Accurate Girl Quotes

Anyway, it's like with bikes,' said the first speaker authoritatively. 'I thought I was going to get this bike with seven gears and one of them razorblade saddles and purple paint and everything, and they gave me this light blue one. With a basket. A girl's bike.' 'Well. You're a girl,' said one of the others. 'That's sexism, that is. Going around giving people girly presents just because they're a girl.

It's a fairly accurate portrait of me at eighteen, minus a few quirks like reckless driving and eating binges. It's accurate but it isn't profound.

I like girls too, Scrivener.” Amusement danced in Nathaniel’s eyes. “I like both. If you’re going to fantasize about my love life, I insist you do so accurately.

To achieve accurate knowledge of others, if such a thing were possible, we could only ever arrive at it through the slow and unsure recognition of our own initial optical inaccuracies. However, such knowledge is not possible: for, while our vision of others is being adjusted, they, who are not made of mere brute matter, are also changing; we think we have managed to see them more clearly, but they shift; and when we believe we have them fully in focus, it is merely our older images of them that we have clarified, but which are themselves already out of date.

I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.” Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?” “Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.” “Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?” “One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.” He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.” “I already feel that way,” I said quietly. Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.” I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.

We may call it "people pleasing," but it is entirely self-serving because it is really all about keeping myself comfortable. Boiled down, it could be more accurately called "me pleasing.

But Katherine is different from all of those other girls.  She never wanted anything to do with me, writing me off as some kind of filthy manwhore.  That fact makes me respect her as a good judge of character, since it's pretty accurate.

A woman with a strong sense of personal power, is self confident enough to accurately identify her strengths as well as her blind spots, which she is continually working to improve.

I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls ... There is one subject which I am emphatically opposed to: any kind of representation of a little girl.

The trouble with rumors was that they had the tendency to stick. To coat over your logic like tea stains on teeth. What was even more troublesome was that there had been times in the past when they turned out to be accurate.

You won't enjoy it," sighed Crowley. "It's been in the car for more than a fortnight." A heavy bass beat began to thump through the Bentley as they sped past Heathrow. Aziraphale's brow furrowed. "I don't recognize this," he said. "What is it?" "It's Tchaikovsky's 'Another One Bites the Dust'," said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd's "We Are the Champions" and Beethoven's "I Want To Break Free." Neither were as good as Vaughan Williams's "Fat-Bottomed Girls.

We are the girls with anxiety disorders, filled appointment books, five-year plans. We take ourselves very, very seriously. We are the peacemakers, the do-gooders, the givers, the savers. We are on time, overly prepared, well read, and witty, intellectually curious, always moving … We pride ourselves on getting as little sleep as possible and thrive on self-deprivation. We drink coffee, a lot of it. We are on birth control, Prozac, and multivitamins … We are relentless, judgmental with ourselves, and forgiving to others. We never want to be as passive-aggressive are our mothers, never want to marry men as uninspired as our fathers … We are the daughters of the feminists who said, “You can be anything,” and we heard, “You have to be everything.

I catch only when he says my name, but otherwise have to trust that he's relaying everything accurately. I imagine it goes something like, "The sex was great and then we got married and now she's here! Help me! She won't stop throwing up, it's incredibly awkward. Her name is MIA HOLLAND. Is there a service by which we ship wayward American girls back to the states?

What this means for parents is that you never know what your child’s “sex education” class may entail. Only fourteen states require that sex ed be medically accurate.

The message had come during “The Golden Girls,” one of Crowley’s favorite television programs. Rose had taken ten minutes to deliver what could have been quite a brief communication, and by the time non-infernal service was restored Crowley had quite lost the thread of the plot.

I have discovered that of all cursed places under the sun, where the hungriest soul can hardly pick up a few grains of knowledge, a girls' boarding-school is the worst. They are called finishing schools, and the name tells accurately what they are. They finish everything but imbecility and weakness, and that they cultivate.

Most girls have a recipe for disaster, but few of them actually find all the ingredients and bake them at the right temperature. If they did, they'd learn to measure more accurately and that they ought to clean up their mess as they go along.

Women are marvellous at plodding through the centuries. They are exact, accurate and tireless. If you ever wish to discover some minute fact, buried away at the bottom of a bin of forgotten parchments, find a girl with horn-rimmed spectacles and straight hair and ask her to do it for you.

It’s Tchaikovsky’s ‘Another One Bites the Dust,’” said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd’s “We Are the Champions” and Beethoven’s “I Want To Break Free.” Neither were as good as Vaughan Williams’s “Fat Bottomed Girls.

I’m not sure if you’re suicidal or a genius,” Meredith said. I grinned. “Go with genius. It’s way more accurate.” I held my fist out to Adrian and he bumped it.

She could kick and bite with astonishing physiological accuracy for a girl of eleven.

It was no good; I was like a charging bull, with only red in my sight. It was pretty fucking accurate, considering I was storming toward the girl in the red jacket.

What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?” He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.” “I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.” “What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.” “Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.” Astonishment fills his eyes. “No, I didn’t.” “Yes, you did.” “Is that what he told you?” Logan demands. “Not in so many words.” “I see. Well, what words did he actually use?” I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’” Logan breaks out in a grin. I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!” Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him. “He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.” I’m dumbfounded. Oh my God. Lorris? As in Logan and Morris? They fucking Brangelina’d themselves? “What is happening?” I burst out. “You guys are best friends now?” “He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.” “Yeah, and what’s that?” I mutter. “That you and I are perfect for each other.” No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.

It was stories like these that would stun Miller into silence, bury him alive with desire to save her. He called her "the saddest girl in the world," which she accurately interpreted as a statement as love.

The less worldly members of our household often refer to this small indulgence as a waste of money, yet they never fail to be surprised at how accurately I can list the actors in any given movie, even after a year.

I don't know which Bible stories ought to be treated as historically accurate, scientifically provable accounts of facts and which stories are meant to be metaphorical. I don't know if it really matters so long as those stories transform my life.

It was written by a doctor, but I've no idea whether it was accurate: the author claimed that blacking out wasn't simply a matter of forgetting what happened, but having no memories to forget in the first place. His theory was that you get into a state where you no longer make short term memories. And while you're there, in deepest black, you don't behave as you usually would, because you're simply reacting to the very last thing you think happened, because---since you aren't making memories---you might not actually know what the last thing to happen really was.

As a matter of fact I don’t care two pins about accuracy. Who is accurate? Nobody nowadays. If a reporter writes that a beautiful girl of twenty-two dies by turning on the gas after looking out over the sea and kissing her favourite Labrador, Bob, goodbye, does anybody make a fuss because the girl was twenty-six, the room faced inland, and the dog was a Sealyham terrier called Bonnie? If a journalist can do that sort of thing I don’t see that it matters if I mix up police ranks and say a revolver when I mean an automatic and a dictograph when I mean a phonograph, and use a poison that just allows you to gasp one dying sentence and no more. What really matters is plenty of bodies! If the thing’s getting a little dull, some more blood cheers it up. Somebody is going to tell something – and then they’re killed first! That always goes down well. It comes in all my books – camouflaged different ways of course. And people like untraceable poisons, and idiotic police inspectors and girls tied up in cellars with sewer gas or water pouring in (such a troublesome way of killing anyone really) and a hero who can dispose of anything from three to seven villains singlehanded.

Naturally I thought she was lying, but I soon came to realize that Hope—along with every other anorexically skinny girl in the office, and most of the guys—was able to accurately evaluate other people's weight. It was just when it came time to look in the mirror that everyone genuinely saw a wildebeest staring back.

I made a conscious effort to name my needs and desires. To carefully listen to and accurately identify what I felt. Hunger, exhaustion, cold, lower-back ache, thirst. The ephemeral pangs: wistfulness and loneliness. Rest fixed most things. Sleep was my sweet reward. I treated bedtime as both incentive and sacrament.

Humans: such a brilliant model of emotional self-awareness," Aineko says with a theatrical sigh. "You're as stupid as it's possible for an intelligent species to be - there being no evolutionary pressure to be any smarter - but you still don't internalize that and act accordingly around your superiors. Listen, girl, everything you remember is true. That doesn't mean you remember it because it actually happened, just that you remember it because you experienced it internally. Your memories of experiences are accurate, but your emotional responses to those experiences were manipulated. Get it? One ape's hallucination is another ape's religious experience, it just depends on which one's god module is overactive at the time. That goes for all of you." Aineko looks around at them in mild contempt. "But I don't need you anymore, and if you do this one thing for me, you're going to be free. Understand? Say yes, Manfred; if you leave your mouth open like that, a bird will nest on your tongue.

A girl either likes you or doesn't. And it is critically important you accurately ascertain that about every woman you're interested in. Because if you don't, the eternal hope and optimism that is your male sex drive will assume she does, forcing you to piss away an incredible amount of time, money, and energy on a girl who doesn't.

The great archetypal stories provide a framework or model for an individual's belief system. They are, in Isak Dinesen's marvelous expression, 'a serious statement of our existence.' The stories and tales handed down to us from the cultures that proceded us were the most serious, succinct expressions of the accumulated wisdom of those cultures. They were created in a symbolic, metaphoric story language and then hones by centuries of tongue-polishing to a crystalline perfection.... "And if we deny our children their cultural, historic heritage, their birthright to these stories, what then? Instead of creating men and women who have a grasp of literary allusion and symbolic language, and a metaphorical tool for dealing with the problems of life, we will be forming stunted boys and girls who speak only a barren language, a language that accurately reflects their equally barren minds. Language helps develop life as surely as it reflects life. It is the most important part of the human condition.

Being gay. This has surprisingly little to do with what you do with your private parts (or, more accurately, what you’d like to do with your private parts). Being gay is more a state of mind, or sometimes, less often, a state of body. You could almost include it as a sub-crime in 2) and 3), but really, it goes beyond both of these categories. And because of the number of times it crops up as a specific accusation, it definitely deserves its own special category. But the best way to explain what ‘being gay’ means is to tell you some of the things that are gay. If you’re a boy, any display of sensitivity is gay. Compassion is gay. Crying is supergay. Reading is usually gay. Certain songs and types of music are gay. ‘Enola Gay’ would certainly be thought gay. Love songs are gay. Love itself is incredibly gay, as are any other heartfelt emotions. Singing is gay, but chanting is not gay. Wanking contests are not gay. Neither is all-male cuddling during specially designated periods in football matches, or communal bathing thereafter. (I didn’t invent the rules of gay–I’m just telling you what they are.) Girls can be gay too, but it’s much harder for them. And girls don’t tend to call each other gay as much as boys do. When a girl is gay, she’s called a dyke. Reasons for being a dyke include having thick limbs, bad hair or flat shoes.

The past is never what it seems. Not even our own memories accurately process everything we’ve been through. Time and other experiences warp the facts. Secrets and lies distort whatever truth we thought we knew to begin with, but each experience leaves us with a feeling. Some complex—feelings at odds with each other—but they’re the way we truly remember things.

In fact what is pleasing and instills a sense of control in girls and women isn't sexualisation but the power. Several studies show that the positive emotions experienced by women who self sexualize in social media for example are not actually correlated to the degree of self sexualisation but to a specific motivation - being admired, attracting attention, the likes and followers of social media. Those are symbols of influence, and Status that is a far more accurate reflection of what women are reporting as is the fact that sexualisation remains the most available, Albeit a very narrow, route to power for girls. Power and empowerment are not the same. Neither is sexual objectification and sexuality which are often confused.

Kim called me a slut under her breath in H&P, and Mr. Wallace heard her and gave a lecture on the negative effects of labels, and how words like that serve to limit women’s sexual expression, and how there’s a whole history of words that basically mean slut8 and yet there are no equivalent epithets for men whatsoever, and didn’t that say something about how women are viewed in our culture? He said a more accurate term could be: “a girl who’s using sexuality in an attempt to gain approval from the opposite sex….” Or, if you look at it a different way, “a liberated, open girl who likes boys and feels comfortable expressing affection, but is misunderstood.” Blah blah blah. I’m sure he meant well, but I wanted to call Kim a megaslut right back and not think about it anymore

There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?

Many intellectuals argue that race is a social construct, meaning that we, as a society, give it meaning. Race doesn’t tell us about society—society tells us about race. Society has already made it clear that Latinos are seen as a race—we experience discrimination because we are seen as racially different. If the definitions of race and ethnicity are constructed and deconstructed by those in power, why can’t we reframe Latino as a race to better understand where we fit in America’s racial framework? Isn’t Latino a mixed race, even by the way we currently define race? Race is not biological. It is political and personal. To have a Latino race is not to say we are all the same but that we are organizing ourselves politically, to be counted accurately, to garner political power for the benefit of our entire community. To not be erased.

This problem can be illustrated with a mock analogy. Imagine in your golden years you are accused of murdering a child many decades ago and put on trial for it. The prosecution claims you murdered a little girl in the middle of a public wedding in front of thousands of guests. But as evidence all they present is a religious tract written by ‘John’ which lays out a narrative in which the wedding guests watch you kill her. Who is this John? The prosecution confesses they don’t know. When did he write this narrative? Again, unknown. Probably thirty or forty years after the crime, maybe even sixty. Who told John this story? Again, no one knows. He doesn’t say. So why should this even be admissible as evidence? Because the narrative is filled with accurate historical details and reads like an eyewitness account. Is it an eyewitness account? Well, no, John is repeating a story told to him. Told to him by an eyewitness? Well . . . we really have no way of knowing how many people the story passed through before it came to John and he wrote it down. Although he does claim an eyewitness told him some of the details. Who is that witness? He doesn’t say. I see. So how can we even believe the story is in any way true if it comes from unknown sources through an unknown number of intermediaries? Because there is no way the eyewitnesses to the crime, all those people at the wedding, would have allowed John to lie or make anything up, even after thirty to sixty years, so there is no way the account can be fabricated. If that isn’t obviously an absurd argument to you, then you didn’t understand what has just been said and you need to read that paragraph again until you do. Because

It's hard to remember someone when you don't know what they look like. Because A changes from day to day, it's impossible to choose a memory and have it mean more than that single day. No matter how I picture A, it's not going to be what A looks like now. I remember A as a boy and as a girl, as tall and short, skin and hair all different colors. A blur. But the blur takes the shape of how A made me feel, and that may be the most accurate shape of all.

Frank and Mary had been so much together in his holidays, had so constantly consorted together as boys and girls, that, as regarded her, he had not that innate fear of a woman which represses a young man's tongue; and she was so used to his good-humour, his fun, and high jovial spirits, and was, withal, so fond of them and him, that it was very difficult for her to mark with accurate feeling, and stop with reserved brow, the shade of change from a boy's liking to a man's love.

I sometimes use the word “fat,” as I consider it to be an accurate descriptor of some curvy gals, including me. I believe using “fat” in a nonpejorative way helps destigmatize and inure us to the word as the insult it’s become, and gets us used to seeing it as it was meant to be used: As a neutral descriptor. I use the words curvy, plus-size, zaftig, plump, larger, and bigger in the same spirit. Some of these words may make you bristle at first, but they are not meant negatively but solely as adjectives.

During those several seconds when Aomame was holding his hand, Tengo had seen many things and accurately seared each image on his retinas, like a camera taking a photograph. These images comprised one of the basic landscapes that helped him survive his pain-filled teens. The scene always included the strong sensation of the girl’s fingers. Her right hand never failed to encourage Tengo during the agonizing process of becoming an adult. Don’t worry, I’m with you, the hand declared. You are not alone.

This should not be the only book you read by a fat person about fatness and anti-fatness. Read Sonya Renee Taylor’s The Body Is Not an Apology, Da’Shaun Harrison’s Belly of the Beast, Charlotte Cooper’s Fat Activism, Roxane Gay’s Hunger, Caleb Luna’s Revenge Body, Kiese Laymon’s Heavy, Nicole Byer’s #VeryFat #VeryBrave, Esther Rothblum and Sondra Solovay’s The Fat Studies Reader, Rachel Wiley’s Fat Girl Finishing School, and more. Whether you’re new to thinking critically about anti-fatness or a longstanding fat activist, be sure to locate this book, accurately, as just one of many fat perspectives available to you. Writers who aren’t fat have made substantial contributions here too. Sabrina Strings’s Fearing the Black Body: The Racial Origins of Fat Phobia is an indispensable history linking anti-Black racism to anti-fatness. J. Eric Oliver’s Fat Politics analyzes the emergence in the 1990s and 2000s of the United States’ so-called obesity epidemic. Each of these works offer vital analysis of the mechanics and history of anti-fatness. And each will deepen your thinking about anti-fatness and your clarity in countering anti-fatness.

Don’t hesitate to validate your daughter’s experience when she complains to you about another adult. Unless you have reason to believe otherwise, her description is likely accurate; teenagers are particularly clear-eyed and can provide descriptions of adults’ characters that would put a Brontë sister to shame. If your daughter has been lucky enough to spend her childhood surrounded by reasonable grown-ups, she may be confused when a less-than-impressive one first crosses her path. Spare her the trouble of doubting her perceptions while calmly acknowledging that she will need to learn to deal with all sorts of people.

For as a girl she had learned how to caress Chopin’s phrases, which with the inordinate sinuous length of their graceful necks are so fluent, flexible and tactile, which seem to be meandering off-course, far away from their original direction, in an aimless tentative search for their proper place, straying anywhere but towards the destination where one might have expected to feel their final touch, but which are only feigning these fanciful detours so as to return more purposefully, more accurately, more knowingly, and, as though ringing cut-glass echoes that make one want to cry aloud, strike home into one’s unsuspecting heart.

Again and again I saw the phenomenon repeated. The meanest girls, the ones who started secret clubs to ostracize the poorly dressed, delighted to see Cinderella triumph over her stepsisters. They rejoiced when the prince kissed her. Evidently, they not only saw themselves as noble and good, but also wanted to love and be loved. Maybe not by anyone and everyone, the way I wanted to be loved. But, for the right person, they were prepared to form a relation based on mutual kindness. This mean that the Disney portrayal of bullies wasn't accurate, because the Disney bullies realized they were evil, prided themselves on it, and loved nobody.

The world is divided into those who can shit and those who cannot.” On the basis of this dogma the Doctor had elaborated an entire theory of character, which he considered more accurate than astrology. But with what he had learned over the years, Florentino Ariza stated it another way: “The world is divided into those who screw and those who do not.” He distrusted those who did not: when they strayed from the straight and narrow, it was something so unusual for them that they bragged about love as if they had just invented it. Those who did it often, on the other hand, lived for that alone. They felt so good that their lips were sealed as if they were tombs, because they knew that their lives depended on their discretion. They never spoke of their exploits, they confided in no one, they feigned indifference to the point where they earned the reputation of being impotent, or frigid, or above all timid fairies, as in the case of Florentino Ariza. But they took pleasure in the error because the error protected them. They formed a secret society, whose members recognized each other all over the world without need of a common language, which is why Florentino Ariza was not surprised by the girl’s reply: she was one of them, and therefore she knew that he knew that she knew.

As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.

There were inquiries, Congressional hearings, books, exposés and documentaries. However, despite all this attention, it was still only a few short months before interest in these children dropped away. There were criminal trials, civil trials, lots of sound and fury. All of the systems—CPS, the FBI, the Rangers, our group in Houston—returned, in most ways, to our old models and our ways of doing things. But while little changed in our practice, a lot had changed in our thinking. We learned that some of the most therapeutic experiences do not take place in “therapy,” but in naturally occurring healthy relationships, whether between a professional like myself and a child, between an aunt and a scared little girl, or between a calm Texas Ranger and an excitable boy. The children who did best after the Davidian apocalypse were not those who experienced the least stress or those who participated most enthusiastically in talking with us at the cottage. They were the ones who were released afterwards into the healthiest and most loving worlds, whether it was with family who still believed in the Davidian ways or with loved ones who rejected Koresh entirely. In fact, the research on the most effective treatments to help child trauma victims might be accurately summed up this way: what works best is anything that increases the quality and number of relationships in the child’s life.

Ah, this is more like it. Tchaikovsky,” said Aziraphale, opening a case and slotting its cassette into the Blaupunkt. “You won’t enjoy it,” sighed Crowley. “It’s been in the car for more than a fortnight.” A heavy bass beat began to thump through the Bentley as they sped past Heathrow. Aziraphale’s brow furrowed. “I don’t recognize this,” he said. “What is it?” “It’s Tchaikovsky’s ‘Another One Bites the Dust,’” said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd’s “We Are the Champions” and Beethoven’s “I Want To Break Free.” Neither were as good as Vaughan Williams’s “Fat-Bottomed Girls.

When what stays in our mind is the vivid flash of a bold glance, inevitably what will take us by surprise in our next glimpse, almost solely strike us, that is, will be a look close to languid, a gentle and pensive expression, overlooked in the former memory. It is this which, in our comparison of memory with the new reality, will color our disappointment or our surprise; and by its notifying us that our memory had been defective, it will seem to be reality itself that was in need of refocusing. Then the aspect of the face that was recently overlooked, having now become for that reason the most unforgettable, the most real, the most accurately corrective, will itself become an object for us to dream about and recall.

To understand my doctor’s error, let’s employ Bayes’s method. The first step is to define the sample space. We could include everyone who has ever taken an HIV test, but we’ll get a more accurate result if we employ a bit of additional relevant information about me and consider only heterosexual non-IV-drug-abusing white male Americans who have taken the test. (We’ll see later what kind of difference this makes.) Now that we know whom to include in the sample space, let’s classify the members of the space. Instead of boy and girl, here the relevant classes are those who tested positive and are HIV-positive (true positives), those who tested positive but are not positive (false positives), those who tested negative and are HIV-negative (true negatives), and those who tested negative but are HIV-positive (false negatives). Finally, we ask, how many people are there in each of these classes? Suppose we consider an initial population of 10,000. We can estimate, employing statistics from the Centers for Disease Control and Prevention, that in 1989 about 1 in those 10,000 heterosexual non-IV-drug-abusing white male Americans who got tested were infected with HIV.6 Assuming that the false-negative rate is near 0, that means that about 1 person out of every 10,000 will test positive due to the presence of the infection. In addition, since the rate of false positives is, as my doctor had quoted, 1 in 1,000, there will be about 10 others who are not infected with HIV but will test positive anyway. The other 9,989 of the 10,000 men in the sample space will test negative. Now let’s prune the sample space to include only those who tested positive. We end up with 10 people who are false positives and 1 true positive. In other words, only 1 in 11 people who test positive are really infected with HIV.

It was during the years at Hope End that Elizabeth Barrett was first attacked by serious illness. ‘At fifteen,’ she says in her autobiographical letter, already quoted in part, ‘I nearly died;’ and this may be connected with a statement by Mrs. Richmond Ritchie, to the effect that ‘one day, when Elizabeth was about fifteen, the young girl, impatient for her ride, tried to saddle her pony alone, in a field, and fell with the saddle upon her, in some way injuring her spine so seriously that she was for years upon her back.’ The latter part of this statement cannot indeed be quite accurate; for her period of long confinement to a sick-room was of later date, and began, according to her own statement, from a different cause. Mr. R. Barrett Browning states that the injury to the spine was not discovered for some time, but was afterwards attributed, not to a fall, but to a strain whilst tightening her pony’s girths. No doubt this injury contributed towards the general weakness of health to which she was always subject.

found myself remembering the day in kindergarten when the teachers showed us Dumbo, and I realized for the first time that all the kids in the class, even the bullies, rooted for Dumbo, against Dumbo’s tormentors. Invariably they laughed and cheered, both when Dumbo succeeded and when bad things happened to his enemies. But they’re you, I thought to myself. How did they not know? They didn’t know. It was astounding, an astounding truth. Everyone thought they were Dumbo. Again and again I saw the phenomenon repeated. The meanest girls, the ones who started secret clubs to ostracize the poorly dressed, delighted to see Cinderella triumph over her stepsisters. They rejoiced when the prince kissed her. Evidently, they not only saw themselves as noble and good, but also wanted to love and be loved. Maybe not by anyone and everyone, the way I wanted to be loved. But, for the right person, they were prepared to form a relation based on mutual kindness. This meant that the Disney portrayal of bullies wasn’t accurate, because the Disney bullies realized they were evil, prided themselves on it, and loved nobody.

Almost unconsciously, his gaze shifted across the immense ballroom to fasten on the girl, inexorably pulled to her like metal filings to a magnet. He could barely make her out since she was surrounded by her usual jostling court of ardent admirers, most of them titled, wealthy, and considerably handsomer than Nigel. If he was honest with himself, he’d have to admit that obsession would be the most accurate description of his feelings, and he hadn’t the slightest notion as to when or how that obsession had developed. However it had happened, over the last several months a ridiculous amount of space in his skull had been taken up by thoughts of lovely Amelia Easton. Fortunately, until now, none of his acquaintances had suspected that he—the most sensible man in the ton—had succumbed to such a maudlin, hopeless passion. A hopeless passion, since Amelia Easton would no sooner marry a man like Nigel than she would a butcher from Smithfield. After all, she was widely acknowledged as one of the great prizes on the matrimonial mart—beautiful, kind, good-natured, and disgustingly rich, or at least her father was. It was a most potent combination, and meant that the girl couldn’t step foot outside her family’s Mayfair townhouse without a pack of slavering bachelors in pursuit. “How

So I see you got to know Trish on a pretty intimate level tonight,” Max said, focusing her attention back on the present as they made their way down the deserted roads back to her house. “She was definitely…friendly.” What Landon casually defined as friendly was what Max more accurately described as molestation. Her hands had disappeared under the table, rubbing his leg or whatever she was doing, more times than she spent holding her damn cards. Landon’s indifference to the whole thing was entirely impossible to read. Was he enjoying the attention? Wouldn’t any man? Not that it was any of her business. Landon was just some guy that she’d let stay with her for a few days. The fact that he was good-looking was irrelevant. Trish could have him for all she cared as long as they kept the indecencies out of her house. “Well, don’t you worry about her. She’s a bit of a flirt when she’s drunk. I’m pretty sure she’d hit on a monkey.” “You just compared me to a monkey and you don’t want me to worry?” “You know what I mean.” “I’m sorry, I don’t.” “Don’t tell me that girls like that actually appeal to you.” “Jealous?” “Hardly,” Max shot back defensively. “I just pegged you for a man with higher standards that’s all.” She couldn’t really say why she’d chosen to share her opinion. No harm in giving the guy a little warning, right? “You’ve pegged me for a lot of things.

The reason for which a work of genius is not easily admired from the first is that the man who has created it is extraordinary, that few other men resemble him. It was Beethoven’s Quartets themselves (the Twelfth, Thirteenth, Fourteenth and Fifteenth) that devoted half a century to forming, fashioning and enlarging a public for Beethoven’s Quartets, marking in this way, like every great work of art, an advance if not in artistic merit at least in intellectual society, largely composed to-day of what was not to be found when the work first appeared, that is to say of persons capable of enjoying it. What artists call posterity is the posterity of the work of art. It is essential that the work (leaving out of account, for brevity’s sake, the contingency that several men of genius may at the same time be working along parallel lines to create a more instructed public in the future, a public from which other men of genius shall reap the benefit) shall create its own posterity. For if the work were held in reserve, were revealed only to posterity, that audience, for that particular work, would be not posterity but a group of contemporaries who were merely living half-a-century later in time. And so it is essential that the artist (and this is what Vinteuil had done), if he wishes his work to be free to follow its own course, shall launch it, wherever he may find sufficient depth, confidently outward bound towards the future. And yet this interval of time, the true perspective in which to behold a work of art, if leaving it out of account is the mistake made by bad judges, taking it into account is at times a dangerous precaution of the good. No doubt one can easily imagine, by an illusion similar to that which makes everything on the horizon appear equidistant, that all the revolutions which have hitherto occurred in painting or in music did at least shew respect for certain rules, whereas that which immediately confronts us, be it impressionism, a striving after discord, an exclusive use of the Chinese scale, cubism, futurism or what you will, differs outrageously from all that have occurred before. Simply because those that have occurred before we are apt to regard as a whole, forgetting that a long process of assimilation has melted them into a continuous substance, varied of course but, taking it as a whole, homogeneous, in which Hugo blends with Molière. Let us try to imagine the shocking incoherence that we should find, if we did not take into account the future, and the changes that it must bring about, in a horoscope of our own riper years, drawn and presented to us in our youth. Only horoscopes are not always accurate, and the necessity, when judging a work of art, of including the temporal factor in the sum total of its beauty introduces, to our way of thinking, something as hazardous, and consequently as barren of interest, as every prophecy the non-fulfillment of which will not at all imply any inadequacy on the prophet’s part, for the power to summon possibilities into existence or to exclude them from it is not necessarily within the competence of genius; one may have had genius and yet not have believed in the future of railways or of flight, or, although a brilliant psychologist, in the infidelity of a mistress or of a friend whose treachery persons far less gifted would have foreseen.

Mina gave a fake laugh. “An old journal from high school. Thought it would be funny. Mostly it’s boring and juvenile, boys, dances, catty girl stuff.” Mina had never gone to high school. Being called as a werewolf to hunt demons out of a camper at the age of ten left some social deficits. She’d based her lie on TV shows about teenagers. She didn’t believe they were entirely accurate, but considering how similar they all were there had to have some truth behind them.

I want to say my apartment is no paradise for bachelorettes and would be more accurately described by terms like 'pain clinic', 'wound-care center', or 'half way house' for the chronically triggered, the emotionally dysregulated, the bright but broken-hearted, and a few repeat offenders of adulterous behavior.

that window and to the right. I’d seen several old movies where the boy tossed pebbles at the girl’s window. So I planned to use that approach. But I needed something more accurate, more effective. And

Most teachers at the National Academy of Design discouraged students from visiting "291", lest they be influenced by radical American painters such as John Marin and Abraham Walkowitz, whose disregard for accurate form and color outraged the traditionalists.

The study showed that both boys and girls who have had sex are three times more likely to be depressed than their friends who are still virgins. The study accounted for other factors in the lives of the young people, ensuring an accurate comparison with their peers. The girls who became sexually active were three times more likely to have attempted suicide as their virgin friends, while the sexually active boys were fully seven times more likely to have attempted suicide.8

A longevity cocktail is a patented weight-loss formula consisting of ...” Olivia said, pausing for us to take notes, “hot purified water with lemon juice and psyllium husks. Stirred briskly.” Randy added, “You’ve got to stir briskly.” Zoe leaned in and asked, “Isn’t that Metamucil?” The chubby gangster girl heard Zoe and demanded to know if this was accurate. “Metamucil is a brand name,” Olivia said. “It’s a kind of psyllium husk,” Randy said, adding her usual nothing to the discussion.

Though I believe math is a tool of the Enemy, I learned enough to know that to accurately find the sum, you add up all the parts.

Our sizzling girls feel fondness for what they are doing and have a well heeled, fluency in venereal Asian Tantric massage, a brilliant, artistic girls like them discern accurately what a customer fancy even earlier than client himself.

Sexist language promotes and maintains attitudes that stereotype people according to gender while assuming that the male is the norm—the significant gender. Nonsexist language treats both sexes equally and either does not refer to a person’s sex when it is irrelevant or refers to men and women and to girls and boys in symmetrical ways.

To ensure gender-fairness, ask yourself: Would I write the same thing in the same way about a person of the other sex? Would I mind if this were said of me? If you are describing the behavior of children on the playground, to be gender-fair you will refer to girls and boys an approximately equal number of times, and you will carefully observe what the children do, and not just assume

Gender-specific words (councilwoman, businessman, altar girl) are neither good nor bad in themselves, but they sometimes identify and even emphasize a person’s sex when it is not necessary (and is sometimes even objectionable) to do so. Male and female versions of a root word are also likely to be weighted quite differently (governor/governess, master/mistress).

cliche but accurate: Kick a football, then ask it whether it meant to fly. All action demands an equal and opposite reaction. You can't blame an object battered by inertial forces; you can't blame me, bouncing through the pinball machine of life.

They were so handsome that they made me feel self-conscious. They could definitely make a calendar of Peruvian hunks. Or more accurately, Peruvian werewolves. I knew Cosette would buy one. As

The key may be to keep the bright light of public attention shining. According to a study by the American Psychological Association, the reported numbers of assaults increase an average of about 44 percent when campuses are under formal scrutiny. Afterward, though, they sink back to their original levels, indicating that some schools provide a more accurate picture of sexual assault only when forced to do so.

glory, at the Science Museum of London. Charles Babbage was a well-known scientist and inventor of the time. He had spent years working on his Difference Engine, a revolutionary mechanical calculator. Babbage was also known for his extravagant parties, which he called “gatherings of the mind” and hosted for the upper class, the well-known, and the very intelligent.4 Many of the most famous people from Victorian England would be there—from Charles Darwin to Florence Nightingale to Charles Dickens. It was at one of these parties in 1833 that Ada glimpsed Babbage’s half-built Difference Engine. The teenager’s mathematical mind buzzed with possibilities, and Babbage recognized her genius immediately. They became fast friends. The US Department of Defense uses a computer language named Ada in her honor. Babbage sent Ada home with thirty of his lab books filled with notes on his next invention: the Analytic Engine. It would be much faster and more accurate than the Difference Engine, and Ada was thrilled to learn of this more advanced calculating machine. She understood that it could solve even harder, more complex problems and could even make decisions by itself. It was a true “thinking machine.”5 It had memory, a processor, and hardware and software just like computers today—but it was made from cogs and levers, and powered by steam. For months, Ada worked furiously creating algorithms (math instructions) for Babbage’s not-yet-built machine. She wrote countless lines of computations that would instruct the machine in how to solve complex math problems. These algorithms were the world’s first computer program. In 1840, Babbage gave a lecture in Italy about the Analytic Engine, which was written up in French. Ada translated the lecture, adding a set of her own notes to explain how the machine worked and including her own computations for it. These notes took Ada nine months to write and were three times longer than the article itself! Ada had some awesome nicknames. She called herself “the Bride of Science” because of her desire to devote her life to science; Babbage called her “the Enchantress of Numbers” because of her seemingly magical math

To my disappointment, the government only keeps an accurate count of those who die.

Natural selection may be unconscious but, as Darwin and his successors made clear, it is the opposite of a random force. It can drive changes in an organism in a very linear, per sis tent fashion—as had been observed in the laboratory, in nature, and in simulations such as the one that modeled eye evolution. Denton was wrong about evolution’s being one big lottery. The correct analogy would be a game of darts in which the players cannot see the target. Some darts will find their mark while the majority will miss—a random process. But the rules of the game eliminate all but the best-thrown darts. Because nature tosses an im mense number of darts—the mutation rate in any single gene in an organism will run in the millions—natural selection has plenty of well-targeted darts to choose from, and the march toward new and complex forms is not so difficult to understand, after all. But presenting an accurate meta phor would not have supported an attack on evolution.

of her—and so I know nothing about her, beyond what Frank told me. I tend to believe that his descriptions of her were truthful, only because he was so truthful. But just because he described your mother truthfully doesn’t necessarily mean he described her accurately. I can only assume that she was like all of us—a complicated being, composed of more than one man’s impressions.

consent to return to work is granted by her therapist, whereby she be demoted to Deerhorn County upon her return. Grace closed the binder and sighed before pushing herself off the bed. She crouched beside it and tucked the worn binder back under her spare throw blanket. The report had been fairly accurate, and variations or excerpts had been passed on to any member of the law willing to listen—eager to know what happened the night they arrested Conrad

Moreover, a teacher should ask herself whether she herself interprets silence accurately through a racial lens, or too quickly. For instance, teachers and the public in general tend to assume that quiet Asian American girls are engaged in learning and quiet Black students are disaffected from school, rather than wondering whether a student’s silence is simply an individual’s response to the particular moment or a group member’s response to racialized classroom dynamics.

Leo stared at them all blankly in the expectant silence. A disbelieving laugh escaped him. “You’re all mad if you think I’m going to be forced into a loveless marriage just so the family can continue living at Ramsay House.” Coming forward with a placating smile, Win handed him a piece of paper. “Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won’t you take a glance and see if any of them appeals to you?” Deciding to humor her, Leo looked down at the list. “Marietta Newbury?” “Yes,” Amelia said. “What’s wrong with her?” “I don’t like her teeth.” “What about Isabella Charrington?” “I don’t like her mother.” “Lady Blossom Tremaine?” “I don’t like her name.” “Oh, for heaven’s sake, Leo, that’s not her fault.” “I don’t care. I can’t have a wife named Blossom. Every night I would feel as if I were calling in one of the cows.” Leo lifted his gaze heavenward. “I might as well marry the first woman off the street. Why, I’d be better off with Marks.” Everyone was silent. Still tucked in the corner of the room, Catherine Marks looked up slowly as she realized that she was the focus of the Hathaways’ collective gaze. Her eyes turned huge behind the spectacles, and a tide of pink rushed over her face. “That is not amusing,” she said sharply. “It’s the perfect solution,” Leo said, taking perverse satisfaction in annoying her. “We argue all the time. We can’t stand each other. It’s like we’re already married.” Catherine sprang to her feet, staring at him in outrage. “I would never consent to marry you.” “Good, because I wasn’t asking. I was only making a point.” “Do not use me to make a point!” She fled the room, while Leo stared after her. “You know,” Win said thoughtfully, “we should have a ball.” “A ball?” Merripen asked blankly. “Yes, and invite all the eligible young women we can think of. It’s possible one of them will strike Leo’s fancy, and then he could court her.” “I’m not going to court anyone,” Leo said. They all ignored him. “I like that idea,” Amelia said. “A bride-hunting ball.” “It would be more accurate,” Cam pointed out dryly, “to call it a groom-hunting ball. Since Leo will be the item of prey.” “It’s just like Cinderella,” Beatrix exclaimed. “Only without the charming prince

Becoming a tree is a long journey, and so even the most experienced botanist cannot look at a twig on a sapling and accurately describe what kind of branch it might develop into over the next fifty years. Plant growth curves can be useful for guessing, but it is important to remember that they don’t show us the future, only the past.

Do you have anything from the geographic profile yet?” “No, it hasn’t finished running. I was looking at the map myself, I think you’re onto something. Problem with this software is it takes at least eight points to be accurate. So whatever it coughs out is going to be incomplete at best. I’d plan on working without it.” “Right.

Here, this is for you," the girl said, holding out one of the pages on which she'd been drawing. "Oh, I... well, thank you." Meg reached out and took the sketch between her fingers. Gazing down, her eyes widened. Instead of the typical childish scribble she'd expected, she discovered two well-rendered figures. The style was a bit loose, and still immature with a tendency to distort the proportions. Even so, it was refined enough enough to have captured remarkably accurate likenesses of her and Cade seated side by side on the sofa. Esme might be only be nine years of age, but already she was an exceptional artist, better than many adults would ever hope to be. "This is... extraordinary," Meg said. "It's you and Cade," the girl offered, clutching a small fist against her yellow wool skirt. "Do you like it?" "I most certainly do. How could I not? You've drawn Cade and me so perfectly. It's beautiful." The girl's oval features came alive with a pleased smile. "Good night, Miss Amberley. I'm glad you're going to be my sister." At a sudden loss for what she knew would never be, Meg settled on the only honest reply she could offer. "Sweet dreams, Esme.

People have often asked me how we girls managed any privacy in a house with so many boys and no private rooms. It was difficult. We used to bathe with a washcloth from a pan of water. We would first start with our necks and faces and wash down as far as possible. Then we would wash the road dust from our feet and wash up as far as possible. Later, when the boys were out of the room, we would wash “possible.” It was these circumstances that led to a very embarrassing mishap that I have told very few people and would not relate here if it were not so funny. We had an outdoor bathroom, and there were times in the middle of the night when it was very inconvenient to dress and go out into the cold just to take a leak. For these times there was a little room, actually a closet, that had in it what was called a “slop jar” or “slop bucket.” It was actually an enameled pot with flared sides that was made to accommodate a woman squatting over it to do her business. The closet had no door as such, just a sort of curtain hung on a tight piece of wire. After dark when the fire had died down, it could afford some kind of privacy at least. One night when I was about sixteen or seventeen, I had been out on a date and got home fairly late. Everybody was already in bed, and I didn’t want to wake them and alert Mama and Daddy to the hour of my homecoming. I was absolutely bustin’ to pee, so I fumbled my way through the dark until I found the curtain to the closet and stepped inside. I dropped my panties and hiked up my skirt and assumed the position over the slop jar. I was feeling relieved in a physical sense and quite grown-up and somewhat smug that I “pulled it off,” so to speak. But suddenly, here in the middle of my little triumph, or more accurately here in the middle of my rump, came the cold nose of an unexpected intruder. A raccoon had gotten into the house, and unbeknownst to me, we were sharing the closet as well as a very intimate moment. When I felt that cold nose on my butt, I screamed bloody murder and literally peed all over myself. Of course I woke the whole house with my unscheduled concert. Daddy grabbed the poker to fend off an intruder. Mama started praying. The little kids cried, and the big kids just ran around confused. When everybody found out what had happened, they all had a good laugh at my expense. Except, of course, the raccoon. Once the lights were turned on, he acted like any man caught in a compromising position with a lady and bolted for the door. I often think of that moment at times when I’m feeling “too big for my britches,” and it tends to have a humbling effect.

Popular products from the tech boom— including violent and sexist video games that a generation of children has become addicted to—are designed with little to no input from women. Apple’s first version of its highly touted health application could track your blood-alcohol level but not menstruation. Everything from plus-sized smartphones to artificial hearts have been built at a size better suited to male anatomy. Facial recognition technology works far more accurately for white men than darker-skinned women. Social media platforms are hotbeds of online hate disproportionately targeted at girls and women, not simply because some humans are downright mean, but because of how men have designed the very systems that allow this hate to propagate. The exclusion of women matters—not just to job seekers, but to all of us.

My anxiety and desire for chocolate and revenge is kind of high right now.

At this point, I can boil down everything from previous chapters into two main lessons: 1. Part I: We are obsessed with gender, in every situation, with every person, whether it is relevant or not. We seem to make everything about boys versus girls. This division is less about gender per se and more about fitting people neatly into a category. The problem is that children latch on to gender and make it an important, and limiting, part of their lives. 2. Part II: Constant use of gender to define and the repeated quoting of “innate gender differences” is simply misguided. It doesn’t reflect actual gender differences or the accurate size of those gender differences (which are usually quite small). This matters because treating children differently can lead their brains to develop differently—in ways that permanently limit their capabilities.

It’s the media’s job to accurately reflect the world we live in, not distort it.

What people are saying about WAR EAGLES ​5 out of 5 stars! WW2 with a dash of fantasy! I really enjoyed stepping back in time as the race for air travel was developing. One could truly feel the passion these pilots and engineers had for these magnificent machines. The twist of stepping back into a land of Vikings and dinosaurs was very well executed. Well done to both the author and the narrator. ​ Reminiscent of Golden Age Sci Fi This audio book reminded me of some of the 40's and 50's era tales, but what it happens to be is an alternative timeline World War II era fun adventure story. Think of a weird mash-up of a screw-up Captain America wanna-be mixed with the Land of the Lost mixed with Avatar where Hitler is the real villain and you might come close. At any rate, it's load of good fun and non stop action. But don't get distracted for a minute or you'll miss something! There are american pilots, Polish spies, Vikings, giant prehistoric eagles and, of course, Nazis! What more could you ask for to while away an afternoon? Our hero even gets the (Viking) girl! Put your feet up an get lost in what might have been.... 4 out of 5 stars! it's Amelia Earnhart meets WWII This is not an accurate historical fiction book, but rather an action-packed book set an historical time. I normally listen to my books at a higher speed, however the amount of drama and action in this book I had to slow it down. I like the storyline and the narrator however, the sound effects throughout the book did kind of throw me since I'm not used to that and most audible books. still I would recommend this is a good read.​ 5 out of 5 stars! I Would Like to See this on the Silver Screen Back in the late 1930s, the director of King Kong started planning War Eagles as his next block buster film. Then World War II intervened and the project languished for decades. It helps to know this background to fully appreciate this novel. It’s a big cinematic adventure waiting to find the screen. The heroes are larger than life, but more importantly, the images are bigger and more vivid than the mighty King Kong who reinvented the silver screen. And what are those images you may ask? Nazis developing super-science weapons for a sneak attack on America, Viking warriors riding gargantuan eagles in a time-forgotten land of dinosaurs, and of course, those same Vikings fighting Nazis over the skyline of New York City. This book is a heck of a lot of fun. It starts a little bit slow but once the Vikings enter the story it chugs along at a heroic pace. There is a ton of action and colorful confrontations. Narrator William L. Hahn pulls out all the stops adding theatrical sound effects to his wide repertoire of voices which adds a completely appropriate cinematic feel to the entire story. If you’re looking for some genuinely heroic fantasy, you should try War Eagles. Wonderful story War Eagles is a really good adventure story. ​5 out of 5 stars!

For every difficult question of her childhood, for instance about sex or cancer, her father had answered legally accurately (preferably with Latin) and using obscure medical terms (‘lesion’ for tumour, ‘procedure’ for operation). So although he could never be accused of lying he could also never, quite, be understood.

Since no photos of me were published, I was curious about what photos would accompany the articles; a silhouette of a girl looking out a window, a teardrop on a cheek, duct tape over her mouth. All of this was accurate, in terms of the solitude, the silencing. But the incredible thing is that a victim is also the smiling girl in a green apron making your coffee, she just handed you your change. She just taught a class of first-graders. She has her headphones in, tapping her foot on the subway. Victims are all around you.

Is that him? The prince?” Nathaniel nodded. “If you can believe it, I used to fancy him. Then he went and grew that mustache. Or he murdered a gerbil and attached it to his face. For the life of me, I can’t tell which.” “She glanced at him in surprise. “I didn’t realize—then do you mean—” “I like girls too, Scrivener.” Amusement danced in Nathaniel’s eyes. “I like both. If you’re going to fantasize about my love life, I insist you do so accurately.” She frowned. “I am not fantasizing about your love life.” “Strange. This is unfamiliar territory. Young women are usually more than happy to devote a sizable portion of their brains to the task of contemplating my splendor.” “What about the ones who throw champagne in your face?” “That only happened once, thank you very much, and there were extenuating—” Suddenly, his cheer vanished.

I personally believed that the bathroom door should be kept shut at all times, ever since my hamster Skippy had escaped from his little cage and mysteriously drowned in my potty chair. My sister could do a dreadfully accurate imitation of the look on Skippy’s face when we found him, and she preferred to perform it at odd times, just so I would never forget that I was implicated in the death of an innocent rodent.

We live in a country where there are more than 60 million Latinos, making up almost a fifth of the American population. But we aren't the ones narrating our own story; rather we became subjects at the mercy of someone else finding us worthy of taking up space in the world. Until our history, struggles, and unique experiences are unearthed, the whole country will suffer because the American story will remain incomplete. It's incredible what our people have survived in this country, and how little Americans of all races, ethnicities, and backgrounds know about it. When our rich past is kept from us, it leaves people to believe that we belong somewhere else—outside this country. Without an accurate telling of our history, we cannot fully address problems that are rooted in the past. When we are viewed as foreigners, our issues become someone else's problems—not America's problems.

Arik had already gone two weeks longer than usual for this haircut because of an overseas business trip. Time to get back to his highest priority. “How long until Dominic is back?” “A week, maybe two. I told him to take his time. Granddad doesn’t often take time off, and he’s getting up there in years.” A few weeks? He’d look like a wildebeest if he waited that long. “That’s no good. I need a cut. Are there any male barbers available?” “Afraid to let a girl touch your precious hair?” She smirked. “I can peek at the schedule and see if we can squeeze you in this afternoon.” “I don’t have time to come back. I need it done now.” Usually when he used the word now, people jumped to do his bidding. She, on the other hand, shook her head. “Not happening, unless you’ve changed your mind and are willing to let me cut it.” “You’re a hairdresser.” “Exactly.” “I want a barber.” “Same thing.” Said the girl without a Y chromosome. “I think I’ll wait.” Arik turned away from her, only to freeze as she muttered, “Pussy.” If she only knew how right she was. But, of course, she didn’t mean the feline version. Pride made him pivot back. “You know what. On second thought, you may cut my hair.” “How gracious of you, Your Majesty.” She sketched him a mock bow. Not funny, even if accurate. He glared in reply. “I see someone’s too uptight for a sense of humor.” “I greatly enjoy comedy, when I hear it.” “Sorry if my brand of sarcasm is too simple for you to understand, big guy. Now, if you’re done, sit down so we can get this over with and send you and your precious hair back to your office.

I have said earlier that the typical attention span of a child is his age in minutes. If a parent or teacher expects that a ten-year-old should be able to focus uninterrupted for twenty or thirty minutes, those are unrealistic expectations. When the adult gets to the part of the questionnaire that says, “Often has difficulty sustaining attention in tasks or play activities,” she has to check off one of the following modifiers: always, often, sometimes, rarely, or never. Because of her expectation that a ten-year-old boy should be able to focus for twenty or thirty minutes, she is likely to check off always or often. Is this realistic? Will these kinds of answers lead to a diagnosis of ADD in a boy whose behaviour is perfectly normal? Two other statements on the questionnaire are, “Often leaves seat in classroom or in other situations in which remaining seated is expected,” and “Often has difficulty playing or engaging in leisure activities quietly.” Let’s imagine a December-born boy in grade one sitting with a January-born girl on each side of him. How will he appear? Does he have ADD? I have heard it suggested, and I completely agree, that no child should be assessed for ADD before the age of seven, and even that is pretty young. The “clay” is still very soft. In our modern schools, where we are in the business of making kids “normal” and measuring normalcy, our yardsticks may be flawed. Our standards for normal have two aspects: the tools we use for measuring, and the attitudes and expectations we bring to interpreting the results. We should have great humility when it comes to diagnosing kids. Are our tools accurate and our expectations realistic?

plant. Some girls started crying and asking me what was going on, like I’d actually have a clue, and whether the worst reports we were reading or watching on our phones were the accurate ones. But how could I know? I called my mom to see what was going on, but she never picked up. I sent her a text and never heard back. Same with my dad, but I never really expected to hear from him. I figured he was up to his ass in whatever nightmare was going on. Still, not hearing from my mom was what started to freak me out inside. I tried to keep it together, because I didn’t want to get as dramatic as those other girls, but it was hard. Supposedly, there was a flood at the plant and the power was off. Some people thought that meant there was nothing at all to worry about, while others were already talking meltdown. One boy whose dad worked at the plant was debating with one of our science teachers the difference between a meltdown and a melt-through, like this was just a regular, everyday physics class.

Learning from Incorrect Information The messages that society sends you are not always accurate. Females often hear that they should be kind, gentle, and sweet, whereas boys learn that they should be tough, strong, and unemotional. These messages can create much self-doubt and low self-esteem when someone doesn’t measure up to the ideal. Often, as a result, he or she develops social anxiety. Joella has two older brothers. When she was younger, she loved to ride her bike, climb trees, and play baseball with them. Because there were no other kids in the neighborhood, they usually let her tag along. When she entered fifth grade, however, her best friend told her that none of the boys would ever like her because she acted like a tomboy. She showed Joella a magazine article that stated that a girl should let boys feel smarter and make them feel more powerful by acting helpless. Even though it didn’t feel right to her, Joella started trying to be “girly.” But she couldn’t help hitting the ball farther and running faster than most boys; and she wanted to do well in the science fair even though she remembered the article advised girls not to. As a result of this conflict, Joella felt very unlikable. When she acted flirty and silly with the other girls, she felt false; but when she played baseball with the boys, she felt like she would never be feminine. She never knew how she should act. Soon, she became anxious in social situations and stopped playing baseball and going out with her female friends.

I visited McBeth’s eleventh and twelfth grade classes, which were both working on prototypes for projects they had approached through design thinking. One was a revitalization scheme for Toronto’s waterfront, and the other was creating an indoor agriculture system. The students were producing all sorts of creative solutions, from elaborate models of their waterfront developments to fish farms where the fish’s own waste would fertilize the plants that cleaned the water. It was loud, messy work. At one point, three girls were hand-sawing a piece of lumber balanced between two desks, and sawdust quickly coated their preppy uniforms and hair. With a few exceptions, all the students said they preferred to work without computers on this type of project. They felt they had more creative freedom, were less distracted, could be more accurate to their vision, and gained a better understanding of the scale and materials involved. It also seemed more fun. The groups building models and contraptions around the room were laughing and joking as they glued and taped and cut and broke things. The only ones working on computers were two girls who gave up on a model and decided to make an app instead. They sat side by side, quietly checking out the pricing options on various app-building websites, flipping over to Facebook whenever McBeth was out

That the spectrum is linear couldn’t be further from the truth. To get a more accurate perspective, I met Dr. Judith Gould at the Lorna Wing Centre for Autism. Judith is a chartered consultant clinical psychologist with more than forty years’ experience. She specializes in autism-spectrum disorders and learning disabilities. In the 1970s, with the late Dr. Lorna Wing, Judith came up with the term autism spectrum. Judith believes the key point to understand is that autism is a spectrum not because it is linear but because any factor can be present at any point. She said, “[In our study] we saw the classic autistic aloof person with repetitive rituals and elaborate routines. But we also saw children with aspects of social difficulties, communication difficulties, and imagination difficulties who didn’t fit in with [earlier] precise criteria. “These traits tended to be seen together, but you could have anything on the dimension: anything on the communication dimension, anything on the imagination dimension, and so on. At first we called it the autism continuum. Continuum implied severity from high to low, but that’s not what we meant. The spectrum would look like a rainbow because anything can happen at any point. The colors merge. “In terms of communication, people can come anywhere on the spectrum. There are those who only communicate their needs, and there are those who don’t realize the person they are with may be getting bored when they talk about special interests. Then you’ve got those with a highly intellectual, formal, little-professor communication style.