β
It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
I'm coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta hesitates, then gives an unconvincing shake of his head.
Handsome lad like you. There must be some special girl. Come on, whatβs her name?" says Caesar.
Peeta sighs. "Well, there is this one girl. Iβve had a crush on her ever since I can remember. But Iβm pretty sure she didnβt know I was alive until the reaping."
Sounds of sympathy from the crowd. Unrequited love they can relate to.
She have another fellow?" asks Caesar.
I donβt know, but a lot of boys like her," says Peeta.
So, hereβs what you do. You win, you go home. She canβt turn you down then, eh?" says Caesar encouragingly.
I donβt think itβs going to work out. Winning...wonβt help in my case," says Peeta.
Why ever not?" says Caesar, mystified.
Peeta blushes beet red and stammers out. "Because...because...she came here with me.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
You might want to lie down," Magnus advised. "I find that it helps when the crushing sense of horrible realization sets in.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
We are all born sexual creatures,thank God, but it's a pity so many people despise and crush this natural gift.
β
β
Marilyn Monroe
β
It takes a minute to have a crush on someone, an hour to like someone, and a day to love someone... but it takes a lifetime to forget someone.
β
β
Kahlil Gibran
β
Peeta, you said at the interview youβd had a crush on me forever. When did forever start?
Oh, letβs see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."
Your father? Why?"
He said, βSee that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"
What? Youβre making that up!"
No, true story. And I said, 'A coal miner? Why did she want a coal miner if she couldβve had you?' And he said, 'Because when he sings...even the birds stop to listen.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Dreams are always crushing when they don't come true. But it's the simple dreams that are often the most painful because they seem so personal, so reasonable, so attainable. You're always close enough to touch, but never quite close enough to hold and it's enough to break your heart.
β
β
Nicholas Sparks (Three Weeks with My Brother)
β
Forgiveness is the fragrance that the violet sheds on the heel that has crushed it.
β
β
Mark Twain
β
I had a crush on Percy," Nico spat. "That's the truth. That's the big secret.
β
β
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
β
Tell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
Tell me we'll never get used to it.
β
β
Richard Siken (Crush)
β
Its so hard to talk when you want to kill yourself. That's above and beyond everything else, and it's not a mental complaint-it's a physical thing, like it's physically hard to open your mouth and make the words come out. They don't come out smooth and in conjunction with your brain the way normal people's words do; they come out in chunks as if from a crushed-ice dispenser; you stumble on them as they gather behind your lower lip. So you just keep quiet.
β
β
Ned Vizzini (It's Kind of a Funny Story)
β
It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness. If I had ever believed it, I no longer did.
β
β
Madeline Miller (Circe)
β
We have not touched the stars,
nor are we forgiven, which brings us back
to the heroβs shoulders and the gentleness that comes,
not from the absence of violence, but despite
the abundance of it.
β
β
Richard Siken (Crush)
β
Sorry about the blood in your mouth. I wish it was mine.
I couldn't get the boy to kill me, but I wore his jacket for the longest time.
β
β
Richard Siken (Crush)
β
Truth crushed to earth shall rise again.
β
β
William Cullen Bryant
β
You are being self-pitying."
"I'm nearly done. You don't have much more of this to bear."
"I like you better this way."
"Crushed and broken," Gansey said. "Just the way women like 'em.
β
β
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β
Life will not break your heart. It'll crush it.
β
β
Henry Rollins
β
Tucker: "But she gave me the perfect gift."
Clara: "What?"
Tucker: "You.
β
β
Cynthia Hand (Unearthly (Unearthly, #1))
β
If you love me, Henry, you donβt love me in a way I understand.
β
β
Richard Siken (Crush)
β
The more you try to crush your true nature, the more it will control you. Be what you are. No one who really loves you will stop.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
Do you know what itβs like to like someone so much you canβt stand it and know that theyβll never feel the same way?
β
β
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
β
She'd secretly had a crush on him since they were twelve years old. Last summer, she'd fallen for him hard.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Six mistakes mankind keeps making century after century:
Believing that personal gain is made by crushing others;
Worrying about things that cannot be changed or corrected;
Insisting that a thing is impossible because we cannot accomplish it;
Refusing to set aside trivial preferences;
Neglecting development and refinement of the mind;
Attempting to compel others to believe and live as we do.
β
β
Marcus Tullius Cicero
β
Grace,β I said, very softly. βSay something.β
Sam,β she said, and I crushed her to me.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
It was one thing to make a mistake; it was another thing to keep making it. I knew what happened when you let yourself get close to someone, when you started to believe they loved you: you'd be disappointed. Depend on someone, and you might as well admit you're going to be crushed, because when you really needed them, they wouldn't be there. Either that, or you'd confide in them and you added to their problems. All you ever really had was yourself, and that sort of sucked if you were less than reliable.
β
β
Jodi Picoult (Handle with Care)
β
For a long time,β Nico said, βI had a crush on you. I just wanted you to know.β Percy looked at Nico. Then at Annabeth, as if to check that heβd heard correctly. Then back at Nico.
βYou ββ
βYeah,β Nico said. βYouβre a great person. But Iβm over that. Iβm happy for you guys.β
βYou β¦ so you mean ββ
βRight.β
Annabethβs grey eyes started to sparkle. She gave Nico a sideways smile.
βWait,β Percy said. βSo you mean ββ
βRight,β Nico said again. βBut itβs cool. Weβre cool. I mean, I see now β¦ youβre cute, but youβre not my type.β
βIβm not your type β¦ Wait. So ββ
βSee you around, Percy,β Nico said.
β
β
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
β
Compassion hurts. When you feel connected to everything, you also feel responsible for everything. And you cannot turn away. Your destiny is bound with the destinies of others. You must either learn to carry the Universe or be crushed by it. You must grow strong enough to love the world, yet empty enough to sit down at the same table with its worst horrors.
β
β
Andrew Boyd (Daily Afflictions: The Agony of Being Connected to Everything in the Universe)
β
I'm battling monsters, I'm pulling you out of the burning buildings/ and you say I'll give you anything but you never come through.
β
β
Richard Siken (Crush)
β
It is easy to crush an enemy outside oneself but impossible to defeat an enemy within.
β
β
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
β
A mother's love for her child is like nothing else in the world. It knows no law, no pity. It dares all things and crushes down remorselessly all that stands in its path.
-The Last Seance (from The Hound of Death and Other Stories, also Double Sin and Other Stories)
β
β
Agatha Christie (The Hound of Death and Other Stories)
β
A man takes his sadness down to the river and throws it in the river
ββββββββββββββββββββbut then heβs still left
with the river. A man takes his sadness and throws it away
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββbut then heβs still left with his hands.
β
β
Richard Siken (Crush)
β
She definitely has a crush on you. It's about the size of Jupiter.
β
β
Marissa Meyer (Winter (The Lunar Chronicles, #4))
β
Reality is crushing. The world is a wrong-sized shoe. How can anyone stand it?
β
β
Jandy Nelson (I'll Give You the Sun)
β
Hence I have no mercy or compassion in me for a society that will crush people, and then penalize them for not being able to stand up under the weight.
β
β
Malcolm X (The Autobiography of Malcolm X)
β
Now, Max, I think we both know your parents aren't missionaries."
I opened my eyes wide. "No? Well, for God's sake, don't tell them. They'd be crushed. Thinking they're doing the
Lord's work and all.
β
β
James Patterson (School's OutβForever (Maximum Ride, #2))
β
life beats down and crushes the soul and art reminds you that you have one
β
β
Stella Adler
β
And indeed it was, the arrow still protruding from its wet, grayish skin, humping its body along with incredible speed. A flick of its tail caught the edge of a statue, sending it flying into the dry ornamental pool, where it shattered into dust.
βBy the Angel, it just crushed Sophocles,β noted Will. βHas no one respect for the classics these days?
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Luke used to give me butterflies. Noah spawned mutant pterodactyls.
β
β
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
β
The forceps of our minds are clumsy forceps, and crush the truth a little in taking hold of it.
β
β
H.G. Wells
β
I don't know what frightens me more, the power that crushes us, or our endless ability to endure it.
β
β
Gregory David Roberts (Shantaram)
β
I wished sheβd never stop squeezing me. I wished I could spend the rest of my life as a child, being slightly crushed by someone who loved me.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
How much can we ever know about the love and pain in another heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known?
β
β
Orhan Pamuk (Snow)
β
Sure. My ego's had enough time to recover a modicum of dignity. Let's make sure we crush it again before I mistake myself for a god. -Acheron
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in love poetry of every age, the woman longs to be weighed down by the man's body.The heaviest of burdens is therefore simultaneously an image of life's most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?
β
β
Milan Kundera (The Unbearable Lightness of Being)
β
People should either be caressed or crushed. If you do them minor damage they will get their revenge; but if you cripple them there is nothing they can do. If you need to injure someone, do it in such a way that you do not have to fear their vengeance.
β
β
NiccolΓ² Machiavelli
β
Can't you just like a girl who likes you back?'
'None of them likes me back. I may as well like the one I really want.
β
β
Rainbow Rowell (Eleanor & Park)
β
It's like I'm thirteen again and he's my crush. All I'm aware of in this entire roomful of people is him. Where he is, what he's doing, who he's talking to.
β
β
Sophie Kinsella (Remember Me?)
β
Knees suddenly weak, she reached for his forearms to stabilize herself. βYou came for me.β
He beamed, looking for all the world like a selfless, daring hero.
βDonβt sound so surprised.β Dropping the cane, he pulled her into a crushing embrace that tore her away from Wolf and lifted her clean off the floor. βIt turns out you are worth a lot of money on the black market.
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.
β
β
Richard Siken (Crush)
β
Tyson, Frank is a descendant of Poseidon."
"Brother!" Tyson crushed Frank in a hug.
Percy stifled a laugh. "Actually he's more like a great-great-...Oh, never mind. Yeah, he's your brother."
"Thanks." Frank mumbled through a mouthful of flannel.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
Tell me we're dead and I'll love you even more.
β
β
Richard Siken (Crush)
β
As they moved through the old barn, Adam felt Ronanβs eyes glance off him and away, his disinterest practiced but incomplete. Adam wondered if anyone else noticed. Part of him wished they did and immediately felt bad, because it was vanity, really:
See, Adam Parrish is wantable, worthy of a crush, not just by anyone, someone like Ronan, who could want Gansey or anyone else and chose Adam for his hungry eyes.
β
β
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β
Why are you limping like that?' Nicholas demanded.
'I'm swaggering,' I informed him.
'You look like you're wearing a diaper.'
Charming. And I had a crush on this guy.
Wait.
I had a crush on this guy?
'Now what?' he asked. 'You're making weird faces.'
'Nothing,' I said quickly. 'Never mind.
β
β
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
β
Actually, you said Love, for you,
is larger than the usual romantic love. Itβs like a religion. Itβs
terrifying. No one
will ever want to sleep with you.
β
β
Richard Siken (Crush)
β
Choose a life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers... Choose DSY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, stucking junk food into your mouth. Choose rotting away in the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself, choose your future. Choose life... But why would I want to do a thing like that?
β
β
Irvine Welsh (Trainspotting)
β
I can already tell he isn't the kind of guy a girl gets a simple crush on. He's the kind of guy you fall hard for, and the thought of that terrifies me.
β
β
Colleen Hoover (Hopeless (Hopeless, #1))
β
Here is the repeated image of the lover destroyed.
β
β
Richard Siken (Crush)
β
Sadyang mailap ang humanap ng tunay na pag-ibig. Madaling sabihing mahal kita, madaling isiping mahal ka niya, pero paano mo malalamang... ito na, eto na talaga?
β
β
Ramon Bautista (Bakit Hindi Ka Crush ng Crush Mo?)
β
I love you. I hate you. I like you. I hate you. I love you. I think youβre stupid. I think youβre a loser. I think youβre wonderful. I want to be with you. I donβt want to be with you. I would never date you. I hate you. I love youβ¦..I think the madness started the moment we met and you shook my hand. Did you have a disease or something?
β
β
Shannon L. Alder
β
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
β
β
Cormac McCarthy (The Road)
β
I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart.
β
β
Kristan Higgins (All I Ever Wanted)
β
A home filled with nothing but yourself. It's heavy, that lightness. It's crushing, that emptiness.
β
β
Margaret Atwood (The Tent)
β
Is that too much to expect? That I would name the stars
for you? That I would take you there? The splash
of my tongue melting you like a sugar cube?
β
β
Richard Siken (Crush)
β
I wondered if this was the way old crushes died, with a whimper, slowly, and then, just like thatβgone.
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
Do you have a Wish?' he asked, referring to this organization, The Genie Foundation, which is in the business of granting sick kids one wish.
'No' I said. 'I used my Wish pre-Miracle.'
'What'd you do?'
I sighed loudly. 'I was thirteen,' I said.
'Not Disney,' he said.
I said nothing.
'You did not go to Disney World.'
I said nothing.
'HAZEL GRACE!' he shouted. 'You did not use your one dying Wish to go to Disney World with your parents.'
'Also Epcot Center,' I mumbled.
'Oh, my God,' Augustus said. 'I can't believe I had a crush on a girl with such clichΓ© wishes.
β
β
John Green (The Fault in Our Stars)
β
Youβre falling now. Youβre swimming. This is not
ββββββββββharmless. You are not
ββββββββββββββββββββbreathing.
β
β
Richard Siken (Crush)
β
Oh my God! I'm crushing an angel. Let me up!
β
β
Nalini Singh (Angels' Blood (Guild Hunter, #1))
β
I promise to charm the dickens out of him,' said Will, sitting up and readjusting his crushed hat. 'I shall charm him with such force that when I am done, he will be left lying limply on the ground, trying to remember his own name.'
'The man's eighty-nine', muttered Jem. 'He may well have the problem anyway.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
My first real crush was... Louis Tomlinson.
β
β
Harry Styles
β
The moon does not fight. It attacks no one. It does not worry. It does not try to crush others. It keeps to its course, but by its very nature, it gently influences. What other body could pull an entire ocean from shore to shore? The moon is faithful to its nature and its power is never diminished.
β
β
Ming-Dao Deng (Everyday Tao: Living with Balance and Harmony)
β
Music is never about music. If it was, we'd be writing songs about guitars. But we don't. We write songs about women.
Women will crush you, you know? I suppose everybody hurts everybody, but women always seem to get back up, you ever notice that? Women are always still standing.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
It isn't the big troubles in life that require character. Anybody can rise to a crisis and face a crushing tragedy with courage, but to meet the petty hazards of the day with a laugh - I really think that requires spirit.
It's the kind of character that I am going to develop. I am going to pretend that all life is just a game which I must play as skillfully and fairly as I can. If I lose, I am going to shrug my shoulders and laugh - also if I win.
β
β
Jean Webster (Daddy Long Legs)
β
Thatβs the cost. Thatβs the price. Get ready, because when you crush the humanity out of humans, youβre left with humans with no humanity.
In other words, you get what you pay for, motherfucker
β
β
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
β
An unarticulated crush is very different from an unrequited one, because at least with an unrequited crush you know what the hell you're doing, even if the other person isn't doing it back. An unarticulated crush is harder to grapple with, because it's a crush that you haven't even admitted to yourself. The romantic forces are all there -- you want to see him, you always notice him, you treat every word from him as if it weighs more than anyone else's. But you don't know why. You don't know that you're doing it. You'd follow him to the end of the earth without ever admitting that your feet were moving.
β
β
David Levithan (Geektastic: Stories from the Nerd Herd)
β
I crush her against me. I want to be part of her. Not just inside her but all around her. I want our rib cages to crack open and our hearts to migrate and merge. I want our cells to braid together like living thread.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
And when you crush an apple with your teeth, say to it in your heart:
Your seeds shall live in my body,
And the buds of your tomorrow shall blossom in my heart,
And your fragrance shall be my breath,
And together we shall rejoice through all the seasons.
β
β
Kahlil Gibran
β
Depression is like a heaviness that you canβt ever escape. It crushes down on you, making even the smallest things like tying your shoes or chewing on toast seem like a twenty-mile hike uphill. Depression is a part of you; itβs in your bones and your blood.
β
β
Jasmine Warga (My Heart and Other Black Holes)
β
My time in the arena made me realize how I needed to stop punishing [my mother] for something she couldn't help, specifically the crushing depression she fell into after my father's death. Because sometimes things happen to people and they're not equipped to deal with them.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Calling it a simple schoolgirl crush was like saying a Rolls-Royce was a vehicle with four wheels, something like a hay-wagon. She did not giggle wildly and blush when she saw him, nor did she chalk his name on trees or write it on the walls of the Kissing Bridge. She simply lived with his face in her heart all the time, a kind of sweet, hurtful ache. She would have died for him..
β
β
Stephen King (It)
β
We all come into existence as a single cell, smaller than a speck of dust. Much smaller. Divide. Multiply. Add and subtract. Matter changes hands, atoms flow in and out, molecules pivot, proteins stitch together, mitochondria send out their oxidative dictates; we begin as a microscopic electrical swarm. The lungs the brain the heart. Forty weeks later, six trillion cells get crushed in the vise of our motherβs birth canal and we howl. Then the world starts in on us.
β
β
Anthony Doerr (All the Light We Cannot See)
β
Here's to the kids.
The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party.
Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them.
Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars.
Here's to the kids who never were too good at life, but still were wicked cool.
Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life.
Here's to the kids who care more about the music than the haircuts.
Here's to the kids who have crushes on a stupid lush.
Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night.
Here's to the kids who have ever had a broken heart from someone who didn't even know they existed.
Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so.
Here's to the kids who spend their days in photobooths with their best friend(s).
Here's to the kids who are straight up smartasses & just don't care.
Here's to the kids who speak their mind.
Here's to the kids who consider screamo their lullaby for going to sleep.
Here's to the kids who second guess themselves on everything they do.
Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that.
Here's to the kids.
This one's not for the kids,
who always get what they want,
But for the ones who never had it at all.
It's not for the ones who never got caught,
But for the ones who always try and fall.
This one's for the kids who didnt make it,
We were the kids who never made it.
The Overcast girls and the Underdog Boys.
Not for the kids who had all their joys.
This one's for the kids who never faked it.
We're the kids who didn't make it.
They say "Breaking hearts is what we do best,"
And, "We'll make your heart be ripped of your chest"
The only heart that I broke was mine,
When I got My Hopes up too too high.
We were the kids who didnt make it.
We are the kids who never made it.
β
β
Pete Wentz
β
CHORONZON: I am a dire wolf, prey-stalking, lethal prowler.
MORPHEUS: I am a hunter, horse-mounted, wolf-stabbing.
CHORONZON: I am a horsefly, horse-stinging, hunter-throwing.
MORPHEUS: I am a spider, fly-consuming, eight legged.
CHORONZON: I am a snake, spider-devouring, posion-toothed.
MORPHEUS: I am an ox, snake-crushing, heavy-footed.
CHORONZON: I am an anthrax, butcher bacterium, warm-life destroying.
MORPHEUS: I am a world, space-floating, life-nurturing.
CHORONZON: I am a nova, all-exploding... planet-cremating.
MORPHEUS: I am the Universe -- all things encompassing, all life embracing.
CHORONZON: I am Anti-Life, the Beast of Judgment. I am the dark at the end of everything. The end of universes, gods, worlds... of everything. Sss. And what will you be then, Dreamlord?
MORPHEUS: I am hope.
β
β
Neil Gaiman (Preludes & Nocturnes (The Sandman, #1))
β
I was literally seeing stars, and every ragged breath I took felt like I was trying to breathe through broken glass.
On the upside, my crush on Archer was totally gone. Over. Once a boy has slammed his kneecap into your rib cage, I think any romantic feeling should naturally go the way of the ghost.
β
β
Rachel Hawkins (Hex Hall (Hex Hall, #1))
β
All night I streched my arms across
him, rivers of blood, the dark woods, singing
with all my skin and bone ''Please keep him safe.
Let him lay his head on my chest and we will be
like sailors, swimming in the sound of it, dashed
to pieces.'' Makes a cathedral, him pressing against
me, his lips at my neck, and yes, I do believe
his mouth is heaven, his kisses falling over me like stars.
β
β
Richard Siken (Crush)
β
The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. Youβre in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unlessβhe keeps his mouth shut, which is what youβdidn't do, because you are weak and hollow and it doesn't matter anymore.
β
β
Richard Siken (Crush)
β
When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.
β
β
Margaret Atwood (Alias Grace)
β
with this bullet lodged in my chest, covered with your name, I will turn myself into a gun, because
itβs all I have,
because Iβm hungry and hollow and just want something to call my own. Iβll be your slaughterhouse, your killing floor, your morgue and final resting, walking around with this
bullet inside me
βcause I couldnβt make you love me and Iβm tired of pulling your teeth.
β
β
Richard Siken (Crush)
β
Often, when we have a crush, when we lust for a person, we see only a small percentage of who they really are. The rest we make up for ourselves. Rather than listen, or learn, we smother them in who we imagine them to be, what we desire for ourselves, we create little fantasies of people and let them grow in our hearts. And this is where the relationship fails. In time, the fiction we scribble onto a person falls away, the lies we tell ourselves unravel and soon the person standing in front of you is almost unrecognisable, you are now complete strangers in your own love. And what a terrible shame it is. My advice: pay attention to the small details of people, you will learn that the universe is far more spectacular an author than we could ever hope to be.
β
β
Beau Taplin
β
The way you slam your body into mine reminds me Iβm alive, but monsters are always hungry, darling, and theyβre only a few steps behind you, finding the flaw, the poor weld, the place where we werenβt stitched up quite right, the place they could almost slip right into through if the skin wasnβt trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for to love me. If this isnβt a kingdom then I donβt know what is.
β
β
Richard Siken (Crush)
β
Be always drunken.
Nothing else matters:
that is the only question.
If you would not feel
the horrible burden of Time
weighing on your shoulders
and crushing you to the earth,
be drunken continually.
Drunken with what?
With wine, with poetry, or with virtue, as you will.
But be drunken.
And if sometimes,
on the stairs of a palace,
or on the green side of a ditch,
or in the dreary solitude of your own room,
you should awaken
and the drunkenness be half or wholly slipped away from you,
ask of the wind,
or of the wave,
or of the star,
or of the bird,
or of the clock,
of whatever flies,
or sighs,
or rocks,
or sings,
or speaks,
ask what hour it is;
and the wind,
wave,
star,
bird,
clock will answer you:
"It is the hour to be drunken!
β
β
Charles Baudelaire (Paris Spleen)
β
So, whatβyou just walk right past me? Donβt even say hello?β He clutches the socks to his chest. βIβm crushed. I saved us a table and everything.β
I glance at him. Keep walking.
He catches up. βIβm serious. Do you have any idea how awkward it is to wave at someone and have them ignore you? And then youβre just looking around like a jackass, trying to be all, βNo, really, I swear, I know that girlβ and no one believes yβ
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
Symptom Recital
I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men....
I'm due to fall in love again.
β
β
Dorothy Parker
β
His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although itβs none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like Vβlane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped.
"Sometimes itβs over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldnβt find you. Youβll have to choose a new bedroom, too. And Iβm sorry your pretty little world got all screwed up, but everybodyβs does, and you go on. Itβs how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
β
β
Karen Marie Moning (Bloodfever (Fever, #2))
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
The worst part is wondering how youβll find the strength tomorrow to go on doing what you did today and have been doing for much too long, where youβll find the strength for all that stupid running around, those projects that come to nothing, those attempts to escape from crushing necessity, which always founder and serve only to convince you one more time that destiny is implacable, that every night will find you down and out, crushed by the dread of more and more sordid and insecure tomorrows. And maybe itβs treacherous old age coming on, threatening the worst. Not much music left inside us for life to dance to. Our youth has gone to the ends of the earth to die in the silence of the truth. And where, I ask you, can a man escape to, when he hasnβt enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. Iβve never been able to kill myself.
β
β
Louis-Ferdinand CΓ©line
β
Donβt think I ever spent a minute of any day wondering why I did this work, or whether it was worth it. The call to protect lifeβand not merely life but anotherβs identity; it is perhaps not too much to say anotherβs soulβwas obvious in its sacredness. Before operating on a patientβs brain, I realized, I must first understand his mind: his identity, his values, what makes his life worth living, and what devastation makes it reasonable to let that life end. The cost of my dedication to succeed was high, and the ineluctable failures brought me nearly unbearable guilt. Those burdens are what make medicine holy and wholly impossible: in taking up anotherβs cross, one must sometimes get crushed by the weight.
β
β
Paul Kalanithi (When Breath Becomes Air)
β
Peeta,β I say lightly. βYou said at the interview youβd had a crush on me forever. When did forever start?β
βOh, letβs see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,β Peeta says.
βYour father? Why?β I ask.
βHe said, βSee that little girl? I wanted to marry her mother, but she ran off with a coal miner,ββ Peeta says.
βWhat? Youβre making that up!β I exclaim.
βNo, true story,β Peeta says. βAnd I said, βA coal miner? Why did she want a coal miner if she couldβve had you?β And he said, βBecause when he sings... even the birds stop to listen.ββ
βThatβs true. They do. I mean, they did,β I say. Iβm stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think itβs a waste of time. It might be because it reminds me too much of my father.
βSo that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,β Peeta says.
βOh, please,β I say, laughing.
βNo, it happened. And right when your song ended, I knewβjust like your motherβI was a goner,β Peeta says. βThen for the next eleven years, I tried to work up the nerve to talk to you.β
βWithout success,β I add.
βWithout success. So, in a way, my name being drawn in the reaping was a real piece of luck,β says Peeta. For a moment, Iβm almost foolishly happy and then confusion sweeps over me. Because weβre supposed to be making up this stuff, playing at being in love not actually being in love. But Peetaβs story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I donβt remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my fatherβs death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
βYou have a... remarkable memory,β I say haltingly. βI remember everything about you,β says Peeta, tucking a loose strand of hair behind my ear. βYouβre the one who wasnβt paying attention.β
βI am now,β I say.
βWell, I donβt have much competition here,β he says. I want to draw away, to close those shutters again, but I know I canβt. Itβs as if I can hear Haymitch whispering in my ear, βSay it! Say it!β
I swallow hard and get the words out. βYou donβt have much competition anywhere.β And this time, itβs me who leans in.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose lifeβ¦ But why would I want to do a thing like that? I chose not to choose life. I chose somethinβ else. And the reasons? There are no reasons. Who needs reasons when youβve got heroin?
β
β
Irvine Welsh (Trainspotting)
β
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
β
β
Peter Craig (Hot Plastic)