4 Cylinder Quotes

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Please follow these instructions: 1. Stack the pages of this letter neatly. 2. Roll the pages up into a cylinder. 3. Smack yourself over the head with it. 4. Repeat. You complete ass.
Leah Thomas (Because You'll Never Meet Me (Because You'll Never Meet Me, #1))
I slammed the doors open a little harder than I needed to, stalked out to the Blue Beetle, and drove away with all the raging power the ancient four-cylinder engine should muster. Behold the angry wizard puttputt-putting away.
Jim Butcher (Summer Knight (The Dresden Files, #4))
The vampire gagged. The muscles of its neck constricted, widened, constricted again, and it disgorged a six-inch-long metal cylinder onto my desk. The bloodsucker grasped it, twisted the cylinder’s halves apart, and retrieved a roll of papers. “Photographs,” Ghastek said, handing me a couple of sheets from the roll. “That’s disgusting.” “He is thirty years old,” Ghastek said. “All his internal organs, with the exception of the heart, atrophied long ago. The throat makes for a very good storage cavity. People seem to prefer it to the anus.” Translation: be happy I didn’t pull it out of my ass. Thank the gods for small favors.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
What are batteries, by the way?” “Tiny cylinders of power,
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
How Evolution Came to Indiana In Indianapolis they drive five hundred miles and end up where they started: survival of the fittest. In the swamps of Auburn and Elkhart, in the jungles of South Bend, one-cylinder chain-driven runabouts fall to air-cooled V-4’s, a-speed gearboxes, 16-horse flat-twin midships engines— carcasses left behind by monobloc motors, electric starters, 3-speed gears, six cylinders, 2-chain drive, overhead cams, supercharged to 88 miles an hour in second gear, the age of Leviathan ... There is grandeur in this view of life, as endless forms most beautiful and wonderful are being evolved. And then the drying up, the panic, the monsters dying: Elcar, Cord, Auburn, Duesenberg, Stutz—somewhere out there, the chassis of Studebakers, Marmons, Lafayettes, Bendixes, all rusting in high-octane smog, ashes to ashes, they end up where they started.
Philip Appleman
1¾ cups flour 2 teaspoons cinnamon 1 teaspoon nutmeg ½ teaspoon ginger 1 teaspoon baking powder ½ teaspoon baking soda 2 eggs ¾ cup honey 4 tablespoons melted butter ¼ cup oil (vegetable or canola) 1 cup milk (buttermilk can also be used) 1½ teaspoons vanilla Preheat oven to 400 degrees. In a medium bowl, whisk together flour, cinnamon, nutmeg, ginger, baking powder, and baking soda. Set aside. In another bowl, whisk eggs, honey, butter, oil, milk, and vanilla. Fold dry ingredients into wet and stir until just combined. Grease a donut pan or cupcake tin and fill halfway with batter. (If you do not have a donut pan, use a cupcake/muffin pan. Create small cylinders of tinfoil, place one in the middle of each cup, and spray each cylinder with cooking oil. If using the cupcake tin with aluminum foil cylinders, transfer batter to a ziplock bag and cut a hole to pipe batter around cylinders.) Bake for 8 to 10 minutes. HONEY GLAZE ¼ cup melted butter 1 cup confectioners’ sugar ½ teaspoon vanilla ⅓ cup hot water 1 teaspoon honey Combine all ingredients in a small bowl. Dip warm donuts in glaze. You can omit the glaze and just drizzle honey on top and, if you like, sprinkle with sea salt.
Jodi Picoult (Mad Honey)
HONEY-GLAZED SPICED DONUTS (Makes a dozen) 1¾ cups flour 2 teaspoons cinnamon 1 teaspoon nutmeg ½ teaspoon ginger 1 teaspoon baking powder ½ teaspoon baking soda 2 eggs ¾ cup honey 4 tablespoons melted butter ¼ cup oil (vegetable or canola) 1 cup milk (buttermilk can also be used) 1½ teaspoons vanilla Preheat oven to 400 degrees. In a medium bowl, whisk together flour, cinnamon, nutmeg, ginger, baking powder, and baking soda. Set aside. In another bowl, whisk eggs, honey, butter, oil, milk, and vanilla. Fold dry ingredients into wet and stir until just combined. Grease a donut pan or cupcake tin and fill halfway with batter. (If you do not have a donut pan, use a cupcake/muffin pan. Create small cylinders of tinfoil, place one in the middle of each cup, and spray each cylinder with cooking oil. If using the cupcake tin with aluminum foil cylinders, transfer batter to a ziplock bag and cut a hole to pipe batter around cylinders.) Bake for 8 to 10 minutes. HONEY GLAZE ¼ cup melted butter 1 cup confectioners’ sugar ½ teaspoon vanilla ⅓ cup hot water 1 teaspoon honey Combine all ingredients in a small bowl. Dip warm donuts in glaze. You can omit the glaze and just drizzle honey on top and, if you like, sprinkle with sea salt.
Jodi Picoult (Mad Honey)
HONEY-GLAZED SPICED DONUTS (Makes a dozen) 1¾ cups flour 2 teaspoons cinnamon 1 teaspoon nutmeg ½ teaspoon ginger 1 teaspoon baking powder ½ teaspoon baking soda 2 eggs ¾ cup honey 4 tablespoons melted butter ¼ cup oil (vegetable or canola) 1 cup milk (buttermilk can also be used) 1½ teaspoons vanilla Preheat oven to 400 degrees. In a medium bowl, whisk together flour, cinnamon, nutmeg, ginger, baking powder, and baking soda. Set aside. In another bowl, whisk eggs, honey, butter, oil, milk, and vanilla. Fold dry ingredients into wet and stir until just combined. Grease a donut pan or cupcake tin and fill halfway with batter. (If you do not have a donut pan, use a cupcake/muffin pan. Create small cylinders of tinfoil, place one in the middle of each cup, and spray each cylinder with cooking oil. If using the cupcake tin with aluminum foil cylinders, transfer batter to a ziplock bag and cut a hole to pipe batter around cylinders.) Bake for 8 to 10 minutes. HONEY GLAZE ¼ cup melted butter 1 cup confectioners’ sugar ½ teaspoon vanilla ⅓ cup hot water 1 teaspoon honey Combine all ingredients in a small bowl. Dip warm donuts in glaze. You can omit the glaze and just drizzle honey on top and, if you like, sprinkle with sea salt. HONEY
Jodi Picoult (Mad Honey)
his cylinder head temperature right at 215° Centigrade. That’s what the book said was the most efficient climbing attitude, and Major Parks flew by the book. As they passed through 12,000 feet, he put the black rubber mask over his face, readjusted his headset to accommodate
W.E.B. Griffin (Battleground (The Corps, #4))
She heard the ferret come back into the room again, chuckling and hopping as he did whenever he was especially pleased about something. “Go away, Dodger,” she said dully. But he persisted, coming to her side and standing tall again, his body a long cylinder. Glancing at him, Catherine saw that something was clamped carefully in his front teeth. She blinked. Slowly she reached down and took the object from him. Her spectacles. Amazing, how much better a small gesture of kindness could make one feel. “Thank you,” she whispered, tears coming to her eyes as she stroked his tiny head. “I do love you, you disgusting weasel.” Climbing onto her lap, Dodger flipped upside down and sighed.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
Journal of Interdisciplinary Science Topics How many lies could Pinocchio tell before it became lethal? Steffan Llewellyn The Centre for Interdisciplinary science, University of Leicester 25/03/2014 Abstract: This paper investigates how many lies Pinocchio could continuously tell before it would become fatal, treating the head and neck forces as a basic lever system with the exponential growth of the nose. This paper concludes that Pinocchio could only sustain 13 lies in a row before the maximum upward force his neck could exert cannot sustain his head and nose. The head’s overall centre of mass shifts over 85 metres after 13 lies, and the overall length of the nose is 208 metres. Pinocchio’s Nose Pinocchio is the fable of a wooden puppet, carved by Geppetto, who dreams of becoming a real boy [1]. Pinocchio was portrayed as a character prone to lying, which is manifested physically through the ability to grow his nose when he tells a lie. One issue of growing his nose would be the shift of Pinocchio’s centre of mass within his head, causing strain on his neck, which helps stabilise his head’s position with upwards force. If this continued, then his neck could not support his head, potentially decapitating the puppet. Outlined here is the minimum lie count Pinocchio could continuously expel. Where Pinocchio manages to form new is not addressed in this paper. Maximum Force Pinocchio’s Neck Can Exert The assumption is simplified by allowing the force exerted upwards through the neck to be positioned at the back of the head. The head is treated as a sphere, and the nose as a cylinder, as shown in The type of wood Pinocchio is carved from is disputed, but for this paper, it is concluded that Pinocchio is made from Oak, with a density of . Pinocchio’s neck will brake if its compression strength threshold is overcome by the weight of his head. The compression strength of oak is 1150Psi [2], and the circumference of the average human neck is 0.4m [3]. The maximum force Pinocchio’s neck can sustain is: ( ) ( ) Centre of Mass, and Force Exerted Figure 1. Figure 1: Illustrates the lever system of Pinocchio’s head and neck, with opposite forcesNeck muscles are required to balance the weight exerted by the skull.Usually, the weight of the nose can be considered negligible. In Pinocchio’s case, as the nose increases, it will have a significant impact on the centre of mass and weight of his head. The mass of the head is unchanged: ( )
Anonymous
The tall man’s pistol suddenly appeared in front of Orlato’s face, locked dead center between his eyes. The flat copper snouts of its bullets slept in their cylinder crypts. “Elvis
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
In the third week of April the stalemate on the Western Front was marked by a new and unpleasant phase: one that was intended by the Germans to end the stalemate and lead to victory. It was on April 22 that gas was used for the first time in the First World War. That evening, near Langemarck in the Ypres Salient, the Germans discharged, within five minutes, 168 tons of chlorine from 4,000 cylinders against two French divisions, one Algerian, the other Territorial, and against the adjacent Canadian Division, over a four-mile front.
Martin Gilbert (The First World War: A Complete History)
After stowing their costumes in the carrier behind Frank’s motorcycle, the two boys set off for the center of Bayport. White wisps of fog swirled in the glare of their headlights and almost blotted out traffic. Both riders slowed to a cautious pace. At last the boys maneuvered to a stop in Milton Place just off Main Street. Through the fog and gathering dusk, vague lights could be seen in the big brick building on the opposite corner. “They’re working overtime at the bank,” Joe pointed out and grinned. “Counting the extra money they took in during evening hours.” The brothers walked around the corner onto Main Street and entered a soda shop. Minutes later they emerged, each carrying a two-gallon drum of ice cream packed in dry ice. “Wow! This is cold!” said Joe, as they turned into the alley. Frank and Joe placed the cylinders in Joe’s carrier. “Now for the party!” Frank grinned.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
Everything was blurry. She needed her spectacles. And it was awfully difficult to go looking for something when you couldn't see more than two feet in front of your face. Moreover, if one of the housemaids found the spectacles in Leo's room, or God help her, in his bed, everyone would find out. Abandoning the slipper, Dodger trotted to her and stood tall, bracing his long, slender body against her knee. He was shivering, which Beatrix had told her was normal for ferrets. A ferret's temperature lowered when he was sleeping, and shivering was his way of warming himself upon awakening. Catherine reached down to stroke him. When he tried to climb into her lap, however, she nudged him away. "I don't feel well," she told the ferret woefully, although there was nothing wrong with her physically. Chattering in annoyance at her rejection, Dodger turned and streaked out of the room. Catherine continued to lie with her head on the table, feeling too dreary and ashamed to move. She had slept late. She could hear the sounds of footsteps and muffled conversation coming from the lower floors. Had Leo gone down for breakfast? She couldn't possibly face him. Her mind returned to those blistering minutes of the previous night. A fresh swell of desire rolled through her as she thought of the way he had kissed her, the feel of his mouth on the intimate places of her body. She heard the ferret come back into the room again, chuckling and hopping as he did whenever he was especially pleased about something. "Go away, Dodger," she said dully. But he persisted, coming to her side and standing tall again, his body a long cylinder. Glancing at him, Catherine saw that something was clamped carefully in his front teeth. She blinked. Slowly she reached down and took the object from him. Her spectacles. Amazing, how much better a small gesture of kindness could make one feel. "Thank you," she whispered, tears coming to her eyes as she stroked his tiny head. "I do love you, you disgusting weasel." Climbing onto her lap, Dodger flipped upside down and sighed.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
2 [CRICKET] each of the three upright pieces of wood which form a wicket. (stumps) close of play in a cricket match. 3 [ART] a cylinder with conical ends made of rolled paper or other soft material, used for softening or blending marks made with a crayon or pencil. 4 chiefly NORTH AMERICAN used in relation to political campaigning: his jibes at his opponents may have won him some support on the stump early in his campaign | [as modifier] an inspiring stump speaker. [ referring to the use of a tree stump, from which an orator would speak.]
Angus Stevenson (Oxford Dictionary of English)
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Massey Ferguson & AGCO
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