positive changes in my personal relationships and a greater understanding of my fellow man. I will read and listen only to what increases my belief in myself and my future. I will seek wisdom. I will choose my friends with care. I am who my friends are. I speak their language, and I wear their clothes. I share their opinions and their habits. From this moment forward, I will choose to associate with people whose lives and lifestyles I admire. If I associate with chickens, I will learn to scratch at the ground and squabble over crumbs. If I associate with eagles, I will learn to soar to great heights. I am an eagle. It is my destiny to fly. I will seek wisdom. I will listen to the counsel of wise men. The words of a wise man are like raindrops on dry ground. They are precious and can be quickly used for immediate results. Only the blade of grass that catches a raindrop will prosper and grow. I will seek wisdom. I will be a servant to others. A wise man will cultivate a servant’s spirit, for that particular attribute attracts people like no other. As I humbly serve others, their wisdom will be freely shared with me. He who serves the most grows the fastest. I will become a humble servant. I will look to open the door for someone. I will be excited when I am available to help. I will be a servant to others. I will listen to the counsel of wise men. I will choose my friends with care. I will seek wisdom.

Surely it was illegal for someone to look so classy and graceful having fallen asleep on train.

No one will ever admire you for being someone else.

When someone says, 'I admire your character,' I never know whether the person is talking about my ethics or referring to someone in one of my books.

It’s nice to be admired, Laia, by someone who means well. It’s nice to be thought beautiful.

Another limit on intimate marriage in the nineteenth century was that many people still held the Enlightenment view that love developed slowly out of admiration, respect, and appreciation of someone’s good character. Coupled with the taboos on expressions of sexual desire, these values meant that the love one felt for a sweetheart often was not seen as qualitatively different from the feeling one might have for a sister, a friend, or even an idea.

...he said:"To love, we need passion, but also respect. Once, someone told me that all you needed to build lasting happiness was a woman who admired and respected her man. But now, I know that's wrong. Happiness is much more difficult to attain. It's like crossing a suspension bridge; it's fragile, shaky, and there's no guardrail. You have to find your own equilibrium. And for that to happen, it has to rest on two centers of gravity, on both partners.

And then a man of forty or so, with a French accent, asked, "How do you achieve the presence of mind to initiate the writing of a poem?" And something cracked open in me, and I finally stopped hoarding and told them my most useful secret. The only secret that has helped me consistently over all the years that I've written. I said, "Well, I'll tell you how. I ask a simple question. I ask myself: What was the very best moment of your day??" The wonder of it was, I told them that this one question could lift out from my life exactly what I will want to write a poem about. Something I hadn't known was important will leap out and hover there in front of me, saying I am— I am the best moment of the day. I noticed two people were writing down what I was saying. Often, I went on, it's a moment when you're waiting for someone, or you're driving somewhere, or maybe you're just walking across a parking lot and admiring the oil stains and the dribbled tar patterns. One time it was when I was driving past a certain house that was screaming with sunlitness on its white clapboards, and then I plunged through tree shadows that splashed and splayed across the windshield. I thought, Ah, of course— I'd forgotten. You, windshield shadows, you are the best moment of the day. "And that's my secret, such as it is," I said.

Politics doesn’t require talent, intelligence, or good looks. Truly, someone like Donald Rumsfeld, a mediocre government functionary with no discernible talent, intelligence, or charm, is a greater international celebrity than Mick Jagger. Rumsfeld, despite being a has-been, is known in every corner of Asia, the Middle East, and Africa for his insanity and arrogance, while Jagger is admired by a mere couple hundred million music enthusiasts, huddled mostly in the First World.

But the thing is, since I've met someone, everyone started banging on and on about my not-so-secret admirer. I'd started to find it quite exciting. I'd forgotten that I don't get involved because the pain might not be worth it. All that flattery and attention distracted me from any pain that might have been lurking around the corner. But course, the pain got me in the end. It always does.

They say you can’t really be with someone until you can love yourself, but I’m learning that it can also sometimes take the admiration and support of someone else to help you get there. I was already on the path to seeing my own self-worth, but Brian took my hand and made the route less lonely.

It seems so dreadful to be a bachelor, to become an old man struggling to keep one's dignity while begging for an invitation whenever one wants to spend an evening in company, having to carry one's meal home in one's hand, unable to expect anyone with a lazy sense of calm confidence, able only with difficulty and vexation to give a gift to someone, having to say good night at the front door, never being able to run up a stairway beside one's wife, to lie ill and have only the solace of the view from one's window when one can sit up, to have only side doors in one's room leading into other people's living rooms, to feel estranged from one’s family, with whom one can keep on close terms only by marriage, first by the marriage of one's parents, then, when the effect of that has worn off, by one's own, having to admire other people's children and not even being allowed to go on saying: “I have none myself,” never to feel oneself grow older since there is no family growing up around one, modeling oneself in appearance and behavior on one or two bachelors remembered from our youth.

I want someone to laugh with me, someone to be grave with me, someone to please me and help my discrimination with his or her own remark, and at times, no doubt, to admire my acuteness and penetration

To be clear, she always admired hard workers: she just didn't see the point of laboring to benefit someone else. "If you're going to work hard," she used to say, "you might as well work hard for yourself.

We may think of egoists as people who have grown sick from too much love, but in fact the opposite is the case: an egoist is someone who has not yet had their fill. Self-centredness has to have a clear run in the early years if it isn’t to haunt and ruin the later ones. The so-called narcissist is simply a benighted soul who has not had a chance to be inordinately and unreasonably admired and cared for at the start.

The world is full of books, movies and stories about how the loss of a loved one, or a change in fortune, or a severe illness or another tragedy of such magnitude catapulted someone to reset their lives and chase long-forgotten dreams. I’m thinking of Cheryl Strayed, who hiked the Pacific Crest Trail solo after the unexpected and heartbreaking death of her mother, and Elizabeth Gilbert, who embarked on a year-long journey around the world after a painful divorce and depression. I admire their grit to pick themselves up and do something extraordinary in the face of tragedy. But what about the tragedy of a mundane, average, unfulfilling life?

I’ve got to admire the Aokis of this world. Their ability to lay low until the right moment, their knack for latching on to opportunities, their skill in fucking with people’s minds—that’s no ordinary talent. I hate their kind so much it makes me want to puke, but it is a talent. “No, what really scares me is how easily, how uncritically, people will believe the crap that slime like Aoki deal out. How these Aoki types produce nothing themselves, don’t have an idea in the world, and talk so nice, how this slime can sway gullible types to any opinion and get them to perform on cue, as a group. And this group never entertains even a sliver of doubt that they could be wrong. They think nothing of hurting someone, senselessly, permanently. They don’t take any responsibility for their actions. Them. They’re the real monsters. They’re the ones I have nightmares about. In those dreams, there’s only the silence. And these faceless people. Their silence seeps into everything like ice water. And then it all goes murky. And I’m dissolving and I’m screaming, but no one hears.

There is something very striking about Frankie. I’m not sure that you’d say she was conventionally attractive—her features are severe, her eyes very wide apart—but she is nevertheless someone you can’t help but look at and admire.

It is not enough to be loved by your mother. It is a good start, and you wouldn't want to do without, and it helps, but is not enough. You need also the love of your community, the love of friends and admirers, the love of strangers who don't know you but still wish you well, the love that comes from passion and from commitment and from someone who will never, never betray you and not just because they're related to you. You need more love. We all need more love.

EMOTIONAL ABANDONMENT AND NARCISSISTIC DEPRIVATION Children need mirroring and echoing. These come from their primary caregiver’s eyes. Mirroring means that someone is there for them and reflects who they really are at any given moment of time. In the first three years of our life each of us needed to be admired and taken seriously. We needed to be accepted for the very one we are. Having these mirroring needs met results in what Alice Miller calls our basic narcissistic supplies. These supplies result from good mirroring by a parent with good boundaries. When this is the case, as Miller states in The Drama of the Gifted Child, the following dynamics take place: 1. The child’s aggressive impulses can be neutralized because they do not threaten the parent. 2. The child’s striving for autonomy is not experienced as a threat to the parent.

A hundred years after his death, a statue of Lavoisier was erected in Paris and much admired until someone pointed out that it looked nothing like him. Under questioning the sculptor admitted that he had used the head of the mathematician and philosopher the Marquis de Condorcet—apparently he had a spare—in the hope that no one would notice or, having noticed, would care.

When people speak admiringly of a butch, what I see is someone who has taken on the best gendered characteristics of both woman and man, left a lot of the stuff born of misogyny and heterosexism behind, and walked forward into the world without apology.

Start each day with a task completed. Find someone to help you through life. Respect everyone. Know that life is not fair and that you will fail often, but if you take some risks, step up when the times are toughest, face down the bullets, lift up the downtrodden, and never, ever give up.......if you do these things, then the next generation and the generations that follow will live in a world far better than the one we have today. And what started here will indeed have changed the world, for the better.

When I look into my future, what I wish for isn't a job or a title or anything like that. I'm not Mandy, who wants everyone to admire and love her. For me, it would be enough to have one person. Someone who looks into my eyes and really sees me. To have that, that one person and this whole big ocean to explore and take care of, to keep for those who come after me. That would be enough for me.

Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and hold it out to me. It is an old and rarely use gesture of our district, occasionally seen a funerals. It means thanks, it means admiration, it means goodbye to someone you love.

Pick someone in your life you admire. Your grandfather, an old college professor, a friend—it doesn’t matter who, as long as you have total respect for them and you admire their life or accomplishments. Then when you’re about to take a leap, visualize this person at your side, rooting for you, telling you how much they believe in you. Try it when you ask for a raise, or ask someone on a date, or go for a bank loan to start your small business, or do anything scary that takes you outside your comfort zone. We all need a little encouragement and support sometimes.

While I let myself into the apartment I thought about Nick entering the room while everybody applauded. This now felt perfect to me, so perfect that I was glad he had missed the performance. Maybe having him witness how much others approved of me, without taking any of the risks necessary to earn Nick’s personal approval, made me feel capable of speaking to him again, as if I also was an important person with lots of admirers like he was, as if there was nothing inferior about me. But the acclaim also felt like part of the performance itself, the best part, and the most pure expression of what I was trying to do, which was to make myself into this kind of person: someone worthy of praise, worthy of love.

When I think of the books I love, there’s always a little laughter in the dark. I love Jane Eyre; I don’t love Wuthering Heights. I love Tolstoy; I don’t love Dostoevsky. I love Joyce; I don’t love Proust. I love Nabokov; I don’t love Pasternak. I don’t think I’m a funny person, but the fiction I grew up on was leavened with humor—I understand the other tradition and I admire it, but I just don’t love it. It never occurs to me to write as, say, A. S. Byatt writes, as I’m sure she would never dream in a squillion years of writing like me. The ironic theme in English writing—and I don’t mean po-mo irony, I mean the irony of someone like Defoe or Dickens—is either in you or it isn’t. Those who find Austen arch and cold and ironical, lacking the kind of intimate and metaphysical commitment of a writer like Emily Brontë cannot be convinced otherwise and vice versa. I appreciate both schools, but I can’t get out of the side I’m on. I don’t think I’d want to, though occasionally I have wet dreams about turning into Iris Murdoch.

I certainly admire people who can play their instruments, but I’d rather listen to someone whose ideas outweigh their proficiency than the other way round. Who would you rather listen to, the mile-a-minute technical snoozery of Yngwie Malmsteen or the passionate and primitive chunking of Lou Reed?

I distrust summaries, any kind of gliding through time, any too great a claim that one is in control of what one recounts; I think someone who claims to understand but who is obviously calm, someone who claims to write with emotion recollected in tranquility, is a fool and a liar. To understand is to tremble. To recollect is to reenter and be riven. An acrobat after spinning through the air in a mockery of flight stands erect on his perch and mockingly takes his bow as if what he is being applauded for was easy for him and cost him nothing, although meanwhile he is covered with sweat and his smile is edged with a relief chilling to think about; he is indulging in a show-business style; he is pretending to be superhuman. I am bored with that and with here it has brought us. I admire the authority of being on one's knees in front of the event. - Innocence, from My Mistress's Sparrow is Dead

Enraged is the wrong word, but I felt like I wanted to kick you in the shins and then make you banana bread. I wanted to key your car and take you out for dim sum. It was admiration, passion and that voice of yours all mushing together and disarming me, making me want smash something and kiss someone.

You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time.

there’s a private pain you must endure as people you loved, trusted, or admired turn against you in envy. It hurts to be criticized when you’re trying your best. It stings deeply when you discover the insincerity of those you thought loved you; they only loved what you could do for them. It’s a harsh reality to face that someone simply wants you to fail. You don’t know why; they don’t know why. They just can’t stand the thought of you getting what you want out of life.

Human nature is such that when we are suddenly taken up by someone whom we consider superior and admirable, we accept his attentions calmly, whereas when we are dropped we cannot rest until we feel we have got to the bottom of the person's profound irrationality. Nor can we easily accept the verdict sent down to us through the mortifying silence of someone who has found us wanting and has packed up and moved on. We protest it, each in our way - our futile way, since the more effective is our protest the more surely do we drive away the person whose love we have lost not because of anything we did, but because of who we are.

You see something beautiful and you can’t believe your eyes. Someone tells you something about…the natural beauty of Iceland…people bathing in thermal springs, among geysers…in fact you’ve seen it in pictures, but still you say you can’t believe it…Although obviously you believe it…Exaggeration is a form of polite admiration…You set it up so the person you’re talking to can say: it’s true…And then you say: incredible. First you can’t believe it and then you think it’s incredible.

Considering thus how much honor is awarded to antiquity, and how many times—letting pass infinite other examples—a fragment of an ancient statue has been bought at high price because someone wants to have it near oneself, to honor his house with it, and to be able to have it imitated by those who delight in that art, and how the latter then strive with all industry to represent it in all their works; and seeing, on the other hand, that the most virtuous works the histories show us, which have been done by ancient kingdoms and republics, by kings, captains, citizens, legislators, and others who have labored for their fatherland, are rather admired than imitated—indeed they are so much shunned by everyone in every least thing that no sign of that ancient virtue remains with us—I can do no other than marvel and grieve… From this it arises that the infinite number who read [the histories] take pleasure in hearing of the variety of accidents contained within them without thinking of imitating them, judging that imitation is not only difficult but impossible—as if heaven, sun, elements, men had varied in motion, order, and power from what they were in antiquity. Wishing, therefore, to turn men from this error, I have judged it necessary to write on all those books of Titus Livy...

Every day we see allurements of one kind or another that tell us what we have is not enough. Someone or something is forever telling us we need to be more handsome or more wealthy, more applauded or more admired than we see ourselves as being. We are told we haven't collected enough possessions or gone to enough fun places. We are bombarded with the message that on the world's scale of things we have been weighed in the balance and found wanting. Some days it is if we have been locked in a cubicle of a great and spacious building where the only thing on the TV is a never-ending soap opera entitled Vain Imaginations. But God does not work this way.

What is this thing called joy, and how is it possible that it can evoke such a wide range of feelings? How can the experience of joy span from those tears of joy at a birth to an irrepressible belly laugh at a joke to a serenely contented smile during meditation? Joy seems to blanket this entire emotional expanse. Paul Ekman, famed emotions researcher and longtime friend of the Dalai Lama, has written that joy is associated with feelings as varied as: pleasure (of the five senses) amusement (from a chuckle to a belly laugh) contentment (a calmer kind of satisfaction) excitement (in response to novelty or challenge) relief (following upon another emotion, such as fear, anxiety, and even pleasure) wonder (before something astonishing and admirable) ecstasy or bliss (transporting us outside ourselves) exultation (at having accomplished a difficult or daring task) radiant pride (when our children earn a special honor) unhealthy jubilation or schadenfreude (relishing in someone else’s suffering) elevation (from having witnessed an act of kindness, generosity, or compassion) gratitude (the appreciation of a selfless act of which one is the beneficiary)

But then, staring at the label on one crate, which read SWORD-CANE-DLUBECK SHOE TREE-HORA SUITS (3)-HORA ASSORTED HANDKERCHIEFS (6)-HORA Josef felt a bloom of dread in his belly, and all at once he was certain that it was not going to matter one iota how his father and the others behaved. Orderly or chaotic, well inventoried and civil or jumbled and squabbling, the Jews of Prague were dust on the boots of the Germans, to be whisked off with an indiscriminate broom. Stoicism and an eye for detail would avail them nothing. In later years, when he remembered this moment, Josef would be tempted to think that he had suffered a premonition, looking at those mucilage-caked labels, of the horror to come. At the time it was a simpler matter. The hair stood up on the back of his neck with a prickling discharge of ions. His heart pulsed in the hollow of his throat as if someone had pressed there with a thumb. And he felt, for an instant, that he was admiring the penmanship of someone who had died.

Miss Taggart, do you know the hallmark of the second-rater? It's resentment of another man's achievement. Those touchy mediocrities who sit trembling lest someone's work prove greater than their own-they have no inkling of the loneliness that comes when you reach the top. The loneliness for an equal-for a mind to respect and achievement to admire. They bare their teeth at you from out of their rat holes, thinking that you take pleasure in letting your brilliance dim them-while you'd give a year of your life to see a flicker of talent anywhere among them. They envy achievement, and their dream of greatness is a world where all men have become their acknowledged inferiors. They don't know that that dream is the infallible proof of mediocrity, because that sort of world is what the man of achievement would not be able to bear. They have no way of knowing what he feels when surrounded by inferiors-hatred? no, not hatred, but boredom-there terrible hopeless, draining, parlaying boredom. Of what account are praise and adulation from men whom you don't respect? Have you ever felt the longing for someone you could admire? For something, not to look down at, but up to?

Children teach us that love is, in its purest form, a kind of service. The word has grown freighted with negative connotations. An individualistic, self-gratifying culture cannot easily equate contentment with being at someone else’s call. We are used to loving others in return for what they can do for us, for their capacity to entertain, charm or soothe us. Yet babies can do precisely nothing. There is, as slightly older children sometimes conclude with a sense of serious discomfort, no ‘point’ to them; that is their point. They teach us to give without expecting anything in return, simply because they need help badly – and we are in a position to provide it. We are inducted into a love based not on an admiration for strength, but on a compassion for weakness, a vulnerability common to every member of the species and one which has been and will eventually again be our own. Because it is always tempting to overemphasize autonomy and independence, these helpless creatures are here to remind us that no one is, in the end, ‘self-made’; we are all heavily in someone’s debt. We realize that life depends – quite literally – on the capacity for love.

Responding to bereavement by trying to make a difference is certainly both understandable and admirable, but it doesn't give you good reason to raise money for one specific cause of death rather than any other. If that person had died in different circumstances it would have been no less tragic. What we care about when we lose someone close to us is that they suffered or died, not that they died from a specific cause. By all means, the sadness we feel at the loss of a loved one should be harnessed in order to make the world a better place. But we should focus that motivation on preventing death and improving lives per se, rather than preventing death and improving lives in one very specific way. Any other decision would be unfair on those we could have helped more.

Human life is fragile: we live in the space between one breath and the next. We often try to maintain an illusion of permanence, through what we do, say, wear, buy, and how we enjoy ourselves and who and how we love. Yet it is an illusion that is constantly being undermined by change and death. We can use diamonds in whatever way we like. They are empty things, pretty as water, yet within them—if we want to see it—there is blood, dust, love, curses, and suffering. There is desire to make someone happy, there is admiration, there is ostentation…and there is a company’s profit curve.

THERE ARE THREE THINGS THAT feel like searing tongues of fire, licking at your soul, each one bringing you closer to the roasting pit of a private hell. 1. Loving someone you can never have. 2. Having someone you love, but never completely. 3. Loving the part of them you can never have, because that too is something you honor, admire, cherish—the part that makes them achingly, exasperatingly them.

Not all monsters are filled with darkness.' She wanted him to understand this so badly that her voice trembled. He didn't even hesitate. 'This one is.' She allowed herself a moment to admire Tommy, the way he stood so resolute, like a knight charging after the monster. He just didn't get that this fight wasn't his to wage. 'Exactly so,' she finally said. Of course Tommy would think she talking to him. He exhaled as though relieved and the start of a smile eased the tension around his lips. By the time he realized that she'd spoken the words to someone over his shoulder, it was already too late.

It is often difficult to admit that someone you love is not perfect or to consider aspects of a person that are less than admirable. To the Baudelaires it felt almost as if they had drawn a line after their parents died. A secret line in their memories separating all the wonderful things about the Baudelaire parents from the things that were perhaps not quite so wonderful. Since the fire whenever they thought of their parents the Baudelaires never stepped over this secret line preferring to ponder the best moments the family had together rather than any of the times when they had fought, been unfair, or selfish.

There are two people in a tennis match. One ends up winning, one ends up losing. And I think the pleasure comes not from winning. I think the pleasure comes from beating someone.” She scrunched up her face like a very puzzled child. “Why is that something we admire? We call them winners, but when you think about it, they really get off on making someone else lose. Why is that something we admire so much?” “That’s

There’s a reason for the word heartbeat not be called beat of heart. The perfect woman only needs a good beat. The heart will follow. Emotions, when put in equilibrium with reason, create more miracles than any emotion, no matter how strong, deprived from reason. This is why it’s much easier to love a woman that can play the drums or any other instrument with rhythm, than one that believes in unreasonable magic, simply because there’s more magic in reason than in the lack of it. You see, loving someone that you truly want to love, someone you admire, someone you want to spend your time with, helping, sharing and growing together, makes much more sense than expecting someone to love you for no reason than your will, needs and desires. And when humans understand this, they will understand love, find it easily and never lose it again.

If you suffered from neglect in childhood, it may cause you to go from one person to another, hoping that someone will supply whatever is missing. You may not be able to care much about yourself, and think marriage will end this, and then find yourself in the alarming situation of being married but emotionally unattached. . . . Moreover, the person who [has] neglect in his background is always restless and anxious because he cannot obtain emotional satisfaction. . . . These restless, impulsive moves help to create the illusion of living emotionally. . . . Such a person may, for example, be engaged to be married to one person and simultaneously be maintaining sexual relationships with two or three others. Anyone who offers admiration and respect has appeal to them—and because their need for affection is so great, their ability to discriminate is severely impaired.21

The second hugely seductive move is to signal that we view the other person with a mixture of tenderness and realism. It’s often imagined that it’ll be seductive to convey an air of adoration, to hint that the other strikes us as exceptionally attractive or accomplished. But surprisingly, it is deeply worrying to be obviously adored, because everyone, from the inside, knows very well that they don’t deserve intense acclaim, are often disappointing and sometimes quite simply pitiful. So seduction involves suggesting both that one likes the other person a lot – and yet can see their frailty quite clearly, that one cope with it and forgive it with gentle indulgence. One might, towards the end of the evening drop in a small warm tease that alludes to our understanding of some less than perfect side of them: ‘I suppose you stayed under the duvet feeling a bit sorry for yourself after that?’ we might ask, with a benign smile. Such a gesture implies that we like another person not under a mistaken notion that they are flawless but with a full and unfrightened appreciation of their frailties. That ends up being powerfully seductive because it is, first and foremost, reassuring. It suggests the ideal way that we would like someone to view us within the testing conditions of a real relationship. We crave not admiration, but to be properly known and yet still liked and forgiven.

When I asked the Reb, Why do bad things happen to good people?, he gave none of the standard answers. He quietly said, “No one knows.” I admired that. But when I asked if that ever shook his belief in God, he was firm. “I cannot waver,” he said. Well, you could, if you didn’t believe in something all-powerful. “An atheist,” he said. Yes. “And then I could explain why my prayers were not answered.” Right. He studied me carefully. He drew in his breath. “I had a doctor once who was an atheist. Did I ever tell you about him?” No. “This doctor, he liked to jab me and my beliefs. He used to schedule my appointments deliberately on Saturdays, so I would have to call the receptionist and explain why, because of my religion, that wouldn’t work.” Nice guy, I said. “Anyhow, one day, I read in the paper that his brother had died. So I made a condolence call.” After the way he treated you? “In this job,” the Reb said, “you don’t retaliate.” I laughed. “So I go to his house, and he sees me. I can tell he is upset. I tell him I am sorry for his loss. And he says, with an angry face, ‘I envy you.’ “‘Why do you envy me?’ I said. “‘Because when you lose someone you love, you can curse God. You can yell. You can blame him. You can demand to know why. But I don’t believe in God. I’m a doctor! And I couldn’t help my brother!’ “He was near tears. ‘Who do I blame?’ he kept asking me. ‘There is no God. I can only blame myself.’” The Reb’s face tightened, as if in pain. “That,” he said, softly, “is a terrible self-indictment.” Worse than an unanswered prayer? “Oh yes. It is far more comforting to think God listened and said no, than to think that nobody’s out there.

She always felt that she knew everything about him that could be known - not that he was simple, but that he was knowable, like a list of errands, like an encyclopedia. He had a birthmark on the third toe of his left foot. He wasn't able to urinate if someone could hear him. He thought cucumbers were good enough, but pickles were delicious - so absolutely delicious, in fact, that he questioned whether they were, indeed, made from cucumbers, which were only good enough. He hadn't heard of Shakespeare, but Hamlet sounded familiar. He liked making love from behind. That, he thought, was about as nice as it gets. He had never kissed anyone besides his mother and her. He had dived for the golden sack only because he wanted to impress her. He sometimes looked in the mirror for hours at a time, making faces, tensing muscles, winking, smiling, puckering. He had never seen another man naked, and so had no idea if his body was normal. The word "butterfly" made him blush, although he didn't know why. He had never been out of the Ukraine. He once thought that the earth was the centre of the universe, but learned better. He admired magicians more after learning the secrets of their tricks.

A walk is exploring surfaces and textures with finger, toe, and—yuck—tongue; standing still and seeing who or what comes by; trying out different forms of locomotion (among them running, marching, high-kicking, galloping, scooting, projectile falling, spinning, and noisy shuffling). It is archeology: exploring the bit of discarded candy wrapper; collecting a fistful of pebbles and a twig and a torn corner of a paperback; swishing dirt back and forth along the ground. It is stopping to admire the murmuring of the breeze in the trees; locating the source of the bird’s song; pointing. Pointing!— using the arm to extend one’s fallen gaze so someone else can see what you’ve seen. It is a time of sharing. On our block,

Typical white man behavior, Ms. Mori said. Have you ever noticed how a white man can learn a few words of some Asian language and we just eat it up? He could ask for a glass of water and we’d treat him like Einstein. Sonny smiled and wrote that down, too. You’ve been here longer than we have, Ms. Mori, he said with some admiration. Have you noticed that when we Asians speak English, it better be nearly perfect or someone’s going to make fun of our accent? It doesn’t matter how long you’ve been here, Ms. Mori said. White people will always think we’re foreigners. But isn’t there another side to that? I said, my words a little slurred from the cognac in my bloodstream. If we speak perfect English, then Americans trust us. It makes it easier for them to think we’re one of them.

What you don’t even realize now—what you will only come to understand in time, but lucky for you, I’m here to tell you—is you’re not going to give two shits about this band in a few years. In fact, I guarantee that this group that you admire so much and that you are putting all of your love and dedication and devotion into will be nothing more than an obsession you will be immensely embarrassed of having had. One day you’ll be in college, maybe you’ll be at a party, and someone will say, ‘Hey, do you remember The Ruperts? How shitty was their music?’ and you will have a moment of crisis: Do you admit your former love for them, or do you concede, because you know in your heart that this person is right? And guess what you’ll say? You’ll say, ‘Yeah, their music was utter. Putrid.Garbage.

When times are not so prosperous, we think at least our successful career will save us and our families from failure and despair. We are attracted, against our skepticism, to the idea that poverty will be alleviated by the crumbs that fall from the rich man’s table. . . . Some of us often feel, and most of us sometimes feel, that we are only someone if we have made it: can look down on those who have not. The American dream is often a very private dream of being a star, the uniquely successful and admirable one, the one who stands out from the crowd of ordinary folk, who don’t know how. And since we have believed in that dream for a long time and worked very hard to make it come true, it is hard for us to give it up, even though it contradicts another dream that we have—that of living in a society that would really be worth living in.”3

That was the first time a younger girl who looked dashing in glasses had said something like that to me. Well, that phrasing suggests that this was the first time that someone who was a girl; my junior; and also good-looking in glasses had said something like that. That's a bit of a misleading turn of phrase. Allow me to correct myself. That was the first time I had heard something like that from a girl who looked good in glasses, or from a girl who was my junior, or from a girl who was a xenor. Heck, no girl has ever taken an interest in me, as far as I can remember.

While some male "admirers" of trans women tend to fetishize us for our femininity or our imagined sexual submissiveness, I find trans women hot because we are anything but docile or demure. In order to survive as a trans woman, you must be, by definition, impervious, unflinching, and tenacious. In a culture in which femaleness and femininity are on the receiving end of a seemingly endless smear campaign, there is no act more brave - especially for someone assigned a male sex at birth - than embracing one's femme self. And unlike those male tranny-chasers who say that they like "T-girls" because we are supposedly "the best of both worlds", I am attracted to trans women because we are all woman! My femaleness is so intense that it has overpowered the trillions of lameass Y chromosomes that sheepishly hide inside the cells of my body. And my femininity is so relentless that it has survived over thirty years of male socialisation and twenty years of testosterone poisoning. Some kinky-identified thrill-seekers may envision trans women as androgyne fuck fantasies, but that's only because they are too self-absorbed to appreciate how completely fucking female we are.

...A huge “army” of immature guys with blinders over their eyes, looking for UNCONDITIONAL LOVE, are going nowhere. Such men are all ending up to be eternal dating losers, because they are simply wasting huge amounts of effort, trying hard and hoping to find something that does not exist on the planet. To achieve the goal of personal happiness, we have to be honest with ourselves first of all. We need to be brave enough and smart enough to look into the mirror at our true selves, without our comfortable masks of lies or hypocrisy. LET’S FACE IT: There are always reasons why we feel love for another person; we don't love someone for no reason at all. We love them for the qualities they possess, which we admire; for those amazing, bright emotions they evoke from within ourselves; for the love and care that we so acceptingly receive from them; and for what good feelings we experience being around them, etc. Be HONEST with yourself!

Everybody must pity Desdemona, but I cannot bring myself to like her. Her determination to marry Othello – it was she who virtually did the proposing – seems the romantic crush of a silly schoolgirl rather than a mature affection; it is Othello’s adventures, so unlike the civilian life she knows, which captivate her rather than Othello as a person. He may not have practiced witchcraft, but, in fact, she is spellbound. Then, she seems more aware than is agreeable of the honor she has done Othello by becoming his wife. […] Before Cassio speaks to her, she has already discussed him with her husband and learned that he is to be reinstated as soon as it is opportune. A sensible wife would have told Cassio this and left matters alone. In continuing to badger Othello, she betrays a desire to prove to herself and to Cassio that she can make her husband do as she pleases. […] Though her relationship with Cassio is perfectly innocent, one cannot but share Iago’s doubts as to the durability of the marriage. It is worth noting that, in the willow-song scene with Emilia, she speaks with admiration of Ludovico and then turns to the topic of adultery. Of course, she discusses this in general terms and is shocked by Emilia’s attitude, but she does discuss the subject and she does listen to what Emilia has to say about husbands and wives. It is as if she had suddenly realized that she had made a mésalliance and that the sort of man she ought to have married was someone of her own class and color like Ludovico. Given a few more years of Othello and of Emilia’s influence and she might well, one feels, have taken a lover.

It is sadly true that most institutions and nations admire and reward sins of the “spirit,” and various forms of arrogance and greed often lead to promotions and praise. But pride, ambition, and vanity are still pride, ambition, and vanity; they do not stop being capital sins because someone is pope or president. “Greed is good” in America, extravagant bonuses are envied and imitated, and careerism is rampant among the clergy. (This is not just my judgment but a statement of the Vatican Office for Bishops a few years ago.) Sins of the flesh, however, carry shame and guilt and can always be used to bring anybody down in church, culture, or the state.

I know what my job is, and I'm damned good at it." When he snorted she came back down two steps. She came down slowly, her movements deliberate, because her own temper was much too close to the boil. "Good enough to have figured out why you've hated the sight of me since I first walked in that door. Since you understood Roarke had feelings for me. Part A was easy -- a first-year rookie could have snagged onto it. I'm a cop, and that's enough for you to hold me in contempt." He offered a thin smile. "I've had little reason to admire those in your profession." "Part B was tougher." She came down another step so that their eyes were level. "I thought I had that figured, too, but I didn't realize that Part B had a couple of stages. Stage one: I'm not one of the glamorous, well-bred stunners that Roarke socialized with. I haven't got the looks or the pedigree or the style to suit you." He felt a quick tug of shame, but inclined his head. "No, you don't. He could have had anyone, his pick of the cream of society." "But you didn't want just anyone for him, Summerset. That's stage two, and I just figured that out this morning. You resent me because I'm not Marlena. That's who you wanted for him," she said quietly as the color slipped out of his cheeks. "You hoped he'd find someone who reminded you of her, instead you got stuck with an inferior mode. Tough luck all around.

I did not pay much attention, and since it seemed to prolong itself I began to meditate upon the writer’s life. It is full of tribulation. First he must endure poverty and the world’s indifference; then, having achieved a measure of success, he must submit with a good grace to its hazards. He depends upon a fickle public. He is at the mercy of journalists who want to interview him and photographers who want to take his picture, of editors who harry him for copy and tax gatherers who harry him for income tax, of persons of quality who ask him to lunch and secretaries of institutes who ask him to lecture, of women who want to marry him and women who want to divorce him, of youths who want his autograph, actors who want parts and strangers who want a loan, of gushing ladies who want advice on their matrimonial affairs and earnest young men who want advice on their compositions, of agents, publishers, managers, bores, admirers, critics, and his own conscience. But he has one compensation. Whenever he has anything on his mind, whether it be a harassing reflection, grief at the death of a friend, unrequited love, wounded pride, anger at the treachery of someone to whom he has shown kindness, in short any emotion or any perplexing thought, he has only to put it down in black and white, using it as the theme of a story or the decoration of an essay, to forget all about it. He is the only free man.

I am slowly learning to disregard the insatiable desire to be special. I think it began, the soft piano ballad of epiphanic freedom that danced in my head, when you mentioned that "Van Gogh was her thing" while I stood there in my overall dress, admiring his sunflowers at the art museum. And then again on South Street, while we thumbed through old records and I picked up Morrissey and you mentioned her name like it was stuck in your teeth. Each time, I felt a paintbrush on my cheeks, covering my skin in grey and fading me into a quiet, concealed background that hummed everything you've ever loved has been loved before, and everything you are has already been on an endless loop. It echoed in your wrists that I stared at, walking (home) in the middle of the street, and I felt like a ghost moving forward in an eternal line, waiting to haunt anyone who thought I was worth it. But no one keeps my name folded in their wallet. Only girls who are able to carve their names into paintings and vinyl live in pockets and dust bunnies and bathroom mirrors. And so be it, that I am grey and humming in the background. I am forgotten Sundays and chipped fingernail polish and borrowed sheets. I'm the song you'll get stuck in your head, but it will remind you of someone else. I am 2 in the afternoon, I am the last day of winter, I am a face on the sidewalk that won't show up in your dreams. And I am everywhere, and I am nothing at all.

Artists frequently hide the steps that lead to their masterpieces. They want their work and their career to be shrouded in the mystery that it all came out at once. It’s called hiding the brushstrokes, and those who do it are doing a disservice to people who admire their work and seek to emulate them. If you don’t get to see the notes, the rewrites, and the steps, it’s easy to look at a finished product and be under the illusion that it just came pouring out of someone’s head like that. People who are young, or still struggling, can get easily discouraged, because they can’t do it like they thought it was done. An artwork is a finished product, and it should be, but I always swore to myself that I would not hide my brushstrokes.

The way they were treated should make you angry,” Richard said as he started away, “but not because you share an attribute with them.” Taken aback by his words, even looking a little hurt, Jennsen didn’t move. “What do you mean?” Richard paused and turned back to her. “That’s how the Imperial Order thinks. That’s how Owen’s people think. It’s a belief in granting disembodied prestige, or the mantle of guilt, to all those who share some specific trait or attribute. “The Imperial Order would like you to believe that your virtue, your ultimate value, or even your wickedness, arises entirely from being born a member of a given group, that free will itself is either impotent or nonexistent. They want you to believe that all people are merely interchangeable members of groups that share fixed, preordained characteristics, and they are predestined to live through a collective identity, the group will, unable to rise on individual merit because there can be no such thing as independent, individual merit, only group merit. “They believe that people can only rise above their station in life when selected to be awarded recognition because their group is due an indulgence, and so a representative, a stand-in for the group, must be selected to be awarded the badge of self-worth. Only the reflected light off this badge, they believe, can bring the radiance of self-worth to others of their group. “But those granted this badge live with the uneasy knowledge that it’s only an illusion of competence. It never brings any sincere self-respect because you can’t fool yourself. Ultimately, because it is counterfeit, the sham of esteem granted because of a connection with a group can only be propped up by force. “This belittling of mankind, the Order’s condemnation of everyone and everything human, is their transcendent judgment of man’s inadequacy. “When you direct your anger at me for having a trait borne by someone else, you pronounce me guilty for their crimes. That’s what happens when people say I’m a monster because our father was a monster. If you admire someone simply because you believe their group is deserving, then you embrace the same corrupt ethics. “The Imperial Order says that no individual should have the right to achieve something on his own, to accomplish what someone else cannot, and so magic must be stripped from mankind. They say that accomplishment is corrupt because it is rooted in the evil of self-interest, therefore the fruits of that accomplishment are tainted by its evil. This is why they preach that any gain must be sacrificed to those who have not earned it. They hold that only through such sacrifice can those fruits be purified and made good. “We believe, on the other hand, that your own individual life is the value and its own end, and what you achieve is yours. “Only you can achieve self-worth for yourself. Any group offering it to you, or demanding it of you, comes bearing chains of slavery.

I'll lean over your crib, lift your squalling form out, and sit in the rocking chair to nurse you. The word 'infant' is derived from the Latin word for 'unable to speak,' but you'll be perfectly capable of saying one thing: 'I suffer.,' and you'll do it tirelessly and without hesitation. I have to admire your utter commitment to that statement; when you cry, you'll become outrage incarnate, every fiber of your being employed in expressing that emotion. It's funny: when you're tranquil, you will seem to radiate light, and if someone were to paint a portrait of you like that, I'd insist they include the halo. But when you're unhappy, you will become a klaxon, built for radiating sound; a portrait of you then could simply be a fire alarm bell. At that stage of your life, there'll be no past or future for you; until I give you my breast, you'll have no memory of contentment in the past nor expectation of relief in the future. Once you begin nursing, everything will reverse, and all will be right with the world. NOW is the only moment you'll perceive; you'll live in the present tense. In many ways, it's an enviable state.

What is this film (Mirror) about?It is about a Man. No, not the particular man whose voice we hear from behind the screen, played by Innokentiy Smoktunovsky. It's a film about you, your father, your grandfather, about someone who will live after you and who is still "you". About a Man who lives on the earth, is a part of the earth and the earth is a part of him, about the fact that a man is answerable for his life both to the past and to the future. You have to watch this film simply, and listen to the music of Bach and the poems of Arseniy Tarkovsky; watch it as one watches the stars, or the sea, as one admires a landscape. There is no mathematical logic here, for it cannot explain what man is or what is the meaning of his life. (Sculpting in Time)

Churchill, sensitive to class considerations in his conduct of the war, instructed his generals and admirals to be careful in how they governed the armed forces. Early on, he warned the navy to be “particularly careful that class prejudice does not enter into these decisions” about selection of cadets for officer training at the Royal Naval College in Dartmouth, England. “Unless some better reasons are given to me,” he vowed, he would investigate the matter. The navy resisted this direction, so he did as promised and intervened directly. He even met with some of the candidates who had scored well on entrance examinations but had still been rejected. “I have seen the three candidates,” he informed the navy’s top officers. “It is quite true that A has a slightly cockney accent, and that the other two are the sons of a chief petty officer and an engineer in the merchant service. But the whole intention of competitive examination is to open the service to ability, irrespective of class or fortune.” Concluding that an injustice had been done, he ordered that the three be admitted to officer training. This was a lot of effort for someone trying to run a war and stave off invasion.

The people close to you influence your outlook, your values, how you spend your time, and how you treat other people. In other words, who you hang out with matters. If you are consistently in the company of someone who gossips, for example, it’s likely you’ll gossip. If you live with someone who is depressed, in my experience you are likely to become depressed. Spending time with positive, uplifting people will make you feel positive and hopeful. If you want to improve your attitude and conduct, spend time with someone whose conduct and values you admire. Emulate his or her behavior, and you will likely find it rubs off! You’ll notice yourself avoiding actions and statements that might cause disapproval in the person you admire. By the same token, you find yourself naturally guided toward better, more life-affirming, behavior.

But I must remind you, it was before you that I lost my self-respect, and gained a boundless sense of guilt. (Recollecting this boundlessness I once wrote of someone, ‘He feared the shame that would outlive him.’)  I couldn’t suddenly change when I was with other people; indeed with other people I felt even more guilty because of your attitude towards them – I felt implicated in this and I had to atone for your words.  And you always spoke badly of people that I had dealings with – sometimes openly, sometimes secretly – and I had to atone for that as well.  In business and in the family you tried to instil a mistrust of people in my mind (when I admired someone, you buried him with criticism).  And you could do this without it weighing you down (you were strong enough for that) though your attitude might just have been a lordly affectation.  But your mistrust was misplaced, with my childish eyes I couldn’t see what you  saw: for everywhere there were extraordinary, unmatchable people – so instead I gained a mistrust of myself, and an abiding fear of everyone.  So in this respect your influence on me was absolute.  And you didn’t see that; possibly because you had not experienced my sort of dealings with people, and so you were doubtful and jealous (but do I deny that you loved me?) and you thought that I had found some sort of compensation elsewhere, for you couldn’t imagine that I lived in the outside world as I did in your presence. Yet as child I found some comfort in my mistrust of my judgement: I doubted my insight, I said to myself, ‘Like all children you exaggerate, you feel little things too much and believe they have great weight.’  But this comfort dwindled as I grew up and has almost vanished. Equally

Sile looked momentarily stymied, then shook his head sharply. "You won't go alone." "I can't ask anyone--" "You aren't asking," Sile said firmly. "I'm insisting--" "Grandfather, nay," Runach said, stunned. "I couldn't allow it." "Allow it?" Sile repeated, looking as if the gale were readying for another good blow. "Who do you think you are, whelp, to tell me what to do?" "I believe, your Majesty," Aisling said quietly, "he's someone who loves you..." Runach didn't dare smile, because his grandfather would have made the effort to get up out of his chair so he could deliver a brisk blow to the back of a grandson's head, of that he was certain. "Besides, I'm going to go along to keep him safe." Sile closed his eyes briefly before he leaned forward and looked at Aisling seriously. "You, my gel?" "Me, Your Majesty." Runach watched his grandfather look at his wife in consternation. "Are you listening to this?" he asked in disbelief. "She isn't even spawn of mine, and yet she exhibits this unsettling 'independence'." "I find it quite admirable, husband." Runach pushed away from the wall and walked over to squat down by Aisling's chair. He looked up at her. "I want you to stay here." She looked at him for a moment or two, then reached out and touched his scarred cheek. "This is my quest, and I must see it through to the end, wherever that end might lie." "I'll think about it," he said, and by that he meant not a chance in hell. He rose and glanced at his grandfather. "I appreciate your concern, but I'm going alone." Sile rubbed his hands over his face. "Breagha?" "Aye, my love?" "When did I lose control over my progeny?" "Several centuries ago, I believe, dear." "It seems more recent than that." "I don't think so, darling.

One interesting thing is the idea that people have of a kind of science of Aesthetics. I would almost like to talk of what could be meant by Aesthetics. You might think Aesthetics is a science telling us what's beautiful - almost too ridiculous for words. I suppose it ought to include also what sort of coffee tastes well. I see roughly this - there is a realm of utterance of delight, when you taste pleasant food or smell a pleasant smell, etc., then there is a realm of Art which is quite different, though often you may make the same face when you hear a piece of music as when you taste good food. (Though you may cry at something you like very much.) Supposing you meet someone in the street and he tells you he has lost his greatest friend, in a voice extremely expressive of his emotion. You might say: 'It was extraordinarily beautiful, the way he expressed himself.' Supposing you then asked: 'What similarity has my admiring this person with my eating vanilla ice and like it?' To compare them seems almost disgusting. (But you can connect them by intermediate cases.) Suppose someone says 'But this is a quite different kind of delight.' But did you learn two meanings of 'delight'? You use the same word on both occasions. There is some connection between these delights. Although in the first case the emotion of delight would in our judgement hardly count.

Happiness found me alone one day and took me by the hand. He showed me how the sun gave out its warmth across the land. Sadness found me content and smiling upward at the sun. He talked of droughts and blindness and what burning rays had done. Happiness found me alone again and pointed to the sky. He showed me how the storms created rainbows way up high. Sadness found me intrigued and took me to the rainbow’s end. He showed me how it disappeared to ne’er return again. Happiness found me alone and taught me how to sing a song. He sang a dozen melodies as I chirped right along. Sadness found me singing out and covered up his ears. He said the noise was deafening, and wished he couldn’t hear. Happiness found me alone and gave me seven coins of gold. He showed me many fancy things that merchants often sold. Sadness found me admiring the pretty things I’d bought. He pointed out my empty purse and money I had not. Happiness found me alone and helped me talk to someone new. He called the boy my friend and said that I was his friend too. Sadness found me together with my kind, attentive friend. He whispered of betrayal and how broken hearts don’t mend. Happiness found me alone and held me tight in his embrace. He whispered kindness in my ear and kissed me on the face. Sadness found me with Happiness but before he spoke at all, I told him he’d have better luck at talking to the wall.

Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀ ⠀ Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀ ⠀ Forget. those. people. ⠀ ⠀ Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀ ⠀ Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀ ⠀ For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀ ⠀ When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.

As the author of Lost Wife, Saw Barracuda - True Stories from a Sharm el Sheikh Scuba Diving Instructor, I know a thing or two about guide books but I have never quite seen anything like the Buns Guide before. There is certainly nothing arse-about-face with this book and indeed you have to admire the author's cheek, although thankfully he didn't include a photo of it here! What shines through in this quality-produced book is "Stryke" Clayton's intelligence, wit and ability to get away with a subject normally found in magazines and websites of questionable pedigree. The result is a hilarious and surprisingly tasteful book written by someone who would probably feel at home in the cast of Monty Python's Flying Circus. The Buns Guide is a great poke in the ribs at those nature guide books and the plastic animal or fish identity picture cards they sell in national parks around the world. With so many parts to the female anatomy I'm sure the author may well be considering a sequel or two? A great read, very funny and a well-produced book. Full marks here!

I look around and see that many — not all, but many — problems we've got could be solved if our culture simply fostered the habit of reading. Reading books of science, philosophy, history. Reading literature of quality, the sort that touches us because of a more profound reason, such as, for instance, because it's got something to say beyond all the futilities and trifles of life, even while depicting the ordinary in life, at the same time that it says it with style, in a unique, admirable manner. An original one. We are not a county of readers, notwithstanding. We are the country of football turned into a cult, of guile being ranked high as a cardinal virtue, of Carnival made for exportation. A country where there are more letters in political party acronyms than in all many of our politicians have written in a lifetime. A country where ethics has become a joke theme. Where democracy is but a ridiculous puppet theatre. Yes, I look around and see that many problems could be solved if we had the habit of reading. But I am not even sure whether there is someone reading these words.

This is the worst idea ever,” Lend shouted from behind the closed door as Arianna finished pinning my hair under a brunette wig. “I’ve been having a lot of those lately, but one of us wouldn’t be here if it weren’t for my most recent one.” “Well, you look the part, at least,” Arianna said, standing back to admire her handiwork. I was in a fitted, sleek black pantsuit with a blouse underneath. The blouse was white. I hated it already. That, combined with the too-dark hair and colored eyebrows making my tragically pale skin even white, and I was not loving life. Still, sacrifices had to be made. Jack was lying on the bed with his head hanging over the side, his face slowly turning more and more red as the blood rushed to it. He looked phenomenally bored for someone about to break into a secret international high security facility. I slipped into my favorite stilettos, took one step, and fell over. “Ouch.” Shaking off the shoes, I rubbed at my still-tender feet. The stilettos were so not happening. That did it. If I didn’t already want to destroy the Dark Queen, the fact that she had ruined my ability to wear high heels put her at the very top of my hit list. She was so going down.

Like anyone would fall in love that fast. It’s the whole clichéd love-at-first-sight bit, right?” Vince said. “So, you don’t believe in love at first sight?” I asked him. “What, you do?” Shawn piped up. I tapped my pen for a second. On the spot again. I could tell him my opinion on the matter was irrelevant, but I decided to pursue the question. “I suppose that depends on a number of factors, not the least of which is knowing yourself well enough to understand what type of person you’re looking for,” I said. “If you know which qualities you admire most in someone, you’re more likely to recognize that person when you meet her…or him. I prefer to call it recognition at first sight.” I avoided looking at Aubrey, but I had to meet her eyes as she posed another question. “In your opinion, what are the other factors contributing to this recognition at first sight, Daniel?” she asked casually. All eyes were on me. “Frame of mind, I suppose. There are times when you simply couldn’t fall in love if you tried because you’re not in the right place in your life. The conditions surrounding the actual meeting might also hold some sway. Certain circumstances seem to set the scene for emotional vulnerability, and you get swept away in the moment.

Me: It will get better, right? Eventually, it will get better. Scarlett: I’m sorry I’m not the type to lower our discourse to emoji use since you totally deserve a smiley face right now. Yes, it will get better. Me: Ha. It’s just. Whatever. Sorry to keep whining. Scarlett: That’s what I’m here for. BTW, that email you forwarded? My guess: TOTALLY A SECRET ADMIRER. Me: You’ve read too many books. I’m being set up. And stop YELLING AT ME. Scarlett: No way. I didn’t say he was a vampire. I said he was a secret admirer. Most def. Me: Wanna take bets? Scarlett: You should just know by now that I’m always right. It’s my one magic power. Me: What’s mine? Scarlett: TBD. Me: Thanks a lot. Scarlett: Kidding. You are strong. That’s your power, girl. Me: My arms are v. toned from stress-eating ALL the cookies. Hand to mouth. Repeat 323 times. Hard-core workout. Scarlett: Seriously, for a second, J? Just because you’re strong doesn’t mean you shouldn’t ask for help sometimes. Remember that. I’m here, ALWAYS, but you might want to take up that offer from someone local. Me: Whatever. Ugh. Thanks, Dr. Phil. I miss you! Scarlett: Miss you too! Go write back to SN. NOW. NOW. NOW. Now tell me the truth? Anyone at your school unusually pale?

Before every elementary school classroom had a 'Drop Everything and Read' period, before parents and educators agonized more about children being glued to Call of Duty or getting sucked into the vortex of the Internet, reading as a childhood activity was not always revered. Maybe it was in some families, in some towns, in some magical places that seemed to exist only in stories, but not where I was. Nobody trotted out the kid who read all the time as someone to be admired like the ones who did tennis and ballet and other feats requiring basic coordination. While those other kids pursued their after-school activities in earnest, I failed at art, gymnastics, ice skating, soccer, and ballet with a lethal mix of inability, fear and boredom. Coerced into any group endeavor, I wished I could just be home already. Rainy days were a godsend because you could curl up on a sofa without being banished into the outdoors with an ominous 'Go play outside.' Well into adulthood, I would chastise myself over not settling on a hobby—knitting or yoga or swing dancing or crosswords—and just reading instead. The default position. Everyone else had a passion; where was mine? How much happier I would have been to know that reading was itself a passion. Nobody treated it that way, and it didn't occur to me to think otherwise.

Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When

I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.

I would like to see you cheat,” Elizabeth said impulsively, smiling at him. His hands stilled, his eyes intent on her face. “I beg your pardon?” “What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.” Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards. Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand. In it there were four kings. Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards. She won three shillings and was pleased as could be. He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?” “Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her. “Who is Celton?” Jordan inquired. “Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand. In it there were four aces. She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening. Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?” “Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.” “There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration. “Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.” The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting. “It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.” Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips. “With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.” Ian chuckled. “Not a bad idea. What would your role be?” “Breaking us out of Newgate!” Elizabeth laughed. “Exactly.

Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused? It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles? He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus. I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be. The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy. 'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.' 'Billy just loves to read all the time...' 'Isn't Joan sweet? She always likes to let the other person win.' 'Sylvia's so pretty and so grown up; she just loves all the time to dress up.' It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . . Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery. What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.

Every Pirate Wants to Be an Admiral IT’S NOT AS though this is the first time we’ve had to rethink what copyright is, what it should do, and whom it should serve. The activities that copyright regulates—copying, transmission, display, performance—are technological activities, so when technology changes, it’s usually the case that copyright has to change, too. And it’s rarely pretty. When piano rolls were invented, the composers, whose income came from sheet music, were aghast. They couldn’t believe that player-piano companies had the audacity to record and sell performances of their work. They tried—unsuccessfully—to have such recordings classified as copyright violations. Then (thanks in part to the institution of a compulsory license) the piano-roll pirates and their compatriots in the wax-cylinder business got legit, and became the record industry. Then the radio came along, and broadcasters had the audacity to argue that they should be able to play records over the air. The record industry was furious, and tried (unsuccessfully) to block radio broadcasts without explicit permission from recording artists. Their argument was “When we used technology to appropriate and further commercialize the works of composers, that was progress. When these upstart broadcasters do it to our records, that’s piracy.” A few decades later, with the dust settled around radio transmission, along came cable TV, which appropriated broadcasts sent over the air and retransmitted them over cables. The broadcasters argued (unsuccessfully) that this was a form of piracy, and that the law should put an immediate halt to it. Their argument? The familiar one: “When we did it, it was progress. When they do it to us, that’s piracy.” Then came the VCR, which instigated a landmark lawsuit by the cable operators and the studios, a legal battle that was waged for eight years, finishing up in the 1984 Supreme Court “Betamax” ruling. You can look up the briefs if you’d like, but fundamentally, they went like this: “When we took the broadcasts without permission, that was progress. Now that someone’s recording our cable signals without permission, that’s piracy.” Sony won, and fifteen years later it was one of the first companies to get in line to sue Internet companies that were making it easier to copy music and videos online. I have a name for the principle at work here: “Every pirate wants to be an admiral.

If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.” Bayle started to laugh. “Oh, you really think so?” Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to. “Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?” I nodded once. “Yeah. That’s him.” For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs. I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed. With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap. It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet. With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists. His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart. And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself. When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood. “Do you feel better?” I asked her. She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.” “That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration. “You should see her when she’s not pregnant,” I said.

(a) A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very ‘deep’ things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published. (b) A writer has a duty and an obligation never to be understood by his own generation; convinced, as he is, that he has been born into an age of mediocrity, he believes that being understood would mean losing his chance of ever being considered a genius. A writer revises and rewrites each sentence many times. The vocabulary of the average man is made up of 3,000 words; a real writer never uses any of these, because there are another 189,000 in the dictionary, and he is not the average man. (c) Only other writers can understand what a writer is trying to say. Even so, he secretly hates all other writers, because they are always jockeying for the same vacancies left by the history of literature over the centuries. And so the writer and his peers compete for the prize of ‘most complicated book’: the one who wins will be the one who has succeeded in being the most difficult to read. (d) A writer understands about things with alarming names, like semiotics, epistemology, neoconcretism. When he wants to shock someone, he says things like: ‘Einstein is a fool’, or ‘Tolstoy was the clown of the bourgeoisie.’ Everyone is scandalized, but they nevertheless go and tell other people that the theory of relativity is bunk, and that Tolstoy was a defender of the Russian aristocracy. (e) When trying to seduce a woman, a writer says: ‘I’m a writer’, and scribbles a poem on a napkin. It always works. (f) Given his vast culture, a writer can always get work as a literary critic. In that role, he can show his generosity by writing about his friends’ books. Half of any such reviews are made up of quotations from foreign authors and the other half of analyses of sentences, always using expressions such as ‘the epistemological cut’, or ‘an integrated bi-dimensional vision of life’. Anyone reading the review will say: ‘What a cultivated person’, but he won’t buy the book because he’ll be afraid he might not know how to continue reading when the epistemological cut appears. (g) When invited to say what he is reading at the moment, a writer always mentions a book no one has ever heard of. (h) There is only one book that arouses the unanimous admiration of the writer and his peers: Ulysses by James Joyce. No writer will ever speak ill of this book, but when someone asks him what it’s about, he can’t quite explain, making one doubt that he has actually read it.