“
No More Games. No More Bombs. No More Walking. No More Fun. No More Swimming. 67. That is 17 years past 50. 17 more than I needed or wanted. Boring. I am always bitchy. No Fun — for anybody. 67. You are getting Greedy. Act your old age. Relax — This won't hurt
”
”
Hunter S. Thompson
“
1. Accept everything just the way it is.
2. Do not seek pleasure for its own sake.
3. Do not, under any circumstances, depend on a partial feeling.
4. Think lightly of yourself and deeply of the world.
5. Be detached from desire your whole life long.
6. Do not regret what you have done.
7. Never be jealous.
8. Never let yourself be saddened by a separation.
9. Resentment and complaint are appropriate neither for oneself nor others.
10. Do not let yourself be guided by the feeling of lust or love.
11. In all things have no preferences.
12. Be indifferent to where you live.
13. Do not pursue the taste of good food.
14. Do not hold on to possessions you no longer need.
15. Do not act following customary beliefs.
16. Do not collect weapons or practice with weapons beyond what is useful.
17. Do not fear death.
18. Do not seek to possess either goods or fiefs for your old age.
19. Respect Buddha and the gods without counting on their help.
20. You may abandon your own body but you must preserve your honour.
21. Never stray from the Way.
”
”
Miyamoto Musashi
“
THE WORLD IS increasingly designed to depress us. Happiness isn’t very good for the economy. If we were happy with what we had, why would we need more? How do you sell an anti-ageing moisturiser? You make someone worry about ageing. How do you get people to vote for a political party? You make them worry about immigration. How do you get them to buy insurance? By making them worry about everything. How do you get them to have plastic surgery? By highlighting their physical flaws. How do you get them to watch a TV show? By making them worry about missing out. How do you get them to buy a new smartphone? By making them feel like they are being left behind. To be calm becomes a kind of revolutionary act. To be happy with your own non-upgraded existence. To be comfortable with our messy, human selves, would not be good for business.
”
”
Matt Haig (Reasons to Stay Alive)
“
Now you get off that Pegasus and come down here and start acting your age!"
"Honey, he's four thousand years old," Veronica said.
”
”
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
I told you before, that there are different ways to fail. Imperfection is inevitable. That’s life. But it doesn’t sound to me like you failed at all, Eve. It sounds like your dream broke, and you’ve been picking up shattered pieces, and blaming yourself when your hands bleed.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
You're not just my sunshine; you're the sun.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Sometimes, being convenient instead of real was exhausting. So maybe from now on, she’d stop.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
That’s what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
”
”
Robert McCammon (Boy's Life)
“
Your abilities lie in the places people usually overlook, so you’ve been convinced you don’t have any at all. But you’re smart, and you’re capable, and if people struggle to see that, it’s their problem, not yours.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
You won’t get your head out of your ass? Aren’t you concerned about potential suffocation?
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Act your age, not your shoe size … Factio vestri aevum, non vestri calceus amplitudo.
”
”
Paul Beatty (The Sellout)
“
I don’t know which half of my brain is the smart half and which half is all emotional and shit."
"Maybe the smart half is all emotional and shit."
"Yes, I’d been afraid of that.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
The world would be a much better place if they stopped congratulating themselves on being normal and started to accept that there were countless different normals.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
It sounds like your dream broke, and you've been picking up shattered pieces and blaming yourself when your hands bleed.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
A handsome man is a fearsome liability to everyone but himself.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Freedom isn't an illusion; it's perfectly real in the context of sequential consciousness. Within the context of simultaneous consciousness, freedom is not meaningful, but neither is coercion; it's simply a different context, no more or less valid than the other. It's like that famous optical illusion, the drawing of either an elegant young woman, face turned away from the viewer, or a wart-nosed crone, chin tucked down on her chest. There's no “correct” interpretation; both are equally valid. But you can't see both at the same time.
“Similarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future don't talk about it. Those who've read the Book of Ages never admit to it.
”
”
Ted Chiang (Stories of Your Life and Others)
“
Wasting time just going mindless, watching your charades. When you were younger, did it occur to you 10 years from then you'd act the same age?
”
”
David Archuleta
“
No. You are divine. You are impossible to get enough of. Perhaps some people would disagree, but those people don’t especially matter, because you’re mine.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
She used to reach, once upon a time. But it hurt so terribly to fall.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
A flood of tenderness and affection, gentle, yet powerful enough to swallow entire cities whole. Familiar, but magnified. Known, but intense. The sort of love you read about in books.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Among your instincts you will find the longing for strong friendships, that the modern evil tries to snuff out. And they have good reason to try this, because every great thing in the past was done through strong friendships between two men, or brotherhoods of men, and this includes all great political things, all acts of political freedom and power. The modern zoo wants you instead to be a weak and isolated "individual".
”
”
Bronze Age Pervert (Bronze Age Mindset)
“
Read like your book is burning.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
I thought you said no man-talk?”
“They’re like ants. They get into everything.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end.
I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA.
Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring.
I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone.
Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood.
Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job."
Real mothers know that it's okay to eat cold pizza for breakfast.
Real mothers admit it is easier to fail at this job than to succeed.
If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt.
Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal.
Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages.
Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
”
”
Jodi Picoult (House Rules)
“
You know you’re not perfect and that’s good. Perfect is boring. You have a lot to offer. A lot more to experience and so many things to learn. There are more pages to fill up so act your age.
”
”
Diana Rose Morcilla
“
She laughed, and it was like little bubbles of sunlight popping against his skin.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
And how old are you, Miss Beckett?”
“Seventeen.”
“What!” There is no way she’s seventeen. I inspect her face, studying it intently, but don’t know what it is I hope to find. Laugh lines maybe?
She watches my face. “Is my age a problem for you?”
“Hell, yeah, seventeen is a problem.” I throw my napkin on the table. All of this has been a waste. “Forget it all. This whole thing is off.”
“I don’t act seventeen. I’m very mature for my age.”
“No way. You’re not even old enough to be drinking that wine.” I lean in and whisper so no one will overhear. “I’m almost twice your age.”
“I don’t mind. I have daddy issues.” She breaks into a huge grin and I hear a girlish giggle. That’s when I realize she’s fucking with me and has the ability to lie with a straight face. I’ll have to remember that for future reference.
I’m not amused. “I see I have a comedienne on my hands.
”
”
Georgia Cates (Beauty from Pain (Beauty, #1))
“
How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent.
In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes.
You do not read a book for the book's sake, but for your own.
You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind.
You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life.
You may read because you did go to college.
You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too.
You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people.
Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise.
Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight.
Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it.
Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
”
”
Earl Nightingale
“
I’m going to stay and I’m going to love you and I’m going to try. You taught me how much that matters.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
With everyone except her sisters, she felt a slight pressure to perform, to hide away the most annoying parts of herself in order to be liked
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
You are not you--you have no body, no blood, no bones, you are but a thought. I myself have no existence; I am but a dream--your dream, a creature of your imagination. In a moment you will have realized this, then you will banish me from your visions and I shall dissolve into the nothingness out of which you made me. I am perishing already, I am failing, I am passing away.
In a little while you will be alone in shoreless space, to wander its limitless solitudes without friend or comrade forever—for you will remain a thought, the only existent thought, and by your nature inextinguishable, indestructible. But I, your poor servant, have revealed you to yourself and set you free. Dream other dreams, and better!
Strange! that you should not have suspected years ago—centuries, ages, eons, ago!—for you have existed, companionless, through all the eternities.
Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane—like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell—mouths mercy and invented hell—mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him!
You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks—in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier.
"It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream—a grotesque and foolish dream. Nothing exists but you. And you are but a thought—a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!
”
”
Mark Twain (The Mysterious Stranger)
“
...At your age?' My ass. As long as I feed & support my family, do my job & do it well, I'll act any age as I damn well please.
”
”
Gerry Alanguilan
“
When you act on your beliefs, the realisation that happens is caused by you and this will in turn lead to a consequence.
”
”
Stephen Richards (Think Your way to Success: Let Your Dreams Run Free)
“
Are you sure you didn’t come here to kill me?"
"Quite sure."
"But you’d be so good at it. You half-murder me on a regular basis completely by accident.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
If you're our age and single, dating kind of has to be an act of reckless optimism, right? The triumph of hope over experience?
”
”
Curtis Sittenfeld (Romantic Comedy)
“
You act as if I were your enemy.
“You are my enemy. You seek to end the things I love.”
And is an ending always bad? it asked. Must not all things, even worlds, someday end?
“There is no need to hasten that end,” Vin said. “No reason to force it.”
All things are subject to their own nature, Vin, Ruin said, seeming to flow around her. She could feel its touch on her—wet and delicate, like mist. You cannot blame me for what I am. Without me, nothing would end. Nothing could end. And therefore, nothing could grow. I am life. Would you fight life itself?
Vin fell silent.
Do not mourn because the day of this world’s end has arrived, Ruin said. That end was ordained the very day of the world’s conception. There is a beauty in death—the beauty of finality, the beauty of completion.
For nothing is truly complete until the day it is finally destroyed.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
What if I’d killed somebody?”
“I wouldn’t be surprised, and I would visit you in prison if necessary.”
She gasped, all feigned outrage. “You wouldn’t offer to help me hide the body?”
Jacob’s lips quirked without permission. “You’ve been here quite a while Sunshine, and there’s no police sniffing around, so I imagine you hid it just fine yourself.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Karma has been a pop culture term for ages. But really, what the heck is it?
Karma is not an inviolate engine of cosmic punishment. Rather, it is a neutral sequence of acts, results, and consequences.
Receiving misfortune does not necessarily indicate that one has committed evil. But it is a sufficient indicator of something else.
And that something else can be anything, as long as it is a logical consequence of what has come before.
Consider: if you fall into a well, you are not a bad person who deserves to suffer—you are merely someone who took a wrong step. Or someone who had one drink too many. Or got a head rush due to poor circulation. Or forgot to wear your glasses. Or—
The reasons are plentiful, and all plausible. But the chain of cause and effect goes way, way back into the deepest hoariest recesses of your personal past.
So never rule out retribution. But never expect it.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
Strange! that you should not have suspected years ago--centuries, ages, eons, ago!--for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane--like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell--mouths mercy and invented hell--mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him!
”
”
Mark Twain
“
You’re stronger than anyone thinks you are.
”
”
Eve Dangerfield (Act Your Age (Act Your Age #1))
“
Our wise old church...has discovered that if you will act as if you believed belief will be given to you; if you pray with doubt, but pray with sincerity, your doubt will be dispelled; if you will surrender yourself to the beauty of that liturgy the power of which over the human spirit has been proved by the experience of the ages, peace will descend upon you.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Diaries were horribly organized and awfully prescriptive. They involved dates and plans and regular entries and the suffocating weight of commitment. Journals, on the other hand, were deliciously wild and lawless things. One could abandon a journal for weeks, then crack it open one Saturday evening under the influence of wine and marshmallows without an ounce of guilt.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Similarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future don’t talk about it. Those who’ve read the Book of Ages never admit to it.
”
”
Ted Chiang (Stories of Your Life and Others)
“
The Guy let out a grunt of what was clearly resentment, mingled with please-fuck-offness.
”
”
Eve Dangerfield (Act Your Age (Act Your Age #1))
“
If the voices in your head talk to you, no one cares until they tell you to start killing people. Then you’re crazy.
”
”
Linda Armstrong (Mission: Subhero)
“
And most of all, he needed someone who would stay. Someone just like him.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney
“
Language!” Lily said again, “Honestly, James, you really need to start growing up this year, you’re of age, you need to start acting…”
“Isn’t she brilliant?!” James beamed at Remus, who was now sitting on the floor of the carriage, catching his breath
”
”
MsKingBean89 (All the Young Dudes - Volume Two: Years 5 - 7 (All the Young Dudes, #2))
“
impressive. Eve rolled her eyes and mouthed, Men. Jacob, to her surprise, gave her a look of approval. “Quite.” “You don’t like men?” she whispered. “It depends. I don’t like imbalanced relationships, and men are frequently the perpetrators.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Some thoughts were too big to accept all at once. She shoved this one frantically to the back of her mind before it could crack her wide open, but traces of it still lingered—like the ghost of a sparkler after you’d waved it through the air. Bright and dangerous and not-really-there.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Agreed.” Casey picked up the box of matches. “Write it down, and we’ll sage it.” Rapunzel groaned. “Not more fucking sage.
”
”
Eve Dangerfield (Act Your Age (Act Your Age #1))
“
running away from everything because she wasn’t strong enough to cope with the pressure.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
These days, Eve felt like someone who kept going, and she liked that someone, so she didn’t care quite as much if everyone else liked her, too.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
I told you before,” Jacob said into the silence, “that there are different ways to fail. Imperfection is inevitable. That’s life. But it doesn’t sound to me like you’ve failed at all, Eve. It sounds like your dream broke, and you’ve been picking up shattered pieces and blaming yourself when your hands bleed.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
Jacob set his jaw. He didn't appreciate Spock comments. He's received a lot of them over his lifetime, and he knew exactly what they were supposed to imply, and they made him want to throttle people before sitting them down for a long and detailed chat on why the wold would be a much better place if they stopped congratulating themselves on being normal and started to accept that there were countless different normals, and Jacob's kind was just as fine as everyone else's.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
The idea of the supernatural as being something over and above the natural is a killing idea. In the Middle Ages this was the idea that finally turned that world into something like a wasteland, a land where people were living inauthentic lives, never doing a think they truly wanted to because the supernatural laws required them to live as directed by their clergy. In a wasteland, people are fulfilling purposes that are not properly theirs but have been put upon them as inescapable laws. This is a killer.... The spirit is really the bouquet of life. It is not something breathed into life, it comes out of life. This is one of the glorious things about the mother-goddess religions, where the world is the body of the Goddess, divine in itself, and divinity isn't something ruling over and above a fallen nature.... Our story of the fall in the Garden sees nature as corrupt; and that myth corrupts the whole world for us. Because nature is thought of as corrupt, every spontaneous act is sinful and must not be yielded to. You get a totally different civilization and a totally different way of living according to whether your myth presents nature as fallen or whether nature is in itself a manifestation of divinity, and the spirit is the revelation of the divinity that is inherent in nature.
”
”
Joseph Campbell (The Power of Myth)
“
Why is it amazing that I don’t act my age? Why should I act my age? Or more to the point, how is someone my age supposed to act? Old age is part fact, part state of mind, part luck, and wholly something best left for other people to ponder, not you or me. Why waste your time? I don’t.
”
”
Dick Van Dyke (Keep Moving: And Other Truths About Living Well Longer)
“
I am sometimes asked, "How do you know there won't be a war tomorrow (or a genocide, or an act of terrorism) that will refute your whole thesis?" The question misses the point of this book. The point is not that we have entered an Age of Aquarius in which every last earthling has been pacified forever. It is that substantial reductions in violence have taken place, and it is important to understand them. Declines in violence are caused by political, economic, and ideological conditions that take hold in particular cultures at particular times. If the conditions reverse, violence could go right back up.
”
”
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
“
Ty didn't think Middleton was a great girl. He thought Middleton was a pain in the ass. Waltzing around with her shiny hair and long legs and her throaty voice, being cuter than a fistful of buttons. Where did she get off?
”
”
Eve Dangerfield (Act Your Age (Act Your Age #1))
“
My Dearest Theresa,
I have read this book in your garden, my love, you were absent, or else I could not have read it. It is a favourite book of mine. You will not understand these English words, and others will not understand them, which is the reason I have not scrawled them in Italian. But you will recognize the handwriting of him who passionately loved you, and you will divine that, over a book that was yours, he could only think of love.
In that word, beautiful in all languages, but most so in yours, Amor mio, is comprised my existence here and thereafter. I feel I exist here, and I feel that I shall exist hereafter – to what purpose you will decide; my destiny rests with you, and you are a woman, eighteen years of age, and two out of a convent, I wish you had stayed there, with all my heart, or at least, that I had never met you in your married state.
But all this is too late. I love you, and you love me, at least, you say so, and act as if you did so, which last is a great consolation in all events. But I more than love you, and cannot cease to love you. Think of me, sometimes, when the Alps and ocean divide us, but they never will, unless you wish it.
”
”
Lord Byron
“
Oh. My. God. Astor Fairway.” She looks from him to me, to Aunt Sookie. “You’re actually bringing Astor Fairway home for dinner?”
“If we can get through the door,” Aunt Sookie says gently.
“It’s all right,” Astor says. He holds out a hand. “Hi. You’re Rachel, right? Summer’s best friend?”
Rachel shakes his hand and then looks at her hand. “I just shook Astor Fairway’s hand. I…”
“Rachel,” I say, taking her back inside and letting the others past. “Will you try to maybe not act like a total fan for a moment?”, Loving Summer by Kailin Gow
”
”
Kailin Gow (Loving Summer (Loving Summer, #1))
“
In the end he said, I am Mercier, alone, ill, in the cold, the wet, old, half mad, no way on, no way back. He eyed briefly, with nostalgia, the ghastly sky, the hideous earth. At your age, he said. Another act. Immaterial
”
”
Samuel Beckett (Mercier and Camier)
“
Tell me something. Do you believe in God?'
Snow darted an apprehensive glance in my direction. 'What? Who still believes nowadays?'
'It isn't that simple. I don't mean the traditional God of Earth religion. I'm no expert in the history of religions, and perhaps this is nothing new--do you happen to know if there was ever a belief in an...imperfect God?'
'What do you mean by imperfect?' Snow frowned. 'In a way all the gods of the old religions were imperfect, considered that their attributes were amplified human ones. The God of the Old Testament, for instance, required humble submission and sacrifices, and and was jealous of other gods. The Greek gods had fits of sulks and family quarrels, and they were just as imperfect as mortals...'
'No,' I interrupted. 'I'm not thinking of a god whose imperfection arises out of the candor of his human creators, but one whose imperfection represents his essential characteristic: a god limited in his omniscience and power, fallible, incapable of foreseeing the consequences of his acts, and creating things that lead to horror. He is a...sick god, whose ambitions exceed his powers and who does not realize it at first. A god who has created clocks, but not the time they measure. He has created systems or mechanisms that serves specific ends but have now overstepped and betrayed them. And he has created eternity, which was to have measured his power, and which measures his unending defeat.'
Snow hesitated, but his attitude no longer showed any of the wary reserve of recent weeks:
'There was Manicheanism...'
'Nothing at all to do with the principles of Good and Evil,' I broke in immediately. 'This god has no existence outside of matter. He would like to free himself from matter, but he cannot...'
Snow pondered for a while:
'I don't know of any religion that answers your description. That kind of religion has never been...necessary. If i understand you, and I'm afraid I do, what you have in mind is an evolving god, who develops in the course of time, grows, and keeps increasing in power while remaining aware of his powerlessness. For your god, the divine condition is a situation without a goal. And understanding that, he despairs. But isn't this despairing god of yours mankind, Kelvin? Is it man you are talking about, and that is a fallacy, not just philosophically but also mystically speaking.'
I kept on:
'No, it's nothing to do with man. man may correspond to my provisional definition from some point of view, but that is because the definition has a lot of gaps. Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve is age or rebel against it, but the target of his cooperation or rebellion comes to him from outside. If there was only a since human being in existence, he would apparently be able to attempt the experiment of creating his own goals in complete freedom--apparently, because a man not brought up among other human beings cannot become a man. And the being--the being I have in mind--cannot exist in the plural, you see? ...Perhaps he has already been born somewhere, in some corner of the galaxy, and soon he will have some childish enthusiasm that will set him putting out one star and lighting another. We will notice him after a while...'
'We already have,' Snow said sarcastically. 'Novas and supernovas. According to you they are candles on his altar.'
'If you're going to take what I say literally...'
...Snow asked abruptly:
'What gave you this idea of an imperfect god?'
'I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.
”
”
Stanisław Lem (Solaris)
“
Inside" Children
Inside each of us are the children we were at each developmental stage.
With regard to our creative dreams, these inside children can prevent us from living them by "acting out" in order to try to get our attention. Your inner 5-year-old is not going to patiently wait as you learn intricate metalworking techniques or study impressionist painting. Yet, your inner 10-year-old may be perfectly suited to learn and observe new skills.
What's really needed is parenting of these inside children so that we bring them to age-appropriate activities.
”
”
SARK
“
The Earth was created by the assistance of the sun, and it should be left as it was. The country was made with no lines of demarcation, and it's no man's business to divide it. I see the whites all over the country gaining wealth, and I see the desire to give us lands which are worthless.
The Earth and myself are of one mind. Perhaps you think the Creator sent you here to dispose of us as you see fit. If I thought you were sent by the creator, I might he induced to think you had a right to dispose of me.
Do not misunderstand me; but understand me fully with reference to my affection for the land. I never said the land was mine to do with as I choose. The one who has a right to dispose of it is the one who created it. I claim a right to live on my land, and accord you the privilege to return to yours.
Brother, we have listened to your talk coming from our father, the Great White Chief in Washington, and my people have called upon me to reply to you.
The winds which pass through these aged pines we hear the moaning of departed ghosts, and if the voice of our people could have been heard, that act would never have been done. But alas though they stood around they could neither be seen nor heard. Their tears fell like drops of rain.
I hear my voice in the depths of the forest but no answering voice comes back to me. All is silent around me. My words must therefore be few. I can now say no more. He is silent for he has nothing to answer when the sun goes down.
”
”
Chief Joseph
“
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
”
”
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
“
In case you didn't know, in secondary school - especially in the early years of secondary school - diversity is not celebrated. In secondary school, being different is the worst crime you can commit. Actually, in secondary school, being different is pretty much the only crime you can commit.Most of the things the UN considers crimes are not considered crimes at secondary school. Being cruel is fine. Being brutal is fine. Being obnoxious is fine. Being superficial is especially fine. Explosive acts of violence are fine. taking pleasure in the humiliation of others is fine. Holding someone's head down the toilet is fine (and the weaker the someone, and the dirtier the toilet, the finer it is). None of these things will hurt your social standing. But being different - that's unforgivable. Being different is the fast-track to
Pariah Town. a pariah is someone who's excluded from mainstream society. And if you know that at twelve years of age, you're probably an inhabitant of Pariah Town.
”
”
Gavin Extence (The Universe Versus Alex Woods)
“
To choose not to be part of a team or religion does not make me non-religious; for my religion is Truth and I am very much in love with God. I do not need to align myself with a specific messenger if I already understand God’s message. And the way I think is not considered ‘New Age’, since common sense is not new. So long as you act and speak with love and truth in you, and are good to your fellow man — in that you treat everybody as you would want yourself to be treated, your heart will stand by God regardless of the label you have assigned to your mind.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Look,” he said, the word a rasp. “There are many ways to fail—” “Trust me, I’m aware.” “And very few of them are actually controllable. Life has too many moving parts.” He managed to sound resentful of the very nature of human existence, which Eve found impressive despite herself. “So when it comes to this job, and failing, or succeeding, there’s really only one thing you can promise me. And,” he added sharply, “you will promise.” “What?” His response couldn’t be more surprising if he’d delivered it while butt naked and standing on his head. “Try for me, Eve. That’s all. Just try.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
She tries to maintain a nondescript exterior; she learns the sideways glance instead of looking at people directly. She speaks in practised, precise sentences so that she is not misunderstood. She chooses her words carefully, and if someone addresses her in Punjabi, she answers in Urdu, because an exchange in her mother tongue might be considered a promise of intimacy. She uses English for medical terms only, because she feels if she uses a word of English in her conversation she might be considered a bit forward. When she walks she walks with slightly hurried steps, as if she has an important but innocent appointment to keep. She avoids eye contact, she looks slightly over people’s heads as if looking out for somebody who might come into view at any moment. She doesn’t want anyone to think that she is alone and nobody is coming for her. She sidesteps even when she sees a boy half her age walking towards her, she walks around little puddles when she can easily leap over them; she thinks any act that involves stretching her legs might send the wrong signal. After all, this is not the kind of thing where you can leave your actions to subjective interpretations. She never eats in public. Putting something in your mouth is surely an invitation for someone to shove something horrible down your throat. If you show your hunger, you are obviously asking for something.
”
”
Mohammed Hanif (Our Lady of Alice Bhatti)
“
It Hurts To Be Alive and Obsolete:
Often when men are attracted to me, they feel ashamed and conceal it. They act as if it were ridiculous. If they do become involved, they are still ashamed and may refuse to appear publicly with me. Their fear of mockery is enormous. There is no prestige attached to having sex with me.
Since we are all far more various sexually than we are supposed to be, often, in fact, younger men become aware of me sexually. Their response is similar to what it is when they find themselves feeling attracted to a homosexual: they turn those feelings into hostility and put me down.
Listen to me! Think what it is like to have most of your life ahead and be told you are obsolete! Think what it is like to feel attraction, desire, affection towards others, to want to tell them about yourself, to feel that assumption on which self-respect is based, that you are worth something, and that if you like someone, surely he will be pleased to know that. To be, in other words, still a living woman, and to be told that every day that you are not a woman but a tired object that should disappear. That you are not a person but a joke. Well, I am a bitter joke. I am bitter and frustrated and wasted, but don’t you pretend for a minute as you look at me, forty-three, fat, and looking exactly my age, that I am not as alive as you are and that I do not suffer from the category into which you are forcing me.
”
”
Zoe Moss (Sisterhood is Powerful: An Anthology of Writings from the Women's Liberation Movement)
“
But it is not time constraints alone that produce such fragmented and discontinuous language. When a television show is in process, it is very nearly impermissible to say, "Let me think about that" or "I don't know" or "What do you mean when you say...?" or "From what sources does your information come?" This type of discourse not only slows down the tempo of the show but creates the impression of uncertainty or lack of finish. It tends to reveal people in the act of thinking, which is as disconcerting and boring on television as it is on a Las Vegas stage. Thinking does not play well on television, a fact that television directors discovered long ago. There is not much to see in it. It is, in a phrase, not a performing art. But television demands a performing art.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
Accept everything just the way it is.
Do not seek pleasure for its own sake.
Do not, under any circumstances, depend on a partial feeling.
Think lightly of yourself and deeply of the world.
Be detached from desire your whole life long.
Do not regret what you have done.
Never be jealous.
Never let yourself be saddened by a separation.
Resentment and complaint are appropriate neither for oneself nor others.
Do not let yourself be guided by the feeling of lust or love.
In all things have no preferences.
Be indifferent to where you live.
Do not pursue the taste of good food.
Do not hold on to possessions you no longer need.
Do not act following customary beliefs.
Do not collect weapons or practice with weapons beyond what is useful.
Do not fear death.
Do not seek to possess either goods or fiefs for your old age.
Respect God without counting on help.
You may abandon your own body, but you must preserve your honor.
Last- Never stray from the Way.
”
”
Miyamoto Musashi
“
Poetic Terrorism
WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ...
Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc.
Go naked for a sign.
Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty.
Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement...
The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails.
PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now.
An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE.
Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you.
Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.
”
”
Hakim Bey (TAZ: The Temporary Autonomous Zone (New Autonomy))
“
The appeal of magic is that it promises to render objects plastic to the will without one’s getting too entangled with them. Treated from arm’s length, the object can issue no challenge to the self. According to Freud, this is precisely the condition of the narcissist: he treats objects as props for his fragile ego and has an uncertain grasp of them as having a reality of their own. The clearest contrast to the narcissist that I can think of is the repairman, who must subordinate himself to the broken washing machine, listen to it with patience, notice its symptoms, and then act accordingly. He cannot treat it abstractly; the kind of agency he exhibits is not at all magical.
”
”
Matthew B. Crawford (The World Beyond Your Head: On Becoming an Individual in an Age of Distraction)
“
Miss Sedley was almost as flurried at the act of defiance as Miss Jemima had been; for, consider, it was but one minute that she had left school, and the impressions of six years are not got over in that space of time. Nay, with some persons those awes and terrors of youth last for ever and ever. I know, for instance, an old gentleman of sixty-eight, who said to me one morning at breakfast, with a very agitated countenance, 'I dreamed last night that I was flogged by Dr Raine.' Fancy had carried him back five-and-fifty years in the course of that evening. Dr Raine and his rod were just as awful to him in his heart then, at sixty-eight, as they had been at thirteen. If the Doctor, with a large birch, had appeared bodily to him, even at the age of threescore and eight, and had said in awful voice, 'Boy, take down your pants...' Well, well...
”
”
William Makepeace Thackeray (Vanity Fair)
“
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation.
you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser.
do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on.
do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material.
this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition.
the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence.
avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
”
”
Leonard Cohen (Death of a Lady's Man)
“
Danger, when it is always imminent, does harm. It doesn't need to actually arrive. You exhaust yourself in the act of forever looking over your shoulder. Your body readies itself to fight and never quite discharges that chemical cocktail. You channel it instead into anger and self-pity and anxiety and hopelessness. You divert it into work. But really what you do, with every fibre of your being, is watch. You are incessantly, exhaustingly alert. You don't dare ever let up, just in case the danger takes advantage of your inattention. I've forgotten what it feels like to have space in my brain for anything other than watching. For a long time I kept working teaching, pitching articles, writing editorial reports and for a while, that felt like a life raft. But then, incrementally, it became impossible. I was aware of a fog descending, a seizing of the gears, but it seemed diffuse until now.
”
”
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
“
He’d never wanted kids. Outside of priority boarding on an airline, he couldn’t see the upside to them. They took over your life and filled you with terror and weariness and people acted like having one was a blessed event and talked about them in the reverent tones they once reserved for gods. When it came down to it, though, you had to remember that all those assholes cutting you off in traffic and walking the streets and shouting in bars and turning their music up too loud and mugging you and raping you and selling you lemon cars—all those assholes were just children who’d aged. No miracle. Nothing sacred in that.
”
”
Dennis Lehane (Mystic River)
“
I despise this false lucidity that comes with age. The truth is that they are just like everyone else: nothing more than kids without a clue about what has happened to them, acting big and tough when in fact all they want is to burst into tears.
And yet there's nothing to understand. The problem is that children believe what adults say and, once they're adults themselves, they exact their revenge by deceiving their own children. 'Life has meaning and we grown-ups know what it is' is the universal lie that everyone is supposed to believe. Once you become an adult and you realize that's not true, it's too late. The mystery remains intact, but all your available energy has long been wasted on stupid things. All that's left is to anesthetize yourself by trying to hide the fact that you can't find any meaning in your life, and then, the better to convince yourself, you deceive your own children.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
Glossa
Time goes by, time comes along,
All is old and all is new;
What is right and what is wrong,
You must think and ask of you;
Have no hope and have no fear,
Waves that rise can never hold;
If they urge or if they cheer,
You remain aloof and cold.
To our sight a lot will glisten,
Many sounds will reach our ear;
Who could take the time to listen
And remember all we hear?
Keep aside from all that patter,
Seek yourself, far from the throng
When with loud and idle clatter
Time goes by, time comes along.
Nor forget the tongue of reason
Or its even scales depress
When the moment, changing season,
Wears the mask of happiness -
It is born of reason's slumber
And may last a wink as true:
For the one who knows its number
All is old and all is new.
Be as to a play, spectator,
As the world unfolds before:
You will know the heart of matter
Should they act two parts or four;
When they cry or tear asunder
From your seat enjoy along
And you'll learn from art to wonder
What is right and what is wrong.
Past and future, ever blending,
Are the twin sides of same page:
New start will begin with ending
When you know to learn from age;
All that was or be tomorrow
We have in the present, too;
But what's vain and futile sorrow
You must think and ask of you;
For the living cannot sever
From the means we've always had:
Now, as years ago, and ever,
Men are happy or are sad:
Other masks, same play repeated;
Diff'rent tongues, same words to hear;
Of your dreams so often cheated,
Have no hope and have no fear.
Hope not when the villains cluster
By success and glory drawn:
Fools with perfect lack of luster
Will outshine Hyperion!
Fear it not, they'll push each other
To reach higher in the fold,
Do not side with them as brother,
Waves that rise can never hold.
Sounds of siren songs call steady
Toward golden nets, astray;
Life attracts you into eddies
To change actors in the play;
Steal aside from crowd and bustle,
Do not look, seem not to hear
From your path, away from hustle,
If they urge or if they cheer;
If they reach for you, go faster,
Hold your tongue when slanders yell;
Your advice they cannot master,
Don't you know their measure well?
Let them talk and let them chatter,
Let all go past, young and old;
Unattached to man or matter,
You remain aloof and cold.
You remain aloof and cold
If they urge or if they cheer;
Waves that rise can never hold,
Have no hope and have no fear;
You must think and ask of you
What is right and what is wrong;
All is old and all is new,
Time goes by, time comes along.
”
”
Mihai Eminescu (Poems)
“
That was a pretty one, I heard you call
From the unsatisfactory hall
To the unsatisfactory room where I
Played record after record, idly,
Wasting my time at home, that you
Looked so much forward to.
Oliver's Riverside Blues, it was. And now
I shall, I suppose, always remember how
The flock of notes those antique Negroes blew
Our of Chicago air into
A huge remembering pre-electric horn
The year after I was born
Three decades later made this sudden bridge
From your unsatisfactory age
To my unsatisfactory prime.
Truly, though our element is time,
We're not suited to the long perspectives
Open at each instant of our lives.
They link us to our losses: worse,
They show us what we have as it once was,
Blindingly undiminished, just as though
By acting differently we could have kept it so.
- Reference Back
”
”
Philip Larkin (The Complete Poems)
“
The world THE WORLD IS increasingly designed to depress us. Happiness isn’t very good for the economy. If we were happy with what we had, why would we need more? How do you sell an anti-ageing moisturiser? You make someone worry about ageing. How do you get people to vote for a political party? You make them worry about immigration. How do you get them to buy insurance? By making them worry about everything. How do you get them to have plastic surgery? By highlighting their physical flaws. How do you get them to watch a TV show? By making them worry about missing out. How do you get them to buy a new smartphone? By making them feel like they are being left behind. To be calm becomes a kind of revolutionary act. To be happy with your own non-upgraded existence. To be comfortable with our messy, human selves, would not be good for business. Yet we have no other world to live in. And actually, when we really look closely, the world of stuff and advertising is not really life. Life is the other stuff. Life is what is left when you take all that crap away, or at least ignore it for a while. Life is the people who love you. No one will ever choose to stay alive for an iPhone. It’s the people we reach via the iPhone that matter. And once we begin to recover, and to live again, we do so with new eyes. Things become clearer, and we are aware of things we weren’t aware of before.
”
”
Matt Haig (Reasons to Stay Alive)
“
How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve? For most of us, news of the weather will sometimes have consequences; for investors, news of the stock market; perhaps an occasional story about crime will do it, if by chance it occurred near where you live or involved someone you know. But most of our daily news is inert, consisting of information that gives us something to talk about but cannot lead to any meaningful action...You may get a sense of what this means by asking yourself another series of questions: What steps do you plan to take to reduce the conflict in the Middle East? Or the rates of inflation, crime and unemployment? What are your plans for preserving the environment or reducing the risk of nuclear war? What do you plan to do about NATO, OPEC, the CIA, affirmative action, and the monstrous treatment of the Baha’is in Iran? I shall take the liberty of answering for you: You plan to do nothing about them. You may, of course, cast a ballot for someone who claims to have some plans, as well as the power to act. But this you can do only once every two or four years by giving one hour of your time, hardly a satisfying means of expressing the broad range of opinions you hold. Voting, we might even say, is the next to last refuge of the politically impotent. The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into—what else?—another piece of news. Thus, we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
If we are to violate the Constitution, will the people submit to our unauthorized acts? Sir, they ought not to submit; they would deserve the chains that these measures are forging for them. The country will swarm with informers, spies, delators and all the odious reptile tribe that breed in the sunshine of a despotic power ... [T]he hours of the most unsuspected confidence, the intimacies of friendship, or the recesses of domestic retirement afford no security. The companion whom you most trust, the friend in whom you must confide, the domestic who waits in your chamber, all are tempted to betray your imprudent or unguarded follie; to misrepresent your words; to convey them, distorted by calumny, to the secret tribunal where jealousy presides — where fear officiates as accuser and suspicion is the only evidence that is heard ... Do not let us be told, Sir, that we excite a fervour against foreign aggression only to establish a tyranny at home; that [...] we are absurd enough to call ourselves ‘free and enlightened’ while we advocate principles that would have disgraced the age of Gothic barbarity and establish a code compared to which the ordeal is wise and the trial by battle is merciful and just."
[opposing the Alien & Sedition bills of 1798, in Congress]
”
”
Edward Livingston
“
But you know, one of the weird things about being in a psych hospital is you gradually start to feel like you have permission to say whatever you're thinking. You feel like it's OK or maybe even in some way expected to act crazy or uninhibited, which at first feels kind of liberating and good; there's this feeling like no more smiley masks, no more pretending, which feels good, except it gets kind of seductive and dangerous, and actually it can make people worse in there - some inhibitions are good, they're normal, he said, and part of the syndrome they call some people eventually getting institutionalized is that they get put in a nut ward at a young age or a fragile time when their sense of themselves is not really very fixed or resilient, and they start acting the way they think people in nut wards are expected to act, and after a while they really are that way, and they get caught in the system, the mental-health system, and they never really get out.
”
”
David Foster Wallace (The Pale King)
“
People who live with ADHD are at high risk of addiction, especially adolescents, because of their poorly functioning frontal lobes. Years ago, when the illness was less well understood, doctors and parents were reluctant to give these vulnerable children addictive drugs such as Ritalin and amphetamine. It sounded reasonable: don’t give addictive substances to people at risk for addiction. But rigorous testing showed unambiguously that adolescents who were treated with stimulant drugs were less likely to develop addictions. In fact, those who started the drug at the youngest age and took the highest doses were the least likely to develop problems with illicit drugs. Here’s why: if you strengthen the dopamine control circuit, it’s a lot easier to make wise decisions. On the other hand, if effective treatment is withheld, the weakness of the control circuit is not corrected. The desire circuit acts unopposed, increasing the likelihood of high-risk, pleasure-seeking behavior.
”
”
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
“
Its All About Choice - The way we see things is affected by what we know or what we believe. In the Middle Ages when men believed in the physical existence of Hell the sight of fire must have meant something different from what it means today. Nevertheless their idea of Hell owed a lot to the sight of fire consuming and the ashes remaining - as well as to their experience of the pain of burns. When in love, the sight of the beloved has a completeness which no words and no embrace can match : a completeness which only the act of making love can temporarily accommodate. Yet this seeing which comes before words, and can never be quite covered by them, is not a question of mechanically reacting to stimuli. (It can only be thought of in this way if one isolates the small part of the process which concerns the eye's retina.) We only see what we look at. To look is an act of choice. As a result of this act, what we see is brought within our reach - though not necessarily within arm's reach. To touch something is to situate oneself in relation to it. (Close your eyes, move round the room and notice how the faculty of touch is like a static, limited form of sight.) We never look at just one thing; we are always looking at the relation between things and ourselves. Our vision is continually active, continually moving, continually holding things in a circle around itself, constituting what is present to us as we are.
”
”
John Berger
“
The Age Of Reason
1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’
2. “ I’m not so much interested in myself as all that’ he said simply.
‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’
3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’
4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’
5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’
6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’
‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’
‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’
7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’
8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’
9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
”
”
Jean-Paul Sartre
“
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Q. Would you repeat, Dr. Seldon, your thoughts concerning the future of Trantor?
A. I have said, and I say again, that Trantor will lie in ruins within the next three centuries.
Q. You do not consider your statement a disloyal one?
A. No, sir. Scientific truth is beyond loyalty and disloyalty."
Q. You are sure that your statement represents scientific truth?
A. I am.
Q. On what basis?
A. On the basis of the mathematics of psychohistory.
Q. Can you prove that this mathematics is valid?
A. Only to another mathematician.
Q. ( with a smile) Your claim then is that your truth is of so esoteric a nature that it is beyond the understanding of a plain man. It seems to me that truth should be clearer than that, less mysterious, more open to the mind.
A. It presents no difficulties to some minds. The physics of energy transfer, which we know as thermodynamics, has been clear and true through all the history of man since the mythical ages, yet there may be people present who would find it impossible to design a power engine. People of high intelligence, too. I doubt if the learned Commissioners—
At this point, one of the Commissioners leaned toward the Advocate. His words were not heard but the hissing of the voice carried a certain asperity. The Advocate flushed and interrupted Seldon.
Q. We are not here to listen to speeches, Dr. Seldon. Let us assume that you have made your point. Let me suggest to you that your predictions of disaster might be intended to destroy public confidence in the Imperial Government for purposes of your own!
A. That is not so.
Q. Let me suggest that you intend to claim that a period of time preceding the so-called ruin of Trantor will be filled with unrest of various types.
A. That is correct.
Q. And that by the mere prediction thereof, you hope to bring it about, and to have then an army of a hundred thousand available.
A. In the first place, that is not so. And if it were, investigation will show you that barely ten thousand are men of military age, and none of these has training in arms.
Q. Are you acting as an agent for another?
A. I am not in the pay of any man, Mr. Advocate.
Q. You are entirely disinterested? You are serving science?
A. I am.
”
”
Isaac Asimov (Foundation (Foundation, #1))
“
Once again I draw your attention to the difficulties India has had to encounter and her struggle to overcome them. Her problem was the problem of the world in miniature. India is too vast in its area and too diverse in its races. It is many countries packed in one geographical receptacle. It is just the opposite of what Europe truly is, namely, one country made into many. Thus Europe in its culture and growth has had the advantage of the strength of the many as well as the strength of the one. India, on the contrary, being naturally many, yet adventitiously one, has all along suffered from the looseness of its diversity and the feebleness of its unity. A true unity is like a round globe, it rolls on, carrying its burden easily; but diversity is a many-cornered thing which has to be dragged and pushed with all force. Be it said to the credit of India that this diversity was not her own creation; she has had to accept it as a fact from the beginning of her history. In America and Australia, Europe has simplified her problem by almost exterminating the original population. Even in the present age this spirit of extermination is making itself manifest, in the inhospitable shutting out of aliens, by those who themselves were aliens in the lands they now occupy. But India tolerated difference of races from the first, and that spirit of toleration has acted all through her history. Her caste system is the outcome of this spirit of toleration. For India has all along been trying experiments in evolving a social unity within which all the different peoples could be held together, while fully enjoying the freedom of maintaining their own differences. The tie has been as loose as possible, yet as close as the circumstances permitted. This has produced something like a United States of a social federation, whose common name is Hinduism. India
”
”
Rabindranath Tagore (Nationalism)
“
I’ve been queen for ages and ages,” Sunny went on. She strutted across the cave floor. “No one dares challenge me for my throne! I am the strongest SandWing queen who ever lived!” “Don’t forget the treasure,” Tsunami hissed, pointing at a pile of loose rocks. “Oh, right,” Sunny said. “It’s probably because of all my treasure! I have so much treasure because I’m such an important queen!” She swept the rocks toward her and gathered them between her talons. “Did someone say treasure?” Clay bellowed, leaping out from behind a large rock formation. Sunny yelped with fright. “No!” Tsunami called. “You’re not scared! You’re Queen Oasis, the big, bad queen of the sand dragons.” “R-right,” Sunny said. “Rargh! What is this tiny scavenger doing in the Kingdom of Sand? I am not afraid of tiny scavengers! I shall go out there and eat him in one bite!” Glory started giggling so hard she had to lie down and cover her face with her wings. Even Tsunami was making faces like she was trying not to laugh. Clay swung his stalagmite in a circle. “Squeak squeak squeak!” he shouted. “And other annoying scavenger noises! I’m here to steal treasure away from a magnificent dragon!” “Not from me, you won’t,” Sunny said, bristling. She stamped forward, spread her wings, and raised her tail threateningly. Without the poisonous barb other SandWings had, Sunny’s tail was not very menacing. But nobody pointed that out. “Yaaaaaaah!” Clay shouted, lunging forward with his rock claw. Sunny darted out of the way, and they circled each other, feinting and jabbing. This was Clay’s favorite part. When Sunny forgot about trying to act queenly and focused on the battle, she was fun to fight. Her small size made it easy for her to dodge and slip under his defenses. But in the end Queen Oasis had to lose — that was how the story went. Clay drove Sunny back against the wall of the cave and thrust the fake claw between her neck and her wing, pretending it went right through her heart. “Aaaaaaaargh,” Sunny howled. “Impossible! A queen defeated by a lowly scavenger! The kingdom will fall apart! Oh, my treasure … my lovely treasure . . .” She collapsed to the ground and let her wings flop lifelessly on either side of her. “Ha ha ha!” Clay said. “And squeak squeak! The treasure is mine!” He scooped up all the rocks and paraded away, lashing his tail proudly.
”
”
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
“
Strange! that you should not have suspected years ago--centuries, ages, eons, ago!--for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane--like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell--mouths mercy and invented hell--mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him!...
"You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks--in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier.
"It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream--a grotesque and foolish dream. Nothing exists but you. And you are but a thought--a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!"
He vanished, and left me appalled; for I knew, and realized, that all he had said was true.
”
”
Mark Twain
“
Adam wet his dry lips and tried to ask and failed and tried again. "Why do they have to do it?" he said. "Why is it?"
Cyrus was deeply moved and he spoke as he had never spoken before. "I don't know," he said. "I've studied and maybe learned how things are, but I"m not even close to why they are. And you must not expect to find that people understand what they do. So many things are done instinctively, the way a bee makes honey or a fox dips his paws into a stream to fool dogs. A fox can't say why he does it, and what bee remembers winter or expects it to come again? When I knew you had to go I thought to leave the future open so you could dig out your own findings, and then it seemed better if I could protect you with the little I know. You'll go in soon now--you've come to the age."
"I don't want to," said Adam quickly.
"You'll go in soon," his father went on, not hearing. "And I want to tell you so you won't be surprised. They'll first strip off your clothes, but they'll go deeper than that. They'll shuck off any little dignity you have--you'll lose what you think of as your decent right to live and be let alone to live. They'll make you live and eat and sleep and shit close to other men. And when they dress you up again you'll not be able to tell yourself from the others. You can't even wear a scrap or pin a note on your breast to say, 'This is me--separate from the rest.'"
"I don't want to do it," said Adam.
"After a while," said Cyrus, "you'll think no thought the others do not think. You'll know no word the others can't say. And you'll do things because the others do them. You'll feel the danger in any difference whatever-- a danger to the whole crowd of like-thinking, like-acting men."
"What if I don't?" Adam demanded.
"Yes," said Cyrus, "sometimes that happens. Once in a while there is a man who won't do what is demanded of him, and do you know what happens? The whole machine devotes itself coldly to the destruction of his difference. They'll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out of you. And if you can't finally give in, they'll vomit you up and leave you stinking outside--neither part of themselves nor yet free. It's better to fall in with them. They only do it to protect themselves [...]
”
”
John Steinbeck (East of Eden)
“
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work."
A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok.
People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact.
Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety.
So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars.
And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality.
And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent.
The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
”
”
Peter Joseph
“
WHEN I DESCRIBED THE TUMOR IN MY ESOPHAGUS as a “blind, emotionless alien,” I suppose that even I couldn’t help awarding it some of the qualities of a living thing. This at least I know to be a mistake: an instance of the pathetic fallacy (angry cloud, proud mountain, presumptuous little Beaujolais) by which we ascribe animate qualities to inanimate phenomena. To exist, a cancer needs a living organism, but it cannot ever become a living organism. Its whole malice—there I go again—lies in the fact that the “best” it can do is to die with its host. Either that or its host will find the measures with which to extirpate and outlive it. But, as I knew before I became ill, there are some people for whom this explanation is unsatisfying. To them, a rodent carcinoma really is a dedicated, conscious agent—a slow–acting suicide–murderer—on a consecrated mission from heaven. You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful:
Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing and then die a horrible agonizing death, and THEN comes the real fun, when he’s sent to HELLFIRE forever to be tortured and set afire.
There are numerous passages in holy scripture and religious tradition that for centuries made this kind of gloating into a mainstream belief. Long before it concerned me particularly I had understood the obvious objections. First, which mere primate is so damn sure that he can know the mind of god? Second, would this anonymous author want his views to be read by my unoffending children, who are also being given a hard time in their way, and by the same god? Third, why not a thunderbolt for yours truly, or something similarly awe–inspiring? The vengeful deity has a sadly depleted arsenal if all he can think of is exactly the cancer that my age and former “lifestyle” would suggest that I got. Fourth, why cancer at all? Almost all men get cancer of the prostate if they live long enough: It’s an undignified thing but quite evenly distributed among saints and sinners, believers and unbelievers. If you maintain that god awards the appropriate cancers, you must also account for the numbers of infants who contract leukemia. Devout persons have died young and in pain. Betrand Russell and Voltaire, by contrast, remained spry until the end, as many psychopathic criminals and tyrants have also done. These visitations, then, seem awfully random. My so far uncancerous throat, let me rush to assure my Christian correspondent above, is not at all the only organ with which I have blasphemed. And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half–aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)
”
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Christopher Hitchens (Mortality)
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Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta.
“For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately.
“She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.”
Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery.
Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him…
“Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?”
“Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.”
“Oh. Well, find something you like here…”
She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.”
“You belong to it,” he returned. “We adopted you years ago.”
“So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.”
“You could take your hair down,” he continued thoughtfully.
She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it.
“How old are you?” he asked, trying to remember. “Twenty, isn’t it?”
“I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?”
He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
”
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Diana Palmer (Paper Rose (Hutton & Co. #2))
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Though all the brilliant intellects of the ages were to concentrate upon this one theme, never could they adequately express their wonder at this dense darkness of the human mind. Men do not suffer anyone to seize their estates, and they rush to stones and arms if there is even the slightest dispute about the limit of their lands, yet they allow others to trespass upon their life—nay, they themselves even lead in those who will eventually possess it. No one is to be found who is willing to distribute his money, yet among how many does each one of us distribute his life! In guarding their fortune men are often closefisted, yet, when it comes to the matter of wasting time, in the case of the one thing in which it is right to be miserly, they show themselves most prodigal. And so I should like to lay hold upon someone from the company of older men and say: "I see that you have reached the farthest limit of human life, you are pressing hard upon your hundredth year, or are even beyond it; come now, recall your life and make a reckoning. Consider how much of your time was taken up with a moneylender, how much with a mistress, how much with a patron, how much with a client, how much in wrangling with your wife, how much in punishing your slaves, how much in rushing about the city on social duties. Add the diseases which we have caused by our own acts, add, too, the time that has lain idle and unused; you will see that you have fewer years to your credit than you count. Look back in memory and consider when you ever had a fixed plan, how few days have passed as you had intended, when you were ever at your own disposal, when your face ever wore its natural expression, when your mind was ever unperturbed, what work you have achieved in so long a life, how many have robbed you of life when you were not aware of what you were losing, how much was taken up in useless sorrow, in foolish joy, in greedy desire, in the allurements of society, how little of yourself was left to you; you will perceive that you are dying before your season!"7 What, then, is the reason of this? You live as if you were destined to live forever, no thought of your frailty ever enters your head, of how much time has already gone by you take no heed. You squander time as if you drew from a full and abundant supply, though all the while that day which you bestow on some person or thing is perhaps your last. You have all the fears of mortals and all the desires of immortals. You will hear many men saying: "After my fiftieth year I shall retire into leisure, my sixtieth year shall release me from public duties." And what guarantee, pray, have you that your life will last longer? Who will suffer your course to be just as you plan it? Are you not ashamed to reserve for yourself only the remnant of life, and to set apart for wisdom only that time which cannot be devoted to any business? How late it is to begin to live just when we must cease to live! What foolish forgetfulness of mortality to postpone wholesome plans to the fiftieth and sixtieth year, and to intend to begin life at a point to which few have attained!
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Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))