Acquired Taste Quotes

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It is almost as if happiness is an acquired taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
It is a curious thing, but as one travels the world getting older and older, it appears that happiness is easier to get used to than despair. The second time you have a root beer float, for instance, your happiness at sipping the delicious concoction may not be quite as enormous as when you first had a root beer float, and the twelfth time your happiness may be still less enormous, until root beer floats begin to offer you very little happiness at all, because you have become used to the taste of vanilla ice cream and root beer mixed together. However, the second time you find a thumbtack in your root beer float, your despair is much greater than the first time, when you dismissed the thumbtack as a freak accident rather than part of the scheme of a soda jerk, a phrase which here means "ice cream shop employee who is trying to injure your tongue," and by the twelfth time you find a thumbtack, your despair is even greater still, until you can hardly utter the phrase "root beer float" without bursting into tears. It is almost as if happiness is an acquired taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
I know I'm an acquired taste - I'm anchovies. And not everybody wants those hairy little things.
Tori Amos
Don't worry, Otto. I'm an acquired taste. Most of my best friends had to know me for years before they could even stand my presence. I'm like mold, I usually grow on you very slowly. (Tabitha)
Sherrilyn Kenyon (Seize the Night (Dark-Hunter #6))
Denounce useless guilt. Don’t make a cult of suffering. Live in the now(or at least the soon). Always do the things you fear most. Courage is an acquired taste like caviar. Trust all joy. If the evil eye fixes you in its gaze, look elsewhere. Get ready to be 87.
Erica Jong
Society is commonly too cheap. We meet at very short intervals, not having had time to acquire any new value for each other. We meet at meals three times a day, and give each other a new taste of that old musty cheese that we are.
Henry David Thoreau (Walden)
Mundus vult decipi: the world wants to be deceived. The truth is too complex and frightening; the taste for the truth is an acquired taste that few acquire…. ….The world winks at dishonesty. the world does not call it dishonesty
Walter Kaufmann
To think Viviane was beautiful required a certain acquired taste. It was the kind of beauty perceived only through the eyes of love.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Here are two things I found taking the long road, though: Applause is a quick fix. And love is an acquired taste.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I am an acquired taste.
Roxane Gay (Bad Feminist)
she said with a smile. "I'm an acquired taste. Most of my best friends had to know me for years before they could even stand my presence. I'm like mold, I usually grow on you very slowly.
Sherrilyn Kenyon (Seize the Night (Dark-Hunter #6))
Reality is an acquired taste.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Sometimes the story we’re telling the world isn’t half as endearing as the one that lives inside us.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
You smoke? (Randy) Only when I’m on fire. (Steele) I don’t appreciate your humor, Mr. Steele. (Randy) I’m an acquired taste. (Steele)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
I earnestly wish to point out in what true dignity and human happiness consists. I wish to persuade women to endeavor to acquire strength, both of mind and body, and to convince them that the soft phrases, susceptibility of heart, delicacy of sentiment, and refinement of taste, are almost synonymous with epithets of weakness, and that those beings are only the objects of pity, and that kind of love which has been termed its sister, will soon become objects of contempt.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
[I]t was with a good end in mind – that of acquiring the knowledge of good and evil – that Eve allowed herself to be carried away and eat the forbidden fruit. But Adam was not moved by this desire for knowledge, but simply by greed: he ate it because he heard Eve say it tasted good.
Moderata Fonte (The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men (The Other Voice in Early Modern Europe))
I mean, if your about to tell me something like I'm dead, that i need to start acquiring a taste for blood, and I can't even eat sushi, I wont be able to handle it. Or if you're going to tell me that I'm going to start howling at the moon, eating peoples cats, and will spend the rest of my life having to get waxed if I want to wear a bathing suit, then I don't think I can handle it, either. I like cats and I tried waxing once, and that hurt like a son of a gun." -Kylie
C.C. Hunter (Born at Midnight (Shadow Falls, #1))
Grace only sticks to our imperfections. Those who can’t accept their imperfections can’t accept grace either.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I don’t know if there’s a healthier way for two people to stay in love than to stop using each other to resolve their unfulfilled longings and, instead, start holding each other closely as they experience them.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
If you don't pray often, you won't gain a love for praying. Prayer is work, and therefore it is not very appealing to our natural sensibilities. But the simple rule for prayer is this: Begin praying and your taste for prayer will increase. The more you pray, the more you will acquire the desire for prayer, the energy for prayer, and the sense of purpose in prayer.
Leslie Ludy (Wrestling Prayer: A Passionate Communion with God)
Remarkably, the most common regret of the dying was this: they wish they’d had the courage to live a life true to themselves and not the life others expected of them.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
It’s a beautiful moment when somebody wakes up to this reality, when they realize God created them so other people could enjoy them, not just endure them.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Maybe loneliness is an acquired taste, or maybe it's like plunging your hand in ice water--it hurts like hell in the beginning, and then you go numb.
Tiffany Schmidt (Bright Before Sunrise)
I had hundreds of books under my skin already. Not selected reading, all of it. Some of it could be called trashy. I had been through Nick Carter, Horatio Alger, Bertha M. Clay and the whole slew of dime novelists in addition to some really constructive reading. I do not regret the trash. It has harmed me in no way. It was a help, because acquiring the reading habit early is the important thing. Taste and natural development will take care of the rest later on.
Zora Neale Hurston (Dust Tracks on a Road)
Don’t spit, swallow: there is protein and other good stuff in male semen; it’s an acquired taste and, once acquired, totally addictive.
Chloe Thurlow (The Gift of Girls (Nexus))
It’s all connected with the belief human love is conditional. But human love isn’t conditional. No love is conditional. If love is conditional, it’s just some sort of manipulation masquerading as love.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I am an acquired taste.
W.S. Gilbert
Keep on acquiring a taste for what is naturally repugnant; this is an unfailing source of pleasure.
Aleister Crowley (The Book of Lies)
I began to wonder what life would be like if I dropped the act and began to trust that being myself would be enough to get the love I needed.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
It costs personal fear to be authentic but the reward is integrity, and by that I mean a soul fully integrated, no difference between his act and his actual person. Having integrity is about being the same person on the inside that we are on the outside, and if we don’t have integrity, life becomes exhausting.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Be encouraged. Your heart is writing a poem on the world and it’s being turned into a thousand songs.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
God is going to reveal me as a flawed human being as fast as he can and he’s going to enjoy it because it will force me to grapple with real intimacy.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Do you like it rough? I think so. I think I must. Men are rough, aren't they? Have I always had a taste for rough stuff, or did I acquire that? In the back of Lesley's car, on the floor of a friend's house, half-conscious with my underwear around my ankles? Was it my idea to have him hurt me, or did he just let me think it was?
Eliza Clark (Boy Parts)
But love doesn’t control, and I suppose that’s why it’s the ultimate risk. In the end, we have to hope the person we’re giving our heart to won’t break it, and be willing to forgive them when they do, even as they will forgive us. Real love stories don’t have dictators, they have participants. Love is an ever-changing, complicated, choose-your-own adventure narrative that offers the world but guarantees nothing.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Society is commonly too cheap. We meet at very short intervals, not having had time to acquire any new value for each other.We meet at meals three times a day, and give each other a new taste of that musty old cheese that we are. We have had to agree on a certain set of rules, called etiquette and politeness, to make this frequent meeting tolerable and that we need not come to open war. We meet at the post office, and at the sociable, and at the fireside every night; we live thick and are in each other's way, and stumble over one another, and I think that we thus lose some respect for one another.
Henry David Thoreau (Walden)
Our great mistake in education is, as it seems to me, the worship of book-learning–the confusion of instruction and education. We strain the memory instead of cultivating the mind. The children in our elementary schools are wearied by the mechanical act of writing, and the interminable intricacies of spelling; they are oppressed by columns of dates, by lists of kings and places, which convey no definite idea to their minds, and have no near relation to their daily wants and occupations; while in our public schools the same unfortunate results are produced by the weary monotony of Latin and Greek grammar. We ought to follow exactly the opposite course with children–to give them a wholesome variety of mental food, and endeavor to cultivate their tastes, rather than to fill their minds with dry facts. The important thing is not so much that every child should be taught, as that every child should be given the wish to learn. What does it matter if the pupil know a little more or a little less? A boy who leaves school knowing much, but hating his lessons, will soon have forgotten almost all he ever learned; while another who had acquired a thirst for knowledge, even if he had learned little, would soon teach himself more than the first ever knew.
John Lubbock (The Pleasures of Life)
I no longer believe love works like a fairy tale but like farming. Most of it is just getting up early and tilling the soil and then praying for rain. But if we do the work, we just might wake up one day to find an endless field of crops rolling into the horizon. In my opinion, that’s even better than a miracle. I’d rather earn the money than win the lottery because there’s no joy in a reward unless it comes at the end of a story.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
We don’t think of our flaws as the glue that binds us to the people we love, but they are. Grace only sticks to our imperfections. Those who can’t accept their imperfections can’t accept grace either.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
– But here is a question that is troubling me: if there is no God, then, one may ask, who governs human life and, in general, the whole order of things on earth? – Man governs it himself, – Homeless angrily hastened to reply to this admittedly none-too-clear question. – Pardon me, – the stranger responded gently, – but in order to govern, one needs, after all, to have a precise plan for a certain, at least somewhat decent, length of time. Allow me to ask you, then, how can man govern, if he is not only deprived of the opportunity of making a plan for at least some ridiculously short period, well, say, a thousand years , but cannot even vouch for his own tomorrow? And in fact, – here the stranger turned to Berlioz, – imagine that you, for instance, start governing, giving orders to others and yourself, generally, so to speak, acquire a taste for it, and suddenly you get ...hem ... hem ... lung cancer ... – here the foreigner smiled sweetly, and if the thought of lung cancer gave him pleasure — yes, cancer — narrowing his eyes like a cat, he repeated the sonorous word —and so your governing is over! You are no longer interested in anyone’s fate but your own. Your family starts lying to you. Feeling that something is wrong, you rush to learned doctors, then to quacks, and sometimes to fortune-tellers as well. Like the first, so the second and third are completely senseless, as you understand. And it all ends tragically: a man who still recently thought he was governing something, suddenly winds up lying motionless in a wooden box, and the people around him, seeing that the man lying there is no longer good for anything, burn him in an oven. And sometimes it’s worse still: the man has just decided to go to Kislovodsk – here the foreigner squinted at Berlioz – a trifling matter, it seems, but even this he cannot accomplish, because suddenly, no one knows why, he slips and falls under a tram-car! Are you going to say it was he who governed himself that way? Would it not be more correct to think that he was governed by someone else entirely?
Mikhail Bulgakov (The Master and Margarita)
Love can’t be earned, it can only be given. And it can only be exchanged by people who are completely true with each other.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I am willing to sound dumb. I am willing to be wrong. I am willing to be passionate about something that isn’t perceived as cool. I am willing to express a theory. I am willing to admit I’m afraid. I’m willing to contradict something I’ve said before. I’m willing to have a knee-jerk reaction, even a wrong one. I’m willing to apologize. I’m perfectly willing to be perfectly human.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
A good story makes you thankful to be alive because it reminds you that while sometimes painful, life is indeed beautiful and even magical.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
It’s true: if we live behind a mask we can impress but we can’t connect.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I'm an acquired taste. I'm anchovies. If I was potato chips I could go more places.
Tori Amos (Tori Amos: Piece by Piece)
My own sex, I hope, will excuse me, if I treat them like rational creatures, instead of flattering their fascinating graces, and viewing them as if they were in a state of perpetual childhood, unable to stand alone. I earnestly wish to point out in what true dignity and human happiness consists - I wish to persuade women to endeavour to acquire strength, both mind and body, and to convince them that the soft phrases, susceptibility of heart, delicacy of sentiment, and refinement of taste, are almost synonymous with epithets of weakness, and that those beings who are only objects of pity and that kind of love, which has been termed its sister, will soon become objects of contempt.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Almost without exception the most beautiful, selfless people I’ve met are ones who’ve experienced personal tragedy.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Children aren’t supposed to like dark chocolate. It’s one of those bitter things that you are meant to acquire a taste for later in life, like olives and self-pity.
Emma Jane Unsworth (Hungry the Stars and Everything)
THE STUFF IT TAKES TO BE INTIMATE IS AUTHENTICITY, vulnerability, and a belief that other people are about as good and bad as we are.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I’ve come to believe a person’s love for you can’t grow unless you hold that person loosely.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Perhaps that’s another reason true intimacy is so frightening. It’s the one thing we all want, and must give up control to get.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
The risk of being known is also the decision to be criticized by some.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I'm not a purist. Coffee drinking minus cream and sugar is an acquired taste. I'm still not sure it isn't like telling chefs to dispense with spices in cooking.
Kevin Sinnott (The Art and Craft of Coffee: An Enthusiast's Guide to Selecting, Roasting, and Brewing Exquisite Coffee)
But true intimacy is just like that: it’s the food you grow from well-tilled ground. And like most things good for us, it’s an acquired taste.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
The reality is people are impressed with all kinds of things: intelligence, power, money, charm, talent, and so on. But the ones we tend to stay in love with are, in the long run, the ones who do a decent job loving us back.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Maybe being oneself is an acquired taste. For a writer it's a big deal to bow--or kneel or get knocked down--to the fact that you are going to write your own books and not somebody else's. Not even those books of the somebody else you thought it was your express business to spruce yourself up to be.
Patricia Hampl
The strongest character in a story isn’t the hero, it’s the guide.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
They never tell you when you get born a control freak it will cost you a healthy love life. But it’s true. You can’t control somebody and have intimacy with them at the same time. They may stay because they fear you, but true love casts out fear.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
So I wrote. I wrote as though God thought my voice mattered. I wrote because I believed a human story was beautiful, no matter how small the human was. I wrote because I didn’t make myself, God did. And I wrote like he’d invited me to share my true “self” with the world.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Relationships are teleological. They’re all going somewhere and they’re turning us into something, hopefully something better, something new.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
The reality is this, though: a healthy person coupled with an unhealthy person will still result in an unhealthy relationship.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I think a lot of the shame-based religious and political methodology has more to do with keeping people contained than with setting them free. And I’m no fan of it.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
How can we be loved if we are always in hiding?
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
when the story of earth is told, all that will be remembered is the truth we exchanged. The vulnerable moments. The terrifying risk of love and the care we took to cultivate it. And all the rest, the distracting noises of insecurity and the flattery and the flashbulbs will flicker out like a turned-off television.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I don’t trust people to accept who I am in process. I’m the kind of person who wants to present my most honest, authentic self to the world—so I hide backstage and rehearse honest and authentic lines until the curtain opens.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
lest the habit of work should be broken, and a taste for idleness acquired
John Stuart Mill
The harshest people I’ve met over the years have had two things in common: they don’t fully trust anybody, and they view relationships as a means to an end.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
But it’s better when you have somebody to go home to and talk about it with, somebody who is more in love with you than impressed by you.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I DON’T KNOW WHY IT IS, EXACTLY, BUT THE PEOPLE with the healthiest self-esteem are also the greatest at intimacy. I’m not talking about arrogant people. I’m talking about people who know they are both good and bad yet believe at the deepest level they are really good for people. It’s a beautiful moment when somebody wakes up to this reality, when they realize God created them so other people could enjoy them, not just endure them.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
It makes me wonder how many people have damaged their own lives by mistaking enablement for grace?
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Cynics are spoiled romantics. They are always the ones who had the highest expectations at the start. They were once so naïve themselves that they despise naïvety more than any other quality. Alchemists, they turn grief to gold. They take quinine in their tonic, Campari with their soda—bitterness is an acquired taste. Cynics have learned to drink poison and like it. They are resourceful people, though the sad thing is, they know what’s happened to them. They remember what they wanted to be when they grew up, and not a single one of them dreamt of becoming a cynic.
Lionel Shriver (Game Control)
...no mind ever grew fat on a diet of novels. The pleasure which they occasionally offer is far too heavily paid for: they undermine the finest characters. They teach us to think ourselves into other men's places. Thus we acquire a taste for change. The personality becomes dissolved in pleasing figments of imagination. The reader learns to understand every point of view. Willingly he yields himself to the pursuit of other people's goals and loses sight of his own. Novels are so many wedges which the novelist, an actor with his pen, inserts into the closed personality of the reader. The better he calculates the size of the wedge and the strength of the resistance, so much the more completely does he crack open the personality of the victim. Novels should be prohibited by the State.
Elias Canetti
We don’t think much about how our love stories will affect the world, but they do. Children learn what’s worth living for and what’s worth dying for by the stories they watch us live. I want to teach our children how to get scary close, and more, how to be brave. I want to teach them that love is worth what it costs.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I tend to connect most easily with two kinds of people, those who are creating something and those who are easily vulnerable. Both trees grow from the same root, I think, and that’s the willingness to take risks.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
You'll see: if you acquire a taste for drawing, you won't be able to do without it, just like me. Hokusai (The Old Man Mad About Drawing)
Françoise Place
I earnestly wish to point out in what true dignity and human happiness consists - I wish to persuade women to endeavour to acquire strength, both of mind and body, and to convince them that the soft phrases, susceptibility of heart, delicacy of sentiment, and refinement of taste, are almost synonymous with epithets of weakness, and that those beings who are only the objects of pity and that kind of love, which has been termed its sister, will soon become objects of contempt.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Then, Paul remembered a Bible verse from 1 John. He said that John, in summarizing all that he’d learned about God, said this: “God is light, and in him there is no darkness at all.” “When you are with God,” Paul said, “there is no darkness, ho hiding, no pretending. When you are with God, you have the freedom and courage to be yourself.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
There’s truth in the idea we’re never going to be perfect in love but we can get close. And the closer we get, the healthier we will be. Love is not a game any of us can win, it’s just a story we can live and enjoy.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
ROSS PEROT was the best thing that happened in American politics since Richard Nixon acquired a taste for gin. In both cases, the political dialogue of the day was enriched by spontaneous gibberish that entertained the wrong people and made the right ones question their faith.
Hunter S. Thompson (Better Than Sex (Gonzo Papers Book 4))
You think it’s because they’re lying? Nonsense! I like it when people lie! Lying is man’s only privilege over all other organisms. If you lie--you get to the truth! Lying is what makes me a man. Not one truth has ever been reached without first lying fourteen times or so, maybe a hundred and fourteen, and that’s honorable in its way; well, but we can’t even lie with our own minds! Lie to me, but in your own way, and I’ll kiss you for it. Lying in one’s own way is almost better than telling the truth in someone else’s way; in the first case you’re a man, and in the second—no better than a bird! The truth won’t go away, but life can be nailed shut; there are examples. Well, so where are we all now? With regard to science, development, thought, invention, ideals, aspirations, liberalism, reason, experience, and everything, everything, everything, we’re all, without exception, still sitting in the first grade! We like getting by on other people’s reason--we’ve acquired a taste for it! Right? Am I right?
Fyodor Dostoevsky
We both have our independence and freedom, but we have those things with each other. It’s a paradox, but it works. It all reminded me of what my friend Henry Cloud told me, that when two people are entirely and completely separate they are finally compatible to be one. Nobody’s self-worth lives inside of another person. Intimacy means we are independently together.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I HAVE already hinted that the dainty, squeamish, and fastidious taste acquired by a surfeit of idle reading, had not only rendered our hero unfit for serious and sober study, but had even disgusted him in some degree with that in which he had hitherto indulged. He
Walter Scott (Waverley)
Relationships matter. They matter as much as exercise and nutrition. And not all relationships help us reach our goals. God doesn’t give us crying, pooping children because he wants to advance our careers. He gives them to us for the same reason he confused language at the Tower of Babel, to create chaos and deter us from investing too much energy in the gluttonous idols of self-absorption.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
I LIKE WHAT THE DANCER MARTHA GRAHAM ONCE said, that each of us is unique and if we didn’t exist something in the world would have been lost. I wonder, then, why we are so quick to conform—and what the world has lost because we have. William Blake said about Jesus that he was “all virtue and acted from impulse, not from rules.” If we are to be like him, aren’t we to speak and move and do, to act upon the world and take new ground from the forces that work against our unique genius and beauty? What if part of God’s message to the world was you? The true and real you?
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
The process of growing up is to be valued for what we gain, not for what we lose. Not to acquire a taste for the realistic is childish in the bad sense; to have lost the taste for marvels and adventures is no more a matter for congratulation than losing our teeth, our hair, our palate, and finally, our hopes. Why do we hear so much about the defects of immaturity and so little about those of senility?
C.S. Lewis (An Experiment in Criticism)
In my opinion the misappropriation of the longing for God has caused a lot of people a great deal of pain. In fact, I wondered if some of my early mistakes in relationships weren’t partly because I sought to find resolution for the longing through a woman, a burden no romantic partner should have to bear. How many relationships have been ruined by two people attempting to squeeze the Jesus out of each other?
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul.
Ralph Waldo Emerson (The Poet)
I’M NOTICING A COMMON CHARACTERISTIC OF healthy families, though. The characteristic is this: kids with parents who are honest about their shortcomings seem to do better in life. What I mean is parents who aren’t trying to be perfect or pretend they’re perfect have kids who trust and respect them more. It’s as though vulnerability and openness act as the soil that fosters security. And I’d say that’s the quality I most often sense in the children of honest, open parents. I sense security.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting—intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen. Talent alone is not enough. Character and ethics, a point of view about the world in which you live and an education, can and must be acquired and developed.
Uta Hagen (Respect for Acting)
Doubt it,” said Emma. “He had a crossbow, and none of them have been killed with crossbows. But he hurt Jules, so when we track him down, I’m going to chop him up and feed him to my fish.” “You don’t have fish,” Julian said. “Well, I’m going to buy some,” said Emma. “I’m going to buy goldfish and feed them blood until they acquire a taste for human flesh.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
He had no document but his memory; the training he had acquired with each added hexameter gave him a discipline unsuspected by those who set down and forget temporary, incomplete paragraphs. He was not working for posterity or even for God, whose literary tastes were unknown to him. Meticulously, motionlessly, secretly, he wrought in time his lofty, invisible labyrinth. He worked the third act over twice. He eliminated certain symbols as over-obvious, such as the repeated striking of the clock, the music. Nothing hurried him. He omitted, he condensed, he amplified. In certain instances he came back to the original version. He came to feel affection for the courtyard, the barracks; one of the faces before him modified his conception of Roemerstadt's character. He discovered that the wearying cacophonies that bothered Flaubert so much are mere visual superstitions, weakness and limitation of the written word, not the spoken...He concluded his drama. He had only the problem of a single phrase. He found it. The drop of water slid down his cheek. He opened his mouth in a maddened cry, moved his face, dropped under the quadruple blast.
Jorge Luis Borges (Labyrinths: Selected Stories & Other Writings)
Yes, this sudden transmutation in the order of things seems to enhance our pleasure, as if consecrating the unchanging nature of a ritual established over our afternoons together, a ritual that has ripened into a solid and meaningful reality. Today, because it has been transgressed, our ritual suddenly acquires all its power; we are tasting the splendid gift of this unexpected morning as if it were some precious nectar; ordinary gestures have an extraordinary resonance, as we breathe in the fragrance of the tea, savor it, lower our cups, serve more, and sip again: every gesture has the bright aura of rebirth. At moments like this the web of life is revealed by the power of ritual, and each time we renew our ceremony, the pleasure will be all the greater for our having violated one of its principles. Moments like this act as magical interludes, placing our hearts at the edge of our souls: fleetingly, yet intensely, a fragment of eternity has come to enrich time. Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn - and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb.
Muriel Barbery (The Elegance of the Hedgehog)
There is hardly any political question in the United States that sooner or later does not turn into a judicial question. From that, the obligation that the parties find in their daily polemics to borrow ideas and language from the judicial system. Since most public men are or have formerly been jurists, they make the habits and the turn of ideas that belong to jurists pass into the handling of public affairs. The jury ends up by familiarizing all classes with them. Thus, judicial language becomes, in a way, the common language; so the spirit of the jurist, born inside the schools and courtrooms, spreads little by little beyond their confines; it infiltrates all of society, so to speak; it descends to the lowest ranks, and the entire people finishes by acquiring a part of the habits and tastes of the magistrate.
Alexis de Tocqueville (Democracy in America)
Outside of the dreary rubbish that is churned out by god knows how many hacks of varying degrees of talent, the novel is, it seems to me, a very special and rarefied kind of literary form, and was, for a brief moment only, wide-ranging in its sociocultural influence. For the most part, it has always been an acquired taste and it asks a good deal from its audience. Our great contemporary problem is in separating that which is really serious from that which is either frivolously and fashionably "radical" and that which is a kind of literary analogy to the Letterman show. It's not that there is pop culture around, it's that so few people can see the difference between it and high culture, if you will. Morton Feldman is not Stephen Sondheim. The latter is a wonderful what-he-is, but he is not what-he-is-not. To pretend that he is is to insult Feldman and embarrass Sondheim, to enact a process of homogenization that is something like pretending that David Mamet, say, breathes the same air as Samuel Beckett. People used to understand that there is, at any given time, a handful of superb writers or painters or whatever--and then there are all the rest. Nothing wrong with that. But it now makes people very uncomfortable, very edgy, as if the very idea of a Matisse or a Charles Ives or a Thelonious Monk is an affront to the notion of "ain't everything just great!" We have the spectacle of perfectly nice, respectable, harmless writers, etc., being accorded the status of important artists...Essentially the serious novelist should do what s/he can do and simply forgo the idea of a substantial audience.
Gilbert Sorrentino
Sweetheart," West murmured kindly, "listen to me. There's no need to worry. You'll either meet someone new, or you'll reconsider someone you didn't appreciate at first. Some men are an acquired taste. Like oysters, or Gorgonzola cheese." She let out a shuddering sigh. "Cousin West, if I haven't married by the time I'm twenty-five... and you're still a bachelor... would you be my oyster?" West looked at her blankly. "Let's agree to marry each other someday," she continued, "if no one else wants us. I would be a good wife. All I've ever dreamed of is having my own little family, and a happy home where everyone feels safe and welcome. You know I never nag or slam doors or sulk in corners. I just need someone to take care of. I want to matter to someone. Before you refuse-" "Lady Cassandra Ravenel," West interrupted, "that is the most idiotic idea anyone's come up with since Napoleon decided to invade Russia." Her gaze turned reproachful. "Why?" "Among a dizzying array of reasons, you're too young for me." "You're no older than Lord St. Vincent, and he just married my twin." "I'm older than him on the inside, by decades. My soul is a raisin. Take my word for it, you don't want to be my wife." "It would be better than being lonely." "What rubbish. 'Alone' and 'lonely' are entirely different things." West reached out to smooth back a dangling golden curl that had stuck against a drying tear track on her cheek. "Now, go bathe your face in cool water, and-" "I'll be your oyster," Tom broke in.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked. She had kept some books since college that she had acquired for courses and never read—Fredric Jameson, for example, and Kant’s Critique of Judgment—but which suggested to her that she was, or might be, a person of seriousness, a thinker in some seeping, ubiquitous way; and she had kept, too, a handful of children’s books taken fro her now-dismantled girlhood room, like Charlotte’s Web and the Harriet the Spy novels, that conjured for her an earlier, passionately earnest self, the sober child who read constantly in the back of her parents’ Buick, oblivious to her brother punching her knee, oblivious to her parents’ squabbling, oblivious to the traffic and landscapes pressing upon her from outside the window. She had, in addition to her books, a modest shelf of tapes and CDs that served a similar, though narrower, function…she was aware that her collection was comprised largely of mainstream choices that reflected—whether popular or classical—not so much an individual spirit as the generic tastes of her times: Madonna, the Eurythmics, Tracy Chapman from her adolescence; Cecilia Bartoli, Anne-Sophie Mutter, Mitsuko Uchida; more recently Moby and the posthumously celebrated folk-singing woman from Washington, DC, who had died of a melanoma in her early thirties, and whose tragic tale attracted Danielle more than her familiar songs. Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.
Claire Messud (The Emperor's Children)
Next to the defeated politician, the writer is the most vocal and inventive griper on earth. He sees hardship and unfairness wherever he looks. His agent doesn’t love him (enough). The blank sheet of paper is an enemy. The publisher is a cheapskate. The critic is a philistine. The public doesn’t understand him. His wife doesn’t understand him. The bartender doesn’t understand him. These are only some of the common complaints of working writers, but I have yet to hear any of them bring up the most fundamental gripe of all: the lifelong, horrifying expense involved in getting out the words. This may come as a surprise to many of you who assume that a writer’s equipment is limited to paper and pencils and a bottle of whiskey, and maybe one tweed sports coat for interviews. It goes far beyond that. The problem from which all other problems spring is that writing takes up the time that could otherwise be spent earning a living. The most humble toiler on Wall Street makes more in a month than ninety percent of writers make in a year. A beggar on the street, seeing a writer shuffling toward him, will dig deep into his rags to see if he can spare a dime. . . .
Peter Mayle (Acquired Tastes)
I was holding on to hurricane nights and lit candles and my acoustic guitar resting in your hands. I was holding on to the sound of your voice saying my name and the peace I felt with your arms around me. I was holding on to documentaries in bed and your beautiful eyes closed as you sang Rocket Man and all the songs we never finished. I was holding on to our first text and last phone call and the plane ticket you offered but never sent. I was holding on to our first Christmas together and the last few Christmas Eves apart and I've been thinking we should be together. we should be kissing even if there isn't any mistletoe because if I have you there' no reason to celebrate and fuck, your lips were mine. They were always supposed to be mine. I was holding on to hope and banana pancakes on Sundays. I was holding on to Main Street and sunsets in Jersey. I was holding on to two streets that separated us and blizzards that couldn't keep us apart. I was holding on to you. I was holding on to us. And it was killing me.
Christina Hart (Letting Go Is an Acquired Taste)
His prescription to experience a deep sense of meaning, then, was remarkably pragmatic. He had three recommendations: 1. Have a project to work on, some reason to get out of bed in the morning and preferably something that serves other people. 2. Have a redemptive perspective on life’s challenges. That is, when something difficult happens, recognize the ways that difficulty also serves you. 3. Share your life with a person or people who love you unconditionally. Frankl called this treatment logotherapy, or a therapy of meaning. And surprisingly, it worked. He was put in charge of the mental-health division of the Viennese hospital system because they had lost far too many patients to suicide. When Frankl came aboard, he had more than thirty thousand suicidal patients under his care. The challenge was phenomenal. Frankl created community groups for the patients and taught counselors to identify projects the patients could contribute to, serious work the world needed that would give them a reason to get out of bed in the morning. Frankl also had the patients circle the difficult experiences they’d had and while allowing them to grieve, also asked them to list benefits that had come from their pain. The result of the program was transformational. Not one patient committed suicide on Frankl’s watch.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
A mood of constructive criticism being upon me, I propose forthwith that the method of choosing legislators now prevailing in the United States be abandoned and that the method used in choosing juries be substituted. That is to say, I propose that the men who make our laws be chosen by chance and against their will, instead of by fraud and against the will of all the rest of us, as now... ...that the names of all the men eligible in each assembly district be put into a hat (or, if no hat can be found that is large enough, into a bathtub), and that a blind moron, preferably of tender years, be delegated to draw out one... The advantages that this system would offer are so vast and obvious that I hesitate to venture into the banality of rehearsing them. It would in the first place, save the commonwealth the present excessive cost of elections, and make political campaigns unnecessary. It would in the second place, get rid of all the heart-burnings that now flow out of every contest at the polls, and block the reprisals and charges of fraud that now issue from the heart-burnings. It would, in the third place, fill all the State Legislatures with men of a peculiar and unprecedented cast of mind – men actually convinced that public service is a public burden, and not merely a private snap. And it would, in the fourth and most important place, completely dispose of the present degrading knee-bending and trading in votes, for nine-tenths of the legislators, having got into office unwillingly, would be eager only to finish their duties and go home, and even those who acquired a taste for the life would be unable to increase the probability, even by one chance in a million, of their reelection. The disadvantages of the plan are very few, and most of them, I believe, yield readily to analysis. Do I hear argument that a miscellaneous gang of tin-roofers, delicatessen dealers and retired bookkeepers, chosen by hazard, would lack the vast knowledge of public affairs needed by makers of laws? Then I can only answer (a) that no such knowledge is actually necessary, and (b) that few, if any, of the existing legislators possess it... Would that be a disservice to the state? Certainly not. On the contrary, it would be a service of the first magnitude, for the worst curse of democracy, as we suffer under it today, is that it makes public office a monopoly of a palpably inferior and ignoble group of men. They have to abase themselves to get it, and they have to keep on abasing themselves in order to hold it. The fact reflects in their general character, which is obviously low. They are men congenitally capable of cringing and dishonorable acts, else they would not have got into public life at all. There are, of course, exceptions to that rule among them, but how many? What I contend is simply that the number of such exceptions is bound to be smaller in the class of professional job-seekers than it is in any other class, or in the population in general. What I contend, second, is that choosing legislators from that populations, by chance, would reduce immensely the proportion of such slimy men in the halls of legislation, and that the effects would be instantly visible in a great improvement in the justice and reasonableness of the laws.
H.L. Mencken (A Mencken Chrestomathy)
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)