Abandoned Daughter Quotes

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When a woman starts to disentangle herself from patriarchy, ultimately she is abandoned to her own self.
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine (Plus))
Daughters. They were sometimes as familiar and intimate as honeysuckles in bloom, but mostly daughters were mysteries. They lived in rooms you had long since abandoned and could not, did not, ever want to reenter.
Benjamin Alire Sáenz (Names on a Map)
Please don't be angry at me for abandoning you. I was given an extension on life. I should have died in Mare's place years ago. I was ready for this. The others will need you. You're their Mistborn now— you'll have to protect them in the months to come. The nobility will send assassins against our fledgling kingdom's rulers. Farewell. I'll tell Mare about you. She always wanted a daughter.
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
Fortune helps the intrepid and abandons the cowards. I am the daughter of a man who did not know of fear. Whatever may come, I am resolved to follow that course until death.
Caterina Sforza
Keep your heart wide open and you’ll be received with open hearts — not by everyone, but to be received by one open heart is more than worth the journey.
Marnie Grundman (Missing A True Story Of A Childhood Lost)
Exactly what are you wanting to teach your children? -How to love and care for themselves, or how to neglect and abandon themselves? Self-sarifice is NOT setting a good example.
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
My mother was already an abandoned soul, a misguided young woman who would subconsciously put herself into situations that starved her soul. The worst feeling in the world is to love someone who cannot love you back, to care about someone who can only care about themselves.
LaTasha “Tacha B.” Braxton
Like your marriage, everything in the universe is trying to find its orbit. In the midst of this constant readjustment, both partners should be able to go to bed knowing that neither one is going to abandon a wounded, or struggling marriage. There is a comforting reassurance being with someone who keeps their promise. pg iv
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
Meantime, a midsize Labrador mutt cut me off at the cul-de-sac. He was in desperate need of a rubdown. I gave it a thought but feared his bark and constant gruff. I locked eyes then noticed his black and white patches rotated with agitations. He yapped and yapped and bluffed mightily, but he cautiously stayed a safe distance away. Eventually, he lost all courage and quietly ran for shelter. As for me, I never stopped advancing toward my brother’s place. It took some effort but I serpentine and zigzagged my way through dandelions and fast-food wrappings lying in the yard.   The closer I got, the more definite the sounds of dishes breaking, kids playing, infants testing their lungs, and TVs watching themselves became. Jerry and his wife had separated some time ago. Regardless, he was left with four adult daughters still in the nest. Obviously, the girls brought kids of their own to the mix. But everything unfolding before me appeared chaotic on the other side of that threshold. That entire scene grew larger andmore intimidating with every timid step I took.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
My daughter was calm as a clam. She had no clue what that text meant for the rest of her life. She had no clue that her father had just abandoned her.
Penelope Ward (RoomHate)
Why shouldn't a mystical theology be possible? 'I want to touch God or become God,' I declared in my journal. All through that year I abandoned myself intermittently to these deliriums.
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
I will not be someone who abandons my principles as soon as they become inconvenient. I will not be someone who says that certain things have to be done… as long as somebody else does them.
Zoe Cannon (The Torturer's Daughter (Internal Defense #1))
My mind and my sanity have both abandoned me.
C.M. Owens (Daughter Trilogy Bundle (Daughter Trilogy, #1-3))
There is a wound that never heals in the heart of an abandoned child.
Kate Morton (The Clockmaker's Daughter)
Every friend, every neighbor, and every family member wishes that you retain your golden heart. No one wants to see your love sullied. Yet, they all know a dark circumstance will find you eventually. Know this: You are being hunted--like game. Life will knock you down with some unexpected misfortune. Resolve now, to help your partner get back up. Only a determined family kills its wounded. When everyone else abandons him, come back for your husband.
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
That's something like the sensation of losing someone. You are never in your life so alive, and so aware of being alive, yet so isolated and abandoned, as when a loved one is taken from you. The planet will move right through you like wind through stalks of grass.
Dennis Bock (The Communist's Daughter)
I will look where her eyes would be. I will open my mouth to ask but then realize the question has answered itself: by loving me when I did not love her, by being abandoned by me, she has become immortal. She will outlive me by a hundred million years; more, even. She will outlive my daughter, and my daughter’s daughter, and the earth will teem with her and her kind, their inscrutable forms and unknowable destinies.
Carmen Maria Machado (Her Body and Other Parties: Stories)
The daughter of a marquess does not charge out of a ballroom. The daughter of a marquess does not abandon her partner in the middle of a dance. The daughter of a marquess does not hunt faeries.
Elizabeth May (The Falconer (The Falconer, #1))
The fathers of the fatherless children are the ones who abandon and neglect their sons and daughters. They are not held responsible for their part in regards to helping raise their children. Where is the justice for our sons and daughters? Father of the fatherless children, you are a sorry excuse for a man.
Charlena E. Jackson (Dear fathers of the fatherless children)
No, Maximilien, I am not offended," answered she, "but do you not see what a poor, helpless being I am, almost a stranger and an outcast in my father's house, where even he is seldom seen; whose will has been thwarted, and spirits broken, from the age of ten years, beneath the iron rod so sternly held over me; oppressed, mortified, and persecuted, day by day, hour by hour, minute by minute, no person has cared for, even observed my sufferings, nor have I ever breathed one word on the subject save to yourself. Outwardly and in the eyes of the world, I am surrounded by kindness and affection; but the reverse is the case. The general remark is, `Oh, it cannot be expected that one of so stern a character as M. Villefort could lavish the tenderness some fathers do on their daughters. What though she has lost her own mother at a tender age, she has had the happiness to find a second mother in Madame de Villefort.' The world, however, is mistaken; my father abandons me from utter indifference, while my mother-in-law detests me with a hatred so much the more terrible because it is veiled beneath a continual smile.
Alexandre Dumas (The Count of Monte Cristo)
Parents who feel good about themselves do not have to control their adult children. But [toxic parents] operate from a deep sense of dissatisfaction with their lives and a fear of abandonment. Their child's independence is like the loss of a limb to them. As the child grows older, it becomes ever more important for the parents to pull the strings that keep the child dependent. As long as toxic parents can make their son or daughter feel like a child, they can maintain control.
Susan Forward (Toxic Parents: Overcoming Their Hurtful Legacy and Reclaiming Your Life)
Here we come to the central question of this book: What, precisely, does it mean to say that our sense of morality and justice is reduced to the language of a business deal? What does it mean when we reduce moral obligations to debts? What changes when the one turns into the other? And how do we speak about them when our language has been so shaped by the market? On one level the difference between an obligation and a debt is simple and obvious. A debt is the obligation to pay a certain sum of money. As a result, a debt, unlike any other form of obligation, can be precisely quantified. This allows debts to become simple, cold, and impersonal-which, in turn, allows them to be transferable. If one owes a favor, or one’s life, to another human being-it is owed to that person specifically. But if one owes forty thousand dollars at 12-percent interest, it doesn’t really matter who the creditor is; neither does either of the two parties have to think much about what the other party needs, wants, is capable of doing-as they certainly would if what was owed was a favor, or respect, or gratitude. One does not need to calculate the human effects; one need only calculate principal, balances, penalties, and rates of interest. If you end up having to abandon your home and wander in other provinces, if your daughter ends up in a mining camp working as a prostitute, well, that’s unfortunate, but incidental to the creditor. Money is money, and a deal’s a deal. From this perspective, the crucial factor, and a topic that will be explored at length in these pages, is money’s capacity to turn morality into a matter of impersonal arithmetic-and by doing so, to justify things that would otherwise seem outrageous or obscene. The factor of violence, which I have been emphasizing up until now, may appear secondary. The difference between a “debt” and a mere moral obligation is not the presence or absence of men with weapons who can enforce that obligation by seizing the debtor’s possessions or threatening to break his legs. It is simply that a creditor has the means to specify, numerically, exactly how much the debtor owes.
David Graeber (Debt: The First 5,000 Years)
This is a reactionary rage, often fueled by a sense of deprivation and a belief the world owes something to the daughter who lost her mother too young. But underneath it is usually a deep anger toward the mother herself.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
On occasion Jobs would use the semi-abandoned Woodside home, especially its swimming pool, for family parties. When Bill Clinton was president, he and Hillary Clinton stayed in the 1950s ranch house on the property on their visits to their daughter, who was at Stanford. Since both the main house and ranch house were unfurnished, Powell would call furniture and art dealers when the Clintons were coming and pay them to furnish the houses temporarily. Once, shortly after the Monica Lewinsky flurry broke, Powell was making a final inspection of the furnishings and noticed that one of the paintings was missing. Worried, she asked the advance team and Secret Service what had happened. One of them pulled her aside and explained that it was a painting of a dress on a hanger, and given the issue of the blue dress in the Lewinsky matter they had decided to hide it. (During one of his late-night phone conversations with Jobs, Clinton asked how he should handle the Lewinsky issue. “I don’t know if you did it, but if so, you’ve got to tell the country,” Jobs told the president. There was silence on the other end of the line.)
Walter Isaacson (Steve Jobs)
my mother didn't want to hurt me, but she was broken. her brokenness cut into me and made me bleed. she didn't know how to love, or at least how to love me. it didn't even matter that she hurt me; I just wanted her to be sorry. she said that she loved me, but it often felt like hate. when I finally had enough and tried to be free, she looked at me with desperation and cried, "you are abandoning me!" so, I stayed and I suffered, and I did my best to love her. as a woman, I have so much empathy for my mother, but as a daughter, I have so much anger.
Rose Brik (My Father's Eyes, My Mother's Rage)
Do you suppose, daughters, that He is alone when He comes to us? Do you not see that His most holy Son says: "Who art in the Heavens"? Surely such a King would not be abandoned by His courtiers. They stay with Him and pray to Him on our behalf and for our welfare, for they are full of charity.
Teresa de Ávila (The Way of Perfection)
by loving me when I did not love her, by being abandoned by me, she has become immortal. She will outlive me by a hundred million years; more,even. She will outlive my daughter, and my daughter’s daughter, and the earth will teem with her and her kind, their inscrutable forms and unknowable destinies.
Machado Carman Maria
All these women, Huila thought: Mothers of God. These skinny, these dirty and toothless, these pregnant and shoeless. These with an issue of blood, and these with unsuckled breasts and children cold in the grave. These old forgotten ones too weak to work. These fat ones who milked all day. These twisted ones tied to their pallets, these barren ones, these married ones, these abandoned ones, these whores, these hungry ones, these thieves, these drunks, these mestizas, these lovers of other women, these Indians, and these littlest ones who faced unknowable tomorrows. Mothers of God. If it was a sin to think so, she would face God and ask Him why. “The
Luis Alberto Urrea (The Hummingbird's Daughter)
Oh, I know.” I snarl at him, “And if you hadn’t been high the night Eden was born, you could have saved her yourself. Her life wouldn’t be in danger at all if you had just gotten your shit together! But I’m glad you were willing to let me go without knowing any of that if I didn’t tell you about the daughter that you chose to abandon.
Liselle Sambury (Blood Like Magic)
The mother who abandons her daughter leaves a pile of questions behind: Who was she? Where is she? Why did she leave? Like the child whose mother dies, the abandoned daughter lives with a loss, but she also struggles with the knowledge that her mother is alive yet inaccessible and out of touch. Death has a finality that abandonment simply does not.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
Remember, there are infinite stories about separation. By infinite stories, that is to say that there is this story, & only this story, told many different ways. Sometimes the hand is not a hand but a sweetheart or a daughter or a house on fire. Anything can be part of oneself & anything can be taken away. Sometimes the truck is a fishing boat or a Boeing 747 or a blocked telephone number. Sometimes the abandoned never makes it free of the forest.
GennaRose Nethercott
Cheryl Peters had already told me that the family next door, the third house I'd gone to, had also heard me and not opened the door. "They have two children," she said, matter-of-factly. But I was a child, too. Or at least I had been.
Sarah Perry (After the Eclipse: A Mother's Murder, a Daughter's Search)
I remember how abandoned I felt when my mom chose her husband over me. I remember my hurt and pain, the heart-stretched longing to have her stand up for me and say, “Don’t you dare lay another finger on my daughter again. Don’t you dare.
Tracie Breaux (Refined)
The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief. In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what? But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship. That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide. The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated. The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives. Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five. When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.
Jung Chang (Wild Swans: Three Daughters of China)
Mothers are programmed to teach the fit. They are unequipped to listen to pleas, to alter their patterns. Mothers know how to nurse and nurture those who they have hope for—they coo over babies with infections they can help heal, they give advice for things they know, they protect from the dangers they know how to fear. But once their baby becomes so hurt the mother doesn't know how to heal her, she neglects because she doesn't know better. The tricks she knows don't work, she fears, and, eventually, when she is so lost she feels hopeless, she abandons.
Aspen Matis (Girl in the Woods: A Memoir)
I was like two ends of a ribbon, a bow untied. Frayed at the ends.  I could never tie it back for Marla, never pretend to be a perfect daughter. This time, I'd abandoned her and all her dreams, and that was terrible. But I'd tied the other end of the ribbon to Jet, and I would sacrifice everything not to let go of her
Lori Ann Stephens (Blue Running)
And when we at last descended the final step, he turned, and the rustling crowd parted raggedly, like crested waves before the prow of a ship, making a space for us to walk. I understood at that moment fully and suddenly why he would not carry me, and why he had not come to my defense in times past when I was battling for my place in the world. It was not because he failed to love me, but because he loved me so well. He had brought us food and clothing and kind words when we were imprisoned; he did not abandon us. But he would never seek to weaken me so that I could not withstand the burdens and cruelties or harsh judgments of the world.
Kathleen Kent (The Heretic's Daughter)
Tonight Oskar and his daughter are going to sleep in an abandoned wooden boat on the beach. He will try to make this seem normal. Every day he has to try to make what happens to them appear nothing out of the ordinary. As if he still has all the magician’s tricks of a father. As if he still has the power to keep her from harm.
Glenn Haybittle (The Way Back to Florence)
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
As ingenious as this explanation is, it seems to me to miss entirely the emotional significance of the text- its beautiful and beautifully economical evocation of certain difficult feelings that most ordinary people, at least, are all too familiar with: searing regret for the past we must abandon, tragic longing for what must be left behind. (...) Still, perhaps that's the pagan, the Hellenist in me talking. (Rabbi Friedman, by contrast, cannot bring himself even to contemplate that what the people of Sodom intend to do to the two male angels, as they crowd around Lot's house at the beginning of the narrative, is to rape them, and interpretation blandly accepted by Rashi, who blithely points out thta if the Sodomites hadn't wanted sexual pleasure from the angels, Lot wouldn't have suggested, as he rather startingly does, that the Sodomites take his two daughter as subsitutes. But then, Rashi was French.) It is this temperamental failure to understand Sodom in its own context, as an ancient metropolis of the Near East, as a site of sophisticated, even decadent delights and hyper-civilized beauties, that results in the commentator's inability to see the true meaning of the two crucial elements of this story: the angel's command to Lot's family not to turn and look back at the city they are fleeing, and the transformation of Lot's wife into a pillar of salt. For if you see Sodom as beautiful -which it will seem to be all the more so, no doubt, for having to be abandoned and lost forever, precisely the way in which, say, relatives who are dead are always somehow more beautiful and good than those who still live- then it seems clear that Lot and his family are commanded not to look back at it not as a punishment, but for a practical reason: because regret for what we have lost, for the pasts we have to abandon, often poisons any attempts to make a new life, which is what Lot and his family now must do, as Noah and his family once had to do, as indeed all those who survive awful annihilations must somehow do. This explanation, in turn, helps explain the form that the punishment of Lot's wife took- if indeed it was a punishment to begin with, which I personally do not believe it was, since to me it seems far more like a natural process, the inevitable outcome of her character. For those who are compelled by their natures always to be looking back at what has been, rather than forward into the future, the great danger is tears, the unstoppable weeping that the Greeks, if not the author of Genesis, knew was not only a pain but a narcotic pleasure, too: a mournful contemplation so flawless, so crystalline, that it can, in the end, immobilize you.
Daniel Mendelsohn (The Lost: A Search for Six of Six Million)
A daughter whose mother chose to leave her or was incapable of mothering may feel like a member of the emotional underclass, like a dispensable part of society whose needs the government has ignored. As a result, she often develops a sense of devaluation and unworthiness even more profound than that of the daughter whose mother has died.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
Consider again the mated pair with which we began the chapter. Both partners, as selfish machines, ‘want’ sons and daughters in equal numbers. To this extent they agree. Where they disagree is in who is going to bear the brunt of the cost of rearing each one of those children. Each individual wants as many surviving children as possible. The less he or she is obliged to invest in any one of those children, the more children he or she can have. The obvious way to achieve this desirable state of affairs is to induce your sexual partner to invest more than his or her fair share of resources in each child, leaving you free to have other children with other partners. This would be a desirable strategy for either sex, but it is more difficult for the female to achieve. Since she starts by investing more than the male, in the form of her large, food-rich egg, a mother is already at the moment of conception ‘committed’ to each child more deeply than the father is. She stands to lose more if the child dies than the father does. More to the point, she would have to invest more than the father in the future in order to bring a new substitute child up to the same level of development. If she tried the tactic of leaving the father holding the baby, while she went off with another male, the father might, at relatively small cost to himself, retaliate by abandoning the baby too. Therefore, at least in the early stages of child development, if any abandoning is going to be done, it is likely to be the father who abandons the mother rather than the other way around. Similarly, females can be expected to invest more in children than males, not only at the outset, but throughout development. So, in mammals for example, it is the female who incubates the foetus in her own body, the female who makes the milk to suckle it when it is born, the female who bears the brunt of the load of bringing it up and protecting it. The female sex is exploited, and the fundamental evolutionary basis for the exploitation is the fact that eggs are larger than sperms.
Richard Dawkins (The Selfish Gene)
There is more, but James has ceased to listen. In the months since Agnes’ disappearance, his old fear of hellfire has been replaced by another more terrible and pervasive: the fear of the void. Cold Marsh has been abandoned, cursed by God or the Devil both. He is certain of this. He will lose his daughter to death or to marriage, and when the darkness descends to cover his eyes, he will face that black maw alone.
Daniel Mills (Revenants)
Once the purging has taken place, the woman often dreams of a black goddess who becomes her bridge between spirit and body. As one aspect of Sophia, such an image can open her to the mystery of life being enacted in her own body. Her "mysterious and exotic darkness" inspires a particular depth of wonderment and love. For a woman without a positive mother, this "dark" side of the Virgin can bring freedom, the security of freedom, because she is a natural home for the rejected child. The child born from the rejected side of the mother can bring her own rebel to rest in the outcast state of Mary. In loving the abandoned child within herself, a woman becomes pregnant with herself. The child her mother did not nourish, she will now nourish, not as the pure white biblical Virgin who knew no Joseph, but as the dark Montserrat Virgin who presides over "marriage and sex, pregnancy and childbirth." The Black Madonna is nature impregnated by spirit, accepting the human body as the chalice of the spirit. She is the redemption of matter, the intersection of sexuality and spirituality. Connecting to this archetypal image may result in dreams of a huge serpent, mysterious, cold­blooded, inaccessible to human feeling. Seen as an appendage of the negative mother, it is the phallus stolen from the father and used to guard inviolate purity. Yet this same snake, when seen in relation to the moon, symbolizes the dark, impersonal side of femininity and at the same time its capacity to renew itself. The daughter who can come out from under the skin of the negative mother will not perpetuate her but redeem her. The Black Madonna is the patron saint of abandoned daughters who rejoice in their outcast state and can use it to renew the world.
Marion Woodman (The Pregnant Virgin: A Process of Psychological Transformation)
Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince's daughter was now drafted into those solemn ranks and deprived of her birthright — that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.
Ta-Nehisi Coates
Mrs. Wagner had all the time in the world at her disposal, and expected all persons within earshot to share her fondness for idle conversation. She had also adopted Rachel as a surrogate…something. Not a daughter. Definitely not a daughter. It was more like she thought of Rachel and Santino as feral cats who had moved into the abandoned house next door, and she was trying to domesticate them through proximity and the occasional gift of food.
K.B. Spangler (State Machine (Rachel Peng, #3))
Yes, and the irony is that these liberals don’t see that they’ve abandoned women, gays, freethinkers, public intellectuals, and other powerless people in the Muslim world to a cauldron of violence and intolerance. Rather than support the rights of women and girls to not live as slaves, for instance, Western liberals support the right of theocrats to treat their wives and daughters however they want—and to be spared offensive cartoons in the meantime.
Sam Harris (Islam and the Future of Tolerance: A Dialogue)
How apart she felt, how apart she had felt for years, and she wished it was a feeling she could get used to. But it wasn’t. One by one, everyone else her age had married and had children, yet for her, the years of her twenties had slipped away, waving at her like hands from a leaving train. As they all moved on, she was left standing on the platform, absolutely alone, surrounded only by the smoke that stung her eyes and throat. It was no different now.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
C. S. Lewis wrote that “sooner or later [God] withdraws, if not in fact, at least from their conscious experience, all those supports and incentives. He leaves the creature to stand up on its own legs. . . . It is during such trough periods, much more than during the peak periods, that it is growing into the sort of creature He wants it to be.” This is because “He wants servants who can finally become sons [and daughters].”22 That may simply be, unavoidably, a wrenching process of spiritual abandonment such as Eve and Adam felt in their expulsion from God’s presence, or we all must have felt upon leaving of our premortal estate. Perhaps this feeling of desolation was entailed in Joseph’s remark that in our quest for understanding, we “must search into and contemplate the darkest abyss.”23 Perhaps many of us will never find God by calling out His name at the entrance to the cave; we must enter its depths.
Terryl L. Givens (The Crucible of Doubt: Reflections on the Quest for Faith)
Long ago, darkness reigned over the night. People were afraid and remained inside their shelters from sundown until sunrise. The goddess Selene saw their fear and gave light to their nocturnal world by driving her moon chariot across the starry sky. She followed her brother Helios, who rode the sun and caught his shining rays on her magnificent silver chariot, then cast them down to earth as moonbeams. She felt pride in the way the earthlings were comforted by her light. But one night when she had abandoned her chariot to walk upon the earth, she noticed that in times of trouble many people lost all hope. Their despair bewildered her. After considering their plight, she knew how she could make her moon the greatest gift from the gods. From then on she drove around the earth and each night caught her brother's rays from a different angle. This way the face of the moon was everchanging. People watched the moon decrease in light every night, until it could no longer be seen from the earth. Then after three nights of darkness, a crescent sliver returned and the moon increased in light until it was fully illuminated as before. Selene did this to remind people that their darkest times can lead them to their brightest. The ancients understood Selene's gift in the lunar phases. Each night when they gazed at the moon, they knew Selene was telling them to never give up hope.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
Feeling and talking through the pain--the humiliation of being an unloved child, the anger toward the cold mother, the anxiety of turning into her, the fear of maternal retribution for hating her--became the healing salve. Where therapy was successful, these women came to understand that their mothers, who were unfortunate, inadequate, insecure people, did not have the power to hurt them anymore. If their mothers continued to act destructively, they could walk away from them.
Evelyn S. Bassoff (Mothers and Daughters: Loving and Letting Go)
Ade had often been invited to consider her father’s life—an abandoned wife, an orphaned daughter, all for the sake of his restlessness—but it proved a toothless warning to Ade. Her father had abandoned them, certainly, but he’d also seen love and war and perhaps some of the intoxicating world beyond the farm, and such adventure seemed worth any price. (It seems to me that Lee Larson’s life was more defined by impulsivity and cowardice than an adventurous spirit, but a daughter must find what value she can in her father. Especially if he is absent.)
Alix E. Harrow (The Ten Thousand Doors of January)
I finish off the wine and attempt to write. I must write, I have to write. Writing is why I’m here. I stare at my open notebook, blank for all but one badly drawn eye. A few swirls. The words I don’t know scratched over and over again. Surrounded by limp flowers. I long for my first writing office, the waiting area of the hair salon where my mother worked when I was a child. I wrote with such feverish abandon on that sagging couch between the dusty Buddha and the dustier fake flowers, beneath framed photos of women smiling under impossibly, painfully elaborate arrangements of hair. Clients would sit in waiting area chairs nearby, pretending to read magazines but all the while regarding me askance, a lanky child in a Swamp Thing T-shirt clutching her mermaid journal close, staring at them through bangs I barely ever let my mother cut. I was afraid she’d gouge out my eyes. Whatcha workin’ on there? they might ask me. Uncovering your secret shame, I thought. Don’t mind my daughter, my mother would say as she led them to a chair, tilted their heads back into a wash sink where they’d immediately close their eyes.
Mona Awad (Bunny (Bunny, #1))
was impressed by Marcellus’s eagerness. Tomorrow he would be riding out with five legions to a war from which he might never return, yet there was only excitement in his voice. I thought of the dangers he would face and the painted Gallic fighters hiding in the thickly wooded passes. I was sure that Isis would never be so cruel as to abandon someone so young and filled with promise. But then why had she abandoned Ptolemy and Caesarion? Where had she been when Antyllus was murdered at the base of Caesar’s statue and my parents lost their kingdom to a thin, weak sapling of a man?
Michelle Moran (Cleopatra's Daughter)
Few survivors carried anything, except for anguished tales of their abandonment by the Raj. Lying in their cholera beds, they told of Anglo-Indian families whose darker-skinned daughters were turned away from camps for Europeans; of columns of Indian refugees held back until Europeans had passed, so the roads would be less begrimed; of elephants struggling up the slopes, hind legs quivering, as they carried mahogany desks out over the bodies of children. The most despised rumour, which travelled well in India, was that the Army enforced separate ‘White’ and ‘Black’ routes: so little did Indian lives count in the end.
Raghu Karnad (Farthest Field: An Indian Story of the Second World War)
The dead bring us to life, vivify us, give us scale. We are the unjoined part of them and at their graves we stand at our own. In Ruby Park Cemetery, in the once-famous silver lands of Colorado, the graves are unmarked. There is a single column of marble above a miner's daughter who died at the age of seventeen. The town of Irwin drew thousands of people in the 1870s, some from as far away as England and Scotland. The cemetery is abandoned. The mines have vanished. All but the silent warning, 'My good people as you pass by, As you are now so once was I As I am now you soon must be Prepare yourselves to follow me.' The dust of the pathway whitens our shoes.
James Salter (There and Then: The Travel Writing of James Salter)
What under heaven do you want with a daughter of the bourgoisie? Leave them alone. pick some great, wanton flame of a woman, who laughs at life and jeers at death and loves one while she may. There are such women, and they will love you just as reaidly as any pusillanimous product of bourgois-sheltered life." "Pusillanimous?" Martin protested. 'Just so, pusillanimous; prattling out little moralities that have been prattled into them, and afraid to live life. They will love you, Martin, but they will love their little moralities more. What you want is the magnificent abandon of life, the great free souls, the blazing butterflies of life and not the little gary months".
Jack London (Martin Eden)
There is a logic to the shapes of lives and relationships, and that logic is embedded in the stuff of existence. The lover does not awake one morning convinced he would rather be an engineer. The musician does not abandon her keyboard without regrets. The CEO does not surrender wealth. Or if he does, he will find it easier to give up everything, find a cave in the mountains and become a philosopher than to simply downscale his life-style. You see? We are all of us living stories that on some deep level give us satisfaction. If we are unhappy with our stories, that is not enough to free us from them. We must find other stories that flow naturally from those we have been living.
Michael Swanwick (The Iron Dragon's Daughter (The Iron Dragon's Daughter #1))
Barbara took her accustomed place by the door but as the singing began Margerit beckoned her over to her side. "I haven't been following much except that it's all ancient Greeks and battles and such. What's happening now?" Barbara knelt beside her and leaned close to whisper so as not to disturb the rest of the party. A brief synopsis of what had gone before took up the time while the chorus escorted the principles to the centre of the stage. "I haven't seen this performance before," Barbara added, "but I imagine this will be the grand love duet." As the soprano began, she concentrated on the stage to follow the opening phrases. The chorus had abandoned the field to the principles who faced each other against a backdrop of fluted columns. "O! What strange fate is mine!" Barbara paused as the signature line was repeated several times. "I loved you in the guise of Mars, but now I am betrayed by Venus. The iron in your glance turns soft beneath my touch. I am undone. O Venus, you are cruel to mock me so." It continued on in the same vein until it was the mezzo's turn. Her lyrics ran much parallel with the soprano's. With less concentration required, Barbara ventured a glance to see Margerit's reaction. Margerit turned at the same moment and their eyes met as Barbara whispered Ifis's lines. "O! What a strange fate is mine! In the guise of Mars I love you but now as Venus I'm betrayed. The Iron in my soul turns soft beneath your touch." Unconsciously, Margerit placed a hand on hers where it lay on the arm of her chair. "Fire runs through my veins - I am undone." Fire indeed ran through her veins. Her hand burned sweetly where Margerit touched it and she dared now take it back. Her voice grew husky. "Why do the gods mock me with desire I cannot sate?" Their eyes were still locked and Margerit's lips had parted in a little "o" of wonder. "O Venus, have mercy on one new come to your shrine." When the soprano joined again for the duet, Margerit breathed along with her, "O! What strange fate is mine!" With effort, Barbara wrenched her gaze away.
Heather Rose Jones (Daughter of Mystery (Alpennia, #1))
Within it grew such a variety of plants as Elizabeth had ever seen: white roses, carnations, lobelias, mimosas, even sweet peas tumbling over each other in vigorous abandon. At one end was an herb garden, and Elizabeth recognized rue, fennel, caraway, sage, thyme and mint. Through a doorway at the rear of the courtyard she could see a grove of olive and lemon trees and on the short walk from the harbor to the house she had spotted tall, spiky thistle-like plants, palms and trees covered in white flowers. She was seized with an immediate desire to open her sketchbook and take out the magnifying glass from the pocket of her cloak, to capture the intricate detail of an almond blossom, its calyx and corolla, stamens and carpel, or perhaps to draw the curl of a vine tendril or a spiky aloe leaf
Kayte Nunn (The Botanist's Daughter)
For a short time, for a month or two, he had striven to dine at home and even to remain at home through the evening; but the work had been too hard for him and he had utterly broken down. He had said to her and to himself that his health would fail him under the effects of so great a change made so late in life, and I am not sure that he had not spoken truly. At any rate the effort had been abandoned, and Mr Vavasor now never dined at home. Nor did he and his daughter ever dine out together. Their joint means did not admit of their giving dinners, and therefore they could not make their joint way in the same circle. It thus came to pass that they lived apart, — quite apart. They saw each other, probably daily; but they did little more than see each other. They did not even breakfast together, and after three o’clock in the day Mr Vavasor was never to be found in his own house.
Anthony Trollope (Complete Works of Anthony Trollope)
Alexandra Feodorovna, Empress of Russia, was only thirty-two but was already a physical wreck after ten physically and mentally draining years of pregnancy and childbirth. Her always precarious mental state was severely undermined by the discovery of Alexey’s condition and she tormented herself that she of all people had unwittingly transmitted haemophilia to her much-loved and longed-for son.* Her already melancholic air henceforth became an inexplicably tragic one to those not privy to the truth. The whole focus of the family now dramatically shifted, to protecting Alexey against accident and injury – to literally keeping him alive within their own closely controlled domestic world. Nicholas and Alexandra therefore abandoned their newly refurbished apartments in the Winter Palace and ceased staying in town for the court season. Tsarskoe Selo and Peterhof would from now on be their refuge.
Helen Rappaport (The Romanov Sisters: The Lost Lives of the Daughters of Nicholas and Alexandra (The Romanov Sisters #2))
Young Mr. Maxwell would make a very good match.” Camilla’s lovely face hardened just a little at the mention of Maxwell. Grey could have kissed her. “He was quick to abandon her the last time he courted my daughter, so I will have to reserve judgment until he’s proven himself a changed man, no matter how well I wish to think of him.” “Very wise,” Grey agreed, ignoring the look his brother slanted toward him. “A few years can do wonders for a man’s maturity,” Archer remarked. Grey shrugged. “Or not. Some men simply become overgrown boys and never face the consequences of their actions.” Archer smiled. “And some blame society and hide like scared mice for the rest of their lives.” Were they alone Grey might have hit him. But they weren’t alone, and instead of giving into his anger, he was left with having to face how much hearing his brother say such a thing hurt. Not only hurt, it made him deuced uncomfortable.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
He sighed. “You’ve chosen poorly, you know. When we return to England you’ll be celebrated, just as I will be. If you’ve decided to abandon me, you might have netted someone titled, someone with enough wealth to see you esteemed and me able to continue my botanical studies. That would have been the aim of a dutiful daughter.” “I’m not abandoning you, and I chose Shaw. You’re the one who declined to attend your daughter’s wedding.” “You never used to speak to me like this. A dutiful child would never have accepted a proposal from the first man who asked, simply because he did ask.” “He didn’t propose to me. I proposed to him.” Finally he looked more surprised than angry and frustrated. “You proposed to him?” “Yes, because I didn’t think he believed me when I said that I loved him. I can hardly blame him, since I had to think about it for an entire day after he said it to me, but I do love him. More than I can articulate to you.
Suzanne Enoch (Rules of an Engagement (Adventurers’ Club, #3))
What under heaven do you want with a daughter of the bourgeoisie? Leave them alone. Pick out some great, wanton flame of a woman, who laughs at life and jeers at death and loves one while she may. There are such women, and they will love you just as readily as any pusillanimous product of bourgeois sheltered life. There are such women, and they will love you just as readily as any pusillanimous product of bourgeois sheltered life. Pusillanimous?” Martin protested. “Just so, pusillanimous; prattling out little moralities that have been prattled into them, and afraid to live life. They will love you, Martin, but they will love their little moralities more. What you want is the magnificent abandon of life, the great free souls, the blazing butterflies and not the little gray moths. Oh, you will grow tired of them, too, of all the female things, if you are unlucky enough to live. But you won’t live. You won’t go back to your ships and sea; therefore, you’ll hang around these pest-holes of cities until your bones are rotten, and then you’ll die.
Jack London (Martin Eden)
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
Lauren Groff (Fates and Furies)
When I was twelve years old, I looked in the mirror and I saw what I perceived to be my faults and my mother's faults. These coalesced into a dark mark that I would carry through my life, a coating of what I saw, which came from others' hatred of me, and all this forested a hatred of myself. I thought being unwanted and abandoned and persecuted was the legacy of the poor southern Black woman. But as an adult, I see my mother's legacy anew. I see how all the burdens she bore, the burdens of her history and identity and of our country's history and identity , enable her to manifest her greatest gifts. My mother had the courage to look at four hungry children and find a way to fill them. My mother had the strength to work her body to its breaking point to provide for herself and her children. My mother had the residence to cobble together a family from the broken bits of another. And my mother's example teaches me other things: This how a transplanted people survived a holocaust and slavery. This is how Black people in the South organized to vote under the shadow of terrorism and the noose. This is how human begins sleep and wake and fight and survive. In the end, this is a how a mother teaches her daughter to have courage, to have strength, to be resilient, to open her eyes to what it is, and to make something of it.
Jesmyn Ward (Men We Reaped: A Memoir)
Everyone succumbs to finitude. I suspect I am not the only one who reaches this pluperfect state. Most ambitions are either achieved or abandoned; either way, they belong to the past. The future, instead of the ladder toward the goals of life, flattens out into a perpetual present. Money, status, all the vanities the preacher of Ecclesiastes described, hold so little interest: a chasing after wind, indeed. Yet one person cannot be robbed of her futurity: my daughter, Cady. I hope I’ll live long enough that she has some memory of me. Words have a longevity I do not. I had thought I could leave her a series of letters – but what would they really say? I don’t know what this girl will be like when she is 15; I don’t even know if she’ll take to the nickname we’ve given her. There is perhaps only one thing to say to this infant, who is all future, overlapping briefly with me, whose life, barring the improbable, is all but past. That message is simple. When you come to one of the many moments in life when you must give an account of yourself, provide a ledger of what you have been, and done, and meant to the world, do not, I pray, discount that you filled a dying man’s days with a sated joy, a joy unknown to me in all my prior years, a joy that does not hunger for more and more, but rests, satisfied. In this time, right now, that is an enormous thing.
Paul Kalanithi
This much is certain: had I a daughter of an age where there could be any question of her being influenced by you, I would most assuredly warn her, the more so if she were also intellectually gifted. And if there were no reason to warn her against you, then I myself, who nevertheless imagine I might be your match, if not in suppleness then at least in firmness and constancy, if not in the variable and brilliant then at least in steadiness – then I myself, with a certain reluctance, sometimes actually feel that you are corrupting me, that I am letting myself be carried away by your exuberance, by the apparently good-natured wit with which you mock everything, that I am letting myself be borne away into this aesthetic-intellectual intoxication in which you live. In a way, then, I feel to some degree uncertain towards you, at times being too severe, at others too indulgent. However, that is not so strange, for you are the epitome of all possibility; so that one may see in you the possibility at one moment of your own ruin, at another of your own salvation. Every mood, every thought, good or evil, cheerful or sad, you pursue to its farthest limit, yet more in abstraction than concretely, so the pursuit is itself more like a mood from which nothing results except the knowledge of it, though not enough to make it more difficult or easy next time to abandon yourself to that same mood; for you keep it as a constant possibility. So it is almost as though you could be reproached for everything and nothing at all, because it is and yet is not attributable to you. You admit or don’t admit, according to circumstances, to having had such a mood. But you are not available for any charge. The important thing for you is that you have had the mood completely, with proper pathos.
Søren Kierkegaard (Either/Or: A Fragment of Life)
Holy s——!” someone shouted from outside. A few guests reacted with good-natured titters. The children hardly noticed, they were so absorbed in their music. The song ended. All the little eyes were on Mr. Kangana, who counted them into their next song, “One, two, three—” “F——!” someone else shouted. This was not OK. I dashed through the laundry room to the back door, with the intention of shushing the raucous caterers. I turned the handle. A strong, dull, consistent pressure pushed the door toward me. Immediately sensing a terrible force of nature on the other side, I attempted to close the door. The inhuman force wouldn’t allow it. I stuck my foot against the bottom of the door. I heard an ominous creak. The hinges began pulling loose from the frame. Before I could compute any of this, the marimba music suddenly stopped. A series of pops and pings erupted from the sunroom. A child squealed in distress. I abandoned the threat at the door and hurtled to the sunroom, where I was met by the shattering of glass. The children were running, screaming, from their instruments. With none of their own parents to run to for comfort, the kindergarteners collectively burrowed into the crowd of prospective parents, who in turn were trying to squeeze through the one small door leading to the living room. It’s a small miracle nobody was trampled. My daughter, Ginny, ran to me and hugged my legs. Her back was wet… and muddy. I looked up. The shades were now eerily raised of their own accord. And then came the mud. In it sloshed, through the broken windows. Thick mud, watery mud, rocky mud, mud with beveled-glass shards, mud with window muntins, mud with grass, mud with barbecue utensils, mud with a mosaic birdbath. In a flash, the sunroom windows were gone, and in their place, a gaping, mud-oozing hole.
Maria Semple (Where'd You Go, Bernadette)
Swann had walked on into the room, at the insistence of Mme. de Saint-Euverte, and, in order to hear a melody from Orphée that was being performed by a flautist, had placed himself in a corner where unfortunately his only view was of two mature ladies seated next to each other, the Marquise de Cambremer and the Vicomtesse de Franquetot, who, because they were cousins, spent their time when attending a party, clutching their bags and followed by their daughters, looking for each other as though in a railway station, and did not rest easy until they had reserved, with a fan or a handkerchief, two seats side by side: Mme. de Cambremer, since she had very few acquaintances, being all the happier to have a companion, Mme. de Franquetot, who was in contrast extremely well connected, believing there was something elegant, something original, about showing all her fine friends that she preferred, to their company, an obscure lady with whom she shared memories of her youth. Full of a melancholy irony, Swann watched them listen to the piano intermezzo (Saint Francis Speaking to the Birds by Liszt) which had come after the flute melody, and follow the vertiginous playing of the virtuoso, Mme. de Franquetot anxiously, her eyes wild as if the keys over which he ran with such agility were a series of trapezes from which he might fall from a height of eighty yards, and at the same time casting at her neighbour looks of astonishment, of denial which signified: ‘This is not to be believed, I would never have thought a man could do this,’ while Mme. de Cambremer, being a woman who had received a strong musical education, marked time with her head transformed into the arm of a metronome whose amplitude and rapidity of oscillations from one shoulder to the other had become such (with that sort of frenzy and abandon in the eyes characteristic of a kind of suffering which is no longer aware of itself nor tries to control itself and says ‘I can’t help it!’) that she kept snagging her solitaires in the straps of her bodice and was obliged to straighten the black grapes she had in her hair, though without ceasing to accelerate her motion.
Marcel Proust
Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…
J. Karl Bogartte (Luminous Weapons)
Sigtryggr held out a hand to pull me from the ditch. His one eye was bright with the same joy I had seen on Ceaster’s ramparts. ‘I would not want you as an enemy, Lord Uhtred,’ he said. ‘Then don’t come back, Jarl Sigtryggr,’ I said, clasping his forearm as he clasped mine. ‘I will be back,’ he said, ‘because you will want me to come back.’ ‘I will?’ He turned his head to gaze at his ships. One ship was close to the shore, held there by a mooring line tied to a stake. The prow of the ship had a great dragon painted white and in the dragon’s claw was a red axe. The ship waited for Sigtryggr, but close to it, standing where the grass turned to the river bank’s mud, was Stiorra. Her maid, Hella, was already aboard the dragon-ship. Æthelflaed had been watching Eardwulf’s death, but now saw Stiorra by the grounded ship. She frowned, not sure she understood what she saw. ‘Lord Uhtred?’ ‘My lady?’ ‘Your daughter,’ she began, but did not know what to say. ‘I will deal with my daughter,’ I said grimly. ‘Finan?’ My son and Finan were both staring at me, wondering what I would do. ‘Finan?’ I called. ‘Lord?’ ‘Kill that scum,’ I jerked my head towards Eardwulf’s followers, then I took Sigtryggr by the elbow and walked him towards his ship. ‘Lord Uhtred!’ Æthelflaed called again, sharper this time. I waved a dismissive hand, and otherwise ignored her. ‘I thought she disliked you,’ I said to Sigtryggr. ‘We meant you to think that.’ ‘You don’t know her,’ I said. ‘You knew her mother when you met her?’ ‘This is madness,’ I said. ‘And you are famous for your good sense, lord.’ Stiorra waited for us. She was tense. She stared at me defiantly and said nothing. I felt a lump in my throat and a sting in my eyes. I told myself it was the small smoke drifting from the Norsemen’s abandoned campfires. ‘You’re a fool,’ I told her harshly. ‘I saw,’ she said simply, ‘and I was stricken.’ ‘And so was he?’ I asked, and she just nodded. ‘And the last two nights,’ I asked, ‘after the feasting was over?’ I did not finish the question, but she answered it anyway by nodding again. ‘You are your mother’s daughter,’ I said, and I embraced her, holding her close. ‘But it is my choice whom you marry,’ I went on. I felt her stiffen in my arms, ‘And Lord Æthelhelm wants to marry you.’ I thought she was sobbing, but when I pulled back from the embrace I saw she was laughing. ‘Lord Æthelhelm?’ she asked. ‘You’ll be the richest widow in all Britain,’ I promised her. She still held me, looking up into my face. She smiled, that same smile that had been her mother’s. ‘Father,’ she said, ‘I swear on my life that I will accept the man you choose to be my husband.’ She knew me. She had seen my tears and knew they were not caused by smoke. I leaned forward and kissed her forehead. ‘You will be a peace cow,’ I said, ‘between me and the Norse. And you’re a fool. So am I. And your dowry,’ I spoke louder as I stepped back, ‘is Eardwulf’s money.’ I saw I had smeared her pale linen dress with Eardwulf’s blood. I looked at Sigtryggr. ‘I give her to you,’ I said, ‘so don’t disappoint me.
Bernard Cornwell (The Empty Throne (The Saxon Stories, #8))
The tears gathered and stood without overflowing the red sockets. Ah! if I were rich still, if I had kept my money, if I had not given all to them, they would be with me now; they would fawn on me and cover my cheeks with their kisses! I should be living in a great mansion; I should have grand apartments and servants and a fire in my room; and they would be about me all in tears, and their husbands and their children. I should have had all that; now--I have nothing. Money brings everything to you; even your daughters. My money. Oh! where is my money? If I had plenty of money to leave behind me, they would nurse me and tend me; I should hear their voices, I should see their faces. Ah, God! who knows? They both of them have hearts of stone. I loved them too much; it was not likely that they should love me. A father ought always to be rich; he ought to keep his children well in hand, like unruly horses. I have gone down on my knees to them. Wretches! this is the crowning act that brings the last ten years to a proper close. If you but knew how much they made of me just after they were married. (Oh! this is cruel torture!) I had just given them each eight hundred thousand francs; they were bound to be civil to me after that, and their husbands too were civil. I used to go to their houses: it was 'My kind father' here, 'My dear father' there. There was always a place for me at their tables. I used to dine with their husbands now and then, and they were very respectful to me. I was still worth something, they thought. How should they know? I had not said anything about my affairs. It is worth while to be civil to a man who has given his daughters eight hundred thousand francs apiece; and they showed me every attention then--but it was all for my money. Grand people are not great. I found that out by experience! I went to the theatre with them in their carriage; I might stay as long as I cared to stay at their evening parties. In fact, they acknowledged me their father; publicly they owned that they were my daughters. But I was always a shrewd one, you see, and nothing was lost upon me. Everything went straight to the mark and pierced my heart. I saw quite well that it was all sham and pretence, but there is no help for such things as these. I felt less at my ease at their dinner-table than I did downstairs here. I had nothing to say for myself. So these grand folks would ask in my son-in-law's ear, 'Who may that gentleman be?'-- 'The father-in-law with the money bags; he is very rich.'--'The devil, he is!' they would say, and look again at me with the respect due to my money. Well, if I was in the way sometimes, I paid dearly for my mistakes. And besides, who is perfect? (My head is one sore!) Dear Monsieur Eugene, I am suffering so now, that a man might die of the pain; but it is nothing to be compared with the pain I endured when Anastasie made me feel, for the first time, that I had said something stupid. She looked at me, and that glance of hers opened all my veins. I used to want to know everything, to be learned; and one thing I did learn thoroughly --I knew that I was not wanted here on earth.
Honoré de Balzac (Père Goriot)
Sophie!” Val spotted her first and abandoned all ceremony to wrap his arms around her. “Sophie Windham, I have missed you and missed you.” He held her tightly, so tightly Sophie could hide her face against his shoulder and swallow back the lump abruptly forming in her throat. “I have a new étude for you to listen to. It’s based on parallel sixths and contrary motion—it’s quite good fun.” He stepped back, his smile so dear Sophie wanted to hug him all over again, but St. Just elbowed Val aside. “Long lost sister, where have you been?” His hug was gentler but no less welcome. “I’ve traveled half the length of England to see you, you know.” He kissed her cheek, and Sophie felt a blush creeping up her neck. “You did not. You’ve come south because Emmie said you must, and you want to check on your ladies out in Surrey.” Westhaven waited until St. Just had released her. “I wanted to check on you.” His hug was the gentlest of all. “But you were not where you were supposed to be, Sophie. You have some explaining to do if we’re to get the story straight before we face Her Grace.” The simple fact of his support undid her. Sophie pressed her face to his shoulder and felt a tear leak from her eye. “I have missed you so, missed all of you so much.” Westhaven patted her back while Valentine stuffed a cold, wrinkled handkerchief into her hand. “We’ve made her cry.” St. Just did not sound happy. “I’m just…” Sophie stepped away from Westhaven and dabbed at her eyes. “I’m a little fatigued is all. I’ve been doing some baking, and the holidays are never without some challenges, and then there’s the baby—” “What baby?” All three men spoke—shouted, more nearly—as one. “Keep your voices down, please,” Sophie hissed. “Kit isn’t used to strangers, and if he’s overset, I’ll be all night dealing with him.” “And behold, a virgin shall conceive,” Val muttered as Sophie passed him back his handkerchief. St. Just shoved him on the shoulder. “That isn’t helping.” Westhaven went to the stove and took the kettle from the hob. “What baby, Sophie? And perhaps you might share some of this baking you’ve been doing. The day was long and cold, and our brothers grow testy if denied their victuals too long.” He sent her a smile, an it-will-be-all-right smile that had comforted her on many an occasion. Westhaven was sensible. It was his surpassing gift to be sensible, but Sophie found no solace from it now. She had not been sensible, and worse yet, she did not regret the lapse. She would, however, regret very much if the lapse did not remain private. “The tweenie was anticipating an interesting event, wasn’t she?” Westhaven asked as he assembled a tea tray. While Sophie took a seat at the table, St. Just hiked himself onto a counter, and Val took the other bench. “Joleen,” Sophie said. “Her interesting event is six months old, a thriving healthy child named… Westhaven, what are you doing?” “He’s making sure he gets something to eat under the guise of looking after his siblings,” St. Just said, pushing off the counter. “Next, he’ll fetch the cream from the window box while I make us some sandwiches. Valentine find us a cloth for the table.” “At once, Colonel.” Val snapped a salute and sauntered off in the direction of the butler’s pantry, while Westhaven headed for the colder reaches of the back hallway. “You
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
He hadn’t been aware of staring, but when her questioning gaze locked with his, Grey felt as though he’d been smacked upside the head by the open palm of idiocy. “Is something troubling you, Grey?” He loved the sound of his name on her tongue, and hated that he loved it. She made him weak and stupid. One sweet glance from her and he was ready to drop to his knees. It wasn’t love. It wasn’t even infatuation. It was pure unmitigated lust. He could admit that. Hell, he embraced it. Lust could be managed. Lust could be mastered. And lust would eventually fade once she was out of his care and out of his life. That was the cold, hard, blessed truth of it. “I was wondering if you were eagerly anticipating Lady Shrewsbury’s ball tomorrow evening?” How easily the lie rolled off his tongue as he lifted a bite of poached salmon to his mouth. She smiled softly, obviously looking forward to it very much. “I am. Thank you.” Camilla shared her daughter’s pleasure judging from her coy grin. “Rose has renewed her acquaintance with the honorable Kellan Maxwell. He requested that she save the first waltz of the evening for him.” The fish caught in Grey’s throat. He took a drink of wine to force it down. “The same Kellan Maxwell who courted you during your first season?” Rose’s smile faded a little. No doubt she heard the censure in his tone, his disapproval. “The same,” she replied with an edge of defensiveness. The same idiot who abandoned his pursuit of Rose when Charles lost everything and scandal erupted. The little prick who hadn’t loved her enough to continue his courtship regardless of her situation. “Mm,” was what he said out loud. Rose scowled at him. “We had no understanding. We were not engaged, and Mr. Maxwell behaved as any other young man with responsibilities would have.” “You defend him.” It was difficult to keep his disappointment from showing. He never thought her to be the kind of woman who would forgive disloyalty when she was so very loyal herself. She tilted her head. “I appreciate your concern, but I’m no debutante, Grey. If I’m to find a husband this season I shouldn’t show prejudice.” Common sense coming out of anyone else. Coming out of her it was shite. “You deserve better.” She smiled a Mona Lisa smile. “We do not always get what we deserve, or even what we desire.” She knew. Christ in a frock coat, she knew. Her smile faded. “If we did, Papa would be here with us, and Mama and I wouldn’t be your responsibility.” She didn’t know. Damn, what a relief. “The two of you are not a responsibility. You are a joy.” For some reason that only made her look sadder, but Camilla smiled through happy tears. She thanked him profusely, but Grey had a hard time hearing what she was saying-he was too intent on Rose, who had turned her attention to her plate and was pushing food around with little interest. He could bear this no longer. He didn’t know what was wrong with her, or why she seemed so strange with him. And he couldn’t stand that he cared. “Ladies, I’m afraid I must beg your pardon and take leave of you.” Rose glanced up. “So soon?” He pushed his chair back from the table. “Yes. But I will see you at breakfast in the morning.” She turned back to her dinner. Grey bid farewell to Camilla and then strode from the room as quickly as he could. If he survived the Season it would be a miracle.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
It was evening back in what used to be the Southern Bohemian Occult when Charlotte and the coven walked through her familiar bent, iron gate, past the small cemetery, and under the long, forest tunnel. They walked into the town square she had not seen in what felt like an eternity. They were not greeted by any sort of parade. There were no celebrations for the unsung heroes of the night as they made their way past the old, abandoned inns and shops.
Shayne Leighton (The Vampire's Daughter (Of Light and Darkness, #1))
Still a daughter. But soon, in hours apparently, I'll be nobody's daughter. Surface lovliness was the outward visible sign of an inward and spiritual grace. Still a daughter. But soon, in hours apparently, I'll be nobody's daughter. Parenting-a child must grow away from the parent--you must abandon ship in order to...what? To exist, to be a "self" Becoming a person is the point. Being a child-that's an interim position. I neglected to break away. I remained the daughter.
Vanessa Diffenbaugh (The Language of Flowers)
For colour’s sake alone, Purletta Johnson belonged to the Jamaican bourgeoisie. She was fair-skinned, had light grey eyes, and worse, she spoke the kind of upper-St Andrew English culled from the BBC news which radios in middle- and upper-class Jamaican houses were always tuned to. In America at the time they would have described her as ‘yellow’. In Jamaica, she had been ‘red’. In a future England they would call her mixed-race, but at the time Purletta arrived in the country there was no such denominator, so she was simply coloured. Only briefly did this new assignment of class and race disturb her. Others in her position did everything to pass for white; they straightened their hair even more and then lightened it; they bleached their faces. These young women would have counselled Purletta to do the same, arguing that she had a distinct advantage with her grey eyes. She had arrived in England in the late 1960s, burdened by her mother’s idea that she should live there long enough to transform the UK-Right of Abode stamped into her Jamaican Passport (a gift from her father who was a citizen), into a full UK passport. No doubt Purletta’s mother also wanted her daughter to come back a cultivated English woman. But Purletta did the opposite. In the land of the BBC she suddenly abandoned her BBC accent. Away from Jamaica, she learned to talk Jamaican. She braided her hair close to her scalp and thereafter gave in to every possible stereotype, whether negative or positive. She became loud and colourful. Learned how to laugh from her gut, clapping her hands, leaning over and placing the palms of her hands on her thighs, shouting wooooooooiiii. She became fat and started to walk a kind of walk that was all hips. She got a gold tooth. Then she transformed herself into the kind of person who, as they said in Jamaica, any pan knock she was there!, so she started to go to every reggae show and would boogie all night until she was sticky with sweat. Purletta began to grow ganja on her balcony. She smoked, especially on evenings when she was getting ready to go out, and this would make her even louder, even more outrageous. A bona
Kei Miller (The Same Earth)
By the end of the fight,” he was saying, “I saw enough to recognize she had some natural talent with the sword. It was the way she moved. It was raw and instinctual, but I saw promise. You must understand that most of the students who come to me are there mostly because it is part of their coursework, or a clan tradition to receive weapons training. They hone traditional skills it is unlikely they will ever use. Minstrel students are more musician than warrior, but weapons training is required for them. The Guardians believe they should be prepared for the world they wander in, and I quite agree. But it is rare to find a student with actual interest and talent.” Stevic stared out the window. The courtyard had fallen into shadow and silence, empty of students. Even the pigeons seemed to have fled the grounds, giving it a gloomy and abandoned feel. “I had hoped Karigan would find a talent for something, but I never expected the sword.” “Ah, but the sword is just a beginning. I had heard about her from other instructors. Complaints, mind you, except from her riding instructor, Master Deleon. Del said she excelled at riding. When I saw Karigan put Timas Mirwell on the ground, I thought maybe I could get her to work for something else and the sword would be just a beginning, that it would inspire her to seek out whatever it was she wanted to do with her life.” Stevic turned his gaze to the arms master. “I am fortunate my daughter had such an instructor.” Rendle grinned. “She was fortunate to have such a father.” Stevic raised a brow. “I once asked her what she wanted to do with her life,” Rendle said. “She told me, something adventurous. She wanted to be a merchant like her father. It is not many children who choose to follow their parents’ footsteps.” Stevic stilled, letting it sink in. Then he slowly shook his head and turned back to the window and the shadows. He felt buffeted by a variety of emotions: elation, fear, sadness, desperation. Where was she? “She never told me.” His voice was taut.
Kristen Britain (Green Rider (Green Rider, #1))
walked the path the creatures had taken. They'd searched high and low for signs of a trick. Without luck. Before long their mother would wonder why money was running low. And Zet and Kat would have to cart the abandoned wares home to store on the roof. The stall was overflowing. They'd have to tell Mother. Soon. What a disaster. Zet glanced at Princess Merit. A large cloak hid her from head to toe. These days she rarely escaped the palace and her retainers. But this morning, she'd climbed over a palace wall, and the children had hustled her onto the raft. If anyone had inside information on burial curses, Merit would. She was Pharaoh's daughter, after all.
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
His daughters especially were a source of nurturing. Never once did I see any of his children express anger, hurt or resentment toward Max. They had never connected with their own feelings. Max would become enraged when I spoke of his reenactment of his abandonment on his own children. His children minimized the impact of their lonely childhood. This is the delusional nature of deprived narcissism
John Bradshaw (Healing the Shame That Binds You)
The Mountain of the Lord 4 In the last days the mountain of the Lord’s temple will be established as the highest of the mountains; it will be exalted above the hills, and peoples will stream to it. 2 Many nations will come and say, “Come, let us go up to the mountain of the Lord, to the temple of the God of Jacob. He will teach us his ways, so that we may walk in his paths.” The law will go out from Zion, the word of the Lord from Jerusalem. 3 He will judge between many peoples and will settle disputes for strong nations far and wide. They will beat their swords into plowshares and their spears into pruning hooks. Nation will not take up sword against nation, nor will they train for war anymore. 4 Everyone will sit under their own vine and under their own fig tree, and no one will make them afraid, for the Lord Almighty has spoken. 5 All the nations may walk in the name of their gods, but we will walk in the name of the Lord our God for ever and ever. The Lord’s Plan 6 “In that day,” declares the Lord, “I will gather the lame; I will assemble the exiles and those I have brought to grief. 7 I will make the lame my remnant, those driven away a strong nation. The Lord will rule over them in Mount Zion from that day and forever. 8 As for you, watchtower of the flock, stronghold[a] of Daughter Zion, the former dominion will be restored to you; kingship will come to Daughter Jerusalem.” A Promised Ruler From Bethlehem 5 [a]Marshal your troops now, city of troops, for a siege is laid against us. They will strike Israel’s ruler on the cheek with a rod. 2 “But you, Bethlehem Ephrathah, though you are small among the clans[b] of Judah, out of you will come for me one who will be ruler over Israel, whose origins are from of old, from ancient times.” 3 Therefore Israel will be abandoned until the time when she who is in labor bears a son, and the rest of his brothers return to join the Israelites. 4 He will stand and shepherd his flock in the strength of the Lord, in the majesty of the name of the Lord his God. And they will live securely, for then his greatness will reach to the ends of the earth. 5 And he will be our peace
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Truth be told, Nathaniel, I’m beginning to believe it might be better to risk returning and staying in Boston rather than making the people of Sandwich uncomfortable with my presence. Tories are not welcome in these circles. I don’t belong here.” “Don’t speak foolishness, of course you belong.” Nathaniel’s dark brow lowered and his pointed gaze softened. He stepped forward and brushed her elbow with his fingers. “Kitty, you and I were always very good friends. I have never been ignorant of your political leanings. Neither have Thomas and Eliza.” He paused. Strength and caring framed his character while the fire framed his face. “Nothing will ever change the way we feel about you. Thomas and Eliza will love you without fail—and you and I shall always be friends.”  “I’m sure we shall.” Kitty smiled and tamped her ballooning emotions down with the same force as a fist to a rising lump of dough. Friends. She drew in a long breath. “I wish you to know that even though I believe differently, I won’t go against your cause, despite my reservations about your beliefs.” “Very generous of you, milady.” Nathaniel’s mouth tilted into a droll grin. “Though I hope you know I won’t stop trying to convert you to our grand cause. That is my mission for every person whom I meet who is not yet a believer in the values of freedom.” Kitty crossed her arms. “You may try, Nathaniel, but I fear you will not succeed.” She smiled, enjoying the volley of wits. “I shall never abandon the teachings of my father. He was a true, honest man and I know—no matter what Eliza has come to believe—the way he raised us is the right way. I can never leave the safety of the king’s rule, no matter what anyone may say to persuade me otherwise.” Nathaniel stepped closer and leaned in, the reflection of the fire burning in his gaze. “Now that is a challenge I am most ready to accept.” Frozen
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Stanley must have realized that this postponement would probably be fatal. But while he did not give up, he never for a moment thought of abandoning his African quest [...] Yet Stanley still longed for the security of marriage, and hoped he could find Livingstone and marry Katie. [...] The romantic side of his nature told him that their story ought to end in marriage: the workhouse boy, having distinguished himself beyond all expectations, weds the daughter of the respectable local gentleman, and they live happily ever afterwards in a big house [...] But Katie had never understood his inner conviction of being chosen for a great task.
Tim Jeal (Stanley: The Impossible Life of Africa's Greatest Explorer)
Today’s Children, The Woman in White, and The Guiding Light crossed over and interchanged in respective storylines.) June 2, 1947–June 29, 1956, CBS. 15m weekdays at 1:45. Procter & Gamble’s Duz Detergent. CAST: 1937 to mid-1940s: Arthur Peterson as the Rev. John Ruthledge of Five Points, the serial’s first protagonist. Mercedes McCambridge as Mary Ruthledge, his daughter; Sarajane Wells later as Mary. Ed Prentiss as Ned Holden, who was abandoned by his mother as a child and taken in by the Ruthledges; Ned LeFevre and John Hodiak also as Ned. Ruth Bailey as Rose Kransky; Charlotte Manson also as Rose. Mignon Schrieber as Mrs. Kransky. Seymour Young as Jacob Kransky, Rose’s brother. Sam Wanamaker as Ellis Smith, the enigmatic “Nobody from Nowhere”; Phil Dakin and Raymond Edward Johnson also as Ellis. Henrietta Tedro as Ellen, the housekeeper. Margaret Fuller and Muriel Bremner as Fredrika Lang. Gladys Heen as Torchy Reynolds. Bill Bouchey as Charles Cunningham. Lesley Woods and Carolyn McKay as Celeste, his wife. Laurette Fillbrandt as Nancy Stewart. Frank Behrens as the Rev. Tom Bannion, Ruthledge’s assistant. The Greenman family, early characters: Eloise Kummer as Norma; Reese Taylor and Ken Griffin as Ed; Norma Jean Ross as Ronnie, their daughter. Transition from clergy to medical background, mid-1940s: John Barclay as Dr. Richard Gaylord. Jane Webb as Peggy Gaylord. Hugh Studebaker as Dr. Charles Matthews. Willard Waterman as Roger Barton (alias Ray Brandon). Betty Lou Gerson as Charlotte Wilson. Ned LeFevre as Ned Holden. Tom Holland as Eddie Bingham. Mary Lansing as Julie Collins. 1950s: Jone Allison as Meta Bauer. Lyle Sudrow as Bill Bauer. Charita Bauer as Bert, Bill’s wife, a role she would carry into television and play for three decades. Laurette Fillbrandt as Trudy Bauer. Glenn Walken as little Michael. Theo Goetz as Papa Bauer. James Lipton as Dr. Dick Grant. Lynn Rogers as Marie Wallace, the artist.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Ruthledge himself was the guiding light, the good Samaritan. He had a daughter, Mary, who grew up without a mother. Helping him raise the child was a kindly housekeeper, Ellen. Then there was Ned Holden, abandoned by his mother, who just turned up one night; being about Mary’s age, he forged a friendship with the little girl that inevitably, as they grew up, turned to love. They were to marry, but just before the wedding Ned learned that his mother was convicted murderess Fredrika Lang. What was worse, Ruthledge had known this and had not told him. Feeling betrayed, Ned disappeared. He would finally return, crushing Mary with the news that he now had a wife, the vibrant actress Torchy Reynolds. Also prominent in the early shows was the Kransky family. Abe Kransky was an orthodox Jew who owned a pawnshop. Much of the action centered on his daughter Rose and her struggle to rise above the squalor of Five Points. Rose had a scandalous affair with publishing magnate Charles Cunningham (whose company would bring out Ned Holden’s first book when Ned took a fling at authorship), only to discover that Cunningham was merely cheating on his wife, Celeste. In her grief, Rose turned to Ellis Smith, the eccentric young artist who had come to Five Points as “Mr. Nobody from Nowhere.” Smith (also not his real name) took Rose in to “give her a name.” The Kransky link with the Ruthledges came about in the friendship of the girls, Rose and Mary. In 1939, in one of her celebrated experiments, Phillips shifted the Kranskys into a new serial, The Right to Happiness. The Ruthledge-Kransky era began to fade in 1944, when actor Arthur Peterson went into the service. Rather than recast, Phillips sent Ruthledge away as well, to the Army as a chaplain. By the time Peterson-Ruthledge returned, two years later, the focus had moved. For a time the strong male figure was Dr. Richard Gaylord. By 1947 a character named Dr. Charles Matthews had taken over. Though still a preacher, and still holding forth at Good Samaritan, Ruthledge had moved out of center stage. The main characters were Charlotte
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
For years, I watched you nurse the rift between you and your mother, watched you feed it, and water it, and help it grow. And then when she left—the way she left—that rift grew some more. It was a betrayal. A final act of abandonment. And it hurt. Because you didn’t think she could hurt you anymore. Believe me when I tell you I understand. No rift in the world runs so deep as one between mother and daughter. But bridges can be built across the widest chasms, even when all we have to build with are broken pieces. You may not believe it now, but a time will come when you’ll want to build that bridge, when you might even need to. It won’t be easy, and if I know anything about you, it’s that you’ll fight it tooth and nail. Sometimes we find it hard to forgive someone else because we haven’t learned to forgive ourselves. I can’t tell you how to do that. But I can
Barbara Davis (The Last of the Moon Girls)
Of all the daughters I could have had, why did God give me an ungrateful one like you? Everything I endured for you! How dare you! How dare you abandon me like this, you treacherous little harami!
Khaled Hosseini (A Thousand Splendid Suns)
Emeline...?" Her mother's voice was no longer a rasp, but a soft, quivering thing. Emeline spun to find the Vile behind her, glimmering like a mirage. The air shone, delicate as a cobweb, then changed. Like a butterfly abandoning its chrysalis, the Vile before her fell away, until a monster stood before Emeline no longer. In the monster's place was a middle-aged woman, beautiful as the moon. Her raven-dark hair fell in waves around her shoulders, her eyes were the bright blue of robins' eggs, and down her body spilled a silk dress the color of storm clouds. Emeline let out a shaky breath. "Mama?" Rose Lark dropped the knife and the sharpening stone. They hit the soft earth with a thud. The roots of the cavern immediately grew over them, pulling both blade and stone deep into the earth where they couldn't be retrieved. Staring at her daughter, Rose took a hesitant step before lifting shaky fingers to Emeline's face. "I'm so sorry," she whispered as tears trembled down her pale cheeks. Emeline shook her head furiously, reaching for her. "It wasn't your fault." She wrapped her arms around her mother's frail shoulders, pulling her close. Her hair smelled sweet, like rosewater. Her thin body shook like a sapling in a gale. Weeping, Rose held her daughter tightly, as if, this time, she didn't intend to let go.
Kristen Ciccarelli (Edgewood)
Niobe earned the ire of the gods by bragging about her seven lovely daughters and seven “handsome sons—whom the easily offended Olympians soon slaughtered for her impertinence. Tantalus, Niobe’s father, killed his own son and served him at a royal banquet. As punishment, Tantalus had to stand for all eternity up to his neck in a river, with a branch loaded with apples dangling above his nose. Whenever he tried to eat or drink, however, the fruit would be blown away beyond his grasp or the water would recede. Still, while elusiveness and loss tortured Tantalus and Niobe, it is actually a surfeit of their namesake elements that has decimated central Africa. There’s a good chance you have tantalum or niobium in your pocket right now. Like their periodic table neighbors, both are dense, heat-resistant, noncorrosive metals that hold a charge well—qualities that make them vital for compact cell phones. In the mid-1990s cell phone designers started demanding both metals, especially tantalum, from the world’s largest supplier, the Democratic Republic of Congo, then called Zaire. Congo sits next to Rwanda in central Africa, and most of us probably remember the Rwandan butchery of the 1990s. But none of us likely remembers the day in 1996 when the ousted Rwandan government of ethnic Hutus spilled into Congo seeking “refuge. At the time it seemed just to extend the Rwandan conflict a few miles west, but in retrospect it was a brush fire blown right into a decade of accumulated racial kindling. Eventually, nine countries and two hundred ethnic tribes, each with its own ancient alliances and unsettled grudges, were warring in the dense jungles. Nonetheless, if only major armies had been involved, the Congo conflict likely would have petered out. Larger than Alaska and dense as Brazil, Congo is even less accessible than either by roads, meaning it’s not ideal for waging a protracted war. Plus, poor villagers can’t afford to go off and fight unless there’s money at stake. Enter tantalum, niobium, and cellular technology. Now, I don’t mean to impute direct blame. Clearly, cell phones didn’t cause the war—hatred and grudges did. But just as clearly, the infusion of cash perpetuated the brawl. Congo has 60 percent of the world’s supply of the two metals, which blend together in the ground in a mineral called coltan. Once cell phones caught on—sales rose from virtually zero in 1991 to more than a billion by 2001—the West’s hunger proved as strong as Tantalus’s, and coltan’s price grew tenfold. People purchasing ore for cell phone makers didn’t ask and didn’t care where the coltan came from, and Congolese miners had no idea what the mineral was used for, knowing only that white people paid for it and that they could use the profits to support their favorite militias. Oddly, tantalum and niobium proved so noxious because coltan was so democratic. Unlike the days when crooked Belgians ran Congo’s diamond and gold mines, no conglomerates controlled coltan, and no backhoes and dump trucks were necessary to mine it. Any commoner with a shovel and a good back could dig up whole pounds of the stuff in creek beds (it looks like thick mud). In just hours, a farmer could earn twenty times what his neighbor did all year, and as profits swelled, men abandoned their farms for prospecting. This upset Congo’s already shaky food supply, and people began hunting gorillas for meat, virtually wiping them out, as if they were so many buffalo. But gorilla deaths were nothing compared to the human atrocities. It’s not a good thing when money pours into a country with no government.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Part 1 A Woman is a Fate? Or a Bless? When a baby is girl is born, to some is a blessing. She will grow as wonderful woman, beautiful, with nice features and showers love as a daughter, a sister, as a wife, as a friend and as a mother. It is also luck, or a Mahalakshmi to the house. Some centuries back, and to some people when she is born, she is a fate. An ill fated to some in orthodox families and believe that she brings bad luck. So, there is this ritual in some places or villages where, when a new born baby girl will be poisoned to death upon her arrival on earth. It is brutal and devastating. Yes it is still happening till today. Where did this ritual came from? Who started it? Where was it written that the baby must be killed if it is a girl. And WHY? Has anyone thought, that it was a woman who carried her for 9 months, loved her from the day she is created in her womb, and the moment when she is born, the tear of a joy and her happiness the moment she sees her little tiny human girl arrived, and her dreams as mother and to love her all her life… will be no longer alive in the next few minutes? I have always respected woman, for uncountable reasons. As much as I am happy to see them successful, but it also worries me most of the time. 99.9% of it I am worried for them! The one who gave birth to us, is a woman. We also worship to a female God and beg her to show mercy on us. It is also a woman, who becomes a wife and satisfies a husband’s needs. But still, there are no respect shown to them despite knowing these basics. In some houses while her parents off to work, or being abandoned, or lets just say the parents passed. It is her responsibility to take care the rest of her family as the family head. When it comes to education, she is not safe to study among the boys, neither in higher education. Same goes to a woman at work. As she will have those wild eyes on her, she has to take care of her virginity, her womb, and her dignity. Beyond these, there are also some beasts, who is talented in sweet talking and flirtatious towards her. When she is too naïve and fall for the trap, it happens to be a one night stand. Once a woman marriage is fixed, she gets married and goes off to her in laws. Her life changes in the moment the knots tied by the man. In todays millennia, womens are still carrying the burden of the responsibility of her maternal side, together with her new in-laws. Every morning she wakes up, she serves the husband, deal the day with by preparing him for his day, every day. As well taking care of her new in-laws all of her life. Then, comes the pregnancy moment, again, she carries her child her womb, making sure he is safe in there, and taking care of her world on the outside. She loses all her beauty, her happiness, her wishes, her ambitions, and it is all sacrificed for the sake of her marriage. And then the cycle never stops. She raises her children, become beautiful, and then one day they too get married. But as mother, she never stopped caring and provide them all the love, the needs, etc. It never stops. There are some man and in laws who support their daughter in law and I have a big salute to them. They are an example for today’s woman millennia, don’t stop her for what she is capable of, and don’t clip her wings..
Dr.Thieren Jie
While the daughter of a helpless father develops a hypercompetent physical self-reliance that encourages her to take responsibility for those around her, the daughter of a distant father becomes more emotionally independent. As an adult, she's wary of depending on others; feeling physically abandoned by one parent and emotionally abandoned by the other, she selects only a handful of people to whom she'll get close.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
The mother who abandoned her child or took her own life leaves a daughter with the most direct access route to anger--she left me--but even the mother who falls ill and dies can be an object of blame.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
I am a father. I have a daughter and I love her dearly. I would like my daughter to obey the commandments of the Torah; I would like her to revere me as her father. And so I ask myself the question over and over again: What is there about me that deserves the reverence of my daughter? You see, unless I live a life that is worthy of her reverence, I make it almost impossible for her to live a Jewish life. So many young people abandon Judaism because the Jewish models that they see in their parents are not worthy of reverence. My message to parents is: Every day ask yourselves the question: “What is there about me that deserves the reverence of my child?” RABBI ABRAHAM JOSHUA HESCHEL, 1907–1972
Anita Diamant (Living a Jewish Life)
the white scales from Tobit’s eyes, so that he might again see with his own eyes God’s light; and to give Sarah, the daughter of Raguel, as a wife to Tobiah, the son of Tobit, and to rid her of the wicked demon Asmodeus. For it fell to Tobiah’s lot* to claim her before any others who might wish to marry her. At that very moment Tobit turned from the courtyard to his house, and Raguel’s daughter Sarah came down from the upstairs room. III. PREPARATION FOR THE JOURNEY TOBIT 4 A Father’s Instruction. 1 That same day Tobit remembered the money he had deposited in trust with Gabael at Rages in Media. 2 He thought to himself, “Now that I have asked for death, why should I not call my son Tobiah and let him know about this money before I die?” 3 So he called his son Tobiah; and when he came, he said to him:* “Son, when I die, give me a decent burial. Honor your mother, and do not abandon her as long as she lives. Do whatever pleases her, and do not grieve her spirit in any way.a 4 Remember, son, how she went through many dangers for you while you were in her womb. When she dies, bury her in the same grave with me. 5 “Through all your days, son, keep the Lord in mind, and do not seek to sin or to transgress the commandments. Perform righteous deeds all the days of your life, and do not tread the paths of
Anonymous (The New American Bible)
So you abandoned me, leaving me to single-handedly parent our daughters. It’s a good thing I didn’t fuck off when I got bored the same way you did, huh? Otherwise we’d have three orphans.
Christina Sweeny-Baird
Bartholomew, it’s fine,” said Halla soothingly. “I’ll go to the market and get the makings of dinner…” “Not dressed like that, you won’t,” growled Sarkis, immediately abandoning his resolution about rationality. Halla wheeled around and stared at him. “What are you, my mother?” “If you were my daughter, you would be wearing more clothing!” She narrowed her eyes. “I’ll put on shoes.” “You’re wearing a nightshirt and the ceremonial robes from a death cult.
T. Kingfisher (Swordheart)
What kept her going was her love for her daughter, and a duty not to abandon her, but also those instances of peace and beauty that were given to everyone, those occasions of joy, however fleeting, that made life bearable, and enabled us to carry on.
John Connolly (The Land of Lost Things)
She strode back to her closet. “She was smart. Very specific in her requests. We couldn’t get out of our promises if we wanted to. And one of them was about you.” She selected another one of her identical white jackets. “That you’re released from all Order obligations. Fresh slate. Congratulations. You’re a free man.” Words abandoned me. I didn’t deserve her. No one deserved
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))