Adelaide Quotes

Educate a boy, and you educate an individual. Educate a girl, and you educate a community.

We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate... We are eager to tunnel under the Atlantic and bring the old world some weeks nearer to the new; but perchance the first news that will leak through into the broad flapping American ear will be that Princess Adelaide has the whooping cough.

Pain is pain is pain...no matter how large or small your problems, your losses, your wounds--they are yours. And you're allowed to feel them. The hardest loss will always be your own.

Because if we knew, if we honestly knew the price of love was grief, we'd never do it.

Imagine hearing a group of drunken warriors shouting your name and following it with a must die . Suddenly I missed my superspecial tagline: Great-granddaughter of Adelaide Wallingford. The tagline Must Die totally sucked.

The thing about Adelaide is that she felt everything. Truly, everything-except the things she most needed to feel.

She didn't want to die, per se, she just wanted to stop existing. Stop being.

People are mean to you? Why don't you just punch them in the face?" Meryn asked. Adelaide looked at her appalled. Colton chuckled.

There are parts of our hearts we give away. Not lend, but sacrifice entirely. And there are some people to whom we give these pieces, knowing we'll never really get them back.

There are things in every family that are not talked about. Stories you know without really knowing how you know them, tales of terrible things that cast long shadows over generations. Adelaide Fairlight’s three stillborn babies was one of those stories.

And if the many sayings of the wise Teach of submission I will not submit But with a spirit all unreconciled Flash an unquenched defiance to the stars.

The truth is: Adelaide was the most beautiful being I have seen in this world or any other, if we understand beauty to be a kind of vital, ferocious burning at a soul’s center that ignites everything it touches.

Adelaide wished to love someone and be loved back. And to love someone and know that it was him she loved, not some idea of him. Maybe that was two wishes. Maybe it was only one.

Art is distortion but a form of distortion that has the possibility of offering clarification, like a corrective lens. [Adelaide Scott]

Let this ignoble origin story stand as an invaluable lesson to you that a person's beginnings do not often herald their endings, for Adelaide Lee did not grow into another pale Larson woman. She became something else entirely, something so radiant and while and fierce that a single world could not contain her, and she was obliged to find others.

So then the National Woman Suffrage Association and the American Woman Suffrage Association merged to create the National American Woman Suffrage Association, which personally I think is rather a mouthful,' Adelaide said as she set down her wineglass. 'I'm sure others have much shorter terms,' the doctor said, sawing into his steak with more vigor than necessary. 'Such as?' Grace asked. 'There are plenty who just call us bitches, dear.

Adelaide believes that all children should have enough grown-ups around who love them so that one can tell them to fight, one can tell them not to, and one can tell them not to worry so much.

I can’t promise that I’ll be able to give you everything you deserve, Adelaide.” He gazes deep into my eyes and his fingers skim my cheeks, tucking strand of black behind my ears. “But I can promise you that I’ll try.” Yes. We both have issues. And I know that if we want to overcome all of our issues the only way we’ll be able to do it, is together.

Rory, are you okay?” Lena asked. “Yeah, you’ve been sighing a lot.” Chase was so concerned he even put down his fudge. “Do you have a crush on me too?” I stared at him incredulously, not sure I had heard him right, and Melodie said, “You are remarkably self-involved.” Chase looked insulted. “Adelaide sighed a lot right before she said she had a crush on me.” “She had to tell you?” Lena said, surprised. I snorted. “That’s totally it. It was the paint on your face. ‘My heart awakens in sight of your green skin/as clean and warty as a toad’s has ever been—’” I said in my best reciting voice, and we all laughed.

How unfair, she thought. That she'd helped Rory piece himself back together, and he'd never even know she fell apart.

Sickness feels different when it takes place inside your head,

You forget what it feels like to have fallen apart once you've pieced yourself back together

No star is ever lost we once have seen, We always may be what we might have been Since Good, though only thought, Has life and breath - God's life - can always be redeemed from death. And evil in its nature is decay, And any hour may blot it all away. The hope that lost in some far distance seems, May be the truer life, and this the dream.

Sun and wind and beat of sea, Great lands stretching endlessly... Where be bonds to bind the free? All the world was made for me!

I agree. I certainly like your mouth

You might have a little trouble waking me," Fife told Adelaide. "I'm a very sound sleeper." "No worries," Adelaide said sweetly. "I'll just kick your face till you come to.

Don't you know that I'd lie with you in the groves, under the light of the moon? That I'd defy the laws of gods and men for you?

Seen on a night in November How frail Above the bulk Of crashing water hangs, Autumn, evanescent, wan, The moon.

Sea-foam And coral! Oh, I'll Climb the great pasture rocks And dream me mermaid in the sun's Gold flood.

It’s interesting, isn’t it? How easy it is to care for something once it’s no longer ours.

When I was girl by Nilus stream I watched the deserts stars arise; My lover, he who dreamed the Sphinx, Learned all his dreaming from eyes. I bore in Greece a burning name, And I have been in Italy Madonna to a painter-lad, And mistress to a Medici. And have you heard (and I have heard) Of puzzled men with decorous mien, Who judged - the wench knew far too much - And burnt her on the Salem green?

Once Smith had you, he would most likely have tried to negotiate for the lamp." Everything inside her warmed gently. "You'd give up the lamp if you thought my life depended on it?" "Without a second thought." "Oh, Griffin, I'm truly touched. I know how important the lamp is to you." "And then I'd slit the bastard's throat." She groaned and rested her forehead on her knees. "Two birds with one lamp. Who says a crime lord can't be a romantic at heart?

Adelaide—the girl who felt everything—had to remind herself that it was, in fact, okay to feel. That it was okay to fill her lungs with air, her tank with fuel, her brain with the chemicals it needed. It was okay to go to hell and back, to carry every ounce of light and darkness inside of her. It was okay to love herself fiercely, a little selfishly, and with intention. It was all okay.

Hyvä hra Adams, luvattuaan, ettei enää kirjoita minulle, Adelaide Addison on lähettänyt minulle taas kirjeen ja se on pyhitetty kaikille niille ihmisille ja tavoille, jotka surettavat häntä, ja te kuulutte joukkoon, te ja Charles Lamb...

Adelaide could not stop thinking about Blazing Night. How much she loved to play with her. How often her games and tournaments were the most enjoyable of all games in the Land of Games. Did she also like playing? When would they play again?

Why have I thought the dew Ephemeral when I Shall rest so short a time, myself, On earth?

Listen . . . With faint dry sound, Like steps of passing ghosts, The leaves, frost-crisp’d, break from the trees And fall.

It was tricky to explain how much light and darkness could exist in the same setting

Just remember, she said. You run yourself ragged for other people, Adelaide. You deserve someone who’s going to show up for you, too. Yeah?

Summer in Adelaide: the nourishing and destructive golds, the soft fruit and the fire.

A piece of advice for you....Knowing what you don't want is just as useful as knowing what you do. Maybe more. [Adelaide Scott, to Hadley Baxter]

Have we not all, amid life's petty strife, Some pure ideal of a noble life That once seemed possible? Did we not hear The flutter of its wings, and feel it near, And just within our reach? It was. And yet We lost it in this daily jar and fret, And now live idle in a vague regret. But still our place is kept, and it will wait, Ready for us to fill it, soon or late: No star is ever lost we once have seen, We always may be what we might have been. Since Good, though only thought, has life and breath, God's life--can always be redeemed from death; And evil, in its nature, is decay, And any hour can blot it all away; The hopes that lost in some far distance seem, May be the truer life, and this the dream.

Maybe, the darkness isn’t such a bad thing. Maybe it’s a reminder that you’re capable of turning the car around, you know? You’re capable of rerouting from a very dark, scary path back to the light. You know how to go to that dark place now, but you also know how to come out of it.

Albert knew that one could never be sure about magic, but a lack of certainty is not a good reason to do nothing.

Panic was the death of thought.

Families of the heart on the other hand, are those we create with the people who truly love us.

As it Were tissue of silver I'll wear, O Fate, thy grey, And go mistily radiant, clad Like the moon.

When something is tragic you never really forget it.

You have to love fiercely, and unselfishly, and with intention, her mom said. It’s the only way.

You have to love freely, and unselfishly, and with intention... It's the only way

With night's Dim veil and blue I will cover my eyes, I will bind close my eyes that are So weary.

Tell me, do you have family near?” Miss Addie asked. “I’m an orphan,” Theta said. “You’re wrong.” The old woman blinked up at the ceiling, her fingers waving in the air. “You do have family. I see it in your aura. They’re… they’re all around you.

The thing about Adelaide is that she felt everything. Truly, everything. She cried during documentaries, while reading books, when royal babies were born. She cried when she was happy and when she was sad and when the world felt like it was all just too much and her face was on fire and the only way to cool it down was to cry, cry, cry, cry, cry. It often felt selfish and irrational. She knew she was so lucky, so blessed. That there was no reason to cry. It didn’t matter; she would cry anyway.

She thought about the way falling for Brennan felt like curling up by the fireplace, drinking hot tea, warming her bones and her heart and her soul with each metaphorical sip of his company.

For a moment, all I could think of was my cousin Peter. He was twice my age—and married. By the rules of decent, he would be the one to inherit the Rothford title if I died without children. Whenever he was in town, he'd stop by and ask how I was feeling

One of the world’s most fascinating mysteries is surely the Tamam Shud case. In December 1948, an unidentified man was found dead on a beach in Adelaide. The only clue to a possible identity was a tiny piece of paper found in a hidden pocket sewn into the trousers of the dead man with the words ‘Tamam Shud’ scribbled on it. The phrase is used on the last page of a collection of poems of Omar Khayyam called The Rubaiyat, a copy of which was found with a scribbled code in it, which was believed to have been written in there by the dead man. What does the code mean? What was it leading him to? Why and how did he die? All of these questions remain completely unanswered to this day and the case is as much of a mystery now as it was the very day the body was discovered.

To most of society being crazy is like a virus. If we're out and about in public people think they can catch the craziness from us or something. It's much easier for them to separate us and forget we ever existed. Almost like being quarantined. I used to see a psychiatrist before I was brought here. I remember the way my mother's friends used to gossip about it. They wouldn't let me play with their children. It's kind of like women who are divorced nowadays. Other women don't talk to them. They're usually shunned.” A dull ache throbs in my side and I clench my fists. “It’s like we're tossed out trash.” Aurora smiles. “That's a great analogy, Adelaide.

Our Beasts and our Thieves and our Chattels Have weight for good or for ill; But the Poor are only His image, His presence, His word, His will; - And so Lazarus lies at our doorstep And Dives neglects him still.

...the reality of late summer and early autumn when Adelaide, more than any place on earth, and as simply as pouring tea from a pot, pours fourth from a lavish cornucopia into gardens and parks and markets and arcade stalls a cascade of carnations and grapes and melons, guavas and Michaelmas daisies and tomatoes, zinnias and belladonna lilies and tuberoses, lavender and quinces and cumquats and pomegranates, roses and roses and roses.

By morning, Adelaide was beginning to understand why she'd never completely understood how God worked. Given that He had made the bewildering, maddening, incomprehensible species that was man from His own image, it stood to reason that the Creator would be a complicated mass of logic never meant to be understood by the female mind. That, or the fall of man in the Garden of Eden had taken them even further off the path than she'd ever realized

The friendly, welcoming smiles she had grown to love still made her breath catch, but he’d added a new weapon to his arsenal. A secret, intimate smile that reminded her of warm kisses and strong arms. It never failed to flush her cheeks and flutter her stomach. The man was an invalid in a dressing gown convalescing amid a mound of cushions on the parlor settee; yet when he smiled at her like that, he became masculinity personified. Gideon had a dash of the rogue in him. And Adelaide adored him for it.

Albert had done all he could, and if it wasn't enough, he'd worry about it in another life.

The greatest threat to climate change is humanity' Iain Cameron Williams, 2019

Writing is 90% struggle. The other 10% is up to you.

We tell ourselves stories in order to live. —Joan Didion, The White Album

In your Curled petals what ghosts Of blue headlands and seas, What perfumed immortal breath sighing Of Greece.

Scarlet the poppies Blue the corn-flowers, Golden the wheat. Gold for the Eternal: Blue for Our Lady: Red for the five Wounds of her Son.

Jaysus, Aidan. What a risk to take.” My anger faded.

Still as On windless nights The moon-cast shadows are, So still will be my heart when I Am dead.

Why do You thus devise Evil against her?' 'For that She is beautiful, delicate; Therefore.

See How Time Makes All Grief Decay

It made her feel a bit nauseous, but also deeply, deeply in love.

that people entered our lives when we needed them most.

It's so cruel... that grief comes part and parcel with love. It's just so unfair.

Because we both knew I was broken. Broken in a way that I would eventually have to accept that love just would not happen for me. Never again.

But me They cannot touch, Old age and death. The strange And ignominious end of old Dead folk!

Quando a rainha Adelaide consultou um homeopata, Guilherme IV ordenou ao médico real, Robert Keate (1777-1857): "Examine a receita que ele der a ela para ver se a rainha pode tomar sem perigo." Eu prometi fazer isso, e quando recebi a receita, eu disse: "Ah, majestade, ela pode tomar durante sete anos que, no fim desse tempo, não terá tomado nem uma grama de medicamento".

Sickness feels different when it takes place inside your head, Adelaide thought. When the illness flows through the chemicals of your mind rather than clogged sinuses or broken bones. No illness is ever really linear. But the thing is, once you’ve gotten so sick you nearly kill yourself, your mind knows where it can go. It knows that no recesses are out of bounds or off-limits.

Unable to resist any longer, he buried his fingers in the hair at the base of her neck and angled her face upward. He leaned forward and dropped soft little kisses onto her lips, starting at the corner and working his way across until she began to stir. Her lashes flittered. “Gid—?” He smothered her question with his kiss. No longer playful, he took her mouth fully, holding nothing back. She was no longer Adelaide Proctor, governess. She was Adelaide Westcott, wife. His wife. It didn’t take long for her to recover from her surprise. She clasped his shoulder for support and stretched toward him. His pulse surged, and when she finally pulled away, he refused to let her separate from him completely. He rested his forehead against hers and listened to their ragged breaths echoing in the quiet morning. “Feeling better today, are we?” Adelaide asked as she lowered her head back down to her pillow, her face a becoming shade of pink. Gideon grinned. “A little.

Because if we knew, if we honestly knew the price of love was grief, we’d never do it. We’d never succumb in the first place. And once we do—once we fall in love, against our better judgment, with something or someone—we never want to let go. No matter how many dinners they miss, how many texts they ignore. None of it matters. And none of it mattered. Adelaide was never going to let go.

You forget what it feels like to have fallen apart once you’ve pieced yourself back together, what the scars feel like once they’ve healed. You know, vaguely, where they were, how the fresh cuts had stung, but you can’t run your finger over the surface anymore and say, Here. Here’s where you hurt me. The pain will eventually dull.

Nobody’s killing any cats.” Miss Lillian glowered. “It’s what we’ve always done.” “Yeah, well, I’m changing how things are done.” Miss Lillian started to protest, but Miss Addie cut her off. “Very well. We could stand to change.

And with that recitation, Adelaide Buchwald gave Jack Cavallero her heart. Impulsively, gloriously, openly, she gave it to him, falling in love with someone she did not know, wondering at the curve of his cheek, and the wave of his hair, and the way his shirt draped over his shoulders. He made her laugh. He dared to write poems. He risked looking foolish in order to create something beautiful or strange. She wanted to know the story of the scar on his abdomen. How had he gotten that wound? How well had it healed? She could see by looking at him that he had been vulnerable. That he had lived. Survived. She wanted to see all his scars, see all of him, and she felt suddenly, intensely certain that he was a safe person to show her own scars to. She thought, Maybe we have known each other always. Maybe our hearts encountered each other somehow, like two hundred years ago at a cotillion, with him in a frock coat and me in whatever, some kind of elegant and complicated dress. Or maybe our encounter was in another possible world. That is, in one of the countless other versions of this universe, the worlds running parallel to this one, we are already in love.

Her heart didn’t break once. It had broken multiple times over the last year—over the last decade, really—and each time she’d started to put the puzzle back together, to reconstruct her heart and soul with metaphorical superglue, they would shatter again. The pieces were getting smaller, less recognizable, more difficult to reconnect with each blow.

Pain is pain is pain. It was important to recognize your privilege, yes. To show gratitude, to count your blessings. But it was also important to acknowledge and accept your pain, to understand that no matter how large or small your problems, your losses, your wounds—they are yours. And you’re allowed to feel them. The hardest loss will always be your own.

I make my shroud, but no one knows -- So shimmering fine it is and fair, With stitches set in even rows, I make my shroud, but no one knows. In door-way where the lilac blows, Humming a little wandering air, I make my shroud and no one knows, So shimmering fine it is and fair.

She was always going to jump into this lake, no matter how dark or dangerous it might turn out to be; she was too intrigued by its shimmering surface to even consider turning away. There was no world in which she wouldn’t dive headfirst in love with Rory Hughes. This was the only way.

Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments

Who's Adelaide?" "She's Aiden's mom. Her squire, Marius, makes the best cake I have ever eaten." Meryn patted her belly. Gavriel sat forward. "You're driving?" Beth shook her head. "We were going to walk." He paled. "But, it is a thirty-minute walk. There are animals and branches, and exposed roots." Gavriel's eyes looked a bit wild. Beth placed a comforting hand on his arm. "I'll be fine." "Yeah, if they get into trouble, Meryn can always come back here to tell us Beth has fallen down the well," Colton joked. "What the fuck am I? Lassie? You're the dog," Meryn shot back. "I'm not a dog!" Colton protested. Gavriel turned to Aiden. "Are there wells?" Laughing, Beth shook her head. "Fine, we'll drive.

When they were all up playing in the nursery George caught something again and had monia on account of getting cold on his chest and Yourfather was very solemn and said not to grieve if God called little brother away. But God brought little George back to them only he was delicate after that and had to wear glasses, and when Dearmother let Eveline help bathe him because Miss Mathilda was having the measles too Eveline noticed he had something funny there where she didn't have anything. She asked Dearmother if it was a mump, but Dearmother scolded her and said she was a vulgar little girl to have looked. "Hush, child, don't ask questions. Evaline got red all over and cried and Adelaide and Margaret wouldn't speak to her for days on account of her being a vulgar little girl.

Grace was a particularly civic-minded young woman. “When Grace was just a schoolgirl,” a childhood friend of hers wrote, “she planned to be a real citizen when she grew up.”2 Her family was of a political bent; her father Daniel was a delegate to the carpenters’ union, and you couldn’t grow up in his house without picking up his principles. He was out of work rather a lot, as unionism was not popular at that time, but while the family may not have had much money, they did have a lot of love. Grace was one of ten children—she was number four—and she was especially close to her mother, also called Grace; perhaps because she was the eldest girl. There were six boys and four girls in total, and Grace was close to her siblings, especially her sister Adelaide, who was nearest to her in age, and her little brother Art

Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle. It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother. I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.

C’era una volta il bianco e nero. Anzi, c’è ancora. Nel senso che è importante per raccontare storie di grande impatto visivo. La serie fotografica Architetture Criminali di Adelaide Di Nunzio - che è anche un libro, uscito nel 2020 per i tipi di Crowdbooks - racconta storie di edilizia incompiuta e beni confiscati alla mafia nel Sud d’Italia, ma anche battaglie culturali per la legalità come quella del fratello di Peppino Impastato. Insomma, un lavoro di denuncia e molto altro, al quale nel 2016 è stato dato spazio con una personale in galleria, alla Mediterranea di Napoli. Di Nunzio, che è nata e cresciuta a Napoli, ha realizzato la serie in oltre due decadi di lavoro. Scattando con un forte contrasto bianco nero. Il risultato è un effetto reportage, dove la luce vira su toni neorealistici per raccontare in maniera quasi documentaristica la drammaticità della situazione. Scatti d’autore | “Architetture Criminali”, il libro fotografico di Adelaide Di Nunzio Medium @shotofwhisky

With a shudder of excitement, and without giving herself a moment to second-guess what she was about to do, she reached up to take his face in her hands and pressed her lips to his. For a frozen moment he didn’t react, and she could feel her heart thudding in her throat, but then he groaned into her mouth and pulled her tightly against him. And God, he was a good kisser. She’d certainly never been kissed with such expertise. Somehow he was making her feel the kiss in places he wasn’t even touching. And then she stopped thinking.

And the centurion who stood by said: Truly this was a son of God. Not long ago but everywhere I go There is a hill and a black windy sky. Portent of hill, sky, day's eclipse I know; Hill, sky, the shuddering darkness, these am I. The dying at His right hand, at His left, I am - the thief redeemed and the lost thief; I am the careless folk; I those bereft, The Well-Belov'd, the women bowed in grief. The gathering Presence that in terror cried, In earth's shock in the Temple's veil rent through, I; and a watcher, ignorant, curious-eyed, I the centurion who heard and knew

Matteo didn't lick a woman's pussy because he felt obligated, or at the very least not mine. I might have argued he enjoyed it more than I did if he wasn't so damn good at it. That talented tongue explored every part of me, thrusting in and out until I whimpered. When he turned his attention to my clit, it was so he could slide a finger inside me. I clenched around him on a cry, feeling the way he moaned in response vibrate through me. He withdrew that finger, only to add a second and curl them to stroke that spot inside me that made me quiver. "Teo," I whimpered, and the sound of his name seemed to push him over the edge. He wrapped his lips around the bundle of nerves at the apex of my thigh, sucking gently. My legs tightened around his head; my hand buried in his hair to hold him exactly where I wanted him as I shattered in a blinding orgasm that stole my ability to function. I laid there, panting and trying to regain my ability to move. When I opened my eyes, it was to Matteo shoving his own underwear down his legs and kicking them off. He pulled his fingers free of me and spread my legs wide from where they'd wrapped around his head. Sliding up my body, his hips lined up with mine so he could grind his length against my wet core. His lips found mine in a bruising, claiming kiss that seemed even more primal because he tasted like me. He reached down, sliding himself through my wet and notching his head at my entrance. Pulling away from my lips, he groaned, "Tell me you're mine." Still recovering from my orgasm, I nodded in a daze. "Words, Angel. Give me the words." "Yours," I murmured, cupping his cheek with a delirious smile and tugging him down to kiss him again. He slid inside me slowly, filling me until there wasn't a single inch that couldn't feel him. "Fuck," he groaned against my mouth. He reached down, wrapping my legs around his hips. Our foreheads pressed together; our mouths not quite touching as he started to move inside me. Even without his lips on mine, I could taste him, taste me in his breath on my face. One of his hands grabbed mine, our fingers intertwining while he wrapped his other under my shoulder to hold me where he wanted me. He slid in and out in slow, hard thrusts.

As for us, we saw the police as a natural catastrophe— like floods, fires, earthquakes. There was nothing you could do about these things except to try and escape them. We had no analysis, no understanding that society could be changed. We simply tried to survive, as ourselves, as kamp girls, natural rebels. We did not feel that the police might not be entitled to hunt us, but accepted them as inevitable. I was beaten up for suggesting that a woman ask for a lawyer. It was seem as a stupid— even dangerous— suggestion. Fighting back with threats of lawyers would only make the police even angrier at us. But part of me felt that what was happening was unfair and unjust, though I had no idea how things could ever be different. Melbourne and Adelaide were exactly the same. The public lesbian scene was dangerous and difficult. There were many other New Zealand lesbians around, too. In spite of everything, I loved it. The “mateship” was amazing and close, important enough for any risk. And the freedom to be ourselves, to be real, to be queer, affirmed us. There were private, closeted scenes too, but they were hard to find and cliquey. They were fearful of being “sprung” by kamps who were too obvious. They were mainly older middle-class women. I knew some of them, learnt many things from them— like how to behave in a nice restaurant if you are taken to dinner. But they too had no sense of anything being able to change— except for the one strange woman who danced naked to Beethoven and lent me de Beauvoir’s The Second Sex. She sowed some wild ideas, more than a decade too early for them to make any sense.

Whiskey?” Camille cried as she stood on a wharf in Port Adelaide harbor. “You brought us onto a whiskey cargo ship?” Ira spread out his arms. “And rum, love. Don’t forget the rum.” The high tide slowly swallowed the wharf pilings, and the Juggernaut, a whiskey runner, was in the final process of loading. “Listen,” Ira said to both Oscar and Camille, who looked at their escort with doubt. “There couldn’t be a better cargo to ride with than whiskey and rum. You think if there were pots and pans and spoons in there, the captain would take her full chisel to Talladay? People pay a pretty price for liquor, mates, and the ones delivering it make out like bandits.” The Juggernaut wasn’t worth the ten crowns it cost Monty to secure a spot aboard. The schooner didn’t look seaworthy with its chipped paint, barnacle-covered hull, sloppy lines, and patched canvas sail.

When was the last contact you had with him?” Oscar asked. Ira took a long swig from his canteen, replaced the cap, and scrunched up his nose. “Five years ago,” he answered, then let out a wet burp. “’Scuse me, love.” Camille grimaced and sipped water from her own canteen. “Then you can’t be sure he’s still in Port Adelaide,” Oscar continued. Ira placed a hunk of salt pork in a pot with a few handfuls of small white beans and water. “Sure I can. Old Monty would’ve sent word if he packed up.” But Ira’s face darkened and his hand covered his stubbled beard. “Course, not if Stella went and told him ‘bout that time in Sydney.” Camille closed her eyes and knitted her fingers to keep them from forming fists. Oscar sat with his head in his large hands, as though he had an unbearable headache. Looking back at Ira, she figured he probably did. “Who is Stella and what happened in Sydney?” she asked. “Monty’s wife and an act I can’t describe with a lady present,” Ira crowed. “Well, aren’t you a gentleman,” Oscar said under his breath. “Don’t worry, mate. Stella’s conscience is buried so far under her folds of skin, she’s bound never to find it.” Ira stoked the small flames and showed them his toothy grin. “She’s a lot of woman to love, that Stella.” Camille’s eyes watered with shock. “I don’t think you could bluff your way out of that one,” Oscar said. Ira jumped into a crouch, bobbing up and down. “Wait till you see me bluff. It’s like an art.

The front door swung open and a gust of wind rushed inside. Boots scuffled along the floor, and Camille turned to see what pig had shown up at Daphne’s so early in the day. Her heart thumped as the door slammed. Stuart McGreenery tucked his arched captain’s hat under his arm and pulled off his white gloves. “A charming establishment,” he said. He turned up his nose, and sniffed the air. “Is that desperation I smell?” Oscar threw his fork and knife on the table and kicked back his chair. “Did you decide to join us for breakfast?” McGreenery lunged forward and Oscar rose to his feet. “I came to see what you know about the hole in the hull of my ship, you insolent whelp,” McGreenery said. Oscar’s cheek twitched with pleasure. “Why not just have me escorted down to it with a knife in my back?” Camille stood and inserted herself between the two men. Daphne sat in the corner of the parlor rolling cigars, her wide eyes darting from McGreenery to Oscar. “We heard the explosion,” Camille said. “What makes you think we had anything to do with it?” McGreenery retreated one small step and stared down the slope of his nose at her. This time he kept his icy stare level with her eyes. “Because it was not an accident. The explosion was set in a deliberate attempt to keep me from departing for Port Adelaide.” Camille tried to subdue the shake of her knees. “We certainly didn’t see it. Oscar and I were in our room.” McGreenery cocked his head. “I heard you were sharing a room.” He glanced at Oscar. “I doubt William would be fond of that.” “You don’t have the right to even speak his name,” Oscar said, strangling each word. McGreenery gracefully removed the hat out from under his arm and slipped it back on. “It doesn’t matter. Nothing will stop me from reaching the stone, least of all a little girl and her trained monkey.” Camille rushed forward, ready to smack McGreenery across the cheek. Oscar grabbed her around the waist and held her back. McGreenery bowed slightly, grinning with pleasure, and then whisked out the front door. She shrugged out form Oscar’s grasp and watched through the windows as McGreenery sauntered down the street toward the Stealth, where she could hear the echo of repairs already under way. “One day that prick is going to get what he deserves,” Oscar muttered. “I just hope I’m the one who gets to give it to him.