Chair Design Quotes

Despite what we knitters know to be true, the non-knitting world somehow persists in thinking that a "knitter" looks a certain way. Most likely, this picture is one of an elderly woman, grandmotherly and polite, sitting in her rocking chair surrounded by homemade cookies and accompanied by a certain number of cats. In reality, a knitter today is just as likely to be young, hip, male, and sitting at a "Stitch and Bitch" in a local bar. Several of today's best knitting designers are men, and a knitter is as likely to have body piercings as homemade cookies. Despite our diversity, the tendency to be accompanied by a cat is an oddity among knitters that cannot be explained.

Thank you for the shoes, Thomas.” I looked at the stack of boxes, teetering precariously close to the edge of the settee now. He caught my stare and nudged them back to safety. “All of them. It was very sweet. And highly unnecessary.” “Your happiness is always necessary to me.” He tilted my chin up and kissed the tip of my nose. “We’ll find new ways of navigating the world together, Wadsworth. If you can no longer wear heels, we’ll design flats you adore. If you ever find those no longer work, I’ll have a wheeled chair made and bejeweled to your liking. Anything at all in the universe you need, we will make it so. And if you’d prefer to do it on your own, I will always step aside. I also promise to keep my opinion mostly to myself.” “Mostly?” He considered that. “Unless it’s vastly inappropriate. Then I’ll share it with gusto.

A chair is the first thing you need when you don’t really need anything, and is therefore a peculiarly compelling symbol of civilization. For it is civilization, not survival, that requires design.

Only a lunatic would want to be president. These lunatics are created deliberately by those who wish to be presided over. You’ve seen it a thousand times. We create a leader by locating one in the crowd who is standing up. This may well be because there are no chairs or because his knees are fused by arthritis. It doesn’t matter. We designate this victim as a ‘stand-up guy’ by the simple expedient of sitting down around him.” ARTURISM:

Evening prayer I spend my life sitting, like an angel in a barber's chair, Holding a beer mug with deep-cut designs, My neck and gut both bent, while in the air A weightless veil of pipe smoke hangs. Like steaming dung within an old dovecote A thousand Dreams within me softly burn: From time to time my heart is like some oak Whose blood runs golden where a branch is torn. And then, when I have swallowed down my Dreams In thirty, forty mugs of beer, I turn To satisfy a need I can't ignore, And like the Lord of Hyssop and of Myrrh I piss into the skies, a soaring stream That consecrates a patch of flowering fern.

Consider the whole thing as occupational therapy. Power as cottage industry for the mad. The shepherd is slave to the sheep. A gardener is in thrall to his carrots. Only a lunatic would want to be president. These lunatics are created deliberately by those who wish to be presided over. You've seen it a thousand times. We create a leader by locating one in the crowd who is standing up. This may well be because there are no chairs or because his knees are fused by arthritis. It doesn't matter. We designate this victim as a 'stand-up guy' by the simple expedient of sitting down around him.

When we think of people fitting together, we may think of a man inserting himself into a woman, but there are many ways we overlook. The way ears are thin as construction paper, allowing me to press the side of my face against his chest. Fingers can be interlaced without getting tangled. One hand can create a tiny chair for one chin. We are designed to bend and fold, to comfort ourselves and each other. We have so many small parts that need tending to.

All of the designers I have met up to this point have been very nice, although upon being introduced to Karl Lagerfeld, he looks me up and down and dismisses me with the not super-kind, "What can you write that hasn't been written already?" He's absolutely right, I have no idea. I can but try. The only thing I can come up with right now is that Lagerfeld's powdered white ponytail has dusted the shoulders of his suit with what looks like dandruff but isn't....seated on a tiny velvet chair, with his large doughy rump dominating the miniature piece of furniture like a loose, flabby, ass-flavored muffin over-risen from its pan, he resembles a Daumier caricature of some corpulent, overfed, inhumane oligarch drawn sitting on a commode, stuffing his greedy throat with the corpses of dead children, while from his other end he shits out huge, malodorous piles of tainted money. How's that for new and groundbreaking, Mr. L.?

I wanted to study graphic design, because I wanted to work in an office with designer desks, ergonomic chairs, pool tables, and walls so colorful it looks like a flock of flamingoes exploded and splattered evenly from floor to ceiling.

Jackie chose an overstuffed easy chair with a paisley design. “Wow,” she said, settling back and back into fabric that continued to give. For a moment the pain vanished. Comfort was the answer to all of life’s problems. It didn’t solve them, but it made them more distant for a bit as they quietly worsened.

...I continued to sit there hour after hour watching the unrelenting rain slosh against the glass, thinking of our life together, Lotte's and mine, how everything in it was designed to give a sense of permanence, the chair against the wall that was there when we went to sleep and there again when we awoke, the little habits that quoted from the day before and predicted the day to come, though in truth it was all just an illusion, just as solid matter is an illusion, just as our bodies are an illusion, pretending to be one thing when really they are millions upon millions of atoms coming and going, some arriving while others are leaving us forever, as if each of us were only a great train station, only not even that since at least in a train station the stones and the tracks and the glass roof stay still while everything else rushes through it, no, it was worse than that, more like a giant empty field where every day a circus erected and dismantled itself, the whole thing from top to bottom, but never the same circus, so what hope did we really have of ever making sense of ourselves, let alone one another?

Everything--the section of comfortable chairs in the middle, the long colourful chains that dangled lights from the ceiling--seemed designed to make you feel like you were part of something larger, without actually being made to feel small.

Acting on desire is more like a craft, a science, an art. It takes careful mindful practice. Be patient and quiet. Listen, observe, take notes. Figure out what you want, privately, and then choose to want it, publicly. Put your desire out in the open. I want to go swimming. I want to bake bread. I want to paint a picture. I want to build a chair. I want to write a book. You act and then you fail. Over and over. And it’s better to start failing when you’re young, when all you lose is an ice-cream cone or a basketball game or an afternoon of fun. When you’re older, the stakes are higher. If adults don’t know how to want, then they lose a love, a career, a life.

If more designers had bad backs, we would have more good chairs.

His office was a spider’s lair of silver thread and tempting promises, a page out of Power Architecture Magazine. The dean copied the design from President Lyndon Johnson’s old senate office. The room narrowed toward his desk, an architectural device that channeled all eyes toward the dean, and his chair was slightly elevated, forcing visitors to look up. The two visitors’ chairs were both lowered and oversized, making each guest feel like a child, swimming in too much chair. His architect had assured him it was a subliminal masterpiece.

The Shakers also have one golden rule – back to William Morris: Do not make that which is not useful. And so it was their interpretation that all useful things should also be beautiful. God, as architect Mies van der Rohe said, was in the details and, you never know, an angel may come one day and sit on that chair – it had to be worthy of such an event.

She slid a slim volume of poetry off the shelf and returned to her chair, swishing her rather unnattractive skirts before she sat down. Benedict frowned. He'd never really noticed before how ugly her dress was. Not as bad as the one Mrs. Cabtree had lent her, but certainly not anything designed to bring out the best in a woman. He ought to buy her a new dress. She would never accept it,of course, but maybe if her current garments were accidentally burned... "Mr. Bridgerton?" But how could he manage to burn her dress? She'd have to not be wearing it, and that posed a certain challenge in and of itself... "Are you even listening to me?" Sophie demanded. "Hmmm?" "You're not listening to me." "Sorry," he admitted. "My apologies. My mind got away from me. Please continue." She began anew, and in his attempt to show how much attention he was paying her, he focused his eyes on her lips, which proved to be a big mistake. Because suddenly those lips were all he could see, and he couldn't stop thinking about kissing her, and he knew- absolutely knew-that if one of them didn't leave the room in the next thirty seconds, he was going to do something for which he'd owe her a thousand apologies. Not that he didn't plan to seduce her. Just that he'd rather do it with a bit more finesse. "Oh, dear," he blurted out. Sophie gave him an odd look. He didn't blame her. He sounded like a complete idiot. He didn't think he'd uttered the phrase, "Oh,dear," in years. If ever. Hell,he sounded like his mother. "Is something wrong?" Sophie asked. "I just remembered something," he said, rather stupidly, in his opinion. She raised her brows in question. "Something that I'd forgotten," Benedict said. "The things one remembers," she said, looking exceedingly amused, "are most often things one had forgotten.

A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.

Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.

The audience sat back, relaxed in their chairs, awaiting the expected mellow retrospective of a revered septuagenarian. Instead, Rogers rocked them with a series of challenges. He urged school psychologists not to content themselves merely with treating students damaged by an obsolete and irrelevant educational system but to change the system, to participate in designing an educational experience that would liberate the students’ curiosity and enhance the joy of learning.

An elderly man called Keith Mislaid his set of false teeth— They’d been laid on a chair, He’d forgot they were there, Sat down, and was bitten beneath. Irish limerick

The chair was a simple Scandinavian design of chrome and white leather. Beautiful, clean, and silent, with not an ounce of warmth, like a fine rain falling under the midnight sun.

Tessa pulled out her cell phone and slouched into one of the airport chairs, ergonomically designed to cause permanent back problems.

Always design a thing by considering it in its next-larger context—a chair in a room, a room in a house, a house in an environment, an environment in a city plan.

twelve-hundred-dollar chairs and wore sleek designer shoes with tassels. Gone were the days of thick rubber soles and function over form,

There was no way that these guys were going to let a bleeding, barefoot woman simply wander off alone into the streets. Two of them were already running toward her with hands reaching out in a manner that, in normal circumstances, would have seemed just plain ungentlemanly. What would have been designated, in a Western office, as a hostile environment was soon in full swing as numerous rough strong hands were all over her, easing her to a comfortable perch on a chair that was produced as if by magic, feeling through her hair to find bumps and lacerations. Three different first aid kits were broken open at her feet; older and wiser men began to lodge objections at the profligate use of supplies, darkly suggesting that it was all because she was a pretty girl. A particularly dashing young man skidded up to her on his knees (he was wearing hard-shell knee pads) and, in an attitude recalling the prince on the final page of Cinderella, fit a pair of used flip-flops onto her feet.

And in any case, it was embarrassing, something you didn’t really want to see, like watching somebody clean their nostrils with a fingertip. I cleared my throat as I came in to my chair, but he didn’t look up.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

He settled into his ergonomically designed, yet inexpensive, chair and logged into his computer. He could do this. Just turn the computer on, shut brain down, and commence typing until fingers fell off. - Captain Lewis

I see the quintessential task of the clinician as one of coming to know him-or herself sufficiently to be able to register the experience of the other in progressively more profound and also more useful ways. This process begins with our own discomfort at finding ourselves sitting in the chair that has somehow become designated as “the authority”: the person ostensibly in charge of something we haven’t even begun to comprehend. —MARILYN CHARLES (in press)

Forty minutes later, I leaned back in my chair, and looked at the thousand or so pages of manuscript towering on my desk. It hit me. Holy cow. This author had total control over this book. Total. And it was one of seven. One. Of. Seven.

I didn't realize how much I'd craved being wrapped in the arms of another person. When we think of people fitting together, we may think of a man inserting himself into a woman, but there are many ways we overlook. The way ears are thin as construction paper, allowing me to press the side of my face against his chest. Fingers can be interlaced without getting tangled. One hand can create a tiny chair for one chin. We are designed to bend and fold, to comfort ourselves and each other. We have so many small parts that need tending to. After the assault, I felt this need to be touched, but wanted nothing to do with invade, inject, insert, inside, only wanted the intimacy of being wrapped up safely in something.

He hated the blue platter his mother served from, and the salt and pepper shakers, which were glass with red tops, and he hated the silverware designed in flowers, some pieces scratched almost beyond recognition. He even hated the round table and the succession of tablecloths, one pale blue with yellow leaves, one white with red and orange squares. He hated the uncomfortable chairs, particularly his own, where he sat squirming, and he hated his family and the way they talked.

Banks and churches and courtrooms all depend on the appurtenances of theatre. On illusion. Banks, the illusion of stability and honourable dealings to the rot and corruption of capitalist exploitation. Churches the illusion of sacred sanctuary of purposes of pacifying social discontent. Courtrooms of course designed to promote the illusion of solemn justice. If there was true justice why would such trappings be necessary? Wouldn't a table and chairs and an ordinary room serve just as well?

The offices are decorated with neon-Louis XVI furniture and are dominated by grey, Mr. Dior’s favourite colour when he opened the famous house on avenue Montaigne back in 1947. The design is even more stunning than I remembered: both chic and understated, with lots of open space –the apex of luxury. The silk curtains dressing the window fall to the floor like ball gowns, delicate silver vases holding pink roses have been artfully placed throughout the room, and grey and white settees and oval-backed chairs provided artful seating areas.

Within, the offices were newly plastered, newly painted, newly papered, newly countered, newly floor-clothed, newly tabled, newly chaired, newly fitted up in every way, with goods that were substantial and expensive, and designed (like the company) to last. Business! Look

The prospect of physical discomfort has not deterred anyone from buying, or sitting in, chairs that hurt. A painful chair, however, is more willingly bought and endured if it carries the imprimatur of a museum or some other respectable design authenticator. Randall Jarrell noted, with great wit but no exaggeration, that there are people who "...will sit on a porcupine if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won't buy and sit in if you tell him that it is a chair...

A knowledge of the human physique is considered essential in designing a chair, but a knowledge of human psychology is rarely considered useful, never mind a requirement, when someone is asked to design a pension scheme, a portable music player or a railway. Who is the Herman Miller of pensions, or the Steve Jobs of tax-return design? These people are starting to emerge – but it has been a painfully long wait. If there is a mystery at the heart of this book, it is why psychology has been so peculiarly uninfluential in business and in policy-making when, whether done well or badly, it makes a spectacular difference.

Black Rook in Rainy Weather On the stiff twig up there Hunches a wet black rook Arranging and rearranging its feathers in the rain. I do not expect a miracle Or an accident To set the sight on fire In my eye, nor seek Any more in the desultory weather some design, But let spotted leaves fall as they fall, Without ceremony, or portent. Although, I admit, I desire, Occasionally, some backtalk From the mute sky, I can't honestly complain; A certain minor light may still Lean incandescent Out of the kitchen table or chair As if a celestial burning took Possession of the most obtuse objects now and then -- Thus hallowing an interval Otherwise inconsequent By bestowing largesse, honor, One might say love. At any rate, I now walk Wary (for it could happen Even in this dull, ruinous landscape); skeptical, Yet politic; ignorant Of whatever angel may choose to flare Suddenly at my elbow. I only know that a rook Ordering its black feathers can so shine As to seize my senses, haul My eyelids up, and grant A brief respite from fear Of total neutrality. With luck, Trekking stubborn through this season Of fatigue, I shall Patch together a content Of sorts. Miracles occur, If you dare to call those spasmodic Tricks of radiance miracles. The wait's begun again, The long wait for the angel, For that rare, random descent.

Are you writing a book about him?” he asked, and I swear I almost rolled my eyes. The sign behind me with my name on it clearly said I did graphic design. Plus, we were at a romance convention. I didn’t know I wrote biographies. “No,” the familiar, deep voice answered unexpectedly, right before he dropped a metal chair into place right next to me. “She’s mine.

It's an old story," Julia says, leaning back in her chair. "Only for me, it's new. I went to school for industrial design. All my life I've been fascinated by chairs - I know it sounds silly, but it's true. Form meets purpose in a chair. My parents thought I was crazy, but somehow I convinced them to pay my way to California. To study furniture design. I was all excited at first. It was totally unlike me to go so far away from home. But I was sick of the cold and sick of the snow. I figured a little sun might change my life. So I headed down to L.A. and roomed with a friend of an ex-girlfriend of my brother's. She was an aspiring radio actress, which meant she was home a lot. At first, I loved it. I didn't even let the summer go by. I dove right into my classes. Soon enough, I learned I couldn't just focus on chairs. I had to design spoons and toilet-bowl cleaners and thermostats. The math never bothered me, but the professors did. They could demolish you in a second without giving you a clue if how to rebuild. I spent more and more time in the studio, with other crazed students who guarded their projects like toy-jealous kids. I started to go for walks. Long walks. I couldn't go home because my roommate was always there. The sun was too much for me, so I'd stay indoors. I spent hours in supermarkets, walking aisle to aisle, picking up groceries and then putting them back. I went to bowling alleys and pharmacies. I rode buses that kept their lights on all night. I sat in Laundromats because once upon a time Laundromats made me happy. But now the hum of the machines sounded like life going past. Finally, one night I sat too long in the laundry. The woman who folded in the back - Alma - walked over to me and said, 'What are you doing here, girl?' And I knew that there wasn't any answer. There couldn't be any answer. And that's when I knew it was time to go.

Kids aren’t learning science right these days! The teachers teach it like it’s just supposed to be useful, like, here, learn this geometry so you can design a building, here, learn this chemistry so you can make a plastic bag. Of course kids don’t like it! No kid comes home from school and says, ‘I want to make plastic bags when I grow up!’ We already have plastic bags, and comfy chairs, and flying cars, we’ve had them for centuries, and they aren’t getting better because they work already so no one’s interested in replacing them, just making them cheaper, or with more games. That isn’t science! Science is figuring out where the universe is going! Science is noticing that the ants crawling up the picnic table like your sandwich better than your ba’sib’s and asking, ‘Why?’ Not ‘How is this useful?’ not ‘Can I make this into a plastic bag?’ but ‘Why?

Reacher was led through the door on the left and onward to an interview room. Which had no windows. Just four blank walls, and a table bolted to the floor, with two chairs on one side and one on the other. The room had not been designed by the dining room guy. That was clear. There was no blond wood or carpet. Just scuffed white paint on cinder block, and a cracked concrete floor, and a fluorescent bulb in a wire cage on the ceiling.

In the realm of sense and reason it seemed logical for something to make sense for no reason (natural order) or not make sense for some reason (the deliberate design of deception) but it seemed perverse to have things make no sense for no reason. What if you colonize your own mind and when you get inside, the furniture is attached to the ceiling? What if you step inside and when you touch the furniture, you realize it’s all just cardboard cutouts and it all collapses beneath the pressure of your finger? What if you get inside and there’s no furniture? What if you get inside and it’s just you in there, sitting in a chair, rolling figs and eggs around in the basket on your lap and humming a little tune? What if you get inside and there’s nothing there, and then the door hatch closes and locks? What is worse: being locked outside of your own mind, or being locked inside of it?

Flo designed a tapestry chair for Heydon Hall and hassocks for Norwich Cathedral. When in the early 1970s an appeal was made for volunteer workers to create hassocks for the Chapel of the Most Excellent Order of the British Empire, in St Paul’s Cathedral, Flo responded. Her heart sank somewhat when the complicated patterns arrived, but never turning down a challenge, Flo set about creating her hassock, and then volunteered for another . The service of dedication was held in the Cathedral on 22nd November 1972.

Edison pressed on and designed a range of concrete furnishings—bureaus, cupboards, chairs, even a concrete piano—to go with his concrete houses. He promised that soon he would offer, for just $5, a double bed that would never wear out. The entire range was to be unveiled at a cement industry show in New York in 1912. In the event, when the show opened, the Edison stand was bare. No one from the Edison company ever offered an explanation. It was the last anyone ever heard of concrete furniture. As far as is known, Edison never discussed the matter. A

Orsk was the all-American furniture superstore in Scandinavian drag, offering well-designed lifestyles at below-Ikea prices, and its forward-thinking slogan promised “a better life for the everyone.” Especially for Orsk shareholders, who trekked to company headquarters in Milwaukee, Wisconsin, every year to hear how their chain of Ikea knockoff stores was earning big returns. Orsk promised customers “the everything they needed” in the every phase of their lives, from Balsak cradles to Gutevol rocking chairs. The only thing it didn’t offer was coffins. Yet.

You do know, right, that between the no- longer & the still- to-come you are being continually tattooed, inked with the skulls of everyone you’ve ever loved—the you & the you & the you & the you—you don’t sit in a chair, thumb through a binder, pick a design, it simply happens each time you bring your fingers to your face to inhale him back into you . . . tiny skulls, some of us are covered. You, love, could simply tattoo an open door, light pouring in from somewhere outside, you could make your body a door so it appears you (let her fill you) are made of light.

In September 1941, a set of hearings was convened by a U.S. Senate Subcommittee on War Propaganda, chaired by Idaho Democrat Senator D. Worth Clark. The hearings were designed to address a resolution sponsored by two hard-nosed isolationist senators, Republican Gerald P. Nye of North Dakota and Democrat Bennett Champ Clark of Missouri, calling for “an investigation of any propaganda disseminated by motion pictures and radio or any other activity of the motion picture industry to influence public opinion in the direction of participation of the United States in the present European war.

How hard would it be to repurpose the old smoking lounges and designate a space where people can go to break down for whatever reason? A crying lounge could be stocked with cold beverages, soft chairs, windows to stare out of, large sunglasses in a range of sizes, fresh waterproof mascara, and friendly, quiet dogs of varying fluffiness. It could be centrally located but closed off, separate from the rest of the airport, just like time and space in the air are separate from time and space on the ground. Wouldn’t it be lovely to have a place where we could privately fall to pieces and then get ourselves together? Instead, we have to do it out in the open.

...I drag the kids to the farmers' market and fill out the week's cheap supermarket haul with a few vivid bunches of organic produce...Once home, I set out fresh flowers and put the fruit in a jadeite bowl. A jam jar of garden growth even adorns the chartreuse kids' table...I found some used toddler-sized chairs to go around it...It sits right in front of the tall bookcases...When the kids are eating or coloring there, with the cluster or mismatched picture frames hanging just to their left, my son with his mop of sandy hair, my daughter just growing out of babyhood...they look like they could be in a Scandinavian design magazine. I think to myself that maybe motherhood is just this, creating these frames, the little vistas you can take in that look like pictures from magazines, like any number of images that could be filed under familial happiness. They reflect back to you that you're doing it - doing something - right. In my case, these scenes are like a momentary vacation from the actual circumstances of my current life. Children, clean and clad in brightly striped clothing, snacking on slices of organic plum. My son drawing happy gel pen houses, the flourishing clump of smiley-faced flowers beneath a yellow flat sun. To counter the creeping worry that I am a no-good person, I must collect a lot of these images, postage-stamp moments I can gaze upon and think, I can't be fucking up that bad. Can I?

It was getting very clear then (and during this week Riseholme naturally thought of nothing else) that Lucia designed a longer residence in the garish metropolis than she had admitted. Since she chose to give no information on the subject, mere pride and scorn of vulgar curiosity forebade anyone to ask her, though of course it was quite proper (indeed a matter of duty) to probe the matter to the bottom by every other means in your power, and as these bits of evidence pieced themselves together, Riseholme began to take a very gloomy view of Lucia's real nature. On the whole it was felt that Mrs. Boucher, when she paused in her bath-chair as it was being wheeled round the green, nodding her head very emphatically, and bawling into Mrs. Antrobus's ear-trumpet, reflected public opinion. "She's deserting Riseholme and all her friends," said Mrs. Boucher, "that's what she's doing. She means to cut a dash in London, and lead London by the nose. There'll be fashionable parties, you'll see, there'll be paragraphs, and then when the season's over she'll come back and swagger about them. For my part I shall take no interest in them. Perhaps she'll bring down some of her smart friends for a Saturday till Monday. There'll be Dukes and Duchesses at The Hurst. That's what she's meaning to do, I tell you, and I don't care who hears it." That was lucky, as anyone within the radius of a quarter of a mile could have heard it.

I began reading about urban planning, a subject that had long interested me. To fall in love with your city again, try seeing it through the eyes of an urbanist. You become a benevolent narrator, observing how your characters negotiate daily routines as they hurry about their lives. You come to understand how a new building affects a nearby park, how a few chairs placed under a tree can transform a street. Even things that are irritating - the biker flying down the sidewalk, the plaza with no place to sit - become a puzzle to solve. What design might be better? What would bring everyone together? What pulls them apart? The spirit of investigation began to return, and I was back on the sidewalk, looking for clues.

Wow, it was beautiful. The chandeliers were breathtaking, and pearls drizzled down. At first when I saw people walk under them, I wondered if it hurt, but the pearls vanished the moment they encountered the floor or skin. The carpet was a beautiful crimson shade covered with rose petals, and tiny crystals were layered on it, reflecting colors. The dining table looked about twelve feet long with golden swirls and magnificent designs on it, and it had all the food I could imagine, some I didn’t even know. The drinks being served were blood and wine. Each and every chair looked like a throne, but the real throne was . . . it was . . . whoa. All the ladies wore such beautiful gowns, but they were all dull and dark.

The National Institute of Design is the only one of its kind in India; it is fabulously equipped, competition to enter is fierce, and standards should be high. But it is an imported idea, an imported institution, and it has been imported whole, just like that. In India, it has been easily divorced from its animating principle, reduced to its equipment, and has ended - admittedly after a controversial period: a new administrator had just been sent in - as a finishing school for the unacademic young, a playpen, with artisans called in to do the heavy work, like those dispirited men I saw upstairs squatting on the floor and working on somebody's chairs: India's eternal division of labour, frustrating the proclaimed social purpose of the Institute.

[About her father's friend Lilian Pirie] She was one of the few people I have met whom I consider had a really interesting mind. . . . Young people always flocked to her house and were happy to talk to her. To spend an afternoon with her, even when she was well over seventy, was a wonderful refreshment. I think she had, more perfectly than anyone I have ever known, the art of leisure. You found her sitting in a high-backed chair in her beautiful room, usually engaged with some needlework of her own design, some interesting book or other by her side. She had the air of having time to talk with you all day, all night, for months on end. Her criticisms were caustic and clear. Although she would talk about any abstract subject under the sun she seldom indulged in personalities.

With great reluctance— sitting in the chair with Kate and doing nothing but hold her was surprisingly satisfying— he stood, lifting her in his arms as he did so, and then set her back in the chair. “This has been a delightful interlude,” he murmured, leaning down to drop a kiss on her forehead. “But I fear your mother’s early return. I shall see you Saturday morning?” She blinked. “Saturday?” “A superstition of my mother’s,” he said with a sheepish smile. “She thinks it’s bad luck for the bride and groom to see one another the day before the wedding.” “Oh.” She rose to her feet, self-consciously smoothing her dress and hair. “And do you believe it as well?” “Not at all,” he said with a snort. She nodded. “It’s very sweet of you to indulge your mother, then.” Anthony paused for a moment, well aware that most men of his reputation did not want to appear tied to apron strings. But this was Kate, and he knew that she valued devotion to family as much as he did, so he finally said, “There is little I would not do to keep my mother content.” She smiled shyly. “It is one of the things I like best about you.” He made some sort of gesture designed to change the subject, but she interrupted with, “No, it’s true. You’re far more caring a person than you’d like people to believe.” Since he wasn’t going to be able to win the argument with her— and there was little point in contradicting a woman when she was being complimentary— he put a finger to his lips and said, “Shhh. Don’t tell anyone.” And then, with one last kiss to her hand and a murmured, “Adieu,” he made his way out the door and outside. -Anthony & Kate

At one point in late 2017, he was scheduled to be on a Tesla earnings call with Wall Street analysts. Jon McNeill, who was then Tesla’s president, found him lying on the floor of the conference room with the lights off. McNeill went over and lay down next to him in the corner. “Hey, pal,” McNeill said. “We’ve got an earnings call to do.” “I can’t do it,” Musk said. “You have to,” McNeill replied. It took McNeill a half-hour to get him moving. “He came from a comatose state to a place where we could actually get him in the chair, get other people in the room, get him through his opening statement, and then cover for him,” McNeill recalls. Once it was over, Musk said, “I’ve got to lay down, I’ve got to shut off the lights. I just need some time alone.” McNeill said the same scene played out five or six times, including once when he had to lie on the conference room floor next to Musk to get his approval for a new website design.

Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.

I exhaled in a breath of despondent irritation. “But that means I’ll have two jobs, the design side of things plus this,” I jabbed an unhappy finger at the screen. “This yuckiness. That doesn’t sound fair.” It wasn’t, come to think of it. Jared’s mouth slanted to the corner and I expounded on my point. “You run the business side, Kevin and Elspeth do designs, yet I’m doing designs plus the business shit now? That sucks.” Jared smirked. “You’re cute.” “Thank you.” I agreed with the sentiment. “As are you, but my cuteness has no bearing on this.” “I know,” he wrapped his arms around my waist and leaned back in the chair. “But I wanted to throw it out there. You’re very cute when you try to shirk your responsibilities.” “Does this new role come with a pay raise?” I drawled. Jared let one of his hands slide to my ass where he landed a light pat. “Wages are fixed for the near future, besides you get extra payments in kind almost every single day. What would Kevin and Elspeth say if they knew about the additional incentives I give you?

THREE HUNDRED YEARS AFTER JESUS DIED ON A ROMAN cross, the emperor Theodosius made Christianity the official religion of the Roman Empire. Christians, who had once been persecuted by the empire, became the empire, and those who had once denied the sword took up the sword against their neighbors. Pagan temples were destroyed, their patrons forced to convert to Christianity or die. Christians whose ancestors had been martyred in gladiatorial combat now attended the games, cheering on the bloodshed. Lord, have mercy. Christ, have mercy. On July 15, 1099, Christian crusaders lay siege to Jerusalem, then occupied by Fatimite Arabs. They found a breach in the wall and took the city. Declaring “God wills it!” they killed every defender in their path and dashed the bodies of helpless babies against rocks. When they came upon a synagogue where many of the city’s Jews had taken refuge, they set fire to the building and burned the people inside alive. An eyewitness reported that at the Porch of Solomon, horses waded through blood. Lord, have mercy. Christ, have mercy. Through a series of centuries-long inquisitions that swept across Europe, hundreds of thousands of people, many of them women accused of witchcraft, were tortured by religious leaders charged with protecting the church from heresy. Their instruments of torture, designed to slowly inflict pain by dismembering and dislocating the body, earned nicknames like the Breast Ripper, the Head Crusher, and the Judas Chair. Many were inscribed with the phrase Soli Deo Gloria, “Glory be only to God.” Lord, have mercy. Christ, have mercy. In a book entitled On Jews and Their Lies, reformer Martin Luther encouraged civic leaders to burn down Jewish synagogues, expel the Jewish people from their lands, and murder those who continued to practice their faith within Christian territory. “The rulers must act like a good physician who when gangrene has set in proceeds without mercy to cut, saw, and burn flesh, veins, bone, and marrow,” he wrote. Luther’s writings were later used by German officials as religious justification of the Holocaust. Lord, have mercy. Christ, have mercy.

The essence of Roosevelt’s leadership, I soon became convinced, lay in his enterprising use of the “bully pulpit,” a phrase he himself coined to describe the national platform the presidency provides to shape public sentiment and mobilize action. Early in Roosevelt’s tenure, Lyman Abbott, editor of The Outlook, joined a small group of friends in the president’s library to offer advice and criticism on a draft of his upcoming message to Congress. “He had just finished a paragraph of a distinctly ethical character,” Abbott recalled, “when he suddenly stopped, swung round in his swivel chair, and said, ‘I suppose my critics will call that preaching, but I have got such a bully pulpit.’ ” From this bully pulpit, Roosevelt would focus the charge of a national movement to apply an ethical framework, through government action, to the untrammeled growth of modern America. Roosevelt understood from the outset that this task hinged upon the need to develop powerfully reciprocal relationships with members of the national press. He called them by their first names, invited them to meals, took questions during his midday shave, welcomed their company at day’s end while he signed correspondence, and designated, for the first time, a special room for them in the West Wing. He brought them aboard his private railroad car during his regular swings around the country. At every village station, he reached the hearts of the gathered crowds with homespun language, aphorisms, and direct moral appeals. Accompanying reporters then extended the reach of Roosevelt’s words in national publications. Such extraordinary rapport with the press did not stem from calculation alone. Long before and after he was president, Roosevelt was an author and historian. From an early age, he read as he breathed. He knew and revered writers, and his relationship with journalists was authentically collegial. In a sense, he was one of them. While exploring Roosevelt’s relationship with the press, I was especially drawn to the remarkably rich connections he developed with a team of journalists—including Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—all working at McClure’s magazine, the most influential contemporary progressive publication. The restless enthusiasm and manic energy of their publisher and editor, S. S. McClure, infused the magazine with “a spark of genius,” even as he suffered from periodic nervous breakdowns. “The story is the thing,” Sam McClure responded when asked to account for the methodology behind his publication. He wanted his writers to begin their research without preconceived notions, to carry their readers through their own process of discovery. As they educated themselves about the social and economic inequities rampant in the wake of teeming industrialization, so they educated the entire country. Together, these investigative journalists, who would later appropriate Roosevelt’s derogatory term “muckraker” as “a badge of honor,” produced a series of exposés that uncovered the invisible web of corruption linking politics to business. McClure’s formula—giving his writers the time and resources they needed to produce extended, intensively researched articles—was soon adopted by rival magazines, creating what many considered a golden age of journalism. Collectively, this generation of gifted writers ushered in a new mode of investigative reporting that provided the necessary conditions to make a genuine bully pulpit of the American presidency. “It is hardly an exaggeration to say that the progressive mind was characteristically a journalistic mind,” the historian Richard Hofstadter observed, “and that its characteristic contribution was that of the socially responsible reporter-reformer.

It was when Maya showed me the benches at Gallaudet University that I started to glimpse sound—the physical structure of it, the elastic bounce of its travel. My friends who are deaf have always told me that sound also belongs to them—that hearing people are forever getting it wrong to imagine deafness as a “silent world”—but the benches were the thing that made this idea vividly real. They were a feature in the design at the scale of rooms at Gallaudet, alongside a dozen other architectural choices that a hearing person could easily miss. Maya had paused for a moment in our campus tour to point them out, standing in the middle of a big, airy common space lined with windows on three sides, the lobby of a dorm where many students study and socialize, alone or in groups. The benches serve as seating for nearby wood tables, sets that are interspersed with soft fabric chairs arranged 360 degrees around for discussion. “Wood is the best material for this kind of group seating,” she told me, and mimed lightly slapping the wood with her palm. The resonance of wood makes it reverberate when struck. Students sometimes tap or slap nearby surfaces to get one another’s attention or to call a group to order, she said, and materials like concrete or thick plastics tend to absorb the sound rather than scatter it productively.

Perhaps I’m off the mark,” Westcliff said, “but I suspect it may have something to do with Miss Hathaway.” Cam sent him a damning glare. St. Vincent looked alertly from Cam’s stony face to Westcliff’s. “You didn’t tell me there was a woman.” Cam stood so quickly the chair nearly toppled backward. “She has nothing to do with it.” “Who is she?” St. Vincent always hated being left out of gossip. “One of Lord Ramsay’s sisters,” came Westcliff’s reply. “They reside at the estate next door.” “Well, well,” St. Vincent said. “She must be quite something to provoke such a reaction in you, Rohan. Tell me about her. Is she fair? Dark? Well formed?” To remain silent, or to deny the attraction, would have been to admit the full extent of his weakness. Cam lowered back into his chair and strove for an offhand tone. “Dark-haired. Pretty. And she has … quirks.” “Quirks.” St. Vincent’s eyes glinted with enjoyment. “How charming. Go on.” “She’s read obscure medieval philosophy. She’s afraid of bees. Her foot taps when she’s nervous.” And other, more personal things he couldn’t reveal … like the beautiful paleness of her throat and chest, the weight of her hair in his hands, the way strength and vulnerability were pleated inside her like two pieces of fabric folded together. Not to mention a body that had been designed for mortal sin.

AESTHETIC SIMPLICITY For some people simplicity is an aesthetic value, so one further sense that might be attached to the notion of simple living is a preference for an uncomplicated, uncluttered living environment. Imagine, for instance, an apartment with white walls, white trim, bare wood floors, simple wooden furniture, plain white kitchenware, white towels in the bathroom, and white blankets on the simple wooden beds. Or a house where the brick walls and overhead beams are left exposed, the furniture is rustic, and any artwork on display is clearly local and amateurish. Or a study containing nothing but a desk and a chair. All these are interiors that people deliberately create for themselves. Simplicity of this sort is not necessarily frugal. The uncluttered apartment could be in the center of Paris; the plain wooden furniture might be custom-made. Wittgenstein designed a house in Vienna for his sister Margaret characterized by austere, almost minimalist aesthetic lines, yet built with no concern for cost. But although such setups may not be cheap, they make no exhibition of expense. And the styles have symbolic significance. They bespeak sympathy with the plain, the unpretentious, the unostentatious. They connote honesty, purity, and a mind focused on essentials. In the case of country retreats, closeness to nature may also be sought and expressed.

Grabbing my hair and pulling it to the point my skull throbs, I rock back and forth while insanity threatens to destroy my mind completely. Father finally did what Lachlan started. Destroyed my spirit. The angel is gone. The monster has come and killed her. Lachlan Sipping his whiskey, Shon gazes with a bored expression at the one-way mirror as Arson lights the match, grazing the skin of his victim with it as the man convulses in fear. “Show off,” he mutters, and on instinct, I slap the back of his head. He rubs it, spilling the drink. “The fuck? We are wasting time, Lachlan. Tell him to speed up. You know if you let him, he can play for hours.” All in good time, we don’t need just a name. He is saving him for a different kind of information that we write down as Sociopath types furiously on his computer, searching for the location and everything else using FBI databases. “Bingo!” Sociopath mutters, picking up the laptop and showing the screen to me. “It’s seven hours away from New York, in a deserted location in the woods. The land belongs to some guy who is presumed dead and the man accrued the right to build shelters for abused women. They actually live there as a place of new hope or something.” Indeed, the center is advertised as such and has a bunch of stupid reviews about it. Even the approval of a social worker, but then it doesn’t surprise me. Pastor knows how to be convincing. “Kids,” I mutter, fisting my hands. “Most of them probably have kids. He continues to do his fucked-up shit.” And all these years, he has been under my radar. I throw the chair and it bounces off the wall, but no one says anything as they feel the same. “Shon, order a plane. Jaxon—” “Yeah, my brothers will be there with us. But listen, the FBI—” he starts, and I nod. He takes a beat and quickly sends a message to someone on his phone while I bark into the microphone. “Arson, enough with the bullshit. Kill him already.” He is of no use to us anyway. Arson looks at the wall and shrugs. Then pours gas on his victim and lights up the match simultaneously, stepping aside as the man screams and thrashes on the chair, and the smell of burning flesh can be sensed even here. Arson jogs to a hose, splashing water over him. The room is designed security wise for this kind of torture, since fire is one of the first things I taught. After all, I’d learned the hard way how to fight with it. “On the plane, we can adjust the plan. Let’s get moving.” They spring into action as I go to my room to get a specific folder to give to Levi before I go, when Sociopath’s hand stops me, bumping my shoulder. “Is this a suicide mission for you?” he asks, and I smile, although it lacks any humor. My friend knows everything. Instead of answering his question, I grip his shoulder tight, and confide, “Valencia is entrusted to you.” We both know that if I want to destroy Pastor, I have to die with him. This revenge has been twenty-three years in the making, and I never envisioned a different future. This path always leads to death one way or another, and the only reason I valued my life was because I had to kill him. Valencia will be forever free from the evils that destroyed her life. I’ll make sure of it. Once upon a time, there was an angel. Who made the monster’s heart bleed.

Elizabeth’s concern that Ian might insult them, either intentionally or otherwise, soon gave way to admiration and then to helpless amusement as he sat for the next half-hour, charming them all with an occasional lazy smile or interjecting a gallant compliment, while they spent the entire time debating whether to sell the chocolates being donated by Gunther’s for $5 or $6 per box. Despite Ian’s outwardly bland demeanor, Elizabeth waited uneasily for him to say he’d buy the damned cartload of chocolates for $10 apiece, if it would get them on to the next problem, which she knew was what he was dying to say. But she needn’t have worried, for he continued to positively exude pleasant interest. Four times, the committee paused to solicit his advice; four times, he smilingly made excellent suggestions; four times, they ignored what he suggested. And four times, he seemed not to mind in the least or even notice. Making a mental note to thank him profusely for his incredible forbearance, Elizabeth kept her attention on her guests and the discussion, until she inadvertently glanced in his direction, and her breath caught. Seated on the opposite side of the gathering from her, he was now leaning back in his chair, his left ankle propped atop his right knee, and despite his apparent absorption in the topic being discussed, his heavy-lidded gaze was roving meaningfully over her breasts. One look at the smile tugging at his lips and Elizabeth realized that he wanted her to know it. Obviously he’d decided that both she and he were wasting their time with the committee, and he was playing an amusing game designed to either divert her or discomfit her entirely, she wasn’t certain which. Elizabeth drew a deep breath, ready to blast a warning look at him, and his gaze lifted slowly from her gently heaving bosom, traveled lazily up her throat, paused at her lips, and then lifted to her narrowed eyes. Her quelling glance earned her nothing but a slight, challenging lift of his brows and a decidedly sensual smile, before his gaze reversed and began a lazy trip downward again. Lady Wiltshire’s voice rose, and she said for the second time, “Lady Thornton, what do you think?” Elizabeth snapped her gaze from her provoking husband to Lady Wiltshire. “I-I agree,” she said without the slightest idea of what she was agreeing with. For the next five minutes, she resisted the tug of Ian’s caressing gaze, firmly refusing to even glance his way, but when the committee reembarked on the chocolate issue again, she stole a look at him. The moment she did, he captured her gaze, holding it, while he, with an outward appearance of a man in thoughtful contemplation of some weighty problem, absently rubbed his forefinger against his mouth, his elbow propped on the arm of his chair. Elizabeth’s body responded to the caress he was offering her as if his lips were actually on hers, and she drew a long, steadying breath as he deliberately let his eyes slide to her breasts again. He knew exactly what his gaze was doing to her, and Elizabeth was thoroughly irate at her inability to ignore its effect. The committee departed on schedule a half-hour later amid reminders that the next meeting would be held at Lady Wiltshire’s house. Before the door closed behind them, Elizabeth rounded on her grinning, impenitent husband in the drawing room. “You wretch!” she exclaimed. “How could you?” she demanded, but in the midst of her indignant protest, Ian shoved his hands into her hair, turned her face up, and smothered her words with a ravenous kiss. “I haven’t forgiven you,” she warned him in bed an hour later, her cheek against his chest. Laughter, rich and deep, rumbled beneath her ear. “No?” “Absolutely not. I’ll repay you if it’s the last thing I do.” “I think you already have,” he said huskily, deliberately misunderstanding her meaning.

Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....

I want to move." Delicately shaking, slickly sweating, I strain against Macon's bulk. It's no use; he has me pinned to the chair, his cock thick and pulsing deep inside. And not fucking moving. He grins down at me, a drop of sweat trickling down the side of his flushed face. "Not yet." Slowly, too damn slowly, he circles his hips, stretching me, making me ache. "I need to come," I whisper. Whine. Plead. It's all the same. Every inch of me throbs. Pleasure is a tightly drawn bow within, and I need that snap of release. His grin fades, replaced by intention. "You will. When I'm ready." "Sadist." He nips my earlobe. "You love it." I shudder as that glorious dick of his eases out, making me feel every hard inch, only to slowly push back in. Too fucking slowly. I'm writhing on him, and he loves it. Dark eyes glint as he works me. Naked in the sun and sprawled on an armchair that barely holds us, he's been fucking me with a steady deliberation designed to drive me out of my mind. And though I'm a pleading, panting mess, I love it too. God, he's gorgeous. Endless muscle and tan skin beaded with sweat, flush from exertion. His expression is slack, hazy with lust. It sends licks of pleasure along my skin. Panting, I reach up and touch his jaw, trying to draw him near. He complies, dipping his head. Our mouths meet in a lazy, deep kiss, an exchange of air, messy exploration of lips and tongues. He groans, shivering. Not unaffected. Just so very good at torturing me. In. Out. Pull. Push. "Macon," I whisper into his mouth. "Please. Fuck me." He freezes, and then with another groan, all that power and need breaks free. I can only hold on as he goes hard and deep. The chair scrapes along the floor as he pounds into me. Every thrust impacts my swollen, sensitive sex. Pleasure builds and builds until I'm keening, my eyes closed as though I can somehow hang on to the feeling forever. But it breaks over me in a shimmering wave. Macon's teeth clamp down on the meaty curve of my neck, not hard but holding me there as his thrusts turn rapid, a greedy chase of his own pleasure. It's so animalistic and unexpected that another orgasm slams into me with unexpected power. I lose track of myself, of him. My fingers claw at his back, thread through his hair. I'm struggling to get closer, get more. He comes with a great shout, his big strong body straining against mine.

One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.

Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

As I indicated, I do not believe that any chair, however elegant, contributes significantly to life or solves problems that can be considered major by anyone who is not minor.

Our brains are meaning machines. What we understand as “meaning” is generated by the associations our brain makes between two or more experiences. We press a button, then we see a light go on; we assume the button caused the light to go on. This, at its core, is the basis of meaning. Button, light; light, button. We see a chair. We note that it’s gray. Our brain then draws the association between the color (gray) and the object (chair) and forms meaning: “The chair is gray.” Our minds are constantly whirring, generating more and more associations to help us understand and control the environment around us. Everything about our experiences, both external and internal, generates new associations and connections within our minds. Everything from the words on this page, to the grammatical concepts you use to decipher them, to the dirty thoughts your mind wanders into when my writing becomes boring or repetitive—each of these thoughts, impulses, and perceptions is composed of thousands upon thousands of neural connections, firing in conjunction, alighting your mind in a blaze of knowledge and understanding. But there are two problems. First, the brain is imperfect. We mistake things we see and hear. We forget things or misinterpret events quite easily. Second, once we create meaning for ourselves, our brains are designed to hold on to that meaning. We are biased toward the meaning our mind has made, and we don’t want to let go of it. Even if we see evidence that contradicts the meaning we created, we often ignore it and keep on believing anyway.

answer. Donald’s dysfunctional belief was related to Janine’s, but he’d held on to it for much longer—a life of responsible and successful work should make him happy. It should be enough? But Donald had another dysfunctional belief: that he couldn’t stop doing what he’d always done. If only the guy in the mirror could have told him that he was not alone, and he did not have to do what he had always done. In the United States alone, more than thirty-one million people between ages forty-four and seventy want what is often called an “encore” career—work that combines personal meaning, continued income, and social impact. Some of those thirty-one million have found their encore careers, and many others have no idea where to begin, and fear it’s too late in life to make a big change. Dysfunctional Belief: It’s too late. Reframe: It’s never too late to design a life you love. Three people. Three big problems. Designers Love Problems Look around you. Look at your office or home, the chair you are sitting on, the tablet or smartphone you may be holding. Everything that surrounds us was designed by someone. And every design started with a problem. The problem of not being able to listen to a lot of music without carrying around a suitcase of CDs is the reason why you can listen to three thousand songs on a one-inch square object clipped to your shirt. It’s only because of a problem that your phone fits perfectly in the palm of your hand, or that your laptop gets five hours of battery life, or that your alarm clock plays the sound of chirping birds. Now, the annoying sound of an alarm clock may not seem like a big problem in the grand scheme of things, but it was problem

One company I know took the art of using cubicles to kill motivation to a higher level. They found out that employees had all kinds of personal mementoes on their desks, so the management redid the cubicles and made them 20 percent smaller, with less space for anything personal, but more space for more people. Another company came up with an even more brilliant idea that nobody could “own” their own cubicle, designing the system such that those who showed up to work earliest in the morning could claim the ones closest the windows. None of the cubicles has anything but a desk, a place to connect a computer, and a chair. No one could establish a sense of connection to their workspace. Ultimately, by setting the atmosphere this way, the company communicated to the employees that they are valued only for their direct productivity and that they are easily replaceable.

There has to be some reason you want to leave,” St. Vincent persisted. “Perhaps I’m off the mark,” Westcliff said, “but I suspect it may have something to do with Miss Hathaway.” Cam sent him a damning glare. St. Vincent looked alertly from Cam’s stony face to Westcliff’s. “You didn’t tell me there was a woman.” Cam stood so quickly the chair nearly toppled backward. “She has nothing to do with it.” “Who is she?” St. Vincent always hated being left out of gossip. “One of Lord Ramsay’s sisters,” came Westcliff’s reply. “They reside at the estate next door.” “Well, well,” St. Vincent said. “She must be quite something to provoke such a reaction in you, Rohan. Tell me about her. Is she fair? Dark? Well formed?” To remain silent, or to deny the attraction, would have been to admit the full extent of his weakness. Cam lowered back into his chair and strove for an offhand tone. “Dark-haired. Pretty. And she has … quirks.” “Quirks.” St. Vincent’s eyes glinted with enjoyment. “How charming. Go on.” “She’s read obscure medieval philosophy. She’s afraid of bees. Her foot taps when she’s nervous.” And other, more personal things he couldn’t reveal … like the beautiful paleness of her throat and chest, the weight of her hair in his hands, the way strength and vulnerability were pleated inside her like two pieces of fabric folded together. Not to mention a body that had been designed for mortal sin.

Pippa had her hair tucked under a baseball cap wearing the logo of a company I didn't recognize. She threw it off and it rolled under one of my designer chairs. "How did it go today?

Higley was here.” “James Higley?” Thomas’s expression went flat. “You jest.” Nathaniel shook his head. “He was here after church services.” The memory stabbed him anew. “He was looking for Kitty. Said he had urgent business with her...”  He couldn’t bring himself to speak the rest, though Thomas must have deciphered what he did not say for he tipped his head back and released a mocking laugh that shook the walls almost as much as the continuing thunder. “If you believe that Kitty had designs on that man you are truly daft. She only ever cared for you.” “She was working for him, Thomas, can you not see?” With a grimace, Nathaniel pulled back. “’Tis not only that. I am a patriot. Higley is a Tory, a man made of the same cloth as she.” He released his grip on the chair and paced in brooding silence. Suddenly he stopped and pointed at Thomas. “You know, I should be pleased this happened. I should be pleased we discovered her treachery or I might have done something foolish.” Thomas’s expression softened only slightly. “Marrying for love is never foolish.” “Kitty is a traitor to her family, friends and to the people of this town!” “Take your share of the blame, Nathaniel. Your inability to love her despite her different political views—” “Inability to love?” Nathaniel swung the chair aside, his pulse raging. “I have loved Kitty with every pulse of my heart. I have pleaded with her to allow me to share the burdens she carried, and she would not!” He panted as if he’d run for miles. “Higley’s arrival today made everything clear. She refused to open her soul to me because she was working for the enemy, the man to whom she’d already given her heart.” Thomas yanked Nathaniel by the coat and shoved him away. “The only thing that has been made clear is the fact that you are too blinded by jealousy and fear that you cannot see what is clearly in front of you.” Nathaniel

The walls were painted a robin's-egg blue. Antique wood-and-glass display cases had mottled milk chocolate-brown marble countertops. Antique iron-and-glass stands would make the future little cakes (under their glass domes) pop up and down on the counter like jaunty hats. From the top of the left wall of the bakery, Gavin had hung a canvas curtain and arranged a display area in front of it. Both the curtain and display would change each month- as would, of course, the colors and flavors we showcased. The idea was to sell not only cakes, but also cake stands, serving pieces, plates, paper napkins, and other goodies, so once your little cakes got home, they'd look as good as they did in my bakery. One-stop shopping. On the right, Gavin had arranged a seating area with dark bentwood chairs and cafe tables. It looked like a tea salon in Paris. I sighed with delight. But I wanted to see where I would spend most of my time. The work and storage areas were screened off in the back, although I would have been happy to show off my two Vulcan convection-ovens-on-wheels and the big stainless steel worktable with the cool marble slab at one end for chocolate work. The calm milk-chocolate plaster walls, stainless steel, and white marble made the workspace look like a shrine to the cake baker's art.

It was right about then that a drink dropped down in front of me on the table, Brant sliding into the open chair to my side. "You know I can't have..." I started, big-eying him so I didn't have to say it. "Raspberry mocha shake with skim milk but full fat whipped cream," he explained, popping the little piece of paper topper off the straw. "Not a damn bit of actual coffee in it," he said, looking disgusted at the very prospect. "Oh, and here," he said, pulling my phone out of his pocket. "You know, you can't pull the 'pregnancy' card every time your phone has an issue and you don't want to go to Verizon." "True," I agreed, taking a long sip of the shake he made and closing my eyes on a sigh. "But I can for the next eight or so months," I concluded, giving him a saucy smile. He chuckled at that, reaching for the piece of paper I had in front of me with the design for the macaron wedding cake. "Macarons, huh?" he asked, looking excited. It didn't matter how many different recipes I came up with, he never seemed to get sick of them. "It's not too soon," he informed me, reading my thoughts as I looked down at the perfect princess cut ring. "It hasn't even been a year," I had insisted, shaking my head. "Sweetheart, I knew this was where we were heading that first time you moaned like a porn star over your break-up frappe." I looked around my mother's and mine and Brant's little shop, feeling it down to my soul: peace. Then I looked over at Brant, feeling it down to my bones: love. And finally, to the plate at the center of the table where Brant and I reached toward simultaneously and grabbed one each: macarons. It was all I would ever need.

I didn’t consciously fall asleep; it’s just that the chair was soft and comfortable, the room was dark and warm, and maybe it was the protection of those black eyes that reflected the blinking of the silly lights. Those eyes were not looking into the small darkness outside the double-paned windows; they were looking farther and to a place about which I did not know. There was nothing that would overtake us tonight that those eyes would not see, nothing that would not deal plainly with a king not in his perfect mind. I must have slept longer than I thought. I didn’t remember waking up, and maybe that’s what he had intended by starting to tell me the story while I was asleep. I remember hearing his voice, low and steady, coming from some place far away, “After the war. Her family were Basquos from out on Swayback, Four Brothers.” He paused to take another sip of his bourbon. “My gawd, you should have seen her. I remember lookin’ over the top of Charlie Floyde’s ’39 Dodge when she came out on the porch. Her hair was black and thick like a horse’s mane.” He stopped with the memory; the only other sound in Lucian’s apartment was the scorched-air heating. His two rooms weren’t any different from any of the others in general design, but they had all the style and mass of the Connally ancestral furnishings. I shifted my weight in the overstuffed horsehair chair and waited. “It was summertime, and she had on this little navy blue dress with all the little polka dots. The wind held it against her body.” It took him awhile to get going again. “She was the wildest, most beautiful thing I’d ever seen in my entire life. Hair, teeth . . . We sparked that whole summer before her father tried to break it up in the fall. They wanted to send her away to family, keep us from each other, but it was too late.” I looked at him, and the night in my head seemed darker. “We used to tremble when we touched each other. She had the most beautiful skin I’d ever seen. I would forget from night to night. She wasn’t like American girls; she was quiet. She’d speak if spoken to but only then. Short,

The wallpaper was an ugly, dirty dark red, with tarnished gold designs, torn in places and hanging down, greasy and marred where chairs had rubbed against it and heads had apparently leaned. It certainly was not a charming interior. She curled her lip slightly as she took it all in. This was her home! And she a born artist and interior decorator!

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The girls took their suitcases from the car and followed Mrs. Hayes inside. Although the furnishings looked rather worn, they were still very beautiful. The high-ceilinged rooms opened off a center hall and in a quick glance Nancy saw lovely damask draperies, satin-covered sofas and chairs, and on the walls, family portraits in large gilt frames of scrollwork design.

It took me many years to appreciate that our annual ravioli-making family tradition was an art form. Like sculptures, music, and graphic design, preparing food is immersed in talent, technique, and a passion to create.

Through my design career, I realised part of my job was not only to present my ideas — but to SELL them to clients — good, thoughtful design.

Soon after their marriage, the young Belmonts established themselves in a lower Fifth Avenue house that was grander than anything that existed in New York. It was, among other things, the first private house in the city to have its own ballroom—a room designed for nothing but the annual Belmont ball and which, as Edith Wharton commented later, “was left for three hundred and sixty-four days of the year to shuttered darkness, with its gilt chairs stacked in a corner and its chandelier in a bag.” The Belmonts were also the first to own their own red carpet, to be rolled down the marble front steps and across the sidewalk for parties, instead of renting one, along with the chairs, from a caterer.

Innovation itself can be viewed as a stack of interconnected elements. Consider a chair, for instance, which combines wood or other solid materials with a specific geometric shape designed for comfortable seating, primarily suited for humans. Adding cushions to the chair further enhances its innovation by increasing comfort.

Then, in a blink of the eye, we invented the modern postindustrial world. Suddenly some of us can take it easy 24/7 in ways unimaginable to earlier generations. Instead of walking, carrying, digging, running, and throwing, we sit for most of the day in ergonomically designed chairs, stare at screens, and press buttons. The only catch is we still inherited our active ancestors’ thrifty genes that rely on physical activity to grow, maintain, and repair our bodies. Incessant sitting combined with modern diets and other novelties thus contributes to evolutionary mismatches, defined as conditions that are more common and severe today than in the past because our bodies are poorly adapted to novel environmental conditions.3 The twenty-first-century world, of course, is not without extraordinary benefits. Today, nearly seven billion of us live longer and healthier lives than most of our Stone Age forebears ever did, many of us enjoying comforts beyond the imaginations of pharaohs and emperors of yore. But just as we never evolved to cope with jet lag or guzzle gallons of soda, we never evolved to be persistently physically inactive.

Eliot is wrong,” Akiko said, undeterred. “Maybe the Jews have a right to have their own state, but I see no need for Mirah and Daniel to have to leave England. I think this nobility argument or a greater nation for a persecuted people is a pretext to eject all the unwanted foreigners.” Noa did not look up. He found himself writing down everything Akiko said, because it upset him to think that this could be true. He had admired Daniel’s courage and goodness throughout the book, and he had not thought much about Eliot’s political design. Was it possible that Eliot was suggesting that foreigners, no matter how much she admired them, should leave England? At this point in the course, everyone in the room despised Akiko, but suddenly he admired her courage to think so differently and to suggest such a difficult truth. He felt lucky to be at a university and not in most other settings, where the person in charge was always right. Nevertheless, until he really listened to Akiko disagree with the professor, he had not thought for himself fully, and it had never occurred to him to disagree in public. After class, he walked home alone, deep in thoughts of her, and he knew that he wanted to be with her, even if it would not be easy. The following Tuesday, before the seminar began, Noa went early to class to claim the chair next to hers. The professor tried not to show that she was hurt by this defection, but of course, she was.

But looking at Gilles’s tables and chairs and stools, his bowls and walking sticks, Gamache had the feeling he was looking at a remarkable fusion of old and new. The wood seemed destined to form these shapes, as though it had grown for hundreds of years in the forests of Quebec, waiting to be found by this man and put to this use. And yet the designs were anything but traditional. They were modern and bold.

The renovation only took two months. Yeongju was hands-on for the entire process, from hiring the contractor and discussing the design to choosing the materials. On the opening day of the bookshop, she sat on a chair and looked out the window. That moment, the weight of everything that had happened crashed upon her and she broke down. Every day, in between fresh tears, she ordered the stock, handled the customers, and made the coffee. When she finally regained some of her senses, the bookshop was seeing more customers and she was back to reading daily like in her middle-school days. It was as if she’d been at the mercy of tumultuous waves, knocking her into a daze as they pushed and pulled her in different directions until, luckily, she landed in a place she really loved.

Don’t settle for mass-produced furniture that lacks character. Invest in custom chair upholstery and transform your space into a reflection of your unique taste and personality. Contact us today at +971 50 716 8667 to schedule a consultation with our design experts and take the first step towards creating your dream interior.

The value of good design is the increased possibility of success. We understand its importance in everyday objects like chairs, clothes, watches, coffee makers, and a good mattress. When it comes to websites, we tend to think of design as a surface layer applied at the end. In truth, that website’s design started long ago. It can be intentional or happenstance. For design to be truly great, you need to build it into your projects from conception. Because if you’re not doing it, you can bet your competitors are.

There were just so many cafés now—bearing conceited names such as Charme, Rembrandt, La Muse—with their chairs and tables made of wicker, zinc, velvet, blond wood, and black metal, each establishment desperately trying to evoke Paris, Berlin, Vienna, Stockholm, or New York. Even the ashtrays bore edgy designer patterns evocative of Art Deco and the Belle Époque. And yet it has to be said that these new cafés of Bucharest lack the enfolding and layered elegance—and especially the intimacy—of cafés in Central Europe. I was still south of the Carpathians, in the former Byzantine and Turkish world. There was simply

The most effective people concentrate on their “areas of excellence,” that is, on the things they do best and on those high-impact activities that will advance their life-work. In being so consumed by the important things, they find it easy to say no to the less-than-worthy distractions that clamor for their attention. Michael Jordan, the best basketball player in the game’s history, did not negotiate his contracts, design his uniforms and prepare his travel schedules. He focused his time and energies on what he did best: playing basketball, and delegated everything else to his handlers. Jazz great Louis Armstrong did not spend his time selling tickets to his shows and setting up chairs for the audience. He concentrated on his point of brilliance: playing the trumpet. Learning to say no to the non-essentials will give you more time to devote to the things that have the power to truly improve the way you live and help you leave the legacy you know in your heart you are destined to leave.

Jewish intellectual and cultural activities also flourished under the monarchs. The Jewish astronomer Abraham Zacuto won an appointment to a chair in astronomy and astrology at the University of Salamanca, the oldest and most respected university in Spain and normally closed to Jews. His astronomical studies contributed to the voyages of discovery of Columbus and Vasco da Gama, among others. He personally consulted with Columbus and advised the monarchs on the advantages of the voyage. In 1497 Zacuto created the first mariner’s astrolabe. Astrolabes that allowed for measurements of latitude by sighting the pole star at night had long been in use. Such astrolabes, however, became ineffective near or below the equator and could not be used at night. Zacuto’s astrolabe allowed for measurements to be made using the position of the sun. The device he designed was the first one small and sturdy enough to be used abroad ships. He personally handed one to Vasco da Gama, who used it on his first voyage to India.5 After the expulsion Zacuto would become court astronomer to the king of Portugal. The twentieth-century Portuguese monarch Manoel II said of him: “Truly the great astrologer . . . gave grand, enormous service to Portugal, his knowledge. Zacuto’s science served not only the Portuguese, but also Spain, beginning with Columbus, who possessed a copy of Almanach Perpetuum.”6 Zacuto managed to evade the 1497 Portuguese mass conversions of Jews. He and his son escaped to North Africa, where they reached Tunis in 1504 after twice being imprisoned by pirates. He died in 1515 in Jerusalem, where he had taught in a rabbinical seminary.7

Nick lounged on his side as he watched her descend from the bed. “That’s going to be at least twelve hours from now. I’m not going to be able to keep my hands off of you for that long.” “Then you’ll have to devise some means of—” Lottie broke off and inhaled sharply as she stood upright. “What is it?” he asked alertly. Lottie blushed from her head to her toes. “I’m sore. In… in places that I’m not usually sore.” Nick understood immediately. An abashed grin touched his lips, and he hung his head in an unconvincing effort at penitence. “I’m sorry. An aftereffect of Tantric lovemaking.” “Is that what it was?” Lottie hobbled to a chair near the hearth, where she had left her robe. Hastily she wrapped it around herself. “An ancient Indian art form,” he explained. “Ritualized methods designed to prolong intercourse.” Lottie’s high color persisted as she recalled the things he had done to her in the night. “Well, it certainly was prolonged.” “Not really. Tantric experts often have sexual relations for nine or ten hours at a time.” She gave him an appalled glance. “Could you do that, if you wished?” Standing from the bed, Nick walked over to her, completely unself-conscious in his nakedness. He took her into his arms and nuzzled her soft blond hair, playing with the loose braid that hung down her back. “With you, I wouldn’t mind trying,” he said, smiling against her temple. “No, thank you. I can barely walk as it is.” She searched through the tantalizing hair on his chest, finding the point of his nipple. “I’m afraid I’m not going to encourage any of your Tantric practices.” “That’s all right,” he replied amiably. “There are other things we can do.” His voice lowered seductively. “I haven’t begun to show you the things I know.” “I was afraid of that,” she said, and he laughed. -Nick & Lottie

Long-Term Results The practical value of the solutions obtained is one way to determine if the subjective reports of accomplishments might be temporary euphoria. The nature of these solutions covered a broad spectrum, including: A new approach to the design of a vibratory microtome A commercial building design, accepted by the client Space-probe experiments devised to measure solar properties Design of a linear electron accelerator beam-steering device An engineering improvement to a magnetic tape recorder A chair design modeled and accepted by the manufacturer A letterhead design approved by the customer A mathematical theorem regarding NOR-gate circuits Completion of a furniture-line design A new conceptual model of a photon found to be useful A design of a private dwelling approved by the client Table 9.3