A.i. Movie Quotes

Q: Do you feel concerned that after all this work, people won't treat [Starship Titanic] with the gravity of, say, a movie or a book? That they won't treat it as an art form? D.A.: I hope that's the case, yes. I get very worried about this idea of art. Having been an English literary graduate, I've been trying to avoid the idea of doing art ever since. I think the idea of art kills creativity. ... [I]f somebody wants to come along and say, "Oh, it's art," that's as may be. I don't really mind that much. But I think that's for other people to decide after the fact. It isn't what you should be aiming to do. There's nothing worse than sitting down to write a novel and saying, "Well, okay, I'm going to do something of high artistic worth." ... I think you get most of the most interesting work done in fields where people don't think they're doing art, but merely practicing a craft, and working as good craftsmen. ... I tend to get very suspicious of anything that thinks it's art while it's being created.

Q. Your original, self-published version of The Martian became a phenomenon online. Were you expecting the overwhelmingly positive reception the book received? A. I had no idea it was going to do so well. The story had been available for free on my website for months, and I assumed anyone who wanted to read it had already read it. A few readers had requested I post a Kindle version because it’s easier to download that way. So I went ahead and did it, setting the price to the minimum Amazon would allow. As it sold more and more copies I just watched in awe. Q. Film rights to The Martian were sold to writer-producer Simon Kinberg (Mr. & Mrs. Smith, Sherlock Holmes, X-Men: First Class). What was your first reaction? A. Of course I’m thrilled to have a movie in the works. The movie deal and print publishing deal came within a week of each other, so I was a little shell-shocked. In fact, it was such a sudden launch into the big leagues that I literally had a difficult time believing it. I actually worried it could all be an elaborate scam. So I guess that was my first reaction: “Is this really happening!?

Smart entrepreneurs have grabbed this opportunity with a vengeance. Now online lesson-plan marketplaces such as Gooru Learning, Teachers Pay Teachers, and Share My Lesson allow teachers who want to devote more of their time to other tasks the ability to purchase high-quality (and many lesser-quality) lesson plans, ready to go. With sensors, data, and A.I., we can begin, even today, testing for the learning efficacy of different lectures, styles, and more. And, because humans do a poor job of incorporating massive amounts of information to make iterative decisions, in the very near future, computers will start doing more and more of the lesson planning. They will write the basic lessons and learn what works and what doesn’t for specific students. Creative teachers will continue, though, to be incredibly valuable: they will learn how to steer and curate algorithmic and heuristically updated lesson creation in ways that computers could not necessarily imagine. All of this is, of course, a somewhat bittersweet development. Teaching is an idealistic profession. You probably remember a special teacher who shaped your life, encouraged your interests, and made school exciting. The movies and pop culture are filled with paeans to unselfish, underpaid teachers fighting the good fight and helping their charges. But it is becoming clearer that teaching, like many other white-collar jobs that have resisted robots, is something that robots can do—possibly, in structured curricula, better than humans can. The

Your movies tell the story of the great divide as if it is a premonition of things to come or burnt into your memory of prehistory. Yet, none of your movies stop to ask, "What was the last order humans gave the A.I. before the divide?

Anne and I took a train in one day to meet Jamesy Black, a guy she had known in Glasgow. He was a fellow student of hers at the art school and had married an impossibly glamorous American fashion model named Lucy. They lived on Avenue B between Ninth and Tenth streets, which, during the early and mid-1980s, was one of the more dangerous neighborhoods in New York City. We met Jamesy at the Odessa, that wonderful café on Avenue A. I had never been to the East Village before. I thought I’d died and gone to punk-rock heaven. There were Goths and junkies and rockers everywhere, mixed in with the scary street-life people. The whole neighborhood seemed alive with a tangible, cinematic danger. Everywhere I looked was a movie set—there

Fox bought a novel of mine, Thieves’ Market. They didn’t want to use the original title because San Francisco objected to it. So, it became Thieves’ Highway. I said okay. Then the director, Julie Dassin, says, ‘For the prostitute, I want Valentina Cortesa, so rewrite it for her.’ He was going with her. We were going to have Shelley Winters, who would have been perfect. But I rewrote it. And we go to the meeting with Zanuck. The first thing Zanuck says is, ‘I want a new beginning. I want the father still alive. He’s crippled. That’s why the kid’s trucking.’ Now in my story the father is dead at the beginning. The kid starts trucking because he’s trying to make his father’s life valid. I only knew that story from my life. But that didn’t matter. I said, ‘Yes, Mr. Zanuck.’ I wrote another beginning. So the picture didn’t do real well. Oh, I tell you, once you give in a little bit, you’re finished.” A. I. BEZZERIDES in Lee Server’s Screenwriter: Words Become Pictures

Jenny- We were friends on Facebook and our friendship was short-lived, I confirmed his request… and he unfriended me? The same day- What happened? He deleted me; no, the boy has ever done that to me. I must have him as my boyfriend, he is the first one to ever say no to me. He said her I don't remember sending you a request! Sure… to be truthful I am kind of disappointed in him, I was thinking finally we can at least be friends. Why doesn’t he want me? Why does he like her more? (Facebook chat) He typed - No we can't be friends. I, asked- why not? He typed - Because I don't want to. I typed - That’s mean… What did I ever do to you? He typed - I tried to be nice to you but you took it too far, and I feel a little uncomfortable around you. I'm not trying to be mean. I- was- thinking uncomfortable? Uncomfortable because you don’t like me? Or uncomfortable because you can control yourself around me because you like me that much? I typed - I am sorry I never meant to do anything to you. Yes, I like you, and I know you’re with Karly, I was hoping for someday... Maybe we could go to a movie or something like that? I’m not a bad person… you no! You have to give people a chance. And if you’re judging me, I have changed a lot. Is asking you out so wrong? Why, do I make you so uncomfortable? His typed- I am very happy with Karly, and I see her in my future, so I wish you could respect that. I don't understand why… you think it’s okay for me to give you a chance when I have a girlfriend. I'm not like that, and I think that's very wrong. I typed - My god you are not married to her. You need to stop listening to your friends so much... What are you so scared of? He typed- I was scared to fall in love with someone like you! I said- It will happen! You will fall for me! ~*~ Jenny’s thoughts walking to class- I’m going to get what I want… And none of you b*tches know! I’ll get you! I’ll have to sit in class like this. I hope you don’t mind blood Mr. D I have to change this tampon out… The gym is my only ‘A,’ I wish they were all that easy for me. Karly small good, I wonder what she is wearing? Does anyone have a tampon? Do people still use pads? These… underwear cost me $30! I WISH I WAS A GUY! (So. me being on my period feels like you getting- kicked in the balls for a week, non-stop, like that love a sick feeling or you have to squeeze something out of yah, consent churning inside.)