A Crown Of Swords Quotes

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Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. I pledge my life and honor to the Night's Watch, for this night and all the nights to come.
George R.R. Martin
When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth...... But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. And think not you can direct the course of love, if it finds you worthy, directs your course. Love has no other desire but to fulfil itself." But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
Kahlil Gibran (Le Prophète)
Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
In a cruel land, you either learned to laugh at cruelty or spent your life weeping.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Once upon a time, there was a boy. He lived in a village that no longer exists, in a house that no longer exists, on the edge of a field that no longer exists, where everything was discovered, and everything was possible. A stick could be a sword, a pebble could be a diamond, a tree, a castle. Once upon a time, there was a boy who lived in a house across the field, from a girl who no longer exists. They made up a thousand games. She was queen and he was king. In the autumn light her hair shone like a crown. They collected the world in small handfuls, and when the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.
Nicole Krauss (The History of Love)
That is the curse of lying, Sister. Once you place that crown of the liar upon your head, you can take it off again, but it leaves a stain for all time.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
If you don't know everything, you must go on with what you do know.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
I saw the crown of France laying on the ground, so I picked it up with my sword.
Napoléon Bonaparte
she was too much of a warrior to be considered a princess she never cared for the crown she preferred a sword
R.H. Sin
My featherbed is deep and soft, and there I’ll lay you down, I’ll dress you all in yellow silk and on your head a crown. For you shall be my lady love, and I shall be your lord. I’ll always keep you warm and safe, and guard you with my sword. And how she smiled and how she laughed, the maiden of the tree. She spun away and said to him, no featherbed for me. I’ll wear a gown of golden leaves, and bind my hair with grass, But you can be my forest love, and me your forest lass.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.” “So power is a mummer’s trick?” “A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
The Flower-Crowned Martial God; Sword in one hand, flower in the other. Shi QingXuan only remembered the flower, but had forgotten: Xie lian ascended because of his sword.
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
All men are fools, if truth be told, but the ones in motley are more amusing than ones with crowns.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
If I were an enemy, and I started bearing down on you like this," he draws his sword, stretches the tip towards me, takes a single step in my direction, "what would you do?" Possibilities race through my head. Should I look for a weapon? Dodge and come up behind his guard? Trip him? Insult his mother?
Rae Carson (The Crown of Embers (Fire and Thorns, #2))
You’re only boobs, hair, and talk, Crown,” said the guard. “No,” said Crown. “I’m boobs and hair and talk and a hell of a sword hand.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
I tell you this—Robert was never the same after he put on that crown. Some men are like swords, made for fighting. Hang them up and they go to rust.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face. All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen. "You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!" The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter. "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade. Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
In his opinion, working was vastly overrated. Particularly as a way to build character, for everyone who engaged in it was far too snappish and fussy, and seemed to have no manners at all.
Hilari Bell (Crown of Earth (The Shield, Sword, and Crown, #3))
I see the crown dripping blood. A storm without thunder. Shadow twisting on a bed of flames.
Victoria Aveyard (Glass Sword (Red Queen, #2))
Queens and kings Kings and queens Blue lily, lily blue Crowns and birds Swords and things Blue lily, lily blue
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
And then that voice from behind her said her name again. "Celaena." They had done this. Her bloody fingers slid down Dorian's face, to his neck. He just stared at her, suddenly still. "Celaena," a familiar voice said. A warning. They had did this. They had betrayed her. Betrayed Nehemia. They had taken her away. Her nail brushed Dorian's exposed throat. "Celaena," the voice said. Celaena slowly turned. Chaol stared at her, a hand on his sword. The sword she'd brought to the warehouse- the sword she'd left there. Archer had told her that Chaol had known they were going to do this. He had known. She shattered completely, and launched herself at him.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Three months previously I had entered the Haunt alone, covered in blood that was not my own and swinging a stolen sword. By Brothers followed me in. Now I left the castle in the hands of another. I had wanted my uncle's blood. His crown I took because other men said I could not have it.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
Life is a dream—that knows no shade. Life is a dream—of pain and woe. A dream from which—we pray to wake. A dream from which—we wake and go. Who would sleep—when the new dawn waits? Who would sleep—when the sweet winds blow? A dream must end—when the new day comes. This dream from which—we wake and go.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
When kings the sword of justice first lay down, They are no kings, though they possess the crown. Titles are shadows, crowns are empty things, The good of subjects is the end of kings.
Daniel Defoe (The True-Born Englishman: A Satyr)
Perhaps Embry’s always had the part of me that wielded the sword, but she… she’s always owned the part that wears the crown.
Sierra Simone (American King (New Camelot Trilogy, #3))
Hear my words and bear witness to my vow. Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the shield that guards the realms of men. I pledge my life and honor to the Night's Watch, for this night and all the nights to come.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The dragon is withered, His bones are now crumbled; His armour is shivered, His splendour is humbled! Though sword shall be rusted, And throne and crown perish With strength that men trusted And wealth that they cherish, Here grass is still growing, And leaves are yet swinging, The white water flowing, And elves are yet singing Come! Tra-la-la-lally! Come back to the valley!
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
The trumpets of war shall sound at his footsteps, the ravens feed at his voice, and he shall wear a crown of swords.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
The gods made the earth for all men t' share. Only when the kings come with their crowns and steel swords, they claimed it was all theirs. "My trees," they said, "you can't eat them apples. My stream, you can't fish here. My wood, you're not t' hunt. My earth, my water, my castle, my daughter, keep your hands away or I'll chop 'em off, but maybe if you kneel t' me I'll let you have a sniff." You call us thieves, but at least a thief has t' be brave and clever and quick. A kneeler only has t' kneel.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Bree doesn’t know me as I am now, having missed almost five years of my life. But then, my life has changed more in the last two months than ever before. And only two people were with me through it. The first is imprisoned and the second wears a crown of blood.
Victoria Aveyard (Glass Sword (Red Queen, #2))
Practice restraint, and know it by touch. Use Cards when they’re needed, and never too much. For too much of fire, our swords would all break. Too much of wine a poison doth make. Excess is grievous, be knave, maid, or crown. Too much of water, how easy we drown.
Rachel Gillig (One Dark Window (The Shepherd King #1))
I have never cared for Castles or a Crown that grips too tight, Let the night sky be my starry roof and the moon my only light, My Heart was born a Hero, my storm-bound sword won't rest, I left the Harbour long ago on a Never-ending Quest, I am off to the horizon, where the wild wind blows the foam, Come get lost with me, love, and the sea shall be our home!
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
I hope Maven will see what we are, what we can do, and know he cannot win. Even he is not a fool. Even he knows when he is beaten. At least, I hope he does. Because as far as I can tell, Maven has never been defeated. Not when it really counts. Cal won their father, his soldiers, but Maven won the crown. Maven won every battle that truly mattered. And given time... he would’ve won me too.
Victoria Aveyard (Glass Sword (Red Queen, #2))
The truth was only another mask, even if it was the best fit, the closest to skin and all that lay beneath
Michelle Sagara West (The Broken Crown (The Sun Sword, #1))
Mine is a khopesh ,’ Carter said. ‘The original Egyptian version. What you’re holding is a kopis – a Greek design adapted from the Egyptian original. It’s the kind of sword Ptolemy’s warriors would’ve used.’ I looked at Sadie. ‘Is he trying to confuse me?’ ‘No,’ she said brightly. ‘He’s confusing without trying.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
Only a fool thinks a lion or a woman can truly be tamed.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
I pray that the Lord might crown this year with His goodness and in the coming one give you a hallowed dare-devil spirit in lifting the biting sword of Truth, consuming you with a passion that is called by the cultured citizen of Christendom 'fanaticism', but known to God as that saint-ly madness that led His Son through bloody sweat and hot tears to agony on a rude Cross---and Glory!
Jim Elliot
Also he stole my sword,’ I said. ‘I want it back.’ The three of them stared at me. ‘What?’ I said. ‘I like my sword.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
In youth,' he said, speaking as if from a great distance, 'we believe, and the death of belief forces us to disavow all belief. But that disavowal, time softens, and if we do not believe, we hope. Belief is easier to kill, somehow, and its death easier to bear.
Michelle Sagara West (The Broken Crown (The Sun Sword, #1))
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
Nicole Krauss (The History of Love)
It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it's still not yet two o'clock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave yet it's going to begin, we all know that, we have come too far with too much at stake and that moment doesn't need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose than all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world's roaring rim.
William Faulkner (Intruder in the Dust)
Pitiful and pitied by no one, why have I come to the ignominy of this detestable old age, who was ruler of two kingdoms, mother of two kings? My guts are torn from me, my family is carried off and removed from me. The young king [crown prince Henry, †1183] and the count of Britanny [prince Geoffrey, †1186] sleep in dust, and their most unhappy mother is compelled to be irremediably tormented by the memory of the dead. Two sons remain to my solace, who today survive to punish me, miserable and condemned. King Richard [the Lionheart] is held in chains [in captivity with Emperor Henry VI of Germany]. His brother, John, depletes his kingdom with iron [the sword] and lays it waste with fire. In all things the Lord has turned cruel to me and attacked me with the harshness of his hand. Truly his wrath battles against me: my sons fight amongst themselves, if it is a fight where where one is restrained in chains, the other, adding sorrow to sorrow, undertakes to usurp the kingdom of the exile by cruel tyranny. Good Jesus, who will grant that you protect me in hell and hide me until your fury passes, until the arrows which are in me cease, by which my whole spirit is sucked out?" [Third letter to Pope Celestine (1193)]
Eleanor of Aquitaine
There can be no health in us, nor any good thing grow, for the land is one with the Dragon Reborn and he one with the land. Soul of fire, heart of stone, in pride he conquers, forcing the proud to yield. He calls upon the mountains to kneel, and the seas to give way, and the very skies to bow. Pray that the heart of stone remebers tears, and the soul of fire, love. -From a much-disputed translation of The Prophecies of the Dragon by the poet Kyera Termendal, of Shiota, believed to have been published between FY 700 and FY 800
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
...Oh, kiss a flaming goat if I know what I mean.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Men teach cats curiosity, but cats keep sense for themselves.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
The Flower-Crowned Martial God; Sword in One Hand, Flower in the Other. Shi Qingxuan had only rememberede the flower. He had forgotten that Xie Lian ascended because of his sword.
Mò Xiāng Tóng Xiù
A girl or a fight, pouting lips or a flashing blade. Whichever dance you're dancing at the moment is always the most fun. Wouldn't you say?
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
A woman would do a thing until you were sure she always would, then do something else just to fuddle you.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
I thought you were dead,” Bera breathed. Cadsuane sniffed irritably. “I am growing tired of hearing that. The next imbecile I hear it from is going to yelp for a week.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Sure, I had other skills. I could make waves (literally) and occasionally even whip up a nice frothy hurricane. But my sword was a big part of who I was. Without it, I felt crippled.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
I do give them to you," he announced. "Of my free will. Because this is my sword." He laid a hand on Arisa's shoulder. "And Weasle is my shield. What you hold are only pieces of iron.
Hilari Bell (Crown of Earth (The Shield, Sword, and Crown, #3))
They came in the night,” we said, “the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans… “Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I am not so fearful of my own status that I must see it slavishly worshiped at every possible moment, Kovakar," the kinlord responded. "It bores me" - Isladar
Michelle West (The Broken Crown (The Sun Sword, #1))
Usually when a woman was in the wrong, she could find so many things to blame on the nearest man that he wound up thinking maybe he really was at fault.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
jumping backward is hard when you’re holding a sword. It’s even harder when the ground is muddy. Long story short: I slipped and landed on my butt.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
I have never cared for castles or a crown that grips too tight, Let the night sky be my starry roof and the moon my only light, My heart was born a Hero, My storm-bound sword won't rest, I left this harbour long ago on a never-ending quest. I am off to the horizon, Where the wild wind blows the foam, Come get lost with me, love, And the sea shall be our home.
Cressida Cowell (How to Break a Dragon's Heart (How to Train Your Dragon, #8))
And for some reason, men and women who told the tale often found a need to add almost identical words. The storm is coming, they said, staring southward in worry. The storm is coming.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Therefore Morgoth came, climbing slowly from his subterranean throne, and the rumour of his feet was like thunder underground. And he issued forth clad in black armour; and he stood before the King like a tower, iron-crowned, and his vast shield, sable unblazoned, cast a shadow over him like a stormcloud. But Fingolfin gleamed beneath it as a star; for his mail was overlaid with silver, and his blue shield was set with crystals; and he drew his sword Ringil, that glittered like ice.
J.R.R. Tolkien (The Silmarillion)
Dinah drew her sword, and with that, the former Princess of Wonderland and her black devil steed disappeared into the Twisted Wood, leaving nothing behind but a false trail and the distant whiff of a crown.
Colleen Oakes (Queen of Hearts (Queen of Hearts Saga, #1))
What is a queen without a king?" "A dark, powerful creature with no man to temper her steel. You shall wield a sword as your crown, a whip as your jewels, and armor as your gown.
Emma Hamm (Veins of Magic (The Otherworld, #2))
In her stories, there would be an answer like a lightning bolt. A cure for the curse, a sword for the monster, a crown for the prince. Perfect and all-encompassing in its simplicity. Long live the king and his happily ever after.
Georgia Summers (The City of Stardust)
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Kahlil Gibran (The Prophet)
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. -The Song of Durin
J.R.R. Tolkien
in that small [time] most greatly lived this star of England: Fortune made his sword, By which the world's best garden he achiev'd And left it to his son imperial lord. Henry the Sixth, in infant bands crown'd King of France and England did this King succeed; Whose state so many of had the managing, That they lost France and made his England bleed.
William Shakespeare (Henry V)
I see the crown dripping blood. A storm without thunder. Shadow twisting on a bed of flames. I see lakes flooding their shores, swallowing men whole. I see a man with one red eye, his coat blue, his gun smoking-
Victoria Aveyard (Glass Sword (Red Queen, #2))
The dragon is withered His bones are now crumbled; His armour is shivered, His splendour is humbled! Though sword shall be rusted And throne and crown perish With strength that men trusted And wealth that they cherish, Here grass is still growing, And leaves are yet swinging, The white water flowing, And elves are yet singing Come! Tra-la-la-lally! Come back to the Valley! The stars are far brighter Than gems without measure, The moon is far whiter Than silver in treasure: The fire is more shining On hearth in the gloaming Than gold won by mining, So why go a-roaming? O! Tra-la-la-lally Come back to the Valley! O! Where are you going, So late in returning? The river is flowing, The stars are all burning! O! Wither so laden, So sad and so dreary? Here elf and elf-maiden Now welcome the weary With Tra-la-la-lally Come back to the Valley, Tra-la-la-lally Fa-la-la-lally Fa-la!
J.R.R. Tolkien
There's a great maze of tunnels, a Labyrinth. It's like a great dark city, under the hill. Full of gold, and the swords of old heroes, and old crowns, and bones, and years, and silence.' She spoke if in trance, rapture. Manan watched her. His slabby face never expressed much but stolid, careful sadness; it was sadder than usual now. 'Well, and you're mistress of all that,' he said. 'The silence, and the dark.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
Never fear quarrels, but seek adventures. I have taught you how to handle a sword; you have thews of iron, a wrist of steel. Fight on all occasions. Fight the more for duels being forbidden, since consequently there is twice as much courage in fighting. I have nothing to give you, my son, but fifteen crowns, my horse, and the counsels you have just heard.
Alexandre Dumas (The Three Musketeers (The D'Artagnan Romances, #1))
But you need your rotten heart Your dazzling pain like diamond rings You need to go to war to find material to sing I am no mother, I am no bride, I am King I need my golden crown of sorrow My bloody sword to swing My empty halls to echo with grand self-mythology I am no mother, I am no bride, I am King
Florence Welch
If there was magic in this world, it happened within sight of the three bases and home plate. All the gems in my world that decorated the walls and floors of dragons' lairs, the sword hilts of privileged princes, and crowns worn by emperors and kings, were nothing compared to the beauty and splendor of the diamond in Wrigley Stadium. It wasn't just a yard with dirt, chalk lines, bases, and a small hill in its center. Wrigley was a field of dreams. Dreams of eternal glory for the men who ran to the outfield, who took their respective bases, and prepared for battle against those who would dare enter their hallowed realm. Dreams for the kids in the stands, all wanting to don a uniform, kiss their moms goodbye, and wield their bats as enchanted weapons destined to knock the cover off the ball. And for the adults who had already selected their lot in life, Wrigley made the dreams of past innocence, lost wonder, and the promise that there was something inherently good still left in the world, come true. Yeah, corny as hell. But all true.
Tee Morris (The Case of the Pitcher's Pendant: A Billibub Baddings Myster)
We smiled, and when we stood, the world around us faded, time and space, Prince and King, child and spirit. All that remained was magic - black as ink. Powerful, vengeful, and full of fury. Our voice dripped oil, Hauth fixed in our gaze. We stalked him, pinning him in the corner of the room. "They came in the night," we said, "the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans... "Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Come to me, and I will try to heal you. I will try to heal you, if you but come back,” Sasha sang softly, the melody sweet, the lyrics heartfelt, and it fell from her lips in a husky plea. “Come to me, and I will give you shelter, I will give you shelter, if you but come back,” he added, picking up where she left off. His lips brushed the lobe of her ear, and he felt the shudder that swept from the crown of her head to the tips of her toes. Her heart galloped, her skin grew damp beneath his, and he continued to chant, making the promise all over again. “Come to me, and I will try to love you. I will try to love you, if you but come back.
Amy Harmon (The Queen and the Cure (The Bird and the Sword Chronicles, #2))
It is a child speaking," said Merlin, "not a king and not a knight, but a hurt and angry child, or you would know, my lord, that there is more to a king than a crown, and far more to a knight than a sword. You were a knight when you grappled Pellinore unarmed." "And he defeated me." "You were a knight," said Merlin. "Somewhere in the world there is defeat for everyone. Some are destroyed by defeat, and some made small and mean by victory. Greatness lives in one who triumphs equally over defeat and victory.
John Steinbeck (The Acts of King Arthur and His Noble Knights)
No, time has silverted the dark sheen of her hair, and thickened her body, and lined the corners of her eyes and her lips. He saw in them the hints of the smile he loved, and knew, to be fair, that time had been no kinder to him. Or perhaps, it had been just as kind; for she did not look the part of a young girl, and she was not: she was stronger, wiser, and more just than the fear of youth allowed; she gave him the shelter that he needed, on the rare occasions that that need drove him. She trusted him, always; she looked up to him, still; he strove, in every way, to continue to live up to her expectation. She was the one person in his life he did not wish to disappoint.
Michelle Sagara West (The Broken Crown (The Sun Sword, #1))
I like poetry," said the king. "And plays. I used to put on little theatricals at the palace. If we survive this, and if I get my crown back, and if there's time, I'd like to open a theater someday." "If we survive this, you totally should," G agreed. They both tightened their grips on their swords and coughed in a manly way that meant that they weren't scared of a silly old bear.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
You were right about the swords,” Royce said. “You really do need three.” “You sound drunk.” “I feel drunk-and I hate being drunk. Nothing works the way it’s supposed to. And it makes me act stupid … like you.” “You’re aware I’m in the process of trying to save your life, right?” “What part of stupid don’t you understand?
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. Two, the sword: that sometimes best is second-best. Three, the shield: that sometimes freedom must be fought for. Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. Five, the ruby heart’s stone: that love never dies. Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. Seven, the key-that-opens-all-locks: that accidents happen for a reason. Eight, the Throne: that power can corrupt. Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. "Two, the sword: that sometimes best is second-best. "Three, the shield: that sometimes freedom must be fought for. "Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. "Five, the ruby heart’s stone: that love never dies. "Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. "Seven, the key-that-opens-all-locks: that accidents happen for a reason. "Eight, the Throne: that power can corrupt. "Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. "And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.
Robert Graves
The French Revolution, which is nothing more nor less than the ideal armed with the sword, rose abruptly, and by that very movement, closed the door of evil and opened the door of good. It released the question, promulgated truth, drove away miasma, purified the century, crowned the people. We can say it created man a second time, in giving him a second soul, his rights. Page 997 Saint-Denis chapter 7 Argot part III
Victor Hugo (Les Misérables)
From the desperation of golden crowns and born of mortal flesh, a great primal power rises as the heir to the lands and seas, to the skies and all the realms. A shadow in the ember, a light in the flame, to become a fire in the flesh. When the stars fall from the night, the great mountains crumble into the seas, and old bones raise their swords beside the gods, the false one will be stripped from glory until two born of the same misdeeds, born of the same great and Primal power in the mortal realm. A first daughter, with blood full of fire, fated for the once-promised King. And the second daughter, with blood full of ash and ice, the other half of the future King. Together, they will remake the realms as they usher in the end. ‘And so it will begin with the last Chosen blood spilled, the great conspirator birthed from the flesh and fire of the Primals will awaken as the Harbinger and the Bringer of Death and Destruction to the lands gifted by the gods. Beware, for the end will come from the west to destroy the east and lay waste to all which lies between.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
The only hero she had known was a Viking whose story she had read as a child; a Viking whose eyes never looked farther than the point of his sword, but there was no boundary for the point of his sword; a Viking who walked through life, breaking barriers and reaping victories, who walked through ruins while the sun made a crown over his head, but he walked, light and straight, without noticing its weight; a Viking who laughed at kings, who laughed at priests, who looked at heaven only when he bent for a drink over a mountain brook and there, over-shadowing the sky, he saw his own picture; a Viking who lived but for the joy and the wonder and the glory of the god that was himself.
Ayn Rand (We the Living)
Alric! Stop it!" Pickering snapped at him. "You mustn't let the men see you crying!" Fury flared in Alric, and he spun on the count. "No? No? Look at them! They are dying for me. They are dying on my order! I say they do have a right to see their king! They all have a right to see their king!" Alric wiped the tears from his cheeks and gathered his reins. "I'm tired of this. I'm tired of having my face put in the dirt! I won't stand it. I'm tired of being helpless. That's my city, built by my ancestors! If my people chose to fight, then, by Maribor, I want them to know it's me they fight!" The prince put on his helm, drew his father's large sword and spurred his horse forward, not at the trench but at the castle gate itself.
Michael J. Sullivan (The Crown Conspiracy (The Riyria Revelations, #1))
I am a Black woman, therefore, I am destined to protect myself. Our men have wandered too far to beckon. They are lost guardians. Thus, you learn early on how to wield your sword & hoist your shield -- how to stand shoulder to shoulder with your sister in battle and wail a cry that never seems to be loud enough. And I am tired. If only I could rest. To be a Queen with no infantry is a painful sight indeed. They do not yield to my crown. How useless is my throne, if I am to continue to fight alone?
Bethanee Epifani J. Bryant (Don't Fall Prey! Dating Tales, Trials, & Triumphs)
What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.
William Shakespeare (Henry V)
My five Upstart sons are all bloody and brave I’ve got one on the gallows, and two in the grave One is your prisoner, and none is your slave “Pish,” said Gormalin. “That’s a war song!” I’ve got one in the hills that you never have met And though he is young, he will murder you yet For the hour is coming you’ll answer your debt “That song’s illegal!” he protested, and right he was. It’s the very song that got Kellan na Falth hanged. “You can’t sing about men killing men since the Goblin Wars! Especially not a song against a proper king of Holt, even an old, bad king!” Now, of course, I joined in. My five Upstart sons have declared against you Their tongues are as black as their promise is true And they’ll call you to answer whatever you do! No Coldfoot guard was going to be left out of an illegal Galtish rebel song, so Malk picked up the next verse with us, his strong, confident baritone suddenly making the whole insurrection seem credible. The crown you so love sits but light on your head The castle you stole has a cold, stony bed And though I am old, I will yet see you dead You’ve hundreds of men with long swords and long knives But you’ve lain with near half of their fair Galtish wives And none of them love you to lay down their lives Abandon your tower and open your gate No silver-bought army can alter your fate If all my five perish, my neighbor has eight Our ten thousand sons have declared against you Their tongues are as black as their promise is true And they’re coming, they’re coming, whatever you do
Christopher Buehlman (The Blacktongue Thief (Blacktongue, #1))
Then breaking the silence Thingol said: 'Go your way therefore! Bring to me in your hand a Silmaril from Morgoth's crown; and then, if she will, Lúthien may set her hand in yours. Then you shall have my jewel; and though the fate of Arda lie within the Silmarils, yet you shall hold me generous.' And those that heard these words perceived that Thingol would save his oath, and yet send Beren to his death; for they knew that not all the power of the Noldor had availed even to see from afar the shining Silmarils of Feanor. For they were set in the Iron Crown, and treasured in Angband above all wealth; and Balrogs were about them, and countless swords, and strong bars, and unassailable walls, and the dark majesty of Morgoth. But Beren laughed. 'For little price,' he said, 'do Elven-kings sell their daughters: for gems, and things made by craft. But if this be your will, Thingol, I will perform it. And when we meet again my hand shall hold a Silmaril from the Iron Crown; for you have not looked the last upon Beren son of Barahir.
J.R.R. Tolkien (The Silmarillion)
You realize the moment you dropped that book, we stopped being partners,” Royce said. “Oh yeah-you’re right. Huh. I should have left you for dead after all.” “What’s the real reason? Just before we started up, you said that you were going to kill me after the job. You were going to show me how you use that big sword.” “I did. Weren’t you watching?” “Yes, I was, but you were going to use it to kill me.” “Damn it-you’re right. I forgot.” Hadrian reached up weakly to touch the pommel of his sword. “Can we do that later? I’m pretty comfortable right now.” He let his arm slap back on the grass. “Why’d you come back? Why didn’t you just leave?” “This really bothers you, doesn’t it?” “Yes. Yes, it does.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
Sometimes it amazed him. Lanky Thom with his white hair and mustaches, who had been a Queen’s lover once, and more willingly than himself, not to mention more than a lover, if you believed half he said. Square-jawed Harnan with that tattoo on his cheek and more elsewhere, who had been a soldier all his life. Juilin with his bamboo staff and his sword-breaker on his hip, who thought himself as good as any lord even if the idea of carrying a sword himself still made him uneasy, and fat Vanin, who made Juilin look a bootlicker by comparison. Skinny Fergin, and Gorderan, nearly as wide in the shoulders as Perrin, and Metwyn, whose pale Cairhienin face still looked like a boy’s despite being years older than Mat. Some of them followed Mat Cauthon because they thought he was lucky, because his luck might keep them alive when the swords were out, and some for reasons he was not really sure of, but they followed. Not even Thom had ever more than protested an order of his. Maybe Renaile had been more than luck. Maybe his being ta’veren did more than dump him in the-middle of trouble. Suddenly he felt... responsible... for these men. It was an uncomfortable feeling. Mat Cauthon and responsibility did not go together. It was unnatural.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Finally, if you ask why this complete picture of the Antichrist is given us in Scripture, my answer is: in order that we might clearly recognize it when it is revealed. And what then must we do when we see it is come? Must we oppose it, must we fight it with the sword? That, of course, is completely impossible. It will come. It must come. And to oppose its coming is entirely vain. Its coming is irresistible. And the battle is not one of, the sword. But as the text has it, he that is for captivity, into captivity he goeth; and if any man shall kill with the sword, with the sword he must be killed. No, we cannot oppose the power of Antichrist by main force. When that world-power comes and reigns supreme, we shall be submissive to the last, as far as God and our conscience permit. But here is the patience and the faith of the saints, that in all these times they remain faithful, and refuse to deny the Christ. They wait for the day of His coming. May God give us grace to be found faithful at all times, and watching and praying, so that no one may take our crown.
Herman Hoeksema
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
And well may God with the serving-folk Cast in His dreadful lot; Is not He too a servant, And is not He forgot? For was not God my gardener And silent like a slave; That opened oaks on the uplands Or thicket in graveyard gave? And was not God my armourer, All patient and unpaid, That sealed my skull as a helmet, And ribs for hauberk made? Did not a great grey servant Of all my sires and me, Build this pavilion of the pines, And herd the fowls and fill the vines, And labour and pass and leave no signs Save mercy and mystery? For God is a great servant, And rose before the day, From some primordial slumber torn; But all we living later born Sleep on, and rise after the morn, And the Lord has gone away. On things half sprung from sleeping, All sleeping suns have shone, They stretch stiff arms, the yawning trees, The beasts blink upon hands and knees, Man is awake and does and sees- But Heaven has done and gone. For who shall guess the good riddle Or speak of the Holiest, Save in faint figures and failing words, Who loves, yet laughs among the swords, Labours, and is at rest? But some see God like Guthrum, Crowned, with a great beard curled, But I see God like a good giant, That, laboring, lifts the world.
G.K. Chesterton (The Ballad of the White Horse)
Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!
Rudyard Kipling
Exoneration of Jesus Christ If Christ was in fact God, he knew all the future. Before Him like a panorama moved the history yet to be. He knew how his words would be interpreted. He knew what crimes, what horrors, what infamies, would be committed in his name. He knew that the hungry flames of persecution would climb around the limbs of countless martyrs. He knew that thousands and thousands of brave men and women would languish in dungeons in darkness, filled with pain. He knew that his church would invent and use instruments of torture; that his followers would appeal to whip and fagot, to chain and rack. He saw the horizon of the future lurid with the flames of the auto da fe. He knew what creeds would spring like poisonous fungi from every text. He saw the ignorant sects waging war against each other. He saw thousands of men, under the orders of priests, building prisons for their fellow-men. He saw thousands of scaffolds dripping with the best and bravest blood. He saw his followers using the instruments of pain. He heard the groans—saw the faces white with agony. He heard the shrieks and sobs and cries of all the moaning, martyred multitudes. He knew that commentaries would be written on his words with swords, to be read by the light of fagots. He knew that the Inquisition would be born of the teachings attributed to him. He saw the interpolations and falsehoods that hypocrisy would write and tell. He saw all wars that would be waged, and-he knew that above these fields of death, these dungeons, these rackings, these burnings, these executions, for a thousand years would float the dripping banner of the cross. He knew that hypocrisy would be robed and crowned—that cruelty and credulity would rule the world; knew that liberty would perish from the earth; knew that popes and kings in his name would enslave the souls and bodies of men; knew that they would persecute and destroy the discoverers, thinkers and inventors; knew that his church would extinguish reason’s holy light and leave the world without a star. He saw his disciples extinguishing the eyes of men, flaying them alive, cutting out their tongues, searching for all the nerves of pain. He knew that in his name his followers would trade in human flesh; that cradles would be robbed and women’s breasts unbabed for gold. And yet he died with voiceless lips. Why did he fail to speak? Why did he not tell his disciples, and through them the world: “You shall not burn, imprison and torture in my name. You shall not persecute your fellow-men.” Why did he not plainly say: “I am the Son of God,” or, “I am God”? Why did he not explain the Trinity? Why did he not tell the mode of baptism that was pleasing to him? Why did he not write a creed? Why did he not break the chains of slaves? Why did he not say that the Old Testament was or was not the inspired word of God? Why did he not write the New Testament himself? Why did he leave his words to ignorance, hypocrisy and chance? Why did he not say something positive, definite and satisfactory about another world? Why did he not turn the tear-stained hope of heaven into the glad knowledge of another life? Why did he not tell us something of the rights of man, of the liberty of hand and brain? Why did he go dumbly to his death, leaving the world to misery and to doubt? I will tell you why. He was a man, and did not know.
Robert G. Ingersoll
You wanted a demonstration,” Celaena said quietly. Sweat trickled down her back, but she gripped the magic with everything she had. “One thought from me, and your city will burn.” “It is stone,” Maeve snapped. Celaena smiled. “Your people aren’t.” Maeve’s nostrils flared delicately. “Would you murder innocents, Aelin? Perhaps. You did it for years, didn’t you?” Celaena’s smile didn’t falter. “Try me. Just try to push me, Aunt, and see what comes of it. This was what you wanted, wasn’t it? Not for me to master my magic, but for you to learn just how powerful I am. Not how much of your sister’s blood flows in my veins—no, you’ve known from the start that I have very little of Mab’s power. You wanted to know how much I got from Brannon.” The flames rose higher, and the shouts—of fright, not pain—rose with them. The flames would not hurt anyone unless she willed it. She could sense other magics fighting against her own, tearing holes into her power, but the conflagration surrounding the veranda burned strong. “You never gave the keys to Brannon. And you didn’t journey with Brannon and Athril to retrieve the keys from the Valg,” Celaena went on, a crown of fire wreathing her head. “You went to steal them for yourself. You wanted to keep them. Once Brannon and Athril realized that, they fought you. And Athril…” Celaena drew Goldryn, its hilt glowing bloodred. “Your beloved Athril, dearest friend of Brannon … when Athril fought you, you killed him. You, not the Valg. And in your grief and shame, you were weakened enough that Brannon took the keys from you. It wasn’t some enemy force who sacked the Sun Goddess’s temple. It was Brannon. He burned any last trace of himself, any clue of where he was going so you would not find him. He left only Athril’s sword to honor his friend—in the cave where Athril had first carved out the eye of that poor lake creature—and never told you. After Brannon left these shores, you did not dare follow him, not when he had the keys, not when his magic—my magic—was so strong.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
It’s all now you see. Yesterday wont be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it’s still not yet two oclock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it’s all in the balance, it hasn’t happened yet, it hasn’t even begun yet, it not only hasn’t begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armstead and Wilcox look grave yet it’s going to begin, we all know that, we have come too far with too much at stake and that moment doesn’t need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose and all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed even a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world’s roaring rim.
William Faulkner (Intruder in the Dust)
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
She stepped aside, dodging him with maddening ease. Grave lunged again. But faster than he could follow she ducked and slashed her sword across his shins. He hit the wet ground before he felt the pain. The world flashed black and gray and red, and agony tore at him. A dagger still left in his hand, he scuttled backward toward the wall. But his legs wouldn’t respond, and his arms strained to pull him through the damp filth. “Bitch,” he hissed. “Bitch.” He hit the wall, blood pouring from his legs. Bone had been sliced. He would not be able to walk. He could still find a way to make her pay, though. She stopped a few feet away and sheathed her sword. She drew a long, jeweled dagger. He swore at her, the filthiest word he could think of. She chuckled, and faster than a striking asp, she had one of his arms against the wall, the dagger glinting. Pain ripped through his right wrist, then his left as it, too, was slammed into the stone. Grave screamed—truly screamed—as he found his arms pinned to the wall by two daggers. His blood was nearly black in the moonlight. He thrashed, cursing her again and again. He would bleed to death unless he pulled his arms from the wall. With otherworldly silence, she crouched before him and lifted his chin with another dagger. Grave panted as she brought her face close to his. There was nothing beneath the cowl—nothing of this world. She had no face. “Who hired you?” she asked, her voice like gravel. “To do what?” he asked, almost sobbing. Maybe he could feign innocence. He could talk his way out, convince this arrogant whore he had nothing to do with it … She turned the dagger, pressing it into his neck. “To kill Princess Nehemia.” “N-n-no one. I don’t know what you’re talking about.” And then, without even an intake of breath, she buried another dagger he hadn’t realized she’d been holding into his thigh. So deep he felt the reverberation as it hit the cobblestones beneath. His scream shattered out of him, and Grave writhed, his wrists rising farther on the blades. “Who hired you?” she asked again. Calm, so calm. “Gold,” Grave moaned. “I have gold.” She drew yet another dagger and shoved it into his other thigh, piercing again to the stone. Grave shrieked—shrieked to gods who did not save him. “Who hired you?” “I don’t know what you’re talking about!” After a heartbeat, she withdrew the daggers from his thighs. He almost soiled himself at the pain, at the relief. “Thank you.” He wept, even as he thought of how he would punish her. She sat back on her heels and stared at him. “Thank you.” But then she brought up another dagger, its edge serrated and glinting, and hovered it close to his hand. “Pick a finger,” she said. He trembled and shook his head. “Pick a finger.” “P-please.” A wet warmth filled the seat of his pants. “Thumb it is.” “N-no. I … I’ll tell you everything!” Still, she brought the blade closer, until it rested against the base of his thumb. “Don’t! I’ll tell you everything!
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
So where is it?” Harry asked suspiciously. “Unfortunately,” said Scrimgeour, “that sword was not Dumbledore’s to give away. The sword of Godric Gryffindor is an important historical artifact, and as such, belongs—” “It belongs to Harry!” said Hermione hotly. “It chose him, he was the one who found it, it came to him out of the Sorting Hat—” “According to reliable historical sources, the sword may present itself to any worthy Gryffindor,” said Scrimgeour. “That does not make it the exclusive property of Mr. Potter, whatever Dumbledore may have decided.” Scrimgeour scratched his badly shaven cheek, scrutinizing Harry. “Why do you think—?” “—Dumbledore wanted to give me the sword?” said Harry, struggling to keep his temper. “Maybe he thought it would look nice on my wall.” “This is not a joke, Potter!” growled Scrimgeour. “Was it because Dumbledore believed that only the sword of Godric Gryffindor could defeat the Heir of Slytherin? Did he wish to give you that sword, Potter, because he believed, as do many, that you are the one destined to destroy He-Who-Must-Not-Be-Named?” “Interesting theory,” said Harry. “Has anyone ever tried sticking a sword in Voldemort? Maybe the Ministry should put some people onto that, instead of wasting their time stripping down Deluminators or covering up breakouts from Azakaban. So is this what you’ve been doing, Minister, shut up in your office, trying to break open a Snitch? People are dying—I was nearly one of them—Voldemort chased me across three counties, he killed Mad-Eye Moody, but there’s been no word about any of that from the Ministry, has there? And you still expect us to cooperate with you?” “You go too far!” shouted Scrimgeour, standing up; Harry jumped to his feet too. Scrimgeour limped toward Harry and jabbed him hard in the chest with the point of his wand: It singed a hole in Harry’s T-shirt like a lit cigarette. “Oi!” said Ron, jumping up and raising his own wand, but Harry said, “No! D’you want to give him an excuse to arrest us?” “Remembered you’re not at school, have you?” said Scrimgeour, breathing hard into Harry’s face. “Remembered that I am not Dumbledore, who forgave your insolence and insubordination? You may wear that scar like a crown, Potter, but it is not up to a seventeen-year-old boy to tell me how to do my job! It’s time you learned some respect!” “It’s time you earned it,” said Harry.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
If the Pentateuch be true, religious persecution is a duty. The dungeons of the Inquisition were temples, and the clank of every chain upon the limbs of heresy was music in the ear of God. If the Pentateuch was inspired, every heretic should be destroyed; and every man who advocates a fact inconsistent with the sacred book, should be consumed by sword and flame. In the Old Testament no one is told to reason with a heretic, and not one word is said about relying upon argument, upon education, nor upon intellectual development—nothing except simple brute force. Is there to-day a christian who will say that four thousand years ago, it was the duty of a husband to kill his wife if she differed with him upon the subject of religion? Is there one who will now say that, under such circumstances, the wife ought to have been killed? Why should God be so jealous of the wooden idols of the heathen? Could he not compete with Baal? Was he envious of the success of the Egyptian magicians? Was it not possible for him to make such a convincing display of his power as to silence forever the voice of unbelief? Did this God have to resort to force to make converts? Was he so ignorant of the structure of the human mind as to believe all honest doubt a crime? If he wished to do away with the idolatry of the Canaanites, why did he not appear to them? Why did he not give them the tables of the law? Why did he only make known his will to a few wandering savages in the desert of Sinai? Will some theologian have the kindness to answer these questions? Will some minister, who now believes in religious liberty, and eloquently denounces the intolerance of Catholicism, explain these things; will he tell us why he worships an intolerant God? Is a god who will burn a soul forever in another world, better than a christian who burns the body for a few hours in this? Is there no intellectual liberty in heaven? Do the angels all discuss questions on the same side? Are all the investigators in perdition? Will the penitent thief, winged and crowned, laugh at the honest folks in hell? Will the agony of the damned increase or decrease the happiness of God? Will there be, in the universe, an eternal auto da fe?
Robert G. Ingersoll (Some Mistakes of Moses)