Academy Inspiring Quotes

We've searched our database for all the quotes and captions related to Academy Inspiring. Here they are! All 30 of them:

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Things die. But they don't always stay dead. Believe me, I know.
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Richelle Mead (Frostbite (Vampire Academy, #2))
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You're better than this. Better than whatever it is you're going to do now.
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Richelle Mead (Last Sacrifice (Vampire Academy, #6))
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Friends can make you feel that the world is smaller and less sneaky than it really is, because you know people who have similar experiences.
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Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
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I keep thinking about a tale my nurse used to read to me about a bird whose wings are pinned to the ground. In the end, when he finally frees himself, he flies so high he becomes a star. My nurse said the story was about how we all have something that keeps us down.
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Shannon Hale (Princess Academy (Princess Academy, #1))
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Look no farther than your hand, Make a choice and take a stand.
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Shannon Hale (Princess Academy (Princess Academy, #1))
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If it took me showing some warmth to get warmth in return, I'd do it.
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C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
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The job of feets is walking, but their hobby is dancing.
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Amit Kalantri (Wealth of Words)
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For under scrutiny you will find that even an open book can have a surprise scribbled in its margins.
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Violet Haberdasher (The Secret Prince (Knightley Academy, #2))
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Who we are now is all that really matters.
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Amy Joy (The Academie (Academie, #1))
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Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.
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Shah Asad Rizvi
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Check you out,' said Magnus. 'My famous boyfriend, inspiration to the masses.
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Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
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Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.
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Shah Asad Rizvi
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Me? I didn’t believe in hopeless.
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Richelle Mead (Vampire Academy (Vampire Academy, #1))
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Look what we've done so far. We're pretty good at the impossible.
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Richelle Mead (Soundless)
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Hope implies that you think you have a chance at something.
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Richelle Mead (Spirit Bound (Vampire Academy, #5))
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If movements were a spark every dancer would desire to light up in flames.
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Shah Asad Rizvi
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Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.
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Shah Asad Rizvi
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Show me a person who found love in his life and did not celebrate it with a dance.
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Shah Asad Rizvi
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Dance is the timeless interpretation of life.
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Shah Asad Rizvi
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If spirit is the seed, dance is the water of its evolution.
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Shah Asad Rizvi
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Life is an affair of mystery; shared with companions of music, dance and poetry.
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Shah Asad Rizvi
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If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.
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Shah Asad Rizvi
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Don't breathe to survive; dance and feel alive.
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Shah Asad Rizvi
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Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives.
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Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
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You can't force love, I realized. It's there or it isn't.
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Richelle Mead (Frostbite (Vampire Academy, #2))
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The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek - it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language - all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas. - Toni Morrison, Nobel Lecture, 1993
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Toni Morrison (The Nobel Lecture In Literature, 1993)
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I think sometimes it’s too hard to believe in yourself. You just do the things you’re not sure you can do. You just act, in spite of not being certain. I don’t believe I can change the worldβ€”it sounds stupid to even talk about itβ€”but I’m going to try.
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Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
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Warwick Castle, Oxford University, the Cotswold, and the countryside of England are my favorite places to visit when I’m in England. Whenever I visit, I feel as if I’ve come home. These places inspired my settings for my fantasy series, Bitter Frost Series, Wordwick Games, and The Alchemists Academy. I didn’t know the great author of the Lord of the Rings Trilogy was also inspired by Warwick, Oxford, and Cotswold. Imaginative minds must dream alike.
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Kailin Gow
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While part of my mind puzzled that out, I watched my mother with fascination. I'd listened to her tell her stories. I'd seen and felt her fight. But really, truly, I'd never seen her in action in a real-life crisis. She showed every bit of that hard control she did around me, but here, I could see how necessary it was. A situation like this created panic. Even among the guardians, I could sense those who were so keyed up that they wanted to do something drastic. My mother was a voice of reason, a reminder that they had to stay focused and fully assess the situation. Her composure calmed everybody; her strong manner inspired them. This, I realized, was how a leader behaved.
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Richelle Mead (Frostbite (Vampire Academy, #2))
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You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
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Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))