Accent Pillow Quotes

We've searched our database for all the quotes and captions related to Accent Pillow. Here they are! All 65 of them:

“
It's always the accent that drives you American women crazy. I'd no idea you fancied it, too…” he trailed off. “Oooh, fancied it. Say more like that,” I begged, smiling into the pillow. “Like what, Grace?” “Talk British to me,” I whispered, only half joking. “Dustbins.” “More,” I encouraged. “Crumpets.” “More!” I demanded. “Knickers.” If I could hear Jack Hamilton say a second word for the rest of my life, it would be knickers. “Say put another shrimp on the barbie!” I cried. “Grace, that's Australian,” he chided. “Say it!” “Fine. Put another shrimp on the barbie. Bloody hell,” he muttered. “Aaaahhhhhhh!” I screamed into the phone.
”
”
Alice Clayton (The Unidentified Redhead (Redhead, #1))
“
You do know that as a small child, they actually carried me around on a pillow? I had a custom-made helmet that I had to wear until I was four. (Chris) That’s because you banged your head every time you got angry. I was afraid you were going to get brain damage from it. (Wulf) The brain is fine. It’s my ego and social life in the toilet. I shudder at what you’re going to do to the kid. (Chris dropped his voice and imitated Wulf’s lilting Norse accent.) Don’t move, you might get bruised. Oops, a sneeze, better call in specialists from Belgium. Headache? Odin forbid, it might be a tumor. Quick, rush him for a CAT scan. (Chris)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
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Supermarkets this large and clean and modern are a revelation to me. I spent my life in small steamy delicatessens with slanted display cabinets full of trays that hold soft wet lumpy matter in pale colours. High enough cabinets so you had to stand on tiptoes to give your order. Shouts, accents. In cities no one notices specific dying. Dying is a quality of the air. It's everywhere and nowhere. Men shout as they die to be noticed, remembered for a second or two. To die in an apartment instead of a house can depress the soul, I would imagine, for several lives to come. In a town there are houses, plants in bay windows. People notice dying better. The dead have faces, automobiles. If you don't know a name you know a street name, a dog's name. 'He drove an orange Mazda.' You know a couple of useless things about a person that become major facts of identification and cosmic placement when he dies suddenly, after a short illness, in his own bed, with a comforter and matching pillows, on a rainy Wednesday afternoon, feverish, a little congested in the sinuses and chest, thinking about his dry cleaning.
”
”
Don DeLillo (White Noise)
“
Not always do those who dare such divine conflict prevail. Night after night the sweat of agony may burst dark on the forehead; the supplicant may cry for mercy with that soundless voice the soul utters when its appeal is to the Invisible. "Spare my beloved," it may implore. "Heal my life's life. Rend not from me what long affection entwines with my whole nature. God of heaven, bend, hear, be clement!" And after this cry and strife the sun may rise and see him worsted. That opening morn, which used to salute him with the whisper of zephyrs, the carol of skylarks, may breathe, as its first accents, from the dear lips which colour and heat have quitted, -- "Oh! I have had a suffering night. This morning I am worse. I have tried to rise. I cannot. Dreams I am unused to have troubled me." Then the watcher approaches the patient's pillow, and sees a new and strange moulding of the familiar features, feels at once that the insufferable moment draws nigh, knows that it is God's will his idol shall be broken, and bends his head, and subdues his soul to the sentence he cannot avert and scarce can bear.
”
”
Charlotte Brontë (Shirley)
“
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
”
”
Robin M. King (Memory of Monet (Remembrandt, #3))
“
Despite his fatigue — and the concerns he'd shared with Juliet last night — he was in a good mood. And why not? Those three words she had spoken to him when he got home were still floating through his head like fairweather clouds across a summer sky. I love you. He smiled and gazed at her lying there under the blanket, her dark hair spread across the pillow like a Spanish fan. God, he loved her, too. He loved her lustrous hair and silky skin, her dark green eyes and pert little nose, even that soft, twangy accent that left everyone who heard it scratching their heads, wondering where she was from. He loved her slim, strong body, the fullness of her breasts, and the way her waist flared into curving, womanly hips ... hips that would, he hoped, bear many more children. She was a calming, practical influence on his reckless nature, the voice of reason where he was the soul of impulse. Oh, yes, he loved her. He loved her courage, her level-headedness, and her devotion. Most of all, he loved the fact that she now trusted him without question, supporting his decisions and standing by him when another woman might have demanded he bring her and her baby straight back to Blackheath and the all-powerful protection of its mighty duke. But
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
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For Oliver it has always been flowers, the food not only of love but of life. Flowers to look at, to smell, to be alive with in their brief life spans—they are their own seat of pleasure, endlessly giving. He does not understand people who do not love flowers, or who consider them merely ornamental for the home, like an accent pillow or a Hummel figurine. He does not understand people who assault flowers for their essence, which they rub over their skin like a spoil of war, leaving carcasses of slaughtered blossoms in their wake. He knows that these are extreme, dramatic views, which is why he does not often share them, but it does baffle him that in a world so bereft of pleasure people fail to see that flowers are a part of the solution, that the unlearned lesson of their loveliness bears on the great disconnect between people and other people, between people and the earth, between people and the eternal
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”
Jean Hanff Korelitz (The White Rose: A Novel)
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The focal point is a king-size four-poster bed…with handcuffs and chains hanging from every wooden post. The floor is covered in a giant, white, fluffy rug, the walls are decorated with pictures of body parts, zoomed in, all in black-and-white. Nipples, tips of penises, stomachs…butt cracks. The bedding and the curtains are also a heavenly white color, while accents of red pop up in the pillows and erotic decorations. But the centerpiece of the room, the eye-catcher some might say, is the white dresser with black knobs covered in products. We’re talking lubes, sex toys, lingerie…and lots and lots of condoms.
”
”
Meghan Quinn (Till Summer Do Us Part)
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As he stroked between my thighs, he trailed his mouth up to my ear, told me with a voice like dark chocolate and smoke that I was everything he'd ever wished for, so perfectly soft and hot and slick on his fingers, how he'd tortured himself in his lonely bed thinking of my sexy little sounds, how hard he was going to fuck me once he made me scream. "Oh God, Leo, please," I begged as I pushed my hips into his hand. He groaned. "Yes, that's right. Let me make you feel good, love. Let me give this to you.
”
”
Sarah Chamberlain (Love Walked In)
“
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”
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WhatsApp Us 971523959219 Call Girls in Burj Khalifa by Russian Call Girls in Burj Khalifa Tower, In the glowing towers of Dubai, where glass kisses the sky and everything is draped in luxury, there exists another layer of the city—unseen, unnamed, but always there. Among the Lamborghinis and designer perfumes, past the marbled hotel lobbies and penthouse elevators, are women whose names change with each new client, whose accents shift like silk depending on the room they walk into. Call girls, high-end escorts, companions—whatever the term, they move like ghosts through the high society of the Emirates, invisible to those who choose not to see. They come from places like Ukraine, Morocco, the Philippines, Russia, Kenya—each carrying a different story, but all drawn to the promise of something more. Some came chasing money to send back home, others to escape pasts that clung like shadows. In a country where public modesty is law and morality is policed with precision, their work exists in a paradox—illegal, yet in demand; hidden, yet everywhere. You wouldn’t find them on neon-lit street corners or advertised in windows. No, the UAE has polished discretion into an art form. These women are whispered about in five-star hotel bars, booked through encrypted apps, discussed behind gold-embossed business cards passed quietly at shisha lounges. Their world is one of whispers, veiled glances, and luxury wrapped in secrecy. They dress impeccably, often mistaken for influencers or models, blending seamlessly into the city’s glossy surface. Yet beneath the diamonds and designer heels is a kind of steel—these women know how to read a man before he opens his mouth, how to leave before attachment turns dangerous, how to smile without giving anything away. They’re not reckless. They know the risks. One wrong word, one client too careless, and they could vanish overnight—deported, detained, erased. So they operate with caution. They memorize the names of hotel staff who won’t ask questions, learn the unspoken codes, and walk with the confidence of someone who cannot afford to be afraid. But behind closed doors, they are still human. Some laugh with real joy, others cry quietly into hotel pillows after the client leaves. Some dream of escape—of starting over in Istanbul, or Paris, or back home where mothers still wait for phone calls. Others have stopped dreaming altogether, living only in the now, because in their world, tomorrow is never promised. And though the city shines bright outside their windows—its endless lights, its promises of luxury—they often feel like shadows within it. Seen, desired, used, but rarely understood. In a place that sells the illusion of perfection, they are the imperfect truth no one wants to look at for too long. And yet, they are not victims, not entirely. They are survivors. Navigating a tightrope in heels, living lives that can’t be posted, and carrying stories that will never make it to Instagram. They are the city's secret heartbeat—always present, always hidden, and always walking just behind the glow.
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