“
If Cameron kidnaps you, kills you, then buries your lifeless body in a shallow grave in the desert where your remains lay decomposing for several decades until they're accidentally discovered by some guy on a journey to awaken his spirit at the Salinas Pueblo Missions, can I have your iMac?"
I gaped at her. "You've really thought this out.
"I love your iMac."
"I love my iMac too, and you're not getting her."
"But you'll be decomposing.
”
”
Darynda Jones (Death and the Girl Next Door (Darklight, #1))
“
It was almost funny. Life seemed downright accidental in its brevity, and death a punch line to a lousy joke.
”
”
Maureen Johnson (The Name of the Star (Shades of London, #1))
“
We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment.
”
”
Paul Auster (The Invention of Solitude)
“
I totally kicked Ashman ass over there! I was all like hi-yah and you wanna piece of me? I was a super slayer! Buffy’s got nothing on me.”
…
“It was life and death out there, guys. Life and death. They just kept coming at me and I just kept putting them down … I mean, sure, I screamed like a girl a few times and accidentally stabbed myself at the beginning, but still.
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
It was what accidental deaths did to people, made everybody's sea floor irregular and uneven, causing tidal currents to collide, surge upward, thereby resulting in small yet volatile eddies churning at everybody's surface. (In the more dangerous cases, it created a lasting whirlpool in which the strongest swimmers could drown.)
”
”
Marisha Pessl (Special Topics in Calamity Physics)
“
2008: Drug overdoses, mostly from opiates, surpass auto fatalities as leading cause of accidental death in the United States.
”
”
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
“
That Man is the product of causes which had no prevision of the end they were achieving; that his origin, his growth, his hopes and fears, his loves and his beliefs, are but the outcome of accidental collocations of atoms; that no fire, no heroism, no intensity of thought and feeling, can preserve an individual life beyond the grave; that all the labours of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius, are destined to extinction in the vast death of the solar system, and that the whole temple of Man’s achievement must inevitably be buried beneath the débris of a universe in ruins—all these things, if not quite beyond dispute, are yet so nearly certain, that no philosophy which rejects them can hope to stand. Only within the scaffolding of these truths, only on the firm foundation of unyielding despair, can the soul’s habitation henceforth be safely built.
”
”
Bertrand Russell (Mysticism and Logic including A Free Man's Worship)
“
They did not believe death was accidental - life might be, but death was deliberate.
”
”
Toni Morrison (Sula)
“
And maybe it was more than that.
Maybe it was actually an unspoken instant agreement between the four women on the balcony: No woman should pay for the accidental death of this particular man. Maybe it was an involuntary, atavistic response to thousands of years of violence against women. Maybe it was for every rape, every brutal backhanded slap, every other Perry that had come before this one.
”
”
Liane Moriarty (Big Little Lies)
“
Boğazımıza kadar bok içindeyiz, bu doğru ve işte bu nedenle başımız dimdik yürüyoruz!
”
”
Dario Fo (Accidental Death of an Anarchist)
“
The truth is that Fate does not go out of its way to be dramatic. If you or I had the power of life and death in our hands, we should no doubt arrange some remarkably bright and telling effects. A man who spilt the salt callously would be drowned next week in the Dead Sea, and a couple who married in May would expire simultaneously in the May following. But Fate cannot worry to think out all the clever things that we should think out. It goes about its business solidly and unromantically, and by the ordinary laws of chance it achieves every now and then something startling and romantic. Superstition thrives on the fact that only the accidental dramas are reported.
”
”
A.A. Milne (Not That it Matters)
“
According to the Centers for Disease Control and Prevention, in the quarter century following the introduction of OxyContin, some 450,000 Americans had died of opioid-related overdoses. Such overdoses were now the leading cause of accidental death in America, accounting for more deaths than car accidents—more deaths, even, than that most quintessentially American of metrics, gunshot wounds. In fact, more Americans had lost their lives from opioid overdoses than had died in all of the wars the country had fought since World War II.
”
”
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
“
Shall we proceed, and ought I do so with my knife drawn?”
“You’d better keep it where it is for the moment,” he said. “Otherwise you might stab me to death accidentally.” .
“If I stab you to death,” she said, “it will not be accidental.
”
”
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
“
accidental shooting death, they argue, are just part of the price we pay for freedom ... and besides, that sort of thing would never happen to me; I'm too cool-headed.
”
”
Stephen King (Guns)
“
In Egypt: Under no conditions, under threat of death could anyone kill a cat. People were exceuted for even killing a cat accidentally. And when a cat died, the whole family, and probably their closest friends, went into mourning, the measure of their personal loss signalled by their shaving off their eyebrows.
”
”
Roger A. Caras (A Celebration of Cats)
“
Cats have a sort of game they play when they meet. A player alternates between watching the strange cat and ignoring her, grooming or examining everything around herself - a dead leaf, a cloud - with complete absorption. It is almost accidental how the two cats approach, a sidelong step and then the sitting again. This often ends in a flurry of spitting and slashing claws, too fast to see clearly, and then one or the other (or both) of the cats leap out of range. The game can have one exchange or many - and is not so different from the first meetings of women.
”
”
Kij Johnson (Fudoki (Love/War/Death, #2))
“
Unfortunately, motor vehicles are also responsible for 1.25 million accidental deaths every year (and more than ten times as many serious injuries),
”
”
Vaclav Smil (Energy: A Beginner's Guide (Beginner's Guides))
“
Why the hell did you think I was calling you?”
“I assumed you’d accidentally strangled one of your whores to death, or something equally kinky and awful, and you needed help disposing of the body.” She yawned and glanced around. “So, where is she?”
I stared at her, touched. “Would you really help me bury a body?” That was so fucking sweet. If Gamble ever gave me his blessing to bang his sister, I’d be all over her so fast.
”
”
Linda Kage (With Every Heartbeat (Forbidden Men, #4))
“
This particular type of road was a motorway. A motorway is the most advanced type of road there is, which as with most forms of human advancement essentially meant accidental death was considerably more probable.
”
”
Matt Haig (The Humans)
“
You think it’s just selfishness?’ ‘Just? Makes it sound trivial. All crime is caused by selfishness, I say. It’s the ‘Me first, my needs first’. Take that away and you’re about one step from paradise. Don’t ask me what the last step is, I don’t know, but it sounds good.
”
”
Peter Grainger (An Accidental Death (D.C. Smith #1))
“
Freshman year. We made it. And with only one body possession and one accidental death to our names
”
”
Simon Holt (Soulstice (The Devouring, #2))
“
About sixty percent of Shin’s class was assigned to the coal mines, where accidental death from cave-ins, explosions, and gas poisonings was common. Many miners developed black lung disease after ten to fifteen years of working underground. Most miners died in their forties, if not before. As Shin understood it, an assignment in the mines was a death sentence.
”
”
Blaine Harden (Escape From Camp 14: One Man’s Remarkable Odyssey from North Korea to Freedom in the West)
“
Yet for quixotic reasons--namely, that I enjoyed writing obits--I had decided to scale back on articles about city life in order to write exclusively about the city's dead. For even less money. It was a strange and inexplicable career move.
”
”
Avi Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian)
“
In time, the Navy would compile statistics showing that for a career Navy pilot, i.e., one who intended to keep flying for twenty years... there was a 23 percent probability that he would die in an aircraft accident. This did not even include combat deaths, since the military did not classify death in combat as accidental.
”
”
Tom Wolfe (The Right Stuff)
“
what happens at the cross is a “blessed exchange.” God gathers up all our sin, all our broken-ass junk, into God’s own self and transforms all that death into life. Jesus takes our crap and exchanges it for his blessedness.
”
”
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
“
had forgotten about the power of shadow-traveling—the way children of the Underworld could step into one shadow and appear from another, sometimes hundreds of miles away. Hades used to love sneaking up on me that way and yelling, “HI!” just as I shot an arrow of death. He found it amusing if I missed my target and accidentally wiped out the wrong city.
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
She was living in a time when historically it was permissible to smile like that above the face of someone who had died a violent death.
”
”
Ali Smith (The Accidental)
“
No se vive más o menos largamente feliz. Se es feliz. Punto final. Y la muerte no impide nada -es un accidente de la felicidad en este caso.
”
”
Albert Camus (A Happy Death)
“
They did not believe death was accidental—life might be, but death was deliberate.
”
”
Toni Morrison (Sula)
“
In her mother’s books, bad guys are knifed, drugged, strangled. Deaths that are intentional, premeditated, and dramatic. Nothing like an accidental allergic reaction.
”
”
Jesse Q. Sutanto (Vera Wong's Unsolicited Advice for Murderers (Vera Wong, #1))
“
All people suffer from the dread of death, but we are mostly troubled by the uncertainties of time and circumstance.
”
”
Roderick Graham (The Life of Mary: Queen of Scots: An Accidental Tragedy)
“
As soon as he was gone I blew my breath out and leaned back against the wall. Awkward. First the cop who’d arrested me, then the paramedic who’d kept me from accidentally killing myself. I didn’t even want to think what a third thing might be.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
2007: Purdue and three executives plead guilty to misdemeanor charges of false branding of OxyContin; fined $634 million. 2008: Drug overdoses, mostly from opiates, surpass auto fatalities as leading cause of accidental death in the United States. 2010:
”
”
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
“
Astfgl peered around through the swirling gas clouds. At least he was in the right place. The whole point about the end of the universe was that you couldn’t go past it accidentally.
The last few embers winked out. Time and space collided silently, and collapsed.
Astfgl coughed. It can get so very lonely, when you’re twenty million light-years from home.
“Anyone there?” he said.
YES.
The voice was right by his ear. Even demon kings can shiver.
“Apart from you, I mean,” he said. “Have you seen anybody?”
YES.
“Who?”
EVERYONE.
Astfgl sighed. “I mean anyone recently.”
IT’S BEEN VERY QUIET, said Death.
”
”
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
“
At daycare the next morning, I learned of the boy's accidental death. My throat tightened at the thought of the scream I'd heard: so it was him. It seemed he had been playing alone on an outside walkway, and he had gone over the railing. What was he seeing as he fell with that cry? It was nighttime; the glow of streetlamps, lighted windows, and neon signs must have streamed like water around his falling body. Perhaps he gazed in amazement at the unfamiliar torrents of lights, wondering where he was going.
”
”
Yūko Tsushima (Territory of Light)
“
There is only one way to be relieved from her service: death. I would like to avoid it.” “I see. You wouldn’t happen to have some wildly irrational reason for doing all this, would you? I love acts of futile insolence. They’re so whimsical!” Trying not to sound like a pansy, he admitted, “I no longer wish to kill for her.” “A vampire who doesn’t want to…kill? You don’t want to—” Cimil broke off, laughing hysterically. “That totally qualifies!
”
”
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
“
estimates, choking is the fourth most common cause of accidental death in America
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
falls are by far the leading cause of accidental deaths in those ages sixty-five and older
”
”
Peter Attia (Outlive: The Science and Art of Longevity)
“
An individual who drinks himself into a state of stuporous sickness runs the risk of succumbing to accidental death.
”
”
Louise Erdrich (The Round House)
“
That I have experienced my share of traumatic experiences, have survived abuse of various kinds, have faced near death from accidental circumstance and from violence...is not a card to play in gamified social interaction or a weapon to wield in battles over prestige. It is not what gives me a special right to speak, to evaluate, or to decide for a group. It is a concrete, experiential manifestation of the vulnerability that connects me to most of the people on this earth. It comes between me and other people not as a wall, but as a bridge.
”
”
Olúfẹ́mi O. Táíwò (Elite Capture: How the Powerful Took Over Identity Politics (And Everything Else))
“
From 2002 to 2008, the United States was fighting bloody wars in Afghanistan and Iraq; among active military personnel, there were an average 1,643 fatalities per year. But over the same stretch of time in the early 1980s, with the United States fighting no major wars, there were more than 2,100 military deaths per year. How can this possibly be? For one, the military used to be much larger: 2.1 million on active duty in 1988 versus 1.4 million in 2008. But even the rate of death in 2008 was lower than in certain peacetime years. Some of this improvement is likely due to better medical care. But a surprising fact is that the accidental death rate for soldiers in the early 1980s was higher than the death rate by hostile fire for every year the United States has been fighting in Afghanistan and Iraq. It seems that practicing to fight a war can be just about as dangerous as really fighting one. And,
”
”
Steven D. Levitt (SuperFreakonomics: Global Cooling, Patriotic Prostitutes And Why Suicide Bombers Should Buy Life Insurance)
“
There are fates worse than death,” he will tell you. “One fate worse than death is accidentally killing your own men. Another fate worse than death is going home alive when twenty-two others don’t.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
Philippe Ariès, in The Hour of Our Death, points out that the essential characteristic of death as it appears in the Chanson de Roland is that the death, even if sudden or accidental, “gives advance warning of its arrival.
”
”
Joan Didion (The Year of Magical Thinking)
“
flossing his teeth. He couldn’t go to bed without flossing his teeth. For some reason, Sarah had found this irritating. If Macon were condemned to death, she’d said once, and they told him he’d be executed by firing squad at dawn, he would no doubt still insist on flossing the night before. Macon, after thinking it over, had agreed.
”
”
Anne Tyler (The Accidental Tourist)
“
Leftists bruit about statistics on accidents where children are killed with revolvers. But these data are wildly exaggerated by including the shooting deaths of young, teenaged gang-bangers, whose deaths are certainly purposeful.
”
”
Walter Block (The Case for Discrimination)
“
Side effects of those very same prescription drugs are the third leading cause of death, behind heart disease and cancer. That’s right! Prescription drugs kill more people than traffic accidents. According to Dr. Barbara Starfield, writing in the Journal of the American Medical Association in 2000, “adverse effects of medications” (from drugs that were correctly prescribed and taken) kill 106,000 people per year.5 And that doesn’t include accidental overdoses.
”
”
T. Colin Campbell (Whole: Rethinking the Science of Nutrition)
“
The answer to all questions of life and death, "the absolute solution" was written all over the world he had known: it was like a traveller realising that the wild country he surveys is not an accidental assembly of natural phenomena, but the page in a book where these mountains and forests, and fields, and rivers are disposed in such a way as to form a coherent sentence; the vowel of a lake fusing with the consonant of a sibilant slope; the windings of a road writing its message in a round hand, as clear as that of one's father; trees conversing in dumb-show, making sense to one who has learnt the gestures of their language... Thus the traveller spells the landscape and its sense is disclosed, and likewise, the intricate pattern of human life turns out to be monogrammatic, now quite clear to the inner eye disentangling the interwoven letters. And the word, the meaning which appears is astounding in its simplicity: the greatest surprise being perhaps that in the course of one's earthly existence, with one's brain encompassed by an iron ring, by the close-fitting dream of one's own personality - one had not made by chance that simple mental jerk, which would have set free imprisoned thought and granted it the great understanding.
”
”
Vladimir Nabokov (The Real Life of Sebastian Knight)
“
No existe muerte natural: nada de lo que sucede al hombre es natural puesto que su sola presencia cuestiona al mundo. Todos los hombres son mortales: pero para todos los hombres la muerte es un accidente y, aunque la concozca y la acepte, es una violencia indebida.
”
”
Simone de Beauvoir (A Very Easy Death)
“
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave.
Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter.
Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note.
Got it.
The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath.
A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
“
The human species is over-developed into two strands, the clever and inventive, and the destructive and distressing, all stemming from evolutionary accidental surplus consciousness. We have developed to the point of outgrowing the once necessary God myth, confronting the accidental origins of everything and realizing that our individual lives end completely at death. We have to live and grow old with these sad and stubborn facts. We must sometimes look at the vast night sky and see our diminutive place reflected in it, and we realize that our species’ existence itself is freakishly limited and all our earthly purposes are ultimately for nought. We can never organize optimal living conditions for ourselves, and we realize that our complex societies contain abundant absurdities. World population increases, information overload increases and new burdens outweigh any benefits of material progress however clever and inventive we are.
”
”
Colin Feltham
“
I saw houses burned by the Mujahadeen, as well as disfigured bodies of prisoners they’d taken. But I saw other things too: villages destroyed by our shelling and bodies of women, killed by mistake. When you shoot at every rustling in the bushes, there’s no time to think about who’s there. But for an Afghan, it didn’t matter if his wife had been killed intentionally or accidentally. He went into the mountains to see revenge.
”
”
Vladislav Tamarov (Afghanistan: A Russian Soldier's Story)
“
Some would say that instead of the cross being about Jesus standing in for us to take the really bad spanking from God for our own naughtiness (the fancy theological term for this is substitutionary atonement), what happens at the cross is a “blessed exchange.” God gathers up all our sin, all our broken-ass junk, into God’s own self and transforms all that death into life. Jesus takes our crap and exchanges it for his blessedness.
”
”
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
“
Holy shit, Seb,” she mumbles. “You’re a freaking nuclear weapon.” It was just as good for her, then. Thank God. I nuzzle into her soft curls, breathing in her sweet apple scent. “My dick causes widespread death and destruction?” “It belongs in a fucking containment facility. Made of concrete. Buried fifty feet underground. Somewhere near the Earth’s core, where no poor, innocent girl will accidentally stumble across it and get fucked to pieces.” She twitches as an aftershock runs through her. “I think I’m dead. My vagina exploded.” I can’t help but laugh, pulling her closer, and she relaxes against me. Slowly, cautiously, her little arms sneak around my waist. It takes me a second to realise what she’s doing. She’s trying to hug me.
”
”
Lily Gold (Nanny for the Neighbors)
“
What's going on between us?"
I don't know. I rubbed my hand over my face before glancing at Echo. A hint of her cleavage peeked from her shirt. Damn, she was sexy as hell. I wanted her, badly. Would one night be enough, even if she gave it to me? Echo already felt like a heavy drug. The kind I avoided on purpose—crack, heroin, meth. The ones that screwed with your mind, crept into your blood and left you powerless, helpless. If she gave her body to me, would i be able to let go or would i be sucked into that black veil, hooks embedded into my skin, sentenced to death by the emotion i reserved for my brothers-love? "I want you."
"Do you? Really? Because these scars are sexy."
How did she see her self? "I don't give a fuck about your scars."
She stalked toward me, hips swaying side to side, eyes hardened with anger. Echo pushed her body agaist mine, parts of her fitting perfectly into parts of me. I swore under my breath, fighting for control over my body.
"How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?"
She pulled away from me, leaving my body cold after experiencing her warmth. "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?"
Her anger only fed mine. "For the last time I don't give a fuck about your scars."
"Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?"
She'd summed me up perfectly. I didn't love people-only my brothers. Echo deserved more. Better than me. One shot. Take it or go home. Kiss her and risk an attachment or leave her and watch some other guy enjoy what could have been mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot.
[The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing.
I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything.
I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true.
What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
”
”
Woody Allen
“
And life is but a dream.... Things happened in life, and you felt them, but it was all in your mind, the colors, the fear and anxiety. People surrounded you and houses did, and towns, but what you saw was not so important as what you felt. Life was one thing after another, a brief insanity, a series of inexplicable transitions that seemed at the time sensible, but at second sight ridiculous, a succession of unconnected incidents, accidental relationships.
”
”
John Dufresne (Deep in the Shade of Paradise)
“
He stares at me in disbelief. 'You know what? We're not fighting tonight. Not if you want to learn how to shield.'
'Fine. We're not fighting. Teach me.' I tilt my chin. Gods, I barely reach his collarbone.
'Ask me nicely.' He leans closer.
'Have you always been this tall?' I blurt the first thing that comes to mind.
'No, I was a a child at some point.'
I roll my eyes.
'Ask me nicely, Violence,' he whispers. 'Or I'm gone.'
...
'Right then. All right. Will you teach me to shield?'
A smile curves his mouth, and my gaze drops to his lips. 'Say please.'
'Are you always this difficult?'
'Only when I know I have something you need. What can I say, I like making you squirm. It's like a sweet little slice of payback for what you've put me through these last couple of months.' He brushes the snow off my hair.
'What I've put you through?' Unbelieveable.
'You've scared me nearly to death once or twice, so I think saying please is a fair request.'
Like he's ever played fair a day in his life. I take a deep breath, and swat at a snowflake that lands on my nose. 'As you prefer. Xaden?' I smile sweetly up at him and inch a little closer. 'Would you pretty, pretty please teach me how to shield before I accidentally climb you like a tree and we both wake up with regrets?'
'Oh, I'm firmly in control of my faculties.' He smiles again, and I feel it like a caress.
Dangerous. This is so damn dangerous.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Such, in outline, but even more purposeless, more void of meaning, is the world which Science presents for our belief. Amid such a world, if anywhere, our ideals henceforward must find a home. That Man is the product of causes which had no prevision of the end they were achieving; that his origin, his growth, his hopes and fears, his loves and his beliefs, are but the outcome of accidental collocations of atoms; that no fire, no heroism, no intensity of thought and feeling, can preserve an individual life beyond the grave; that all the labours of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius, are destined to extinction in the vast death of the solar system, and that the whole temple of Man's achievement must inevitably be buried beneath the debris of a universe in ruins--all these things, if not quite beyond dispute, are yet so nearly certain, that no philosophy which rejects them can hope to stand. Only within the scaffolding of these truths, only on the firm foundation of unyielding despair, can the soul's habitation henceforth be safely built.
”
”
Bertrand Russell
“
I love cheetahs. Every moment of every day is spent in fear of dying a terrible death yet they always carry themselves elegantly, remain loyal to their family, and never complain about anything.
”
”
Gregor Collins (The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann)
“
The banana flavour of his accidental conception, and the banana theme of his accidental death, now all seemed to conspire against him and rather suggest the universe, Mr Fate or whoever did have some sort of master plan after all. Despite all his earlier conjecturing, maybe the universe, Mr Fate or whoever was laughing its fat and meddling head at him. The outlandish evidence did seem to speak for itself, truly suggesting a mocking narrative devised by some mischievous author because quite simply a banana condom had brought Midnight into the world and a banana skin had seen him out. Putting those two seeming truths together, Midnight was once again forced to ask such confused and searching questions like:
What is this place, where am I heading? And what’s the deal with all the ruddy bananas?
”
”
Tom Conrad
“
That’s the ultimate anonymity. Me in a cabin in the woods somewhere. I imagine I’ll go to town once a week for groceries, make small talk with pleasant people that I will never get any closer to, and then go home.” “It sounds lonely,” he said. In the back of his head, he wondered if she didn’t have the right idea. “You can be lonely in a room full of people. And perfectly content in a cabin by yourself. It all depends on what you’re looking for in life.
”
”
B.E. Sanderson (Accidental Death: A Dennis Haggarty Mystery)
“
The morgue is a Victorian update of a system established by Alfred the Great. It's the place where certain deaths are resolved - those where the cause is unclear or is the result of some intended or accidental violence. The bodies are almost always victims in some way - of crime, suicides and car crashes, but also victims of loneliness. It's where you go if you die alone in your flat and your body lies undisturbed for days. It's where you go if no one knew you were dying and no GP attended your final hours. It's where you go if no loved one held your hand as you slipped away. In one way or another, then, all the people who pass through this room are the people who die screaming.
”
”
Stephen Armstrong
“
He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.
”
”
Steven Millhauser (Little Kingdoms (Vintage Contemporaries))
“
At the same time, medical experts of every persuasion agree that African Americans share the most deplorable health profile in the nation by far, one that resembles that of Third World countries. When Dr. Harold Freedman observed that the health status of Harlem men resembles that of Bangladeshis more closely than that of their Manhattan neighbors, he did not exaggerate. Twice as many African American babies as babies of other ethnic groups die before their first birthday. One and half times as many African American adults as white adults die every year. Blacks have dramatically higher rates of nearly every cancer, of AIDS, of heart disease, of diabetes, of liver disease, of infectious diseases, and they even suffer from higher rates of accidental death, homicide, and mental illness. Before they die young in droves from eminently preventable diseases, African Americans also suffer far more devastating but equally preventable disease complications, such as blindness, confinement to wheelchairs, and limb loss.
”
”
Harriet A. Washington (Medical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present)
“
Krook’s last lodger died there,” observes Mr. Guppy in an incidental way. “Did he though!” says Mr. Jobling. “There was a verdict. Accidental death. You don’t mind that?” “No,” says Mr. Jobling, “I don’t mind it; but he might as well have died somewhere else. It’s devilish odd that he need go and die at MY place!” Mr. Jobling quite resents this liberty, several times returning to it with such remarks as, “There are places enough to die in, I should think!” or, “He wouldn’t have liked my dying at HIS place, I dare say!
”
”
Charles Dickens (The Complete Works of Charles Dickens)
“
Our conceptual maps tend to lack a way to conceive the immanence of violence and power in the ideals and practices that have become dominant in the Western tradition. Mass death has tended to be conceived as something accidental, something outside the ordinary run of events. I think the difficulty in coming to terms with the peculiarities of the Western will to power has to do with the absence of a central metaphor capable of describing the link between consumption and death. The consumptive mentality has in many respects been normalized, as has the violence that underpins and is the effect of systems of universal judgment. Certainly the aestheticization of difference is coextensive with the romance with violence that has become so characteristic of contemporary Western society.
”
”
Deborah Root (Cannibal Culture: Art, Appropriation, And The Commodification Of Difference)
“
Faraday sighed. “Fatalities in parking lots made up 1.25 percent of all accidental deaths during the last days of the Age of Mortality. Last night I decided I would choose today’s subject from a parking lot.” “So all this time while we were shopping, you knew it would end with this?” Rowan said. “I feel bad for you,” said Citra. “Even when you’re food shopping, death is hiding right behind the milk.” “It never hides,” the scythe told them with a world-weariness that was hard to describe. “Nor does it sleep. You’ll learn that soon enough.
”
”
Neal Shusterman (Scythe (Arc of a Scythe, #1))
“
I'd never really believed in terrorists before--I mean, I knew that in the abstract there were terrorists somewhere in the world, but they didn't really represent any risk to me. There were millions of ways that the world could kill me--starting with getting run down by a drunk burning his way down Valencia--that were infinitely more likely and immediate than terrorists. Terrorists kill a lot fewer people than bathroom falls and accidental electrocutions. Worrying about them always struck me as about as useful as worrying about getting hit by lightning.
”
”
Cory Doctorow (Little Brother (Little Brother, #1))
“
My happiest moments are those when I think nothing, want nothing, and dream nothing, being lost in a torpor like some accidental plant, like mere moss growing on life's surface. I savour without bitterness this absurd awareness of being nothing, this foretaste of death and extinction.
”
”
Fernando Pessoa
“
Again and again Jesus had said they should preach forgiveness of sins in his name. Maybe Judas was destined to betray Jesus. Maybe it couldn’t have gone down in any other way than it did. But maybe Judas chose death too soon. Maybe he didn’t avail himself of the means of God’s grace, and maybe his community never sought him out and offered it. Maybe extending the Word of God’s forgiveness to Judas was simply too painful for the disciples because, like with the townspeople who became angry when the Gerasene demoniac was clothed and in his right mind, it was easier to identify Judas as the problem. Judas is the traitor…not us. Maybe Judas’s community failed him.
”
”
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
“
The product of causes ... his origin, his growth, his hopes and fears, his loves and his beliefs, are but the outcome of accidental collocations of atoms, that no fire, no heroism, no intensity of thought and feeling, can preserve an individual life beyond the grave; that all the labors of the ages, all the inspiration, all the noonday brightness of human genius are destined to extinction in the vast death of the solar system, that the whole temple of man's achievement must inevitably be buried beneath the debris of a universe in ruins—all these things, if not quite beyond dispute, are so nearly certain, that no philosophy which rejects them can hope to stand ...
”
”
Bertrand Russell
“
I’ve squandered plenty of ink arguing against the notion that God had to kill Jesus because we were bad. But when Caitlin said that Jesus died for our sins, including that one, I was reminded again that there is nothing we have done that God cannot redeem. Small betrayals, large infractions, minor offenses. All of it. Some would say that instead of the cross being about Jesus standing in for us to take the really bad spanking from God for our own naughtiness (the fancy theological term for this is substitutionary atonement), what happens at the cross is a “blessed exchange.” God gathers up all our sin, all our broken-ass junk, into God’s own self and transforms all that death into life.
”
”
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
“
I reach out and trace the dragon relic on his back, my fingers lingering on the raised silver scars, and he stiffens. They're all short, thin lines, too precise to be a whip, no rhyme or reason to their pattern but never intersecting. 'What happened?' I whisper, holding my breath.
'You really don't want to know.' He's tense, but doesn't move away from my touch.
'I do.' They don't look accidental. Someone hurt him deliberately maliciously, and it makes me want to hunt the person down and do the same to them.
His jaw flexes as he looks over his shoulder, and his eyes meet mine. I bite my lip, knowing this moment can go either way. He can shut me out like always or he can actually let me in.
'There's a lot of them,' I murmur, dragging my fingers down his spine.
'A hundred and seven.' He looks away.
The number makes my stomach lurch, and then my hand pauses. A hundred and seven. That's the number Liam mentioned. 'That's how many kids under the age of majority carry the rebellion relic.'
'Yeah.'
I shift so I can see his face. 'What happened, Xaden?'
He brushes my hair back, and the look that passes is over his face is so close to tender that it makes my heart stutter. 'I saw the opportunity to make a deal,' he says softly. 'And I took it.'
'What kind of deal leaves you with scars like that?'
Conflict rages in his eyes, but then he sighs. 'The kind where I take personal responsibility for the loyalty of the hundred and seven kids the rebellion's leaders left behind, and in return, we're allowed to fight for our lives in the Riders Quadrant instead of being put to death like our parents.' He averts his gaze. 'I chose the chance of death over the certainty.'
The cruelty of the offer and the sacrifice he made to save the others hits like a physical blow. I cradle his cheek and guide his face back to mine. 'So if any of them betray Navarre...' I lift my brows.
'Then my life is forfeit. The scars are a reminder.'
It's why Liam says he owes him everything. 'I'm so sorry that happened to you.' Especially when he wasn't the one who led the rebellion.
He looks at me like he sees into the very depths of who I am. 'You have nothing to apologise for.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.”
I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back.
“As charming as you are, how can that be?” I say.
He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.”
Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask.
“Well, there was you,” the prince says. “When we were children.”
“Me?” I ask incredulously.
“You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.”
I cannot help snorting over the sheer absurdity of his statement.
He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women.
He cannot expect me to believe he had real feelings. “Stop with your games.”
“Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.”
“You do like cruel women,” I say.
“Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show.
I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words.
“That resulted in my accidentally killing a person she liked better than me.”
“Oh,” I say. “That is three levels of unfortunate.”
“Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.”
The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?”
“Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.”
“Surely,” I say, wondering if he was. Wondering if I wanted him to be.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Ever more scholars see cultures as a kind of mental infection or parasite, with humans as its unwitting host. Organic parasites, such as viruses, live inside the body of their hosts. They multiply and spread from one host to the other, feeding off their hosts, weakening them, and sometimes even killing them. As long as the hosts live long enough to pass along the parasite, it cares little about the condition of its host. In just this fashion, cultural ideas live inside the minds of humans. They multiply and spread from one host to another, occasionally weakening the hosts and sometimes even killing them. A cultural idea – such as belief in Christian heaven above the clouds or Communist paradise here on earth – can compel a human to dedicate his or her life to spreading that idea, even at the price of death. The human dies, but the idea spreads. According to this approach, cultures are not conspiracies concocted by some people in order to take advantage of others (as Marxists tend to think). Rather, cultures are mental parasites that emerge accidentally, and thereafter take advantage of all people infected by them. This approach is sometimes called memetics. It assumes that, just as organic evolution is based on the replication of organic information units called ‘genes’, so cultural evolution is based on the replication of cultural information units called ‘memes’.1 Successful cultures are those that excel in reproducing their memes, irrespective of the costs and benefits to their human hosts. Most scholars in the humanities disdain memetics, seeing it as an amateurish attempt to explain cultural processes with crude biological analogies. But many of these same scholars adhere to memetics’ twin sister – postmodernism. Postmodernist thinkers speak about discourses rather than memes as the building blocks of culture.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
let me speak to th’ yet unknowing world How these things came about. So shall you hear Of carnal, bloody, and unnatural acts; Of accidental judgments, casual196 slaughters; Of deaths put on by cunning and forc’d cause; [375] And, in this upshot, purposes mistook Fall’n on th’ inventors heads—all this can I Truly deliver. Fortinbras
”
”
William Shakespeare (Hamlet)
“
And let me speak to th’ yet unknowing world How these things came about. So shall you hear Of carnal, bloody, and unnatural acts; Of accidental judgments, casual slaughters; Of deaths put on by cunning and forc’d cause; And, in this upshot, purposes mistook Fall’n on th’ inventors’ heads—all this can I Truly deliver. (5.2.371-78) The
”
”
William Shakespeare (Hamlet)
“
So often in the church, being a pastor or a "spiritual leader" means being the example of "godly living." A pastor is supposed to be the person who is really good at this Christianity stuff — the person others can look to as an example of righteousness. But as much as being the person who is the best Christian, who "follows Jesus" the most closely can feel a little seductive, it's simply never been who I am or who my parishioners need me to be. I'm not running after Jesus. Jesus is running my ass down. Yeah, I am a leader, but I'm leading them onto the street to get hit by the speeding bus of confession and absolution, sin and sainthood, death and resurrection — that is, the gospel of Jesus Christ. I'm a leader, but only by saying, "Oh, screw it. I'll go first.
”
”
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
“
Oh my God, Greg, you’re so weird. I love that about you, that you’re so weird.” Remember what I said before? About how girls like Madison are like elephants wandering around in the undergrowth, sometimes accidentally stomping chipmunks to death and not even noticing? This is what I was talking about. Because, honestly, the rational part of me knew for a rock-solid fact that I would never, ever get with Madison Hartner. But that was just the rational part of me. There’s always a stupid irrational part of you, too, and you can’t get rid of it. You can never completely kill off that tiny absurd spark of hope that this girl—against all odds, although she could date any guy at school, not to mention guys at college, and even though you look like the Oatmeal Monster and are a compulsive eater and suffer from constant congestion and say so many stupid things per day that it seems like a Stupid Things company is paying you to do it—this girl might like you. And so when that girl says, “You’re so weird, I love that about you,” it might feel good, it might actually feel amazing, but that’s just the weird chemical process that happens in your brain as you are being stomped to death by an elephant.
”
”
Jesse Andrews (Me and Earl and the Dying Girl)
“
What was taken by outsiders to be slackness, slovenliness or even generosity was in fact a full recognition of the legitimacy of forces other than good ones. They did not believe doctors could heal-- for them, none ever had done so. They did not believe death was accidental-- life might be, but death was deliberate. They did not believe Nature was ever askew-- only inconvenient. Plague and drought were as 'natural' as springtime. If milk could curdle, God knows robins could fall. The purpose of evil was to survive it and they determined (without ever knowing they had made up their minds to do it) to survive floods, white people, tuberculosis, famine and ignorance. They knew anger well but not despair, and they didn't stone sinners for the same reason they didn't commit suicide-- it was beneath them.
”
”
Toni Morrison (Sula)
“
To her, it seemed Calvin and Elizabeth had enjoyed a strange relationship - almost supernatural - like identical twins separated at birth who accidentally stumble upon each other in a foxhole and despite death all around, are amazed to discover that not only do they look alike and share a serious allergy to clams, but neither liked Dean Martin. "Really?" she imagined Calvin and Elizabeth saying to each other all the time. "Me, too!
”
”
Bonnie Garmus (Lessons in Chemistry)
“
Within, a cheerful bustle in the bar announced the near arrival of opening time. Eight ducks crossed the road in Indian file. A cat sprang up upon the bench, stretched herself, tucked her hind legs under her and coiled her tail tightly round them as though to prevent them from accidentally working loose. A groom passed, riding a tall bay horse and leading a chestnut with a hogged mane; a spaniel followed them, running ridiculously, with one ear flopped inside-out over his foolish head.
”
”
Dorothy L. Sayers (The Lord Peter Wimsey Mysteries Volume One: Whose Body?, Clouds of Witness, and Unnatural Death)
“
The exterior of the building was designed by architect Rafael Viñoly to have a sweeping curve, but this meant that all the reflective glass windows accidentally became a massive concave mirror—a kind of giant lens in the sky able to focus sunlight on a tiny area. It’s not often sunny in London, but when a sun-filled day in summer 2013 lined up with the recently completed windows, a death heat-ray swept across London. OK, it wasn’t that bad. But it was producing temperatures of nearly 200°F
”
”
Matt Parker (Humble Pi: A Comedy of Maths Errors)
“
And I sit there, watching him chomp breadsticks and regard the waterfall sullenly, thinking how there was a time, not too long ago, when with my formerly swollen hands, I could have snapped him in two. A time when I was afraid to lean against him if we were watching TV on the couch because I worried the weight of me was too much. That if I rolled over at night, I'd accidentally crush him to death. It was a ridiculous fear--I was never that big--but it kept me up nights. That and my own hunger.
”
”
Mona Awad (13 Ways of Looking at a Fat Girl)
“
while people go on chatting about a million and one things
I mostly sit and observe with ascended understandings
as they bring up the topic of death and of a person dying
I listen quietly while often accidentally smiling
at the absurdity of anybody ever believing in death
I don't mean to be insensitive towards a body's last breath
a higher Reality laid bare, bodily expiration is of no account
with this revelation incalculable life fears we surmount
the Sage is notorious for finding strange things funny
giggling at horrors and ridiculous events not so sunny
sometimes a straight face is merely for show
but spy the glint in his eye about a truth you don’t know
an unfounded assumption is that we only live once
not a Mystic throughout history has avowed this occurrence
Christian ones may not have mentioned being reborn again
they also didn't deny it—their teaching was kept plain
just as the Buddha intentionally avoided the God concept
ultimately not essential, under the rug reincarnation is swept
”
”
Jarett Sabirsh (Love All-Knowing: An Epic Spiritual Poem)
“
it must seem impossible that our robot could have changed so much. Maybe the RECOs were right. Maybe Roz really was defective, and some glitch in her programming had caused her to accidentally become a wild robot. Or maybe Roz was designed to think and learn and change; she had simply done those things better than anyone could have imagined. However it happened, Roz felt lucky to have lived such an amazing life. And every moment had been recorded in her computer brain. Even her earliest memories were perfectly clear. She could still see the sun shining through the gash in her crate. She could still hear the waves crashing against the shore. She could still smell the salt water and the pine trees. Would she ever see and hear and smell those things again? Would she ever again climb a mountain, or build a lodge, or play with a goose? Not just a goose. A son. Brightbill had been Roz’s son from the moment she picked up his egg. She had saved him from certain death, and then he had saved her. He was the reason Roz had lived so well
”
”
Peter Brown (The Wild Robot (The Wild Robot, #1))
“
As scientists would discover after Einstein’s death, Schwarzschild’s odd theory was right. Stars could collapse and create such a phenomenon, and in fact they often did. In the 1960s, physicists such as Stephen Hawking, Roger Penrose, John Wheeler, Freeman Dyson, and Kip Thorne showed that this was indeed a feature of Einstein’s general theory of relativity, one that was very real. Wheeler dubbed them “black holes,” and they have been a feature of cosmology, as well as Star Trek episodes, ever since.3 Black holes have now been discovered all over the universe, including one at the center of our galaxy that is a few million times more massive than our sun. “Black holes are not rare, and they are not an accidental embellishment of our universe,” says Dyson. “They are the only places in the universe where Einstein’s theory of relativity shows its full power and glory. Here, and nowhere else, space and time lose their individuality and merge together in a sharply curved four-dimensional structure precisely delineated by Einstein’s equations.”4 Einstein
”
”
Walter Isaacson (Einstein: His Life and Universe)
“
Let us beware of thinking that the world is a living being. Where should it expand? On what should it feed? How could it grow and multiply? We have some notion of the nature of the organic; and we should not reinterpret the exceedingly derivative, late, rare, accidental, that we perceive only on the crust of the earth and make of it something essential, universal, and eternal, which is what those people do who call the universe an organism. This nauseates me. Let us even beware of believing that the universe is a machine: it is certainly not constructed for one purpose, and calling it a 'machine' does it far too much honor. Let us beware of positing generally and everywhere anything as elegant as the cyclical movements of our neighboring stars; even a glance into the Milky Way raises doubts whether there are not far coarser and more contradictory movements there, as well as stars with eternally linear paths, etc. The astral order in which we live is an exception; this order and the relative duration that depends on it have again made possible an exception of exceptions: the formation of the organic. The total character of the world, however, is in all eternity chaos—in the sense not of a lack of necessity but of a lack of order, arrangement, form, beauty, wisdom, and whatever other names there are for our aesthetic anthropomorphisms. Judged from the point of view of our reason, unsuccessful attempts are by all odds the rule, the exceptions are not the secret aim, and the whole musical box repeats eternally its tune which may never be called a melody—and ultimately even the phrase 'unsuccessful attempt' is too anthropomorphic and reproachful. But how could we reproach or praise the universe? Let us beware of attributing to it heartlessness and unreason or their opposites: it is neither perfect nor beautiful, nor noble, nor does it wish to become any of these things; it does not by any means strive to imitate man. None of our aesthetic and moral judgments apply to it. Nor does it have any instinct for self-preservation or any other instinct; and it does not observe any laws either. Let us beware of saying that there are laws in nature. There are only necessities: there is nobody who commands, nobody who obeys, nobody who trespasses. Once you know that there are no purposes, you also know that there is no accident; for it is only beside a world of purposes that the word 'accident' has meaning. Let us beware of saying that death is opposed to life. The living is merely a type of what is dead, and a very rare type. Let us beware of thinking that the world eternally creates new things. There are no eternally enduring substances; matter is as much of an error as the God of the Eleatics. But when shall we ever be done with our caution and care? When will all these shadows of God cease to darken our minds? When will we complete our de-deification of nature? When may we begin to 'naturalize' humanity in terms of a pure, newly discovered, newly redeemed nature?
”
”
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
Children fell under wagon wheels and were crushed to death or crippled for life. They wandered off into the tall grass and were never seen again. Occasionally they were abducted by Native Americans. Much more frequently they drowned when swept away by rivers their families were trying to ford. Drowning incidents were so common, in fact, that some mothers wrote their children’s names in indelible ink on labels and sewed the labels into their children’s clothes. It didn’t prevent them from drowning, but it sometimes allowed a grieving mother to identify a body that had been in the water too long. Children were bitten by rattlesnakes, struck by lightning, trampled by unruly oxen or horses, pummeled by hailstones as large as turkey eggs, and shot by the nearly daily accidental discharges of the guns that their fathers carried. They died of measles, diphtheria, whooping cough, influenza, tuberculosis, typhoid fever, malaria, infected cuts, food poisoning, mumps, and smallpox. Perhaps the only break that mothers on the Platte River Road had that summer was that it wasn’t yet 1849, when Asiatic cholera would kill thousands along this same stretch of trail, the graves in some places averaging one every two hundred feet.
”
”
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
“
Failure to act in a crisis is tantamount to accepting a dreadful outcome. I must try to save myself before a rash personal act stubs me out reminiscent of a sucked dry cigarette. I lack a disciplined mind to engage in rigorous study. I am an accidental psychologist, an unreliable philosopher, an unscrupulous self-ethnographer, a crackpot cultural anthropologist, an untrustworthy historian, and a deceitful reporter whom surrounded himself with a facade of untruths, delusions, and illusions. I need to gather personal willpower and attempt my level best to tackle my greatest obstacle – a personal penchant to parley with self-destructive behavior. I seek to penetrate the barriers of constructed falsehoods and reveal the brutal truth of why my soul is so tarnished, engage in many acts of contrition, and atone for a wasteful life. My goal is to construct a living philosophy that will sustain me through all stages of life. I shall use whatever resources are available to me including an intuitive belief in free will to design a self-rescue plan. I must obliterate all vestiges of narcissistic and selfish persona by slaying the ego and dissolving a grotesque sense of self that is preoccupied with the past and fearful of the future.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
A conversation that took place between two American women describes this intimate relationship between physical and immaterial forms of dying. One of these women came to see me soon after her only child, a twenty-year-old son, died from an accidental drug overdose. We spoke of ways to help her live with this tragic loss. About two years later, this woman’s best friend found herself struggling through a very painful divorce. The first woman explained to her friend: My son is never coming back. I entertain no fantasies about this. My relationship to myself and to how I relate to the world has changed forever. But the same is true for you. Your sense of who you are, of who is there for you and who you will travel through life with, has also changed forever. You too need to grieve a death. You are thinking that you have to come to terms with this intolerable situation outside of yourself. But just as I had to allow myself to die after my son’s death, you must die to a marriage that you once had. We grieve for the passing of what we had, but also for ourselves, for our own deaths. The profound misfortune of the death of this woman’s son opened her heart to an exploration of impermanence and death that went far beyond her own personal story.
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Yongey Mingyur (In Love with the World: What a Buddhist Monk Can Teach You About Living from Nearly Dying)
“
Monch was on no simple retreat. The journey he had plotted for himself was much longer, and took him many buckets away from Appollon to Angarr's Sorrow, the land of fetid bogs in southeastern Sarthiss. This was a world far away from everything he knew... from everyone he knew. Granted, the list of people he knew was exceptionally short, especially since Monch was horrible with names and only slightly less horrible with faces. Regardless, he did not wish to accidentally advertise his inexperience to anyone he might possibly know, which is why he travelled so far afield.
There were ruins in the swamps, ruins hidden under years of neglect and heavy with decay. Things lurked in those ruins, inhuman beasts with forbidden hungers. He intended to use the dangers of the swamps as the whetstone that would hone his abilities to a razor-keen edge. Monch would test his blade against and come back all the stronger...
...or dead.
No... that wasn't right. Given the fact that he was immortal, death really wasn't an option. So then, he would come back stronger...
...or something something horrible. Monch decided to fill in those particular details later on, when he had time to ponder his autobiography at length. He would tidy up that particular idiom later.
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D.F. Monk (Tales of Yhore: The Chronicles of Monch)
“
The onset of catastrophe is not signaled by the sense of falling through the dark to an accidental death: everything, including a catastrophe, has a moment-by-moment structure - a structure that is beyond measurement or comprehension, one that is maddeningly complex or must be conceived in quite another manner, in which the degree of complexity can be articulated only in terms of images that seem impossible to conjure - visible only if time has slowed down to the point that we see the world as indifferent owing to the available circumstances and having doomed preconditions that arrive at a perfect universal conclusion, if only because they are composed of individual intentions - because the moment is the result of unconscious choices, because a key doesn't automatically fit into the ignition, because we do not start into third gear and move down to second but we start in second and move into third, rolling down the hill then turning onto a highway above the village, because the distance before us is like looking down a tunnel, because the greenery on the boughs still smells of morning dew, because of the death of a dog and someone's badly executed maneuver when turning left, that is to say because of one choice or another, of more choices and still more choices ad infinitum, those maddening had-we-but-known choices impossible to conceptualize because the situation we find ourselves in is complicated, determined by something that is in the nature of neither God nor the devil, something whose ways are impenetrable to us and are doomed to remain so because chance is simply a matter of choosing, but the result of that which might have happened anyway.
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László Krasznahorkai (The World Goes On)
“
On 28 June 1914 the heir to the throne, Archduke Franz Ferdinand, was assassinated in Sarajevo, capital of Bosnia, a heartland of the South Slavs. Philosophers refer to ‘the inevitable accident’, and this was a very accidental one. Some young Serb terrorists had planned to murder him as he paid a state visit. They had bungled the job, throwing a bomb that missed, and one of them had repaired to a café in a side street to sort himself out. The Archduke drove to the headquarters of the governor-general, Potiorek (where he was met by little girls performing folklore), and berated him (the two men were old enemies, as the Archduke had prevented the neurasthenic Potiorek from succeeding an elderly admirer as Chief of the General Staff). The Archduke went off in a rage, to visit in hospital an officer wounded by the earlier bomb. His automobile moved off again, a Count Harrach standing on the running board. Its driver turned left after crossing a bridge over Sarajevo’s river. It was the wrong street, and the driver was told to stop and reverse. In reverse gear such automobiles sometimes stalled, and this one did so - Count Harrach on the wrong side, away from the café where one of the assassination team was calming his nerves. Now, slowly, his target drove up and stopped. The murderer, Gavrilo Princip, fired. He was seventeen, a romantic schooled in nationalism and terrorism, and part of a team that stretches from the Russian Nihilists of the middle of the nineteenth century, exemplified especially in Dostoyevsky’s prophetic The Possessed and Joseph Conrad’s Under Western Eyes. Austria did not execute adolescents and Princip was young enough to survive. He was imprisoned and died in April 1918. Before he died, a prison psychiatrist asked him if he had any regrets that his deed had caused a world war and the death of millions. He answered: if I had not done it, the Germans would have found another excuse.
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Norman Stone (World War One: A Short History)
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…illuminates the flow of my writing, perhaps too nervous for a future reader to decipher. Perhaps this diary will come to light many, many years after my death, when our language will have undergone who knows what transformations, and some words and expressions I use normally will seem outdated and of ambiguous meaning. In any case, the person who finds this diary will have one certain advantage over me: with a written language it is always possible to reconstruct a dictionary and grammar, isolate sentences and transcribe them or paraphrase them in another language, whereas I am trying to read in the succession of things presented to me every day the world’s intentions toward me, and I grope my way, knowing that there can exist no dictionary that will translate into words the burden of obscure allusions that lurk in these things. I would like this hovering of presentiments and suspicions to reach the person who reads me not as accidental obstacles to understanding what I write, but as its very substance; and if the process of my thoughts seem elusive to him, who setting out from radically changed mental habits, will seek to follow it, the important thing is that I convey to him the effort I am making to read between the lines of things the evasive meaning of what is in store for me.
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Italo Calvino (If on a Winter’s Night a Traveler)
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The materialistic views of our day have a tendency which we can discern in archaic thought. Both lead to the conclusion that the individual is a mere resultant; in the first case, he is the resultant of natural causes, and in the second, of chance occurrences. According to both accounts, human individuality is nothing in its own right, but rather the accidental product of forces contained in the objective environment. This is through and through the archaic conception of the world according to which the single human being is never considered unique, but always interchangeable with any other and easily dispensable. By way of a narrow view of causality, modern materialism has returned to the standpoint of archaic man. But the materialist is more radical, because he is more systematic, than primitive man. The latter has the advantage of being inconsistent; he makes an exception of the mana personality. In the course of history these mana personalities were exalted to the position of divine figures; they became heroes and kings who shared in the immortality of the gods by eating of their rejuvenating food. This idea of the immortality of the individual and of his imperishable worth is to be found in primitive societies, first of all in the belief in ghosts, and then in myths of the age when death had not yet gained an entrance into the world through human carelessness or folly.
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C.G. Jung (Modern Man in Search of a Soul)
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Statistical discrimination explains why the police in the United States justify stopping black drivers more often. And how the Hindu majoritarian government of the state of Uttar Pradesh recently explained why so many of the people “accidentally” killed by the state police (in what are called “encounter deaths”) are Muslim. There are more blacks and Muslims among criminals. In other words, what looks like naked racism does not have to be that; it can be the result of targeting some characteristic (drug dealing, criminality) that happens to be correlated with race or religion. So statistical discrimination, rather than old-fashioned prejudice—what economists call taste-based discrimination—may be the cause. The end result is the same if you are black or Muslim, though. A recent study on the impact of “ban the box” (BTB) policies on the rate of unemployment of young black men provides a compelling demonstration of statistical discrimination. BTB policies restrict employers from using application forms where there is a box that needs to be checked if you have a criminal conviction. Twenty-three states have adopted these policies in the hope of raising employment among young black men, who are much more likely to have a conviction than others and whose unemployment rate is double the national average.31 To test the effect of these policies, two researchers sent fifteen thousand fictitious online job applications to employers in New Jersey and New York City, just before and right after the states of New York and New Jersey implemented the BTB policy.32 They manipulated the perception of race by using typically white or typically African American first names on the résumés. Whenever a job posting required indicating whether or not the applicant had a prior felony conviction, they also randomized whether he or she had one. They found, as many others before them, clear discrimination against blacks in general: white “applicants” received about 23 percent more callbacks than black applicants with the same résumé. Unsurprisingly, among employers who asked about criminal convictions before the ban, there was a very large effect of having a felony conviction: applicants without a felony conviction were 62 percent more likely to be called back than those with a conviction but an otherwise identical résumé, an effect similar for whites and blacks. The most surprising finding, however, was that the BTB policy substantially increased racial disparities in callbacks. White applicants to BTB-affected employers received 7 percent more callbacks than similar black applicants before BTB. After BTB, this gap grew to 43 percent. The reason was that without the actual information about convictions, the employers assumed all black applicants were more likely to have a conviction. In other words, the BTB policy led employers to rely on race to predict criminality, which is of course statistical discrimination.
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Abhijit V. Banerjee (Good Economics for Hard Times: Better Answers to Our Biggest Problems)
“
Let us beware.— Let us beware of thinking that the world is a living being. Where should it expand? On what should it feed? How could it grow and multiply? We have some notion of the nature of the organic; and we should not reinterpret the exceedingly derivative, late, rare, accidental, that we perceive only on the crust of the earth and make of it something essential, universal, and eternal, which is what those people do who call the universe an organism. This nauseates me. Let us even beware of believing that the universe is a machine: it is certainly not constructed for one purpose, and calling it a “machine” does it far too much honor. Let us beware of positing generally and everywhere anything as elegant as the cyclical movements of our neighboring stars; even a glance into the Milky Way raises doubts whether there are not far coarser and more contradictory movements there, as well as stars with eternally linear paths, etc. The astral order in which we live is an exception; this order and the relative duration that depends on it have again made possible an exception of exceptions: the formation of the organic. The total character of the world, however, is in all eternity chaos—in the sense not of a lack of necessity but of a lack of order, arrangement, form, beauty, wisdom, and whatever other names there are for our aesthetic anthropomorphisms. Judged from the point of view of our reason, unsuccessful attempts are by all odds the rule, the exceptions are not the secret aim, and the whole musical box repeats eternally its tune2 which may never be called a melody—and ultimately even the phrase “unsuccessful attempt” is too anthropomorphic and reproachful. But how could we reproach or praise the universe? Let us beware of attributing to it heartlessness and unreason or their opposites: it is neither perfect nor beautiful, nor noble, nor does it wish to become any of these things; it does not by any means strive to imitate man. None of our aesthetic and moral judgments apply to it. Nor does it have any instinct for self-preservation or any other instinct; and it does not observe any laws either. Let us beware of saying that there are laws in nature. There are only necessities: there is nobody who commands, nobody who obeys, nobody who trespasses. Once you know that there are no purposes, you also know that there is no accident; for it is only beside a world of purposes that the word “accident” has meaning. Let us beware of saying that death is opposed to life. The living is merely a type of what is dead, and a very rare type. Let us beware of thinking that the world eternally creates new things. There are no eternally enduring substances; matter is as much of an error as the God of the Eleatics. But when shall we ever be done with our caution and care? When will all these shadows of God cease to darken our minds? When will we complete our de-deification of nature? When may we begin to “naturalize” humanity in terms of a pure, newly discovered, newly redeemed nature?
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Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
Joël describes here, in unmistakable symbolism, the merging of subject and object as the reunion of mother and child. The symbols agree with those of mythology even in their details. There is a distinct allusion to the encircling and devouring motif. The sea that devours the sun and gives birth to it again is an old acquaintance. The moment of the rise of consciousness, of the separation of subject and object, is indeed a birth. It is as though philosophical speculation hung with lame wings on a few primordial figures of human speech, beyond whose simple grandeur no thought can fly. The image of the jelly-fish is far from accidental. Once when I was explaining to a patient the maternal significance of water, she experienced a very disagreeable sensation at this contact with the mother-complex. “It makes me squirm,” she said, “as if I’d touched a jelly-fish.” The blessed state of sleep before birth and after death is, as Joël observes, rather like an old shadowy memory of that unsuspecting state of early childhood, when there is as yet no opposition to disturb the peaceful flow of slumbering life. Again and again an inner longing draws us back, but always the life of action must struggle in deadly fear to break free lest it fall into a state of sleep. Long before Joël, an Indian chieftain had expressed the same thing in the same words to one of the restless white men: “Ah, my brother, you will never know the happiness of thinking nothing and doing nothing. This is the most delightful thing there is, next to sleep. So we were before birth, and so we shall be after death.”34
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C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
“
Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth.
This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size.
There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back.
This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils.
The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations.
It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did.
"We are a king who knows how to be king," said the king.
And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated.
"We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar."
. . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t."
. . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use.
Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you."
The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.
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Hugh Cook (The Wordsmiths and the Warguild)