Aboard Quotes

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Lots of things can be fixed. Things can be fixed. But many times, relationships between people cannot be fixed, because they should not be fixed. You're aboard a ship setting sail, and the other person has joined the inland circus, or is boarding a different ship, and you just can't be with each other anymore. Because you shouldn't be.
C. JoyBell C.
You sneaked into my cabin?” Annabeth rolled her eyes. “Percy, you’ll be seventeen in two months. You can’t seriously be worried about getting in trouble with Coach Hedge.” “Uh, have you seen his baseball bat?” “Besides, Seaweed Brain, I just thought we could take a walk. We haven’t had any time to be together alone. I want to show you something—my favorite place aboard the ship.” Percy’s pulse was still in overdrive, but it wasn’t from fear of getting in trouble. “Can I, you know, brush my teeth first?” “You'd better,” Annabeth said. “Because I’m not kissing you until you do. And brush your hair while you’re at it.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.
Margaret Atwood (Alias Grace)
I resisted the urge to hurl my plate at him. “Of course not, Ian. It’s just that normally at this hour, Bones and I are fucking like rabbits, so I get twitchy when I have to wait for him to climb aboard.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President
Pablo
LOG ENTRY: SOL 381 I’ve been thinking about laws on Mars. Yeah, I know, it’s a stupid thing to think about, but I have a lot of free time. There’s an international treaty saying no country can lay claim to anything that’s not on Earth. And by another treaty, if you’re not in any country’s territory, maritime law applies. So Mars is “international waters.” NASA is an American nonmilitary organization, and it owns the Hab. So while I’m in the Hab, American law applies. As soon as I step outside, I’m in international waters. Then when I get in the rover, I’m back to American law. Here’s the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can’t until I’m aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate!
Andy Weir (The Martian)
All aboard for one last trip.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
I live in two worlds. One is a world of books. I've been a resident of Faulkner's Yoknapatawpha County, hunted the white whale aboard the Pequod, fought alongside Napoleon, sailed a raft with Huck and Jim, committed absurdities with Ignatius J. Reilly, rode a sad train with Anna Karenina and strolled down Swann's Way. It's a rewarding world, but my second one is by far superior. My second one is populated with characters slightly less eccentric, but supremely real, made of flesh and bone, full of love, who are my ultimate inspiration for everything.
Rory Gilmore
He fixed his dark eyes on her. 'I am Kekrops, the first and eternal king of Athens. I would welcome you to my city.' He held up the covered platter. ' Also, I brought a Bundt cake.' Piper glanced at her friends. 'A trick?' 'Probably?' Annabeth said. 'At least he brought dessert.' Percy smiled down at the snake guys. 'Welcome aboard!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
How do you know when the Sarows is coming? (Is coming is coming is coming aboard) When the wind dies away but still sings in your ears, (In your ears in your head in your blood in your bones.) When the current goes still but the ship, it drifts along, (Drifts on drifts away drifts alone.) When the moon and the stars all hide from the dark, (For the dark is not empty at all at all.) (For the dark is not empty at all.) How do you know when the Sarows is coming? (Is coming is coming is coming aboard) Why you don't and you don't and you won't see it coming, (You won't see it coming at all.)
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Is that how you're going to take me? Scare me into voluntarily coming aboard, then steal my Ice Cube?" "It's always cubes with you," noted Foaly, somewhat randomly. "What's wrong with a nice sphere?
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
It's awful bad luck to bring a woman aboard the ship." "It's awful worse luck not to.
Johnny Depp
How bitterly glad I am to see you. You bring joy and pain in equal measure. Joy because you are with me, but pain because it won't be for long. What do you know about the sea? Nothing. What do I know about the sea? Nothing. Without a driver this bus is lost. Our lives are over. Come aboard if your destination is oblivion-- It should be our next stop. We can sit together. You can have the window seat, if you want. But it's a sad view. Oh enough of this disembling. Let me say plainly: I love you, I love you, I love you. I love you, I love you, I love you. Not the spiders, please.
Yann Martel (Life of Pi)
I will have you without armor. Those were the words she'd said to Kaz aboard the Ferolind, desperate for some sign that he might open himself to her, that they could be more than two wary creatures united by their distrust of the world.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
No,” he muttered, running a hand through his copper hair. “No. No. There are dozens.” “Kell?” she asked, moving to touch his arm. He shook her off. “Dozens of ships, Lila! And you had to climb aboard his.” “I’m sorry,” she shot back, bristling, “I was under the impression that I was free to do as I pleased.” “To be fair,” added Alucard, “I think she was planning to steal it and slit my throat.” “Then why didn’t you?” snarled Kell, spinning on her. “You’re always so eager to slash and stab, why couldn’t you have stabbed him?
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
The man, a huge grin spreading over his face, was slower to stand, first grabbing a cane from against the wall. "Welcome aboard the Rampion, Your Magesticness. Captain Carswell Thorne, at your service." He bowed.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I have twenty-eight excellent girls aboard this ship, and their pasts have shaped them. Just as yours has shaped you. And every single one of them, down to little Roslyn, deserves your respect.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
Old age is like a plane flying through a storm. Once you're aboard there's nothing you can do.
Golda Meir (As good as Golda;: The warmth and wisdom of Israel's Prime Minister)
It’s not something you can control, Mare,” he replies, still standing so far away. “We can’t choose who we love. I wish, more than anything, that we could.” I feel cracked open. My skin still runs hot from Cal’s embrace, remembering the feel of him only moments ago. But in the deepest part of me, in spite of every fiber of my being, I think beyond the clearing, to ice-colored eyes, an empty promise, and a kiss aboard a boat.
Victoria Aveyard (Glass Sword (Red Queen, #2))
As night fell, Yamamoto, aboard the huge battleship Yamato, steamed eastward at full speed into the night. Far ahead the destroyers went to flank speed to search for the US carriers. Lookouts, with the best night-vision binoculars in the world, swept the night horizon where the very dark sky meets the black ocean. The faintest shape, the tiniest pinprick of light, would show there was something out there, like the superstructure of a ship over the horizon. There was nothing.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
When you are in the middle of a story it isn’t a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It’s only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.
Dolly Alderton (Everything I Know About Love: A Memoir)
This is your captain speaking. Welcome aboard flight...one, from...here to there. We'll be cruising at a height of ten feet, going up to twelve and a half feet if we see anything big. And our copilot today is a flask of coffee.
Eddie Izzard
Ladies and gentleman," he said over the speakers, "welcome aboard this recently liberated Gulfstream V. If I could have your attention for just a few moments, I'd like to go over the safety features of this aircraft. It has an engine, to make us go, and wings, to keep us in the air. There are seatbelts, which won't do you an awful lot of good if we fly into the side of a mountain.
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
It was Silver's voice, and before I had heard a dozen words, I would not have shown myself for all the world. I lay there, trembling and listening, in the extreme of fear and curiostiy, for, in those dozen words, I understood that the lives of all the honest men aboard depended on me alone.
Robert Louis Stevenson (Treasure Island)
The parting, like the white fruit of an apple discolouring instantly around the bite, had begun three days before when they had met aboard the Rakuyo.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
They’d welcomed him aboard their ship. Nico had never allowed himself the luxury of friends, but the crew of the Argo II was as close as he’d ever come. The idea of any of them dying made him feel empty – like he was back in the giants’ bronze jar, alone in the dark, subsisting only on sour pomegranate seeds.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Climb aboard, Jonesy. I'm going to send you up where the air is rare and the view is much more than fair.
Stephen King (Joyland)
He remembered the time he had hooked one of a pair of marlin. The male fish always let the female fish feed first and the hooked fish, the female, made a wild, panic-stricken, despairing fight that soon exhausted her, and all the time the male had stayed with her, crossing the line and circling with her on the surface. He had stayed so close that the old man was afraid he would cut the line with his tail which was sharp as a scythe and almost of that size and shape. When the old man had gaffed her and clubbed her, holding the rapier bill with its sandpaper edge and clubbing her across the top of her head until her colour turned to a colour almost like the backing of mirrors, and then, with the boy’s aid, hoisted her aboard, the male fish had stayed by the side of the boat. Then, while the old man was clearing the lines and preparing the harpoon, the male fish jumped high into the air beside the boat to see where the female was and then went down deep, his lavender wings, that were his pectoral fins, spread wide and all his wide lavender stripes showing. He was beautiful, the old man remembered, and he had stayed.
Ernest Hemingway (The Old Man and the Sea)
It was as if Boeing built one plane and, without doing a single flight test, told airline passengers, “Hop aboard.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
…though I wouldn’t have admitted it, even to myself, I didn’t want God aboard. He was too heavy. I wanted Him approving from a considerable distance. I didn’t want to be thinking of Him. I wanted to be free—like Gypsy. I wanted life itself, the color and fire and loveliness of life. And Christ now and then, like a loved poem I could read when I wanted to. I didn’t want us to be swallowed up in God. I wanted holidays from the school of Christ.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
Come aboard if your destination is oblivion- it should be our next stop. We can sit together. You can have the window seat if you want. But it's a sad view.
Yann Martel
I’m enchanted by your beauty, my lady. Welcome aboard. You make a most welcome addition to our acerbic company…a lovely-smelling one, too. (Vik)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
Man cannot spend all his time doing evil, and even in the company of pirates there must be some sweet moments on their sinister ship when you feel as if you were aboard a pleasure yacht.
Honoré de Balzac (The Human Comedy: Selected Stories)
A bus came. I climbed aboard and sat on the plastic seat while the things of our city turned in the windows like the images in a slot machine.
Denis Johnson (Jesus’ Son)
What Dad didn't understand was that no matter how much he hated or feared the future, it was coming, and there was only one way to deal with it: by climbing aboard.
Jeannette Walls (Half Broke Horses)
A quick, sharp laugh from Quint broke the thread of tension. "What a pair of assholes," he said. "I seen that coming since you came aboard this morning.
Peter Benchley (Jaws (Jaws, #1))
It seemed strange, the Muslim Maghrib prayer aboard a Viking ship full of atheists and pagans. Then again, Samirah's ancestors had been dealing with Vikings since the Middle Ages. I doubted this was the first time prayers to Allah had been said aboard a longship. The world, the worlds, were a lot more interesting because of constant intermixing.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Keep your elbows in!" Sturmhond berated Mal. "Stop flapping them like some kind of chicken." Mal let out a disturbingly convincing cluck. Tamar raised a brow. "Your friend seems to be enjoying himself." I shrugged. "Mal's always been like that. You could drop him in a camp full of Fjerdan assassins, and he'd come out carried on their shoulders. He just blooms wherever he's planted." "And you?" "I'm more of a weed," I said drily. Tamar grinned. In combat, she was cold and silent fire, but when she wasn't fighting, her smiles came easily. "I like weeds," said said, pushing herself off from the railing and gathering her scattered lengths of rope. "They're survivors." I caught myself returning her smile and quickly went back to working on the knot that I was trying to tie. The problem was that I liked being aboard Sturmhond's ship. I liked Tolya and Tamar and the rest of the crew. I like sitting at meals with them, and the sound of Privyet's lilting tenor. I liked the afternoon when we took target practice, lining up empty wine bottles to shoot off the fantail and making harmless wagers.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I climb aboard my tricycle and pedal my heart to the stars.
Harley King
Come aboard if your destination is oblivion - it should be our next stop.
Yann Martel (Life of Pi)
I don’t think—” “Clearly. Why start now?” Ivan’s face flushed in anger. “You don’t—” Sturmhond leaned in close, the laughter gone from his voice, his easy demeanor replaced by something with a sword’s edge. “I don’t care who you are on land. On this ship, you’re nothing but ballast. Unless I put you over the side, in which case you’re shark bait. I like shark. Cooks up tough, but it makes for a little variety. Remember that the next time you have a mind to threaten anyone aboard this vessel.” He stepped back, his jolly manner restored. “Go on now, shark bait. Scurry back to your master.” “I won’t forget this, Sturmhond,” Ivan spat. The captain rolled his eyes. “That’s the idea.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I live to feel her fingers move inside of me like this. The bus makes another stop. A fat man climbs aboard, hauling himself up the stairs. I would kill him for one more moment with her fingers inside me. I don’t have to. She gives me my moment for free. He lives because of her generosity. We all live because of her generosity.
Joey Comeau (The Girl Who Couldn't Come)
Life is a train ride, and at the many stations along the route, people important to us debark, never to get aboard again, until by the end of the journey, we sit in a passenger car where most of the seats are empty.
Dean Koontz (False Memory)
Your boat's not like to sink, I don't think. Boats only sink when I'm aboard.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
How did you come to be a pirate?” “I was aboard a pirate ship.” She rolled her eyes at him. “How did you come to be aboard a pirate ship?
Jade Parker (To Catch a Pirate)
Well may I get aboard. [He sees a bear.] This is the chase: I am gone for ever! [Exist pursued by a bear.]
William Shakespeare (The Winter's Tale)
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
Poole and Bowman had often humorously referred to themselves as caretakers or janitors aboard a ship that could really run itself. They would have been astonished, and more than a little indignant, to discover how much truth that jest contained.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
New orders: Make sure everybody who doesn't want to live here is aboard in five minutes. We are leaving. -Captain Kevyn Andreyasn
Howard Tayler (Resident Mad Scientist (Schlock Mercenary, #6))
The evening light was like honey in the trees When you left me and walked to the end of the street Where the sunset abruptly ended. The wedding-cake drawbridge lowered itself To the fragile forget-me-not flower. You climbed aboard. Burnt horizons suddenly paved with golden stones, Dreams I had, including suicide, Puff out the hot-air balloon now. It is bursting, it is about to burst
John Ashbery
Yawning, I stumbled off the trolley after him and tried to get out of the way of people rushing aboard. Apparently manners weren' t a thing of the past. They' d never existed at all.
Tamara Allen (Downtime)
I live in two worlds. One is a world of books. I’ve been a resident of Faulkner’s Yoknapatowpha County, hunted the white whale aboard the Pequod, fought alongside Napoleon, sailed a raft with Huck and Jim, committed absurdities with Ignatius J. Reilly, rode a sad train with Anna Karenina, and strolled down Swann’s Way.
Rory Gilmore
Well, crew, welcome aboard the gas freighter _Rocinante_.' 'What does that name even mean?'... 'It means we need to go find some windmills
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
And when the day arrives for the final voyage and the ship of no return is set to sail, you’ll find me aboard, traveling light, almost naked, like the children of the sea.
Antonio Machado (Campos de Castilla)
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out. So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. HUCK FINN. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.
Mark Twain (The Adventures of Huckleberry Finn)
Without a driver this bus is lost. Our lives are over. Come aboard if your destination is oblivion - it should be our next stop. We can sit together. You can have the window seat, if you want. But it's a sad view.
Yann Martel (Life of Pi)
Upon the occasion of history's first manned flight - in the 1780's aboard the Montgolfier brothers' hot-air balloons - someone asked Franklin what use he saw in such frivolity. "What use," he replied, "is a newborn baby?
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
She gave a short laugh to throw him off track. "It so happens I am a trifle more sophisticated than that. I hardly go about mooning and cultivating romantic notions of heroic knights sweeping me away to unknown isles aboard stolen ships." He smiled. "A knight rode a horse, my dear; he was not a sea captain.
Linda Lee Chaikin (Under Eastern Stars (Heart of India, #2))
Perhaps the most chaotic of Divisions Ke Hui Feng 第一 Ψ visited was Recycling. First, it was mammoth, so big most of her tour was spent aboard a drone. Thousands of Dazhong used the 401 thoroughfares from both east and west, the 427 from the south and the 400 from the north to bring their loads of recyclables from the MASS to the enormous MEG Recycling Centre. The roadways might be in ruins outside the MEG boundaries, jagged fragments of pavement between cavernous potholes and trails made by traders, but within the MEG the wide lanes had been cleared and covered with recycled rubber. They were smooth and divided, one lane in—one lane out, between hundred-metre high foamstone walls on either side. No one from the MASS would ever get into the MEG illegally; at least, that was how it seemed. Only those with proper credentials could enter the massive gates: MASS traders, or trading companies, who specialized as middlemen between the gatherers and the Recycling Centre. Not far outside the gates the MASS traders had rebuilt ancient warehouses in which they received goods, stored, and sorted them, then brought them, usually by land freighters, down the ingress roads to meet MEG approved Di sān overseers and, of course, decontaminated Dazhong who further sorted the goods.
Brian Van Norman (Against the Machine: Evolution)
Shouldn’t she stay on the boat?” The cat’s ear twitched, and Lila felt that whatever pleasant inclinations the cat was forming toward her, she’d just lost them. “Don’t be ridiculous,” said Alucard. “The ship’s no place for a cat.” Lila was about to point out that the cat had been aboard the ship as long as she had when he added, “I believe in keeping my valuables with me.” Lila perked up. Were cats so precious here? Or rare? She hadn’t ever seen another one, but in the little time she was ashore, she hadn’t exactly been looking. “Oh yeah?” “I don’t like that look,” Alucard said, twisting chest and cat away. “What look?” asked Lila innocently. “The look that says Esa might conveniently go missing if I tell you what she’s worth.
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Let’s see! I’ll put you to work right away! Aye! No—first I’ll give you a tour! No—I’ll introduce you to my crew! No—I’ll let you rest! No—I’d better get you into uniforms! Aye! It’s important that everyone aboard wear a waterproof uniform in case the submarine collapses and we find ourselves underwater! Of course, in that case we’ll need diving helmets! Except Sunny because she can’t wear one! I guess she’ll drown! No—she can curl up inside a diving helmet! Aye! The helmets have a tiny door on the neck just for such purpose! Aye! I’ve seen it done! I’ve seen so many things in my time!” “Excuse me,” Violet said, “but could you tell us who you are?
Lemony Snicket (The Grim Grotto (A Series of Unfortunate Events, #11))
It is so beautiful to be loved as Laurie loves me; he isn’t sentimental, doesn’t say much about it, but I see and feel it in all he says and does, and it makes me so happy and so humble that I don’t seem to be the same girl I was. I never knew how good and generous and tender he was till now, for he lets me read his heart, and I find it full of noble hopes and impulses and purposes, and am so proud to know it’s mine. He says he feels as if he ‘could make a prosperous voyage now with me aboard as mate, and lots of love for ballast.’ I pray he may, and try to be all he believes me, for I love my gallant captain with all my heart and soul and might, and never will desert him while God lets us be together. Oh, Mother, I never knew how much like heaven this world could be when two people love and live for one another!
Louisa May Alcott (Little Women (Little Women, #1))
A human of significantly less clumsiness than most came aboard, a small male, and despite its diminutive stature, it moved with a warrior’s confidence and wore a very large and fine hat. Such hats often signified humans who considered themselves important, which was adorable for the first few moments and trying ever after.
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
The Laundry field operations manual is notably short on advice for how to comport one’s self when being held prisoner aboard a mad billionaire necromancer’s yacht, other than the usual stern admonition to keep receipts for all expenses incurred in the line of duty.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
Even the fantasies that had consoled and comforted her for so many years aboard the satellite were growing feeble. She was not a warrior, brave and strong and ready to defend justice. She was not the most beautiful girl in the land, able to evoke empathy and respect from even the most hard-hearted villain. She was not even a damsel knowing that a hero would someday rescue her.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Nine times out of 10, the most charming thing to say in any given situation will be the exact opposite of what one really feels.
Geoff Dyer (Another Great Day at Sea: Life Aboard the USS George H.W. Bush)
When you are powerless, something can happen to you and afterwards it has not happened. For you, it happened, but somehow they remember it differently, or don't remember it at all. You can tell them, but it slips their minds. When you are powerless, everything you do seems in vain. You stow your bag, show your ticket, climb the steps. All the sinners climb aboard.
Hari Kunzru (White Tears)
Welcome aboard Mon Remonda. Let’s get the rest of your pilots in... so I can get out of this torture suit." "But, sir, I was just going to say how smart you looked in your uniform. I think we ought to stay here, in uniform, a couple of hours so the holographers can capture the image. You know, for the historians." "Wedge, I think I’m going to have you killed." "Yes, sir. I trust you’ll wear your dress uniform for an event like that.
Aaron Allston (Solo Command: Star Wars Legends (Wraith Squadron, #3))
My son used to believe that he could look at a plane in flight and make it explode in midair by simply thinking it. He believed, at thirteen, that the border between himself and the world was thin and porous enough to allow him to affect the course of events. An aircraft in flight was a provocation too strong to ignore. He’d watch a plane gaining altitude after taking off from Sky Harbor and he’d sense an element of catastrophe tacit in the very fact of a flying object filled with people. He was sensitive to the most incidental stimulus and he thought he could feel the object itself yearning to burst. All he had to do was wish the fiery image into his mind and the plane would ignite and shatter. His sister used to tell him, Go ahead, blow it up, let me see you take that plane out of the sky with all two hundred people aboard, and it scared him to hear someone talk this way and it scared her too because she wasn’t completely convinced he could not do it. It’s the special skill of an adolescent to imagine the end of the world as an adjunct to his own discontent. But Jeff got older and lost interest and conviction. He lost the paradoxical gift for being separate and alone and yet intimately connected, mind-wired to distant things.
Don DeLillo (Underworld)
First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask. I am having to do this not like Cousteau with his assiduous team aboard the sun-flooded schooner but here alone. There is a ladder. The ladder is always there hanging innocently close to the side of the schooner. We know what it is for, we who have used it. Otherwise it is a piece of maritime floss some sundry equipment. I go down. Rung after rung and still the oxygen immerses me the blue light the clear atoms of our human air. I go down. My flippers cripple me, I crawl like an insect down the ladder and there is no one to tell me when the ocean will begin. First the air is blue and then it is bluer and then green and then black I am blacking out and yet my mask is powerful it pumps my blood with power the sea is another story the sea is not a question of power I have to learn alone to turn my body without force in the deep element. And now: it is easy to forget what I came for among so many who have always lived here swaying their crenellated fans between the reefs and besides you breathe differently down here. I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and sway into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. This is the place. And I am here, the mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck we dive into the hold. I am she: I am he whose drowned face sleeps with open eyes whose breasts still bear the stress whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot we are the half-destroyed instruments that once held to a course the water-eaten log the fouled compass We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.
Adrienne Rich (Diving Into the Wreck)
I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.' I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world." [Shakespeare & Company, archived statement]
George Whitman
It's striking how many of the world's biggest problems, and many of the small ones too. are eliminated by the simplest of solutions – having women around.
Geoff Dyer (Another Great Day at Sea: Life Aboard the USS George H.W. Bush)
As the ego-dead, so we might imagine, we would continue to know pain in its various forms—that is the essence of existence—but we would not be cozened by our egos to take it personally, an attitude that converts an individual’s pain into conscious suffering. Naturally, we would still have to feed, but we would not be omnivorous gourmands who eat for amusement, gorging down everything in nature and turning to the laboratory for more. As for reproduction, who can say? Animals are driven to copulate, and even as the ego-dead we would not be severed from biology, although we would not be unintelligently ruled by it, as we are now. As a corollary of not being unintelligently ruled by biology, neither would we sulk over our extinction, as we do now. Why raise another generation destined to climb aboard the evolution treadmill? But then, why not raise another generation of the ego-dead? For those who do not perceive either their pleasures or their pains as belonging to them, neither life nor death would be objectionable or not objectionable, desirable or not desirable, all right or not all right. We would be the ego-dead, the self-less, and, dare we are, the enlightened.
Thomas Ligotti (The Conspiracy Against the Human Race)
When I’m rich,” Jesper said behind him. “I’m going somewhere I never have to see snow again. What about you, Wylan?” “I don’t know exactly.” “I think you should buy a golden piano-” “Flute.” “And play concerts on a pleasure barge. You can park it in the canal right outside your father’s house.” “Nina can sing,” Inej put in, “We’ll duet,” Nina amended. “Your father will have to move.” She did have a terrible singing voice. He hated that he knew that, but he couldn’t resist glancing over his shoulder. Nina’s hood had fallen back, and the thick waves of her hair had escaped her collar. Why do I keep doing that? He thought in a rush of frustration. It had happened aboard the ship, too. He’d tell himself to ignore her, and the next thing he knew his eyes would be seeking her out.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
(pg.31) "As it was, my first days on Earth were somewhat anticlimactic. Mother and Father seemed so happy tempting and corrupting that I didn't want to interrupt them. But the fact was that I hadn't the slightest clue what to do with myself. I tried to convince cows to take over the world, to rampage across the fields slaughtering all in their wake, to start a new religion of udder worship, to build cities devoted to the consumption of grass, their aqueducts running with fresh milk. I even prepared a pictorial presentation of cows traveling into outer space aboard butter-powered space churns, but the cows seemed unconvinced, and soon returned to wondering how many stomachs they had. The current belief was seventeen. Cows:Unambitious.
George Pendle (Death: A Life)
This edition of The Motorcycle Diaries, the notes describing a journey made without hesitation, aboard the noisy motorcycle La Poderosa II (which gave out halfway, but only after transmitting to the adventure a joyous impulse we, too, receive), free as the wind, with the sole purpose of getting to know the world, is dedicated to people whose youth is not merely sequential, but wholehearted and spiritual.
Ernesto Che Guevara (The Motorcycle Diaries: Notes on a Latin American Journey)
Jim Elliot once said, “He is no fool who gives what he cannot keep to gain what he cannot lose.” Radical obedience to Christ is not easy; it is dangerous. It is not smooth sailing aboard a luxury liner; it is sacrificial duty aboard a troop carrier. It’s not comfort, not health, not wealth, and not prosperity in this world. Radical obedience to Christ risks losing all these things. But in the end, such risk finds its reward in Christ. And he is more than enough for us.
David Platt (Radical: Taking Back Your Faith from the American Dream)
PUBLIC SERVICE ANNOUNCEMENT! Due to the cumulative effect of collective sharing and loving intentionality, the Shame Train has derailed at the junction of Self-Belief and Divine Uniqueness. The engine couldn’t run on self-hatred any longer. All formerly shamed passengers please disembark the train. You are free. A new train—fueled by healthy self-regard and sacred purpose—will be along momentarily to pick you up. No tickets required on this self-love train—just a growing faith in your sacred magnificence. All aboard!
Jeff Brown (Ascending with Both Feet on the Ground: Words to Awaken your Heart)
Yet here, Laertes? Aboard, aboard, for shame! The wind sits in the shoulder of your sail, And you are stay'd for. There, my blessing with thee. And these few precepts in thy memory See thou character. Give thy thoughts no tongue, Nor any unproportion'd thought his act. Be thou familiar, but by no means vulgar. Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel; But do not dull thy palm with entertainment Of each new-hatch'd, unfledged comrade. Beware Of entrance to a quarrel; but being in, Bear't that the opposed may beware of thee. Give every man thy ear, but few thy voice; Take each man's censure, but reserve thy judgment. Costly thy habit as thy purse can buy, But not express'd in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station Are of a most select and generous, chief in that. Neither a borrower nor a lender be; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man. Farewell. My blessing season this in thee!
William Shakespeare
Hadrian gestured toward the sentinel. “So, what’s going on between you and Thranic, anyway? He appears to really hate you—even more than most people.” Royce did not look in his direction. He sat nonchalantly, pretending to ignore the world, as if they were the only two aboard. “Funny thing, that. I never met him, never heard of him until this voyage, and yet I know him rather well, and he knows me.” “Thank you, Mr. Esrahaddon. Can you provide me with perhaps a more cryptic answer?” Royce smiled. “I see why he does it now. It’s rather fun.
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
Like the Baron, Mathilde developed a formula for acting out life as a series of roles—that is, by saying to herself in the morning while brushing her blond hair, "Today I want to become this or that person," and then proceeding to be that person. One day she decided she would like to be an elegant representative of a well-known Parisian modiste and go to Peru. All she had to do was to act the role. So she dressed with care, presented herself with extraordinary assurance at the house of the modiste, was engaged to be her representative and given a boat ticket to Lima. Aboard ship, she behaved like a French missionary of elegance. Her innate talent for recognizing good wines, good perfumes, good dressmaking, marked her as a lady of refinement.
Anaïs Nin (Delta of Venus)
Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss. Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together. For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us. We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers. And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them. I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute. We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue. I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it." There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete. The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God." Thank you.
Ronald Reagan
If I had your life story, it would be the first thing I mentioned to anyone. ‘Hullo, I’m Chase Reynaud. I learned to toddle aboard a merchant ship, and the Seven Seas rocked my cradle. And have I mentioned that no tropical sunset could compare with your beauty?’ The women would fall into bed with me.” “Don’t they fall into bed with you anyway?” “That’s true. But they might do so a half minute faster. Over months and years, those half minutes add up. So let’s hear the rest of the tale.
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
And I may not omit here a special work of God's providence. There was a proud and very profane young man [aboard the Mayflower], one of the seamen, of a lusty, able body, which made him the more haughty; he would always be contemning the poor people in their [sea]sickness, and cursing them daily with grievous execrations, and did not let to tell them, that he hoped to help cast half of them overboard before they came to their journey's end, and to make merry with what they had; and if he were by any gently reproved, he would curse and swear most bitterly. But it pleased God before they came half seas over, to smite this young man with a grievous disease, of which he died in a desperate manner, and so was himself the first that was thrown overboard. Thus his curses light on his own head; and it was an astonishment to all his fellows, for they noted it to be the just hand of God upon him.
William Bradford (Of Plymouth Plantation, 1620-1647)
Some women, Commander Norton had decided long ago, should not be allowed aboard ship; weightlessness did things to their breasts that were too damn distracting. It was bad enough when they were motionless; but when they started to move, and sympathetic vibrations set in, it was more than any warm-blooded male should be asked to take. Some women, Commander Norton had decided long ago, should not be allowed aboard ship; weightlessness did things to their breasts that were too damn distracting. It was bad enough when they were motionless; but when they started to move, and sympathetic vibrations set in, it was more than any warm-blooded male should be asked to take. He was quite sure that at least one serious space accident had been caused by acute crew distraction, after the transit of a well-upholstered lady officer through the control cabin.
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
If I'd been a cowboy, it might've ended well. Somewhere on the ramble, I'm sure I'd have to sell My guns along the highway. My coins to the table To make a gambler's double, I'd double debts to pay. Prob'ly shrink and slink away, It mightn't've ended well. What If I'd been a sailor? I think it might've ended well. From August to May For a searat of man drifting through eternal blue, aboard the finest Debris. I might've called the shanties. From daybreak to storm's set, lines stay Taught, over rhythm unbroken. But, oh, there's a schism unspoken, a mighty calling of the lee. An absentminded Pirate, unaccustomed to the sea; To the land, a traitor. I think it mightn't've ended well. What might've worked for me? What might've ended well? Soldier, to bloody sally forth through hell? Teacher of glorious stories to tell? Man of gold, or stores to sell? Lover to a gentle belle? Maybe a camel; A seashell. What mightn't've been a life where it mightn't've ended well?
Dylan Thomas
(…) But I have never known jealousy until I was introduced to it aboard the Etruria. I want to deny it, to pretend I’m some perfect, unfeeling machine who didn’t care, but that’s a vicious lie. I cared. I cared so much I wanted to punch a wall, as senseless and idiotic as that would be. I considered shoving that pompous ass of a ringmaster right off the deck, knowing I’d rejoice in his drowning. It gave me unparalleled pleasure just imagining his demise. You have no idea the strength it takes, shoving that beast inside, remembering that’s not the kind of person I want to be. Not now, or ever. I will not become a monster for you. The kind of love I crave isn’t cruel or possessive. Do not expect me to act either way. I will never beg or use subversive tactics to win your heart. I will earn it because you choose to give it to me of your own free will, or I won’t have it at all. I will never manipulate you. No one should. And if they do? They aren’t worth your time.
Kerri Maniscalco (Becoming the Dark Prince (Stalking Jack the Ripper, #3.5))
The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' We sailed away from Hallasholm, we had to be real quick, For Kloof had eaten Erak's ax and chewed his walking stick. We sailed across the Stormwite and we struck a mighty storm. We had to wear our woolly caps to keep us nice and warm. We sailed around Cape Shelter and then south to Araluen. We called upon the people there to find out what was doin'. We chased an evil slaver to the market of Socorro. "We can't rescue them tonight," said Hal. "We'll get them out tomorrow." Lydia and the Ranger burned the market to the ground. The rest of us, we freed the slaves then headed out of town. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' The slave master named Mahmel was a nasty kind of thug, So Stiggy dropped a rock and crushed him like a bug. We sailed back to Cresthaven and we set the captives free. King Duncan said, "Well done, my lads, you're just the boys for me. My Ranger Gilan has to go hunt down some assassins So go along with him and give these wicked types a thrashin'." A pirate galley barred our way. We quickly overtook 'em. And Ingvar led the charge aboard to stab and chop and hook 'em. We beat the Tualaghi and the Scorpions as well. The Ranger stuck his saxe into the leader, the Shurmel. When all the assassins threw a fit of wild hysterics, Hal grabbed up the Shurmel's staff and brought it back for Erak. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin
John Flanagan
This is your captain speaking, so stop whatever you’re doing and pay attention. First of all I see from our instruments that we have a couple of hitchhikers aboard. Hello, wherever you are. I just want to make it totally clear that you are not at all welcome. I worked hard to get where I am today, and I didn’t become captain of a Vogon constructor ship simply so I could turn it into a taxi service for a load of degenerate freeloaders. I have sent out a search party, and as soon as they find you I will put you off the ship. If you’re very lucky I might read you some of my poetry first. “Secondly, we are about to jump into hyperspace for the journey to Barnard’s Star. On arrival we will stay in dock for a seventy-two-hour refit, and no one’s to leave the ship during that time. I repeat, all planet leave is canceled. I’ve just had an unhappy love affair, so I don’t see why anybody else should have a good time. Message ends.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
No. When I was a girl, I wanted to be a pirate.” That brought up an all-too-pleasant image—Miss Marshall, the rich, dark red of her hair unbound and flying defiantly in the wind aboard a ship’s deck. She’d wear a loose white shirt and pantaloons. He would definitely surrender. “I am less shocked than you might imagine,” Edward heard himself say. “Entirely unshocked.” She smiled in pleasure. “A bloodthirsty cutthroat profession? Good thing you gave that up. It would never have suited you.” Her expression of pleasure dimmed. “You’d have succeeded too easily,” Edward continued, “and now you’d be sitting, bored as sin, atop a heap of gold too large to spend in one lifetime. Still, though, wouldn’t it solve ever so many problems if you married a lord? James Delacey could never touch you again if you did.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
They were furious. Did he not know he might catch cold? Why did he not answer their hail? It was no good his telling them he had not heard; they knew better; he had not got flannel ears--Why had he not waited for them? --What was a boat for? Was this a proper time to go a-swimmin? -- Did he think this was midsummer? Or Lammas? -- He was to see how cold he was, blue an trembling like a fucking jelly -- Would a new-joined ships boy have done such a wicked thing? No, sir, he would not. -- What would the skipper, what would Mr Pullings and Mr Babbington say, when they heard of his capers? -- As God loved them, they had never seen anything so foolish: he might strike them blind, else. -- Where had he left his intellectuals? Aboard the sloop? They dried him with handkerchiefs., dressed him by force, and rowed him quickly back to the Polychrest. He was to go below directly, turn in between blankets--no sheets, mind--with a pint of grog and have a good sweat. he was to go up the side now, like a Christian and nobody would notice. Plaice and Lakey were perhaps the strongest men in the ship, with arms like gorillas; they thrust him aboard and hurried him to his cabin without so much as by your leave, and left him there in the charge of his servant, with recommenations for his present care.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
CAPT. J. W. SIMMONS, master of the steamship Pensacola, had just as little regard for weather as the Louisiana’s Captain Halsey. He was a veteran of eight hundred trips across the Gulf and commanded a staunch and sturdy ship, a 1,069-ton steel-hulled screw-driven steam freighter built twelve years earlier in West Hartlepool, England, and now owned by the Louisville and Nashville Railroad Company. Friday morning the ship was docked at the north end of 34th Street, in the company of scores of other ships, including the big Mallory liner Alamo, at 2,237 tons, and the usual large complement of British ships, which on Friday included the Comino, Hilarius, Kendal Castle, Mexican, Norna, Red Cross, Taunton, and the stately Roma in from Boston with its Captain Storms. As the Pensacola’s twenty-one-man crew readied the ship for its voyage to the city of Pensacola on Florida’s Gulf Coast, two men came aboard as Captain Simmons’s personal guests: a harbor pilot named R. T. Carroll and Galveston’s Pilot Commissioner J. M. O. Menard, from one of the city’s oldest families. At
Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!
Rudyard Kipling
This young woman,” said Diana, “was responsible for the destruction of the Triumvirate’s fleet.” “Well, I had a lot of help,” Lavinia said. “I don’t understand,” I said, turning to Lavinia. “You made all those mortars malfunction?” Lavinia looked offended. “Well, yeah. Somebody had to stop the fleet. I did pay attention during siege-weapon class and ship-boarding class. It wasn’t that hard. All it took was a little fancy footwork.” Hazel finally managed to pick her jaw off the pavement. “Wasn’t that hard?” “We were motivated! The fauns and dryads did great.” She paused, her expression momentarily clouding, as if she remembered something unpleasant. “Um…besides, the Nereids helped a lot. There was only a skeleton crew aboard each yacht. Not, like, actual skeletons, but—you know what I mean. Also, look!” She pointed proudly at her feet, which were now adorned with the shoes of Terpsichore from Caligula’s private collection. “You mounted an amphibious assault on an enemy fleet,” I said, “for a pair of shoes.” Lavinia huffed. “Not just for the shoes, obviously.” She tap-danced a routine that would’ve made Savion Glover proud. “Also to save the camp, and the nature spirits, and Michael Kahale’s commandos.” Hazel held up her hands to stop the overflow of information. “Wait. Not to be a killjoy—I mean, you did an amazing thing!—but you still deserted your post, Lavinia. I certainly didn’t give you permission —” “I was acting on praetor’s orders,” Lavinia said haughtily. “In fact, Reyna helped. She was knocked out for a while, healing, but she woke up in time to instill us with the power of Bellona, right before we boarded those ships. Made us all strong and stealthy and stuff.” Hazel asked, “Is it true about Lavinia acting on your orders?” Reyna glanced at our pink-haired friend. The praetor’s pained expression said something like, I respect you a lot, but I also hate you for being right. “Yes,” Reyna managed to say. “Plan L was my idea. Lavinia and her friends acted on my orders. They performed heroically.” Lavinia beamed. “See? I told you.” The assembled crowd murmured in amazement, as if, after a day full of wonders, they had finally witnessed something that could not be explained.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
When the Archives file out of the room, Galen turns to Emma. She’s ready for him. She holds up her shushing finger. “Don’t even,” she says. “I was going to tell you, but I just didn’t have a chance.” “Tell me now,” he says. “Since it seems I’m the last to know.” He isn’t the last to know, of course. But he’d really hoped she would come to him with it. Before now. Before it became an issue for other people. She raises a hesitant brow. “Please,” he grates out. She sighs in a gust. “I still don’t think it’s important at the moment, but when Rayna took off for the Arena, I hoped on one of the jet skis and tried to follow. But,” she amends, “I did not intend to get in the water. I swear I didn’t. It’s just that Goliath wanted to play, and he tipped over the”-she must sense all his patience oozing out-“anyway, so I come across this Syrena, Jasa, and she’s been caught in a net and two men are pulling her aboard. So me and Goliath helped her.” “Where are the fishermen now?” “Um. Unless Rachel did something drastic, they’re probably at home telling their kids crazy stories about mermaids.” Galen feels a sense of control slipping, but of what he’s not sure. For centuries, the Syrena have remained unnoticed by humans. Now within the span of a week, they’ve allowed themselves to be captured twice. He hopes this does not become a pattern. Toraf must have mistaken his long pause for brooding. “Don’t be too hard on her, Galen,” he says. “I told you, Emma helped her and then went straight home.” “Stay out of this,” Galen says pleasantly. “I knew you told him.” Emma crosses her arms at Toraf. “You really are a snitch.” “You had enough to worry about. And so did I.” Toraf shrugs, unperturbed. “It’s over now.” Nalia pinches the bridge of her nose. “This is where I ground you for life,” she tells Emma. “All three hundred years of it.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
You were burning in the middle of the worst solar storm our records can remember. (...) Everyone else fled. All your companions and crew left you alone to wrestle with the storm. “You did not blame them. In a moment of crystal insight, you realized that they were cowards beyond mere cowardice: their dependence on their immortality circuits had made it so that they could not even imagine risking their lives. They were all alike in this respect. They did not know they were not brave; they could not even think of dying as possible; how could they think of facing it, unflinching? “You did not flinch. You knew you were going to die; you knew it when the Sophotechs, who are immune to pain and fear, all screamed and failed and vanished. “And you knew, in that moment of approaching death, with all your life laid out like a single image for you to examine in a frozen moment of time, that no one was immortal, not ultimately, not really. The day may be far away, it may be further away than the dying of the sun, or the extinction of the stars, but the day will come when all our noumenal systems fail, our brilliant machines all pass away, and our records of ourselves and memories shall be lost. “If all life is finite, only the grace and virtue with which it is lived matters, not the length. So you decided to stay another moment, and erect magnetic shields, one by one; to discharge interruption masses into the current, to break up the reinforcement patterns in the storm. Not life but honor mattered to you, Helion: so you stayed a moment after that moment, and then another. (...) “You saw the plasma erupting through shield after shield (...) Chaos was attempting to destroy your life’s work, and major sections of the Solar Array were evaporated. Chaos was attempting to destroy your son’s lifework, and since he was aboard that ship, outside the range of any noumenal circuit, it would have destroyed your son as well. “The Array was safe, but you stayed another moment, to try to deflect the stream of particles and shield your son; circuit after circuit failed, and still you stayed, playing the emergency like a raging orchestra. “When the peak of the storm was passed, it was too late for you: you had stayed too long; the flames were coming. But the radio-static cleared long enough for you to have last words with your son, whom you discovered, to your surprise, you loved better than life itself. In your mind, he was the living image of the best thing in you, the ideal you always wanted to achieve. “ ‘Chaos has killed me, son,’ you said. ‘But the victory of unpredictability is hollow. Men imagine, in their pride, that they can predict life’s each event, and govern nature and govern each other with rules of unyielding iron. Not so. There will always be men like you, my son, who will do the things no one else predicts or can control. I tried to tame the sun and failed; no one knows what is at its fiery heart; but you will tame a thousand suns, and spread mankind so wide in space that no one single chance, no flux of chaos, no unexpected misfortune, will ever have power enough to harm us all. For men to be civilized, they must be unlike each other, so that when chaos comes to claim them, no two will use what strategy the other does, and thus, even in the middle of blind chaos, some men, by sheer blind chance, if nothing else, will conquer. “ ‘The way to conquer the chaos which underlies all the illusionary stable things in life, is to be so free, and tolerant, and so much in love with liberty, that chaos itself becomes our ally; we shall become what no one can foresee; and courage and inventiveness will be the names we call our fearless unpredictability…’ “And you vowed to support Phaethon’s effort, and you died in order that his dream might live.
John C. Wright (The Golden Transcendence (Golden Age, #3))