90s Quotes

It is mainly the soluble fiber and magnesium that lowered the author's fasting pre-diabetes blood glucose to 90s and 100s without taking medication

The PC is the LSD of the '90s.

I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.

She's all brute force and '90s clichés.

But the young educated adults of the 90s -- who were, of course, the children of the same impassioned infidelities and divorces Mr. Updike wrote about so beautifully -- got to watch all this brave new individualism and self-expression and sexual freedom deteriorate into the joyless and anomic self-indulgence of the Me Generation. Today's sub-40s have different horrors, prominent among which are anomie and solipsism and a peculiarly American loneliness: the prospect of dying without once having loved something more than yourself.

One of Renee's friends asked her, "Does your boyfriend wear glasses?" She said, "No, he wears a Walkman.

My cousin Helen, who is in her 90s now, was in the Warsaw ghetto during World War II. She and a bunch of the girls in the ghetto had to do sewing each day. And if you were found with a book, it was an automatic death penalty. She had gotten hold of a copy of ‘Gone With the Wind’, and she would take three or four hours out of her sleeping time each night to read. And then, during the hour or so when they were sewing the next day, she would tell them all the story. These girls were risking certain death for a story. And when she told me that story herself, it actually made what I do feel more important. Because giving people stories is not a luxury. It’s actually one of the things that you live and die for.

My kids are around pit bulls every day. In the ’70s they blamed Dobermans, in the ’80s they blamed German Shepherds, in the ’90s they blamed the Rottweiler. Now they blame the Pit Bull.

Writing my own novels in the '90s...I never imagined that in ten years, science and rationality would require explanation and defense in a world rocked and ruled by religious fervor.

So what did you do?" I repeated. "I hit Sophie on the back of the head with a universal remote. This thing was huge. It's like a cell phone from the '90s." "You were supposed to get rid of Avari without hurting the host!" "Yeah, I didn't get that memo. Maybe next time you should be a little more specific when you boss me around while I'm saving your ass. Though, frankly, this whiny little shrew is lucky she only has one bump, 'cause she's had this coming for a while." -Kaylee and Tod

I have a good friend in the East, who comes to my shows and says, you sing a lot about the past, you can't live in the past, you know. I say to him, I can go outside and pick up a rock that's older than the oldest song you know, and bring it back in here and drop it on your foot. Now the past didn't go anywhere, did it? It's right here, right now. I always thought that anybody who told me I couldn't live in the past was trying to get me to forget something that if I remembered it it would get them serious trouble. No, that 50s, 60s, 70s, 90s stuff, that whole idea of decade packaging, things don't happen that way. The Vietnam War heated up in 1965 and ended in 1975-- what's that got to do with decades? No, that packaging of time is a journalist convenience that they use to trivialize and to dismiss important events and important ideas. I defy that.

The 90’s map the decades to come – full of invisible technologies that will ‘sub-contract’ many of the functions of the central nervous system.

The grim and gritty '90s thing is actually a teenage idea of what adult content is.

Hey! Remember the '90s? The Clintons were in office, everybody was using AOL, Will Ferrell and Cheri Oteri did "the Cheerleaders" on SNL, and everybody thought Oasis was fantastic. In hindsight, we were all a bunch of potato-salad-eating jackasses.

To baby boomers wailing that the internet is turning innocent kids into vicious bullies - au contraire, we've been monsters all along.

94 was a good year to be twelve. Star Wars still had two more years as Box Office King, cartoons were still hand-drawn, and the Disney "D" still looked like a backwards "G." Words like "Columbine," "Al Qaeda" and "Y2K" were not synonymous with "terror," and 9-1-1 was an emergency number instead of a date. At twelve years old, summer still mattered. Monarch caterpillars still crawled beneath every milkweed leaf. Dandelions (or "wishes" as Mara called them) were flowers instead of pests. And divorce was still considered a tragedy. Before Mara, carnivals didn't make me sick.

Di dunia ini semua orang sibuk berkata-kata, tanpa pernah mendengar kata-kata orang lain.

Abe said something interesting. He said that because everyone's so poor these days, the '90s will be a decade with no architectural legacy or style- everyone's too poor to put up new buildings. He said that code is the architecture of the '90s.

Question for your life: What is the price of love, and would you rather tally it with an abacus or an early 90s calculator watch?

Long Live the '90s" http://www.goodnet.org/articles/856

Fear of violent black and brown youth, compounded by high-profile school shootings primarily perpetrated by white youth, led to the rise of zero-tolerance policies in schools beginning in the ’90s.

As the final decade of the millennium dawned, there would be no greater expression of the cultural, economic, and social revolutions to come than fashion. What rock 'n' roll was to the '50s, drugs to the '60s, film to the '70s, and modern art to the '80s, fashion was to the '90s: the fuse, then the filter.

Harry Bernstein was a total failure when he wrote his bestselling memoir, The Invisible Wall. His prior forty (forty!) novels had been rejected by publishers. When his memoir came out, he was ninety-three years old. A quote from him: “If I had not lived until I was 90, I would not have been able to write this book, God knows what other potentials lurk in other people, if we could only keep them alive well into their 90s.

Remember that string of movies when we were younger, like mid ’90s? The ones where the nerdy girl finally puts on makeup and a Wonderbra and everyone realizes how totally boneable she is?” “Yeah.” “Well, that’s you,” she says. “We’re in one of those movies. You’re my hopeless teenage girl, all stuck in your shell, and I’m here to give you a fresh coat of makeup and a slutty dress. Push those boobies up, Andy Carter, it’s go time.” “Do

Maybe they were in some kind of secret society. Something mega embarrassing. It was the nineties, right? What was embarrassing in the nineties?" "Uh. Everything?

Ahh the 90's I hated ye when I was in it, but I love it now that it's gone...

I suspect that in the late ’90s alone, youth group games were responsible for millions of mono breakouts, thousands of broken bones, dozens of stomach pumps, and countless hours of therapy, for they typically involved placing insecure, hormonally charged teenagers in as physically awkward and borderline dangerous a situation as possible, preferably in the company of food,

My illness helped me to see that what was missing in society is what was missing in me: a little heart, a lot of brotherhood. The '80s were about acquiring — acquiring wealth, power, prestige. I know. I acquired more wealth, power, and prestige than most. But you can acquire all you want and still feel empty. What power wouldn't I trade for a little more time with my family? What price wouldn't I pay for an evening with friends? It took a deadly illness to put me eye to eye with that truth, but it is a truth that the country, caught up in its ruthless ambitions and moral decay, can learn on my dime. I don't know who will lead us through the '90s, but they must be made to speak to this spiritual vacuum at the heart of American society, this tumor of the soul....I was wrong to follow the meanness of Conservatism. I should have been trying to help people instead of taking advantage of them. I don't hate anyone anymore. For the first time in my life I don't hate somebody. I have nothing but good feelings toward people. I've found Jesus Christ – It's that simple. He's made a difference. (Reagan's campaign manager "death-bed confession" in Feb. 1991 article for Life Magazine )

I get sentimental over the music of the '90s. Deplorable, really. But I love it all. As far as I'm concerned, the '90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps. Every note from those years is charged with life for me now. For instance, I hated Pearl Jam at the time. I thought they were pompous blowhards. Now, whenever a Pearl Jam song comes on the car radio, I find myself pounding my fist on the dashboard, screaming "Pearl JAM! Pearl JAM! Now this is rock and roll!

the International Monetary Fund basically acted as the world’s debt enforcers—“You might say, the high-finance equivalent of the guys who come to break your legs.” I launched into historical background, explaining how, during the ’70s oil crisis, OPEC countries ended up pouring so much of their newfound riches into Western banks that the banks couldn’t figure out where to invest the money; how Citibank and Chase therefore began sending agents around the world trying to convince Third World dictators and politicians to take out loans (at the time, this was called “go-go banking”); how they started out at extremely low rates of interest that almost immediately skyrocketed to 20 percent or so due to tight U.S. money policies in the early ’80s; how, during the ’80s and ’90s, this led to the Third World debt crisis; how the IMF then stepped in to insist that, in order to obtain refinancing, poor countries would be obliged to abandon price supports on

boom! boom! boom!

That was 1993 grunge in suburbia. This was 2003 hell in Harlem. (Dark City Lights)

I somehow graduated 90s pre-Internet high school and got into college with just a set of flea market 50s encyclopedias at home.

The ‘90s had The Breakfast Club 2.

The smaller one had on a black T-shirt, with a rock group logo, faded in both senses, the cloth and the ’90s musicians

I like music from the 80s, 90s, and elevators. I think it’s easier to fill up a space like a mechanical lift than it is to fill up a whole decade.

Music is a way to time travel. Most people like to go back to the 80s, 90s, and early 2000s, but have you considered visiting the year 4321 through your ears?

There is a storytelling element in there. The tango form is a little like the blues in that you have a kind of structure. It’s not as rigid as twelve bar, but it's very much a storytelling medium -- and there’s an element of call-and-response, and a particular arc in the musical form, that suggest a story. It's about being in the moment, with the music; and responding to your partner, and the particular feeling and momentum in her body in any one moment. It’s a very concentrated thing; you can’t think about anything else while you are doing it. If you try to hold a conversation, it just kind of falls apart. The music was what really drew me into tango. Everyone knows a few of the more popular tango classics, but once you get into it, there’s such a rich field. It’s astonishing, this kind of miraculous musical form that developed in a very small locality: two cities on either side of the River Plate, in Argentina and Urugauy. It started in the 1880s or '90s, and there are all kinds of mysteries, myths and stories, about how tango started and developed. It was first of all considered really low-life, almost reptilian. Something to be avoided and not talked about. And then it became this word wide phenomena. . .and I could go on talking about tango forever. . . . but its also to do with movement. I try to get that into my pictures: a sense of movement, something flowing through. A while ago, I realised how much I'd been drawing dancing figures in the corners of my sketchbooks for years before I discovered tango!

the very discourse of colorblindness—created by neoconservatives and neoliberals in order to trivialize and disguise the depths of black suffering in the 1980s and ‘90s’has left America blind to the New Jim Crow. How sad it is that this blindness has persisted under both Republican and Democratic administrations and remains to this day hardly acknowledged or examined in our nation’s public discourse.

Have you ever wondered where the idea of retirement at the age of 65 came from? I'll tell you where: Otto von Bismarck, the president of Prussia, in 1889. Actually, Bismarck's government: At the time, the life expectancy of the average Prussian was about 45. Today, so many are living well into their 80s and 90s that the same promise might well bankrupt the federal government within the next generation.

In Miami the obsession with making things work and being practical, with making lots of money, sometimes out of the fear of starving, has replaced a sense of life and, above all, of pleasure, adventure, and irreverence.

His friends sat or stood, looking up at him and laughing as he started dancing to some pop 80s or 90s tune, stripping off his school jacket as his shirt and tie hung on him like a god. He was going to look amazing in a suit someday.

The Internet will be the CB radio of the ’90s,” he told me, a charge he later repeated to the press. Weiswasser summed up ABC’s argument for ignoring the new medium: “You aren’t going to turn passive consumers into active trollers on the internet.

As a kid in the ’90s, I fought goblins and demons. I learned new magic spells and traded in old gear for shiny weapons. Raised rebellions, traveled through time, and rode a whale into space. I became the Dragonmaster and the Hero of Light. Didn’t we all?

I yawned awake ready to blow stuff up like a 90s action-star. I’d become what I despised, a misguided schmuck following the status-quo for the sole purpose of fitting in. Whatever... gunrunners, terrorists, bankers, dictators, goons; we all have it coming.

Do you know this feeling? When you're in an aero speeding up through a blue spiral, the window open, the wind whistling, and there's no earth, you've forgotten the earth, the earth is just as far from you as Saturn or Jupiter or Venus? That's how I'm living now. The wind is in my face and I've forgotten the earth, I've forgotten about dear rosy O. But earth exists all the same, and sooner or later I've got to glide down and land on it and I'm just shutting my eyes to the day on my Sexual Table with O-90's name on it...

even though she’s considered reasonably attractive (as in not 100% ugly), with her own unique style (part 90s Goth, part post-hip hop, part slutty ho, part alien), she’s having to compete with images of girls on fucksites with collagen pouts and their bloated silicone tits out

[H]e asked Renee, “What does rock and roll have today that it didn’t have in the sixties?” Renee said, “Tits,” which in retrospect strikes me as not a bad one-word off-the-dome answer at all. The nineties fad for indie rock overlapped precisely with the nineties fad for feminism. The idea of a pop culture that was pro-girl, or even just not anti-girl -- that was a 1990s mainstream dream, rather than a 1980s or 2000s one, and it was real for a while. Music was not just part of it but leading the way -- hard to believe, hard even to remember. But some of us do.

As I wrote at Lake City Community College in the mid-90s there were a great many things I could only discuss with the help of literary devices – allusion, allegory, metaphor. And now... I'm just like... "Well, stepdad drank himself to death." May you all find a way to write what you now cannot write.

I wrote about everything I didn’t write on The Fame. While traveling the world for two years, I’ve encountered several monsters, each represented by a different song on the new record: my ‘Fear of Sex Monster,’ my ‘Fear of Alcohol Monster,’ my ‘Fear of Love Monster,’ my ‘Fear of Death Monster,’ my ‘Fear of Loneliness Monster,’ etc. I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90’s dance melodies, an obsession with the lyrical genius of 80’s melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them.

I think the skin revolution for women, I will call it, really all started with Mariah Carey. Madonna was pretty risqué too, but she was pretty much always known as a "bad girl." Mariah was a good girl, supposedly Christian, turning very bad, in the late 90's. So then, all the other little girls and teens and women across America thought it would be ok for them to "come out" too essentially, or flaunt whatever they had. Modesty went completely out the window for many women, starting in the late 90's.

In the late '80s and early '90s, the media used a few small studies of babies born of cocaine-addicted mothers to convince America that thousands of children were permanently damaged... It isn't true. It turns out there is no proof that crack babies do worse than anyone else. In fact, they do better, on average, than children born of alcoholic mothers... It wasn't until several years later that the myth started to unravel. Emory University psychologist Claire Coles had her graduate students spend hours observing 'crack babies' and normal babies. Her students did not see what Chasnoff had seen. In fact, they were unable to tell which children had been exposed to cocaine.

Back in the 1980s and 90s, Democratic and Republican politicians leaned heavily on racial stereotypes of “crack heads,” “crack babies,” “super-predators,” and “welfare queens,” to mobilize public support for the War on Drugs, a “get-tough” movement, and a prison-building boom. Today, the rhetoric has changed, but the game remains the same.

Like remember in the ’90s how everyone was like, ‘Vote for me, I’ll be tough on crime’?” said Sol. “Well, it’s like that, but now it’s ‘Vote for me, I’ll be tough on aliens.’” If there was any color left in Cora’s face, it was gone now. “But … they don’t even know what they’re dealing with?” Sol snorted. “This is America. When has that ever stopped us?

Gainesville, FL was soft on teen shoplifters in the 90s. The police were rarely involved. But you got banned from the store. This divided friend groups. Some had to wait outside. They would be beside every record store. Caught with a Sonic Youth CD down their shirt. Waiting. I'd join them. Not because I was banned. I just liked flirting with the Bad Girls.

I saw a meme that goes: If the love doesn’t feel like 90’s R&B, I don’t want it. And I thought to myself, this is how hungry people are for sensuality. They don’t even know it!

I enjoy looking like a tart. And thinking like a politician.

I grew up in the South Bronx in the ’80s, and in the mid-’90s was plucked from there and escorted to boarding school in pastoral Connecticut (Choate Rosemary Hall, Pomfret). In my years at school, and subsequently at college (Trinity, in Hartford), I never once heard the term “hipster.” Looking back, I think hipsters, yuppies, and preppies were the same thing

Sherlock: They came out of EROC with $33 million dollars in small bills. They loaded their haul into an ambulance, American-made, in the late '90s. They haven't been gone more than an hour. Joan: The driver has a lazy eye, the other two met in basketball camp and one has canine lupus. You see how it feels? Just tell me how you know. Elementary Season 1 Snow Angels

When punk and new wave styles exploded in the late ’70s, some established artists were nimble enough to respond to the changes around them. Some grumbled, “What am I supposed to do, forget how to play?”, and continued to ride their dinosaurs into extinction, but others willingly adapted to the streamlining and back-to-basics urges of the times, without giving up all they had learned. Former Genesis singer Peter Gabriel, for example, or former Yes keyboardist Trevor Horn, continued to produce vital, influential music through the ’80s and ’90s. Ian Anderson has continued to lead Jethro Tull out of the ’60s and ’70s and quietly through the decades, making high quality music and finding a large enough audience to continue recording and touring worldwide.

There is no true, clean, definitive way to separate the art from the artist. Art fully separated from the artist ceases, in a fundamental way, to be art at all. The artist gives the art meaning.

Did you ever notice that new music, now, is nowhere near as great as the music you loved as a teenager? And you know what? You’re right. Whether you were a teenager in the 60s, the 90s, or the 2010s, you’re right. The music you loved as a teenager is the sweetest music you’ll ever hear; that music will be, in all likelihood, the greatest, wildest, purest love affair of your whole life.

in the late ‘90s, the last gasp of the glory days, although no one knew it then. New York was packed with writers, real writers, because there were magazines, real magazines, loads of them. This was back when the Internet was still some exotic pet kept in the corner of the publishing world—throw some kibble at it, watch it dance on its little leash, oh quite cute, it definitely won’t kill us in the night.

Evangelion is not so much an original as itself already a copy of popular anime elements, “an aggregate of information without a narrative” or a “grand non-narrative” (O38). This results in part from industrial changes. By the ’90s, any product can spawn all the others: a series of stickers or a company logo could bloom into a series of manga, TV or film anime, games and more. By now “the narrative is only a surplus item

I equate opening the boxes with the early ’90s stuffed toy for young girls, Puppy Surprise. The commercial for Puppy Surprise featured a group of five-to-seven-year-old girls crowded around a plush dog. They would shriek with delight as they opened her plushy stomach and discovered just how many stuffed baby puppies lived inside. Could be three, could be four, or even five! This was, of course, the “surprise.” Such was the case with dead bodies.

If you read anything about bitcoin, you’ll see the very same things that they said about the internet in the early '90s. It is a haven for pedophiles, terrorists, drug dealers, and criminals. How many of you in this room have bitcoin? How many of you in this room are terrorists, pedophiles, drug dealers or criminals? Audience laughs You see the thing about bitcoin is while they push this story, every now and then someone who has never heard of bitcoin notices an important thing: it’s still not dead, which is always surprising because every two or three months there is an article that says it’s dead. That’s great marketing. Because every time someone hears it’s dead and three months later they hear it’s still not dead, they think, "Huh, this thing really tends to survive." I call bitcoin "the internet of money,” but perhaps we should call it “the zombie of currencies.” It is the currency that is the undead. The

with simultaneous wars in Baja, Tamaulipas, and now Michoacán. Keller has to admit that the violence is unprecedented. Even at the height (the depth?) of Barrera’s war against Güero Méndez, back in the ’90s, the fighting was sporadic—brief sudden peaks of violence—not a daily event. And not spread across three broad areas of the country, with multiple and interconnected antagonists. The Alliance fighting Teo Solorzano in Baja. The Alliance fighting the CDG/Zetas in Tamaulipas.

Novelists,’ said Ivo, ‘are to the nineties what cooks were to the eighties, hairdressers to the seventies and pop-stars to the sixties… Merely, you know, an expression of the Zeitgeist, Nobody actually reads novels any more, but it’s a fashionable thing to be a novelist – as long as you don’t entertain people of course. I sometimes think,’ said Ivo, his eyes like industrial diamonds, ‘that my sole virtue is, I’m the only person in London who has no intention of writing any kind of novel, ever.

The Chelsea has changed. It’s not like it was.” It had been gentrified, they said, domesticated, tamed like the whole neighborhood, which, since the mid-90s, had turned distinctly upscale. The greasy diners were gone, replaced by uniform Starbucks. The boarded-up storefronts were now upscale spas. The neighborhood dives were now exclusive nightclubs replete with guest lists and doormen who turned the “wrong” people away. Everyone was saying the hotel, the neighborhood, all of Manhattan, had sold out.

Impressive socioeconomic advancement has been made and the black middle class has grown, but wide black-white gaps remain, not only with regard to income but also respecting educational achievement, labor-force participation, incarceration rates, and other measures. While blacks were steadily increasing their numbers in Congress and among elected officials at the state and local levels in the 1970s, ’80s, and ’90s, black welfare dependency rose, as did black teen unemployment, black crime, and black births to single mothers.

Nevermind was no longer the soundtrack to living in the early ’90s—now it was that experience in totality. Kurt Cobain had not merely made culturally important music—suddenly, he had made culture. His death became a catchall event for anyone who wanted their adolescence to have depth: It was now possible to achieve credibility simply by mourning retrospectively. Cobain’s iconography hadn’t changed that much, really; what changed was the number of people who suddenly thought Cobain’s iconography said something about themselves.

On 11 September 2001 the Twin Towers were hit. Twelve years earlier, on 9 November 1989, the Berlin Wall fell. That date heralded the “happy 90’s,” the Francis Fukuyama dream of the “end of history” –the belief that liberal democracy had, in principle, won; that the search was over; that the advent of a global, liberal world community lurked just around the corner; that the obstacles to this ultra-Hollywood happy ending were merely empirical and contingent (local pockets of resistance were the leaders did not yet grasp that their time was up). In contrast, 9/11 is the main symbol of the Clintonite happy 90’s. This is the era in which new walls emerge everywhere, between Israel and the West Bank, around the European union, on the U.S.-Mexico border. The rise of the populist New Right is just the most prominent example of the urge to raise new walls.

The Immigration Reform Act wiped out that option. Used to be, if undocumented parents could prove their deportation would put a U.S. citizen—in this case, you, AJ—at risk, the judge could let them stay. But the act made deportation automatic.” She showed them a document she’d printed out. “In the mid-’90s, there were around forty thousand deportations a year. Nowadays, there are around three hundred thousand a year. The INS and ICE will tell you they’re getting rid of a criminal element, but that’s not always the case. Plenty of working people—even war veterans—get swept up in raids.

I know that gen Z has it tough—they’re losing their proms and graduations to the quarantine, they’re on deck to bear the full brunt of climate catastrophe, and they’re inheriting a carcass of a society that’s been fattened up and picked clean by the billionaire class, leaving them with virtually no shot at a life without crushing financial and existential anxiety, let alone any fantasy of retiring from their thankless toil or leaving anything of value to their own children. That’s bad. BUT, counterpoint! Millennials have to deal with a bunch of that same stuff, kind of, PLUS we had to be teenagers when American Pie came out!... American Pie absolutely captivated a generation because my generation is tacky as hell. “I have a hot girlfriend but she doesn’t want to have sex” was an entire genre of movies in the ’90s. In the ’90s, people loved it when things were “raunchy” (ew!). Every guy at my high school wanted to be Stifler! Can you imagine what that kind of an environment does to a person? To be of the demographic that has a Ron Burgundy quote for every occasion, without the understanding that Ron Burgundy is a satire? This is why we have Jenny McCarthy, I’m pretty sure, and, by extension, the great whooping cough revival of 2014. Thanks a lot, jocks!

Uhhhhh, okay, let’s fast-forward. This is taking forever. The T. rex gets out. The lawyer tries to hide in a toilet house, but T. rex finds him immediately because this is the ’90s, so T. rexes hate lawyers. Newman gets eaten by some fancy lads (GOOD), while everyone else runs around screaming, or holds perfectly still, depending on their prior knowledge of dinosaur eyeballs... Richard Attenborough is making a speech about fleas. He just wanted to make something that wasn’t an illusion, you know? “I wanted to show them something that wasn’t an illusion. Something that was real. Something they could see and touch.” And get dismembered by.

Anna Wintour hadn't been to any of McQueen's shows, and McQueen didn't like it. McQueen said American Vogue could borrow the dress only if they flew it to New York and back, in its own seat, with an escort. It was a fuck-you and they took it, and the dress was shot by Richard Avedon. "Fashion people haven't got any brains," McQueen said.

Ani DiFranco or Ani, as she is universally know to her fans, was, to a certain kind of white, middle-class woman, girl power in the purest sense. At twenty, she founded her own record label, Righteous Babe. She's released dozens of albums (and has sold over four million copies), had a baby, documented her life on the road, and opened for Bob Dylan.

She’s in my arms, so sweet and vulnerable and yet so strong, determined and everything I want with every fibre of my being. Clary is spirited, smart, funny, stubborn and adorably nerdy. She isn’t a cool girl, always worried about her looks and hanging out with the cool crowd and being mean and putting people down in order to shine brighter. She is caring and courageous, she’s pretty and witty and doesn’t even know how sexy she is when she moves, when she smiles, when she lifts her bright eyes from a big book. She’ll quote dead poets and vintage 90s tv shows, she’ll tell you what she wants without trying to manipulate you into doing her bidding, she’ll tie you to her by setting you free, she will love you or hate you for who you are and not for who you appear to be. J.

The Caitlin books, which ran as a set of three trilogies (Loving, Promises, and Forever) published between 1985 and 1988, chart a decade or so in the life of the beautiful, terrible poor little rich girl as she repeatedly breaks up and makes up with her first love, Montana-based hunk Jed (Jed!), rides many horses, drives many luxury cars, is emotionally neglected by her family, accidentally lets an elementary schooler eat poison (it’s okay, he survives, everyone calm down!), gets trapped in a mine, reconnects with her long-lost father, goes to college, is forced against her will to become a successful model, gets trapped in a barn fire, is forced against her will to become the head of a successful mining company, and is the subject of numerous unsuccessful plots by evil men who wish to “ruin” her.

Thus, while in the 1970s, ’80s, and ’90s the disastrous anti-fossil fuel proposals of benefit-ignoring, side-effect catastrophizing designated environmental experts—proposals that would have prematurely ended billions of lives—were mostly mitigated by the knowledge system’s valuing of energy, that protection is now missing in the mainstream knowledge system. We can see this today in the fact that our designated environmental experts are the number one shapers of energy policy. For example, the fossil fuel elimination policies of going “net zero,” “fossil free,” and “100 percent renewable” were just a decade ago considered idealistic if not crackpot policies most prominently advocated by designated expert Bill McKibben and his organization, 350.org. Today they are the dominant policy idea in the world.

1. Close Friend, someone who got yo back, yo "main nigga." 2. Rooted in blackness and the Black experience. From a middle-aged social worker: "That Brotha ain like dem ol e-lights, he real, he a shonuff nigga" 3. Generic, neutral refrence to African Americans. From a 30 something college educated Sista: "The party was live, it was wall to wall niggaz there" 4. A sista's man/lover/partner. from the beauty shop. "Guess we ain gon be seein too much of girlfriend no mo since she got herself a new nigga" From Hip Hop artist Foxy brown, "Ain no nigga like the on I got." 5. Rebellious, fearless unconventional, in-yo-face Black man. From former NBA superstar Charles Barkley, "Nineties niggas... The DailyNews, The Inquirer has been on my back... They want their Black Athletes to be Uncle Tom. I told you white boys you've never heard of a 90s nigga. We do what we want to do" quoted in The Source, December 1992). 6. Vulgar, disrespectful Black Person, antisocial, conforming to negative sterotype of African Americans. From former Hip Hop group Arrested Development, in their best-selling song, "People Everyday" 1992: A black man actin like a nigga... got stomped by an African" 7. A cool, down person, rooted in Hip Hop and black culture, regardless of race, used today by non-blacks to refer to other non-Blacks. 8. Anyone engaged in inappropriate, negative behavior; in this sense, Blacks may even apply the term to White folk. According to African American scholar Clarence Major's From Juba to Jive, Queen Latifah was quoted in Newsweek as criticizing the US government with these words. "Those niggers don't know what the fuck they doing

Kelly McGonigal, a health psychologist at Stanford University, warned about the dangers of stress for a full decade before she realized that maybe it was her advice, rather than stress itself, that was sending people to their graves faster. “I’m converting a stimulus [stress] that could be strengthening people into a source of disease.” With a breakthrough in her thinking, and some powerful new research, McGonigal made a complete turnaround. Turns out, stress might just be our friend. Just as you put stress on a muscle to make it stronger (by lifting weights or running), emotional stress can make us physically and psychologically stronger too. McGonigal now highlights new research showing that when you change your mind about stress, you can literally change your body’s physical reaction to it. In an eight-year study, adults who experienced a “lot of stress” and who believed stress was harmful to their health had a 43% increase in their risk of dying. (That sure stressed me out.) However, people who experienced an equal amount of stress but did not view stress as harmful were no more likely to die! McGonigal says that physical signs of stress (a pounding heart, faster breathing, breaking out in a sweat) aren’t necessarily physical evidence of anxiety or signs that we aren’t coping well with pressure. Instead, we can interpret them as indications that our body is energized and preparing us to meet the next challenge. The bottom line is, science has now proven that how you think about stress matters—the story you attach to stress. Telling yourself it’s good for you instead of harmful could mean the difference between a stress-induced heart attack at 50 or living well into your 90s.

Canadian official multiculturalism has developed through the 1970s and '80s, and has become in the '90s a major part of Canadian political discourse in Canada rather than in the United States, which is also a multi-ethnic country, may be due to the lack of an assimilationist discourse so pervasive in the U.S. The melting pot thesis has not been popular in Canada, where the notion of a social and cultural mosaic has had a greater influence among liberal critics. This mosaic approach has not been compensated with an integrative politics of antiracism or of class struggle which is sensitive to the racialization involved in Canadian class formation. The organized labour movement in Canada has repeatedly displayed anti-immigrant sentiments. For any inspiration for an antiracist theorization and practice of class struggle Canadians have looked to the United States or the Caribbean.

The city is designed to keep you in a state of perpetual adolescence. You never need to learn to drive if you don’t want to. And even if you do drive you can go back to that bar you went to when you were twenty-one, and it will still be there, and it will still be called Molly’s, and the older waitress there will still remember you and let you sit where you want. And five years later, when she is no longer there, when there is just a picture of her above the bar in a place of sad honor, and you know what that means and you don’t want to think about it, guess what: you do not have to. Because no one is driving home, and you’re back again, listening to “Fairytale of New York,” which is still on every jukebox, falling into the same conversations you had with the same friends in the ’90s: about how the internet is going to change culture, and what you are going to do when you grow up.

It was a quiet revolution. Most downshifters dressed quite a bit like everyone else and lived in ordinary neighborhoods rather than communes or cabins in the woods. Seattle emerged as the nexus of voluntary simplicity as the growing tech industry-Microsoft's headquarters were there-made the city synonymous with the overworked, conspicuously consuming yuppie, while many other residents were still mixed in a lingering recession. The result was perhaps the most deliberate experiment in stopping shopping in modern times: a whole city in which the rejection of consumerism entered the mainstream. For nearly a decade, few aspects of daily life in Seattle were left unchanged by its shadow culture....For a few rare years, the consumer lifestyle was uncooled. 'We were sure in the '90s that we were the up-and-coming lifestyle choice,' Vicki Robin, coauthor of the downshifting classic 'Your Money or Your Life' told me....Then the global economy came roaring back to life, Seattle became better known for billionaires than plain living, and downshifting faded.

There are several different frameworks one could use to get a handle on the indeterminate vs. determinate question. The math version is calculus vs. statistics. In a determinate world, calculus dominates. You can calculate specific things precisely and deterministically. When you send a rocket to the moon, you have to calculate precisely where it is at all times. It’s not like some iterative startup where you launch the rocket and figure things out step by step. Do you make it to the moon? To Jupiter? Do you just get lost in space? There were lots of companies in the ’90s that had launch parties but no landing parties. “But the indeterminate future is somehow one in which probability and statistics are the dominant modality for making sense of the world. Bell curves and random walks define what the future is going to look like. The standard pedagogical argument is that high schools should get rid of calculus and replace it with statistics, which is really important and actually useful. There has been a powerful shift toward the idea that statistical ways of thinking are going to drive the future.” —PETER THIEL

If you ask me, I think Jerry Springer destroyed the public image of the USA. I mean up to early in the nineties I still imagined it like it was presented in hollywoodfilms and stuff. But then, early in the 90's they started broadcasting that freakshow in the Netherlands, and that new idea of entertainment, where you put the biggest morons you can find on screen so you can watch it and feel superior. Later on, politics also discovered the same formula. We want politicians we feel superior to. The very idea of anything being 'better' or 'higher' than us makes people extremely uncomfortable.

I can't understand how people can have grown up in the eighties, amidst all this competitive spirit, gangster battles, hiphop - and still pretend that artists are 'colleagues' that should be bloody nice to each other. I mean that's like the 60's, not the 80's. I grew up with the idea of putting a cap in the ass of bad rhyming niggers. So that's what i did. And they all started frontin me, copycats and dinosaurs, but they have nothing on me. To me, the house generation of the 90's is excused - I never pick fights with these ecstasy heads. I just wanna bury all the dinosaurs that don't get ill.

A further embarrassing problem for Japan with regard to its wartime behavior was the prominent surfacing during the 90's of the "comfort women" (ianfu) issue. These women - mostly Korean, but including many from other Asian nations as well as some Dutch - were forced into the sexual servicing of Japanese troops. First of all the Japanese government denied any knowledge of this, but when confronted with documentation to the contrary (uncovered by a Japanese researcher) they conceded that they knew about it but were not involved. Then when confronted with further documentation categorically indicating the government's involvement, they had no alternative but to acknowledge the truth.

Was it as scary for you as it is for me? Falling for Sawyer?” “Not really, no.” She shakes her head. “I’m sure I had some of the same worries, everyone does. But I’m a leaper. You’re a thinker. We process things differently.” “You didn’t have a panic attack and run away?” I ask sarcastically. “No,” she muses. “Not even that time he refused to have sex with me.” “That was your first date, Everly. And you did have sex,” I remind her. I know, because I heard about it for a week. “Whew.” She blows out a breath. “It was a tough few hours though. How is Boyd’s POD by the way? Can we talk about that?” She leans forward on the couch, looking at me expectantly. “Um, no. I don’t think so.” She shrugs good-naturedly then changes the subject back to me. “Chloe, why didn’t you tell me you were struggling with your anxiety? You know I’m never too busy for you, no matter how many husbands or children I have.” “You have one husband, babe,” Sawyer says, walking into the room at that moment. “You’re still the one, baby.” “We’ve been married for three months, Everly. I sure as hell better still be the one.” “Sawyer,” she sighs. “I was trying to have a moment, okay? Work with me.” “Next time, try waiting more than a day after downloading Shania Twain’s greatest hits to your iPod. You do realize the receipts come to my email, don’t you?” “Um.” Everly looks away and scrunches her nose. “No?” “You’ve been on quite the 90’s love ballads kick this week. Which is weird, because you’re not old enough to have owned the CD’s those songs were originally released on.” He looks at her with amused interest. “What’s a CD?” She blinks at Sawyer dramatically. “Cute. Keep it up.” “Nineties music is all the rage with the millennials,” she tells him with a shrug. “I saw a blog post about it.” “Don’t worry, sweets. We’ll beat the odds together.” He winks and she scowls. “You’re still the only one I dream of,” he calls as he walks into the kitchen and grabs a bottle of water. “See! I don’t even care that you lifted that from a song. It still gave me all the feels!

Having studied workplace leadership styles since the 1970s, Kets de Vries confirmed that language is a critical clue when determining if a company has become too cultish for comfort. Red flags should rise when there are too many pep talks, slogans, singsongs, code words, and too much meaningless corporate jargon, he said. Most of us have encountered some dialect of hollow workplace gibberish. Corporate BS generators are easy to find on the web (and fun to play with), churning out phrases like “rapidiously orchestrating market-driven deliverables” and “progressively cloudifying world-class human capital.” At my old fashion magazine job, employees were always throwing around woo-woo metaphors like “synergy” (the state of being on the same page), “move the needle” (make noticeable progress), and “mindshare” (something having to do with a brand’s popularity? I’m still not sure). My old boss especially loved when everyone needlessly transformed nouns into transitive verbs and vice versa—“whiteboard” to “whiteboarding,” “sunset” to “sunsetting,” the verb “ask” to the noun “ask.” People did it even when it was obvious they didn’t know quite what they were saying or why. Naturally, I was always creeped out by this conformism and enjoyed parodying it in my free time. In her memoir Uncanny Valley, tech reporter Anna Wiener christened all forms of corporate vernacular “garbage language.” Garbage language has been around since long before Silicon Valley, though its themes have changed with the times. In the 1980s, it reeked of the stock exchange: “buy-in,” “leverage,” “volatility.” The ’90s brought computer imagery: “bandwidth,” “ping me,” “let’s take this offline.” In the twenty-first century, with start-up culture and the dissolution of work-life separation (the Google ball pits and in-office massage therapists) in combination with movements toward “transparency” and “inclusion,” we got mystical, politically correct, self-empowerment language: “holistic,” “actualize,” “alignment.

The lack of distinction between the real and the virtual is the obsession of our age. Everything in our current affairs attests to this, not to mention the big cinematic productions: The Truman Show, Total Recall, Existenz, Matrix, etc. This question has always been there behind literature and philosophy, but it has been present metaphorically, as it were, implicitly, through the filter of discourse. The 'encoding/decoding' of reality was done by discourse, that is to say, by a highly complex medium, never leaving room for a head-on truth. The encoding/decoding of our reality is done by technology. Only what is produced by this technical effect acquires visible reality. And it does so at the cost of a simplification that no longer has anything to do with language or with the slightest ambivalence and which, therefore, puts an end to this subtle lack of distinction between the real and the virtual, as subtle as the lack of distinction between good and evil. Through special effects, everything acquires an operational self-evidence, a spectacular reality that is, properly speaking, the reign of simulation. What the directors of these films have not realized (any more than the simulationist artists of New York in the eighties) is that simulation is a hypothesis, a game that turns reality itself into one eventuality among others.

Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened! She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...) So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.

But watch out to see whether new digital technologies can betamax even the VHS.

The stuff I read about codependency in the 90’s really mucked me up. Don’t get me wrong, I needed it then, no doubt. And I don’t regret learning to take care of myself and be independent. Maybe I just overlearned it. I went from a meek care-taker to being an independent, shout it from the roof tops, woman who needed no one.

This old operating system is really only useful when you're trying to run old programs exactly the way they ran back in the '90s.

What is one of the best or most worthwhile investments you’ve ever made? Investing in Cobra back in the early ’90s. My $ 1.8 million investment earned me $ 40 million after the company was bought by Acushnet. I rolled that money back into my business. The decision was a no-brainer for three reasons: My investment got me 12 percent of Cobra and the allocation of my investment was put to R& D. During this era, Callaway was the first to go to market with an oversize driver but neglected to follow up on oversize irons. We/ Cobra decided to attack this virgin market immediately by producing oversize irons for men and women, and we catered for the senior player, which had been left neglected. This decision was a solid rocket booster for Cobra’s massive growth in the marketplace. I was to remain an endorsed player representing Cobra for years to come, receiving an annual payment that would quickly recoup my initial investment. So, my ROI was always guaranteed, leaving me with 12 percent of a company that had hyper growth. I was the #1 player in the world during these halcyon times—a global player. So, fortunately for us, I was a needle-mover in regards to exposure in a sport that was booming in the ’80s, hence product promotion and awareness.

I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned, the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps. Every note from those years is charged with life for me now. For instance, I hated Pearl Jam at the time. I thought they were pompous blowhards. Now, whenever a Pearl Jam song comes on the car radio, I find myself pounding my fist on the dashboard, screaming, “Pearl JAM! Pearl JAM! Now this is rock and roll! Jeremy’s SPO-ken! But he’s still al-LIIIIIIVE!” I don’t recall making the decision to love Pearl Jam. Hating them was a lot more fun.

A multitude of design trends has come and passed over the years, often conditioned by external technology innovations, such as the birth of social media or the first iPhone. From the 90’s guest counters and solitary guestbooks to skeuomorphism, from flat design to parallax scrolling, the core of any good website has always been and will always be the user experience.

Objectification theory” explained that women and girls are “acculturated to internalize an observer’s perspective as a primary view of their physical selves.” Thus, because society values female bodies primarily for their function and consumption, women and girls are more susceptible to suffering as their bodies change, like during puberty, but also due to pregnancy, weight fluctuation, and aging. This objectification enables discrimination, sexual violence, undervaluing women, and depression, the authors wrote.