About Grafton Quotes

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The hard thing about death is that nothing ever changes. The hard thing about life is that nothing stays the same.
Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
Personally, I'd rather grow old alone than in the company of anyone I've met so far. I don't experience myself as lonely, incomplete, or unfulfilled, but I don't talk about that much. It seems to piss people off--especially men. (Kinsey Millhone)
Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
So much of the past in encapsulated in the odds and ends. Most of us discard more information about ourselves than we ever care to preserve. Our recollection of the past is not simply distorted by our faulty perception of events remembered but skewed by those forgotten. The memory is like twin orbiting stars, one visible, one dark, the trajectory of what's evident forever affected by the gravity of what's concealed.
Sue Grafton (O is for Outlaw (Kinsey Millhone, #15))
I don't know what is love about and I'm not sure I believe in it anyway.
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
About every six to eight months, I run into a man who astounds me sexually, but between escapades, I'm celibate, which I don't think is any big deal. After two unsuccessful marriages, I find myself keeping my guard up, along with my underpants.
Sue Grafton
I did an about-face and veered into the sandwich shop. What I ordered is none of your business, but it was really good.
Sue Grafton (T is for Trespass (Kinsey Millhone, #20))
He looked like an actor who'd star in some movie about a doomed love affair between an heiress and a park ranger. I thought it was probably inappropriate to fling myself against him and bury my nose in his chest.
Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
To distract myself, I thought about all the cusswords I knew and arranged them in alphabetical order.
Sue Grafton (X (Kinsey Millhone, #24))
a book has no unwanted calories and you don’t have to worry about sizes as long as the subject matter appeals to the recipient.
Sue Grafton (Y is for Yesterday (Kinsey Millhone, #25))
I thought I'd go home and reread Sue Grafton. It's been a while since I last read the one about the topless dancer who gets poison injected into one of her implants." "'D' Is For Cup." "Right. Bern, you know what I wish? I wish she didn't have to stop at twenty-six. When the alphabet's used up, what happens to Kinsey?" "Are you kidding? She goes straight into doublé letters. 'AA' Is For drunks, 'BB' Is For Gun, 'CC' Is For Rider. There was a whole list in Publishers Weekly a few months back. 'PP' Is For Golden Showers, 'ZZ' Is For Topp- I can't remember them all, but it looks as though she can go on forever." "Bern, that's wonderful news." "You'll be reading about Kinsey fifty years from now," I told her. "'AAA' Is for Motorists, 'MMM' Is for Scotch Tape. You'll never have to stop.
Lawrence Block (The Burglar Who Traded Ted Williams (Bernie Rhodenbarr, #6))
She was right about one thing: the harm in the world is done by those who feel disenfranchised and abused. Contented people (as a rule) don’t kite checks, rob banks, or kill their fellow citizens.
Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
I thought about the current contamination of beaches, raw sewage spilling into oceans and streams, the hole in the ozone, forests being stripped, the toxic-waste dumps, the merry plunder of mankind added to the drought and the famine that nature dishes up annually as a matter of course. It's hard to know what's actually going to get us first. Sometimes I think we should just blow the whole planet and get it over with. It's the suspense that's killing me.
Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
My "do" now consisted of some really nifty spikes on top. I looked like a punker, but it was kind of fun, if you want to know the truth. Next thing I knew I'd be getting my ears pierced and chewing gum in public, social sins my auntie had always warned me about, along with red nail polish and dingy bra straps.
Sue Grafton (H is for Homicide (Kinsey Millhone, #8))
Sometimes these kids are ADHD and sometimes not—but they’re always unemotional. They might have tantrums, but what looks like fury is pure manipulation. They have no empathy and they have no desire to please. They don’t care about punishment. They don’t care about other people’s pain and suffering. It just doesn’t interest them.” “You
Sue Grafton (X (Kinsey Millhone, #24))
I stood when she reached the table and we did that fake kissing thing, looking like a pair of budgies about to peck each other to death.
Sue Grafton (U is for Undertow (Kinsey Millhone, #21))
Hey, mate. How about a beer?” The Australian who asked held out a couple of cold bottles of Fosters.
Stephen Coonts (The Intruders (Jake Grafton #2))
A lot of people were mistaken about a lot of things.
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
We live in a society piously concerned about the rights of criminals when their victims’ lives have been trashed without any consideration of the price in pain and suffering.
Sue Grafton (H is for Homicide (Kinsey Millhone, #8))
She was right about one thing: the harm in the world is done by those who feel disenfranchised and abused. Contented people (as a rule) don't kite checks, rob banks, or kill their fellow citizens.
Sue Grafton (E is for Evidence (Kinsey Millhone, #5))
So he wanted a night of sex with the voluptuous Lady Grafton, it looked as though the old mainstay of suave flattery was on the agenda. Perhaps even a hitherto unpracticed sincerity might be of use. Which called into questions what exactly he was sincere about? Other than sex.
Susan Johnson (When You Love Someone (Darley, #1))
You know what they say about living well as the best revenge. I did well because it was the one defense I had. Escape has been the motivating force in my life. Getting away from him, getting away from her, putting that household behind me. The funny this is, I haven't moved an inch, and the harder I run, the faster I keep slipping back to them...There are laws for everything except the harm families do.
Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
I used to have a crow named Albert. Bertie, when I got to know him better. I got him when he was just a little guy and had him for years. A young crow doesn't navigate well and they'll sometimes crash-land. They're called branchers at that age-that's about all they can do, lumber awkwardly from branch to branch. Sometimes they get stuck and they wail like babies until you get 'em down. Bertie must have bitten off a bit more than he could chew and he'd tumbled to the ground. I had a cat named Little John who brought him in, squawking hellishly. LJ and I had a tussle to see who was going to take possession. Fortunately for Bertie, I won the contest. He and the cat became friends later, but it was touch-and-go for a while there. LJ was pissed off because he thought this was Thanksgiving dinner and I was getting in his way (Dietz)
Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
There's something inherent in human nature that has us constructing narratives to explain a world that is otherwise chaotic and opaque. Life is little more than a series of overlapping stories about who we are, where we came from, and how we struggle to survive. What we call news isn't news at all: wars, murders, famines, plagues—death in all its forms. It's folly to assign meaning to every chance event, yet we do it all the time.
Sue Grafton (W is for Wasted (Kinsey Millhone, #23))
We are here this afternoon to mourn the passing of two good friends, Terrence Dace and Felix Beider. They were homeless. Their ways were not those we most desire for ourselves, but that didn’t make them wrong. We seem determined to save the homeless, to fix them, to change them into something other than what they are. We want them to be like us, but they are not. The homeless do not want our pity, nor do they deserve our scorn. Our judgments about them, for good or for ill, negate their right to live as they please. Both the urge to rescue and the need to condemn fail to take into account the concept of their personal liberty, which they may exercise as they see fit as long as their actions fall within the law. The homeless are not lesser mortals. For Terrence and Felix, their battles were within and their victories hard-won. I think of these two men as soldiers of the poor, part of an army of the disaffiliated. The homeless have established a nation within a nation, but we are not at war. Why should we not coexist in peace when we may be in greater need of salvation than they? This is what the homeless long for: respect, freedom from hunger, shelter from the elements, safety, the companionship of the like-minded. They want to live without fear. They want to enjoy the probity of the open air without the risk of bodily harm. They want to be warm. They want the comfort of a clean bed when they are ill, relief from pain, a hand offered in friendship. Ordinary conversation. Simple needs. Why are their choices so hard for us to accept? What you see before you is their home. This is their dwelling place. This grass, this sunlight, these palms, this mighty ocean, the moon, the stars, the clouds overhead though they sometimes harbor rain. Under this canopy they have staked out a life for themselves. For Terrence and for Felix, this is also the wide bridge over which they passed from life into death. Their graves will be unmarked but that does not mean they are forgotten. The Earth remembers them, even as it gathers them tenderly into its
Sue Grafton (W is for Wasted (Kinsey Millhone #23))
Brunelleschi’s successor as a theorist of linear perspective was another of the towering Renaissance polymaths, Leon Battista Alberti (1404 –1472), who refined many of Brunelleschi’s experiments and extended his discoveries about perspective. An artist, architect, engineer, and writer, Alberti was like Leonardo in many ways: both were illegitimate sons of prosperous fathers, athletic and good-looking, never-married, and fascinated by everything from math to art. One difference is that Alberti’s illegitimacy did not prevent him from being given a classical education. His father helped him get a dispensation from the Church laws barring illegitimate children from taking holy orders or holding ecclesiastical offices, and he studied law at Bologna, was ordained as a priest, and became a writer for the pope. During his early thirties, Alberti wrote his masterpiece analyzing painting and perspective, On Painting, the Italian edition of which was dedicated to Brunelleschi. Alberti had an engineer’s instinct for collaboration and, like Leonardo, was “a lover of friendship” and “open-hearted,” according to the scholar Anthony Grafton. He also honed the skills of courtiership. Interested in every art and technology, he would grill people from all walks of life, from cobblers to university scholars, to learn their secrets. In other words, he was much like Leonardo, except in one respect: Leonardo was not strongly motivated by the goal of furthering human knowledge by openly disseminating and publishing his findings; Alberti, on the other hand, was dedicated to sharing his work, gathering a community of intellectual colleagues who could build on each other’s discoveries, and promoting open discussion and publication as a way to advance the accumulation of learning. A maestro of collaborative practices, he believed, according to Grafton, in “discourse in the public sphere.” When Leonardo was a teenager in Florence, Alberti was in his sixties and spending much of his time in Rome, so it is unlikely they spent time together. Alberti was a major influence nonetheless.
Walter Isaacson (Leonardo da Vinci)
The president is declaring martial law tomorrow. He wants you standing behind him tomorrow at ten o’clock in the press room when he announces it.” Jake Grafton didn’t look surprised. I was flabbergasted, but since I was sitting on the couch against the wall Sal Molina couldn’t see the stunned look on my face unless he turned his head, and he didn’t. “Why?” said Grafton. “These terrorist conspiracies need to be rooted out. We must make sure the American people are safe, and feel safe.” “Horseshit,” Grafton roared, and smacked the desk with both fists. “Pure fucking horseshit! Oh, a million or two jihadists would love to murder Americans, including Soetoro, if they could get here, but if they were a credible threat we’d have heard about it. This is just an excuse for Soetoro to suspend the Constitution and declare himself dictator.” “The American people must be protected, Admiral. The president is taking no chances. No one wants to be the next victim of Islamic terrorists.” “So he is going to rule by decree.” “We face a national emergency.” “And he is going to postpone or cancel the election in November. Isn’t that the real reason for martial law?
Stephen Coonts (Liberty's Last Stand (Tommy Carmellini #7))
Tussy’s announcement that she was double-brained was coincident with the time of her first conscious memory:   My earliest recollection . . . is when I was about three years old and Mohr . . . was carrying me on his shoulders round our small garden in Grafton Terrace, and putting convolvulus flowers in my brown curls. Mohr was admittedly a splendid horse.29   Putting Marx in harness was a family tradition. Tussy ‘heard tell’ that at Dean Street, Jenny, Laura and her dead brother Edgar would yoke Mohr to chairs which the three of them mounted as their carriage, and make him pull. As the youngest and a later arrival, Tussy got her own mount and his dedicated attention:   Personally – perhaps because I had no sisters of my own age – I preferred Mohr as a riding-horse. Seated on his shoulder holding tight by his great mane of hair, then black, but with a hint of grey, I have had magnificent rides round our little garden and over the fields . . . that surrounded our house at Grafton Terrace.30   Severe whooping cough in the winter of 1858 gave Tussy opportunity to assume dominion of the household: ‘The whole family became my bond slaves and I have heard that as usual in slavery there was general demoralisation.
Rachel Holmes (Eleanor Marx: A Life)
I don’t know much about the Presbyterian faith, but the atmosphere alone was enough to put me off predestination.
Sue Grafton (P is for Peril (Kinsey Millhone, #16))
Party of the Century by Deborah Davis, about Truman Capote’s famous Black and White Ball. Capote by Gerald Clarke. Truman Capote by George Plimpton. Fifth Avenue, 5 A.M. by Sam Wasson. Slim, the memoir of Slim Keith. And The Sisters by David Grafton, about Babe Paley and her sisters.
Melanie Benjamin (The Swans of Fifth Avenue)
Working out must have cost him everything he had, yet he never failed to appear. There was a doggedness about him that I admired. I watched him with interest, ashamed of my own interior complaints.
Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
There are moments in every investigation when my speculations about what’s possible cloud and confuse any lingering sense I have of what’s actually true. I wanted to check out my intuitions. The
Sue Grafton (A is for Alibi (Kinsey Millhone, #1))
He seemed to operate at half speed, taking his own time about everything. It made me aware of the usual tension with which I live, that keyed-up state of raw nerve that makes me grind my teeth in my sleep. Sometimes I get so wired that I forget to eat at all, only remembering at night, even then not being hungry but wolfing down food anyway as though the speed and quantity of consumption might atone for the infrequency. With Charlie, I could feel my time clock readjust, my pace slowing to match his. When I finished the second glass of wine, I heaved a sigh and only then did I realize that I’d been holding myself tensely, like a joke snake ready to jump out of a box.
Sue Grafton (A is for Alibi (Kinsey Millhone, #1))
The percolator gave a few last burps and subsided while he reached for two big blue-and-white mugs. One had an overall design of bunny rabbits humping. The other portrayed elephants similarly occupied. I tried not to look. The thing I’ve worried about for years is how dinosaurs mated, especially those great big spiny ones. Someone told me once they did it in water, which helped support all that weight, but I find it hard to believe dinosaurs were that smart. It didn’t seem likely with those tiny pinched heads. I shook myself back to reality.
Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
There was something touching about the care she’d taken. She hadn’t known she’d be dead by the time these checks came back. She hadn’t known her last meal would be her last, that every action she’d taken and each endeavor she’d engaged in were part of some finite number that would soon run out. Sometimes the hardest part of my job is the incessant reminder of the fact we’re all trying so assiduously to ignore: we are here temporarily . . . life is only ours on loan.
Sue Grafton (K is for Killer (Kinsey Millhone, #11))
The last thing I need is the sheriff on my case. That's who I thought you were, as a matter of fact. They got women sheriffs these days, did you know that? Sherifettes." "So I've heard." "What about you?" she asked. "How'd you become a detective. That's a weird way to make a living, isn't it?" She was becoming real chatty now that I was on my way out and I wondered if I might pump her for more information. She seemed eager to prolong the contact, like someone who's been cooped up too long with a pack of preschool kids. "I sort of backed into detective work," I said, "but it beats selling shoes.
Sue Grafton (B is for Burglar (Kinsey Millhone, #2))
After all, without the benefit of budgets, bureaucrats, and MBA supervisors worried about short-term profitability, Thomas Edison had single-handedly electrified the world and along the way fathered the recording and motion-picture industry.
Stephen Coonts (The Minotaur (Jake Grafton, #3))
Mama, is that Aunt Eula’s chicken recipe?” Emily tore into a drumstick with enough fervor for both of them. “Sure is.” Her aunts had been up since before dawn cooking. The sweets table was piled with pies and sponge cake with fresh berries and Aunt Marline’s divinity fudge. She picked at her chicken, feeling her appetite improving with each bite of familiar cooking. “Can I have seconds, Mama?” “Of course. let me get some for you.” Alaine took Em’s plate to the buffet, still loaded with more food than an army could do away with. She chose a drumstick from the plate of chicken, then froze. “Now, Stella, it’s quaint,” Mrs. Mark Grafton, Pierce’s mother. Alaine stiffened. “They’ve done the best they can— and I think they rather expected us to enjoy a country luncheon.” “But chicken fricassee? For a wedding luncheon? Are they going to have us dance a reel next?” A woman younger than Mrs. Grafton, but bearing the same sharp dark eyes, tittered quietly. “I told Pierce they should have a fish course, at least. And a consommé. Of course I knew an aspic would be asking far too much.” “Pierce always did have an independent streak.” Stella said this as though it were a blight. “Marrying some country nobody when the Harris girls or Georgia Lawson would have—” “Not polite to speak of it now, dear,” Mrs. Grafton said with a tone that told Alaine it was only propriety keeping her from joining. Alaine seethed. Delphine wasn’t a nobody— she was better than any of these Perrysburg ninnies. “Pierce has his career to consider, that’s all I’m saying. She can’t go blundering about, mucking that up. After all, we stand to catch the ill effects of any mistakes she makes.” “I’ve advised Pierce how to handle himself, and he’ll make sure she knows her place. You needn’t concern yourself with your brother’s affairs.” Mrs. Grafton swept away in a wake of heady perfume, but not before Alaine heard her add in a sharp whisper, “He didn’t listen to me about marrying the girl, why do you think he’d listen about a fish course?” Neither Grafton woman had noticed Alaine; they were, Alaine presumed, well practiced in ignoring anything that didn’t benefit them specifically. Country nobody, indeed— Del would show them all up before Christmas. If the best chicken in the county wasn’t good enough for the Graftons, she would enjoy it double.

Rowenna Miller (The Fairy Bargains of Prospect Hill)
Here’s my theory. Things get bad? Think about the last place you were happy and go there.
Sue Grafton (P is for Peril (Kinsey Millhone, #16))
USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England For more information about the Penguin Group visit penguin.com Copyright © 2013 by Sue Grafton All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. Published simultaneously in Canada Library of Congress Cataloging-in-Publication Data Grafton, Sue. W is for wasted / Sue Grafton. p. cm. — (Kinsey Millhone mystery) ISBN 978-1-101-63645-9 1. Millhone, Kinsey (Fictitious character)—Fiction. 2. Women private investigators—Fiction. I. Title. PS3557.R13W17 2013 2013019292 813’.54—dc23 This is a work of fiction. Names, characters, places, and incidents either are the product
Sue Grafton (W is for Wasted (Kinsey Millhone #23))
Tell me, Pierce, why do you think she left?" "Why do---" He turned on her, his face a strange battle of anger and grief. "I don't know." "I think you do." She stood, her height no match for his, but she pretended that she did. "You hit her, Pierce." He was shamed into silence. "And more than that. My sister is intelligent, and compassionate, and talented. And you--- you squandered those things about her. You told her, in action if not words, that she was less than the Perrysburg Graftons until she learned to be like them. You fool--- she was more. She is the best person I have ever known, and I hope she stays far away from you." Alaine caught her breath, her heart racing. Pierce only stared at her, anger boiling behind his eyes. "I only ever wanted to help her." "Help her!" Alaine bit back laughter that was too close to hysterical. "Help her do what, Pierce? The only thing you wanted was for her to help you. To be a perfect Perrysburg Grafton, arranging your parties and making you look good. Well, she's worth more than that.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
You'd think she'd be relieved," I said. "From what I hear, he beat the shit out of her." "Not at first. She was crazy about him when he first got out. Still is, actually." "That's probably why she called him the world's biggest asshole at the funeral," I remarked.
Sue Grafton (D is for Deadbeat (Kinsey Millhone, #4))
I think (if I can make a judgement about writers coming into the business), I feel everybody is in a horrific hurry these days. You write one book and you're ready for fame and fortune. I don't know that people are spending the time and attention on learning how to write -- which takes years. Everybody sees the success stories. So instead of taking five years to learn how to write a decent sentence, they're writing a book proposal and asking who your editor and your agent are. So I find it a little infuriating that there is not more care given to the issue of being wonderful at writing.
Sue Grafton
I love being by myself. I love it when it works, and I can't for the life of me figure out how that happens. I think it is about sitting down day after day and paying attention and being open to the process. When it works, it is so wonderful to time travel. I go back to 1986. I leave my body and get into Kinsey Millhone's body, which is one reason, I think, that I resist it all so much, because that's not easy. There's something about it that is so amazing to me -- to create an entire other parallel universe and then inhabit it for a period of time.
Sue Grafton
I shrugged, remembering the many swats I’d endured at my Aunt Gin’s hands. She always assured me she’d really give me something to cry about if I wanted to protest.
Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
The admiral tossed the report at Molina and said to me, “Tell us about it.” “Jade Helm is an exercise about how the government will put down a right-wing uprising, or rebellion, and arrest everyone they think might be sympathetic with the rebels. They’ll use these paramilitary police they have tucked into every government alphabet agency as storm troopers and SS troops—” That was as far as I got. Molina exploded. “Comparing the federal government to Nazis is unacceptable. I am not going to sit here listening to that kind of shit, Carmellini.” I didn’t say anything. Sal Molina couldn’t fire me, and if Grafton did, I was ready to be on my way. Truth was, I had been in the belly of the beast for far too long. “Go on, Tommy,” Grafton prompted, ignoring Molina. “They’ll arrest every prominent Republican they can find and hold them in guarded camps, mainly at military bases. They have computer-generated lists. Gun owners, people who run their mouths on Facebook and Twitter, radio talk-show hosts, editors and publishers of Republican newspapers. . .you know, dangerous enemies of society.
Stephen Coonts (Liberty's Last Stand (Tommy Carmellini #7))
Grafton was silent, looking at nothing for a moment or two. Finally, he said, “Soetoro has been waiting for a terror strike so he could declare martial law, become a dictator, and fix all the things he doesn’t like about America.
Stephen Coonts (Liberty's Last Stand (Tommy Carmellini #7))
The hard thing about death is that nothing ever changes. The hard thing about life is that nothing stays the same.
Sue Grafton (J is for Judgment (Kinsey Millhone #10))
both hands against the door. “Feet wider apart. That’s right. Like in the American movies.” Satisfied, Qazi patted the man down. “What, no gun? A GRU man without a gun …” Qazi carefully felt the man’s crotch and the arms above the wrists. “First humor and now this! The GRU will become a laughingstock. But of course there is a microphone.” Qazi lifted all the pens from the Russian’s shirt pocket and examined them, one by one. “It had better be here, Chekhov, or you will have to part with your buttons and your shoes.” It was in the third pen. “Now turn around and sit against the door.” The Russian’s face was covered with perspiration, his fleshy lips twisted in a sneer. “The shoes.” Qazi examined them carefully and tossed them back. “Now the coat.” This he scrutinized minutely. From the uppermost of the large three buttons on the front of the coat a very fine wire was just visible buried amid the thread that held the button on. Qazi sawed the button free with a small pocketknife, then dropped the pen and button down a commode. He tossed the coat back to Chekhov. “And the belt.” After a quick glance, Qazi handed it back. “Hurry, we have much to say to each other.” He unscrewed the silencer and replaced the pistol in his ankle holster. He opened the door as the Russian scrambled awkwardly to his feet. An hour later the two men were seated in the Sistine Chapel against the back wall, facing the altar and Michelangelo’s masterpiece The Last Judgment behind it. On the right the high windows admitted a subdued light. Qazi kept his eyes on the tourists examining the paintings on the ceiling and walls. “Is it in Rome, as General Simonov promised?” “Yes. But you must tell us why you want it.” “Is it genuine, or is it a masterpiece from an Aquarium print shop?” The Aquarium was the nickname for GRU headquarters in Moscow. The Russian’s lips curled, revealing yellow, impacted teeth. This was his smile. “We obtained it from Warrant Officer Walker.” “Ah, those Americans! One wonders just how long they knew about Walker’s activities.” The Russian raised his shoulders and lowered them. “Why do you want the document?” “El Hakim has not authorized me to reveal his reasons. Not that we don’t trust you. We value the goodwill of the Soviet Union most highly. And we intend to continue to cultivate that goodwill. But to reveal what you do not need to know is to take the risk that the Americans will learn of our plans through their activities against you.” “If you are implying they have penetrated—” “Chekhov, I am not implying anything. I am merely weighing risks. And I am being very forthright with you. No subterfuge. No evasion. Just the plain truth. Surely a professional like you can appreciate that?” “This document is very valuable.
Stephen Coonts (Final Flight (Jake Grafton #3))
It wasn’t about finding the right answer; it was about patience and diligence. I surrendered to the process, ascribing the same importance to this work as to anything else I did.
Sue Grafton (W is for Wasted (Kinsey Millhone #23))
about Abbie’s deception. People did you in. People turned on you in a heartbeat
Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
What for?” “I’m not authorized to discuss the matter with anyone else. Are you related to her?” A pause. “I’m her sister. I’m from Minneapolis.” The best thing about lying are the flourishes, I thought. I myself am a world-class practitioner. “And your name is?” “Patty.
Sue Grafton (T is for Trespass (Kinsey Millhone, #20))
worry about Dawna, we’ll keep her out of circulation.” Raymond emerged from the master bedroom, pulling his shirt on. He was still barefoot, wearing his wrinkled chinos from the night before.
Sue Grafton (H is for Homicide (Kinsey Millhone, #8))
I can just about promise you Philip Marlowe was never as dainty as I.
Sue Grafton (X (Kinsey Millhone, #24))
Essentially we’re talking about the buildup of ketones in the blood. Ketones are a type of acid that form when the body breaks down fat for energy. Patients typically have a recent history of binge drinking, little or no food intake, and persistent vomiting. This results in a delay and decrease in insulin secretion and excess glucagon secretion. A lot of hokum here that I’ll skip . . . “Basically,
Sue Grafton (W is for Wasted (Kinsey Millhone #23))
Get old, you might as well not worry about your dignity. Anybody talks about dignity for old folks has never been around one as far as I can tell. You can keep your spunk, but you have to give up your vanity early on.
Sue Grafton (M is for Malice (Kinsey Millhone, #13))
I don’t know what love is about and I’m not sure I believe in it anyway.
Sue Grafton (A is for Alibi (Kinsey Millhone, #1))
Why not? You’ve already interrupted my work.” “Sorry about that, but here’s the deal. I want to talk to the players in the case, but I have no cover story and no bargaining power. I can hardly pass myself off as a reporter.” “Sure you can,” she said. “People are more interested in talking than you’d think. I see it all the time when I’m trolling for interviews. Here’s the trick. Imply you have the information and you’re looking for confirmation. Better yet, tell ’em you’d like to hear their version of events before you go to press. Say your editor wants an update and he suggested you talk to them.” “I wouldn’t need press credentials?” “Only if you’re crashing a rock concert. People assume you’re who you say you are.” “What about Sloan’s mother? Do you think she’d agree to meet with me?” “God, you sound so tentative. I thought you had balls. Trust me, she’ll talk. All she does is talk about Sloan’s death. People who know her say she’s obsessed. For years now, she’s left Sloan’s room as it was. Closed the door and locked it.” “Someone else mentioned that,” I said. “Sounds like she’s still sensitive about the
Sue Grafton (Y is for Yesterday (Kinsey Millhone, #25))
one of those peanut butter and pickle sandwiches I’m so fussy about. Whole grain bread, Jif Extra Crunchy, and Vlasic or Mrs. Fanning’s Bread’n Butter Pickles.
Sue Grafton (Y is for Yesterday (Kinsey Millhone, #25))
aware of, he was on his knees between mine, pulling the neck of my T-shirt down, his mouth on my bare breast. I clutched at him convulsively, slid down and forward against him and he half lifted me, hands cupped under my ass. I hadn’t known how much I wanted him until then, until that point, but the sound I made was primitive and his response was fierce and immediate and after that, in the half-light, with the table pushed aside, we made love on the floor. He did things to me that I’d only read about in books, and at the end of it, legs trembling, heart thudding, I laughed and he buried his face against my belly, laughing too. He was gone again by 2:00 A.M. He had work to do the next day and so did I. Even so, I missed him as I brushed my teeth, smirking at my own reflection in the bathroom mirror. My chin was pink from whisker burn. My hair seemed to be standing straight up on end. There is nothing quite as smug as the self-congratulation that abounds when one has been thoroughly and proficiently screwed, but I was a little bit embarrassed with myself nevertheless. This was not good, not cool. As a rule, I scrupulously avoid personal contact with anyone connected with a case. My sexual wrangling with Charlie was foolish, unprofessional, and in theory, possibly dangerous. In some little nagging part of my head, it didn’t feel right to me, but I did love his
Sue Grafton (A is for Alibi (Kinsey Millhone, #1))
couldn’t think when I’d last run into a man quite so inventive. My reaction to him was gut-level chemistry—like crystals of sodium flung in a swimming pool, throwing off sparks, dancing across the water like light. I had a friend once who said to me, “Wherever there is sex, we work to create a relationship that’s worthy of it.” I thought about that now, sensing that soon I would do that with him—start to bond, start to fantasize, start
Sue Grafton (A is for Alibi (Kinsey Millhone, #1))