Accessories For Women Quotes

You know, lieutenant, you wear your weapon the way other women wear pearls." "It's not a fashion accessory.

Peace is the number one beautiful ornament you can wear, I really believe that. They say you should always wear a smile, but I don't believe that you should "always" wear a smile, seriously, you're going to look stupid! But peace, you should always carry peace within you, its the most beautifying thing you could ever have or do. Peace makes your heart beautiful and it makes you look beautiful, too. You want to have perfect physical posture when you stand, sit, and walk, and peace is the perfect posture of the soul, really. Try perfect posture outside as well as inside. Peace creates grace and grace gives peace.

A girl without braids is like a city without bridges.

Confidence is the sexiest accessory. - Kailin Gow

Men who care passionately for women attach themselves at least as much to the temple and to the accessories of the cult as to their goddess herself.

This is how most relationships must end, I think. Slow and without drama or pandemonium, without reason: just two people who become accessories to the bland survival of the everyday.

Pleasantly bustling shoppers streamed past us on Bond Street - smart-suited men and well-heeled women whose commitment to luxury goods glazed over their eyes like a bad case of malaria.

Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.

How are you supposed to be believed about the harm that you experience when people don't even believe that you exist? The assumption is that being a masculine man or a feminine woman is normal, and that being "us" is an accessory. Like if you remove our clothing, our makeup, and our pronouns, underneath the surface we are just men and women playing dress-up.

I just think some books are instructions on why women are dirt or hardly exist at all except as accessories or are inherently evil and empty.

​As a little girl, a woman is groomed to become a wife and a mother. She is trained to always make wise decisions, yet there will forever be limits and boundaries. As I look back, I remember being told what I could and could not do, simply because I was a girl. A little girl is told she cannot act like a boy; if she does, she will be classified as a “tomboy”. Climbing trees was prohibited, instead, she was taught to put a baby doll in a stroller and take the doll for a walk. She couldn’t sit as she pleased; she was told to only sit with her ankles crossed. Girls were given a kitchen playset that was equipped with a stove, sink, and an accessory set of play food dishes, pots, and pans, etc., along with a tea set to bring out the “elegance” in them. As the saying goes, “Girls are sugar and spice, and everything nice.” I’m taken aback by how girls are groomed to be a certain way; however, boys are able to love life and live freely without limitations and criticism.

People spend money they don’t have on clothes and accessories they don’t need to fill a void. No matter how much they invest in their own physical reconstruction (or in some cases deconstruction), they are still unhappy with who they see in the mirror. Don’t get me wrong. We all do things to enhance our personal appearance, some more than others. But changing what’s on the outside will not resolve deep-rooted issues.

It is best if your compliments are actually about her, such as how interesting she is, how good she makes you feel, how much fun she is to be around, and so on, rather than any of her accessories. Anyone can notice a pair of earrings, for example, but you are not really interested in them anyway.

You ought to get out more. You know, Pérol, we should go out some evening, just you and me. Otherwise, you lose touch with reality. You know what I mean? You lose your sense of reality, and hey presto, you don't know which shelf you left your soul on. The shelf where you put your friends. The shelf where you put your women. Stage right, stage left. Or in the shoebox. You turn around and you find you're stuck in the bottom drawer, with the accessories.

I was beginning to suspect that the main difference between rich women and whores lay mostly in the accessories.

Turnoffs: the word conflate and women who think a small dog in a purse is a fashion accessory.

My mother's advertising firm specialized in women's accessories. All day long, under the agitated and slightly vicious eye of Mathilde, she supervised photo shoots where crystal earrings glistened on drifts of fake holiday snow, and crocodile handbags-unattended, in the back seats of deserted limousines-glowed in coronas of celestial light. She was good at what she did; she preferred working behind the camera rather than in front of it; and I knew she got a kick out of seeing her work on subway posters and on billboards in Times Square. But despite the gloss and sparkle of the job (champagne breakfasts, gift bags from Bergdorf's) the hours were long and there was a hollowness at the heart of it that-I knew-made her sad.

Education, in order to keep up the mighty delusion, encourages a species of ignorance. People are not taught to be really virtuous, but to behave properly. We are wicked because we are frightfully self-conscious. We nurse a conscience because we are afraid to tell the truth to others; we take refuge in pride because we are afraid to tell the truth to ourselves. How can one be serious with the world when the world itself is so ridiculous! The spirit of barter is everywhere. Honour and Chastity! Behold the complacent salesman retailing the Good and True. One can even buy a so-called Religion, which is really but common morality sanctified with flowers and music. Rob the Church of her accessories and what remains behind? Yet the trusts thrive marvelously, for the prices are absurdly cheap, --a prayer for a ticket to heaven, a diploma for an honourable citizenship. Hide yourself under a bushel quickly, for if your real usefulness were known to the world you would soon be knocked down to the highest bidder by the public auctioneer. Why do men and women like to advertise themselves so much? Is it not but an instinct derived from the days of slavery?

Slim young women were swathed in chic black dresses, here to attend a ceremony in one of the hotel’s many reception rooms. They wore small but expensive accessories, like vampire finches in search of blood, longing for a hint of light they could reflect.

I loved that sports gave women a reason to be unpretty, in the traditional sense. It made stamina, strength, endurance, and mental toughness attractive. Flushed cheeks were your makeup, muscles your accessory, and sweat your glitter. I fit in well in this fashion runway show.

On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.

Once again, it's a beautiful day to be a pirate," Auburn Sally said to her crew. "Ladies, lower the sales!" The twins looked up, expecting the sails above them to comedown and fill with the ocean air. Instead, Siren Sue peeked out of the crow's nest with a treasure chest full of scarves, jewelry, hooks, and weapons. The other pirates gathered below her with hands full of gold coins. "You heard the captain - time to lower the sales!" Siren Sue announced. "For a limited time, everything is half off!" Scarves are two coins, earring are four coins, necklaces are six coins, and the rifles are eight coins! Get your accessories while the sales are low!" Siren Sue sold off the items to the pirates below until there was nothing left in her chest. The women ogled their new purchases and showed them off to one another. It absolutely baffled Alex, and when she glanced at Conner, he looked just as confused as she did. "I don't understand what's happening," he said. "I never wrote that." "Did you mean to write lower the sails?" Like the normal sails on a ship?" Alex said. "Oops," Conner said. "I must have spelled it wrong." To his relief, once the sales were over, the pirates lowered the sails, too.

I've been eager to make your acquaintance, Dr. Gibson. What an exceptional creature you are. The only woman admitted to the honors of this soiree on her own merit, rather than as some gentleman's accessory." "Accessory?" Garrett repeated, her brows lifting. "I hardly think the ladies present deserve to be described that way." "It is the role most women choose for themselves." "Only for lack of opportunity.

When media criticizes Ciara’s faux locs and then calls the same hairstyle edgy on a Kardashian, what message is being sent to young girls of color? If bandannas are a hot new accessory for young white women in the pages of Elle and a reason to throw handcuffs on a Latina in high school, then what message is received? What impact does it have to pretend that cornrows on white women are the same as a weave on Black women when only one is likely to lose their job over a hairstyle? We know colorism exists, but do we grasp the ways that the message that lighter skin is better are reinforced before we criticize bleaching? It’s important to remember that this is all happening within a society that privileges lighter skin over darker skin, that prioritizes able bodies over disabled bodies, that sees being cisgender as the only option. Although not everyone will develop mental illnesses around their body image as a result of this environment, for those who do, the illness is often reinforced

The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.

For after all there he was, he was charming, he was loveable, he was terribly desirable. But - but - oh, the awful looming cloud of that but! - he did not stand firm in the landscape of her life like a tower of strength, like a great pillar of significance. No, he was like a cat on has about the house, which will one day disappear and leave no trace. He was like a flower in the garden, trembling in the wind of life, and then gone, leaving nothing to show. As an adjunct, as an accessory, he was perfect. Many women would have adored to have him about her all her life, the most beautiful desirable of all her possessions.

Christian disciples are sent men and women—sent out in the same work of world evangelism to which the Lord was sent, and for which he gave his life. Evangelism is not an optional accessory to our life. It is the heartbeat of all that we are called to be and do. It is the commission of the church that gives meaning to all else that is undertaken in the name of Christ. With this purpose clearly in focus, everything that is done and said has glorious fulfillment of God’s redemptive purpose—educational institutions, social programs, hospitals, church meetings of any kind—everything done in the name of Christ has its justification in fulfilling this mission.

Sensuality is the core of what makes a woman’s soul and body come alive. When we treat sensuality as the extension or accessory which is used to contribute, in a secondary manner, to her feminine essence, we miss the biggest opportunity of knowing what it truly means to be alive. Truth is, when a woman’s soul and body come alive, what it does is it gives meaning to life. Without that, life has no meaning at all, we’re just careening from wall to wall and managing to survive. The whole experience of life becomes depressing. This is why I’m working so diligently and passionately to help activate women’s sensuality, because without it we are just living corpses.

Mama, before she got married, according to Aunt Emilia, was a firecracker, a tempestuous redhead, with thoughts of her own about liberty and equality for women. But then along came Papa, very serious and tall, with thoughts of his own too, about... liberty and equality for women. The trouble was in the coinciding subject matter. There was a collision. And nowadays Mama sews and embroiders and sings at the piano and makes little cakes on Saturdays, all like clockwork and cheerfully, She has ideas of her own, still, but they all come down to one: a wife should always go along with her husband, as the accessory goes along with the principal (my analogy, the result of Law School classes).

I had never said that we shouldn’t read Lolita. I’ve read it more than once. I joked that there should be a list of books no woman should read, because quite a few lionized books are rather nasty about my gender, but I’d also said “of course I believe everyone should read anything they want. I just think some books are instructions on why women are dirt or hardly exist at all except as accessories or are inherently evil and empty.” And then I’d had fun throwing out some opinions about books and writers. But I was serious about this. You read enough books in which people like you are disposable, or are dirt, or are silent, absent, or worthless, and it makes an impact on you. Because art makes the world, because it matters, because it makes us. Or breaks us.

She flung her arms round Troy's neck, exclaiming wildly from the deepest deep of her heart— "Don't—don't kiss them! O, Frank, I can't bear it—I can't! I love you better than she did: kiss me too, Frank—kiss me! You will, Frank, kiss me too!" There was something so abnormal and startling in the childlike pain and simplicity of this appeal from a woman of Bathsheba's calibre and independence, that Troy, loosening her tightly clasped arms from his neck, looked at her in bewilderment. It was such an unexpected revelation of all women being alike at heart, even those so different in their accessories as Fanny and this one beside him, that Troy could hardly seem to believe her to be his proud wife Bathsheba. Fanny's own spirit seemed to be animating her frame. But this was the mood of a few instants only. When the momentary surprise had passed, his expression changed to a silencing imperious gaze. "I will not kiss you!" he said pushing her away.

As he got to know her better, he learned more of her childhood; and he came to realize that it was typical of that of most girls of her time and circumstance. She was educated upon the premise that she would be protected from the gross events that life might thrust in her way, and upon the premise that she had no other duty than to be a graceful and accomplished accessory to that protection, since she belonged to a social and economic class to which protection was an almost sacred obligation. She attended private schools for girls where she learned to read, to write, and to do simple arithmetic; in her leisure she was encouraged to do needlepoint, to play the piano, to paint water colors, and to discuss some of the more gentle works of literature. She was also instructed in matters of dress, carriage, ladylike diction, and morality. Her moral training, both at the schools she attended and at home, was negative in nature, prohibitive in intent, and almost entirely sexual. The sexuality, however, was indirect and unacknowledged; therefore it suffused every other part of her education, which received most of its energy from that recessive and unspoken moral force. She learned that she would have duties toward her husband and family and that she must fulfill them.

But there is a time that descends upon the world when you least expect it, something like the mouth of a wolf which breathes over forests and sometimes upon the head of a person of some importance, blowing out their dreams, erasing the paths which, until then, promised a sure future - and Mușa had left the house exactly during such a time. It was summer, and from behind the butcher’s the unsettling smell of crushed meat and bones was rising.  She skirted the mound which still stands high even today in the middle of the slum and proceeded on to the market.  And what a sight unfolded before her! The sky was sighing sleepily, and from under it one could hear the jingling of beads that evoked an earlier time. Mușa took lazy steps, dragging her slippers, enjoying the feeling of stepping over tiny stones that she could feel through new soles, listening to the vulgar happiness of glass and the cossetted whispers of round pearls. She rummaged through the bracelets and rings, she perused the amber jewelry, and in the end she stopped in front of a shop selling dessert accessories: silver teaspoons, coffee cups and crystal glasses, jam plates made of fragrant wood and particularly low tables, painstakingly inlaid or painted with women half-hidden in veils. Everything lost its allure however after glimpsed the the merchant selling them, a dark-skinned man, in whose eyes smoldered desires without hope – perfidious shoots, like sprigs of hemlock.  Without taking his eyes off her, the merchant offered her a silver ibric, and in its reflections, bleached by the summer sun, swam the tiny fish of temptation. (Homeric)

The well-known phrase, 'Women have no character,' really means the same thing. Personality and individuality (intelligible), ego and soul, will and (intelligible) character, all these are different expressions of the same actuality, an actuality the male of mankind attains, the female lacks. But since the soul of man is the microcosm, and great men are those who live entirely in and through their souls, the whole universe thus having its being in them, the female must be described as absolutely without the quality of genius. The male has everything within him, and, as Pico of Mirandola put it, only specialises in this or that part of himself. It is possible for him to attain to the loftiest heights, or to sink to the lowest depths; he can become like animals, or plants, or even like women, and so there exist woman-like female men. The woman, on the other hand, can never become a man. In this consists the most important limitation to the assertions in the first part of this work. Whilst I know of many men who are practically completely psychically female, not merely half so, and have seen a considerable number of women with masculine traits, I have never yet seen a single woman who was not fundamentally female, even when this femaleness has been concealed by various accessories from the person herself, not to speak of others. One must be (chap. i. part I.) either man or woman, however many peculiarities of both sexes one may have, and this 'being,' the problem of this work from the start, is determined by one's relation to ethics and logic; but whilst there are people who are anatomically men and psychically women, there is no such thing as a person who is physically female and psychically male, notwithstanding the extreme maleness of their outward appearance and the unwomanliness of their expression.

A hat is the expression of a woman’s soul. It is something she wears on her head, but it belongs to her heart. It is her challenge to the world. She does not wear it to keep warm, or to provide a shade from the sun, though it may do those things too. She wears it to please a husband or a sweetheart, or to get one. She wears it to make other women jealous, sometimes, and sometimes she wears it to get a job. It is the keynote of her personality, the finishing touch that makes her look beautiful, and smart, and sure of herself, if it is the right hat.

. . . . I think of the women who have bought my hats. Some have been duchesses and some have been queens. Some have been famous actresses and some have been no better than they should be. Some have been great ladies of society, and some have been shopgirls and stenographers, not famous at all. These last I like to think of best, because a hat to them was worth going without lunches for a month. So many hats. So many women. They would make a picture story of our times.

The right accessories can elevate your outfit and showcase your style.

But cacti know the real trick. Sometime in the last 35 million years, they rolled up their primordial leaves into spines, the most daring fashion accessory of the season. Multipurpose, too: a useful defense against nibblers, and a kind of sunshade and air-conditioning system in one. In the absence of leaves, photosynthesis moved to the green, leathery skin. Here another innovation took place: cacti learned to keep their pores (known as stomata) closed during the day, to prevent moisture from siphoning away into the unforgiving sky. They open their pores only during the cool hours of the night, squirreling away pockets of carbon dioxide, and complete the task of making sugar during the day. They also store water under their waxy skins and quickly grow networks of tiny roots after rain to siphon up moisture. One good storm can sustain a cactus through several years of drought. For all this, cacti can be extravagant too, coming out in showy blossoms in shades of cerise, gold, and crimson as gaudy as any high school prom dress. Clover and Jotter couldn’t have known all this (the details of cactus photosynthesis wouldn’t be worked out for decades). But in cataloging plants that thrived in extremes, they were adding to the general picture of evolution and adaptation, tracing the subtle threads of a tapestry that had been in the making for 3.5 billion years.

Every one wanted to be her, to be ex-maybe-boyfriend's amazing championship mother, so they dispensed with the father, either pairing off themselves as two supremely costumed waltzing women, or else just pretending to have a male prop dancing partner, "for that way," explained wee sisters, "you get to dress up and be her every time." This explained the colour - for there had been an explosion of colour - plus fabric, accessories, make-up, feathers, plumes, tiaras, beads, sparkles, tassels, lace, ribbons, ruffles, layered petticoats, lipsticks, eyeshadows, even fur - I had glimpsed fringed fur - high heels too, which belonged to the little girls' big sisters and which didn't fit which was why periodically the little girls fell over, sustaining injuries. "But the thing is," reiterated wee sisters, "and you don't seem to be overjoyed by this, middle sister, you get to be her every time!

Although some people think women are inferior to men, I think it's a privilege to be a woman. There are so many fun things afforded to the female gender such as adornment of self, the freedom to communicate with gestures, and the freedom to express one's emotions. I don't know what I'd do without my red backpack purse, and I am attached to my PDA with the pink monogrammed leather case. I've developed favorites among the many items in my wardrobe, and I like experimenting with accessories like hats, scarves, watches and belts. I've become fairly proficient at applying make-up, and I now know the importance of a good facial cleanser and moisturizer.

Violet and I love dressing up, and scarves are the perfect detective accessories. Women working as spies during World War II got double duty out of the fashionable fabric. The scarves of course protected their hair from the wind and rain. But printed on the reverse side of the fabric was an escape route of nearby towns, roads, and hideouts in case they needed to make a quick exit. Sometimes, they would write down a decoder key onto the scarf. By tying it around their hair or neck, these spies held the answer to the mystery and no one was the wiser! functional

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1 It was early December. The streets of Milan glistened with Christmas decorations, with people coming and going carefree, carrying elegant shopping bags. It was past eight, and several minutes earlier I had closed behind me the door of Passerella, the modelling agency I ran. I had let my assistant, Giovanni, file the photos of the new faces we had initially chosen for Dante’s summer collection. He was an up-and-coming designer. The minute I walked down Monte Napoleone, one of the city’s most commercial streets, the chilly air forced me to wrap up well in my brand new light green coat. An original piece of cashmere, the five letters embossed on its lapel making it even more precious in that cold weather. My fingers contentedly groped for the word “Prada” before I stuck my hand into its warm pocket, while clutching my favourite handbag tight. A huge red ostrich Hermes where you could find cosmetics, scarves, and accessories, which I could use throughout the day, giving a different twist to my appearance. I wanted to walk a little bit to let off steam. My job may have been pleasant as it had to do with the world’s most beautiful creatures, men and women, but it wasn’t without its tensions. Models went to and fro, trade representatives looking for new faces, endless castings, phone calls, text messages, tailors, photographers, reports from my secretary and assistants—a rowdy disorder! I had already left the building where my job was, and I was going past another two entrances of nearby premises, when my leg caught on something. I instantly thought of my brand new Manolo Blahnik shoes. I’d only put them on for the second time, and they were now falling victim to the rough surface of a cardboard box, where a homeless man slept, at the entrance of a building. My eyes sparked as I checked if my high heels were damaged. On the face of it, they were intact. But that wasn’t enough for me. I found a lighter, and tried to check their red leather in the dim light. Why should the same thing happen over and over again every time I buy new shoes? I wondered and walked on, cursing. Why had that bloke chosen that specific spot to sleep, and why had I headed for his damn cardboard box! As I held my lighter, my angry gaze fell on the man who was covered with an impermeable piece of nylon, and carried on sleeping. He looked so vulnerable out in the cold that I didn’t dare rouse him from his sleep. After all, how could I hold him responsible in this state? I quickened my gait. Bella was waiting for me to start our night out with a drink and supper at Galleria Vittorio Emanuele, the imposing arcade with a dome made of glass, its ambience warm and romantic. Bella’s office was nearby, and that meeting place was convenient for both of us. That’s where we made up our minds about how to spend the night.I walked several metres down the road, but something made me stop short. I wanted to have a second look at that man. I retraced my steps. He was a young man who, despite his state, seemed so out of place. His unkempt hair and unshaven face didn’t let me see anything else but his profile, which reminded of an ancient Greek statue, with pronounced cheekbones and a chiselled nose. This second time, he must have sensed me over him. The man’s body budged, and he eyed me without making me out, dazzled by the lighter flame. As soon as I realised what I had done, I took to my heels. What had made me go back? Maybe, the sense of guilt I felt inside my warm Prada coat, maybe, the compassion I had to show as Christmas was just around the corner. All I knew was that a small bell jingled within, and I obeyed it. I walked faster, as if to escape from every thought. As I left, I stuck my hand in my bag, and got hold of my mobile. My secretary’s voice on the other end of the line sounded heavy and imposing. Giovanni wasn’t the embodiment of “macho” man, but he had all it takes to be the perfect male. Having chosen to quit modelling, he still looked gorgeous at the age of

The logic of hell is nothing other than the logic of human free will, in so far as this is identical with freedom of choice. The theological argument runs as follows: “God, whose being is love, preserves our human freedom, for freedom is the condition of love. Although God’s love goes, and has gone, to the uttermost, plumbing the depth of hell, the possibility remains for each human being of a final rejection of God, and so of eternal life.” Let us gather some arguments against this logic of hell. The first conclusion, it seems to me, is that it is inhumane, for there are not many people who can enjoy free will where their eternal fate in heaven or hell is concerned. Anyone who faces men and women with the choice of heaven or hell, does not merely expect too much of them. It leaves them in a state of uncertainty, because we cannot base the assurance of our salvation on the shaky ground of our own decision. Is the presupposition of this logic of hell perhaps an illusion—the presupposition that it all depends on the human beings’ free will? The logic of hell seems to me not merely inhumane but also extremely atheistic: here the human being in his freedom of choice is his own lord and god. His own will is his heaven—or his hell. God is merely the accessory who puts that will into effect. If I decide for heaven, God must put me there; if I decide for hell, he has to leave me there. If God has to abide by our free decision, then we can do with him what we like. Is that “the love of God?” Free human beings forge their own happiness and are their own executioners. They do not just dispose over their lives here; they decide on their eternal destinies as well. So they have no need of any God at all. After God has perhaps created us free as we are, he leaves us to our fate. Carried to this ultimate conclusion, the logic of hell is secular humanism, as Feuerbach, Marx and Nietzsche already perceived a long time ago. The Christian doctrine of hell is to be found in the gospel of Christ’s descent into hell. In the crucified Christ we see what hell is, because through him it has been overcome. Judgment is not God’s last word. Judgment established in the world the divine righteousness on which the new creation is to be built. But God’s last word is “Behold I make all things new” (Rev 21: 5). From this no one is excluded. Love is God’s compassion with the lost. Transforming grace is God’s punishment for sinners. It is not the right to choose that defines the reality of human freedom. It is the doing of the good.

Soldier's fashion accessory is his weapon just like a jewelry for women.

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Everything that Paris still represents in terms of style is founded on a concept of value already evident in all the luxury commerce that flourished under Louis XIV's patronage. Value was not primarily about price and performance but was determined by intangible factors: it was a matter of aesthetics and elegance. It's not enough to offer customers a good product: you have to make them feel special by providing a hefty dose of emotion and drama along with the merchandise. The accessory initially rose to prominence as the most evident way of convincing women to want superfluous things and to change simply for the sake of change. Emma Bovary's precursors, women stuck in the provinces and dreaming of becoming as chic as that creature who became mythic just as soon as couture came into existence, the Parisienne. First, high fashion must advertise. Without advertising, la mode simply cannot exist. Without advertising, who would think to buy a Rolex rather than an ordinary watch? Only advertising can guarantee band recognition on a scale large enough to support an industry. Second, in the case of high fashion, the familiar adage is worth a thousand words is certainly true. And finally, nothing sells fashion more effectively than that heady mixture: sex and celebrity. Ads must create a lifestyle; consumers are looking for a brand that suggests the universe to which they aspire. Any truly innovative concept is only as good as its marketing campaign. In Paris you spend your money with so much more pleasure and contentment than in cities where you live almost in complete solitude, surrounded by your wealth but deprived of all amusement.

Beyond the walls and solid roofs of houses is the outdoors. It is always on the doorstep. The sky, serene, or piled with white, slow-moving clouds, or full of wind and purple storm, is always overhead. But walls will assert themselves and domineer. They insist on the unique importance of the contents of walls and would have you believe the spaces above them, the slow processions of the seasons and the alternations of sunshine and rain, are accessories, pleasant or unpleasant, of walls. Collected in: Sisters of the Earth: Women's Prose and Poetry About Nature by Lorraine Anderson

Swallowing hard, I took in his dark eyes framed by the kind of lashes women paid big bucks for. Usually, I'd think lashes like his were a waste on a guy, but not this one. He deserved every accessory the good Lord blessed him with, if just for my own viewing pleasure. His perfectly sculpted lips twisted into a scowl and even that was gorgeous. He could scowl on the front of a teen heartthrob magazine and they'd fly off the rack.

The middle class of 1920s America loved a cocktail party. Stores began selling tools and accessories for home mixology, like shakers, serving trays and cocktail glasses. Since middle-class Americans didn’t have the money for a bottle of champagne, they usually drank lower-quality bootleg liquor. These spirits really needed to be mixed into a cocktail to be palatable, a cocktail being the best way to mask the harsh flavor.

While mass-media images of biological 'males' feminizing themselves have the subversive potential to highlight ways conventionally defined femininity is artificial (a point feminists make all the time), the images rarely function this way. Trans women are both asked to prove their femaleness through superficial means and denied the status of 'real' women because of the artifice involved. After all, masculinity is generally defined by how a man behaves, while femininity is judged by how a woman presents herself. Thus, the media is able to depict trans women donning feminine attire and accessories without ever allowing them to achieve 'true' femininity or femaleness. Further, by focusing on the most feminine of artifices, the media encourages the audience to see trans women as living out a sexual fetish. But sexualizing their motives for transitioning not only belittles trans women's female identities; it also encourages the objectification of women as a group.

As a bride, you should look your best on your wedding day. That’s what we aim for here at Jana Ann Couture. We believe that your wedding day is exceptional, and as such, you should look great. One way to look great on your wedding day is by making sure your makeup is done by a professional. Your accessories should also be of top quality. Most of all, you need the right wedding dress. As a bridal store in San Diego, we’ll be talking about getting the right wedding dress in this post. We have lots of experience with that. When choosing the right wedding dress, you should go with the one that flatters your figure the most. How do you do that? You need to, first of all, know your body type. Every bride falls into one of the following body types: The apple, hourglass, pear, and the rectangle. Some women could also be a combination of more than one, but there is usually a dominant one you could go with. Come to our Bridal Shop in San Diego to get the best wedding dress that fits your body. Call us: (619) 649-2439 #bridal_san_diego #wedding_dresses_san_diego #bridal_boutique_in_san_diego #bridal_shops_san_diego #wedding_dress_shops_san_diego #white_wedding_dresses_san_diego #wedding_dress_stores_san_diego #bridal_stores_san_diego #bridal_boutique_san_diego

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People from marginalised backgrounds are not accessories that can be used or pointed at ‘prove’ your anti-racism. We understand that misogynists date and marry women, and have other women in their lives who they care about,

women in danger of being strangled should avoid any fashion accessories that tie around the neck.

Whoever it had been, she’d claimed that “do what I want” was the basis of erotica which appealed to women and “do what you want” was the basis of pornography which appealed to men. Women imagine speaking the former line in sexual situations; men imagine having the latter line spoken to them. And, the writer went on, when real-world sex goes bad—sometimes turning violent, sometimes shaming, sometimes just unsuccessful from the female partner’s point of view—porn is often the unindicted co-conspirator. The man is apt to round on the woman angrily and cry, “You wanted me to! Quit lying and admit it! You wanted me to!” The writer claimed it was what every man hoped to hear in the bedroom: Do what you want. Bite me, sodomize me, lick between my toes, drink wine out of my navel, give me a hairbrush and raise your ass for me to paddle, it doesn’t matter. Do what you want. The door is closed and we are here, but really only you are here, I am just a willing extension of your fantasies and only you are here. I have no wants of my own, no needs of my own, no taboos. Do what you want to this shadow, this fantasy, this ghost. I’d thought the essayist at least fifty per cent full of shit; the assumption that a man can find real sexual pleasure only by turning a woman into a kind of jackoff accessory says more about the observer than the participants. This lady had had a lot of jargon and a fair amount of wit, but underneath she was only saying what Somerset Maugham, Jo’s old favorite, had had Sadie Thompson say in “Rain,” a story written eighty years before: men are pigs, filthy, dirty pigs, all of them. But we are not pigs, as a rule, not beasts, or at least not unless we are pushed to the final extremity. And if we are pushed to it, the issue is rarely sex; it’s usually territory. I’ve heard feminists argue that to men sex and territory are interchangeable, and that is very far from the truth.

…when through man’s social and economic organization she became dependent, and when in consequence he began to pick and choose…women had to charm for her life; and she not only employed the passive arts innate with her sex, but flashed forth in all the glitter that had been one of man’s accessories in courtship, but which he had dispensed with when the superiority acquired through occupational pursuits enabled him to do so. Under new stimulation to be attractive, and with the addition of ornament to the repertory of her charms, woman has assumed an almost aggressive attitude towards courtship…

But now it all slid through my mind: The years of come-ons from sources and colleagues. THe news organizations I'd roped off in my mind as no-gos because I'd sexually rejected some man who'd since become powerful, and didn't want to risk getting undercut and blackballed. The times I thought I was about to get raped. All the things that had been said to me, or said about other women in front of me, to be sure I didn't misunderstand my position as an amusing but ultimately inferior presence. We were welcome as long as we were young and beddable, and then we were supposed to do what self-respecting women did: disappear into a household somewhere. Tom had faced none of that. Tom had been free to move thorugh his career; there had been so little for him to naviaget. And I'd never explained it to him. I'd assumed he just knew, because I thought it was obvious. I'd been treated like an accessory. I'd been groped, and pawed and cornered. I'd let sly remarks slide off my back. It was all in the game, and I'd been eager to play. But now he looked at me blankly, as if I were not part of it, and it occurred to me that he had no idea. Did he really think his wife had been clever enough to be a woman in the world without being a woman in the world? There was so much to say I couldn't stand to start.

Put on Love And over all these virtues put on love, which binds them all together in perfect unity. COLOSSIANS 3:14 NIV How many mornings have we stood in our closets, looking hopelessly at its overstuffed contents and thinking we have nothing to wear? What we’re really thinking is that we have nothing to wear that makes us feel cute or pretty or sporty or professional—or whatever look we’re going for that day. We want to look attractive. We want others to be drawn to us. And sometimes, no matter how many blouses we have to choose from, nothing feels right. But there is one accessory we all have available to us that always fits. It always looks right, is always appropriate, and always makes us more attractive to others. When we wear it, we are beautiful, no matter how faded or dated our wardrobes may be. When we wear it, we become more popular, more sought after, more admired. What is that accessory, you ask, and where can you buy it? It’s love, and you can’t buy it anywhere. But it’s free, and it’s always available through the Holy Spirit. When we call on Him to help us love others, He cloaks us in a beautiful covering that draws people to us and makes us perfectly lovely in every way. Dear Father, as I get dressed each day, help me to remember the most important accessory I can wear is Your love. Amen.

The 68-page first issue of Calling All Girls contained four comic stories—an 8-pager on Queen Elizabeth (the mother of the current queen); a 9-pager on famed author Osa Johnson, “the famed jungle adventuress,” as the story so quaintly dubbed her; a fictional 7-pager on Judy Wing, Air Hostess No. 1 (aviation themes were huge in the early years of comics, just as they were in all of popular culture); and a fictional 8-pager on the teenage adventures of the Yorktown Younger Set, which “lives in a town like yours. The other half of the first issue contained text stories of a wide variety, with an astonishing amount of reading material for the teen girl’s dime. There was a 4-page story devoted to Connie Martin, a Nancy Drew knockoff; a 4-pager devoted to circus girls; a 3-pager on Gloria Jean herself; a 3-pager by publisher George Hecht on “13 ways girls can help in the national defense”; a 2-pager on manners; a 3-pager by best-selling sports novelist John R. Tunis on women in sports; a 2-pager on grooming; a 4-pager on a fictional female boater; a 2-pager on films; a 2-pager on fashion, with delightful drawings; a page on fashion accessories; and a 2-pager on cooking, by the famed food writer Cecily Brownstone. This issue gave girls an awful lot of reading, some of it inspirational and showing they could be more than “just a girl,” as the boys in Tubby’s clubhouse used to call Little Lulu and her friends a decade later in their Dell Comics adventures. The most intriguing aspect of Calling All Girls is that it approached schoolgirls not as boy-crazy or male-dependent, but as interesting individuals in their own right. The ensuing issues of Calling All Girls expanded on this theme. This was definitely a mini “feminist manifesto” for teens!

men are like accessories: “You know it’s not your style, but it’s right there, so you try it on

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It was unnatural to send a child to be nursed, the Countess of Lincoln declared, both for the mother’s own child and also that of the nurse, and she warned: ‘be not accessory to that disorder of causing a poorer woman to banish her own infant, for the entertaining of a richer woman’s child, as it were, bidding her unlove her own to love yours.

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In 1809, Rudolph Ackermann began publishing the Repository of Arts. The Repository of Arts created an archive of superb hand-colored plates depicting examples of the latest women's fashion. The publication was a guide to dressmakers and their fashionable clients. The fashion plates included detailed descriptions of the type of clothing shown, its style, cut, trim, the fabrics used and their color and also detailed the style and color of accessories.

I’m just a fifty-two-year-old man. I’m healthy, though I don’t have the stamina I had when I was young. I wouldn’t be able to stand hard physical labor for long. The things I’m good at are selecting a nice Pinot Noir, frequenting some sushi restaurants and others where I’m considered a valued customer, choosing stylish accessories as gifts for women, playing the piano a little (I can sight-read simple sheet music). But that’s about the size of it. If I were thrown into a place like Auschwitz, none of that would help.

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