Address Unknown Quotes

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All should be laid open to you without reserve, for there is not a truth existing which I fear, or would wish unknown to the whole world.
Thomas Jefferson (Writings: Autobiography / Notes on the State of Virginia / Public and Private Papers / Addresses / Letters)
There’s a kind of time travel in letters, isn’t there? I imagine you laughing at my small joke; I imagine you groaning; I imagine you throwing my words away. Do I have you still? Do I address empty air and the flies that will eat this carcass? You could leave me for five years, you could return never—and I have to write the rest of this not knowing.
Amal El-Mohtar (This is How You Lose the Time War)
And so when you have lost everything, no more roads, no direction, no fixed signs, no ground, no thoughts able to resist other thoughts, when you are lost, beside yourself, and you continue getting lost, when you become the panicky movement of getting lost, then, that’s when, where you are unwoven weft, flesh that lets strangeness come through, defenseless being, without resistance, without batten, without skin, inundated with otherness, it’s in these breathless times that writings traverse you, songs of an unheard-of purity flow through you, addressed to no one, they well up, surge forth, from the throats of your unknown inhabitants, these are the cries that death and life hurl in their combat.
Hélène Cixous ("Coming to Writing" and Other Essays)
We are vain and we are dishonest because it is necessary to triumph over other vain and dishonest persons.
Kathrine Kressmann Taylor (Address Unknown)
But there is another realm where we can always find something true, the fireside of a friend, where we shed our little conceits and find warmth and understanding, where small selfishnesses are impossible and where wine and books and talk give a different meaning to existence. There we have made something that no falseness can touch. We are at home.
Kathrine Kressmann Taylor (Address Unknown)
Her hair, drawn back off her ears, brushed her shoulders in such a way that the face seemed to have just emerged from it, as if this were the exact moment when she was coming from a wood into clear moonlight. The unknown yielded her up; Dick wished she had no background, that she was just a girl lost with no address save the night from which she had come.
F. Scott Fitzgerald (Tender Is the Night)
Soon, she is dreaming:  I am reading a letter addressed to me by an unknown hand:  Dear Kate.  The moon rises over the tips of the mountain peaks as we sit here in the darkness thinking of you – and remembering.  Remembering the smells of flowers long ago dried and withered away, their faint fragrances hanging in the misty air.  Remembering whispers of times gone by.  As we have done in the past, we dig deep, looking for clues to your whereabouts.  Eyes peek out at us from within the stillness of the night – eyes filled with longing and desire – curious orbs floating like lanterns in the misty void.  Looking up from the letter still within her dream, Kate finds herself face to face with two golden beacons of love-filled radiance.
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
If you want to earn the gratitude of your own age you must keep in step with it. But if you do that you will produce nothing great. If you have something great in view you must address yourself to posterity: only then, to be sure, you will probably remain unknown to your contemporaries; you will be like a man compelled to spend his life on a desert island and there toiling to erect a memorial so that future seafarers shall know he once existed.
Arthur Schopenhauer (Essays and Aphorisms)
Attempts to locate oneself within history are as natural, and as absurd, as attempts to locate oneself within astronomy. On the day that I was born, 13 April 1949, nineteen senior Nazi officials were convicted at Nuremberg, including Hitler's former envoy to the Vatican, Baron Ernst von Weizsacker, who was found guilty of planning aggression against Czechoslovakia and committing atrocities against the Jewish people. On the same day, the State of Israel celebrated its first Passover seder and the United Nations, still meeting in those days at Flushing Meadow in Queens, voted to consider the Jewish state's application for membership. In Damascus, eleven newspapers were closed by the regime of General Hosni Zayim. In America, the National Committee on Alcoholism announced an upcoming 'A-Day' under the non-uplifting slogan: 'You can drink—help the alcoholic who can't.' ('Can't'?) The International Court of Justice at The Hague ruled in favor of Britain in the Corfu Channel dispute with Albania. At the UN, Soviet Foreign Minister Andrei Gromyko denounced the newly formed NATO alliance as a tool for aggression against the USSR. The rising Chinese Communists, under a man then known to Western readership as Mao Tze-Tung, announced a limited willingness to bargain with the still-existing Chinese government in a city then known to the outside world as 'Peiping.' All this was unknown to me as I nuzzled my mother's breast for the first time, and would certainly have happened in just the same way if I had not been born at all, or even conceived. One of the newspaper astrologists for that day addressed those whose birthday it was: There are powerful rays from the planet Mars, the war god, in your horoscope for your coming year, and this always means a chance to battle if you want to take it up. Try to avoid such disturbances where women relatives or friends are concerned, because the outlook for victory upon your part in such circumstances is rather dark. If you must fight, pick a man! Sage counsel no doubt, which I wish I had imbibed with that same maternal lactation, but impartially offered also to the many people born on that day who were also destined to die on it.
Christopher Hitchens (Hitch 22: A Memoir)
If the Apostle justly prohibits the use of unknown tongues in the church, much less would he have tolerated these artificial musical performances, which are addressed to the ear only, and seldom strike the understanding, even of the performers themselves.
Theodore Beza
She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.
Virginia Woolf
از بین رفتن ناامیدی خیلی وقتها منجر می شود به قدم گذاشتن در راههای جنون آمیز.
Kathrine Kressmann Taylor (Address Unknown)
Your new attitude I cannot discuss. But you must understand me. I did not expect you would take up arms for my people because they are my people, but because you were a man who loved justice.
Kathrine Kressmann Taylor (Address Unknown)
General Apollon Diaz was currently in power and leaned toward the position of the hawks, which was to meet force with force. The proposal had already been made at Parliament (which stood in permanent emergency session) to counterattack: to pull twice the number of teeth from the political prisoners the abductors were demanding and mail them poste restante, as the address of guerrilla headquarters was unknown.
Stanisław Lem
...اینجور اتفاق ها مثل طوفان است. در یک لحظه خیس آب می شوی و از پا میفتی و هیچ کاری هم از دستت برنمی آید. اما لحظه ای بعد آفتاب درمی آید و بااینکه هیچ چیز را فراموش نکرده ای تنها چیزی که باقی می ماند محبت است نه غم و غصه
Kathrine Kressmann Taylor (Address Unknown)
All that they lacked was the gift that descended upon the chosen disciples at Pentecost, in tongues of flame; symbolizing, it would seem, not the power of speech in foreign and unknown languages, but that of addressing the whole human brotherhood in the heart's native language.
Nathaniel Hawthorne
There is such a tremendous need for spiritual guidance for those who are facing death, as a patient or with a loved one. Emotions and grief flood everyone involved. There are so many unknown factors. Many times doctors can predict what may happen physically, but no one can truthfully answer the big questions for us, questions like, What is dying like? Will it hurt? What is going to happen to me after I die? Is God going to be there waiting for me? Is God going to be angry at how I lived my life? These questions and fears clearly need to be addressed spiritually and not brushed aside.
Megory Anderson (Sacred Dying: Creating Rituals for Embracing the End of Life)
But Jesus had to speak through a public-address system—the only one available—which distorted his words, so that they came forth as the bombastic claim to be the one and only appearance of the Christ, of the incarnation of God as man. This is not good news. The good news is that if Jesus could realize his identity with God, you can also—but this God does not have to be idolized as an imperious monarch with a royal court of angels and ministers. God, as “the love which moves the sun and other stars,” is something much more inward, intimate, and mysterious—in the sense of being too close to be seen as an object.
Alan W. Watts (Cloud-hidden, Whereabouts Unknown)
A short time before the war, some cultivated, intellectual, warm-hearted German friends of mine returned to Germany after living in the United States. In a very short time they turned into sworn Nazis. They refused to listen to the slightest criticism about Hitler. During a return visit to California, they met an old dear friend of theirs on the street, who had been very close to them and who was a Jew. They did not speak to him. They turned their backs on him when he held his hands out to embrace them. How can such a thing happen, I wondered. What changed their hearts so? What steps brought them to such cruelty?
Kathrine Kressmann Taylor (Address Unknown)
But also it is not only expedient, there is something more, a feeling that we of Germany have found our destiny and that the future sweeps toward us in an overwhelming wave. We too must move. We must go with it. Even now there are being wrongs done. The storm troopers are having their moment of victory, and there are bloody heads
Kathrine Kressmann Taylor (Address Unknown)
By formally addressing itself to the infinite without the infinite receding into a definitionless void, poetry establishes a conceptual interface between the two terms. It creates the possibility of encounter with the unknown and the other by demonstrating this interface as essential to, and indeed constitutive of, individual human being.
Johanna Skibsrud (The Nothing That Is: Essays on Art, Literature and Being (Essais Series))
The name Gilberte passed close by me, evoking all the more forcibly her whom it labelled in that it did not merely refer to her, as one speaks of a man in his absence, but was directly addressed to her; it passed thus close by me, in action, so to speak, with a force that increased with the curve of its trajectory and as it drew near to its target;—carrying in its wake, I could feel, the knowledge, the impression of her to whom it was addressed that belonged not to me but to the friend who called to her, everything that, while she uttered the words, she more or less vividly reviewed, possessed in her memory, of their daily intimacy, of the visits that they paid to each other, of that unknown existence which was all the more inaccessible, all the more painful to me from being, conversely, so familiar, so tractable to this happy girl who let her message brush past me without my being able to penetrate its surface, who flung it on the air with a light-hearted cry: letting float in the atmosphere the delicious attar which that message had distilled, by touching them with precision, from certain invisible points in Mlle. Swann's life, from the evening to come, as it would be, after dinner, at her home,—forming, on its celestial passage through the midst of the children and their nursemaids, a little cloud, exquisitely coloured, like the cloud that, curling over one of Poussin's gardens, reflects minutely, like a cloud in the opera, teeming with chariots and horses, some apparition of the life of the gods; casting, finally, on that ragged grass, at the spot on which she stood [....]
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Tod Clifton's one with the ages. But what's that to do with you in this heat under this veiled sun? Now he's part of history, and he has received his true freedom. Didn't they scribble his name on a standardized pad? His Race: colored! Religion: unknown, probably born Baptist. Place of birth: U.S. Some southern town. Next of kin: unknown. Address: unknown. Occupation: unemployed. Cause of death (be specific): resisting reality in the form of a .38 caliber revolver in the hands of the arresting officer, on Forty-second between the library and the subway in the heat of the afternoon, of gunshot wounds received from three bullets, fired at three paces, one bullet entering the right ventricle of the heart, and lodging there, the other severing the spinal ganglia traveling downward to lodge in the pelvis, the other breaking through the back and traveling God knows where.
Ralph Ellison (Invisible Man)
Just Now" In the morning as the storm begins to blow away the clear sky appears for a moment and it seems to me that there has been something simpler than I could ever believe simpler than I could have begun to find words for not patient not even waiting no more hidden than the air itself that became part of me for a while with every breath and remained with me unnoticed something that was here unnamed unknown in the days and the nights not separate from them not separate from them as they came and were gone it must have been here neither early nor late then by what name can I address it now holding out my thanks.
W.S. Merwin
if you can face and accept and even rejoice in the experience of darkness, if you can accept that God is more than an idea which keeps your religion or philosophy or politics tidy – then you may find a way back to religion, philosophy or politics, to an engagement with them that is more creative because you are more aware of the oddity, the uncontrollable quality of the truth at the heart of all things. This is what ‘detachment’ means – not being ‘above the battle’, but being involved in such a way that you can honestly confront whatever comes to you without fear of the unknown; it is a kind of readiness for the unexpected, if that is not too much of a paradox.
Rowan Williams (Open to Judgement: Sermons and Addresses)
Suggested Reading Nuha al-Radi, Baghdad Diaries Margaret Atwood, The Blind Assassin Jane Austen, Emma, Mansfield Park, and Pride and Prejudice Saul Bellow, The Dean’s December and More Die of Heartbreak Emily Brontë, Wuthering Heights Lewis Carroll, Alice’s Adventures in Wonderland Joseph Conrad, Under Western Eyes Henry Fielding, Shamela and Tom Jones Gustave Flaubert, Madame Bovary Anne Frank, The Diary of Anne Frank Henry James, The Ambassadors, Daisy Miller, and Washington Square Franz Kafka, In the Penal Colony and The Trial Katherine Kressman Taylor, Address Unknown Herman Melville, The Confidence Man Vladimir Nabokov, Lolita, Invitation to a Beheading, and Pnin Sarah Orne Jewett, The Country of the Pointed Firs Iraj Pezeshkzad, My Uncle Napoleon Diane Ravitch, The Language Police Julie Salamon, The Net of Dreams Marjane Satrapi, Persepolis Scheherazade, A Thousand and One Nights F. Scott Fitzgerald, The Great Gatsby W. G. Sebald, The Emigrants Carol Shields, The Stone Diaries Joseph Skvorecky, The Engineer of Human Souls Muriel Spark, Loitering with Intent and The Prime of Miss Jean Brodie Italo Svevo, Confessions of Zeno Peter Taylor, A Summons to Memphis Mark Twain, The Adventures of Huckleberry Finn Anne Tyler, Back When We Were Grownups and St. Maybe Mario Vargas Llosa, Aunt Julia and the Scriptwriter Reading
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
When we hear radical stories of long-distance dispersal, it is all too easy to place a human mindset onto the events, and it is worth spending a moment to address this. There is a temptation to describe these rodents and monkeys as hopeful adventurers, with a narrative of pioneering spirit and survival against the odds in an unknown and inhospitable land, an inappropriate framing that owes much to the era of colonialism. Where an animal or plant from one part of the world appears in another, some might use the language of invasion, of a native ecosystem despoiled and rendered lesser by newcomers. Frequently, this is an appeal to nostalgia, to the landscape known in childhood, contrasted with the altered, often depleted world of today. It brings with it an implication that what was was right and what is is wrong.
Thomas Halliday (Otherlands: Journeys in Earth's Extinct Ecosystems)
A human life has seasons much as the earth has seasons, each time with its own particular beauty and power. And gift. By focusing on springtime and summer, we have turned the natural process of life into a process of loss rather than a process of celebration and appreciation. Life is neither linear nor is it stagnant. It is movement from mystery to mystery. Just as a year includes autumn and winter, life includes death, not as an opposite but as an integral part of the way life is made. The denial of death is the most common way we all edit life. Despite the power of technology to reveal to us the nature of this world, death remains the ultimate unknown, impervious to the prodding finger of science. We might well ask if anything which cannot be addressed in scientific terms is really worthy of our attention. Yet most of the things that give life its depth, meaning, and value are impervious to science.
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
One of the most remarkable of these hymns is that addressed to the Unknown God. The poet says: "In the beginning there arose the Golden Child. As soon as he was born he alone was the lord of all that is. He established the earth and this heaven." The hymn consists of ten stanzas, in which the Deity is celebrated as the maker of the snowy mountains, the sea and the distant river, who made fast the awful heaven, He who alone is God above all gods, before whom heaven and earth stand trembling in their mind. Each stanza concludes with the refrain, "Who is the God to whom we shall offer sacrifice?" We have in this hymn a most sublime conception of the Supreme Being, and while there are many Vedic hymns whose tone is pantheistic and seems to imply that the wild forces of nature are Gods who rule the world, this hymn to the Unknown God is as purely monotheistic as a psalm of David, and shows a spirit of religious awe as profound as any we find in the Hebrew Scriptures.
Epiphanius Wilson (Sacred Books of the East)
The Proofs Human society has devised a system of proofs or tests that people must pass before they can participate in many aspects of commercial exchange and social interaction. Until they can prove that they are who they say they are, and until that identity is tied to a record of on-time payments, property ownership, and other forms of trustworthy behavior, they are often excluded—from getting bank accounts, from accessing credit, from being able to vote, from anything other than prepaid telephone or electricity. It’s why one of the biggest opportunities for this technology to address the problem of global financial inclusion is that it might help people come up with these proofs. In a nutshell, the goal can be defined as proving who I am, what I do, and what I own. Companies and institutions habitually ask questions—about identity, about reputation, and about assets—before engaging with someone as an employee or business partner. A business that’s unable to develop a reliable picture of a person’s identity, reputation, and assets faces uncertainty. Would you hire or loan money to a person about whom you knew nothing? It is riskier to deal with such people, which in turn means they must pay marked-up prices to access all sorts of financial services. They pay higher rates on a loan or are forced by a pawnshop to accept a steep discount on their pawned belongings in return for credit. Unable to get bank accounts or credit cards, they cash checks at a steep discount from the face value, pay high fees on money orders, and pay cash for everything while the rest of us enjoy twenty-five days interest free on our credit cards. It’s expensive to be poor, which means it’s a self-perpetuating state of being. Sometimes the service providers’ caution is dictated by regulation or compliance rules more than the unwillingness of the banker or trader to enter a deal—in the United States and other developed countries, banks are required to hold more capital against loans deemed to be of poor quality, for example. But many other times the driving factor is just fear of the unknown. Either way, anything that adds transparency to the multi-faceted picture of people’s lives should help institutions lower the cost of financing and insuring them.
Michael J. Casey (The Truth Machine: The Blockchain and the Future of Everything)
True love is in despair and is enchanted over a glove lost or a handkerchief found, and eternity is required for its devotion and its hopes. It is composed both of the infinitely great and the infinitely little. If you are a stone, be adamant; if you are a plant, be the sensitive plant; if you are a man, be love. Free eBooks at Planet eBook.com 1579 Nothing suffices for love. We have happiness, we desire paradise; we possess paradise, we desire heaven. Oh ye who love each other, all this is contained in love. Understand how to find it there. Love has contemplation as well as heaven, and more than heaven, it has voluptuousness. ‘Does she still come to the Luxembourg?’ ‘No, sir.’ ‘This is the church where she attends mass, is it not?’ ‘She no longer comes here.’ ‘Does she still live in this house?’ ‘She has moved away.’ ‘Where has she gone to dwell?’ ‘She did not say.’ What a melancholy thing not to know the address of one’s soul! Love has its childishness, other passions have their pettinesses. Shame on the passions which belittle man! Honor to the one which makes a child of him! There is one strange thing, do you know it? I dwell in the night. There is a being who carried off my sky when she went away. Oh! would that we were lying side by side in the same grave, hand in hand, and from time to time, in the darkness, gently caressing a finger,—that would suffice for my eternity! Ye who suffer because ye love, love yet more. To die of love, is to live in it. Love. A sombre and starry transfiguration is mingled with this torture. There is ecstasy in agony. Oh joy of the birds! It is because they have nests that they sing. 1580 Les Miserables Love is a celestial respiration of the air of paradise. Deep hearts, sage minds, take life as God has made it; it is a long trial, an incomprehensible preparation for an unknown destiny. This destiny, the true one, begins for a man with the first step inside the tomb. Then something appears to him, and he begins to distinguish the definitive. The definitive, meditate upon that word. The living perceive the infinite; the definitive permits itself to be seen only by the dead. In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved only bodies, forms, appearances! Death will deprive him of all. Try to love souls, you will find them again. I encountered in the street, a very poor young man who was in love. His hat was old, his coat was worn, his elbows were in holes; water trickled through his shoes, and the stars through his soul. What a grand thing it is to be loved! What a far grander thing it is to love! The heart becomes heroic, by dint of passion. It is no longer composed of anything but what is pure; it no longer rests on anything that is not elevated and great. An unworthy thought can no more germinate in it, than a nettle on a glacier. The serene and lofty soul, inaccessible to vulgar passions and emotions, dominating the clouds and the shades of this world, its follies, its lies, its hatreds, its vanities, its miseries, inhabits the blue of heaven, and no longer feels anything but profound and subterranean shocks of destiny, as the crests of mountains feel the shocks of earthquake. If there did not exist some one who loved, the sun would become extinct.
Victor Hugo
A faint singing seemed to issue from the walls... yes, it was as though the walls themselves were singing!... The song became plainer... the words were now distinguishable... he heard a voice, a very beautiful, very soft, very captivating voice... but, for all its softness, it remained a male voice... The voice came nearer and nearer... it came through the wall... it approached... and now the voice was in the room, in front of Christine. Christine rose and addressed the voice, as though speaking to some one: "Here I am, Erik," she said. "I am ready. But you are late." Raoul, peeping from behind the curtain, could not believe his eyes, which showed him nothing. Christine's face lit up. A smile of happiness appeared upon her bloodless lips, a smile like that of sick people when they receive the first hope of recovery. The voice without a body went on singing; and certainly Raoul had never in his life heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, irresistibly triumphant. He listened to it in a fever and he now began to understand how Christine Daaé was able to appear one evening, before the stupefied audience, with accents of a beauty hitherto unknown, of a superhuman exaltation, while doubtless still under the influence of the mysterious and invisible master. The voice was singing the Wedding-night Song from Romeo and Juliet. Raoul saw Christine stretch out her arms to the voice as she had done, in Perros church-yard, to the invisible violin playing The Resurrection of Lazarus and nothing could describe the passion with which the voice sang: "Fate links thee to me for ever and a day!" The strains went through Raoul's heart.
Gaston Leroux (Phantom of the Opera)
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
Marcel Proust (In Search of Lost Time: Swann's Way)
I believe that we all have the potential to solve problems and express ourselves creatively. What stands in our way are these hidden barriers—the misconceptions and assumptions that impede us without our knowing it. The issue of what is hidden, then, is not just an abstraction to be bandied about as an intellectual exercise. The Hidden—and our acknowledgement of it—is an absolutely essential part of rooting out what impedes our progress: clinging to what works, fearing change, and deluding ourselves about our roles in our own success. Candor, safety, research, self-assessment, and protecting the new are all mechanisms we can use to confront the unknown and to keep the chaos and fear to a minimum. These concepts don’t necessarily make anything easier, but they can help us uncover hidden problems and, thus, enable us to address them.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
Does the surgeon spare the cancer because he must cut to remove it? We are cruel. Of course we are cruel.
Kathrine Kressmann Taylor (Address Unknown)
June 1: Tuesday, 9:30 a.m., Norma Jeane Mortensen is born at the Los Angeles General Hospital, delivered by Dr. Herman M. Beerman. The birth certificate misspells her last name as Mortenson. The father is identified as Edward Mortenson. His address is listed as “unknown.” At the time, Gladys is separated from her husband. Gladys lists herself as Gladys Monroe (her maiden name), living at 5454 Wilshire Boulevard. Early accounts of Marilyn Monroe’s life drop the final e from Jeane because Marilyn herself tended to do so. Gladys’s friends pay the $140 cost of her hospital stay.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
She addressed herself entirely to her most holy Son in her womb, and with most ardent affection of her soul she prayed: “Lord and God of my soul, with thy permission, although I am but dust and ashes (Gen. 8:27), I will speak in thy kingly presence and manifest to Thee my sighs, that cannot be hidden from Thee. (Psalms 37:19). It is my duty not to be remiss in assisting the spouse whom I have received from thy hand. I see him overwhelmed by the tribulation, which Thou hast sent him, and it would not be kind in me to forsake him therein. If I have found grace in thy eyes, I beseech Thee, Lord and eternal God, by the love which obliged Thee to enter into the womb of thy servant for the salvation of mankind, to be pleased to console thy servant Joseph and dispose him to assist me in the fulfillment of thy great works. It would not be well that I, thy servant, be left without a husband for a protection and guardian. Do not permit, my Lord and God, that he execute his resolve and withdraw from me.” The Most High answered her: “My dearest Dove, I shall presently visit my servant Joseph with consolation; and after I shall have manifested to him by my angel the sacrament, which is unknown to him, thou mayest speak openly about all that I have done with thee, without the necessity of keeping silent thenceforward in these matters. I will fill him with my spirit and make him apt to perform his share
Mary of Agreda (The Mystical City of God: A Popular Abridgement of the Divine History and Life of the Virgin Mother of God)
easing the learning curve of new users is essential to successful ODR implementations. Provide an animated Flash movie, narrated by a human voice, that explains how to use the ODR tools made available to users. Provide extensive documentation and context-sensitive help files, so that users can always get a quick answer to questions that may arise. As one of the focus group participants put it, "The instructions, tour, and attention to detail were all helpful. For me, it was the `fear of the unknown' and the ... belief that [the platform] would be difficult" It is the job of the designers of ODR technology to proactively address this fear and to ease new users into an understanding of how new tools will benefit them. Don't
Colin Rule (Online Dispute Resolution For Business: B2B, ECommerce, Consumer, Employment, Insurance, and other Commercial Conflicts)
... scientific method is not the same as the scientific spirit. The scientific spirit does not rest content with applying that which is already known, but is a restless spirit, ever pressing forward towards the regions of the unknown, ... it acts as a check, as well as a stimulus, sifting the value of the evidence, and rejecting that which is worthless, and restraining too eager flights of the imagination and too hasty conclusions.[7] —Archibald Garrod, Archibald Garrod, "The Scientific Spirit in Medicine: Inaugural Sessional Address to the Abernethian Society", St. Bartholomew's Hospital Journal, 20, 19 (1912)
Archibald Garrod
A long silence followed Dickinson’s address. Would no one answer? Finally, fubsy, garrulous John Adams rose. He spoke extemporaneously. There was no need for notes. He had made the same speech, more or less, for a year. Jefferson, perhaps used to a different style of oratory in Virginia, later said that Adams was “not graceful or elegant, nor remarkably fluent,” but others would speak of “the magic of his eloquence,” his “genuine eloquence,” his “resistless eloquence”; it was even said that his speech was “higher than all “eloquence.” Calm, assured, Adams nevertheless began by wishing aloud for the deftness of the great orators of antiquity. Proceeding in a tone that he later characterized as courteous, he reiterated the proindependence case, an argument every bit as familiar as the one that Dickinson had just presented. Separation would be beneficial to America. The new nation could chart its own course. Peace and prosperity would be the great rewards of independence. Unlike Dickinson’s remarks, resonating with a fear of the unknown, Adams’s muted address rang with palpable contempt for the present while exulting in the possibilities of the future.16
John Ferling (John Adams: A Life)
Dying,” she said in her last week, “is normal. It’s as normal as being born.
Kathrine Kressmann Taylor (Address Unknown)
His sense of community with other blacks is affirmed as he addresses them as “brothers” and “sisters,” a community built not on rational self-interest (as in the American political community) but on affective bonds. His new heroes are Malcolm X, W.E.B. Du Bois, Marcus Garvey, Angela Davis—and Frantz Fanon. He also prepares for political mobilization in accordance with his new self-image. Although he recognizes that violent revolution on the total scale preached by Fanon is not feasible in America, he will forthrightly adopt a rhetoric that involves “confrontation, bluntness, and directness” in dealing with his former white oppressors and asserting his new and vital self-image. Verbal violence as a form of cultural vitality overlaps with physical violence as part of the same black anti-Western Kultur . Turning the pages of Eldrige Cleaver’s Soul on Ice, George Jackson’s Soledad Brother, or the poetry of LeRoi Jones, one meets with a delight in violence both as a cleansing, purifying process (as in Frantz Fanon’s “holy violence”) and as an affirmation of vital cultural identity. The black inner-city criminal thug took on the glamorous image of Frantz Fanon’s fellah or revolutionary guerrilla cadre, as urban street gangs reorganized themselves as the Black Panthers. In a notorious passage, Norman Mailer had even praised the vitalism and “courage” of these hoodlums when they murder neighborhood store owners. “For one murders not only a weak fifty-year-old man,” he wrote, “but an institution as well,” namely, private property. Mailer concluded that “the hoodlum is therefore daring the unknown, and no matter how brutal the act, it is not altogether cowardly.
Arthur Herman (The Idea of Decline in Western History)
Her name is Dr. Katherine Scott, and it says she’s the only one in her practice. For some unknown reason, her picture and her page tell me she’s the person who can help me. I open up my email, copy her email address and type out an email to her. I
Margaret McHeyzer (Ugly)
Thakur’s findings were not news to Ranbaxy’s top executives. Just ten months earlier, in October 2003, outside auditors started investigating Ranbaxy facilities worldwide. In this case, the audits had been ordered up by Ranbaxy itself. This was a common industry practice: drug companies often hired consultants to audit their facilities as a dry run to see how visible their problems were. If the consultants could find it, they reasoned, then most likely regulators could too. The fact-finding mission by Lachman Consultant Services left Ranbaxy officials under no illusion as to the extent of the company’s failings. At Ranbaxy’s Princeton, New Jersey, facility, auditors found that the company’s Patient Safety Department barely functioned and training was essentially “non-existent.” The staff had no written protocols for investigating patient complaints, which piled up in boxes, uncategorized and unreported. They had no clerical help for basic tasks like mailing out the patients’ samples for testing. “I don’t think there’s the same medicine in this medicine,” was a common refrain from patients. Even when there were investigations, they were so perfunctory and half-hearted that expiration dates were listed as “unknown,” even when they could easily have been found from a product’s lot number. An audit of Ranbaxy’s main U.S. manufacturing plant, Ohm Laboratories in New Jersey, found that the company, though required to report adverse events to the FDA, rarely did so. There was no system to capture patient complaints after hours, and no global medical officer to ensure that any potential negative consequences for patients were being monitored. The consultants from Lachman urged Ranbaxy to address these problems globally. Ranbaxy’s initial reaction to the findings was to question the number of hours, and the resulting invoice, that Lachman had sent for its work.
Katherine Eban (Bottle of Lies: The Inside Story of the Generic Drug Boom)
It was time to begin making notes on how the search was going, the people he had met, the conversations he had had, his thoughts, his plans and tactics for an investigation that promised to be complex, The steps taken by someone in search of someone else, he thought, and the truth is, that although the process was only in its early stages, he already had a lot to say, If this were a novel, he murmured as he opened the notebook, the conversation with the lady in the ground-floor apartment would be a chapter in itself. He picked up a pen to begin but stopped halfway, his eyes caught the paper on which he had written down the addresses, there was something he hadn’t considered before the perfectly plausible hypothesis that the unknown woman, after she got divorced, had gone to live with her parents, the equally possible hypothesis that her husband had left the apartment, leaving the telephone in his name. If that was so, and bearing in mind that the street in question was near the Central Registry, the woman on the bus might well have been the same one. The inner dialogue seemed to want to start up again, It was, It wasn’t, It was, It wasn’t, but this time, Senhor José paid no heed to it and, bending over the notebook, he began to write the first words, Thus, I went into the building, went up the stairs to the second floor and listened at the door of the apartment where the unknown woman was born, then I heard a little baby crying, it could be her child I thought, and, at the same time, I heard a woman crooning to it softly, It must be her, later, I found out that it wasn’t.
José Saramago (All the Names)
Like literature, music can overwhelm you with sudden emotion, can move you to absolute sorrow or ecstasy; like literature, painting has the power to astonish, and to make you see the world through fresh eyes. But only literature can put you in touch with another human spirit, as a whole, with all its weaknesses and grandeurs, its limitations, its pettinesses, its obsessions, its beliefs; with whatever it finds moving, interesting, exciting, or repugnant. Only literature can grant you access to a spirit from beyond the grave—a more direct, more complete, deeper access than you’d have in conversation with a friend. Even in our deepest, most lasting friendships, we never speak so openly as when we face a blank page and address an unknown reader.
Michel Houellebecq (Submission)
The Nazis succeeded in taking over the church, 'but gradually,' she writes, 'they became aware that something was wrong... A force was resisting them, something they could not put their hands on -- a belief.
Kathrine Kressmann Taylor (Address Unknown)
I am always castigating myself, but I continue to do as before.
Kathrine Kressmann Taylor (Address Unknown)
Alas, to us Jews they are a sad story familiar through centuries of repetition, and it is almost unbelievable that the old martyrdom must be endured in a civilized nation today.
Kathrine Kressmann Taylor (Address Unknown)
The man I have loved as a brother, whose heart has ever been brimming with sympathy and friendship, cannot possibly partake of even a passive partnership in the butchery of innocent people.
Kathrine Kressmann Taylor (Address Unknown)
The failure here is an example of a common flaw in our approach to adaptive challenges: we try to solve them with technical solutions. Terrified of the unknown, we seek to replace problems we have no idea how to address with those we know how to solve. This is a form of ‘work avoidance’, a term coined by Heifetz[x]. If you have ever procrastinated by spending your whole afternoon making a brightly-coloured work plan, and then congratulated yourself on being productive, then you will be familiar with the concept. By focusing on what they know they can measure – the extent to which a lesson went as planned – some professors may avoid the harder work of trying to gauge the learning of their students.
David Franklin (Invisible Learning: The magic behind Dan Levy's legendary Harvard statistics course)
When my father interviewed kids for Candid Camera, his favorite part of his work, he had a challenge. How could he quickly break through the intimidation felt by a little child toward a big unknown adult? He did so by lighting a match and feigning difficulty in blowing it out. Balanced on the edge of a preschool-size chair, he would huff and puff with theatrical overacting, turning finally to the youngster and saying, “Can you help me?” And they would. Moments later, my dad and his new friend would be chatting about guardian angels, the wonders of spaghetti, money, and a host of other delightful topics. The gap my father was closing is called the “power distance,” a concept developed by Professor Geert Hofstede. This phenomenon can cause people to avoid or defer to those they feel are more powerful and, in doing so, to shut down channels of honest communication. By asking for help, my father broke the power distance and opened a gateway to closeness with each and every match blower. If you lead at least a few people, this section is for you. And in order to develop the closeness needed to build a white space team, you’ll need to address the same lopsided dynamics as my father. You must ask for help, step out of having all the answers, and truly enlist a wide spectrum of input to move toward the changes you want. Speak to people about their needs, desires, and enthusiasms. And make it more than a gesture, authentically being open to using the ideas that spring from these conversations. The following steps will show you how.
Juliet Funt (A Minute to Think: Reclaim Creativity, Conquer Busyness, and Do Your Best Work)
Make No Sect of Me (The Sonnet) Don't you dare pledge obedience to me! Don't you turn me into another religious band! I want you to endeavor into unknown, I want you to explore and expand. My work is with human nature, I know how things are gonna turn out. Many will come and peddle me as savior, They'll thrust me as society's way out. By not addressing it all my predecessors, Inadvertently became fodder for sectarianism. True Naskareans of earth are them alone, Who ain't no Naskarean but plain human. To make a sect of me is to dishonor me. Dump all glorification, and be light to humanity.
Abhijit Naskar (Either Reformist or Terrorist: If You Are Terror I Am Your Grandfather)
You will see only that your own people are troubled. You will not see that a few must suffer for the millions to be saved.
Kathrine Kressmann Taylor (Address Unknown)
Of the four opportunity elements, an early-stage startup’s customer value proposition is without question the most important. To survive, a new venture absolutely must offer a sustainably differentiated solution for strong, unmet customer needs. This point bears repeating: Needs must be strong. If an unknown startup’s product doesn’t address an acute pain point, customers aren’t likely to buy it. Likewise, differentiation is crucial: If the venture’s offering is not superior in meaningful ways to existing solutions, again, no one will buy it. Finally, sustaining this differentiation is important. Without barriers to imitation, the venture is vulnerable to copycats.
Tom Eisenmann (Why Startups Fail: A New Roadmap for Entrepreneurial Success)
I have never hated the individual Jew -- yourself I have always cherished as a friend, but you will know that I speak in all honesty when I say I have loved you, not because of your race but in spite of it.
Kathrine Kressmann Taylor (Address Unknown)
Steinbeck’s hunger, his compulsion to tell the significant stories of people situated in and on, but not apart from, this land, became one of his recognizable signatures as a novelist. In a 1932 journal (addressed privately to former Stanford roommate and close friend Carlton “Duke” Sheffield), Steinbeck noted of To a God Unknown: “The story is a parable, Duke, the story of a race, growth and death. Each figure is a population, and the stones, the trees, the muscled mountains are the world—but not the world apart from man—the world and man—the one indescribable unit man plus his environment
John Steinbeck (To a God Unknown)
Las cosas no son blancas ni negras, lo que reina es el gris. Los hombres, sus almas... Pasa lo mismo. Tú eres un alma gris, rematadamente gris, cómo todos nosotros.
Philippe Claudel (Address Unknown)
or when letters to Jewish suppliers in Germany came back marked “Address Unknown,” we still managed to believe that it was primarily a German problem. “How long are they going to stand for it?” we said. “They won’t put up with that man for long.
Corrie ten Boom (The Hiding Place)
And I will no longer have any dealings with Jews, except for the receipt of money.
Kathrine Kressmann Taylor (Address Unknown)
We purge our bloodstream of its baser elements.
Kathrine Kressmann Taylor (Address Unknown)
Much, maybe too much, has been written about literature. (I know better than anyone; I’m an expert in the field). Yet the special thing about literature, the major art form of a Western civilization now ending before our very eyes, is not hard to define. Like literature, music can overwhelm you with sudden emotion, can move you to absolute sorrow or ecstasy; like literature, painting has the power to astonish, and to make you see the world through fresh eyes. But only literature can put you in touch with another human spirit, as a whole, with all its weaknesses and grandeurs, it limitations, its pettinesses, its obsessions, its beliefs; with whatever it finds moving, interesting, exciting, or repugnant. Only literature can grant you access to a spirit from beyond the grave–a more direct, more complete, deeper access than you’d have in conversation with a friend. Even in our deepest, most lasting friendships, we never speak so openly as when we face a blank page and address an unknown reader.
Michel Houellebecq
impossible for me to be in correspondence with a Jew even if it were not that I have an official position to maintain. If a communication becomes necessary you must enclose it with the bank draft and not write to me at my house again. As for the stern measures that so distress you, I myself did not like them at first, but I have come to see their painful necessity. The Jewish race is a sore spot to any nation that harbors it. I have never hated the individual Jew -- yourself I have always cherished as a friend, but you will know that I speak in all honesty when I say I have loved you, not because of your race but in spite of it.
Kathrine Kressmann Taylor (Address Unknown)
Alas, Max, this will pain you, I know, but you must realize the truth. There are movements far bigger than the men who make them up. As for me, I am a part of the movement. Heinrich is an officer in the boys’ corps, which is headed by Baron Von Freische, whose rank is now shedding a luster upon our house, for he comes often to visit with Heinrich and Elsa, whom he much admires.
Kathrine Kressmann Taylor (Address Unknown)
These are the only important men, the doers. And here in Germany a doer has risen. A vital man is changing things. The whole tide of a people’s life changes in a minute because the man of action has come. And I join him. I am not just swept along by a current. The useless life that was all talk and no accomplishment I drop. I put my back and shoulders behind the great new movement. I am a man because I act. Before that I am just a voice. I do not question the ends of our action. It is not necessary. I know it is good because it is so vital. Men are not drawn into bad things with so much joy and eagerness.
Kathrine Kressmann Taylor (Address Unknown)
Martin: I write again because I must. A black foreboding has taken possession of me. I wrote Griselle as soon as I knew she was in Berlin and she answered briefly. Rehearsals were going brilliantly; the play would open shortly. My second letter was more encouragement than warning, and it has been returned to me, the envelope unopened, marked only addressee unknown, (Adressant Unbekannt). What a darkness those words carry! How can she be unknown? It is surely a message that she has come to harm. They know what has happened to her, those stamped letters say,
Kathrine Kressmann Taylor (Address Unknown)
You will destroy us all, Griselle,” I tell her. “You must run back further in the park.” She looks at me and smiles (she was always a brave girl) and makes her own choice. “I would not bring you harm, Martin,” she says, and she runs down the steps and out toward the trees. But she must be tired. She does not run very fast and the storm troopers have caught sight of her. I am helpless. I go in the house and in a few minutes she stops screaming, and in the morning I have the body sent down to the village for burial. She was a fool to come to Germany. Poor little Griselle. I grieve with you, but as you see, I was helpless to aid her. I must now demand you do not write again. Every word that comes to the house is now censored, and I cannot tell how soon they may start to open the mail to the bank. And I will no longer have any dealings with Jews, except for the receipt of money. It is not so good for me that a Jewess came here for refuge, and no further association can be tolerated.
Kathrine Kressmann Taylor (Address Unknown)
In almost every place, however, lives were saved because ingenious or brave help came from the other side, while other lives were prolonged by doctors true to their profession. As long as we two brothers are alive and our rifles have bullets we will never let you touch the Muslim patients in this hospital.48 Addressed to assailants storming (and, soon afterwards, leaving) their Amritsar hospital, these words spoken by Dr Parshottam Dutt on his behalf and that of his brother Dr Narain Das reflected the gallant spirit of many unknown Punjabis, Sikh, Muslim and Hindu, of March 1947.
Rajmohan Gandhi (Punjab)
Exact location unknown” struck him in the chest like an icepick. He refused to trust anyone and pledged that he would find her with his own methods. He knew the art of crafting code, of shaping symbols to carry out his will without forbearance. Almost unnoticed, a certain computer virus with directed propagation began to spread among IP addresses in Silicon Isle, infecting more and more machines and taking over web terminals frequented by the waste people.
Chen Qiufan (Waste Tide)
He addressed me in that universal tongue of ours which is one of the many superiorities which we enjoy over men: —you poor humanities, born on different banks of a river, or opposite sides of a plain, jabber jargons mutually unintelligible to each other, and on a public mart or at a lir national stand bewildered amidst a score of unknown tongues spoken by your next door neighbor. But place a Labrador dog with a Pyrenean dog, let one of Poland meet one of Peru, and lo! you behold them intelligible to one another at once, able to exchange converse by a freemasonry to which the widest-spread of your brotherhood is as naught. For our race being too wise ever to * build either a Babel or a Babylon, no curse of confusion rests on us; and though scattered all over the world, we are yet even as one great nation.
Ouida (Puck)
(Webster had begun his famous address thus: “When the mariner has been tossed for many days in thick weather, and on an unknown sea, he naturally avails himself of the first pause in the storm, the earliest glance of the sun, to take his latitude, and ascertain how far the elements have driven him from his true course. Let us imitate this prudence, and, before we float farther on the waves of this debate, refer to the point from which we departed, that we may at least be able to conjecture where we now are.”)
Michael Burlingame (Abraham Lincoln: A Life)
By virtue of their very nature, wetlands once again challenged traditional concepts of property. Because the "wet" part of wetlands offered public benefits, the government had become involved to protect common values. Yet the "land" part had traditionally accorded owners the rights to do what they wanted. Sooner or later Americans would have to address the apparent conflict between safeguarding environmental quality for society at large and preserving landowners' rights. The wetlands were part land and part water, part private and part public. The future of this enigmatic physical and cultural landscape lay in the delicately shifting balance of public opinion and in the stark exposure of raw political power.
Ann Vileisis (Discovering the Unknown Landscape: A History Of America's Wetlands)
It was amazing how complex the domino effect was. One small comment or event could transform the world in ways unknown. There were positive and negative ways to address situations that could alter things for the better or worse—like inspiring the man to love himself a little more and strive to improve his condition.
Zoiy G. Galloay (The Royal Matchmaking Competition: Princess Qloey (RMC, #1))
Aimshala's Vision for Education: Empowering Educators, Enriching Lives In the heart of every learner's journey, there exists a light of inspiration, a guide through the moving seas of knowledge and discovery. This guide, often hidden and ignored, is the educator. At Aimshala, we understand the transformative power of educators not just in imparting knowledge, but in enriching lives and empowering minds. Our vision for education is deeply rooted in the belief that by empowering educators, we can create ripples of change that extend beyond classroom walls, enriching the lives of countless individuals and, by extension, society itself. The Unknown Heroes of Our Society Educators are the unknown heroes of our society, the architects of the future, shaping minds and inspiring hearts. They do more than teach; they awaken curiosity, instill resilience, and foster a lifelong love for learning. The impact of a passionate educator extends far beyond academic achievements; it touches on the very essence of who we become. At Aimshala, we recognize the challenges educators face daily juggling administrative tasks, adapting to new technologies, and meeting each student's unique needs. Yet, despite these hurdles, their commitment never wavers. They continue to light the path for their students, often with little recognition for their monumental impact. It's for these unsung heroes that Aimshala dedicates its mission: to empower educators and acknowledge their invaluable contribution to shaping our future. A Journey of Empowerment Empowerment is at the core of Aimshala's vision for education. But what does it truly mean to empower educators? It means providing them with the tools, resources, and support they need to thrive in their roles. It means creating an environment where their voices are heard, their challenges are addressed, and their achievements are celebrated. We believe in a holistic approach to empowerment. From continuous professional development opportunities to innovative teaching tools, Aimshala is committed to ensuring educators have what they need to succeed. But empowerment goes beyond material resources; it's about fostering a community of educators who can share experiences, challenges, and successes. A community where collaboration and support are the norms, not the exceptions. Enriching Lives Through Education Education has the power to transform lives. It opens doors to new opportunities, develops horizons, and builds bridges across cultures. Aimshala's vision extends to every student touched by our educators. By enriching the lives of educators, we indirectly enrich the lives of countless students. An enriched life is one of purpose, understanding, and continual growth. Through our support for educators, Aimshala aims to cultivate learning environments where students feel valued, respected, and inspired to reach their full potential. These environments encourage critical thinking, creativity, and the courage to question. They nurture not just academic skills but life skills—empathy, resilience, and the ability to adapt to change. Building a Future Together The future of education is a collaborative vision, one that requires the efforts of educators, students, families, and communities. Aimshala stands at the forefront of this collaborative effort, bridging gaps and fostering partnerships that enhance the educational experience for all. Technology plays a pivotal role in shaping this future. Aimshala embraces innovative educational technologies that make learning more accessible, engaging, and effective. However, we also recognize that technology is but a tool in the hands of our capable educators. It is their wisdom, passion, and dedication that truly transform education. At Aimshala, our vision for education is clear: to empower educators and enrich lives. We understand the challenges and celebrate the triumphs. We believe in the power of education to transform society.
Tanya Singh
Despair overthrown often turns us in mad directions.
Kathrine Kressmann Taylor (Address Unknown)
If the pursuit of learning is not defended by the educated citizen, it will not be defended at all. For there will always be those who scoff at intellectuals, who cry out against research, who seek to limit our educational system. Modern cynics and skeptics see no more reason for landing a man on the moon, which we shall do, than the cynics and skeptics of half a millennium ago saw for the discovery of this country. They see no harm in paying those to whom they entrust the minds of their children a smaller wage than is paid to those to whom they entrust the care of their plumbing. But the educated citizen knows how much more there is to know. He knows that "knowledge is power," more so today than ever before. He knows that only an educated and informed people will be a free people, that the ignorance of one voter in a democracy impairs the security of all, and that if we can, as Jefferson put it, "enlighten the people generally ... tyranny and the oppressions of mind and body will vanish, like evil spirits at the dawn of day." And, therefore, the educated citizen has a special obligation to encourage the pursuit of learning, to promote exploration of the unknown, to preserve the freedom of inquiry, to support the advancement of research, and to assist at every level of government the improvement of education for all Americans, from grade school to graduate school. Secondly, the educated citizen has an obligation to serve the public. He may be a precinct worker or President. He may give his talents at the courthouse, the State house, the White House. He may be a civil servant or a Senator, a candidate or a campaign worker, a winner or a loser. But he must be a participant and not a spectator. - President John Fitzgerald Kennedy (from a commencement address given at Vanderbilt University on May 18, 1963)
John F. Kennedy