“
A man's mind is stretched by a new idea or sensation, and never shrinks back to its former dimensions.
”
”
Oliver Wendell Holmes Sr. (Autocrat of the Breakfast Table)
“
The mind, once stretched by a new idea, never returns to its original dimensions.
”
”
Ralph Waldo Emerson
“
Every now and then a man's mind is stretched by a new idea or sensation, and never shrinks back to its former dimensions.
”
”
Oliver Wendell Holmes Sr. (Autocrat of the Breakfast Table)
“
The time has come for us to stand a little taller, to lift our eyes and stretch our minds to a greater comprehension and understanding of the grand millennial mission of this, The Church of Jesus Christ of Latter-day Saints.
”
”
Gordon B. Hinckley
“
Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms toward perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action -
Into that heaven of freedom, my Father, let my country awake.
”
”
Rabindranath Tagore (Gitanjali)
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
And let’s face it people, no one is ever honest with you about child birth. Not even your mother. “It’s a pain you forget all about once you have that sweet little baby in your arms.” Bullshit. I CALL BULLSHIT. Any friend, cousin, or nosey-ass stranger in the grocery store that tells you it’s not that bad is a lying sack of shit. Your vagina is roughly the size of the girth of a penis. It has to stretch and open andturn into a giant bat cave so the life-sucking human you’ve been growing for nine months can angrily claw its way out. Who in their right mind would do that willingly? You’re just walking along one day and think to yourself, “You know, I think it’s time I turn my vagina into an Arby’s Beef and Cheddar (minus the cheddar) and saddle myself down for a minimum of eighteen years to someone who will suck the soul and the will to live right out of my body so I’m a shell of the person I used to be and can’t get laid even if I pay for it.
”
”
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
“
Once your mind stretches to a new level it never goes back to its original dimension
”
”
A.P.J. Abdul Kalam
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
There are times when God leaves huge question marks as tools in our lives to stretch our our faith.
”
”
Joyce Meyer (Battlefield of the Mind: Winning the Battle in Your Mind)
“
A mind that is stretched by new experience can never go back to its old dimensions.
”
”
Oliver Wendell Holmes Jr.
“
Iron rusts from disuse; stagnant water loses its purity and in cold weather becomes frozen; even so does inaction sap the vigor of the mind. So we must stretch ourselves to the very limits of human possibility. Anything less is a sin against both God and man.
”
”
Leonardo da Vinci
“
The best moments in our lives, are not the passive, receptive, relaxing times—although such experiences can also be enjoyable, if we have worked hard to attain them. The best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.
Optimal experience is thus something that we make happen. For a child, it could be placing with trembling fingers the last block on a tower she has built, higher than any she has built so far; for a swimmer, it could be trying to beat his own record; for a violinist, mastering an intricate musical passage. For each person there are thousands of opportunities, challenges to expand ourselves.
”
”
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
“
Black is the color that is no color at all.
Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky.
It is a road. A forgotten night sky broken up by faded stars.
It is the barrel of a new gun, leveled at your heart.
The color of Chubs's hair, Liam's bruises, Zu's eyes.
Black is a promise of tomorrow, bled dry from lies and hate.
Betrayal.
I see it in the face of a broken compass, feel it in the numbing grip of grief.
I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke.
It is the fire.
The spark.
Black is the color of memory.
It is our color.
The only one they'll use to tell our story.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful white women with their arms stretched out to me over that line, but I can’t seem to get there no-how. I can't seem to get over that line.
”
”
Harriet Tubman
“
Normal" was for those who didn't have the ability to stretch their minds past the unreachable end.
”
”
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
“
Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then -the glory- so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man's importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men.
”
”
John Steinbeck (East of Eden)
“
I didn’t mind the quiet stretches. It was like we were trying out the idea of being side by side.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
Through art, we learn to understand ourselves and light up the veiled angles in our minds. It teaches us how to get hold of life and get a sense of the shades in the wild richness of the abundant diversity that stretches through our daily experience. It gives us a foothold in the estranging landscapes we cross during our life journey and helps us figure out the wisdom behind the countless signs and tokens. (Stilling our mind)
”
”
Erik Pevernagie
“
What we think determines what happens to us, so if we want to change our lives, we need to stretch our minds.
”
”
Wayne W. Dyer
“
Time is a funny thing. I was always puzzled with the way a single day could stretch itself out to the point of eternity in your mind, all while years melted down into the fraction of a second.
”
”
Gloria Naylor (Mama Day (Vintage Contemporaries))
“
the best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile
”
”
Tal Ben-Shahar (Happier: Learn the Secrets to Daily Joy and Lasting Fulfillment)
“
Enjoy the power and beauty of your youth; oh nevermind; you will not
understand the power and beauty of your youth until they have faded.
But trust me, in 20 years you’ll look back at photos of yourself and
recall in a way you can’t grasp now how much possibility lay before
you and how fabulous you really looked….You’re not as fat as you
imagine. Don’t worry about the future; or worry, but know that worrying is as
effective as trying to solve an algebra equation by chewing
bubblegum. The real troubles in your life are apt to be things that
never crossed your worried mind; the kind that blindside you at 4pm
on some idle Tuesday. Do one thing everyday that scares you Sing Don’t be reckless with other people’s hearts, don’t put up with
people who are reckless with yours. Floss Don’t waste your time on jealousy; sometimes you’re ahead, sometimes
you’re behind…the race is long, and in the end, it’s only with
yourself. Remember the compliments you receive, forget the insults; if you
succeed in doing this, tell me how. Keep your old love letters, throw away your old bank statements. Stretch Don’t feel guilty if you don’t know what you want to do with your
life…the most interesting people I know didn’t know at 22 what they
wanted to do with their lives, some of the most interesting 40 year
olds I know still don’t. Get plenty of calcium. Be kind to your knees, you’ll miss them when they’re gone. Maybe you’ll marry, maybe you won’t, maybe you’ll have children,maybe
you won’t, maybe you’ll divorce at 40, maybe you’ll dance the funky
chicken on your 75th wedding anniversary…what ever you do, don’t
congratulate yourself too much or berate yourself either – your
choices are half chance, so are everybody else’s. Enjoy your body,
use it every way you can…don’t be afraid of it, or what other people
think of it, it’s the greatest instrument you’ll ever
own.. Dance…even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do NOT read beauty magazines, they will only make you feel ugly. Get to know your parents, you never know when they’ll be gone for
good. Be nice to your siblings; they are the best link to your past and the
people most likely to stick with you in the future. Understand that friends come and go,but for the precious few you
should hold on. Work hard to bridge the gaps in geography and
lifestyle because the older you get, the more you need the people you
knew when you were young.
”
”
Mary Schmich
“
once your mind stretches to a new level it never goes back to its original dimension.
”
”
A.P.J. Abdul Kalam (Wings of Fire)
“
The newcomer stood well over six feet, as tall as any Warden. His hair was dark, the color of obsidian, and it reflected blue in the dim light. Lazy locks slipped over his forehead and curled just below his ears. Brows arched over golden eyes and his cheekbones were broad and high. He was attractive. Very attractive. Mind-bendingly beautiful, actually, but the sardonic twist to his full lips chilled his beauty. The black T-shirt stretched across his chest and flat stomach. A huge tattoo of a snake curled around his forearm, the tail disappearing under his sleeve and the diamond-shaped head rested on the top of his hand. He looked my age. Total crush material—if it wasn’t for the fact that he had no soul.
”
”
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
“
But Time, unfortunately, though it makes animals and vegetables bloom and fade with amazing punctuality, has no such simple effect upon the mind of man. The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.
”
”
Virginia Woolf (Orlando)
“
]Sardis
often turning her thoughts here
]
you like a goddess
and in your song most of all she rejoiced.
But now she is conspicuous among Lydian women
as sometimes at sunset
the rosyfingered moon
surpasses all the stars. And her light
stretches over salt sea
equally and flowerdeep fields.
And the beautiful dew is poured out
and roses bloom and frail
chervil and flowering sweetclover.
But she goes back and forth remembering
gentle Atthis and in longing
she bites her tender mind
”
”
Sappho (If Not, Winter: Fragments of Sappho)
“
Reading is a means of thinking with another person's mind; it forces you to stretch your own.
”
”
Charles Scribner
“
Science fiction is held in low regard as a branch of literature, and perhaps it deserves this critical contempt. But if we view it as a kind of sociology of the future, rather than as literature, science fiction has immense value as a mind-stretching force for the creation of the habit of anticipation. Our children should be studying Arthur C. Clarke, William Tenn, Robert Heinlein, Ray Bradbury and Robert Sheckley, not because these writers can tell them about rocket ships and time machines but, more important, because they can lead young minds through an imaginative exploration of the jungle of political, social, psychological, and ethical issues that will confront these children as adults.
”
”
Alvin Toffler (Future Shock)
“
You have a deep desire to be right all of the time and a deeper desire to see yourself in a positive light both morally and behaviorally. You can stretch your mind pretty far to achieve these goals.
”
”
David McRaney (You Are Not So Smart)
“
I like to stretch my mind by reading and writing and watching educational TV shows like The Bachelor to learn the complex mating rituals of heterosexuals.
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
And Annie showed me how ailanthus trees grow under subway and sewer gratings, stretching toward the sun, making shelter in the summer, she said, laughing, for the small dragons that live under the streets.
”
”
Nancy Garden (Annie on My Mind)
“
But I will stretch my toes so that they touch the rail at the end of the bed; I will assure myself, touching the rail, of something hard. Now I cannot sink; cannot altogether fall through the thin sheet now. Now I spread my body on this frail mattress and hang suspended. I am above the earth now. I am no longer upright, to be knocked against and damaged. All is soft, and bending. Walls and cupboards whiten and bend their yellow squares on top of which a pale glass gleams. Out of me now my mind can pour.
”
”
Virginia Woolf (The Waves)
“
Thanks," I said after a small stretch of silence, "for not giving up on me.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
Elodin pointed down the street. "What color is that boy's shirt?"
"Blue."
"What do you mean by blue? Describe it."
I struggled for a moment, failed. "So blue is a name?"
"It is a word. Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts. There are seven words that will make a person love you. There are ten words that will break a strong man's will. But a word is nothing but a painting of a fire. A name is the fire itself."
My head was swimming by this point. "I still don't understand."
He laid a hand on my shoulder. "Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating." He lifted his hands high above his head as if stretching for the sky. "But there are other ways to understanding!" he shouted, laughing like a child. He threw both arms to the cloudless arch of sky above us, still laughing. "Look!" he shouted tilting his head back. "Blue! Blue! Blue!
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Like the bodies of dancers or athletes, the minds of readers are genuinely happy and self-possessed only when cavorting around, doing their stretches and leaps and jumps to the tune of words.
”
”
Lynne Sharon Schwartz (Ruined By Reading: A Life in Books)
“
I listened long to your story,
Listened but could not hear.
When you chose to walk that path so overgrown,
I remained alone with my fear.
Cold silence covers the distance,
Stretches from shore to shore.
I follow in my mind your far-off journeying,
But I will walk that path no more.
”
”
Anne Elisabeth Stengl (Heartless (Tales of Goldstone Wood, #1))
“
The true Mason is not creed-bound. He realizes with the divine illumination of his lodge that as Mason his religion must be universal: Christ, Buddha or Mohammed, the name means little, for he recognizes only the light and not the bearer. He worships at every shrine, bows before every altar, whether in temple, mosque or cathedral, realizing with his truer understanding the oneness of all spiritual truth. All true Masons know that they only are heathen who, having great ideals, do not live up to them. They know that all religions are but one story told in divers ways for peoples whose ideals differ but whose great purpose is in harmony with Masonic ideals. North, east, south and west stretch the diversities of human thought, and while the ideals of man apparently differ, when all is said and the crystallization of form with its false concepts is swept away, one basic truth remains: all existing things are Temple Builders, laboring for a single end. No true Mason can be narrow, for his Lodge is the divine expression of all broadness. There is no place for little minds in a great work.
”
”
Manly P. Hall
“
The disposition, in any conflict, to side with ‘them’ against ‘us’, and the felt need to denigrate the customs, culture and institutions that are identifiably ‘ours’. Being the opposite of xenophobia I propose to call this state of mind oikophobia, by which I mean (stretching the Greek a little) the repudiation of inheritance and home.
”
”
Roger Scruton (England and the Need for Nations)
“
I don't know if I've ever really touched him. Maybe once or twice when passing papers back. You know, even shorter, his hair looks so soft. Maybe it's time I rub it a little. So I can give more concrete details.
I stretch my hand across my desk, but stop when I realize the horror of what I was about to do. Pet Sean. Have I lost my mind?
”
”
Lindsey Leavitt (Sean Griswold's Head)
“
If you are reading in order to become a better reader, you cannot read just any book or article. You will not improve as a reader if all you read are books that are well within your capacity. You must tackle books that are beyond you, or, as we have said, books that are over your head. Only books of that sort will make you stretch your mind. And unless you stretch, you will not learn.
”
”
Mortimer J. Adler
“
The mind, stretched to new dimensions by images, thoughts and ideas, can never return to its former shape.
”
”
Travis Luedke (The Nightlife: Paris (The Nightlife, #3))
“
You must tackle books that are beyond you, or, as we have said, books that are over your head. Only books of that sort will make you stretch your mind. And unless you stretch, you will not learn.
”
”
Mortimer J. Adler (How to Read a Book)
“
Like your body breathes air, your mind breathes thoughts. You feel depressed when your mind forgets to fully breathe out. Stretch your mind regularly. Contemplate who you are in this infinite cosmos.
”
”
Shunya
“
Anything that stretches the mind is a help to the potential author.
”
”
Madeleine L'Engle (A Circle of Quiet (Crosswicks Journals, #1))
“
any individual who chooses not to have children, or who has childlessness thrust upon them, brings to an end an unbroken chain of life that stretches back four billion years.
”
”
Steve Stewart-Williams (The Ape that Understood the Universe: How the Mind and Culture Evolve)
“
In the speech sound wave, one word runs into the next seamlessly; there are no little silences between spoken words the way there are white spaces between written words. We simply hallucinate word boundaries when we reach the end of a stretch of sound that matches some entry in our mental dictionary.
”
”
Steven Pinker (The Language Instinct: How the Mind Creates Language)
“
It turns out the real you is a quilt, made up of the light and the dark. The life you’ve lived in sunshine and your shadow life, stretching underneath the surface of your mind like a deep underwater world, exerting invisible power. You are a living, breathing story made up of the moments in time you cherish, all strung together, and those you hide. The moments that seem lost. Until the day they’re not.
”
”
Ashley Winstead (In My Dreams I Hold a Knife)
“
Until then I had always thought of loneliness as something negative—an absence of company, and, of course, something temporary... That day I had learned that it was much more. It was something which could press and oppress, could distort the ordinary and play tricks with the mind. Something which lurked inimically all around, stretching the nerves and twanging them with alarms, never letting one forget that there was no one to help, no one to care. It showed one as an atom adrift in vastness, and it waited all the time its chance to frighten and frighten horribly—that was what loneliness was really trying to do; and that was what one must never let it do...
”
”
John Wyndham (The Day of the Triffids)
“
The lexicon of language, then, is a finite set of terms that by metaphor is able to stretch out over an infinite set of circumstances, even to creating new circumstances thereby.
”
”
Julian Jaynes (The Origin of Consciousness in the Breakdown of the Bicameral Mind)
“
In my mind, I saw a string stretching from Henry’s heart at Quiet Waters to my heart. It was taut and it vibrated with Henry’s worries and fears and I felt them all.
Deeply. I felt them all.
”
”
Laura Anderson Kurk (Perfect Glass)
“
A mind that is stretched by a new experience can never go back to its old dimensions. —OLIVER WENDELL HOLMES
”
”
Mark Nepo (Seven Thousand Ways to Listen: Staying Close to What Is Sacred)
“
Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces.
Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web.
It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept...
..I have danced with the spider. I have cut a caper with the dancing mad god.
”
”
China Miéville (Perdido Street Station (New Crobuzon, #1))
“
We like everything instantaneous. We have the fruit of patience inside, but it is being worked to the outside. Sometimes God takes His time about bringing us our full deliverance. He uses the difficult period of waiting to stretch our faith and to let patience have her perfect work (see James 1:4 KJV). God’s timing is perfect. He is never late.
”
”
Joyce Meyer (Battlefield of the Mind: Winning the Battle in Your Mind)
“
I know everything, you see,' the old voice wheedled. 'The beginning, the present, the end. Everything. You now, you see the past and the present, like other low creatures: no higher faculties than memory and perception. But dragons, my boy, have a whole different kind of mind.' He stretched his mouth in a kind of smile, no trace of pleasure in it. 'We are from the mountaintop: all time, all space. We see in one instant the passionate vision and the blowout.
”
”
John Gardner (Grendel)
“
Men seek retreats for themselves, houses in the country, sea-shores, and mountains; and thou too art wont to desire such things very much. But this is altogether a mark of the most common sort of men, for it is in thy power whenever thou shalt choose to retire into thyself. For nowhere either with more quiet or more freedom from trouble does a man retire than into his own soul, particularly when he has within him such thoughts that by looking into them he is immediately in perfect tranquility; and I affirm that tranquility is nothing else than the good ordering of the mind. Constantly then give to thyself this retreat, and renew thyself; and let thy principles be brief and fundamental, which, as soon as thou shalt recur to them, will be sufficient to cleanse the soul completely, and to send thee back free from all discontent with the things to which thou returnest. For with what art thou discontented? With the badness of men? Recall to thy mind this conclusion, that rational animals exist for one another, and that to endure is a part of justice, and that men do wrong involuntarily; and consider how many already, after mutual enmity, suspicion, hatred, and fighting, have been stretched dead, reduced to ashes; and be quiet at last.- But perhaps thou art dissatisfied with that which is assigned to thee out of the universe.- Recall to thy recollection this alternative; either there is providence or atoms, fortuitous concurrence of things; or remember the arguments by which it has been proved that the world is a kind of political community, and be quiet at last.- But perhaps corporeal things will still fasten upon thee.- Consider then further that the mind mingles not with the breath, whether moving gently or violently, when it has once drawn itself apart and discovered its own power, and think also of all that thou hast heard and assented to about pain and pleasure, and be quiet at last.- But perhaps the desire of the thing called fame will torment thee.- See how soon everything is forgotten, and look at the chaos of infinite time on each side of the present, and the emptiness of applause, and the changeableness and want of judgement in those who pretend to give praise, and the narrowness of the space within which it is circumscribed, and be quiet at last. For the whole earth is a point, and how small a nook in it is this thy dwelling, and how few are there in it, and what kind of people are they who will praise thee.
”
”
Marcus Aurelius (The Meditations of Marcus Aurelius)
“
God provides minimum protection, maximum support--support to help us grow up, to stretch our minds and hearts until they are as wide as God's universe.
”
”
William Sloane Coffin
“
In her mind's eye she saw it, saw it all at last: the rolling armies and the flames of battle; the graves and pits and dying cries of a hundred million souls; the spreading darkness, like a black wing stretching over the earth; the last, bitter hours of cruelty and sorrow, and the terrible, final flights; death's great dominion over all, and, at the last, empty cities, becalmed by the silence of a hundred years. Already these things were coming to pass.
”
”
Justin Cronin (The Passage (The Passage, #1))
“
The mind of man works with strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented by the timepiece of the mind by one second. This extraordinary discrepancy between time on the clock and time in the mind is less known than it should be, and deserves fuller investigation.
”
”
Virginia Woolf (Orlando)
“
Stretch your mind past the emotion and search for the lesson.
”
”
L.A. Banks (Shadow Walker)
“
Creativity expands the mind, stretches it beyond ordinary human comprehension, resulting in the mind being elastic and capable of transcending and discerning complex ideas.
”
”
Michael Bassey Johnson (The Infinity Sign)
“
The whole world's a canvas for our sketches
Horizons as far as the mind stretches
A work of art with soft edges
Waiting to come alive
Now's the time
”
”
Marie Helen Abramyan
“
The propensity to excessive simplification is indeed natural to the mind of man, since it is only by abstraction and generalisation, which necessarily imply the neglect of a multitude of particulars, that he can stretch his puny faculties so as to embrace a minute portion of the illimitable vastness of the universe. But if the propensity is natural and even inevitable, it is nevertheless fraught with peril, since it is apt to narrow and falsify our conception of any subject under investigation. To correct it partially - for to correct it wholly would require an infinite intelligence - we must endeavour to broaden our views by taking account of a wide range of facts and possibilities; and when we have done so to the utmost of our power, we must still remember that from the very nature of things our ideas fall immeasurably short of the reality.
”
”
James George Frazer (The Magic Art and the Evolution of Kings, Part 1)
“
She yawned and stretched, and settled back again on her pillows and thought how perfect it would be if sleep could not only restore one but iron out all anxieties in the same process, so that one could wake with a totally clear and untroubled mind, as smooth and empty as a beach, washed and ironed by the outgoing tide.
”
”
Rosamunde Pilcher (Coming Home)
“
What are these? They look like scars." Meryn glanced down and realized he was talking about her stretch marks. Had he never seen stretch marks before?”
“Those are called stretch marks."
"Stretch marks? How did you get them?"
"Human females get them when we grow. If we grow too fast our skin rips apart and heals. It's a very painful process." Meryn lied through her teeth. There was no way she was going to discuss stretch marks after the most mind blowing sex of her life. Nope. Wasn't going to happen. Aiden's expression became reverent.
"Human females are amazing creatures, you endure so much pain yet are so fragile." He kissed each shiny line.
I'm going to hell.
”
”
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
“
She turned her car onto the last stretch of straight drive leading her directly, face to face, to Hill House and, moving without thought, pressed her foot on the brake to stall the car and sat, staring. The house was vile. She shivered and thought, the words coming freely into her mind, Hill House is vile, it is diseased; get away from here at once.
”
”
Shirley Jackson (The Haunting of Hill House)
“
You need to be healthy. You don’t need to be thin. You don’t need to be a certain size or shape or look good in a bikini. You need to be able to run without feeling like you’re going to puke. You need to be able to walk up a flight of stairs without getting winded. You need to drink half your body weight in ounces of water every single day. You need to stretch and get good sleep and stop medicating every ache and pain. You need to stop filling your body with garbage like Diet Coke and fast food and lattes that are a million and a half calories. You need to take in fuel for you body that hasn't been processed and fuel for you mind that is positive and encouraging. You need to get up off the sofa or out of the bed and move around. Get out of the fog that you have been living in and see your life for what it is.
”
”
Rachel Hollis (Girl Wash your Face)
“
Fiddler briefly wondered about those three dragons - where they had gone, what tasks awaited them - then he shrugged. Their appearance, their departure and, in between and most importantly, their indifference to the four mortals below was a sobering reminder that the world was far bigger than that defined by their own lives, their own desires and goals. The seemingly headlong plunge this journey had become was in truth but the smallest succession of steps, of no greater import than the struggles of a termite.
The worlds live on, beyond us, countless unravelling tales.
In his mind's eye he saw his horizons stretch out on all sides, and as they grew ever vaster he in turn saw himself as ever smaller, ever more insignificant.
We are all lone souls. It pays to know humility, lest the delusion of control, of mastery, overwhelms. And indeed, we seem a species prone to that delusion, again and ever again ...
”
”
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
“
I learned that once your mind stretches to a new level it never goes back to its original dimension.
”
”
A.P.J. Abdul Kalam (Wings of Fire)
“
The best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.
”
”
Mihály Csíkszentmihályi (Flow: The Classic Work On How To Achieve Happiness: The Psychology of Happiness)
“
Man’s mind, once stretched by a new idea, never regains its original dimensions.
”
”
Holms
“
I stood with my arms stretched wide and trembling, and I felt as if the black sky was my body and I felt as if the white moon, far above me, unwrinkled and shining, was my mind.
”
”
Karen Russell (Vampires in the Lemon Grove)
“
Blackthorne, beside the gates, was still turmoiled by his boundless joy at her reprieve and he remembered how his own will had been stretched that night of his near-seppuku, when he had had to get up as a man and walk home as a man unsupported, and became samurai. And he watched her, despising the need for this courage, yet understanding it, even honoring it.
”
”
James Clavell (Shōgun (Asian Saga, #1))
“
He would not mind hearing Petrus's story one day. But preferably not reduced to English. More and more he is convinced that English is an unfit medium for the truth of South Africa. Stretches of English code whole sentences long have thickened, lost their articulations, their articulateness, their articulatedness. Like a dinosaur expiring and settling in the mud, the language has stiffened. Pressed into the mold of English, Petrus's story would come out arthritic, bygone"(117).
”
”
J.M. Coetzee (Disgrace)
“
That illusion of a world so shaped that it echoes every groan, of human beings so tied together by common needs and fears that a twitch at one wrist jerks another, where however strange your experience other people have had it too, where however far you travel in your own mind someone has been there before you - - is all an illusion. We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds' feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable.
”
”
Virginia Woolf (On Being Ill)
“
The ability to have a friend, and to be a friend, is not unlike the ability to learn. Both are rooted in being accepting and open-minded with a talent for hard-work. If you are willing to stretch yourself, to risk yourself, if you are willing to love and honor and cherish the people who are important to you until one of you dies, then there will be great heartaches and even greater rewards.
”
”
Ann Patchett (This Is the Story of a Happy Marriage)
“
Now discontent nibbled at him - not painfully, but constantly. Where does discontent start? You are warm enough, but you shiver. You are fed, yet hunger gnaws you. You have been loved, but your yearning wanders in new fields. And to prod all these there's time, the bastard Time. The end of life is now not so terribly far away - you can see it the way you see the finish line when you come into the stretch - and your mind says, "Have I worked enough? Have I eaten enough? Have I loved enough?" All of these, of course, are the foundation of man's greatest curse, and perhaps his greatest glory. "What has my life meant so far, and what can it mean in the time left to me?" And now we're coming to the wicked, poisoned dart: "What have I contributed in the Great Ledger? What am I worth?" And this isn't vanity or ambition. Men seem to be born with a debt they can never pay no matter how hard they try. It piles up ahead of them. Man owes something to man. If he ignores the debt it poisons him, and if he tries to make payments the debt only increases, and the quality of his gift is the measure of the man.
”
”
John Steinbeck (Sweet Thursday (Cannery Row, #2))
“
Some people forget, he thought. A bad thing happens to them and their mind sweeps in and buries the bad thing deep, and all that’s left is a stretch of white in their heads, like fresh snow. Looking at it—at them—you wouldn't even know anything was trapped beneath.
Some people forget, but David remembered everything.
”
”
Victoria Schwab (Warm Up (Villains, #0.5))
“
In good company your thoughts run, in solitude your thought is still; it goes deeper and makes for itself a deeper groove, delves. Delve meansa 'dig with a spade'; it means hard work. In talk your mind can be stretched, widened, exhilarated to heights but it cannot be deepened; you have to deepen it yourself.
It needs sturdiness. You will be lonely, you will be depressed; you must expect it; if you were training your body it would ache and be tired. It is worth it. There is a Hindu proverb which says: 'You only grow when you are alone'.
”
”
Rumer Godden (Thus Far and No Further)
“
Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake…when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains.
”
”
Rebecca Solnit (Wanderlust: A History of Walking)
“
They were both at such an age that they stood on a cusp. They could think in one part of their minds that their whole lives stretched out before them without boundary or limit. At the same time another part guessed that youth was about over for them and what lay ahead was another country entirely, wherein the possibilities narrowed down moment by moment.
”
”
Charles Frazier
“
The tension has worn us out. It is a deadly tension that feels as if a jagged knife blade is being scraped along the spine. Our legs won't function, our hands are trembling and our bodies are like thin membranes stretched over barely repressed madness, holding in what would otherwise be an unrestrained outburst of endless scream.s. We have no flesh, no muscle now
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
we should cast aside all childish games that fetter and exhaust body, speech and mind; and stretching out in inconceivable nonaction, in the unstructured matrix, the actuality of emptiness, where the natural perfection of reality lies, we should gaze at the uncontrived sameness of every experience, all conditioning and ambition resolved with finality.
”
”
Longchenpa
“
I told him that when we first met... I felt like a butterfly trapped in a net. But... I told him that the more time I spent with him, the more I began to realize how much he means to me I told him that since it seems to be my destiny to dodge raindrops... I was grateful to be dodging them with him. So, I promised him that it would always be his name on my mind when I start my rotation... and when I go to bed each evening... and every quiet moment in between. It will be his name... savored on my lips... stretched across my heart... worshipped by my body... and branded in my mind... until death do us part... and forever after that.
”
”
Amy A. Bartol (Under Different Stars (Kricket, #1))
“
Yet women, whose minds are not enlarged by cultivation, or in whom the natural selfishness of sensibility hasn’t been expanded by reflection, are very unfit to manage a family, because they always stretch their power and use tyranny to maintain a superiority that rests on nothing but the arbitrary distinction of fortune.
”
”
Mary Wollstonecraft (A Vindication of the Rights of Woman)
“
Normal” was for those who didn’t have the ability to stretch their minds past the unreachable end.
”
”
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
“
A mind that is stretched by a new experience can never go back to its old dimensions. ~Oliver Wendall Holmes, Jr.
”
”
K. Langston (Until You're Mine (MINE, #2))
“
Handling and use by able minds give value to a language, not so much by innovating as by filling it out with more vigorous and varied services, by stretching and bending it.
”
”
Michel de Montaigne (The Complete Essays)
“
And his mind could not contain the terrible stretch of time that united twelve men fishing by the shores of Galilee, and black men weeping on their knees tonight, and he, a witness.
”
”
James Baldwin (Go Tell It on the Mountain)
“
I live for you," I say sadly.
She kisses my cheek. "Then you must live for more."
There's a long, terrible silence that stretches between us. She does not understand how her words wrench my heart, how she can twist me so easily. Because she does not love me like I love her. Her mind is too high. Mine too low. Am I not enough for her?
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
All his plans were suddenly overthrown, and the existence, so elaborately pictured, was no more than a dream which would never be realized. He was free once more. Free! He need give up none of his projects, and life still was in his hands for him to do what he liked with. He felt no exhiliration, but only dismay. His heart sank. The future stretched out before him in desolate emptiness. It was as though he had sailed for many years over a great waste of waters, with peril and privation, and at last had come upon a fair haven, but as he was about to enter, some contrary wind had arisen and drove him out again into the open sea; and because he had let his mind dwell on these meads and pleasant woods of the land, the vast deserts of the ocean filled him with anguish. He could not confront again the loneliness and the tempest.
”
”
W. Somerset Maugham (Of Human Bondage)
“
And yet, you didn’t bother telling me yourself,” I snapped, still outraged. “I couldn’t! They made me promise not to.” Somehow, his betrayal hurt worse than all the others. I had come to trust him implicitly. How could he do this to me? “No one believed I’d be able to talk the Warriors down, so everyone just made contingency plans without me.” Never mind that I Hadn’t been able to talk them down. “Someone should have told me. You should have told me.” There was legitimate pain and regret in his voice. “I’m telling you, I wanted to. But I was trapped. You of all people should know what it’s like being caught between groups, Sage. Besides, don’t you remember what I said just before you got in the car with Trey?” I did actually. Almost word for word. No matter what happens, I want you to know that I never doubted what you’re going to do. It’s smart, and it’s brave. I slouched further into my seat and felt like I was on the verge of tears. Adrian was right. I did know what it was like to have your loyalty stretched between different groups. I understood the position he’d been in. It was just, some selfish part of me wished that I’d been the one his loyalty has been strongest to.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
... All who have brought about a state of sex-consciousness are to blame, and it is they who drive me, when I want to stretch my faculties on a book, to seek it in that happy age ... when the writer used both sides of his mind [the male and female sides of his mind] equally. One must turn back to Shakespeare then, for Shakespeare was androgynous; and so were Keats and Sterne and Cowper and Lamb and Coleridge. Shelley perhaps was sexless. Milton and Ben Jonson had a dash too much of the male in them. So had Wordsworth and Tolstoy.
”
”
Virginia Woolf (A Room of One’s Own)
“
Extended minds are implicit in our language. The words “attention” and “intention” come from the Latin root tendere, to stretch, as in “tense” and “tension.” “Attention” is ad + tendere, “to stretch toward”; “intention,” in + tendere, “to stretch into.
”
”
Rupert Sheldrake (Science Set Free: 10 Paths to New Discovery)
“
Time changes with torment. It stretches on, lengthening seconds, extending minutes. I’ve learned that pain and fear have a way of prolonging. And as if that weren’t cruel enough, our minds make sure we relive those moments again and again and again, long after they’ve passed. What a bastard, time is.
”
”
Raven Kennedy (Glint (The Plated Prisoner, #2))
“
The choice one makes between partners, between one man and another, stretches beyond romance. It is the choice between values, possibilities, futures, hopes, arguments (shared concepts that fit the world as you experience it), languages (shared words that fit the world as you believe it to be) and lives.
”
”
Zadie Smith (Changing My Mind: Occasional Essays)
“
Gwen was kind of amazed. A mother with several degrees and a prestigious position at an Ivy League college did not ensure that she’d be any less embarrassing to her child than a mother who became a nurse through night school. Gwen knew this when Alla launched into her “unfortunate changes in my vagina after the birth of Lachlan” discussion.
“No. It was his shoulders. He’s always had very large shoulders. I mean look at him. Even as a baby they were freakishly long.”
“Freakishly?” Lock snapped.
“They stretched me right out.”
“Mom!”
Brody shrugged and reached for more moo goo gai pork. “I didn’t mind.”
“Dad!”
“Well, darling, you were always quite large, so it made things a little easier for both of us when it came to sex.”
“Mom!”
Alla shook her head. “I don’t know what happened to you, Lachlan MacRyrie.” She turned to Gwen. “I’ve always insisted on being quite open about human bodies when talking to my children. There’s no shame in a woman’s body. And like everything else in the world, it ages. So while you still have the exquisite body you’ve been blessed with, Gwen dear, and that prebirth vagina— enjoy it.”
“Is there any way to get you to stop?” Lock begged.
”
”
Shelly Laurenston (The Mane Squeeze (Pride, #4))
“
decade: “The best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.” Csikszentmihalyi calls this mental state flow (a term he popularized with a 1990 book of the same title).
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
For years I viewed my interaction with the Bible as a debit account: I had a need, so I went to the Bible to withdraw an answer. But we do much better to view our interaction with the Bible as a savings account: I stretch my understanding daily, I deposit what I glean, and I patiently wait for it to accumulate in value, knowing that one day I will need to draw on it.
”
”
Jen Wilkin (Women of the Word: How to Study the Bible with Both Our Hearts and Our Minds)
“
His words were still clear in her mind from that first meeting. "Whoever eats this will love you." She looked into the mirror, at her birthmark, bright as blood, at her kiss-stung lips, at the absurd smile stretching across her face.
Carefully separating out the crushed pieces of shell, she pulled the dried pulp free from its cage of veins. Piece by piece, she put the sweet brown fruit in her own mouth and swallowed it down.
”
”
Holly Black
“
Filled with rapture, his soul yearned for freedom, space, vastness. Over him the heavenly dome, full of quiet, shining stars, hung boundlessly. From the zenith to the horizon the still-dim Milky Way stretched its double strand. Night, fresh and quiet, almost unstirring, enveloped the earth. The white towers and golden domes of the church gleamed in the sapphire sky. The luxuriant autumn flowers in the flowerbeds near the house had fallen asleep until morning. The silence of the earth seemed to merge with the silence of the heavens, the mystery of the earth touched the mystery of the stars... Alyosha stood gazing and suddenly, as if he had been cut down, threw himself to the earth.
He did not know why he was embracing it, he did not try to understand why he longed so irresistibly to kiss it, to kiss all of it, but he was kissing it, weeping, sobbing, and watering it with his tears, and he vowed ecstatically to love it, to love it unto ages of ages. "Water the earth with the tears of your joy, and love those tears...," rang in his soul. What was he weeping for? Oh, in his rapture he wept even for the stars that shone on him from the abyss, and "he was not ashamed of this ecstasy." It was as if threads from all those innumerable worlds of God all came together in his soul, and it was trembling all over, "touching other worlds." He wanted to forgive everyone and for everything, and to ask forgiveness, oh, not for himself! but for all and for everything, "as others are asking for me," rang again in his soul. But with each moment he felt clearly and almost tangibly something as firm and immovable as this heavenly vault descend into his soul. Some sort of idea, as it were, was coming to reign in his mind-now for the whole of his life and unto ages of ages. He fell to the earth a weak youth and rose up a fighter, steadfast for the rest of his life, and he knew it and felt it suddenly, in that very moment of his ecstasy. Never, never in all his life would Alyosha forget that moment. "Someone visited my soul in that hour," he would say afterwards, with firm belief in his words...
”
”
Fyodor Dostoevsky
“
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
”
”
J.R.R. Tolkien (The Lord of the Rings (The Lord of the Rings, #1-3))
“
Many bright people are really in the dark about vegetable life. Biology teachers face kids in classrooms who may not even believe in the metamorphosis of bud to flower to fruit and seed, but rather, some continuum of pansies becoming petunias becoming chrysanthemums; that's the only reality they witness as landscapers come to campuses and city parks and surreptitiously yank out one flower before it fades from its prime, replacing it with another. The same disconnection from natural processes may be at the heart of our country's shift away from believing in evolution. In the past, principles of natural selection and change over time made sense to kids who'd watched it all unfold. Whether or not they knew the terms, farm families understood the processes well enough to imitate them: culling, selecting, and improving their herds and crops. For modern kids who intuitively believe in the spontaneous generation of fruits and vegetables in the produce section, trying to get their minds around the slow speciation of the plant kingdom may be a stretch.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
N-nothing. Just …” I panic and blurt out the first thing that comes to mind. “Just—global warming.” I’m met with a series of blank stares. Great, I think with rising despair as the silence stretches on. This is exactly why you don’t hang out with Caz’s friends. Now they’re going to wonder why he’s dating someone with the social skills of a potted plant or a potential kink for a severe climate crisis— Then Daiki nods solemnly. “It’s a pressing issue, for sure.
”
”
Ann Liang (This Time It's Real)
“
The first essential in any book is that it have something significant to say --a book that leaves the reader with bigger ideas than when he began reading - that stimulates his thinking, stretches his mind, deepens his feelings. A good book sticks to your ribs.
”
”
Rebecca Caudill
“
I am a battery hen. I live in a cage so small I cannot stretch my wings. I am forced to stand night and day on a sloping wire mesh floor that painfully cuts into my feet. The cage walls tear my feathers, forming blood blisters that never heal. The air is so full of ammonia that my lungs hurt and my eyes burn and I think I am going blind. As soon as I was born, a man grabbed me and sheared off part of my beak with a hot iron, and my little brothers were thrown into trash bags as useless alive.
My mind is alert and my body is sensitive and I should have been richly feathered. In nature or even a farmyard I would have had sociable, cleansing dust baths with my flock mates, a need so strong that I perform 'vacuum' dust bathing on the wire floor of my cage. Free, I would have ranged my ancestral jungles and fields with my mates, devouring plants, earthworms, and insects from sunrise to dusk. I would have exercised my body and expressed my nature, and I would have given, and received, pleasure as a whole being. I am only a year old, but I am already a 'spent hen.' Humans, I wish I were dead, and soon I will be dead. Look for pieces of my wounded flesh wherever chicken pies and soups are sold.
”
”
Karen Davis
“
When we look at the outside world, we are looking at only a small part that interests us. The world we see is not the entire universe but a limited one that the mind cares about. However, to our minds, that small world is the entire universe. Our reality is not the infinitely stretching cosmos but the small part we choose to focus on. Reality exists because our minds exist. Without the mind, there would be no universe.
”
”
Haemin Sunim (The Things You Can See Only When You Slow Down: How to be Calm in a Busy World)
“
The Gospel is a harsh document; the Gospel is ruthless and specific in what it says; the Gospel is not meant to be re-worded, watered down and brought to the level of either our understanding or our taste. The Gospel is proclaiming something which is beyond us and which is there to stretch our mind, to widen our heart beyond the bearable at times, to recondition all our life, to give us a world view which is simply the world upside-down and this we are not keen to accept.
”
”
Anthony of Sourozh
“
As we approached the shop, a dog began to bark. Seconds later, a furry drool-bedecked face pressed against the lower portion of the glass door, his whole butt shaking from how hard he wagged his tail.
"What's gotten into you, Dexter?" Tyler muttered. Then he came closer and saw Bones and me on the other side of the glass.
Oh HELL no, bolted across his mind.
"Is that any way to greet old friends?" Bones asked dryly.
Tyler drew his shoulders back, further stretching ther strained fabric of his shirt.
"That's not a greeting, sugar. It's my answer to whatever you've come here to ask me to do.
”
”
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
“
Contrary to what we usually believe, moments like these, the best moments in our lives, are not the passive, receptive, relaxing times—although such experiences can also be enjoyable, if we have worked hard to attain them. The best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.
”
”
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
“
I’ve heard this sound before, she realized, her entire body tingling. She’d caught glimpses of it, like a distant haunting refrain, in her deepest moments of silence in the wood. When the long days stretched timelessly on, and her mind emptied of thoughts until there was only her footsteps in the snow, only the feel of the bow in her hand, the bite of cold on her cheeks. When everything else faded away, this sound was what was left.
”
”
Meagan Spooner (Hunted)
“
The ocean. For miles and miles it stretches, seeming endless. Calm at times, and a ravage monster at other times, swallowing anything it can grasp, clawing at the sides of the lands with its cold, salty claws.
But for now it rested peacefully, awaiting the boy who should come sit upon its banks and stare at it with a peaceful mind...
”
”
Al Jackson
“
Cabeswater gently prodded Adam’s thoughts, calling up a dozen happy memories in the space of the previous year – well, they would have had to be from just the past year, because even Cabeswater would have had a hard time stirring up glad memories in the time before Gansey and Ronan. When Adam still resisted, images of himself flickered through his mind: himself as seen by the others. His private smile, his surprised laugh, his fingers stretched towards the sun. Cabeswater didn’t quite understand humans, but it learned. Happiness, it insisted. Happiness.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Black ia the color that is no color at all.
Black is the color of a child’s still, empty bedroom. The heaviest hour of night—the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Superorganism. A biologist coined that word for our great African ant colonies, claiming that consciousness and intelligence resided not in the individual ant but in the collective ant mind. The trail of red taillights stretching to the horizon as day broke around us made me think of that term. Order and purpose must reside somewhere other than within each vehicle. That morning I heard the hum, the respiration of the superorganism. It's a sound the new immigrant hears but not for long. By the time I learned to say "6-inch Number 7 on rye with Swiss hold the lettuce," the sound, too, was gone. It became part of the what the mind would label silence. You were subsumed into the superorganism.
”
”
Abraham Verghese (Cutting for Stone)
“
To travel is to be born and to die at every instant; perhaps, in the vaguest region of his mind, he did make comparisons between the shifting horizon and our human existence: all the things of life are perpetually fleeing before us; the dark and bright intervals are intermingled; after a dazzling moment, an eclipse; we look, we hasten, we stretch out our hands to grasp what is passing; each event is a turn in the road, and, all at once, we are old; we feel a shock; all is black; we distinguish an obscure door; the gloomy horse of life, which has been drawing us halts, and we see a veiled and unknown person unharnessing amid the shadows.
”
”
Victor Hugo (Les Misérables)
“
The morning was hot, and the exercise of reading left her mind contracting and expanding like the main-spring of a clock, and the small noises of midday, which one can ascribe to no definite cause, in a regular rhythm. It was all very real, very big, very impersonal, and after a moment or two she began to raise her first finger and to let it fall on the arm of her chair so as to bring back to herself some consciousness of her own existence. She was next overcome by the unspeakable queerness of the fact that she should be sitting in an arm-chair, in the morning, in the middle of the world. Who were the people moving in the house--moving things from one place to another? And life, what was that? It was only a light passing over the surface and vanishing, as in time she would vanish, though the furniture in the room would remain. Her dissolution became so complete that she could not raise her finger any more, and sat perfectly still, listening and looking always at the same spot. It became stranger and stranger. She was overcome with awe that things should exist at all. . . She forgot that she had any fingers to raise. . . The things that existed were so immense and so desolate. . . She continued to be conscious of these vast masses of substance for a long stretch of time, the clock still ticking in the midst of the universal silence.
”
”
Virginia Woolf (The Voyage Out)
“
The girl replies that she was dreaming about her mother, who died not long ago. The dead are at peace, thinks B stretching out in the bed. As if she had read his mind, the girls says that no one who has passed through this world is at peace. Not anymore, not ever, she says with total conviction.
”
”
Roberto Bolaño (Last Evenings on Earth)
“
But he’d also gotten a personal prickly chill all over from his own thinking. He could do the dextral pain the same way: Abiding. No one single instant of it was unendurable. Here was a second right here: he endured it. What was undealable-with was the thought of all the instants all lined up and stretching ahead, glittering. And the projected future fear of the A.D.A., whoever was out there in a hat eating Third World fast food; the fear of getting convicted of Nuckslaughter, of V.I.P.-suffocation; of a lifetime on the edge of his bunk in M.C.I. Walpole, remembering. It’s too much to think about. To Abide there. But none of it’s as of now real. What’s real is the tube and Noxzema and pain. And this could be done just like the Old Cold Bird. He could just hunker down in the space between each heartbeat and make each heartbeat a wall and live in there. Not let his head look over. What’s unendurable is what his own head could make of it all. What his head could report to him, looking over and ahead and reporting. But he could choose not to listen; he could treat his head like G. Day or R. Lenz: clueless noise. He hadn’t quite gotten this before now, how it wasn’t just the matter of riding out the cravings for a Substance: everything unendurable was in the head, was the head not Abiding in the Present but hopping the wall and doing a recon and then returning with unendurable news you then somehow believed.
”
”
David Foster Wallace (Infinite Jest)
“
Each person’s private trouble cannot be solved by a social revolution, because revolutions are destabilizing and dangerous. We have learned to live together and organize our complex societies slowly and incrementally, over vast stretches of time, and we do not understand with sufficient exactitude why what we are doing works. Thus, altering our ways of social being carelessly in the name of some ideological shibboleth (diversity springs to mind) is likely to produce far more trouble than good, given the suffering that even small revolutions generally produce.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
The best moments in our lives are not the passive, receptive, relaxing times - although such experiences can also be enjoyable, if we have worked hard to attain them. The best moments usually occur when a person's body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.
”
”
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
“
Where the mind is without fear and the head is held high; Where knowledge is free; Where the world has not been broken up into fragments by narrow domestic walls; Where words come out from the depth of truth; Where tireless striving stretches its arms towards perfection; Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit; Where the mind is led forward by Thee into ever-widening thought and action; Into that heaven of freedom, my Father, let my country awake!” —Rabindranath Tagore
”
”
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
“
A genuine smile involves two facial muscles: (1) the zygomatic major muscle, which stretches from the cheekbone and lifts the corners of the mouth; and (2) the outer part of the obicularis oculi muscle, which orbits the eye, and is involved in “pulling down the eyebrows and the skin below the eyebrows, pulling up the skin below the eye, and raising the cheeks.”7 Artificial smiles involve only the zygomatic major.
”
”
Daniel H. Pink (A Whole New Mind: Why Right-Brainers Will Rule the Future)
“
The Bible does not want to be neatly packaged into three-hundred-and-sixty-five-day increments. It does not want to be reduced to truisms and action points. It wants to introduce dissonance into your thinking, to stretch your understanding. It wants to reveal a mosaic of the majesty of God one passage at a time, one day at a time, across a lifetime.
”
”
Jen Wilkin (Women of the Word: How to Study the Bible with Both Our Hearts and Our Minds)
“
Yet surely that story she had imagined was a real thing? If you created a story with your mind surely it was just as much there as a piece of needlework that you created with your fingers? You could not see it with your bodily eyes, that was all....the invisible world must be saturated with the stories that men tell both in their minds and by their lives. They must be everywhere, these stories, twisting together, penetrating existence like air breathed into the lungs, and how terrible, how awful, thought Henrietta, if the air breathed should be foul. How dare men live, how dare they think or imagine, when every action and every thought is a tiny thread to ar or enrich that tremendous tapestried story that man weaves on the loom that God has set up, a loom that stretches from heaven above to hell below, and from side to side of the universe...
”
”
Elizabeth Goudge (A City of Bells (Torminster, #1))
“
To her mind there was nothing of the infinite about Mrs. Penniman; Catherine saw her all at once, as it were, and was not dazzled by the apparition; whereas her father's great faculties seemed, as they stretched away, to lose themselves in a sort of luminous vagueness, which indicated, not that they stopped, but that Catherine's own mind ceased to follow them.
”
”
Henry James (Washington Square)
“
Richard looked up at the beautiful, big pines spreading over them, illuminated in the firelight. A spark of understanding lit in his mind. He saw the branches stretched out with murderous intent in a years-long struggle to reach the sunlight and dispatch its neighbors with its shade. Success would give space for its offspring, many of which would also shrivel in the shade of the parent. Several close neighbors of the big pine were withered and weak, victims all. It was true. The design of nature was success by murder.
”
”
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
“
Theologians have by this time stretched their minds so as to embrace the darwinian facts, and yet to interpret them as still showing divine purpose. It used to be a question of purpose AGAINST mechanism, of one OR the other. It was as if one should say "My shoes are evidently designed to fit my feet, hence it is impossible that they should have been produced by machinery.
”
”
William James (Pragmatism: A New Name for Some Old Ways of Thinking)
“
C10 (or the king's carolers – from student times)
on the side stairway, we gather in the evening, many
the cold cement steps welcome us
as if we were the king's carolers
we have mulled wine and dry snacks
the orange guitar stretches and warps in the candlelight
we take another drag from the cigarette, nibble on sticks and salty biscuits
happiness pricks our veins with Burmese nails
One floor below, behind the door 'Mr. Blues - Don't Disturb'
the tasty rot of jazz caresses our toes
We sin in thought, our minds dangling from the railing
later, the Serbs come to sing with us
Golden-haired like gods from a bombed country
we scratch the wall with our nails, don’t know what to say
they bring us wafers with fruits and chocolate
wrapped in green foil
the second evening we gather again on the side stairway
with the same mulled wine and dry snacks
and the same us
the old rockers hanging heavy on the guitar’s body
at the midnight office.
”
”
Monica Laura Rapeanu (Orbul de la Cină (The Blind Man at Dinner))
“
Fifteen minutes, a myriad of cups, kleenexes and freshly-vacuumed floor mats and seat cushions later, Kay had the interior of the limousine looking ship-shape. Inching backward out of the car on her knees, she caught a glimpse of one last bit of trash she’d missed hiding under the driver’s seat. Lowering her chest to the floor, she stretched her arm under the seat as far as it would go. She grabbed the item and pulled it out and raised herself up from her crouched position. She took one look at the used condom swinging from her fingers, screamed and flung it across the top of the front seat, where it stuck to the air conditioner vents on the dash. She knelt there staring at the thin latex mess, a million scenarios racing through her mind.
”
”
Delora Dennis (Same Old Truths (The Reluctant Avenger, #2))
“
As they came out from the shelter of the trees and the Great Meadows stretched out before them, Kit caught her breath. She had not expected anything like this. From that first moment, in a way she could never explain, the Meadows claimed her and made her their own. As far as she could see they stretched on either side, a great level sea of green, broken here and there by a solitary graceful elm. Was it the fields of sugar cane they brought to mind, or the endless reach of the ocean to meet the sky? Or was it simply the sense of freedom and space and light that spoke to her of home?
”
”
Elizabeth George Speare
“
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely.
Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems.
In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal.
Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death.
For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age.
At least you used to.
But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
”
”
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
“
He turned her ninety degrees. "To get back to the ranger station and your car, you want to go southwest," he said.
Right. She knew that, and she stalked off in the correct direction.
"Watch out for bears," Matt called after her.
"Yeah, okay," she muttered, "and I'll also keep an eye out for the Tooth Fairy."
"Three o'clock."
Amy craned her neck and froze. Oh sweet baby Jesus, there really was a bear at three o'clock. Enjoying the last of the sun, he was big, brown and shaggy, and big. He lay flat on his back, his huge paws in the air as he stretched, confident that he sat at the top of the food chain. "Holy shit," she whispered, every Discovery Channel bear mauling she'd ever seen flashing in her mind. She backed up a step, and then another, until she bumped into a brick wall and nearly screamed.
"Just a brown bear," said the brick wall that was Matt.
”
”
Jill Shalvis (At Last (Lucky Harbor, #5))
“
We hear speech as a string of separate words, but unlike the tree falling in the forest with no one to hear it, a word boundary with no one to hear it has no sound. In the speech sound wave, one word runs into the next seamlessly; there are no little silences between spoken words the way there are white spaces between written words. We simply hallucinate word boundaries when we reach the edge of a stretch of sound that matches some entry in our mental dictionary. This becomes apparent when we listen to speech in a foreign language: it is impossible to tell where one word ends the next begins. The seamlessness of speech is also apparent in 'oronyms', strings of sound that can be carved into words in two different ways: The good can decay many ways / The good candy came anyways.
”
”
Steven Pinker (The Language Instinct: How the Mind Creates Language)
“
But…I told him that the more time that I spent with him, the more I began to realize how much he means to me. I told him that since it seems to be my destiny to dodge raindrops…I was grateful to be dodging them with him. So, I promised him that it would always be his name on my mind when I start my rotation…and when I go to bed each evening…and every quiet moment in between. It will be his name…savored on my lips…stretched across my heart…worshipped by my body…and branded in my mind…until death do us part…and forever after that.
”
”
Amy A. Bartol (Under Different Stars (Kricket, #1))
“
The ascendancy over men's minds of the ruins of the stupendous past, the past of history, legend and myth, at once factual and fantastic, stretching back and back into ages that can but be surmised, is half-mystical in basis. The intoxication, at once so heady and so devout, is not the romantic melancholy engendered by broken towers and mouldered stones; it is the soaring of the imagination into the high empyrean where huge episodes are tangled with myths and dreams; it is the stunning impact of world history on its amazed heirs.
”
”
Rose Macaulay (The Pleasure of Ruins)
“
Authenticity is not possible without embracing the “and” within us. Our minds like to categorize things into neatly labeled boxes. Am I right, or is she right? Let’s stretch our minds to I can be right and so can she. Embracing the “and” is like yoga for the brain. When we train ourselves to hold paradoxes by stretching ourselves out of the boxes our minds create, we stretch into new possibilities and adapt more quickly in a fast-changing world.
”
”
Henna Inam (Wired for Authenticity: Seven Practices to Inspire, Adapt, & Lead)
“
It’s one thing when black people aren’t discussed in world history. Fortunately, teams of dedicated historians and culture advocates have chipped away at the propaganda often functioning as history for the world’s students to eradicate that glaring error. But when, even in the imaginary future—a space where the mind can stretch beyond the Milky Way to envision routine space travel, cuddly space animals, talking apes, and time machines—people can’t fathom a person of non-Euro descent a hundred years into the future, a cosmic foot has to be put down.
”
”
Ytasha L. Womack (Afrofuturism: The World of Black Sci-Fi and Fantasy Culture)
“
How can so many (white, male) writers narratively justify restricting the agency of their female characters on the grounds of sexism = authenticity while simultaneously writing male characters with conveniently modern values?
The habit of authors writing Sexism Without Sexists in genre novels is seemingly pathological. Women are stuffed in the fridge under cover of "authenticity" by secondary characters and villains because too many authors flinch from the "authenticity" of sexist male protagonists. Which means the yardstick for "authenticity" in such novels almost always ends up being "how much do the women suffer", instead of - as might also be the case - "how sexist are the heroes".
And this bugs me; because if authors can stretch their imaginations far enough to envisage the presence of modern-minded men in the fake Middle Ages, then why can't they stretch them that little bit further to put in modern-minded women, or modern-minded social values? It strikes me as being extremely convenient that the one universally permitted exception to this species of "authenticity" is one that makes the male heroes look noble while still mandating that the women be downtrodden and in need of rescuing.
-Comment at Staffer's Book Review 4/18/2012 to "Michael J. Sullivan on Character Agency
”
”
Foz Meadows
“
He could do the dextral pain the same way: Abiding. Here was a second right here: he endured it. What was undealable-with was the thought of all the instants all lined up and stretching ahead, glittering. And the projected future fear. ... It's too much to think about. To Abide there. But none of it's as of now real. ... He could just hunker down in the space between each heartbeat and make each heartbeat a wall and live in there. Not let his head look over. What's unendurable is what his own head could make of it all. ... But he could choose not to listen.
”
”
David Foster Wallace (Infinite Jest)
“
In truth, Serenus, I have for a long time been silently asking myself to what I should liken such a condition of mind, and I can find nothing that so closely approaches it as the state of those who, after being released from a long and serious illness, are sometimes touched with fits of fever and slight disorders, and, freed from the last traces of them, are nevertheless disquieted with mistrust, and, though now quite well, stretch out their wrist to a physician and complain unjustly of any trace of heat in their body. It is not, Serenus, that these are not quite well in body, but that they are not quite used to being well; just as even a tranquil sea will show some ripple, particularly when it has just subsided after a storm. What you need, therefore, is not any of those harsher measures which we have already left behind, the necessity of opposing yourself at this point, of being angry with yourself at that, of sternly urging yourself on at another, but that which comes last -confidence in yourself and the belief that you are on the right path, and have not been led astray by the many cross- tracks of those who are roaming in every direction, some of whom are wandering very near the path itself. But what you desire is something great and supreme and very near to being a god - to be unshaken.
”
”
Seneca (The Stoic Philosophy of Seneca: Essays and Letters)
“
I don’t remember when first I heard Them calling, with their silvery voices, The little Angels of the trees and flowers. They offered to unlock my mind And take my soul away, to clean. And oh! I welcomed them, and lay Stretched out upon the fragrant Grass, light as an empty husk. Then they, with rueful smiles, did oil The rusty hinges of my mind, and swept Away the cobwebs, and hung my soul Upon a topmost bough, to air, Close to the purifying sun. And I was lucky For as it fluttered there, a robin chat’s sweet Song rose through the trees till every fiber Of my soul was bathed in harmony. When all was clean and new they fetched My soul and slipped it back and, smiling, Danced away. And I—well, for a day or two— I looked upon the world with all the Innocence and wonder of a newborn babe. And now, if I am sad, or filled With sudden rage, I find some quiet place With grass and leaves and earth, and sit there Silently, and hope that they will come And call me, with their silvery voices, And make me clean again, those Little Angels of the trees and flowers.
”
”
Jane Goodall (Reason for Hope: A Spiritual Journey)
“
Thanks for putting me in bed last night,” I said, watching the swift line of his throat as he yawned again.
He grumbled, “Uh–huh,” as he rolled his shoulders before slipping his arms beneath the covers again.
“And for giving me a massage.” I had already tried moving my legs, and sure they were sore, but I knew how much worse they could be. I’d done everything I was supposed to do to help prevent the stiffness, but there was only so much a body that wasn’t 100 percent to begin with could handle.
“There wasn’t much to massage.”
Uh. “What’s the supposed to mean?”
“I have more muscles in my glutes than you have in your thighs.”
Anyone who had seen Aiden’s ass would know that was a fact, so I wasn’t going to take it personally. Maybe because I was still so sleepy, I raised my eyebrows at him and said, “Have you seen your butt? That’s not an insult. It has more muscles in it than most people have all over their bodies.”
His own thick eyebrows rose about a millimeter, just slightly but enough for me to notice. “I didn’t know you paid that much attention to it.”
“Why do you think you have so many female fans?”
Aiden let out another low groan, but he didn’t tell me to stop.
“You could raise a small fortune if you ever auctioned off the chance for a person to take a—”
“Vanessa!” Mr. Proper reached over to throw a hand over my mouth, like he was shocked.
That big hand literally covered me from ear to ear, and I burst out laughing though it was muffled.
“You make me feel cheap,” he said as he slowly pulled his hand away, but the shine in his eyes said he didn’t really mind it that much.
I stretched my own limbs with a yawn. “I’m just telling you what anyone else would.”
“No, no one else would ever say that to me.”
So he had a point. “Well, I’ll tell you the truth then.”
He made this noise that had me rolling to face him again. “You always have
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
We have one collective hope: the Earth And yet, uncounted people remain hopeless, famine and calamity abound
Sufferers hurl themselves into the arms of war;
people kill and get killed in the name of someone else’s concept of God
Do we admit that our thoughts & behaviors spring from a belief that the world revolves around us? Each fabricated conflict, self-murdering bomb, vanished airplane, every fictionalized dictator, biased or partisan, and wayward son, are part of the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers
When I track the orbits of asteroids, comets, and planets, each one a pirouetting dancer in a cosmic ballet, choreographed by the forces of gravity,
I see beyond the plight of humans
I see a universe ever-expanding,
with its galaxies embedded within the ever-stretching four-dimensional fabric of space and time
However big our world is, our hearts, our minds, our outsize atlases, the universe is even bigger
There are more stars in the universe than grains of sand on the world’s beaches, more stars in the universe than seconds of time that have passed since Earth formed,
more stars than words & sounds ever uttered by all humans who have ever lived
The day we cease the exploration of the cosmos is the day we threaten the continuing of our species
In that bleak world, arms-bearing, resource-hungry people & nations would be prone to act on their low-contracted prejudices, and would have seen the last gasp of human enlightenment
Until the rise of a visionary new culture that once again embraces the cosmic perspective;
a perspective in which we are one, fitting neither above nor below, but within
”
”
Neil deGrasse Tyson
“
Every single iceberg filled me with feelings of sadness and wonder. Not thoughts of sadness and wonder, mind you, because thoughts require a thinker, and my head was a balloon, incapable of thoughts. I didn't think about Dad, I didn't think about you, and, the big one, I didn't think about myself. The effect was like heroin (I think), and I wanted to stretch it out as long as possible.
Even the simplest human interaction would send me crashing back to earthly thoughts. So I was the first one out in the morning, and the last one back. I only went kayaking, never stepped foot on the White Continent proper. I kept my head down, stayed in my room, and slept, but, mainly, I was. No racing heart, no flying thoughts.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
Skye said when she looked at Lise, she saw a black mark, an aura. Just like the mark on Lise’s thigh, it was a warming. Deenie thought of it now, of Lise and the stretch mark on her thigh. And how the fevered mind of her fevered friend might believe anything. But also, somewhere inside, it felt the smallest bit true. That the stretch mark was a kind of witch’s mark, the blot of Lise’s body that reminded you of what she had been -a plump, awkward girl- before the lithesome beauty took her place.
It was a kind of witchcraft, that transformation.
”
”
Megan Abbott
“
XIV. Of all men they alone are at leisure who take time for philosophy, they alone really live; for they are not content to be good guardians of their own lifetime only. They annex ever age to their own; all the years that have gone ore them are an addition to their store. Unless we are most ungrateful, all those men, glorious fashioners of holy thoughts, were born for us; for us they have prepared a way of life. By other men's labours we are led to the sight of things most beautiful that have been wrested from darkness and brought into light; from no age are we shut out, we have access to all ages, and if it is our wish, by greatness of mind, to pass beyond the narrow limits of human weakness, there is a great stretch of time through which we may roam. We may argue with Socrates, we may doubt32 with Carneades, find peace with Epicurus, overcome human nature with the Stoics, exceed it with the Cynics. Since Nature allows us to enter into fellowship with every age, why should we not turn from this paltry and fleeting span of time and surrender ourselves with all our soul to the past, which is boundless, which is eternal, which we share with our betters?
”
”
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
“
Mathematicians still don’t understand
the ball our hands made, or how
your electrocuted grandparents made it possible
for you to light my cigarettes with your eyes.
It isn’t as simple as me climbing into the window
to leave six ounces of orange juice
and a doughnut by the bed, or me becoming
the sand you dug your toes in,
on the beach, when you wished
to hide them from the sun and the fixed eyes
of strangers, and your breath broke in waves
over my earlobe, splashing through my head, spilling out
over the opposite lobe, and my first poems
under your door in the unshaven light of dawn:
Your eyes remind me of a brick wall
about to be hammered by a drunk
driver. I’m that driver. All night
I’ve swallowed you in the bar.
Once I kissed the scar, stretching its sealed
eyelid along your inner arm, dried
raining strands of hair, full of pheromones, discovered
all your idiosyncratic passageways, so I’d know
where to run when the cops came.
Your body is the country I’ll never return to.
The man in charge of what crosses my mind
will lose fingernails, for not turning you
away at the border. But at this moment
when sweat tingles from me, and
blame is as meaningless as shooting up a cow with milk,
I realise my kisses filled the halls of your body
with smoke, and the lies came
like a season. Most drunks don’t die in accidents
they orchestrate, and I swallowed
a hand grenade that never stops exploding.
”
”
Jeffrey McDaniel
“
reached our absolute limit, we still have 60 percent more to give! That’s the governor in action! Once you know that to be true, it’s simply a matter of stretching your pain tolerance, letting go of your identity and all your self-limiting stories, so you can get to 60 percent, then 80 percent and beyond without giving up. I call this The 40% Rule, and the reason it’s so powerful is that if you follow it, you will unlock your mind to new levels of performance and excellence in sports and in life, and your rewards will run far deeper than mere material success. The 40% Rule can be applied to everything
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
But most of all, as summer slanted to an end, he was learning to love idleness, idleness no longer as stretches of freedom reclaimed by stealth here and there from involuntary labour, surreptitious thefts to be enjoyed sitting on his heels before a flowerbed with the fork dangling from his fingers, but as a yielding up of himself to time, to a time flowing slowly like oil from horizon to horizon over the face of the world, washing over his body, circulating in his armpits and his groin, stirring his eyelids. He was neither pleased nor displeased when there was work to do; it was all the same. He could lie all afternoon with his eyes open, staring at the corrugations in the roof-iron and the tracings of rust; his mind would not wander, he would see nothing but the iron, the lines would not transform themselves into pattern or fantasy; he was himself, lying in his own house, the rust was merely rust, all that was moving was time, bearing him onward in its flow.
”
”
J.M. Coetzee (Life & Times of Michael K)
“
Until now, I've been writing about "now" as if it were literally an instant of time, but of course human faculties are not infinitely precise. It is simplistic to suppose that physical events and mental events march along exactly in step, with the stream of "actual moments" in the outside world and the stream of conscious awareness of them perfectly synchronized. The cinema industry depends on the phenomenon that what seems to us a movie is really a succession of still pictures, running at twenty-five [sic] frames per second. We don't notice the joins. Evidently the "now" of our conscious awareness stretches over at least 1/25 of a second.
In fact, psychologists are convinced it can last a lot longer than that. Take he familiar "tick-tock" of the clock. Well, the clock doesn't go "tick-tock" at all; it goes "tick-tick," every tick producing the same sound. It's just that our consciousness runs two successive ticks into a singe "tick-tock" experience—but only if the duration between ticks is less than about three seconds. A really bug pendulum clock just goes "tock . . . tock . . . tock," whereas a bedside clock chatters away: "ticktockticktock..." Two to three seconds seems to be the duration over which our minds integrate sense data into a unitary experience, a fact reflected in the structure of human music and poetry.
”
”
Paul C.W. Davies (About Time: Einstein's Unfinished Revolution)
“
Santiago
The road seen, then not seen, the hillside
hiding then revealing the way you should take,
the road dropping away from you as if leaving you
to walk on thin air, then catching you, holding you up,
when you thought you would fall,
and the way forward always in the end
the way that you followed, the way that carried you
into your future, that brought you to this place,
no matter that it sometimes took your promise from you,
no matter that it had to break your heart along the way:
the sense of having walked from far inside yourself
out into the revelation, to have risked yourself
for something that seemed to stand both inside you
and far beyond you, that called you back
to the only road in the end you could follow, walking
as you did, in your rags of love and speaking in the voice
that by night became a prayer for safe arrival,
so that one day you realized that what you wanted
had already happened long ago and in the dwelling place
you had lived in before you began,
and that every step along the way, you had carried
the heart and the mind and the promise
that first set you off and drew you on and that you were
more marvelous in your simple wish to find a way
than the gilded roofs of any destination you could reach:
as if, all along, you had thought the end point might be a city
with golden towers, and cheering crowds,
and turning the corner at what you thought was the end
of the road, you found just a simple reflection,
and a clear revelation beneath the face looking back
and beneath it another invitation, all in one glimpse:
like a person and a place you had sought forever,
like a broad field of freedom that beckoned you beyond;
like another life, and the road still stretching on.
”
”
David Whyte (Pilgrim)
“
in flow, the relationship between what a person had to do and what he could do was perfect. The challenge wasn't too easy.
Nor was it too difficult. It was a notch or two beyond his current abilities, which stretched the body and mind in a way that made the effort itself
the most delicious reward. That balance produced a degree of focus and satisfaction that easily surpassed other, more quotidian,
experiences. In flow, people lived so deeply in the moment, and felt so utterly in control, that their sense of time, place, and even self melted
away. They were autonomous, of course. But more than that, they were engaged.
”
”
Daniel H. Pink
“
I promise from now on to always make time for at least one more. One more chapter before I turn out the light and float off to sleep. One more kiss before I sink into this sea of words and search for meaning to bring back up with me. One more stretch and one more wiggle of my toes before I jump out of bed; and one more moment in meditation before I re-emerge. One more full, deep breath and one more look at the sunset. One more touch, one more smile, one more moment of stillness, of gratitude, of simplicity, of love. From now on, I’ll always make room for one more because you never know when one more is all you’ll ever have.
”
”
Cristen Rodgers
“
Neel cuts in: "Where'd you grow up?"
"Palo Alto," she says. From there to Stanford to Google: for a girl obsessed with the outer limits of human potential, Kat has stayed pretty close to home.
Neel nods knowingly. "The suburban mind cannot comprehend the emergent complexity of a New York sidewalk."
"I don't know about that," Kat says, narrowing her eyes. "I'm pretty good with complexity."
"See, I know what you're thinking," Neel says, shaking his head.
"You're thinking it's just an agent-based simulation, and everybody out here follows a pretty simple set of rules"-- Kat is nodding--"and if you can figure out those rules, you can model it. You can simulate the street, then the neighborhood, then the whole city. Right?"
"Exactly. I mean, sure, I don't know what the rules are yet, but I could experiment and figure them out, and then it would be trivial--"
"Wrong," Neel says, honking like a game-show buzzer. "You can't do it. Even if you know the rules-- and by the way, there are no rules--but even if there were, you can't model it. You know why?"
My best friend and my girlfriend are sparring over simulations. I can only sit back and listen.
Kat frowns. "Why?"
"You don't have enough memory."
"Oh, come on--"
"Nope. You could never hold it all in memory. No computer's big enough. Not even your what's-it-called--"
"The Big Box."
"That's the one. It's not big enough. This box--" Neel stretches out his hands, encompasses the sidewalk, the park, the streets beyond--"is bigger."
The snaking crowd surges forward.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
”
”
Toni Morrison (Tar baby)
“
I was scared—with that crystalline, childish fear of being caught and punished. That fear thrashed behind my rib cage like a bird in cupped hands, perhaps the last truly childlike instance of that emotion I’d ever feel. That fear is a kind of magic. As you get older, the texture of your fear changes. You’re no longer afraid of the things you had absolute faith in as a child: that you’d die in convulsions from inhaling the gas from a shattered lightbulb, that chewing apple pips brought on death by cyanide poisoning, or that a circus dwarf had actually bounced off a trampoline into the mouth of a hungry hippo. You stop believing in the things my uncle believed in. Even if your mind wants to go there, it has lost the nimbleness needed to make the leap. That magic gets kicked out of you, churched out, shamed out—or worse, you steal it from yourself. It gets embarrassed out of you by the kids who run the same stretch of streets and grown-ups who say it’s time to put away childish things. By degrees, you kill your own magic. Before long your fears become adult ones: crushing debts and responsibilities, sick parents and sick kids, the possibility of dying unremembered or unloved. Fears of not being the person you were so certain you’d grow up to be.
”
”
Craig Davidson (The Saturday Night Ghost Club)
“
So when Angua strode into the main office, slamming the big doors back, and there was a derisory wolf-whistle, the unwise watchman found himself being pushed backwards until he was slammed against the wall. He felt two sharp points pressed against his neck as Angua growled, “You want a wolf, do you? Say ‘No, Sergeant Angua.’” “No, Sergeant Angua!” “You don’t? I was probably mistaken then, was I?” The points pressed a little harder. In the man’s mind, steely talons were about to pierce his jugular. “Couldn’t say for sure, Sergeant Angua!” “My nerves are a tad stretched right now!” Angua howled. “Hadn’t noticed, Sergeant Angua!” “We’re all a little bit on edge at the moment, wouldn’t you say!” “That’s ever so true, Sergeant Angua!” Angua let the man’s boot reach the ground. She put two black, shiny, and noticeably pointed heels into his unresisting hands.
”
”
Terry Pratchett (Thud! (Discworld, #34))
“
What will make ALONE look good to you? You have to work on that. Because single life needs to look really, really good. You have to believe in it if you’re going to hold out for that rare guy who makes you feel like all of your ideas start rapidly expanding and approaching infinity when you talk to him. You need to have a vision of life alone, stretching into the future, and you need to think about how to make that vision rich and full and pretty. You have to put on an artist’s mind-set and get creative and paint a portrait of yourself alone that’s breathtaking. You have to bring the full force of who you are and what you love to that project.
And then you go out into the world with an open heart, and you let people into your life, and you listen, and you embrace them for who they are. You make new friends. You do new things that make you feel more like the strong single woman who owns the world that’s in your vision. And you don’t sleep with anyone until things are much warmer than lukewarm. And you accept that if things are lukewarm after that, you will be forced to kick a motherfucker to the curb, but with kindness, with forgiveness.
”
”
Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
“
What was he doing during the trip? What was he thinking about? As he had during the morning, he watched the trees go by, the thatched roofs, the cultivated fields, and the dissolving views of the countryside that change at every turn of the road. Scenes like that are sometimes enough for the soul, and almost eliminate the need for thought. To see a thousand objects for the first and last time, what could be more profoundly melancholy? Traveling is a constant birth and death. It may be that in the murkiest part of his mind, he was drawing a comparison between these changing horizons and human existence. All aspects of life are in perpetual flight before us. Darkness and light alternate: after a flash, an eclipse; we look, we hurry, we stretch out our hands to seize what is passing; every event is a turn in the road; and suddenly we are old. We feel a slight shock, everything is black, we can make out a dark door, the gloomy horse of life that was carrying us stops, and we see a veiled and unknown form that turns him out into the darkness. (pg. 248)
”
”
Victor Hugo (Les Misérables)
“
Every time I glanced at Ren, I saw that he was watching me.
When we finally reached the end of the tunnel and saw the stone steps that led to the surface, Ren stopped.
“Kelsey, I have one final request of you before we head up.”
“And what would that be? Want to talk about tiger senses or monkey bites in strange places maybe?”
“No. I want you to kiss me.”
I sputtered, “What? Kiss you? What for? Don’t you think you got to kiss me enough on this trip?”
“Humor me, Kells. This is the end of the line for me. We’re leaving the place where I get to be a man all the time, and I have only my tiger’s life to look forward to. So, yes, I want you to kiss me one more time.”
I hesitated. “Well, if this works, you can go around kissing all the girls you want to. So why bother with me right now?”
He ran a hand through his hair in frustration. “Because! I don’t want to run around kissing all the other girls! I want to kiss you!”
“Fine! If it will shut you up!” I leaned over and pecked him on the cheek. “There!”
“No. Not good enough. On the lips, my prema.”
I leaned over and pecked him on the lips. “There. Can we go now?”
I marched up the first two steps, and he slipped his hand under my elbow and spun me around, twisting me so that I fell forward into his arms. He caught me tightly around the waist. His smirk suddenly turned into a sober expression.
“A kiss. A real one. One that I’ll remember.”
I was about to say something brilliantly sarcastic, probably about him not having permission, when he captured my mouth with his. I was determined to remain stiff and unaffected, but he was extremely patient. He nibbled on the corners of my mouth and pressed soft, slow kisses against my unyielding lips. It was so hard not to respond to him.
I made a valiant struggle, but sometimes the body betrays the mind. He slowly, methodically swept aside my resistance. And, feeling he was winning, he pressed ahead and began seducing me even more skillfully. He held me tightly against his body and ran a hand up to my neck where he began to massage it gently, teasing my flesh with his fingertips.
I felt the little love plant inside me stretch, swell, and unfurl its leaves, like he was pouring Love Potion # 9 over the thing. I gave up at that point and decided what the heck. I could always use a rototiller on it. And I rationalized that when he breaks my heart, at least I will have been thoroughly kissed.
If nothing else, I’ll have a really good memory to look back on in my multi-cat spinsterhood. Or multi-dog. I think I will have had my fill of cats. I groaned softly. Yep. Dogs for sure.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
It is very easy to grow tired at collecting; the period of a low tide is about all men can endure. At first the rocks are bright and every moving animal makes his mark on the attention. The picture is wide and colored and beautiful. But after an hour and a half the attention centers weary, the color fades, and the field is likely to narrow to an individual animal. Here one may observe his own world narrowed down until interest and, with it, observation, flicker and go out. And what if with age this weariness becomes permanent and observation dim out and not recover? Can this be what happens to so many men of science? Enthusiasm, interest, sharpness, dulled with a weariness until finally they retire into easy didacticism? With this weariness, this stultification of attention centers, perhaps there comes the pained and sad memory of what the old excitement was like, and regret might turn to envy of the men who still have it. Then out of the shell of didacticism, such a used-up man might attack the unwearied, and he would have in his hands proper weapons of attack. It does seem certain that to a wearied man an error in a mass of correct data wipes out all the correctness and is a focus for attack; whereas the unwearied man, in his energy and receptivity, might consider the little dross of error a by-product of his effort. These two may balance and produce a purer thing than either in the end. These two may be the stresses which hold up the structure, but it is a sad thing to see the interest in interested men thin out and weaken and die. We have known so many professors who once carried their listeners high on their single enthusiasm, and have seen these same men finally settle back comfortably into lectures prepared years before and never vary them again. Perhaps this is the same narrowing we observe in relation to ourselves and the tide pool—a man looking at reality brings his own limitations to the world. If he has strength and energy of mind the tide pool stretches both ways, digs back to electrons and leaps space into the universe and fights out of the moment into non-conceptual time. Then ecology has a synonym which is ALL.
”
”
John Steinbeck (The Log from the Sea of Cortez)
“
The fine purple cloaks, the holiday garments, elsewhere signs of gayety of mind, are stained with blood and bordered with black. Throughout a stern discipline, the axe ready for every suspicion of treason; “great men, bishops, a chancellor, princes, the king’s relations, queens, a protector kneeling in the straw, sprinkled the Tower with their blood; one after the other they marched past, stretched out their necks; the Duke of Buckingham, Queen Anne Boleyn, Queen Catherine Howard, the Earl of Surrey, Admiral Seymour, the Duke of Somerset, Lady Jane Grey and her husband, the Duke of Northumberland, the Earl of Essex, all on the throne, or on the steps of the throne, in the highest ranks of honor, beauty, youth, genius; of the bright procession nothing is left but senseless trunks, marred by the tender mercies of the executioner.
”
”
William Shakespeare (Complete Works of William Shakespeare)
“
The real problem here is that we’re all dying. All of us. Every day the cells weaken and the fibres stretch and the heart gets closer to its last beat. The real cost of living is dying, and we’re spending days like millionaires: a week here, a month there, casually spunked until all you have left are the two pennies on your eyes.
Personally, I like the fact we’re going to die. There’s nothing more exhilarating than waking up every morning and going ‘WOW! THIS IS IT! THIS IS REALLY IT!’ It focuses the mind wonderfully. It makes you love vividly, work intensely, and realise that, in the scheme of things, you really don’t have time to sit on the sofa in your pants watching Homes Under the Hammer.
Death is not a release, but an incentive. The more focused you are on your death, the more righteously you live your life. My traditional closing-time rant – after the one where I cry that they closed that amazing chippy on Tollington Road; the one that did the pickled eggs – is that humans still believe in an afterlife. I genuinely think it’s the biggest philosophical problem the earth faces. Even avowedly non-religious people think they’ll be meeting up with nana and their dead dog, Crackers, when they finally keel over. Everyone thinks they’re getting a harp.
But believing in an afterlife totally negates your current existence. It’s like an insidious and destabilising mental illness. Underneath every day – every action, every word – you think it doesn’t really matter if you screw up this time around because you can just sort it all out in paradise. You make it up with your parents, and become a better person and lose that final stone in heaven. And learn how to speak French. You’ll have time, after all! It’s eternity! And you’ll have wings, and it’ll be sunny! So, really, who cares what you do now? This is really just some lacklustre waiting room you’re only going to be in for 20 minutes, during which you will have no wings at all, and are forced to walk around, on your feet, like pigs do.
If we wonder why people are so apathetic and casual about every eminently avoidable horror in the world – famine, war, disease, the seas gradually turning piss-yellow and filling with ringpulls and shattered fax machines – it’s right there. Heaven. The biggest waste of our time we ever invented, outside of jigsaws.
Only when the majority of the people on this planet believe – absolutely – that they are dying, minute by minute, will we actually start behaving like fully sentient, rational and compassionate beings. For whilst the appeal of ‘being good’ is strong, the terror of hurtling, unstoppably, into unending nullity is a lot more effective. I’m really holding out for us all to get The Fear. The Fear is my Second Coming. When everyone in the world admits they’re going to die, we’ll really start getting some stuff done.
”
”
Caitlin Moran
“
You said it was twenty feet!” “Yeah. You’ll have to trust me. Put your arms around my neck and hang on.” “How can you possibly—” “There!” cried a voice behind them. “Kill the ungrateful tourists!” The children of Nyx had found them. Annabeth wrapped her arms around Percy’s neck. “Go!” With her eyes closed, she could only guess how he managed it. Maybe he used the force of the river somehow. Maybe he was just scared out of his mind and charged with adrenaline. Percy leaped with more strength than she would have thought possible. They sailed through the air as the river churned and wailed below them, splashing Annabeth’s bare ankles with stinging brine. Then—CLUMP. They were on solid ground again. “You can open your eyes,” Percy said, breathing hard. “But you won’t like what you see.” Annabeth blinked. After the darkness of Nyx, even the dim red glow of Tartarus seemed blinding. Before them stretched a valley big enough to fit the San Francisco Bay. The booming noise came from the entire landscape, as if thunder were echoing from beneath the ground. Under poisonous clouds, the rolling terrain glistened purple with dark red and blue scar lines. “It looks like…” Annabeth fought down her revulsion. “Like a giant heart.” “The heart of Tartarus,” Percy murmured. The center of the valley was covered with a fine black fuzz of peppery dots. They were so far away, it took Annabeth a moment to realize she was looking at an army—thousands, maybe tens of thousands of monsters, gathered around a central pinpoint of darkness. It was too far to see any details, but Annabeth had no doubt what the pinpoint was. Even from the edge of the valley, Annabeth could feel its power tugging at her soul. “The Doors of Death.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
How oddly situated a man is apt to find himself at age thirty-eight! His youth belongs to the distant past. Yet the period of memory beginning with the end of youth and extending to the present has left him not a single vivid impression. And therefore he persists in feeling that nothing more than a fragile barrier separates him from his youth. He is forever hearing with the utmost clarity the sounds of this neighboring domain, but there is no way to penetrate the barrier.
Honda felt that his youth had ended with the death of Kiyoaki Matsugae. At that moment something real within him, something that had burned with a vibrant brilliance, suddenly ceased to be.
Now, late at night, when Honda grew weary of his legal drafts, he would pick up the dream journal that Kiyoaki had left him and turn over its pages.
(...)
Since then eighteen years had passed. The border between dream and memory had grown indistinct in Honda’s mind. Because the words contained in this journal, his only souvenir of his friend, had been traced there by Kiyoaki’s own hand, it had profound significance for Honda. These dreams, left like a handful of gold dust in a winnowing pan, were charged with wonder.
As time went by, the dreams and the reality took on equal worth among Honda’s diverse memories. What had actually occurred was in the process of merging with what could have occurred. As reality rapidly gave way to dreams, the past seemed very much like the future.
When he was young, there had been only one reality, and the future had seemed to stretch before him, swelling with immense possibilities. But as he grew older, reality seemed to take many forms, and it was the past that seemed refracted into innumerable possibilities. Since each of these was linked with its own reality, the line distinguishing dream and reality became all the more obscure. His memories were in constant flux, and had taken on the aspect of a dream.
”
”
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
“
I think I hate Capaldi because deep down I suspect he may be right. That what he claims is true. That science has now proved beyond doubt there’s nothing so unique about my daughter, nothing there our modern tools can’t excavate, copy, transfer. That people have been living with one another all this time, centuries, loving and hating each other, and all on a mistaken premise. A kind of superstition we kept going while we didn’t know better. That’s how Capaldi sees it, and there’s a part of me that fears he’s right. Chrissie, on the other hand, isn’t like me. She may not know it yet, but she’ll never let herself be persuaded. If the moment ever comes, never mind how well you play your part, Klara, never mind how much she wishes it to work, Chrissie just won’t be able to accept it. She’s too … old-fashioned. Even if she knows she’s going against the science and the math, she still won’t be able to do it. She just won’t stretch that far. But I’m different. I have … a kind of coldness inside me she lacks. Perhaps it’s because I’m an expert engineer, as you put it. This is why I find it so hard to be civil around people like Capaldi. When they do what they do, say what they say, it feels like they’re taking from me what I hold most precious in this life. Am I making sense?
”
”
Kazuo Ishiguro (Klara and the Sun)
“
Halfway through the second term of Franklin Roosevelt, the New Deal braintrusters began to worry about mounting popular concern over the national debt. In those days the size of the national debt was on everyone’s mind. Indeed, Franklin Roosevelt had talked himself into office, in 1932, in part by promising to hack away at a debt which, even under the frugal Mr. Hoover, the people tended to think of as grown to menacing size. Mr. Roosevelt’s wisemen worried deeply about the mounting tension ...
And then, suddenly, the academic community came to the rescue. Economists across the length and breadth of the land were electrified by a theory of debt introduced in England by John Maynard Keynes. The politicians wrung their hands in gratitude. Depicting the intoxicating political consequences of Lord Keynes’s discovery, the wry cartoonist of the Washington Times Herald drew a memorable picture. In the center, sitting on a throne in front of a Maypole, was a jubilant FDR, cigarette tilted almost vertically, a grin on his face that stretched from ear to ear. Dancing about him in a circle, hands clasped together, their faces glowing with ecstasy, the braintrusters, vested in academic robes, sang the magical incantation, the great discovery of Lord Keynes: “We owe it to ourselves.” With five talismanic words, the planners had disposed of the problem of deficit spending. Anyone thenceforward who worried about an increase in the national debt was just plain ignorant of the central insight of modern economics: What do we care how much we - the government - owe so long as we owe it to ourselves? On with the spending. Tax and tax, spend and spend, elect and elect ...
”
”
William F. Buckley Jr.
“
Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
”
”
William Gaddis (The Recognitions)
“
The only way to free yourself from a lifetime of being tyrannized by your own thought processes, whether you suffer from excessive anxiety or not, is to come to see your thoughts for what they are and to discern the sometimes subtle—but most often not-so-subtle—seeds of craving and aversion, of greed and hatred, at work within them. When you can successfully step back and see that you are not your thoughts and feelings, that you do not have to believe them, and that you certainly do not have to act on them, when you see vividly that many of them are inaccurate, judgmental, and fundamentally greedy or aversive, you will have found the key to understanding why you feel so much fear and anxiety. At the same time you will have found the key to maintaining your equilibrium. Fear, panic, and anxiety will no longer be uncontrollable demons. Instead you will see them as natural mental states that can be worked with and accepted just like any others. Then, lo and behold, the demons may not come around and bother you so much. You may find that you don’t see them at all for long stretches. You may wonder where they went or even whether they ever existed. Occasionally you may see some smoke, just enough to remind you that the lair of the dragon is still occupied, that fear is a natural part of living, but not something you have to be afraid of.
”
”
Jon Kabat-Zinn (Full Catastrophe Living: Using the Wisdom of Your Body and Mind to Face Stress, Pain, and Illness)
“
I have no other passion to keep me in breath. What avarice, ambition, quarrels, law suits do for others who, like me, have no particular vocation, love would much more commodiously do; it would restore to me vigilance, sobriety, grace, and the care of my person; it would reassure my countenance, so that the grimaces of old age, those deformed and dismal looks, might not come to disgrace it; would again put me upon sound and wise studies, by which I might render myself more loved and esteemed, clearing my mind of the despair of itself and of its use, and redintegrating it to itself; would divert me from a thousand troublesome thoughts, a thousand melancholic humours that idleness and the ill posture of our health loads us withal at such an age; would warm again, in dreams at least, the blood that nature is abandoning; would hold up the chin, and a little stretch out the nerves, the vigour and gaiety of life of that poor man who is going full drive towards his ruin.
”
”
Michel de Montaigne (Essays)
“
I was like Robinson Crusoe on the island of Tobago. For hours at a stretch I would lie in the sun doing nothing, thinking of nothing. To keep the mind empty is a feat, a very healthful feat too. To be silent the whole day long, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world is the finest medicine a man can give himself. The book-learning gradually dribbles away; problems melt and dissolve; ties are gently severed; thinking, when you deign to indulge in it, becomes very primitive; the body becomes a new and wonderful instrument; you look at plants or stones or fish with different eyes; you wonder what people are struggling to accomplish with their frenzied activities; you know there is a war on but you haven't the faintest idea what it's about or why people should enjoy killing one another; you look at a place like Albania—it was constantly staring me in the eyes—and you say to yourself, yesterday it was Greek, to-day it's Italian, to-morrow it may be German or Japanese, and you let it be anything it chooses to be. When you're right with yourself it doesn't matter which flag is flying over your head or who owns what or whether you speak English or Monongahela. The absence of newspapers, the absence of news about what men are doing in different parts of the world to make life more livable or unlivable is the greatest single boon. If we could just eliminate newspapers a great advance would be made, I am sure of it. Newspapers engender lies, hatred, greed, envy, suspicion, fear, malice. We don't need the truth as it is dished up to us in the daily papers. We need peace and solitude and idleness. If we could all go on strike and honestly disavow all interest in what our neighbor is doing we might get a new lease on life. We might learn to do without telephones and radios and newspapers, without machines of any kind, without factories, without mills, without mines, without explosives, without battleships, without politicians, without lawyers, without canned goods, without gadgets, without razor blades even or cellophane or cigarettes or money. This is a pipe dream, I know.
”
”
Henry Miller (The Colossus of Maroussi)
“
As always when he worked with this much concentration he began to feel a sense of introverting pressure. There was no way out once he was in, no genuine rest, no one to talk to who was capable of understanding the complexity (simplicity) of the problem or the approaches to a tentative solution. There came a time in every prolonged effort when he had a moment of near panic, or "terror in a lonely place," the original semantic content of the word. The lonely place was his own mind. As a mathematician he was free from subjection to reality, free to impose his ideas and designs on his own test environment. The only valid standard for his work, its critical point (zero or infinity), was the beauty it possessed, the deft strength of his mathematical reasoning. THe work's ultimate value was simply what it revealed about the nature of his intellect. What was at stake, in effect, was his own principle of intelligence or individual consciousness; his identity, in short. This was the infalling trap, the source of art's private involvement with obsession and despair, neither more nor less than the artist's self-containment, a mental state that led to storms of overwork and extended stretches of depression, that brought on indifference to life and at times the need to regurgitate it, to seek the level of expelled matter. Of course, the sense at the end of a serious effort, if the end is reached successfully, is one of lyrical exhilaration. There is air to breathe and a place to stand. The work gradually reveals its attachment to the charged particles of other minds, men now historical, the rediscovered dead; to the main structure of mathematical thought; perhaps even to reality itself, the so-called sum of things. It is possible to stand in time's pinewood dust and admire one's own veronicas and pavanes.
”
”
Don DeLillo (Ratner's Star)
“
He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died.
”
”
Joan Aiken (Black Hearts in Battersea (The Wolves Chronicles, #2))
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Because a mother's love is God's greatest joke. And besides - who is to say what is the first and what is the final cause?
-that I was living my life in inverted commas. I could pick up my keys and go 'home' where I could 'have sex' with my 'husband' just like lots of other people did. And I didn't seem to mind the inverted commas...
This is how we all survive. We default to the oldest scar.
So I left the house with a howl of regret for all I had been denied, though there was nothing there I actually wanted. I wanted out of there, that was all. I wanted a larger life.
My children are of a different breed. They seem to grow like plants, to be made of twig and blossom and not of meat.
There are long stretches of time when I don't know what I am doing, or what I have done - nothing mostly, but sometimes it would be nice to know what kind of nothing that was...I try not to drink before half past five, but I always do drink - from the top of the wine bottle to the last, little drop. It is the only way I know to make the day end.
”
”
Anne Enright
“
Let me tell you something about women, Tigernan,” Ruari offered, stretching his legs and holding up his empty ale bowl to attract the innkeeper’s attention. “I’ve given a bit of thought to them, having lived more years than you. Women are something a man requires, as necessary as air to breathe and ale to drink. I cannot boast of understanding them, mind you, but I suspect nature designed them for a specific purpose, and it would be a mistake to try to change them. “Women render men an invaluable service that may not at first be apparent. They are born to be responsible, to caretake. It is in them to probe their men as they would examine an old cloak, looking for holes that could let the wind through. Women understand survival better than we do, I think. They will nag and probe and provoke until they find a lowered defense, even the smallest hole, then they poke their fingers through and shout, ‘Aha!’ “In this way they force their men to keep their cloaks mended and their weapons in repair, and ultimately this helps them survive. With a woman treading on his heels a man must stay alert and in the proper frame of mind to go out and slay dragons. Never provoke a quarrel with a man who has just had his flaws pointed out to him by some woman.
”
”
Morgan Llywelyn (Grania: She-King of the Irish Seas)
“
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it.
Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem.
It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face.
I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now.
I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
”
”
Dodie Smith (I Capture the Castle)
“
The smile that curled his lips was as arrogant as it was beautiful.
“You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me.
“I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?”
Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—”
He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.”
“You said you would help me,” I whispered.
He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.”
I looked away.
“Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.”
His finger caught the stretched-out collar of my shirt and gave it a tug.
“Stop it.” I was proud of how steady my voice was.
As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine.
“I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…”
My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out.
“Ruby! Wait, I didn’t mean—!”
A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her.
“Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
The contents of this letter threw Elizabeth into a flutter of spirits in which it was difficult to determine whether pleasure or pain bore the greatest share. The vague and unsettled suspicions which uncertainty had produced of what Mr. Darcy might have been doing to forward her sister's match which she had feared to encourage as an exertion of goodness too great to be probable and at the same time dreaded to be just from the pain of obligation were proved beyond their greatest extent to be true He had followed them purposely to town he had taken on himself all the trouble and mortification attendant on such a research in which supplication had been necessary to a woman whom he must abominate and despise and where he was reduced to meet frequently meet reason with persuade and finally bribe the man whom he always most wished to avoid and whose very name it was punishment to him to pronounce. He had done all this for a girl whom he could neither regard nor esteem. Her heart did whisper that he had done it for her. But it was a hope shortly checked by other considerations and she soon felt that even her vanity was insufficient when required to depend on his affection for her—for a woman who had already refused him—as able to overcome a sentiment so natural as abhorrence against relationship with Wickham. Brother-in-law of Wickham Every kind of pride must revolt from the connection. He had to be sure done much. She was ashamed to think how much. But he had given a reason for his interference which asked no extraordinary stretch of belief. It was reasonable that he should feel he had been wrong he had liberality and he had the means of exercising it and though she would not place herself as his principal inducement she could perhaps believe that remaining partiality for her might assist his endeavours in a cause where her peace of mind must be materially concerned. It was painful exceedingly painful to know that they were under obligations to a person who could never receive a return. They owed the restoration of Lydia her character every thing to him. Oh how heartily did she grieve over every ungracious sensation she had ever encouraged every saucy speech she had ever directed towards him. For herself she was humbled but she was proud of him. Proud that in a cause of compassion and honour he had been able to get the better of himself. She read over her aunt's commendation of him again and again. It was hardly enough but it pleased her. She was even sensible of some pleasure though mixed with regret on finding how steadfastly both she and her uncle had been persuaded that affection and confidence subsisted between Mr. Darcy and herself.
”
”
Jane Austen (Pride and Prejudice)
“
The wild is an integral part of who we are as children. Without pausing to consider what or where or how, we gather herbs and flowers, old apples and rose hips, shiny pebbles and dead spiders, poems, tears and raindrops, putting each treasured thing into the cauldron of our souls. We stir our bucket of mud as if it were, every one, a bucket of chocolate cake to be mixed for the baking. Little witches, hag children, we dance our wildness, not afraid of not knowing.
But there comes a time when the kiss of acceptance is delayed until the mud is washed from our knees, the chocolate from our faces. Putting down our wooden spoon with a new uncertainty, setting aside our magical wand, we learn another system of values based on familiarity, on avoiding threat and rejection. We are told it is all in the nature of growing up. But it isn't so.
Walking forward and facing the shadows, stumbling on fears like litter in the alleyways of our minds, we can find the confidence again. We can let go of the clutter of our creative stagnation, abandoning the chaos of misplaced and outdated assumptions that have been our protection. Then beyond the half light and shadows, we can slip into the dark and find ourselves in a world where horizons stretch forever. Once more we can acknowledge a reality that is unlimited finding our true self, a wild spirit, free and eager to explore the extent of our potential, free to dance like fireflies, free to be the drum, free to love absolutely with every cell of our being, or lie in the grass watching stars and bats and dreams wander by.
We can live inspired, stirring the darkness of the cauldron within our souls, the source, the womb temple of our true creativity, brilliant, untamed
”
”
Emma Restall Orr
“
AWAKENING To open both your drowsy eyes, To stretch your limbs and realise That day is here. To watch the dancing, shifting beam Of sun, awake yet half in dream, Uncertain if the fitful gleam Be far or near. To turn with soft, contented sigh, And through the window watch the sky, All opal blue. To feel the air steal in the room, Made fragrant by the soft perfume Of lime-trees, when their scented bloom Is damp with dew. To hear the rustling voice of leaves, The chirp of birds beneath the eaves, But now awake. The tiny hum of timid things That fly with gauzy, fragile wings, Where yet the dusk to daylight clings, When mornings break. To feel the soul look forth and smile, Contented with each fruitful mile That it beholds. To hear the heart beat loud and strong, In unison with Nature's song, That echoes tremulous and long While dawn unfolds. To know yourself a thing complete, With strength of mind and limb replete, With vast desire; A creature made to dominate The lesser things of earth, a fate On whom the universe must wait, With force entire. And then to cry in deep delight God made the world and made it right; Dear Heaven above! Was ere completeness so complete, Was ever sweetness half so sweet, Was ever loving half so meet; Thank God for love.
”
”
Radclyffe Hall (The Poetry Of Radclyffe Hall - Volume 2 - 'Twixt Earth and Stars: "…we're all part of nature, some day the world will recognise this…")
“
Last and crowning torture of all the tortures of that awful place is the eternity of hell. Eternity! O, dread and dire word. Eternity! What mind of man can understand it? And remember, it is an eternity of pain. Even though the pain of hell were not so terrible as they are, yet they would become infinite, as they are destined to last for ever. But while they are everlasting they are at the some times, as you know, intolerably intense, unbearably extensive. To bear even the sting of an insect for all eternity would be a dreadful torment. What must it be, then, to bear the manifold tortures of hell for ever? For ever! For all eternity! Not for a year or for an age but for ever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny little grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness; and imagine such an enormous mass of countless particles of sand multiplies as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of the air: and imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many million upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all? Yet at the end of that immense stretch of time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been all carried away, and i f the bird came again and carried it all away again grain by grain, and if it sop rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals, at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time the mere thought of which makes our very brain reel dizzily, eternity would scarcely have begun.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
And you must tell the child the legends I told you—as my mother told them to me and her mother to her. You must tell the fairy tales of the old country. You must tell of those not of the earth who live forever in the hearts of people—fairies, elves, dwarfs and such. You must tell of the great ghosts that haunted your father’s people and of the evil eye which a hex put on your aunt. You must teach the child of the signs that come to the women of our family when there is trouble and death to be. And the child must believe in the Lord God and Jesus, His Only Son.” She crossed herself. “Oh, and you must not forget the Kris Kringle. The child must believe in him until she reaches the age of six.” “Mother, I know there are no ghosts or fairies. I would be teaching the child foolish lies.” Mary spoke sharply. “You do not know whether there are not ghosts on earth or angels in heaven.” “I know there is no Santa Claus.” “Yet you must teach the child that these things are so.” “Why? When I, myself, do not believe?” “Because,” explained Mary Rommely simply, “the child must have a valuable thing which is called imagination. The child must have a secret world in which live things that never were. It is necessary that she believe. She must start out by believing in things not of this world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination. I, myself, even in this day and at my age, have great need of recalling the miraculous lives of the Saints and the great miracles that have come to pass on earth. Only by having these things in my mind can I live beyond what I have to live for.” “The child will grow up and find out things for herself. She will know that I lied. She will be disappointed.” “That is what is called learning the truth. It is a good thing to learn the truth one’s self. To first believe with all your heart, and then not to believe, is good too. It fattens the emotions and makes them to stretch. When as a woman life and people disappoint her, she will have had practice in disappointment and it will not come so hard. In teaching your child, do not forget that suffering is good too. It makes a person rich in character.” “If that is so,” commented Katie bitterly, “then we Rommelys are rich.” “We are poor, yes. We suffer. Our way is very hard. But we are better people because we know of the things I have told you. I could not read but I told you of all of the things I learned from living. You must tell them to your child and add on to them such things as you will learn as you grow older.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed.
We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pace more and more as the time sped by.
The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass.
My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation---in the shadow of a dim delight.
The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs.
At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
”
”
Rabindranath Tagore (Gitanjali)
“
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...'
My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning.
A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
”
”
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
“
How to Sleep at Night
Try to think of nothing.
That's the secret.
Try to think of nothing.
Do not think of work not done,
or of promises unkept, calls to return,
or agendas you have failed to prepare for meetings
yet unheld.
Think of nothing.
Do not think of words said and unsaid,
or minor scandals and major investigations,
of humiliations endured, insults suffered,
or retorts that did not spring to mind
in time.
Think of nothing.
Do not think of your wife,
of lonely children and their reproachful demands,
or the smile of the pretty woman
whose handshake lingered just a shade too long
in your palm.
Think of nothing.
Do not think of newspaper headlines,
of the insistent transience of the shortwave radio,
or the seductive stridency of the TV microphones
thrust so thrillingly
into your face.
Think of nothing.
Do not think of the waif on the foreign sidewalk,
her large eyes open in supplication,
her ragged shift stained by dirt and dust,
stretching her despairing hand towards you
in hope
No, do not think
of the solitary tear, the broken limb,
the rubble-strewn home, the choking scream;
never think
of piled up bodies, blazing flames,
shattered lives, or sundered souls.
Do not think of the triumph of the torturer,
the wails of the hungry,
the screams of the mutilated,
or the indifferent smirk
of the sleek.
Think of nothing.
then you will be able
to sleep.
”
”
Shashi Tharoor (Riot)
“
The best description of this book is found within the title. The full title of this book is:
"This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me and Dora J. Arod, who sometimes shares my pen, paper, thoughts, mind, body, and soul, because Dora J. Arod is my pseudonym, as he/it incorporates both my first and middle name, and is also a palindrome that can be read forwards or backwards no matter if you are an upright man in the eyes of God or you are upside down in a tank of water wearing purple goggles and grape jelly discussing how best to spread your time between your work, your wife, and the toasted bread being eaten by the man you are talking to who goes by the name of Dendrite McDowell, who is only wearing a towel on his head and has an hourglass obscuring his “time machine”--or the thing that he says can keep him young forever by producing young versions of himself the way I avert disaster in that I ramble and bumble like a bee until I pollinate my way through flowery situations that might otherwise have ended up being more than less than, but not equal to two short parallel lines stacked on top of each other that mathematicians use to balance equations like a tightrope walker running on a wire stretched between two white stretched limos parked on a long cloud that looks like Salt Lake City minus the sodium and Mormons, but with a dash of pepper and Protestants, who may or may not be spiritual descendents of Mr. Maynot, who didn’t come over to America in the Mayflower, but only because he was “Too lazy to get off the sofa,” and therefore impacted this continent centuries before the first television was ever thrown out of a speeding vehicle at a man who looked exactly like my great-grandfather, who happens to look exactly like the clone science has yet to allow me to create
”
”
Jarod Kintz (This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me...)
“
Aiden was the whole world stretched out beneath him. Aiden’s hair spread out on the sheets, Aiden moaning in his ear. The magnitude of his certainty tipped Harvard over the edge into terrifying and unwelcome knowledge.
Terrible realization dawned, remorseless illumination shed on a whole landscape. Harvard found himself looking at his entire life in a new light.
Aiden on their first day of school, on their first day of fencing class, on their last day in the hospital, on their first day at Kings Row. Inextricably part of every important moment in Harvard’s life. The bright and shining center of Harvard’s life, ever since he’d turned around and seen Aiden and thought, That boy looks sad, and wanted nothing but to give Aiden everything.
Finding Aiden and being too young to understand what he’d found. Only knowing Aiden was necessary to him and wanting Aiden there always. Of course he loved his best friend, of course he did. That was always such an absolute truth that Harvard could never question it.
Harvard gasped against Aiden’s mouth. He should have questioned it before now. He should have asked himself what he was feeling. Only he’d been afraid.
Dating someone else hadn’t been Harvard’s idea, and with this new clarity he realized he didn’t actually want to do it. He hadn’t wanted to be alone, hadn’t wanted to be left behind, but it was impossible and distinctly horrible to think of being like this with anyone but Aiden.
Only very recently, as Aiden dated more and more people and the potential for distance between them started to feel far more real, had Harvard started to feel lonely. If it hadn’t been for Coach suggesting dating, it might never have occurred to him.
Why would he go out and look for a partner when he had one at home? Why would he go searching for a lightning strike when there was all the brightness and all the pain he could wish for, always with him?
He’d never cared about dating, never really felt the need to find someone, because he’d been otherwise emotionally committed all along. Apparently, Harvard’s subconscious was insane, bent on his own ruin. Somewhere in the back of his mind he’d just decided he was Aiden’s boyfriend, without consulting Aiden. Without even consulting himself.
He’d been in love with Aiden the whole time.
”
”
Sarah Rees Brennan (Striking Distance (Fence, #1))
“
Shukhov had been told that this old man'd been in camps and prisons more years than you could count and had never come under any amnesty. When one ten-year stretch was over they slapped on another. Shukhov took a good look at him close up. In the camp you could pick him out among all the men with their bent backs because he was straight as a ramrod. When he sat at the table it looked like he was sitting on something to raise himself up higher. There hadn't been anything to shave off his head for a long time-he'd lost all his hair because of the good life. His eyes didn't shift around the mess hall all the time to see what was going on, and he was staring over Shukhov's head and looking at something nobody else could see. He ate his thin gruel with a worn old wooden spoon, and he took his time. He didn't bend down low over the bowl like all the others did, but brought the spoon up to his mouth. He didn't have a single tooth either top or bottom-he chewed the bread with his hard gums like they were teeth. His face was all worn-out but not like a goner's-it was dark and looked like it had been hewed out of stone. And you could tell from his big rough hands with the dirt worked in them he hadn't spent many of his long years doing any of the soft jobs. You could see his mind was set on one thing-never to give in. He didn't put his eight ounces of bread in all the filth on the table like everybody else but laid it on a clean little piece of rag that'd been washed over and over again.
”
”
Aleksandr Solzhenitsyn (One Day in the Life of Ivan Denisovich)
“
I'll keep in touch, says Lige, ain't going to let you go. This makes John Coke very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
”
”
Sebastian Barry (Days Without End (Days Without End, #1))
“
The choice is yours.Either way, I will be faultless. So ask yourself, would you rather take credit for an eyesore or for a work of art?"
His speech complete, he sank onto the sofa, stretching his arms out across its back, a grin spreading across his face. I had not thought this through, that much was evident, but now that I had commenced it, I would not give n to him.
"You could change. More easily than could I."
"True," he ackowledged with a chuckle. "But I look perfect."
"Well,I'm sure you could look perfect in something else."
"Oh,doubtless, but why duplicate what is perfect when one could improve what is not?"
I wanted to kill him. I wanted to close that infuriatingly divine mouth once and for all, and if ending his life were the way to do it, I was willing to take that step.Instead, I took a deep breath and tried again.
"If I change, my hair will be ruined."
"You know,dear, something really should be done about your hair in any case. I told you to wear it down. And mind you switch tiaras."
"We're almost last as it is," blustered, trying to keep my tone civil, thought inside I was burning. "You could change more quickly."
"Not necessarily.You already know the gown into which you will change. I would have to search for something less elegant to match the dress you have on, but still formal enough for the occasion. And honestly,have you ever seen me in anything that might go with sky blue?"
I fell silent, for as much as I hated to admit it, he had a valid argument. He generally wore dark or rich colors, nothing similar to my gown. I despised myself for what I was about to do.
"I'll wait," Steldor said, accurately reading my expression.
”
”
Cayla Kluver (Allegiance (Legacy, #2))
“
What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of his beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. He heard the door of the staircase creak on its hinges—the clock gave its warning to strike eleven—the door of his study opened; Morrel did not turn round—he expected these words of Cocles, "The agent of Thomson & French."
He placed the muzzle of the pistol between his teeth. Suddenly he heard a cry—it was his daughter's voice. He turned and saw Julie. The pistol fell from his hands. "My father!" cried the young girl, out of breath, and half dead with joy—"saved, you are saved!" And she threw herself into his arms, holding in her extended hand a red, netted silk purse.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved.
What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now.
Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
And are we not guilty of offensive disparagement in calling chess a game? Is it not also a science and an art, hovering between those categories as Muhammad’s coffin hovered between heaven and earth, a unique link between pairs of opposites: ancient yet eternally new; mechanical in structure, yet made effective only by the imagination; limited to a geometrically fixed space, yet with unlimited combinations; constantly developing, yet sterile; thought that leads nowhere; mathematics calculating nothing; art without works of art; architecture without substance – but nonetheless shown to be more durable in its entity and existence than all books and works of art; the only game that belongs to all nations and all eras, although no one knows what god brought it down to earth to vanquish boredom, sharpen the senses and stretch the mind. Where does it begin and where does it end? Every child can learn its basic rules, every bungler can try his luck at it, yet within that immutable little square it is able to bring forth a particular species of masters who cannot be compared to anyone else, people with a gift solely designed for chess, geniuses in their specific field who unite vision, patience and technique in just the same proportions as do mathematicians, poets, musicians, but in different stratifications and combinations. In the old days of the enthusiasm for physiognomy, a physician like Gall might perhaps have dissected a chess champion’s brain to find out whether some particular twist or turn in the grey matter, a kind of chess muscle or chess bump, is more developed in such chess geniuses than in the skulls of other mortals. And how intrigued such a physiognomist would have been by the case of Czentovic, where that specific genius appeared in a setting of absolute intellectual lethargy, like a single vein of gold in a hundredweight of dull stone. In principle, I had always realized that such a unique, brilliant game must create its own matadors, but how difficult and indeed impossible it is to imagine the life of an intellectually active human being whose world is reduced entirely to the narrow one-way traffic between black and white, who seeks the triumphs of his life in the mere movement to and fro, forward and back of thirty-two chessmen, someone to whom a new opening, moving knight rather than pawn, is a great deed, and his little corner of immortality is tucked away in a book about chess – a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!
”
”
Stefan Zweig (Chess)
“
But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain.
Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.
”
”
E.L. Doctorow (City of God)
“
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?)
While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well.
The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
”
”
Jane Jacobs (The Death and Life of Great American Cities)
“
AUTHOR’S NOTE
Dear reader:
This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard.
My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm.
My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight.
The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn.
Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering.
It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents.
Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own.
No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends.
This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared.
I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
”
”
Suzanne Redfearn (In an Instant)
“
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
”
”
Toni Morrison (The Bluest Eye)
“
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go.
Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up.
Impact tremors.
Boom.
Boom.
Boom, boom, boom.
Baba Yaga was coming.
Baba Yaga was hunting him.
Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down.
Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide.
Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.”
He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong?
Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit.
Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now.
“Who knows?” Jack panted. “Maybe she got annoyed and turned around.”
An earth-shattering roar rocked the very walls of the cavern.
Jack paled.
Boom, boom, boom, boom!
Boom, boom, boom, boomboomboomboom—
Mother of God.
The dragon had broken into a run.
Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
”
”
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))