Addict With A Pen Quotes

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A frequent exchange of text messages is not a relationship. It's not even a pen-pal.
Ethlie Ann Vare (Love Addict: Sex, Romance, and Other Dangerous Drugs)
… Becoming a reader is a change for the better. Trust me. No one has ever lost by becoming addicted to stories – to the lessons learned by those who possess enough courage to put pen to paper.
Ellery Adams (The Secret, Book & Scone Society (Secret, Book, & Scone Society, #1))
You’re my sweetest obsession. From the moment I knew you existed, I’ve been addicted. I would slaughter every man who tried to keep me from possessing you.
Gigi Styx (I Will Break You (Pen Pals Duet, #1))
Dear . . . You’re the poem I couldn’t finish The journey I should have never started I saw tragedy in our ending My pen bled its heart out trying to change it But you were the fight I didn’t want to lose The addiction I didn’t want to quit Yet there was only one of us holding on I wasn’t attached to the man you are But the one you could be I tried to build where there was no foundation Create a fairy tale on blank pages But some stories need not be told, let alone written You’ll read my words and won’t be moved Your arrogance will not soften You won’t be changed Your heart, if you should have one, will not bend or break The worst part of it all Is this poem is about you and you’ll never even know it
Samantha King
But if any man undertake to write a history, that has to be collected from materials gathered by observation and the reading of works not easy to be got in all places, nor written always in his own language, but many of them foreign and dispersed in other hands, for him, undoubtedly, it is in the first place and above all things most necessary, to reside in some city of good note, addicted to liberal arts, and populous; where he may have plenty of all sorts of books, and upon inquiry may hear and inform himself of such particulars as, having escaped the pens of writers, are more faithfully preserved in the memories of men, lest his work be deficient in many things, even those which it can least dispense with.
Plutarch (Lives of the Noble Grecians and Romans)
Victoire shouldered the task. ‘I wonder,’ she said, very slowly, ‘if you’ve ever read any of the abolition literature published before Parliament finally outlawed slavery.’ Letty frowned. ‘I don’t see how . . .’ ‘The Quakers presented the first antislavery petition to Parliament in 1783,’ said Victoire. ‘Equiano published his memoir in 1789. Add that to the countless slave stories the abolitionists were telling the British public – stories of the cruellest, most awful tortures you can inflict on a fellow human. Because the mere fact that Black people were denied their freedom was not enough. They needed to see how grotesque it was. And even then, it took them decades to finally outlaw the trade. And that’s slavery. Compared to that, a war in Canton over trade rights is going to look like nothing. It’s not romantic. There are no novelists penning sagas about the effects of opium addiction on Chinese families. If Parliament votes to force Canton’s ports open, it’s going to look like free trade working as it should. So don’t tell me that the British public, if they knew, would do anything at all.
R.F. Kuang (Babel)
FURIOUS FAVOR I wonder if David would be allowed in our churches today. In most cases, when a church member has an affair, he is shunned at best or mistreated at worst—even if he repents. But David doesn’t just have an affair. He lusts, covets, fornicates, lies, and gets another man hammered. Then he tries to keep his dirty little secrets by murdering the husband of the woman he “loves.” I doubt I’ve met anyone as sinful as David. Have you? He breaks half of the Ten Commandments in a single episode. And he doesn’t repent until he’s caught. But when Nathan shoves his prophetic finger into David’s chest and rebukes him, David falls to his knees and admits his guilt. And right then, at that moment, God rips open the heavens to reach down and touch David’s soul with stubborn delight. God eagerly forgives David for his sin, and all of it is buried at the bottom of the sea, never to be remembered again. There is no hiccup in God’s furious favor toward David. So why do repentant sinners still bear the stigma of “adulterer,” “divorced,” or “addict” in our churches today? It’s one thing if they don’t repent. But quite often we shun repentant sinners, like Jeffrey Dahmer, whose crimes we just can’t forget. “He’s the former addict.” “That’s the divorced mom.” “Here comes the guy who slept with the church secretary.” For some reason we love to define people by the sin in their lives—even past sin in their lives—rather than by the grace that forgave it. It’s no wonder that David pens the last sentence in Psalm 23: “Surely goodness and mercy shall [hunt me down] all the days of my life” (Ps. 23:6).
Preston Sprinkle (Charis: God's Scandalous Grace for Us)
But what kind of addict would need all these coconut husks and crushed honeydew rinds? Would the presence of junkies account for all these uneaten french fries? These puddles of glazed catsup on the bureau? Maybe so. But then why all this booze? And these crude pornographic photos, ripped out of pulp magazines like Whores of Sweden and Orgies in the Casbah, that were plastered on the broken mirror with smears of mustard that had dried to a hard yellow crust … and all these signs of violence, these strange red and blue bulbs and shards of broken glass embedded in the wall plaster … No; these were not the hoofprints of your normal, godfearing junkie. It was far too savage, too aggressive. There was evidence, in this room, of excessive consumption of almost every type of drug known to civilized man since 1544 A.D. It could only be explained as a montage, a sort of exaggerated medical exhibit, put together very carefully to show what might happen if twenty-two serious drug felons—each with a different addiction—were penned up together in the same room for five days and nights, without relief. Indeed. But of course that would never happen in Real Life, gentlemen. We just put this thing together for demonstration purposes …
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Dear solitude, how I missed you in the times I was so attached to the illusion of loneliness, how I secretly longed for you in times of distraction with music and addiction, how I desired to dive into the creativity of your silent whispers.. oh solitude, I remember you there when I wrote my first book, I recall your inspiring voice when that pen hit the paper.. When I was no longer by your side, oh solitude, how you silently tried to draw me back to you, by showing me the continuous struggle to feel full among unfulfilling relationships or restless nights of loneliness.. Oh solitude, if it wasn't for you, where would I find all that you could provide, only you..
Virgil Kalyana Mittata Iordache
...I drag the kids to the farmers' market and fill out the week's cheap supermarket haul with a few vivid bunches of organic produce...Once home, I set out fresh flowers and put the fruit in a jadeite bowl. A jam jar of garden growth even adorns the chartreuse kids' table...I found some used toddler-sized chairs to go around it...It sits right in front of the tall bookcases...When the kids are eating or coloring there, with the cluster or mismatched picture frames hanging just to their left, my son with his mop of sandy hair, my daughter just growing out of babyhood...they look like they could be in a Scandinavian design magazine. I think to myself that maybe motherhood is just this, creating these frames, the little vistas you can take in that look like pictures from magazines, like any number of images that could be filed under familial happiness. They reflect back to you that you're doing it - doing something - right. In my case, these scenes are like a momentary vacation from the actual circumstances of my current life. Children, clean and clad in brightly striped clothing, snacking on slices of organic plum. My son drawing happy gel pen houses, the flourishing clump of smiley-faced flowers beneath a yellow flat sun. To counter the creeping worry that I am a no-good person, I must collect a lot of these images, postage-stamp moments I can gaze upon and think, I can't be fucking up that bad. Can I?
Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
morning to pour out the sugar and substitute salt, thinking it so hilarious until our father lost his temper and spanked us both. The two of us dancing on the Eden patio in my mother’s cast-off nightgowns. Playing mermaid on the beach or fairies on the bluffs. Later, all three of us moving like a school of fish, Josie and Dylan and me, swimming in the cove or making a bonfire or practicing calligraphy with fountain pens my mother brought back from some trip she took with my father during one of their happy stints, an interest bolstered by Dylan’s passion for all things Chinese. Like so many boys of the era, he’d fallen hard for Kwai Chang Caine in the Kung Fu television series. I adored them both, but my sister was first. Worshipped the very air she breathed. I would have done anything she told me—chased down bandits, built a ladder to the moon. In turn, she brought me sand dollars to examine and Pop-Tarts she stole from the pantry in the house kitchen, and she kept her arms around me all night. It was Dylan who introduced surfing. He taught us when I was seven and Josie nine. It gave us both a sense of power and relief, a way to escape our crumbling family life and explore the sea—and, of course, it was our bond with Dylan himself. Josie. Thinking of her in the times before she turned into the later version of herself, the aloof, promiscuous addict, makes me ache with longing. I miss my sister with every molecule
Barbara O'Neal (When We Believed in Mermaids)
I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.' 'They're all there the notes the things, places, events, and even smalls, maybe spelled incorrectly, but there regardless, all have gone in this book of life I call- Sh-h as if making the most long-spun book in the world, with all my pages, are thick; all pasted, shoved and slammed together, furthermore mismatched, yet all has been said, in my enchanting written long run-ons of memories, the way I fancy to remember.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
K. M. Shea is a fantasy-romance author who never quite grew out of adventure books or fairy tales, and still searches closets in hopes of stumbling into Narnia. She is addicted to sweet romances, witty characters, and happy endings. She also writes LitRPG and GameLit under the pen name, A. M. Sohma.
K.M. Shea (A Goose Girl (Entwined Tales #1))
And I accepted the job without consulting Shelley. Yeah, I’m a slow learner! Fast-forward to today. It’s been an incredible ride. It took the better part of five years to feel like we were stabilized. It took seven years for Shelley to say she actually respected me. It took eight years for her to say that if we had to go through it all over again, she would still choose me. It took nine years for her to say that my sexual addiction was one of the best things that ever happened to her. My jaw hit the floor when she said that. Today, as I write this, it’s a little over ten years since the mocha hit the fan. We have seen God’s amazing redemption play out, and our marriage is special. We’re still trying to figure out intimacy, still working through painful memories of the past, still leaning into conflict. And trust, well, trust has been and is still being restored. It’s an ongoing thing, which is exactly what prompted my penning this book. This book is in so many ways a “don’t do what I did” manuscript. It is the culmination of a decade of trial and error. My hope is that it will give you the courage you need to lean into the trials and make fewer errors than I did.
Stephen F. Arterburn (Worthy of Her Trust: What You Need to Do to Rebuild Sexual Integrity and Win Her Back)
No one has ever lost by becoming addicted to stories–to the lessons learned by those who possess enough courage to put pen to paper.
Ellery Adams (The Secret, Book, & Scone Society (Secret, Book, & Scone Society #1))
He was ready to take a pothead, alcoholic, heroin-addicted, whoremonger, a bulimic, cigarette smoking womanizer, and form the deepest type of bond that could be made and had no exit clauses or reversals. He had pursued me when others would’ve given up a thousand times. He made a covenant with me, signed by a pen dipped in His own blood, a covenant forged by His love, in His love, and through His love. It is a love story written by the Author of the universe.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
The dangerous thing about distractions, though, is how quickly they can grow addicting.
J.T. Geissinger (Pen Pal)
We write because the blank piece of paper and the pen are there. We write because this is our addiction and we are proud of it. Our habit, our drug, our crutch. Whatever you wish to call it. We write because since an early age we felt it deep in our souls and in our bones. The poem must be written, the story must be told and the new myths and Gods are waiting for you to bring them forth from out of the darkness and to bring them into the light of being. You are a creator, so create. You are the writer. So write.
R.M. Engelhardt (The Bones of Our Existence, A Journal 2046)
One day, it will be better. I will put the pen down and forget how to remember the nights I tried to write you out of my system like an addiction. It will be remarkable and I'll still want to call you.
Caitlyn Siehl (What We Buried)
Love? That’s too bland to describe what’s in my heart. You’re my North Star, my guiding light, my entire purpose. I’m obsessed, addicted, compelled to worship at your feet, if only to sate the hunger inside me only you can quell.
Gigi Styx (I Will Break You (Pen Pals Duet, #1))
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
No one has ever lost by becoming addicted to stories—to the lessons learned by those who possess enough courage to put pen to paper.
Ellery Adams (The Secret, Book, & Scone Society (Secret, Book, & Scone Society, #1))
The radical acceptance of the accumulations of our lives is born in the giving up, the acknowledgment of the artifice. It is what journalist Ken Fuson exudes in his self-penned obituary. Having been unshackled from pretense by a public struggle with addiction and freed from performance by impending bodily death, Fuson delivered a remarkable eulogy for himself: He attended the university’s famous School of Journalism, which is a clever way of saying, “almost graduated but didn’t.” . . . In 1996, Ken took the principled stand of leaving the Register because The Sun in Baltimore offered him more money. Three years later, having blown most of that money at Pimlico Race Track, he returned to the Register, where he remained until 2008. For most of his life, Ken suffered from a compulsive gambling addiction that nearly destroyed him. But his church friends, and the loving people at Gamblers Anonymous, never gave up on him. Ken last placed a bet on Sept. 5, 2009. He died clean. He hopes that anyone who needs help will seek it, which is hard, and accept it, which is even harder. Miracles abound.9 Fuson evinces true authenticity, something close to real freedom, and it is beautiful. His prose is not a parade of accomplishments but a catalog of embarrassing details and defeats—the kind that makes a reader’s heart beam with appreciation, identification, laughter, and hope.
David Zahl (Low Anthropology: The Unlikely Key to a Gracious View of Others (and Yourself))
As a rule, don’t store anything on top of your desk. Your desktop is a work surface, not a storage cupboard, so the rule of thumb is to store nothing on it. Pick a spot in your drawers and on your shelves for each item or category. As much as possible, the only things on your desk should be whatever you need right now for the project you are working on. Keep this image of a clear desktop in your mind when you start storing. People who do so usually finish with only a laptop and an ornament or potted plant on their desk. Designate a storage space even for things you use daily, such as a pen or memo pad. My clients are often surprised to find that it’s not inconvenient at all to store these things out of sight when not in use. Once they experience how a neat and tidy desk enables them to focus on their work, they quickly become addicted to that state.
Marie Kondō (Joy at Work: Organizing Your Professional Life)
I’m addicted to her terror, obsessed with her screams. I can’t get enough of my murderous little ghost.
Gigi Styx (I Will Break You (Pen Pals Duet, #1))
Observing her reaction to being haunted was arousing, and tormenting her made me harder than I’d ever been before. I’m addicted to her terror, obsessed with her screams. I can’t get enough of my murderous little ghost.
Gigi Styx (I Will Break You (Pen Pals Duet, #1))
Trust me. No one has ever lost by becoming addicted to stories—to the lessons learned by those who possess enough courage to put pen to paper.
Ellery Adams (The Secret, Book, & Scone Society (Secret, Book, & Scone Society, #1))