β
A dragon without its rider is a tragedy.
A rider without their dragon is dead.
β
β
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
β
Yea, all things live forever, though at times they sleep and are forgotten.
β
β
H. Rider Haggard (She (She, #1))
β
Yeah? What'd you name all those cats?"
Death, Famine, Pestilence, War, and Mr. Whiskers."
You named your cats after the riders of the apocal--wait. Mr. Whiskers?"
Well, there are only four horsemen.
β
β
Richelle Mead (Storm Born (Dark Swan, #1))
β
The worst time to feel alone is when you're in a crowd.
β
β
Anthony Horowitz (Point Blank (Alex Rider, #2))
β
You're never too young to die.
β
β
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
β
Woman?β She chuckled. βIs that meant to insult me? I would return the slap, if I took you for a man.β Dany met his stare. βI am Daenerys Stormborn of House Targaryen, the Unburnt, Mother of Dragons, khaleesi to Drogoβs riders, and queen of the Seven Kingdoms of Westeros.
β
β
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
β
When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movements become headlong - faster and faster and faster. They put aside all thoughts of obstacles and forget the precipice does not show itself to the man in a blind rush until it's too late.
β
β
Frank Herbert (Dune (Dune, #1))
β
Have I ever told you how glad I am we're not enemies? Eragon asked.
No, but it's very sweet of you.
β
β
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
β
For the want of a nail the shoe was lost,
For the want of a shoe the horse was lost,
For the want of a horse the rider was lost,
For the want of a rider the battle was lost,
For the want of a battle the kingdom was lost,
And all for the want of a horseshoe-nail.
β
β
Benjamin Franklin
β
What is this place? Hogwarts? -- Alex Rider
β
β
Anthony Horowitz
β
In the Desert
In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, βIs it good, friend?β
βIt is bitterβbitter,β he answered;
βBut I like it
βBecause it is bitter,
βAnd because it is my heart.
β
β
Stephen Crane (The Black Riders and Other Lines)
β
There's a name for people with an interest in the moon," Alex said. "They're called lunatics.
β
β
Anthony Horowitz (Crocodile Tears (Alex Rider, #8))
β
Let me ask you a question Alex. What do you think is the greatest evil on this plant today?"
"Is that including, or not including you?
β
β
Anthony Horowitz (Eagle Strike (Alex Rider, #4))
β
Where now are the horse and the rider? Where is the horn that was blowing?
Where is the helm and the hauberk, and the bright hair flowing?
Where is the harp on the harpstring, and the red fire glowing?
Where is the spring and the harvest and the tall corn growing?
They have passed like rain on the mountain, like a wind in the meadow;
The days have gone down in the West behind the hills into shadow.
Who shall gather the smoke of the deadwood burning,
Or behold the flowing years from the Sea returning?
β
β
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
The phrase 'Someone ought to do something' was not, by itself, a helpful one. People who used it never added the rider 'and that someone is me'.
β
β
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
β
Arise, arise, Riders of ThΓ©oden!
Fell deeds awake, fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Three years? That's a thousand tomorrows, ma'am.
β
β
Karen Kingsbury
β
No offense, but I'd rather kiss the horse.
β
β
Anthony Horowitz (Point Blank (Alex Rider, #2))
β
You must have been going very fast."
"I was, until I hit the fence.
β
β
Anthony Horowitz (Ark Angel (Alex Rider, #6))
β
Let a woman too close, and while she sucked your cock, she sucked your brains and manhood right out of you, too.
β
β
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
β
Hold on, the riders told the world. Hold on.
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
Believe me, It would be better if we didn't meet again. Go back to school. Go back to your life. And next time they ask you, say no. Killing is for grown-ups and you're still a child.
β
β
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
β
When the doorbell rings at three in the morning, it's never good news.
β
β
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
β
What happened?" he demanded. "I heard an explosion!"
"Yeah.That was me. I set the boat alight."
"What?"
"I set fire to the boat."
"But we're on the boat!"
"I know.
β
β
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
β
You're my closest friend and you're thousands of miles away.
β
β
Anthony Horowitz (Scorpia Rising (Alex Rider, #9))
β
I come from under the hill, and under the hills and over the hills my paths led. And through the air, I am he that walks unseen.
I am the clue-finder, the web-cutter, the stinging fly. I was chosen for the lucky number.
I am he that buries his friends alive and drowns them and draws them alive again from the water. I came from the end of a bag, but no bag went over me.
I am the friend of bears and the guest of eagles. I am Ringwinner and Luckwearer; and I am Barrel-rider.
β
β
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
β
The Dark Lord has Nine. But we have One, mightier than they: the White Rider. He has passed through the fire and the abyss, and they shall fear him. We will go where he leads.
β
β
J.R.R. Tolkien (The Lord of the Rings)
β
You're right though. I should have discussed my plan with you. I'm sorry. From now on, I promise I will consult with you before I do anything you don't expect. Is that exceptable?' (Eragon)
Only if it involves weapons, magic, kings, or family members.' (Saphira)
Or flowers.' (Eragon)
Or flowers. I don't need to know if you decide to eat some bread and cheese in the middle of the night.' (Saphira)
Unless a man with a very long knife is waiting for me outside of my tent.'(Eragon)
If you could not defeat a single man with a very long knife, you would be a poor excuse for a Rider indeed.' (Saphira)
β
β
Christopher Paolini
β
A German philosopher once wrote that he who fights monsters must take care that he doesn't become one himself.
β
β
Anthony Horowitz (Scorpia Rising (Alex Rider, #9))
β
HERE LIES BROM
Who was
A Rider bonded to the dragon Saphira
Son of Holcomb and Nelda
Beloved of Selena
Father of Eragon Shadeslayer
Founder of the Varden
And Bane of the Forsworn.
May his name live on in glory.
Stydja unin mo'ranr
β
β
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
β
Jack: "For Christ's sake, it wasn't like I was on vacation. I've been in Iowa, in cornfield hell!
Keely: Did you just say you got cornholed in Iowa?
β
β
Lorelei James (All Jacked Up (Rough Riders #8))
β
To whatever end. Where is the horse and the rider? Where is the horn that was blowing? They have passed like rain on the mountains. Like wind in the meadow. The days have gone down in the west. Behind the hills, into shadow. How did it come to this?
β
β
J.R.R. Tolkien
β
He had followed the trail left by a dead man. It was only now that he realized it might lead only to a grave.
β
β
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
β
I do not know what makes a writer, but it probably isn't happiness.
β
β
William Saroyan (The Bicycle Rider In Beverly Hills)
β
I didn't set fire to the building."
"No, but you did pull it into the river."
"That put the fire out!
β
β
Anthony Horowitz (Snakehead (Alex Rider, #7))
β
Iβm justβ¦ not as strong as other riders.β βI know exactly who and what you are, Violet Sorrengail.
β
β
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
β
Was it fate? Was it destiny?"
"I think it was Alan Blunt.
β
β
Anthony Horowitz (Ark Angel (Alex Rider, #6))
β
The platform underneath the balloon fell on her as she was trying to escape," she explained. "She was crushed."
"I'd have been disappointed too.
β
β
Anthony Horowitz (Scorpia (Alex Rider, #5))
β
I am perfectly qualified to give you an injection. You're not going to tell me you're afraid of a little prick?"
"I wouldn't call you that...
β
β
Anthony Horowitz (Scorpia (Alex Rider, #5))
β
A horse must be a bit mad to be a good cavalry mount, and its rider must be completely so.
β
β
Steven Pressfield (The Virtues of War)
β
...and horror of horrors, he realized that he was experiencing some sort of a crush.
He needed to kill something.
β
β
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
β
There are two kinds of fools. One says, "This is old, and therefore good." And one says, " This is new, and therefore better.
β
β
John Brunner (The Shockwave Rider)
β
You actually fucked her? What, did her forked tongue feel exceptionally good on your dick or something?" βKeely to Jack after meeting his ex-girlfriend.
β
β
Lorelei James (All Jacked Up (Rough Riders #8))
β
Seriously? There was a condom brand called Rough Rider? Why not just go with F**k Her Hard and be done with it?
β
β
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
β
You may believe you're an excellent rider," he called, "but there are a score of Temujai back there who actually are.
β
β
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
β
Go to Venice. Find Scorpia. And you will find your destiny.
β
β
Anthony Horowitz (Eagle Strike (Alex Rider, #4))
β
-She understands.β
βUnderstands what?β I whispered. Riderβs gaze held mine again.
βShe understands that if I have to pick between you two, itβs not going to be her.
β
β
Jennifer L. Armentrout (The Problem with Forever)
β
As I grow older, I regret to say that a detestable habit of thinking seems to be getting a hold of me.
β
β
H. Rider Haggard
β
You can kiss me if you like," she said.
Alex let go of her and turned away. "Thanks, Fiona," he said. "But frankly I'd prefer to kiss the horse.
β
β
Anthony Horowitz (Point Blank (Alex Rider, #2))
β
Piss me off again and I'll rip you a new asshole and then fuck it. And that's just the foreplay.
β
β
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
β
And woman is the same as horses: two wills act in opposition inside her. With one will she wants to subject herself utterly. With the other she wants to bolt, and pitch her rider to perdition.
β
β
D.H. Lawrence (Women in Love)
β
I love to kill fish,' Sayle went on. 'But when I saw this specimen of Physalia physalis, I knew I had to capture it and keep it. You see, it reminds me of myself.'
'It's ninety-nine per cent water. It has no brain, no guts and no anus.' Alex had dredged up the facts from somewhere and spoken them before he knew what he was doing.
β
β
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
β
And, ah, who are you?
What Horseman, I mean.β
Thanatos swung around. βDeath.β
Cara swallowed. Audibly. βAs in, the Grim Reaper?β
He snorted. βThat poser.
β
β
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
β
It's good to leave behind all that is comfortable and known every so often. It opens one's mind to the wide world.
β
β
Kristen Britain (Blackveil (Green Rider, #4))
β
This is needle-in-haystack shit. And the haystack is made of needles. On a needle planet.
β
β
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
β
Sometimes you're so nice, I can't believe I ever hated you." βKeely to Jack
β
β
Lorelei James (All Jacked Up (Rough Riders #8))
β
Why not dream your own wonderful sequels? When you have finished a book, it can go on in your mind, the characters doing just what you want them to do.
β
β
Marguerite Henry (Dear Readers and Riders)
β
If you want to relive old memories, call Sleeping Beauty; maybe she hasnβt woken up and discovered youβre an asshole.
β
β
Jamie Begley (Cash's Fight (The Last Riders #5))
β
No bra,β he said against her mouth. βThank you. I hate those things. Dumbest human invention. Ever.
β
β
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
β
You're nothing if you're not special.
β
β
Anthony Horowitz (Point Blank (Alex Rider, #2))
β
Do whatever you must, Karigan," he told her, his voice so quiet it would not carry, "to come back. You must come back. To me." ~King Zachary
β
β
Kristen Britain (Blackveil (Green Rider, #4))
β
She gave him a wan smile. "And then you came, Eragon. You and Saphira. After hope had deserted me and I was about to be taken to Galbatorix in Uru'baen, a Rider appeared to rescue me. A rider and a dragon!"
"And Morzan's son," he said. "Both of Morzan's sons."
"Describe it how you will, it was such an improbable rescue, I occasionally think that I did go mad and that I've imagined everything since.
β
β
Christopher Paolini
β
No one can make you feel inferior without your permission.
β
β
Lorelei James (Branded as Trouble (Rough Riders, #6))
β
Inside every fat man, there's a thin man trying to get out.
β
β
Anthony Horowitz (Scorpia Rising (Alex Rider, #9))
β
It was safe to assume that the rider would be carrying a weapon of some kind. After all, there was no point in wearing half armor and going weaponless.
β
β
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
β
β¦my life has been a remarkable one. Maybe one day someone will write a book about me . . .β
"Iβve never much cared for horror stories.
β
β
Anthony Horowitz (Snakehead (Alex Rider, #7))
β
Strange though it is,Sarov still cares about you. He told me to leave you alone. But I think, this time, I must disobey the general. You are mine! And I intend to make you suffer..."
"Just talking to you makes me suffer," Alex said.
β
β
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
β
Your name?"The movements of the man's mouth didn't quite match what he was saying, so seeing him speak was a bit like watching a badly dubbed film.
"Alex Gardiner," Alex said.
"Your real name?"
"I just told you."
"You lied. Your real name is Alex Rider."
"Why ask if you think you know?
β
β
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
β
Alex decided heβd had enough. He put down his knife. βAll right,β he said. βYouβve made it pretty clear that you donβt want to work with me. Well, thatβs fine. Because I donβt want to work with you either. And for what itβs worth, nobody would ever believe you were my mom because no mom would ever behave like you.β
βAlexβ¦,β Carver began.
βForget it! Iβm going back to London. And if youβre Mr. Byrne asks why, you can tell him I didnβt like the jelly, so I went home to get some jam.
β
β
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
β
Having a Coke with You
is even more fun than going to San Sebastian, IrΓΊn, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when Iβm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 oβclock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway itβs in the Frick
which thank heavens you havenβt gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didnβt pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
β
β
Frank O'Hara
β
He's of the colour of the nutmeg. And of the heat of the ginger.... he is pure air and fire; and the dull elements of earth and water never appear in him, but only in patient stillness while his rider mounts him; he is indeed a horse, and all other jades you may call beasts.
β
β
William Shakespeare (Henry V)
β
Through an arrow loop in the wall she saw a familiar horse and rider tearing across the camp toward the healing rooms. Brigan pulled up at Nash's feet and dropped from the saddle. The two brothers threw their arms around each other and embraced hard.
Shortly thereafter he stepped into the healing rooms and leaned in the doorway, looking across at her quietly. Brocker's son with the gentle gray eyes.
She abandoned all pretense of decorum and ran at him.
β
β
Kristin Cashore (Fire (Graceling Realm, #2))
β
There is a lot of folklore about equestrian statues, especially the ones with riders on them. There is said to be a code in the number and placement of the horse's hooves: If one of the horse's hooves is in the air, the rider was wounded in battle; two legs in the air means that the rider was killed in battle; three legs in the air indicates that the rider got lost on the way to the battle; and four legs in the air means that the sculptor was very, very clever. Five legs in the air means that there's probably at least one other horse standing behind the horse you're looking at; and the rider lying on the ground with his horse lying on top of him with all four legs in the air means that the rider was either a very incompetent horseman or owned a very bad-tempered horse.
β
β
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
β
Nerd. Geek. Used to be if you self-identified that way, you'd get thrown into a locker and never have sex. Or worse, whatever that is. But to me and more and more people I know, being a nerd or a geek means having passion, power, intelligence. Being a nerd just means there is something in the world that you care deeply aboutβbe it twelve-sided dice, a favorite sports team, your new laptop or Night Rider.
β
β
Olivia Munn (Suck It, Wonder Woman!: The Misadventures of a Hollywood Geek)
β
Umm. Wow. Did it grow? Because it looks bigger."
"Kissin' your red-hot love flower made this stem grow big and hard just for you, baby doll."
AJ managed to meet his eyes. "Love flower?"
"Thought maybe you wanted some kinda sweet-talkin' love words first.
β
β
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
β
There's no sense drawing attention to yourself, Li."
"Hellooooo. I'm aHorseman of the Apocalypse, and I'm betrothed to the most infamous, most powerful demon in existence. I couldn't draw more attention to myself i I wore Lady Gaga's meat dress to a PETA convention.
β
β
Larissa Ione (Immortal Rider (Lords of Deliverance, #2; Demonica, #7))
β
I stand in Minas Anor, the Tower of the Sun; and behold! the Shadow has departed! I will be a Shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
I must court her now,' said the Prince. 'Leave us alone for a minute.' He rode the white expertly down the hill.
Buttercup had never seen such a giant beast. Or such a rider.
'I am your Prince and you will marry me,' Humperdinck said.
Buttercup whispered, 'I am your servant and I refuse.'
'I am your Prince and you cannot refuse.'
'I am your loyal servant and I just did.'
'Refusal means death.'
'Kill me then.'
'I am your Prince and Iβm not that bad β how could you rather be dead than married to me?'
'Because,' Buttercup said, 'marriage involves love, and that is not a pastime at which I excel. I tried once, and it went badly, and I am sworn never to love another.'
'Love?' said Prince Humperdinck. 'Who mentioned love? Not me, I can tell you. Look: there must always be a male heir to the throne of Florin. Thatβs me. Once my father dies, there wonβt be an heir, just a king. Thatβs me again. When that happens, Iβll marry and have children until there is a son. So you can either marry me and be the richest and most powerful woman in a thousand miles and give turkeys away at Christmas and provide me a son, or you can die in terrible pain in the very near future. Make up your own mind.'
'Iβll never love you.'
'I wouldnβt want it if I had it.'
'Then by all means let us marry.
β
β
William Goldman (The Princess Bride)
β
She had lost herself somewhere along the frontier between her inventions, her stories, her fantasies and her true self. The boundaries had become effaced, the tracks lost, she had walked into pure chaos, and not a chaos which carried her like the galloping of romantic riders in operas and legends, but which suddenly revealed the stage props: a papier-mΓ’chΓ© horse.
β
β
AnaΓ―s Nin (A Spy in the House of Love (Cities of the Interior, #4))
β
Once, when I was younger, I thought I could be someone else. I'd move to Casablanca, open a bar, and I'd meet Ingrid Bergman. Or more realistically - whether actually more realistic or not - I'd tune in on a better life, something more suited to my true self. Toward that end, I had to undergo training. I read The Greening of America, and I saw Easy Rider three times. But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't anywhere. I was myself, waiting on the shore for me to return.
β
β
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
β
In rode the Lord of the NazgΓ»l. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the NazgΓ»l, under the archway that no enemy ever yet had passed, and all fled before his face.
All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath DΓnen.
"You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!"
The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter.
"Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade.
Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn.
And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
If you didn't figure it out, you weren't worthy of knowing." She huffs. "I waited six hundred and fifty years to hatch. Waited until your eighteenth summer, when I heard our elders talk of a weakling daughter of their general, the girl forecasted to become the head of the scribes, and I knew. You would have the mind of a scribe and the heart of a rider. You would be mine." She leans into my hand. "You are as unique as I am. We want the same things."
"You couldn't have known I would be a rider."
"And yet, here we are."
A thousand questions go through my head, none of which we have the time for, so I give her exactly what I wantedβto be seen for who and what she is.
"You are not a black dragon, or any of the six that we know of. You're a seventh breed."
"Yes." Her eyes widen in excitement.
β
β
Rebecca Yarros (Iron Flame (The Empyrean, #2))
β
My books happen. They tend to blast in from nowhere, seize me by the throat, and howl 'Write me! Write me now!' But they rarely stand still long enough for me to see what and who they are, before they hurtle away again. And so I spend a lot of time running after them, like a thrown rider after an escaped horse, saying 'Wait for me! Wait for me!' and waving my notebook in the air.
β
β
Robin McKinley
β
I am not poor, I am not rich; nihil est, nihil deest, I have little, I want nothing: all my treasure is in Minervaβs tower...I live still a collegiate student...and lead a monastic life, ipse mihi theatrum [sufficient entertainment to myself], sequestered from those tumults and troubles of the world...aulae vanitatem, fori ambitionem, ridere mecum soleo [I laugh to myself at the vanities of the court, the intrigues of public life], I laugh at all.
β
β
Robert Burton (The Anatomy of Melancholy)
β
The Rider
A boy told me
if he roller-skated fast enough
his loneliness couldn't catch up to him,
the best reason I ever heard
for trying to be a champion.
What I wonder tonight
pedaling hard down King William Street
is if it translates to bicycles.
A victory! To leave your loneliness
panting behind you on some street corner
while you float free into a cloud of sudden azaleas,
pink petals that have never felt loneliness,
no matter how slowly they fell.
β
β
Naomi Shihab Nye (Fuel: Poems (American Poets Continuum Series))
β
And in me too the wave rises. It swells; it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man's, like Percival's, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!
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Virginia Woolf (The Waves)
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That Iβm gonna have your sweet little body every which way Iβve fantasized about? Absolutely. That Iβm make you forget any other man whoβs ever touched you? Without apology. That Iβm gonna cause your body to sing and sigh and weep with pleasure? Guaranteed. That Iβd ever hurt you? No. That Iβd ever share you? Bring another lover into our bed? Hell no. Fuck no.β His lips were a whisper away; his eyes flashed a dangerous glint. βYouβre only ever mine. My hands on you. My mouth on you. My cock in you. Understood?
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Lorelei James (Branded as Trouble (Rough Riders, #6))
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I can worship Nature, and that fulfills my need for miracles and beauty. Art gives a spiritual depth to existence -- I can find worlds bigger and deeper than my own in music, paintings, and books. And from my friends and family I receive the highest benediction, emotional contact, and personal affirmation. I can bow before the works of Man, from buildings to babies, and that fulfills my need for wonder. I can believe in the sanctity of Life, and that becomes the Revealed Word, to live my life as I believe it should be, not as I'm told to by self-appointed guides.
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Neil Peart (The Masked Rider: Cycling in West Africa)
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You were always saying you were gonna shoot him," he mutters, but it's kind of half-hearted. "Stupid fucking little tit, he needs a bullet in his head. What do you keep him round for, anyway?"
Because he makes me laugh. Because, fuck knows why, he adores me. Because he needs somebody to look after him and nobody else knows how. Because everything about us is wrong and I never ever want to be right. Because I wake up in the morning and see him sleeping next to me with his stupid dyed hair and his stupid painted nails and his stupid toy monkey and I remember I love him so much I don't know what to do, I love him I love him I LOVE HIM.
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Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
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When?' said the moon to the stars in the sky
Soon' said the wind that followed them all
Who?' said the cloud that started to cry
Me' said the rider as dry as a bone
How?' said the sun that melted the ground
and 'Why?' said the river that refused to run
and 'Where?' said the thunder without a sound
Here' said the rider and took up his gun
No' said the stars to the moon in the sky
No' said the trees that started to moan
No' said the dust that blunted its eyes
Yes' said the rider as white as a bone
No' said the moon that rose from his sleep
No' said the cry of the dying sun
No' said the planet as it started to weep
Yes' said the rider and laid down his gun
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Nick Cave
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The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
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H. Rider Haggard (She (She, #1))
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You could just marry each other,β Yrene said, and Dorian whipped his head to her, incredulous. βItβd make it easier for you both, so you donβt need to pretend.β Chaol gaped at his wife. Yrene shrugged. βAnd be a strong alliance for our two kingdoms.β Dorian knew his face was red when he turned to Manon, apologies and denials on his lips. But Manon smirked at Yrene, her silver-white hair lifting in the breeze, as if reaching for the united people who would soon soar westward. That smirk softened as she mounted Abraxos and gathered up the reins. βWeβll see,β was all Manon Blackbeak, High Queen of the Crochans and Ironteeth, said before she and her wyvern leaped into the skies. Chaol and Yrene began bickering, laughing as they did, but Dorian strode to the edge of the aerie. Watched that white-haired rider and the wyvern with silver wings become distant as they sailed toward the horizon. Dorian smiled. And found himself, for the first time in a while, looking forward to tomorrow.
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Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
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Horses are of a breed unique to Fantasyland. They are capable of galloping full-tilt all day without a rest. Sometimes they do not require food or water. They never cast shoes, go lame or put their hooves down holes, except when the Management deems it necessary, as when the forces of the Dark Lord are only half an hour behind. They never otherwise stumble. Nor do they ever make life difficult for Tourists by biting or kicking their riders or one another. They never resist being mounted or blow out so that their girths slip, or do any of the other things that make horses so chancy in this world. For instance, they never shy and seldom whinny or demand sugar at inopportune moments. But for some reason you cannot hold a conversation while riding them. If you want to say anything to another Tourist (or vice versa), both of you will have to rein to a stop and stand staring out over a valley while you talk. Apart from this inexplicable quirk, horses can be used just like bicycles, and usually are. Much research into how these exemplary animals come to exist has resulted in the following: no mare ever comes into season on the Tour and no stallion ever shows an interest in a mare; and few horses are described as geldings. It therefore seems probable that they breed by pollination. This theory seems to account for everything, since it is clear that the creatures do behave more like vegetables than mammals. Nomads appears to have a monopoly on horse-breeding. They alone possess the secret of how to pollinate them.
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Diana Wynne Jones (The Tough Guide to Fantasyland)
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Tell him if he harms you, I'll scorch the ground where he stands.'
'Oh, for fuck's sake, Tairn.' I roll my eyes and walk to Dain, whose jaw is locked, but his eyes are wide with apprehension.
'Tell him, or I'll take it up with Cath.'
'Tairn says if you harm me, he'll burn you,' I say as dragons to the left and right launch skyward without their riders, headed back to the Vale. But not Tairn. Nope, he's still standing behind me like an overprotective dad.
'I'm not going to harm you, ' Dain snaps.
'Word for word, Silver One.'
I blow a breath out slowly. 'Sorry, he actually said, if you harm me, he'll scorch the ground where you stand.' I turn and look over my shoulder. 'Better?'
Tairn blinks.
Dain keeps his eyes on me, but I see it there, the swirling anger Tairn warned me about. 'I would rather die than harm you, and you know it.
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Rebecca Yarros (Fourth Wing (The Empyrean, #1))
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Valentine clears his throat. "So. Why can't you just say it?"
"Say what?"
"You know what."
"It's hardly the time or place."
"It is if you're dying."
"I can't."
"You're a dick. Just fucking say it!"
"I can't! I'm... English."
"What am I, a Martian? I say it all the time. I know you love me, why can't you say it?"
"If you know, then why do I have to?"
"You're missing the point a bit."
"I took your bullet, you little twat, don't you dare question whether I love you."
"Yeah, but you could say it."
The throb of the gunshots is pounding all down his arm and body. The pain's so bad he wants to cry, like he's five and he's skinned his knee coming off his bike.
"Je t'aime," he says, through gritted teeth, to shut the kid up. "Je ne sais pas pourquoi. Tu es... complΓ¨tement bΓͺte, tu t'habilles comme une pute travestie, je hais ta musique, tu es fou, tu me rends fou, mais je suis fou de toi et je pense Γ toi tout le temps et je t'aime, oui. Tu comprends? Je t'aime. Seulement... pas en anglais. Je ne peux pas."
Valentine's shifting about like he's uncomfortable. "I ain't got no idea what you just said but I think I need to change my pants."
"Maintenant, ta gueule.
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Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
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No one else. It was me who had to carry myself over the finish line, and all I needed to remember when I felt like not trying was that that feeling wouldn't last forever.
Forever.
I used to believe it didn't exist. One word has terrified me as a child and it haunted me. But now I knew, and many small ways, but it was real, But it didn't scare me anymore. Forever wasn't a little girl cowering in the closet. Forever wasn't the shadows sitting in the back of the class. Forever wasn't doing what I thought Carl and Rose wanted instead of what I needed to do with my life. Forever wasn't believing I was some kind of replacement daughter and that I was letting them down. Forever wasn't being the one who needed protection. Forever wasn't pain and grief forever wasn't a problem. Forever was my heartbeat and it was the hope tomorrow held. Forever was the glistening silver lining of the dark cloud, no matter how heavy and thick it was. Forever was knowing it moments of weakness didn't equate to an eternity of them. Forever was knowing that I was strong. Forever was Carl and Rosa, Ainsley and Kira, Hector and Rider. Jaden would always be a part of my forever. Forever was in the fire-breathing dragon inside me that had shed the fear like a snake shedding skin. Forever was simply a promise of more. Forever was a work in progress. And I couldn't wait for forever.
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Jennifer L. Armentrout (The Problem with Forever)
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She's locked up with a spinning wheel
She can't recall what it was like to feel
She says, "This room's gonna be my grave
And there's no one who can save me,"
She sits down to her colored thread
She knows lovers waking up in their beds
She says, "How long can I live this way
Is there someone I can pay to let me go
'Cause I'm half sick of shadows
I want to see the sky
Everyone else can watch as the sun goes down
So why can't I
And it's raining
And the stars are falling from the sky
And the wind
And the wind I know it's cold
I've been waiting
For the day I will surely die
And it's here
And it's here for I've been told
That I'll die before I'm old
And the wind I know it's cold...
She looks up to the mirrored glass
She sees a horse and rider pass
She says, "This man's gonna be my death
'Cause he's all I ever wanted in my life
And I know he doesn't know my name
And that all the girls are all the same to him
But still I've got to get out of this place
'Cause I don't think I can face another night
Where I'm half sick of shadows
And I can't see the sky
Everyone else can watch as the tide comes in
So why can't I
But there's willow trees
And little breezes, waves, and walls, and flowers
And there's moonlight every single night
As I'm locked in these towers
So I'll meet my death
But with my last breath I'll sing to him I love
And he'll see my face in another place,"
And with that the glass above
Her cracked into a million bits
And she cried out, "So the story fits
But then I could have guessed it all along
'Cause now some drama queen is gonna write a song for me,"
She went down to her little boat
And she broke the chains and began to float away
And as the blood froze in her veins she said,
"Well then that explains a thing or two
'Cause I know I'm the cursed one
I know I'm meant to die
Everyone else can watch as their dreams untie
So why can't I
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Emilie Autumn
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The Clock on the Morning Lenape Building
Must Clocks be circles?
Time is not a circle.
Suppose the Mother of All Minutes started
right here, on the sidewalk
in front of the Morning Lenape Building, and the parade
of minutes that followed--each of them, say, one inch long--
headed out that way, down Bridge Street.
Where would Now be? This minute?
Out past the moon?
Jupiter?
The nearest star?
Who came up with minutes, anyway?
Who needs them?
Name one good thing a minute's ever done.
They shorten fun and measure misery.
Get rid of them, I say.
Down with minutes!
And while you're at it--take hours
with you too. Don't get me started
on them.
Clocks--that's the problem.
Every clock is a nest of minutes and hours.
Clocks strap us into their shape.
Instead of heading for the nearest star, all we do
is corkscrew.
Clocks lock us into minutes, make Ferris wheel
riders of us all, lug us round and round
from number to number,
dice the time of our lives into tiny bits
until the bits are all we know
and the only question we care to ask is
"What time is it?"
As if minutes could tell.
As if Arnold could look up at this clock on
the Lenape Building and read:
15 Minutes till Found.
As if Charlie's time is not forever stuck
on Half Past Grace.
As if a swarm of stinging minutes waits for Betty Lou
to step outside.
As if love does not tell all the time the Huffelmeyers
need to know.
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Jerry Spinelli (Love, Stargirl (Stargirl, #2))
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Having a Coke with You
is even more fun than going to San Sebastian, IrΓΊn, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when Iβm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 oβclock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway itβs in the Frick
which thank heavens you havenβt gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didnβt pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it.
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Alex Flinn (Beastly (Beastly, #1))
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There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense.
There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance.
There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness.
Other, private winds.
Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.'
There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
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Michael Ondaatje