5 Broken Cameras Quotes

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5 Broken Cameras, the Oscar-nominated film about the Bil’in protests, “shows life in one Palestinian village,” the New York Times writes in a glorifying review of this film. If you sit in New York and watch a docu-film you may believe that what you see is real. When you are here in Bil’in, and if you understand Arabic, you know better. “The Bil’in protests” is a show, a show of “Allah is with you. Kill them!” Personally, I don’t believe in “Death to the Arabs” and I don’t believe in “Death to the Jews,” even if the latter has been nominated for an Oscar.
Tuvia Tenenbom (Catch The Jew!: Eye-opening education - You will never look at Israel the same way again)
Did you take the carpet out, too?” I say, remembering the bloodstain. “Of course. That’s how we carried the body out. Cal shut off the cameras and told Carl to take a smoke break.
Sophie Lark (Broken Vow (Brutal Birthright, #5))
So, of course, they gave her to us. We always get the leftovers. Filthy costumes, broken-down nags, and now her. I try to roll with it, but it pisses me off. I don’t want Wiress for a mentor. She’s just another bizarre person to deal with when I’m already scraped raw. How can a girl who follows light beams help me anyway? How can a girl who left the arena without a scratch teach me how to protect myself? How can a girl who has fought no one, killed no one, mentored no one, mentor me? She can’t, that’s all. I’m fixing to say as much when a second woman arrives. It takes a moment to place her. She’s older, probably near Hattie’s age. Then I remember a Games from when I was little, and a hysterical boy dressed in a suit made of seashells, who’d just been crowned in front of the entire nation of Panem. The hysteria had triggered when they’d played the recap of the Games, showing all twenty-three of his competitors’ deaths. And this woman had held the boy and done her best as his mentor to shield him from the cameras, which were devouring every awful bit of it. It’s Mags, a victor from District 4. She looks at me sadly, knowingly, and then opens up her arms and says, “I’m so sorry about Louella, Haymitch.” For a moment, I teeter between anger and grief. But the dam finally breaks. I step into her embrace, drop my head on her shoulder, and begin to cry.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))