Trainspotting 2 Quotes

We've searched our database for all the quotes and captions related to Trainspotting 2. Here they are! All 100 of them:

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Sometimes ah think that people become junkies just because they subconsciously crave a wee bit ay silence.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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The train was nearly twenty minutes late, an excellent performance by British Rail standards.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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take your best orgasm, multiply the feeling by twenty, and you're still fuckin miles off the pace
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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... Basically, we live a short, disappointing life; and then we die. We fill up oor lives wi shite, things like careers and relationships tae delude oorsels that it isnae aw totally pointless.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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You just want tae fuck up on drugs so that everyone'll think how deep and fucking complex you are. It's pathetic, and fucking boring.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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They mean well, and they mean well tae me, but there's nae way under the sun that they can appreciate what ah feel, what ah need. Protect me from those who wish tae help us.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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He notes the depressing haste with which the successful, in the sexual sphere as in all others, segment themselves from the failures.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah realise now thit death is usually a process, rather than an event. People generally die by degrees, incrementally. They rot away slowly in homes and hoespitals, or places like this.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Living like this is a full-time business.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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They mean well, and they mean well tae me, but there's nae way under the sun that they can appreciate what ah feel, what ah need. Protect me from those who wish tae help us.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah don't hate the English. They're just wankers. We are colonised by wankers. We can't even pick a decent, vibrant, healthy culture to be colonised by. No. We're ruled by effete arseholes. What does that make us?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Sex generally makes them intae real relationships, or ends them. Ye go backwards or forwards after shagging, but maintaining the status quo is difficult.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah didnae really know much aboot women. Ah didnae really know much aboot anything.
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Irvine Welsh (Trainspotting (Mark Renton #2))
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The best way ah knew tae strike a chord without compromising too much tae the sickening hypocrisy, perversely peddled as decency, which fills the room, is tae stick tae the clichรฉs.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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me doy cuenta de que por lo general la muerte es un proceso, mรกs que un suceso. Generalmente la gente se muere poco a poco, acumulativamente. Se pudren lentamente en residencias u hospitales, o sitios como รฉste
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Johnny wis a junky as well as a dealer. Ye hud tae go a wee bit further up the ladder before ye found a dealer whae didnae use. We called Johnny โ€˜Mother Superiorโ€™ because ay the length ay time heโ€™d hud his habit.
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Irvine Welsh (Trainspotting (Mark Renton #2))
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Money gives you the luxury of not caring about it. You can affect to find it crass and vulgar, but see how crass and vulgar it is when thereโ€™s none of it in your pocket.
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Irvine Welsh (T2 Trainspotting (Mark Renton #3))
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-ye always want what ye cannae have and the things that ye dinnae really gie a toss aboot get handed tae ye oan a plate.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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ยฟEstรกs jodido?", pregunto. "No lo sรฉ. Si te soy sincero, serรก el sexo lo que mรกs echarรฉ de menos. Eso y el tener a alguien, ยฟsabes?" Tommy necesita a la gente mucho mรกs que la mayorรญa.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Quizรก me haya acostumbrado tanto a las mentiras, que la verdad me suena indecentemente falsa. Pero bueno.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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You can only learn through failure, and what ye learn is the importance ay preparation.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Los colegas son una puta pรฉrdida de tiempo. Siempre estรกn dispuestos a arrastrarte hasta su nivel de mediocridad social, sexual e intelectual.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Algunos pobres cabrones simplemente estรกn mucho mรกs predispuestos hacia la adicciรณn a ciertas drogas que otros.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แƒแƒ“แƒ•แƒ˜แƒšแƒ˜แƒ แƒคแƒ˜แƒšแƒแƒกแƒแƒคแƒแƒกแƒแƒ‘แƒ, แƒ แƒแƒชแƒ แƒกแƒ˜แƒกแƒฎแƒšแƒ˜แƒก แƒœแƒแƒชแƒ•แƒšแƒแƒ“ แƒฅแƒแƒฅแƒ˜ แƒจแƒ”แƒœ แƒแƒ  แƒ“แƒแƒ’แƒ˜แƒ“แƒ˜แƒก แƒ•แƒ”แƒœแƒ”แƒ‘แƒจแƒ˜ แƒ“แƒ แƒกแƒฎแƒ•แƒแƒ–แƒ” แƒ แƒ แƒ‘แƒแƒ–แƒ แƒแƒ‘.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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โ€” Square go then smart cunt!
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Football divisions were a stupid and irrelevant nonsense, acting against the interest of working-class unity, ensuring that the bourgeoisie's hegemony went unchallenged.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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He really is a cunt ay the first order. Nae about that. The big problem is, he's a mate na aw. Whit kin ye dae?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah sortay jist laugh whin some cats say that racism's an English thing and we're aw Jock Tamson's bairn up here . . . it's likesay pure shite man, gadges talkin through their erses.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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This thought though, is nowhere near sufficient tae stop us fae daein what ah huv tae dae.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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It's mibbe nae mair vermin thin you or me, likesay... whae's tae say what's vermin...they posh wifire think people us ur vermin, likesay, does that make it right thit they should kill us, ah goes.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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[...] but it's aw hate, hate, hate wi some punters, and whair does it git us likesay, man? Whair the fuck does it git us?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Bazen insanlarฤฑn junkie olmayฤฑ farkฤฑnda olmadan sฤฑrf bir parรงa sessizlik istedikleri iรงin seรงtiklerini dรผลŸรผnรผrรผm.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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They filed out into the cold night at closing time, heading for Begbie's place with a carry-out. They'd already spent twelve hours drinking and pontificating about Matty's life and his motivations. In truth, the more reflective of them realised, all their insights pooled and processed, did little to illuminate the cruel puzzle of it all. They were no wiser now than at the start.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Si por mi fuera, pillarรญa todos los libros que hay, harรญa una pila enorme con ellos y los quemarรญa todos. Los libros sรณlo sirven para que los listos farden acerca de toda la mierda que han leรญdo. Todo lo que necesitas saber lo puedes sacar de la prensa y de la tele. Capullos pretenciosos. Ya les darรฉ yo jodidos libros.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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ยฟHasta quรฉ punto puede alguien conocer de verdad a cualquier otra persona?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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ะะต ะผะพะถะตั… ะดะฐ ะบะฐะถะฐ ะฝะฐ ะ›ะธะทะธ ะทะฐ ะบัƒะฟะพะฝะฐ ะฒ ะ‘ัŠั€ะพัƒะปะตะฝะด. ะะฐะฟั€ะฐะฒะพ ะฝะธะบะฐะบัŠะฒ ัˆะฐะฝั. ะฉะพะผ ะฒะทะตั… "ะฟะตะฝัะธัั‚ะฐ", ะฒะตะดะฝะฐะณะฐ ะบัƒะฟะธั… ะฑะธะปะตั‚ะฐ. ะžัั‚ะฐะฝะฐั… ะฑะตะท ะฟัƒะบะฝะฐั‚ะฐ ะฟะฐั€ะฐ. ะขะพะทะธ ะดะตะฝ ะพะฑะฐั‡ะต ั‚ั ะธะผะฐัˆะต ั€ะพะถะดะตะฝ ะดะตะฝ. ะขั€ัะฑะฒะฐัˆะต ะดะฐ ะธะทะฑะธั€ะฐะผ: ะธะปะธ ะฑะธะปะตั‚ะฐ, ะธะปะธ ะฟะพะดะฐั€ัŠะบ ะทะฐ ะฝะตั. ะะธะบะฐะบัŠะฒ ัˆะฐะฝั. ะกั‚ะฐะฒะฐัˆะต ะดัƒะผะฐ ะทะฐ ะ˜ะณะธ ะŸะพะฟ. ะœะธัะปะตั…, ั‡ะต ั‰ะต ะผะต ั€ะฐะทะฑะตั€ะต. - ะ—ะฝะฐั‡ะธ ะผะพะถะตัˆ ะดะฐ ัะธ ะบัƒะฟะธัˆ ัˆะธะฑะฐะฝ ะฑะธะปะตั‚ ะทะฐ ัะบะฐะฟะฐะฝะธั ะ˜ะณะธ ะŸะพะฟ, ะฐ ะฝะต ะผะพะถะตัˆ ะดะฐ ัะต ะฟั€ะตะถะฐะปะธัˆ ะทะฐ ะฟะพะดะฐั€ัŠะบ! ะ• ั‚ะพะฒะฐ ะต ะ›ะธะทะธ ั ั€ะตั‚ะพั€ะธั‡ะฝะธั‚ะต ัะธ ะฒัŠะฟั€ะพัะธ - ะณะฐะดะฝะพั‚ะพ ะพั€ัŠะถะธะต ะฝะฐ ะณะฐะดะถะตั‚ะฐั‚ะฐ ะธ ะฟัะธั…ะฐั€ะธั‚ะต.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Everytime ye go to jail, the probability ay ye ever becoming free fae that kind of life decreases. It's the same every time ye go back tae smack. Ye decrease yir chances of ay ever bein able tae dae withoot it.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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The disease which racked his body was a sweetheart compared to the more obscure one that possessed his sick mind.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Whin yir oan junk, aw ye worry aboot is scorin. Oaf the gear, ye worry aboot loads ay things. Nae money, cannae git pished. Goat money, drinkin too much. Cannae git a burd, nae chance ay a ride. Git a burd, too much hassle, cannae breathe withoot her gittin oan yir case. Either that. or ye blow it, and feel aw guilty. Ye worry aboot bills, food, bailiffs, these Jambo Nazi scum beatin us, aw the things that ye couldnae gie a fuck aboot whin yuv goat a real junk habit. Yuv just goat one thing tae worry aboot. The simplicity ay it aw. Ken whit ah mean?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Society invents a spurious convoluted logic tea absorb and change people whae's behaviour is outside its mainstream. Suppose that ah ken all the pros and cons, know that ah'm gaunnae huv a short life, am ay sound mind etcetera etcetera, but still want tae use smack? They won't let ye dae it. They won't let ye dae it, because it's seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whit they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fucking junk food intae yir mooth. Choose rotting away, pishing and shiteing yourself in a home, a total fucking embarrassment to the selfish, fucked-up brats ye've produced. Choose life.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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High cunts are a big fuckin drag when yir feeling like this, because thir too busy enjoying their high tae notice or gie a fuck about your suffering. Whereas the piss-held in the pub wants every cunt tae git as ootay it as he is, the real junky (as opposed tae the casual user who wants a partner-in-crime) doesnae gie a fuck aboot anybody else.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Society invents a spurious convoluted logic tae absorb and change people whae's behaviour is outside its mainstream. Suppose that ah ken aw the pros and cons, know that ah'm gaunnae huv a short life, am ah sound mind, etcetera, etcetera, but still want tae use smack? They won't let ye dae it. They won't let ye dae it, because it's seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whut they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Las convenciones siempre nos imponen su locura en los momentos menos apropiados.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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They disembark like pieces of broken crockery being poured out of a packing case.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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There's nae reasoning wi some cats. You say 'reason', they mew 'treason'. Ken?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Eroinden sรถz ederken kendimi ลŸaลŸฤฑrtฤฑcฤฑ รถlรงรผde iyi, sakin ve berrak hissediyordum. "Tam olarak bilmiyorum, Tom, bilmiyorum. Bi ลŸekilde her ลŸeyi daha gerรงekรงi kฤฑlฤฑyor. Hayat sฤฑkฤฑcฤฑ ve anlamsฤฑz. Bรผyรผk umutlarla baลŸlฤฑyoruz, sonra รงuvallฤฑyoruz. Hepimiz bi gรผn bรผyรผk sorulara cevap bulmadan รถleceฤŸimizi keลŸfederiz. Hayatฤฑmฤฑzฤฑn gerรงeฤŸini farklฤฑ biรงimlerde yorumlayacak dolambaรงlฤฑ dรผลŸรผnceler geliลŸtiririz, bedenimizle bรผyรผk ลŸeylere, gerรงek ลŸeylere dair kayda deฤŸer bi bilgiye uzanmaksฤฑzฤฑn. Aslฤฑnda, kฤฑsa ve hayal kฤฑrฤฑklฤฑklarฤฑyla dolu bi hayat yaลŸar, sonra da รถlรผrรผz. Kendimizi her ลŸeyin tamamen anlamdan yoksun olmadฤฑฤŸฤฑna inandฤฑrmak iรงin hayatlarฤฑmฤฑzฤฑ bokla doldururuz; kariyerle, iliลŸkiyle falan. Eroin dรผrรผst bir uyuลŸturucudur, รงรผnkรผ bu yanฤฑlsamalarฤฑ sฤฑyฤฑrฤฑp atar. Eroin รงaktฤฑฤŸฤฑnda iyiysen, kendini รถlรผmsรผz hissedersin. Kรถtรผysen zaten var olan sฤฑkฤฑntฤฑyฤฑ artฤฑrฤฑr. Tek dรผrรผst uyuลŸturucudur. Bilincini deฤŸiลŸtirmez. Bi anda รงarpar ve gevลŸetir. Ondan sonra dรผnyanฤฑn sefaletini olduฤŸu gibi gรถrรผr, kendini buna karลŸฤฑ duyarsฤฑzlaลŸtฤฑramazsฤฑn.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Two choices; one: tough it oot, back in the room, two: phone that cunt Forrester and go tae Muirhoose, get fucked aboot and ripped oaf wi some crap gear. Nae contest. In twenty minutes it wis: โ€” Muirhoose pal? tae the driver oan the 32 bus and quiveringly stickin ma forty-five pence intae the the box. Any port in a storm, and itโ€™s raging in here behind ma face.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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To those of us gathered here today, Matthew Connell filled a number of different roles in our lives. Matthew was a son, a brother, a father and a friend. Matthew's last days in his young life were bleak, suffering ones. Yet, we must remember the real Matthew, the loving young man who had a great lust for life. A keen musician, Matthew loved to entertain friends with his guitar playing... Renton could not make eye contact with Spud, standing next to him in the pew, as nervous laughter gripped him. Matty was the shitest guitarest he'd known, and could only play the Doors' 'Roadhouse Blues' and a few Clash and Status Quo numbers with any sort of proficiency. He tried hard to do the riff from 'Clash City Rockers', but could never quite master it. Nonetheless, Matty loved that Fender Strat. It was the last thing he sold, holding onto it after the amplifier had been flogged off in order to fill his veins with shite. Perr Matty, Renton thought. How well did any of us really know him? How well can anybody really know anybody else?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แƒ™แƒ แƒ”แƒ›แƒแƒขแƒแƒ แƒ˜แƒฃแƒ›แƒ˜แƒก แƒ›แƒ”แƒ–แƒแƒ‘แƒšแƒแƒ“ แƒ›แƒ“แƒ”แƒ‘แƒแƒ แƒ” แƒžแƒแƒขแƒแƒ แƒ แƒ”แƒ™แƒšแƒ”แƒกแƒ˜แƒ˜แƒก แƒ›แƒแƒซแƒฆแƒ•แƒแƒ แƒ›แƒ แƒ“แƒ”แƒœแƒ˜แƒก แƒกแƒฃแƒšแƒ˜แƒก แƒ›แƒแƒกแƒแƒฎแƒกแƒ”แƒœแƒ˜แƒ”แƒ‘แƒ”แƒšแƒ˜ แƒชแƒ”แƒ แƒ”แƒ›แƒแƒœแƒ˜แƒ แƒกแƒฌแƒ แƒแƒคแƒแƒ“ แƒ›แƒแƒแƒงแƒแƒ›แƒแƒ แƒ. แƒ˜แƒ› แƒ“แƒฆแƒ”แƒก แƒ‘แƒ”แƒ•แƒ แƒ˜ แƒ™แƒ แƒ”แƒ›แƒแƒชแƒ˜แƒ แƒขแƒแƒ แƒ“แƒ”แƒ‘แƒแƒ“แƒ แƒ“แƒ แƒ“แƒ˜แƒ“แƒฎแƒแƒœแƒก แƒ’แƒแƒขแƒ แƒแƒ™แƒ”แƒ‘แƒ˜แƒก แƒ“แƒ แƒ แƒแƒ  แƒฐแƒฅแƒแƒœแƒ“แƒ. แƒ”แƒ แƒ—แƒ˜-แƒแƒ แƒ˜ แƒ–แƒ”แƒ แƒ”แƒšแƒ” แƒ™แƒแƒ›แƒ”แƒœแƒขแƒแƒ แƒ˜แƒ— แƒจแƒ”แƒ›แƒแƒ˜แƒคแƒแƒ แƒ’แƒšแƒ, แƒชแƒแƒขแƒ แƒ˜แƒ’แƒแƒšแƒแƒ‘แƒ”แƒก, แƒแƒ แƒ˜แƒแƒ“แƒ” แƒšแƒแƒชแƒ•แƒ แƒฌแƒแƒ แƒ›แƒแƒ—แƒฅแƒ•แƒ”แƒก แƒ“แƒ แƒ’แƒ•แƒแƒ›แƒ˜แƒก แƒ™แƒ แƒ”แƒ›แƒแƒขแƒแƒ แƒ˜แƒฃแƒ›แƒจแƒ˜ แƒ’แƒแƒกแƒแƒ’แƒ–แƒแƒ•แƒœแƒ˜ แƒ“แƒแƒœแƒแƒ“แƒ’แƒแƒ แƒ˜แƒก แƒฆแƒ˜แƒšแƒแƒ™แƒ›แƒแƒช แƒ’แƒแƒ˜แƒฌแƒ™แƒแƒžแƒฃแƒœแƒ. แƒ™แƒ˜แƒ“แƒ”แƒ• แƒ แƒแƒ›แƒ“แƒ”แƒœแƒ˜แƒ›แƒ” แƒ’แƒ•แƒแƒ›แƒ˜แƒช แƒ“แƒ แƒ›แƒ˜แƒกแƒ˜ แƒ˜แƒ›แƒ“แƒฆแƒ”แƒ•แƒแƒœแƒ“แƒ”แƒšแƒ˜ แƒชแƒ•แƒšแƒ แƒแƒ›แƒแƒ˜แƒฌแƒฃแƒ แƒ”แƒ‘แƒแƒ“แƒ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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- Makes nae fucking difference. Rents n Stevie came up fae London for this. If Rents n Stevie kin come up fae fucking London, Sick Boy kin come up fae fuckcing France. Spud's senses were dangerously dulled with the alcohol. Stupidly, he kept the argument going. - Yeah, but, eh... France is further away... wir talking aboot the south ay France here, likesay. Ken? Begbie looked incredulously at Spud. Obviously the message had not got across. He spoke lower, higher and with a snarl twisting his cruel mouth into a strange shape below his blazing eyes. - IF RENTS N STEVIE KIN COME UP FI FUCKING LONDON, SICK BOY KIN COME UP FAE FUCKING FRANCE! - Yeah... right enough. Should've made the effort. Mate's funeral likesay, ken. Spud thought that the Conservative Party in Scotland could do with a few Begbies. It's not what the message is, the problem is just communication. Begbie is good at getting the message across.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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-แƒแƒฎแƒšแƒ, แƒฃแƒ™แƒœแƒ˜แƒ“แƒแƒœ แƒฃแƒœแƒ“แƒ แƒ“แƒแƒ›แƒแƒ แƒญแƒ, แƒ›แƒแƒ’แƒ แƒแƒ› แƒ›แƒแƒœแƒ›แƒแƒ“แƒ” แƒ›แƒแƒ’ แƒžแƒ”แƒœแƒ˜แƒกแƒก แƒ™แƒแƒ แƒ’แƒแƒ“ แƒ’แƒแƒ’แƒ˜แƒžแƒแƒฎแƒแƒ• แƒ•แƒแƒ–แƒ”แƒšแƒ˜แƒœแƒ˜แƒ—, แƒ แƒ แƒจแƒ”แƒ“แƒ”แƒ‘แƒ˜แƒกแƒแƒก แƒแƒ  แƒ›แƒ”แƒขแƒ™แƒ˜แƒœแƒแƒก. แƒ™แƒฃแƒœแƒ—แƒ”แƒ‘แƒ˜ แƒจแƒ”แƒ›แƒ”แƒ™แƒฃแƒ›แƒจแƒ”แƒ‘แƒ, แƒ˜แƒ›แƒ˜แƒขแƒ แƒ แƒ แƒแƒ›แƒแƒก แƒžแƒ˜แƒ แƒ•แƒ”แƒšแƒแƒ“ แƒ•แƒแƒ™แƒ”แƒ—แƒ”แƒ‘, แƒ›แƒแƒ แƒ แƒ•แƒ”แƒชแƒ“แƒ”แƒ‘แƒ˜, แƒ›แƒแƒ•แƒ“แƒฃแƒœแƒ“แƒ”, - แƒ—แƒฅแƒ•แƒ แƒ“แƒ แƒฆแƒ แƒ›แƒ แƒœแƒแƒคแƒแƒ–แƒ˜ แƒ“แƒแƒแƒ แƒขแƒงแƒ. แƒšแƒแƒ แƒ แƒ“แƒ˜แƒ“แƒแƒ“ แƒ—แƒแƒ•แƒจแƒ”แƒœแƒแƒฎแƒฃแƒšแƒ˜ แƒฅแƒแƒšแƒ˜ แƒแƒ  แƒ‘แƒ แƒซแƒแƒœแƒ“แƒ”แƒ‘แƒแƒ“แƒ, แƒฐแƒแƒ“แƒ, แƒ•แƒแƒ–แƒ”แƒšแƒ˜แƒœแƒ˜ แƒแƒ  แƒแƒฆแƒ›แƒแƒแƒฉแƒœแƒ“แƒ. แƒแƒ›แƒ˜แƒขแƒแƒ› แƒ แƒแƒฆแƒแƒช แƒกแƒฎแƒ•แƒ แƒœแƒ˜แƒ•แƒ—แƒ˜แƒ”แƒ แƒ”แƒ‘แƒ แƒ˜แƒžแƒแƒ•แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช, แƒ›แƒ˜แƒกแƒ˜ แƒแƒ–แƒ แƒ˜แƒ—, แƒกแƒแƒžแƒแƒฎแƒแƒ“ แƒ’แƒแƒ›แƒแƒ“แƒ’แƒ”แƒ‘แƒแƒ“แƒ. แƒซแƒแƒšแƒ˜แƒแƒœ แƒ‘แƒšแƒแƒœแƒขแƒ˜ แƒ“แƒ แƒฌแƒ”แƒ‘แƒแƒ•แƒแƒœแƒ˜ แƒ แƒแƒ›แƒ” แƒ˜แƒงแƒ. แƒ›แƒแƒ™แƒšแƒ”แƒ“, แƒ‘แƒšแƒแƒ›แƒแƒ“ แƒฌแƒแƒฃแƒกแƒ•แƒ แƒกแƒแƒฌแƒงแƒแƒš แƒฅแƒšแƒ˜แƒแƒ•แƒแƒก แƒแƒกแƒแƒ–แƒ”. แƒ แƒ”แƒ–แƒ˜แƒœแƒ˜แƒก แƒฌแƒ”แƒ‘แƒ แƒแƒฆแƒ›แƒแƒฉแƒœแƒ“แƒ. แƒ˜แƒ› แƒกแƒแƒชแƒแƒ“แƒแƒ•แƒก แƒ™แƒแƒœแƒจแƒ˜ แƒฉแƒแƒแƒ™แƒ•แƒ“แƒ แƒ“แƒ แƒแƒฃแƒขแƒแƒœแƒ”แƒšแƒ˜ แƒขแƒ™แƒ˜แƒ•แƒ˜แƒšแƒ˜แƒกแƒแƒ’แƒแƒœ แƒกแƒแƒจแƒ˜แƒœแƒšแƒแƒ“ แƒแƒแƒฆแƒ แƒ˜แƒแƒšแƒ. แƒ‘แƒœแƒ”แƒ“แƒ˜แƒแƒœแƒ˜แƒ•แƒ˜แƒ— แƒ˜แƒ™แƒ แƒฃแƒœแƒฉแƒฎแƒ”แƒ‘แƒแƒ“แƒ แƒกแƒแƒฌแƒแƒšแƒ–แƒ” แƒ“แƒ แƒ’แƒ แƒซแƒœแƒแƒ‘แƒ“แƒ, แƒ แƒแƒ› แƒชแƒแƒขแƒแƒช แƒ“แƒ แƒแƒกแƒแƒก แƒ—แƒแƒ•แƒ˜ แƒœแƒแƒฆแƒ“แƒแƒ“ แƒ›แƒแƒกแƒซแƒ•แƒ แƒ”แƒ‘แƒแƒ“แƒ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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- แƒ แƒแƒก แƒแƒ™แƒ”แƒ—แƒ”แƒ‘แƒ—, แƒ‘แƒแƒ•แƒจแƒ”แƒ‘แƒ? แƒแƒฅ, แƒซแƒ•แƒ”แƒš แƒกแƒแƒ“แƒ’แƒฃแƒ แƒ–แƒ”, แƒ›แƒแƒขแƒแƒ แƒ”แƒ‘แƒšแƒ”แƒ‘แƒ˜แƒก แƒกแƒแƒ—แƒ•แƒแƒšแƒ—แƒ•แƒแƒšแƒแƒ“ แƒ›แƒแƒฎแƒ•แƒ”แƒ“แƒ˜แƒ—, แƒ—แƒฃ แƒงแƒแƒคแƒ˜แƒš แƒกแƒแƒฌแƒงแƒแƒ‘แƒจแƒ˜ โ€œแƒกแƒแƒฉแƒฎแƒ”แƒ -แƒ™แƒ”แƒ—แƒ”แƒšแƒแƒแƒ“?โ€ _ แƒแƒ›แƒ‘แƒแƒ‘แƒก แƒ“แƒ แƒ’แƒฃแƒšแƒ˜แƒแƒœแƒแƒ“ แƒฎแƒ˜แƒ—แƒฎแƒ˜แƒ—แƒ”แƒ‘แƒก แƒกแƒแƒ™แƒฃแƒ—แƒแƒ  แƒ™แƒแƒšแƒแƒ›แƒ‘แƒฃแƒ แƒ–แƒ”. _ แƒ’แƒแƒ›แƒแƒ˜แƒชแƒแƒœแƒ˜, _ แƒ”แƒฃแƒ‘แƒœแƒ”แƒ‘แƒ แƒ‘แƒ”แƒ’แƒ‘แƒ˜ แƒ“แƒ แƒ“แƒแƒ‘แƒแƒš แƒฎแƒ›แƒแƒ–แƒ” แƒฃแƒ›แƒแƒขแƒ”แƒ‘แƒก, _ แƒ‘แƒ”แƒ‘แƒ”แƒ แƒ˜ แƒ™แƒฃแƒแƒœแƒ. _ แƒ™แƒแƒ˜, แƒแƒ‘แƒ, แƒ˜แƒ—แƒแƒ›แƒแƒจแƒ”แƒ— แƒ“แƒ แƒ’แƒแƒ”แƒ แƒ—แƒ”แƒ—, แƒ›แƒ” แƒฎแƒ”แƒšแƒก แƒแƒ  แƒจแƒ”แƒ’แƒ˜แƒจแƒšแƒ˜แƒ—! _ แƒแƒ›แƒ‘แƒแƒ‘แƒก แƒ‘แƒ”แƒ แƒ˜แƒ™แƒแƒชแƒ˜ แƒ“แƒ แƒ‘แƒแƒœแƒชแƒแƒšแƒ˜แƒ— แƒ’แƒ•แƒ”แƒชแƒšแƒ”แƒ‘แƒ. แƒ›แƒ˜แƒกแƒ˜ แƒฎแƒ แƒ˜แƒœแƒฌแƒ˜แƒแƒœแƒ˜ แƒกแƒ˜แƒชแƒ˜แƒšแƒ˜แƒก แƒ”แƒฅแƒ แƒ›แƒ—แƒ”แƒš แƒ›แƒ˜แƒขแƒแƒ•แƒ”แƒ‘แƒฃแƒš แƒกแƒแƒฌแƒงแƒแƒ‘แƒจแƒ˜ แƒ˜แƒกแƒ›แƒ˜แƒก. แƒ•แƒแƒ›แƒฉแƒœแƒ”แƒ•, แƒ แƒ แƒ‘แƒ”แƒ’แƒ‘แƒ˜ แƒ›แƒแƒ’แƒ แƒ แƒ“แƒแƒ›แƒซแƒ˜แƒ›แƒ“แƒ. แƒžแƒ˜แƒ แƒ˜แƒช แƒ™แƒ˜ แƒ›แƒ˜แƒ˜แƒ‘แƒ แƒฃแƒœแƒ แƒ“แƒ แƒแƒฆแƒแƒ  แƒ›แƒ˜แƒงแƒฃแƒ แƒ”แƒ‘แƒก. แƒ›แƒแƒจแƒ˜แƒœแƒฆแƒ แƒ›แƒ˜แƒ•แƒฎแƒ•แƒ“แƒ˜, แƒ แƒ แƒ˜แƒก แƒšแƒแƒ—แƒ˜ แƒ›แƒแƒ›แƒแƒ›แƒ˜แƒกแƒ˜ แƒ˜แƒงแƒ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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BaลŸarฤฑ ve baลŸarฤฑsฤฑzlฤฑk arzunun tatmin edilmesi ya da iรงinde kalmasฤฑ anlamฤฑna gelir. Arzu ya kiลŸisel dรผrtรผlerimize baฤŸlฤฑ olarak baskฤฑn bir biรงimde iรงseldir, ya da esasen reklamlarla veya medyanฤฑn ve popรผler kรผltรผrรผn sunduฤŸu rol modelleriyle uyarฤฑlmฤฑลŸ bir biรงimde, dฤฑลŸsal. Tom benim baลŸarฤฑ ve baลŸarฤฑsฤฑzlฤฑk kavramlarฤฑmฤฑn toplumsal dรผzeyden รงok kiลŸisel dรผzeyde geรงerli olduฤŸu gรถrรผลŸรผnde. Toplumsal รถdรผlรผ kabul etmediฤŸim iรงin baลŸarฤฑ (ve baลŸarฤฑsฤฑzlฤฑk) sadece anlฤฑk olabilirdi benim iรงin, รงรผnkรผ bu deneyim toplumsal destek gรถren bir servet, gรผรง ve statรผ dรผลŸmanlฤฑฤŸฤฑyla, ya da baลŸarฤฑsฤฑzlฤฑk sรถz konusu olduฤŸunda utanรง ve ayฤฑplamayla sรผrdรผrรผlemezdi. Bu yรผzden, Tom'a gรถre, bana sฤฑnavlarda baลŸarฤฑlฤฑ olduฤŸumu ya da iyi bir iลŸim olduฤŸunu ya da gรผzel bir piliรงle รงฤฑktฤฑฤŸฤฑmฤฑ sรถylemenin bir yararฤฑ yoktu; bu tรผr รถvgรผler bir ลŸey ifade etmiyordu benim iรงin. Tabii ki, gerรงekleลŸtiklerinde bu ลŸeylerin keyfini รงฤฑkarฤฑyordum, fakat deฤŸerleri kalฤฑcฤฑ olamazdฤฑ, รงรผnkรผ onlarฤฑ deฤŸerlendiren toplumun kabulรผ sรถz konusu deฤŸildi bende.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แƒแƒกแƒ”แƒ แƒ—แƒฃ แƒ˜แƒกแƒ”, แƒ˜แƒ›แƒ“แƒ”แƒœแƒแƒ“ แƒ“แƒแƒฆแƒšแƒ˜แƒšแƒ˜ แƒ•แƒแƒ , แƒ แƒ แƒ”แƒ’แƒ แƒ”แƒ•แƒ” แƒ•แƒฎแƒฃแƒญแƒแƒ• แƒ—แƒ•แƒแƒšแƒ”แƒ‘แƒก แƒ“แƒ แƒซแƒ˜แƒšแƒ˜ แƒ—แƒแƒ•แƒก แƒ›แƒแƒ แƒ—แƒ›แƒ”แƒ•แƒก. แƒแƒ“แƒœแƒแƒ• แƒ•แƒ˜แƒซแƒแƒ‘แƒ”แƒ‘แƒ˜, แƒ แƒแƒชแƒ แƒ•แƒ’แƒ แƒซแƒœแƒแƒ‘, แƒ แƒ แƒ‘แƒ”แƒ แƒ˜แƒ™แƒแƒชแƒ˜ แƒ’แƒ•แƒ”แƒ แƒ“แƒ˜แƒ— แƒ›แƒแƒ›แƒ˜แƒฌแƒ•แƒ, แƒ›แƒแƒ แƒ แƒ›แƒแƒšแƒ”แƒ•แƒ” แƒ•แƒ“แƒฃแƒœแƒ“แƒ”แƒ‘แƒ˜, แƒ แƒแƒ“แƒ’แƒแƒœแƒแƒช แƒ’แƒแƒกแƒฃแƒกแƒฃแƒšแƒ˜ แƒฌแƒ”แƒ•แƒก แƒ“แƒ แƒแƒฎแƒšแƒแƒก แƒ›แƒแƒ™แƒแƒ แƒ”แƒ‘แƒแƒก แƒแƒ แƒช แƒ™แƒ˜ แƒชแƒ“แƒ˜แƒšแƒแƒ‘แƒก. แƒ—แƒแƒœแƒแƒช แƒแƒ แƒ˜แƒ•แƒ” แƒฉแƒแƒชแƒ›แƒฃแƒšแƒ”แƒ‘แƒ˜ แƒ•แƒฌแƒ”แƒ•แƒแƒ แƒ—. แƒ•แƒ’แƒ แƒซแƒœแƒแƒ‘, แƒ แƒ แƒแƒ•แƒแƒ“แƒ›แƒงแƒแƒคแƒฃแƒ , แƒฃแƒ’แƒแƒœแƒ แƒซแƒ˜แƒšแƒจแƒ˜ แƒ•แƒ˜แƒซแƒ˜แƒ แƒ”แƒ‘แƒ˜. แƒ•แƒ˜แƒฆแƒ•แƒ˜แƒซแƒ”แƒ‘. แƒแƒ–แƒ แƒ–แƒ” แƒแƒ แƒ แƒ•แƒแƒ , แƒ แƒแƒ›แƒ“แƒ”แƒœ แƒกแƒแƒแƒ—แƒก แƒ›แƒ”แƒซแƒ˜แƒœแƒ. แƒžแƒ˜แƒ แƒ˜ แƒ’แƒแƒ›แƒจแƒ แƒแƒšแƒ˜ แƒ›แƒแƒฅแƒ•แƒก, แƒกแƒแƒฎแƒ”แƒ–แƒ” แƒ™แƒ˜ แƒฃแƒชแƒœแƒแƒฃแƒ แƒ˜ แƒกแƒ˜แƒกแƒ•แƒ”แƒšแƒ˜แƒก แƒจแƒ”แƒ’แƒ แƒซแƒœแƒ”แƒ‘แƒ แƒ›แƒแƒฌแƒฃแƒฎแƒ”แƒ‘แƒก. แƒšแƒแƒงแƒแƒ–แƒ” แƒฎแƒ”แƒšแƒก แƒ•แƒ˜แƒกแƒ•แƒแƒ› แƒ“แƒ แƒ•แƒฎแƒ”แƒ“แƒแƒ•, แƒ แƒ แƒฎแƒ”แƒšแƒ–แƒ” แƒ แƒแƒฆแƒแƒช แƒ›แƒแƒ—แƒ”แƒ—แƒ แƒ, แƒจแƒ”แƒ“แƒ”แƒ“แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ“แƒ แƒฌแƒ”แƒ‘แƒแƒ•แƒแƒœแƒ˜ แƒœแƒ˜แƒ•แƒ—แƒ˜แƒ”แƒ แƒ”แƒ‘แƒ แƒแƒ›แƒงแƒ•แƒ. แƒ•แƒขแƒ แƒ˜แƒแƒšแƒ“แƒ”แƒ‘แƒ˜ แƒ“แƒ แƒ แƒแƒก แƒ•แƒฎแƒ”แƒ“แƒแƒ•!.. แƒ‘แƒ”แƒ แƒ˜แƒ™แƒแƒชแƒ˜ แƒ’แƒ•แƒ”แƒ แƒ“แƒ–แƒ” แƒ›แƒ˜แƒฌแƒ”แƒ•แƒก, แƒ›แƒ—แƒšแƒแƒ“ แƒ“แƒ”แƒ“แƒ˜แƒจแƒแƒ‘แƒ˜แƒšแƒแƒ แƒ“แƒ แƒžแƒแƒขแƒแƒ แƒ, แƒ›แƒกแƒฃแƒฅแƒแƒœแƒ˜ แƒแƒกแƒแƒ“แƒแƒœ แƒกแƒžแƒ”แƒ แƒ›แƒ แƒ›แƒแƒฃแƒŸแƒแƒœแƒแƒ•แƒก. - แƒฃแƒฃแƒฃ, แƒจแƒ” แƒ’แƒแƒ—แƒแƒฎแƒกแƒ˜แƒ แƒ”แƒ‘แƒฃแƒšแƒ แƒ‘แƒ”แƒ‘แƒ”แƒ แƒ!.. แƒ–แƒ”แƒ“ แƒ›แƒแƒ›แƒแƒ—แƒแƒ•แƒ”, แƒกแƒแƒœแƒแƒ› แƒ›แƒ”แƒซแƒ˜แƒœแƒ, แƒจแƒ” แƒ‘แƒแƒ–แƒ, แƒจแƒ”แƒœแƒ?!โ€ฆ แƒ›แƒแƒ’แƒ™แƒšแƒแƒ•, แƒจแƒ” แƒแƒฎแƒ•แƒแƒ แƒ แƒœแƒแƒ‘แƒ˜แƒญแƒ•แƒแƒ แƒ! - แƒแƒกแƒ” แƒ›แƒ’แƒแƒœแƒ˜แƒ, แƒ‘แƒ˜แƒœแƒซแƒฃแƒ แƒ˜ แƒชแƒฎแƒ•แƒ˜แƒ แƒกแƒแƒฎแƒแƒชแƒ˜ แƒ•แƒแƒ -แƒ›แƒ”แƒ—แƒฅแƒ˜, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒ˜แƒฎแƒ›แƒแƒ แƒ”แƒก แƒ“แƒ แƒ’แƒแƒ“แƒแƒแƒ’แƒ“แƒ”แƒก. แƒญแƒ™แƒฃแƒ˜แƒ“แƒแƒœ แƒ’แƒแƒ“แƒแƒกแƒฃแƒšแƒ˜ แƒ”แƒ แƒ— แƒ›แƒแƒ’แƒแƒ แƒก แƒ•แƒฃแƒšแƒแƒฌแƒฃแƒœแƒ”แƒ‘ แƒกแƒ˜แƒคแƒแƒ—แƒจแƒ˜ แƒ“แƒ แƒกแƒแƒฌแƒแƒšแƒ˜แƒ“แƒแƒœ แƒ•แƒแƒ’แƒ“แƒ”แƒ‘. แƒกแƒแƒ–แƒ˜แƒ–แƒฆแƒแƒ , แƒขแƒ แƒแƒ™แƒ’แƒแƒกแƒ˜แƒ”แƒ‘แƒฃแƒš แƒฏแƒฃแƒฏแƒแƒก แƒฐแƒ’แƒแƒ•แƒก, แƒ“แƒ˜แƒ“แƒ˜ แƒฆแƒ˜แƒžแƒ˜แƒ—แƒ แƒ“แƒ แƒ›แƒ แƒ’แƒ•แƒแƒšแƒ˜ แƒ’แƒแƒ’แƒ แƒ˜แƒ—. แƒ›แƒแƒ™แƒ แƒฃแƒœแƒฉแƒฎแƒฃแƒšแƒ˜ แƒ’แƒ“แƒ˜แƒ แƒ˜แƒแƒขแƒแƒ™แƒ–แƒ” แƒ“แƒ แƒ›แƒ” แƒฌแƒ˜แƒฎแƒšแƒ”แƒ‘แƒก แƒ˜แƒฅแƒแƒ›แƒ“แƒ” แƒ•แƒฃแƒ แƒขแƒงแƒแƒ›, แƒกแƒแƒœแƒแƒ› แƒแƒ  แƒ•แƒฎแƒ•แƒ“แƒ”แƒ‘แƒ˜, แƒ แƒ แƒขแƒ˜แƒ แƒ˜แƒก.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Mรขine dimineaศ›-o sฤƒ-mi parฤƒ rฤƒu, da', cum ar zice Sick Boy, dimineaศ›a-ศ™i poartฤƒ singurฤƒ de grijฤƒ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Thir must be less tae life than this.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Es mรกs fรกcil querer a alguna gente a distancia.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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It seems to go beyond our personal junk circumstances; a brilliant metaphor for our times.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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We are all acquaintances now
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Statistically speaking, he reflects, you're more likely to be killed by a member of your own family or a close friend, than by anyone else.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Awright Al? I asked him. A silly question really. Convention always imposes its lunacy on us at such inappropriate times.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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We all see what we want to see.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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This cunt's allergic tae water, especially if ye mix it wi fucking soap.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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As difficult it is tae conceive ay it at the moment, ah may yet find other uses for the organ, besides pishing.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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ยฟEstรกs jodido?", pregunto. "No lo sรฉ. Si te soy sincro, serรก el sexo lo que mรกs echarรฉ de menos. Eso y el tener a alguien, ยฟsabes?" Tommy necesita a la gente mucho mรกs que la mayorรญa.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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People come to this place for one reason, and one reason only. However, the night is still relatively young, and the camouflage of drinking, talking and listening to music does not, at this point, seem too obvious.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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There's some kids playing out in the back, the strip of grass luminated an electric green by the brilliant sunlight. The sky is a delicious clear blue. Life is beautiful. I'm going to enjoy it, and I'm going to have a long life.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah donโ€™t really know, Tam, ah jist dinnae. It kinday makes things seem mair real tae us. Lifeโ€™s boring and futile. We start aof wi high hopes, then we bottle it. We realise that weโ€™re aw gaunnae die, withoot really findin oot the big answers. We develop aw they long-winded ideas which just interpret the reality ay oor lives in different weys, withoot really extending oor body ay worthwhile knowledge, about the big things, the real things. Basically, we live a short, disappointing life; and then we die. We fill up oor lives wi shite, things like careers and relationships tae delude oorsels that it isnae totally pointless. Smackโ€™s an honest drug, because it strips away these delusions. Wi smack, whin ye feel good, ye feel immortal. Whin ye feel bad, it intensifies the shite thatโ€™s already thair. Itโ€™s the only really honest drug. It doesnae alter yer consciousness. It just gies ye a hit and a sense ay well-being. Eftir that, ye see the misery ay the world as it is, and ye cannae anaesthetise yirsel against it.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah wis gaunny say thit Tommy hud a choice; wee Maria disnae. Aw that would huv done wis precipitate an argument aboot whair choice began and ended. How many shots does it take before the concept ay choice becomes obsolete? Wish tae fuck ah knew. Wish tae fuck ah knew anything.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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_ แƒกแƒแƒ›แƒ”แƒคแƒ แƒแƒ แƒ›แƒ˜แƒแƒจแƒ˜ แƒ›แƒกแƒแƒฎแƒฃแƒ แƒแƒ‘แƒ“แƒ˜, แƒจแƒ•แƒ˜แƒšแƒ? แƒฉแƒ”แƒ›แƒ˜ แƒ‘แƒ แƒแƒ˜แƒแƒœแƒ˜แƒช แƒ›แƒแƒœแƒ“ แƒ˜แƒงแƒ, แƒกแƒแƒ›แƒ”แƒคแƒ แƒแƒ แƒ›แƒ˜แƒแƒจแƒ˜, แƒ‘แƒ แƒแƒ˜แƒแƒœ แƒšแƒ”แƒ“แƒšแƒแƒฃ. _ แƒ”แƒ›แƒ›แƒ›, แƒ˜แƒกแƒโ€ฆ แƒแƒ แƒ, แƒฅแƒแƒšแƒ‘แƒแƒขแƒแƒœแƒ, แƒคแƒšแƒแƒขแƒจแƒ˜ แƒ•แƒ˜แƒงแƒแƒ•แƒ˜, _ แƒ›แƒฎแƒ แƒ”แƒ‘แƒก แƒ˜แƒฉแƒ”แƒฉแƒแƒ•แƒก แƒฏแƒแƒœแƒ˜. _ แƒ‘แƒ แƒแƒ˜แƒ”แƒœแƒ˜ แƒแƒฆแƒแƒ  แƒ“แƒแƒ›แƒ˜แƒ‘แƒ แƒฃแƒœแƒ“แƒ, แƒฆแƒ›แƒ”แƒ แƒ—แƒ›แƒ แƒแƒชแƒฎแƒแƒœแƒแƒก แƒ›แƒ˜แƒกแƒ˜ แƒกแƒฃแƒšแƒ˜. แƒแƒชแƒ“แƒแƒ”แƒ แƒ—แƒ˜ แƒฌแƒšแƒ˜แƒก แƒ˜แƒงแƒ, แƒฉแƒ”แƒ›แƒ˜ แƒกแƒแƒฌแƒงแƒแƒšแƒ˜ แƒ‘แƒ˜แƒญแƒ˜. แƒ˜แƒกแƒ”แƒ—แƒ˜ แƒ™แƒแƒ แƒ’แƒ˜ แƒงแƒ›แƒแƒฌแƒ•แƒ˜แƒšแƒ˜ แƒ˜แƒงแƒ, _ แƒฅแƒแƒšแƒก แƒ—แƒ•แƒแƒšแƒ”แƒ‘แƒ˜ แƒชแƒ แƒ”แƒ›แƒšแƒ”แƒ‘แƒ˜แƒ— แƒ”แƒ•แƒกแƒ”แƒ‘แƒ. แƒฎแƒ›แƒ แƒ›แƒ—แƒšแƒแƒ“ แƒฉแƒแƒฃแƒฌแƒงแƒ“แƒ แƒ“แƒ แƒกแƒแƒฌแƒงแƒแƒšแƒแƒ‘แƒ”แƒšแƒ˜ แƒ’แƒแƒฃแƒฎแƒ“แƒ แƒกแƒแƒ™แƒฃแƒ—แƒแƒ แƒ˜ แƒฃแƒกแƒฃแƒกแƒฃแƒ แƒ˜ แƒ“แƒแƒ แƒ“แƒ˜แƒก แƒ’แƒแƒ›แƒ. _ แƒ˜แƒชแƒ˜, แƒจแƒ•แƒ˜แƒšแƒ, แƒ”แƒ’ แƒกแƒแƒ–แƒ˜แƒ–แƒฆแƒแƒ แƒ˜ แƒขแƒ”แƒขแƒฉแƒ”แƒ แƒ˜ แƒกแƒ˜แƒชแƒแƒชแƒฎแƒšแƒ˜แƒก แƒ‘แƒแƒšแƒแƒ›แƒ“แƒ” แƒ›แƒ”แƒซแƒฃแƒšแƒ”แƒ‘แƒ. แƒ”แƒ แƒ—แƒ˜ แƒ“แƒฆแƒ”แƒช แƒแƒ  แƒ’แƒแƒ•แƒ, แƒ”แƒ’ แƒ แƒ แƒแƒ  แƒ“แƒแƒ•แƒฌแƒงแƒ”แƒ•แƒšแƒ. แƒ›แƒ”แƒ แƒ” แƒกแƒแƒคแƒฃแƒšแƒ”แƒก แƒ˜แƒฆแƒ”แƒ‘แƒก, แƒแƒชแƒ’แƒ˜แƒ แƒ•แƒแƒœแƒฅแƒ˜แƒแƒœ แƒ™แƒฃแƒžแƒ˜แƒฃแƒ แƒแƒก แƒžแƒแƒฃแƒšแƒแƒ‘แƒก แƒ“แƒ แƒฏแƒแƒœแƒ˜แƒก แƒฎแƒ”แƒšแƒจแƒ˜ แƒฃแƒขแƒ”แƒœแƒ˜แƒก: _ แƒแƒ˜แƒฆแƒ”, แƒจแƒ•แƒ˜แƒšแƒ, แƒแƒ›แƒ˜แƒก แƒ›แƒ”แƒขแƒ˜ แƒแƒ แƒแƒคแƒ”แƒ แƒ˜ แƒ›แƒแƒฅแƒ•แƒก, แƒ›แƒแƒ’แƒ แƒแƒ› แƒ›แƒ˜แƒœแƒ“แƒ, แƒ แƒ แƒจแƒ”แƒœ แƒ’แƒฅแƒแƒœแƒ“แƒ”แƒก. _ แƒ›แƒ”แƒ แƒ” แƒฅแƒ•แƒ˜แƒ—แƒ˜แƒœแƒ˜ แƒฃแƒ•แƒแƒ แƒ“แƒ”แƒ‘แƒ แƒ“แƒ แƒ›แƒ˜แƒ“แƒ˜แƒก, แƒคแƒ”แƒฎแƒ–แƒ” แƒซแƒšแƒ˜แƒ•แƒก แƒ“แƒ’แƒแƒก; แƒ˜แƒกแƒ”แƒ—แƒ˜ แƒ’แƒ แƒซแƒœแƒแƒ‘แƒแƒ, แƒ—แƒ˜แƒ—แƒฅแƒแƒก แƒ“แƒแƒœแƒ˜แƒ— แƒ“แƒแƒญแƒ แƒ”แƒก. _ แƒฆแƒ›แƒ”แƒ แƒ—แƒ›แƒ แƒ“แƒแƒ’แƒšแƒแƒชแƒแƒ—, แƒฅแƒแƒšแƒ‘แƒแƒขแƒแƒœแƒ! _ แƒ›แƒ˜แƒฐแƒ™แƒ˜แƒ•แƒ˜แƒก แƒฏแƒแƒœแƒ˜ แƒ›แƒ˜แƒ›แƒแƒ•แƒแƒšแƒก. _ แƒฆแƒ›แƒ”แƒ แƒ—แƒ›แƒ แƒ“แƒแƒšแƒแƒชแƒแƒก แƒจแƒแƒขแƒšแƒแƒœแƒ“แƒ˜แƒ”แƒšแƒ˜ แƒฏแƒแƒ แƒ˜แƒกแƒ™แƒแƒชแƒ”แƒ‘แƒ˜! _ แƒ›แƒ”แƒ แƒ” แƒขแƒแƒจแƒกแƒแƒช แƒจแƒ”แƒ›แƒแƒฐแƒ™แƒ แƒแƒ•แƒก, แƒกแƒ˜แƒฎแƒแƒ แƒฃแƒšแƒ˜แƒ— แƒแƒฆแƒแƒ แƒแƒ, แƒ แƒแƒ› แƒ›แƒแƒšแƒ” แƒชแƒ˜แƒ™แƒšแƒแƒ–แƒ˜แƒœแƒก แƒ˜แƒงแƒ˜แƒ“แƒ˜แƒก แƒ“แƒ แƒ˜แƒ› แƒ›แƒ”แƒขแƒแƒ“แƒแƒœแƒ—แƒแƒœ แƒ”แƒ แƒ—แƒแƒ“ แƒ’แƒแƒ“แƒแƒฃแƒจแƒ•แƒ”แƒ‘แƒก, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒฃแƒ™แƒ•แƒ” แƒแƒฅแƒ•แƒก. แƒคแƒกแƒ˜แƒฅแƒแƒ›แƒ”แƒขแƒแƒ“แƒแƒœแƒฃแƒ แƒ˜ แƒ™แƒแƒ™แƒขแƒ”แƒ˜แƒšแƒ˜: แƒ›แƒ˜แƒกแƒ˜ แƒœแƒ”แƒขแƒแƒ แƒ”แƒ‘แƒ˜แƒกแƒแƒ™แƒ”แƒœ แƒ›แƒ˜แƒ›แƒแƒ•แƒแƒšแƒ˜ แƒ‘แƒ˜แƒšแƒ”แƒ—แƒ˜, แƒ›แƒ˜แƒกแƒ˜ แƒžแƒแƒขแƒแƒ แƒ แƒกแƒแƒ›แƒแƒ—แƒฎแƒ˜แƒกแƒแƒ™แƒ”แƒœ, แƒ แƒแƒ›แƒ”แƒšแƒกแƒแƒช แƒ’แƒแƒฃแƒชแƒœแƒแƒ‘แƒ˜แƒ”แƒ แƒ”แƒ‘แƒšแƒ”แƒ‘แƒ˜ แƒ“แƒแƒกแƒชแƒ˜แƒœแƒ˜แƒแƒœ แƒ“แƒ แƒ•แƒ”แƒ  แƒแƒคแƒแƒกแƒ”แƒ‘แƒ”แƒœ; แƒ”แƒ’แƒ”แƒœแƒ˜ แƒ•แƒ”แƒ แƒแƒกแƒแƒ“แƒ”แƒก แƒฉแƒแƒกแƒฌแƒ•แƒ“แƒ”แƒ‘แƒ˜แƒแƒœ แƒแƒ› แƒœแƒ”แƒขแƒแƒ แƒ”แƒ‘แƒ˜แƒก แƒแƒ แƒกแƒก... แƒ”แƒšแƒ‘แƒแƒก แƒ›แƒ—แƒ”แƒšแƒ˜ แƒ‘แƒฆแƒฃแƒฏแƒ แƒชแƒ˜แƒ™แƒšแƒแƒ–แƒ˜แƒœแƒ˜ แƒแƒฅแƒ•แƒก, แƒ™แƒ˜แƒ‘แƒแƒก แƒ’แƒแƒ›แƒ แƒ’แƒแƒ›แƒแƒฃแƒฌแƒ”แƒ แƒ”แƒก. แƒ“แƒฆแƒ”แƒก แƒกแƒแƒฆแƒแƒ›แƒแƒก แƒแƒฃแƒชแƒ˜แƒšแƒ”แƒ‘แƒšแƒแƒ“ แƒ›แƒแƒ˜แƒœแƒแƒฎแƒฃแƒšแƒ”แƒ‘แƒก แƒ˜แƒ› แƒ—แƒแƒ•แƒ˜แƒก แƒแƒ•แƒแƒ“แƒ›แƒงแƒแƒค แƒ›แƒ”แƒ’แƒแƒ‘แƒแƒ แƒก. แƒ”แƒšแƒ‘แƒแƒก แƒ›แƒแƒ’แƒ˜แƒกแƒ˜ แƒ™แƒแƒšแƒ˜แƒ™แƒ”แƒ‘แƒ˜ แƒกแƒญแƒ˜แƒ แƒ“แƒ”แƒ‘แƒ, แƒฏแƒแƒœแƒ˜แƒก แƒ™แƒ˜แƒ“แƒ” _ แƒ›แƒ˜แƒกแƒ˜ แƒคแƒกแƒ˜แƒฅแƒแƒขแƒ แƒแƒžแƒฃแƒšแƒ”แƒ‘แƒ˜. แƒ˜แƒœแƒขแƒ”แƒ แƒ”แƒกแƒ—แƒ แƒ˜แƒ“แƒ”แƒแƒšแƒฃแƒ แƒ˜ แƒ—แƒแƒœแƒฎแƒ•แƒ”แƒ“แƒ แƒแƒ. แƒ“แƒ˜แƒแƒฎแƒแƒช! แƒฆแƒ›แƒ”แƒ แƒ—แƒ›แƒ แƒฌแƒงแƒแƒšแƒแƒ‘แƒ แƒแƒ  แƒ›แƒแƒฃแƒจแƒแƒšแƒแƒก แƒจแƒแƒขแƒšแƒแƒœแƒ“แƒ˜แƒ”แƒš แƒฏแƒแƒ แƒ˜แƒกแƒ™แƒแƒชแƒ”แƒ‘แƒก แƒ“แƒ แƒ‘แƒ แƒ˜แƒขแƒแƒœแƒฃแƒš แƒฏแƒแƒœแƒ“แƒแƒชแƒ•แƒแƒก!
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Lo he dejado varias veces. Dejarlo y volver a picarse es como ir a la cรกrcel. Cada vez que vas a la cรกrcel, disminuye la probabilidad de que alguna vez estรฉs libre de ese tipo de vida. Es igual cada vez que vuelves al caballo. Disminuyes tus posibilidades de ser capaz de prescindir de รฉl algรบn dรญa.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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- Then whit? - Git a job. Or git oan a scheme. - No gaunnae stey oan n take Highers? - Naw. - Ye should. You could go tae University. - Whit fir? Geoff had to think for a while. He had recently graduated with a degree in English Literature and was on the dole. So were most of his fellow graduates. - It's a good social life, he said.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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_ แƒ›แƒแƒ’ แƒšแƒแƒœแƒ“แƒแƒœแƒจแƒ˜ แƒกแƒฃแƒš แƒ’แƒแƒ›แƒแƒงแƒšแƒ”แƒ•แƒ“แƒ˜, แƒ‘แƒ˜แƒญแƒ˜? แƒคแƒ”แƒฎแƒ‘แƒฃแƒ แƒ—แƒ˜แƒก แƒขแƒ”แƒšแƒ”แƒ•แƒ˜แƒ–แƒแƒ แƒจแƒ˜ แƒงแƒฃแƒ แƒ”แƒ‘แƒ แƒ•แƒ˜แƒก แƒ’แƒแƒฃแƒ’แƒ˜แƒ?! แƒ แƒแƒฆแƒ แƒคแƒ”แƒฎแƒ‘แƒฃแƒ แƒ—แƒ˜แƒก แƒ›แƒแƒขแƒฉแƒ˜แƒก แƒขแƒ”แƒšแƒ”แƒ•แƒ˜แƒ–แƒแƒ แƒ˜แƒ— แƒงแƒฃแƒ แƒ”แƒ‘แƒ แƒ“แƒ แƒ แƒแƒฆแƒ แƒ’แƒแƒœแƒ“แƒแƒœแƒ˜แƒ— แƒฌแƒ”แƒ แƒแƒแƒ‘แƒ!โ€ฆ แƒฃแƒกแƒแƒคแƒ แƒ—แƒฎแƒ แƒกแƒ”แƒฅแƒกแƒ˜, แƒฃแƒกแƒแƒคแƒ แƒ—แƒฎแƒ แƒคแƒ”แƒฎแƒ‘แƒฃแƒ แƒ—แƒ˜โ€ฆ แƒงแƒ•แƒ”แƒšแƒแƒคแƒ”แƒ แƒ˜ แƒฃแƒกแƒแƒคแƒ แƒ—แƒฎแƒ แƒ’แƒ•แƒ˜แƒœแƒ“แƒ, แƒแƒ›แƒ˜แƒก แƒ“แƒ”แƒ“แƒแƒช!.. แƒ‘แƒแƒ แƒ” แƒžแƒแƒขแƒแƒ แƒ แƒฃแƒกแƒแƒคแƒ แƒ—แƒฎแƒ แƒกแƒแƒ›แƒงแƒแƒ แƒ แƒ’แƒแƒ•แƒแƒจแƒ”แƒœแƒแƒ— แƒ˜แƒ แƒ’แƒ•แƒšแƒ˜แƒ• แƒ“แƒ แƒงแƒ•แƒ”แƒšแƒ แƒจแƒ˜แƒ’แƒœแƒ˜แƒ— แƒจแƒ”แƒ•แƒ˜แƒงแƒฃแƒŸแƒแƒ—, - แƒ—แƒฅแƒ•แƒ แƒ“แƒ แƒ“แƒแƒ›แƒชแƒ˜แƒœแƒแƒ•แƒแƒ“ แƒ“แƒแƒ˜แƒ›แƒแƒœแƒญแƒ. แƒกแƒขแƒ˜แƒ•แƒ˜แƒก แƒฃแƒ™แƒ•แƒ” แƒ“แƒแƒ•แƒ˜แƒฌแƒงแƒ”แƒ‘แƒแƒ“แƒ, แƒ แƒแƒ’แƒแƒ แƒ˜ แƒชแƒ”แƒขแƒ˜ แƒ“แƒ แƒ˜แƒ›แƒžแƒฃแƒšแƒกแƒฃแƒ แƒ˜ แƒฎแƒแƒกแƒ˜แƒแƒ—แƒ˜ แƒฐแƒฅแƒแƒœแƒ“แƒ แƒแƒ› แƒ•แƒ˜แƒ แƒ˜แƒจแƒ•แƒ˜แƒšแƒก. แƒ แƒ”แƒœแƒขแƒกแƒ˜ แƒ—แƒ˜แƒจแƒ˜แƒ™แƒแƒก แƒ“แƒแƒ”แƒ—แƒแƒœแƒฎแƒ›แƒ. แƒฃแƒžแƒ แƒ”แƒชแƒ”แƒ“แƒ”แƒœแƒขแƒ แƒจแƒ”แƒ›แƒ—แƒฎแƒ•แƒ”แƒ•แƒแƒแƒ, แƒ’แƒแƒ˜แƒคแƒ˜แƒฅแƒ แƒ แƒกแƒขแƒ˜แƒ•แƒ˜แƒ›. แƒ”แƒก แƒแƒ แƒœแƒ˜ แƒกแƒฃแƒš แƒ”แƒ แƒ—แƒ›แƒแƒœแƒ”แƒ—แƒก แƒญแƒแƒ›แƒ“แƒœแƒ”แƒœ แƒ“แƒ แƒ”แƒญแƒ˜แƒ“แƒแƒ•แƒ”แƒ‘แƒแƒ“แƒœแƒ”แƒœ. แƒ”แƒ แƒ—แƒ˜ แƒ แƒแƒ› แƒ˜แƒขแƒงแƒแƒ“แƒ แƒ แƒแƒ›แƒ”แƒ–แƒ” โ€œแƒ›แƒแƒ’แƒแƒ แƒ˜แƒแƒโ€, แƒ›แƒ”แƒแƒ แƒ” แƒแƒฃแƒชแƒ˜แƒšแƒ”แƒ‘แƒšแƒแƒ“ แƒ˜แƒขแƒงแƒแƒ“แƒ, โ€œแƒงแƒšแƒ”แƒแƒ‘แƒแƒแƒโ€. - แƒ›แƒ” แƒ แƒ แƒ›แƒ™แƒ˜แƒ—แƒฎแƒ, แƒ•แƒแƒ‘แƒจแƒ” แƒฃแƒœแƒ“แƒ แƒแƒ™แƒ แƒซแƒแƒšแƒแƒœ แƒคแƒ”แƒฎแƒ‘แƒฃแƒ แƒ—แƒ˜แƒก แƒขแƒ”แƒšแƒ”แƒ•แƒ˜แƒ–แƒ˜แƒ˜แƒ— แƒฉแƒ•แƒ”แƒœแƒ”แƒ‘แƒ, แƒ แƒ แƒขแƒ แƒแƒ™แƒ’แƒแƒกแƒ˜แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ“แƒ แƒ–แƒแƒ แƒ›แƒแƒชแƒ˜ แƒ›แƒ—แƒฎแƒšแƒ”แƒ”แƒ‘แƒ˜ แƒแƒ˜แƒซแƒฃแƒšแƒแƒœ, แƒฃแƒ™แƒแƒœแƒแƒšแƒ˜ แƒแƒฌแƒ˜แƒแƒœ แƒ“แƒ แƒกแƒขแƒแƒ“แƒ˜แƒแƒœแƒ–แƒ” แƒฌแƒแƒ”แƒ—แƒ แƒ˜แƒแƒœ แƒ’แƒฃแƒœแƒ“แƒ˜แƒก แƒ›แƒฎแƒแƒ แƒ“แƒแƒกแƒแƒญแƒ”แƒ แƒแƒ“.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Some auld cunt, theyโ€™re always oan the buses at this time, is fartin and shitein at the driver; firing a volley ay irrelevant questions about bus numbers, routes and times. Get the fuck oan or fuck off and die ya foostie auld cunt. Ah almost choked in silent rage at her selfish pettiness and the bus driverโ€™s pathetic indulgence of the cunt. People talk aboot youngsters and vandalism, what aboot the psychic vandalism caused by these auld bastards?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แƒแƒ› แƒ˜แƒœแƒชแƒ˜แƒ“แƒ”แƒœแƒขแƒ›แƒ, แƒชแƒแƒขแƒ แƒแƒ  แƒ˜แƒงแƒแƒก, แƒ“แƒแƒ›แƒแƒคแƒ˜แƒฅแƒ แƒ. แƒœแƒ”แƒขแƒ, แƒกแƒแƒ˜แƒ“แƒแƒœ แƒ•แƒ˜แƒชแƒ˜-แƒ›แƒ”แƒ—แƒฅแƒ˜, แƒ แƒ แƒฐแƒแƒ›แƒแƒกแƒ”แƒฅแƒกแƒฃแƒแƒšแƒ˜แƒกแƒขแƒ˜ แƒแƒ แƒ แƒ•แƒแƒ , แƒ—แƒฃแƒ™แƒ˜ แƒ™แƒแƒชแƒ—แƒแƒœ แƒแƒ แƒแƒกแƒแƒ“แƒ”แƒก แƒ•แƒฌแƒแƒšแƒ˜แƒšแƒ•แƒแƒ ? แƒแƒœแƒฃ, แƒแƒกแƒ”แƒ—แƒ˜ แƒ“แƒแƒ แƒฌแƒ›แƒฃแƒœแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ แƒแƒขแƒแƒ› แƒ•แƒแƒ -แƒ›แƒ”แƒ—แƒฅแƒ˜, แƒ•แƒคแƒ˜แƒฅแƒ แƒแƒ‘. แƒ˜แƒกแƒ”, แƒกแƒฃแƒš แƒ›แƒ˜แƒœแƒ“แƒแƒ“แƒ แƒ›แƒแƒ›แƒ”แƒกแƒ˜แƒœแƒฏแƒ, แƒ แƒ แƒแƒ–แƒ แƒ–แƒ” แƒ›แƒแƒ•แƒกแƒฃแƒšแƒ˜แƒงแƒแƒ•แƒ˜, แƒ”แƒ’ แƒ แƒแƒ’แƒแƒ แƒ˜แƒ. แƒ˜แƒ›แƒ˜แƒก แƒ—แƒฅแƒ›แƒ แƒ›แƒ˜แƒœแƒ“แƒ, แƒ แƒ แƒแƒ“แƒแƒ›แƒ˜แƒแƒœแƒ›แƒ, แƒ”แƒ แƒ—แƒฎแƒ”แƒš แƒ›แƒแƒ˜แƒœแƒช, แƒงแƒ•แƒ”แƒšแƒแƒคแƒ”แƒ แƒ˜ แƒฃแƒœแƒ“แƒ แƒ›แƒแƒกแƒ˜แƒœแƒฏแƒแƒก. แƒ›แƒแƒ แƒ แƒฉแƒ”แƒ›แƒก แƒ—แƒแƒ•แƒก แƒ›แƒฎแƒแƒšแƒแƒ“ แƒแƒฅแƒขแƒ˜แƒฃแƒ  แƒ แƒแƒšแƒจแƒ˜ แƒ•แƒฎแƒ”แƒ“แƒแƒ• แƒ“แƒ แƒ•แƒ”แƒ  แƒฌแƒแƒ แƒ›แƒแƒ›แƒ˜แƒ“แƒ’แƒ”แƒœแƒ˜แƒ, แƒ›แƒ” แƒ แƒแƒ’แƒแƒ  แƒฃแƒœแƒ“แƒ แƒ’แƒแƒ›แƒ˜แƒ“แƒแƒก แƒ•แƒ˜แƒฆแƒแƒชแƒแƒ› แƒฃแƒ™แƒแƒœแƒแƒšแƒจแƒ˜. แƒ”แƒ แƒ—แƒฎแƒ”แƒš แƒ”แƒ แƒ—แƒ˜ แƒ›แƒแƒ’แƒแƒ แƒ˜ แƒžแƒ˜แƒ“แƒแƒ แƒ แƒ›แƒแƒ•แƒฎแƒกแƒ”แƒœแƒ˜ แƒšแƒแƒœแƒ“แƒแƒœแƒ˜แƒก แƒกแƒแƒจแƒ”แƒ’แƒ˜แƒ แƒ“แƒ แƒกแƒแƒฎแƒ”แƒšแƒแƒกแƒœแƒแƒ“แƒแƒœ. แƒžแƒแƒžแƒšแƒ”แƒ แƒจแƒ˜ แƒฌแƒแƒ•แƒแƒ—แƒ แƒ˜แƒ”, แƒซแƒ•แƒ”แƒš แƒ‘แƒ˜แƒœแƒแƒจแƒ˜. แƒฃแƒชแƒ”แƒ‘ แƒขแƒแƒœแƒ˜ แƒ“แƒ แƒ™แƒ”แƒ แƒแƒšแƒแƒ˜แƒœแƒ˜ แƒแƒ  แƒ“แƒแƒ‘แƒ แƒฃแƒœแƒ“แƒ”แƒœแƒ”แƒœ! แƒจแƒแƒ™แƒ˜ แƒ›แƒ˜แƒ˜แƒฆแƒ”แƒก, แƒ แƒแƒ“แƒ’แƒแƒœแƒแƒช แƒ˜แƒ› แƒ›แƒแƒ›แƒ”แƒœแƒขแƒจแƒ˜ แƒ˜แƒ› แƒฏแƒ˜แƒ’แƒแƒ แƒก แƒ›แƒ˜แƒœแƒ”แƒขแƒก แƒ•แƒฃแƒ™แƒ”แƒ—แƒ”แƒ‘แƒ“แƒ˜, แƒชแƒฎแƒแƒ“แƒ˜แƒ, แƒ’แƒแƒœแƒ“แƒแƒœแƒ˜แƒ—. แƒ’แƒแƒœแƒ“แƒแƒœแƒ˜แƒแƒœแƒ˜แƒกแƒ—แƒ•แƒ˜แƒก แƒ›แƒ˜แƒœแƒ”แƒขแƒ˜แƒก แƒ’แƒแƒ™แƒ”แƒ—แƒ”แƒ‘แƒ แƒ˜แƒ’แƒ˜แƒ•แƒ”แƒ, แƒ แƒ แƒฎแƒ”แƒšแƒแƒ•แƒœแƒฃแƒ แƒ˜ แƒแƒกแƒ แƒแƒ˜แƒฆแƒ แƒžแƒ˜แƒ แƒจแƒ˜. แƒฅแƒแƒœแƒชแƒ˜ แƒ‘แƒแƒšแƒแƒ›แƒ“แƒ” แƒ’แƒแƒ›แƒซแƒ•แƒ แƒ, แƒ›แƒแƒ แƒ แƒ˜แƒ›แƒแƒœ แƒžแƒ˜แƒ แƒ•แƒ”แƒšแƒ›แƒ แƒ’แƒแƒ›แƒ˜แƒ™แƒ”แƒ—แƒ แƒ™แƒšแƒแƒกแƒ˜แƒ™แƒฃแƒ แƒ˜, แƒแƒกแƒขแƒแƒขแƒฃแƒ แƒ˜ แƒ›แƒ˜แƒœแƒ”แƒขแƒ˜ แƒ“แƒ แƒ˜แƒซแƒฃแƒšแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ•แƒ˜แƒงแƒแƒ•แƒ˜, แƒ›แƒแƒ“แƒšแƒแƒ‘แƒ˜แƒก แƒžแƒแƒœแƒขแƒจแƒ˜ แƒ›แƒ”แƒช แƒ˜แƒ’แƒ˜แƒ•แƒ” แƒ›แƒ”แƒฅแƒœแƒ. แƒ—แƒฃแƒ›แƒชแƒ, แƒ˜แƒ›แƒ˜แƒก แƒกแƒแƒฎแƒ˜แƒก แƒ’แƒแƒ›แƒแƒ›แƒ”แƒขแƒงแƒ•แƒ”แƒšแƒ”แƒ‘แƒแƒก แƒ แƒ แƒ•แƒฃแƒงแƒฃแƒ แƒ”แƒ‘แƒ“แƒ˜, แƒ”แƒ’แƒ แƒ”แƒ•แƒ” แƒ•แƒ˜แƒคแƒฃแƒจแƒ”แƒ‘แƒแƒ“แƒ˜ แƒ“แƒ แƒ˜แƒกแƒขแƒ”แƒ แƒ˜แƒฃแƒšแƒ˜ แƒกแƒ˜แƒชแƒ˜แƒšแƒ˜ แƒ›แƒ˜แƒ•แƒแƒ แƒ“แƒ”แƒ‘แƒแƒ“แƒ. แƒ”แƒ แƒ— แƒ˜แƒ› แƒ’แƒแƒ’แƒแƒก แƒฐแƒ’แƒแƒ•แƒ“แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒ“แƒ˜แƒ“แƒ˜ แƒฎแƒœแƒ˜แƒก แƒฌแƒ˜แƒœ แƒ›แƒ”แƒ•แƒแƒกแƒ”แƒ‘แƒแƒ“แƒ, แƒฐแƒแƒ“แƒ, แƒžแƒแƒขแƒแƒ แƒ แƒฌแƒแƒ แƒ›แƒแƒกแƒแƒฎแƒ•แƒ˜แƒก แƒฃแƒœแƒแƒ แƒ˜แƒก แƒฌแƒงแƒแƒšแƒแƒ‘แƒ˜แƒ—, แƒ แƒแƒ’แƒแƒ แƒฆแƒแƒช แƒ›แƒแƒ˜แƒœแƒช แƒ’แƒแƒ•แƒแƒ—แƒแƒ•แƒ” แƒ˜แƒ› แƒฉแƒ”แƒ›แƒก แƒ แƒ”แƒ–แƒ˜แƒœแƒจแƒ˜.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แƒแƒ›แƒแƒœ แƒ‘แƒ”แƒ’แƒ‘แƒ˜แƒก แƒงแƒฃแƒ แƒแƒ“แƒฆแƒ”แƒ‘แƒ แƒ—แƒ˜แƒจแƒ˜แƒ™แƒแƒ“แƒแƒœ แƒ›แƒ”แƒ—แƒ˜แƒ–แƒ” แƒ’แƒแƒ“แƒแƒแƒขแƒแƒœแƒ˜แƒœแƒ. แƒ›แƒ”แƒ—แƒ˜แƒก แƒฅแƒ”แƒ‘แƒแƒก แƒฃแƒฌแƒงแƒ”แƒ‘แƒก แƒ“แƒ แƒ แƒแƒ›แƒ”, แƒฉแƒ•แƒ”แƒœ แƒ™แƒ˜แƒ“แƒ” แƒงแƒ•แƒ”แƒšแƒแƒก แƒฅแƒ•แƒ”แƒจแƒแƒฏแƒ•แƒ˜แƒ”แƒ‘แƒก แƒ“แƒ แƒงแƒ•แƒ”แƒ แƒ”แƒ‘แƒก แƒ’แƒ•แƒ”แƒซแƒแƒฎแƒ˜แƒกโ€ฆ แƒ›แƒแƒ แƒ แƒฉแƒ•แƒ”แƒœแƒจแƒ˜ แƒ—แƒฃ แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒ›แƒ” แƒงแƒ•แƒ”แƒ แƒ˜แƒ, แƒ”แƒ’ แƒœแƒแƒฆแƒ“แƒแƒ“ แƒ›แƒ”แƒ—แƒ˜แƒ, แƒซแƒ›แƒแƒ. แƒ”แƒ’ แƒ›แƒ”แƒ—แƒ˜ แƒงแƒ•แƒ”แƒšแƒแƒคแƒ”แƒ แƒ–แƒ” แƒ—แƒแƒ•แƒก แƒฃแƒฅแƒœแƒ”แƒ•แƒก แƒคแƒ แƒแƒœแƒ™แƒแƒกโ€ฆ แƒ›แƒ”แƒ—แƒ˜ แƒแƒ แƒแƒกแƒแƒ“แƒ”แƒก แƒแƒ  แƒ›แƒ”แƒ•แƒแƒกแƒ”แƒ‘แƒแƒ“แƒโ€ฆ แƒ›แƒแƒ’แƒแƒ แƒ˜ แƒจแƒ˜แƒ’แƒœแƒแƒ™แƒ แƒแƒ•แƒ˜ แƒ›แƒแƒกแƒขแƒ˜แƒ แƒ แƒ!โ€ฆ แƒซแƒ›แƒแƒ™แƒแƒชแƒ”แƒ‘แƒ˜ แƒ–แƒแƒ’แƒฏแƒ”แƒ  แƒ”แƒ แƒ—แƒ›แƒแƒœแƒ”แƒ—แƒก แƒฃแƒขแƒ แƒแƒ™แƒ”แƒ‘แƒ”แƒœ แƒฎแƒแƒšแƒ›แƒ”, แƒฎแƒ แƒแƒ–แƒ–แƒ” แƒฎแƒแƒ , แƒ›แƒแƒ แƒ แƒ›แƒ”แƒ—แƒ˜ แƒ แƒ แƒ’แƒ˜แƒขแƒ แƒแƒ™แƒ”แƒ‘แƒก, แƒ›แƒแƒจแƒ˜แƒœ แƒ˜แƒกแƒ, แƒ แƒ แƒฅแƒ•แƒ˜แƒ, แƒ’แƒฃแƒšแƒก แƒ’แƒขแƒ™แƒ”แƒœแƒก แƒ แƒ, แƒ“แƒ แƒ›แƒ”แƒ แƒ” แƒจแƒ”แƒœแƒช แƒ˜แƒกแƒ, แƒ—แƒแƒœแƒ“แƒแƒ—แƒแƒœ แƒ•แƒ”แƒฆแƒแƒ  แƒ˜แƒขแƒแƒœ, แƒ’แƒแƒ›แƒ˜แƒ’แƒ”? แƒจแƒ”แƒœ แƒ—แƒฃ แƒ™แƒแƒ แƒ’แƒแƒ“แƒ แƒฎแƒแƒ , แƒ›แƒ”แƒ—แƒ˜แƒก แƒ—แƒ•แƒแƒšแƒจแƒ˜ แƒ”แƒ’ แƒ“แƒแƒœแƒแƒจแƒแƒฃแƒšแƒ˜แƒ. แƒ•แƒ”แƒ  แƒ”แƒ’แƒฃแƒ”แƒ‘แƒ, แƒ แƒแƒชแƒ แƒ•แƒ˜แƒœแƒ›แƒ” แƒ™แƒแƒ แƒ’แƒแƒ“แƒแƒ, แƒ›แƒ˜แƒฎแƒ•แƒ“แƒ˜? แƒฐแƒ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Shirley'e aลŸk ลŸiirleri yazardฤฑ. Harikulade ลŸiirler, edebi anlamda deฤŸil belki, ama ona ilettiฤŸi harikulade duygularฤฑn olaฤŸanรผstรผ saflฤฑฤŸฤฑnda. Bir keresinde ona yazdฤฑฤŸฤฑ รถzellikle gรผzel bir dรถrtlรผฤŸรผ okuduktan sonra yakmฤฑลŸtฤฑ. Shirley ona gรถzyaลŸlarฤฑnฤฑn arasฤฑnda bunu neden yaptฤฑฤŸฤฑnฤฑ sormuลŸtu, alevler o kadar sembolik gรถrรผnmรผลŸtรผ ki. Shirley'in hayatฤฑnda yaลŸadฤฑฤŸฤฑ en acฤฑ verici deneyimdi. Matty dรถnรผp dairenin sefaletini gรถzden geรงirmiลŸti. "ลžuraya bak. Bรถyle yaลŸayan bi insanฤฑn dรผลŸ gรถrmeye hakkฤฑ yoktur. Kendini aldatฤฑyorsun sadece, kendine iลŸkence ediyorsun.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แƒ•แƒ˜แƒฆแƒแƒช แƒ™แƒฃแƒแƒœแƒ แƒ“แƒ”แƒ“แƒแƒ‘แƒ”แƒ แƒ˜ (แƒ”แƒ’แƒ”แƒ—แƒ”แƒ‘แƒก, แƒ“แƒฆแƒ˜แƒก แƒแƒ› แƒ›แƒแƒœแƒแƒ™แƒ•แƒ”แƒ—แƒจแƒ˜, แƒงแƒแƒ•แƒ”แƒšแƒ—แƒ•แƒ˜แƒก แƒ’แƒแƒ“แƒแƒ”แƒงแƒ แƒ”แƒ‘แƒ˜ แƒแƒ•แƒขแƒแƒ‘แƒฃแƒกแƒ”แƒ‘แƒจแƒ˜), แƒ›แƒซแƒฆแƒแƒšแƒก แƒขแƒ•แƒ˜แƒœแƒก แƒฃแƒญแƒแƒ›แƒก แƒฃแƒแƒ–แƒ แƒ แƒจแƒ”แƒ™แƒ˜แƒ—แƒฎแƒ•แƒ”แƒ‘แƒ˜แƒ— แƒแƒ•แƒขแƒแƒ‘แƒฃแƒกแƒ”แƒ‘แƒ–แƒ” แƒ“แƒ แƒ›แƒแƒ— แƒ›แƒแƒ แƒจแƒ แƒฃแƒขแƒ”แƒ‘แƒ–แƒ”. แƒ”แƒ แƒ—แƒ˜ แƒฃแƒœแƒ“แƒ แƒฌแƒแƒ™แƒฃแƒ–แƒ แƒ“แƒ แƒขแƒงแƒ•แƒœแƒแƒจแƒ˜ แƒแƒ›แƒแƒฎแƒแƒ“แƒ แƒกแƒฃแƒšแƒ˜, แƒ›แƒแƒ’ แƒฉแƒแƒ—แƒšแƒแƒฎแƒก!.. แƒฉแƒฃแƒ›แƒ˜ แƒ แƒ˜แƒกแƒฎแƒ•แƒ˜แƒกแƒ’แƒแƒœ แƒšแƒแƒ›แƒ˜แƒก แƒ“แƒแƒ•แƒ˜แƒฎแƒ แƒฉแƒ, แƒ แƒแƒชแƒ แƒ›แƒ˜แƒก แƒแƒฎแƒ•แƒ แƒฃแƒš แƒ”แƒ’แƒแƒ˜แƒ–แƒ›แƒก แƒ“แƒ แƒ›แƒซแƒฆแƒแƒšแƒ˜แƒก แƒ›แƒ˜แƒกแƒ“แƒแƒ›แƒ˜ แƒ’แƒฃแƒšแƒฉแƒ•แƒ˜แƒš แƒ“แƒแƒ›แƒแƒ™แƒ˜แƒ“แƒ”แƒ‘แƒฃแƒšแƒ”แƒ‘แƒแƒก แƒ•แƒฎแƒ”แƒ“แƒแƒ•. แƒแƒฎแƒแƒšแƒ’แƒแƒ–แƒ แƒ“แƒ”แƒ‘แƒ˜แƒก แƒซแƒแƒšแƒ›แƒแƒ›แƒ แƒ”แƒแƒ‘แƒแƒ–แƒ” แƒ แƒ แƒ‘แƒแƒ–แƒ แƒแƒ‘แƒ”แƒœ แƒฎแƒแƒšแƒ›แƒ” แƒแƒ›แƒ“แƒ”แƒœแƒก, แƒแƒ› แƒคแƒกแƒฃแƒขแƒ˜แƒแƒœแƒ˜ แƒ‘แƒ”แƒ‘แƒ แƒ”แƒ‘แƒ˜แƒก แƒคแƒกแƒ˜แƒฅแƒแƒšแƒแƒ’แƒ˜แƒฃแƒ  แƒซแƒแƒšแƒ›แƒแƒ›แƒ แƒ”แƒแƒ‘แƒแƒก แƒ แƒแƒขแƒ แƒแƒ แƒแƒ•แƒ˜แƒœ แƒแƒฎแƒกแƒ”แƒœแƒ”แƒ‘แƒก? แƒ แƒแƒ’แƒแƒ แƒช แƒ˜แƒฅแƒœแƒ, แƒ’แƒแƒขแƒ แƒแƒ™แƒ”แƒ‘แƒ˜แƒ— แƒ’แƒฃแƒšแƒ˜ แƒ˜แƒฏแƒ”แƒ แƒ แƒ“แƒ แƒ›แƒซแƒฆแƒแƒšแƒก แƒ“แƒแƒ”แƒฎแƒกแƒœแƒ, แƒ›แƒแƒ แƒ แƒ™แƒแƒขแƒ˜แƒก แƒžแƒ แƒแƒญแƒ˜แƒ•แƒ˜แƒ— แƒ›แƒแƒžแƒ แƒฃแƒญแƒœแƒฃแƒš แƒขแƒฃแƒฉแƒ”แƒ‘แƒก แƒฏแƒ”แƒ  แƒ™แƒ˜แƒ“แƒ” แƒแƒชแƒ›แƒแƒชแƒฃแƒœแƒ”แƒ‘แƒก. แƒžแƒ˜แƒ แƒ“แƒแƒžแƒ˜แƒ  แƒชแƒฎแƒ•แƒ˜แƒ แƒฌแƒ˜แƒœ แƒ›แƒ˜แƒฏแƒ“แƒ”แƒ‘แƒ. แƒ—แƒ•แƒแƒšแƒ”แƒ‘แƒ˜แƒ— แƒ™แƒ”แƒคแƒแƒก แƒ•แƒฃแƒ‘แƒฃแƒ แƒฆแƒแƒ•. แƒ›แƒ˜แƒœแƒ“แƒ, แƒ แƒ แƒขแƒ•แƒ˜แƒœแƒจแƒ˜ แƒกแƒ˜แƒกแƒฎแƒšแƒ˜ แƒฉแƒแƒ”แƒฅแƒชแƒ”แƒก แƒแƒœ แƒ˜แƒœแƒคแƒแƒ แƒฅแƒขแƒ›แƒ แƒ“แƒแƒแƒ แƒขแƒงแƒแƒกโ€ฆ แƒ—แƒฃแƒ›แƒชแƒ แƒแƒ แƒ, แƒแƒ แƒ!.. แƒ”แƒ’ แƒ แƒ แƒ›แƒแƒฎแƒ“แƒ”แƒก, แƒแƒ•แƒขแƒฃแƒ‘แƒฃแƒกแƒ˜ แƒจแƒ”แƒงแƒแƒ•แƒœแƒ“แƒ”แƒ‘แƒ. แƒฏแƒแƒ‘แƒ˜แƒ, แƒœแƒ”แƒšแƒ˜ แƒกแƒ˜แƒ™แƒ•แƒ“แƒ˜แƒšแƒ˜แƒ— แƒฉแƒแƒซแƒแƒฆแƒšแƒ“แƒ”แƒก แƒฉแƒ”แƒ›แƒ˜ แƒฌแƒแƒ›แƒ”แƒ‘แƒ˜แƒกแƒ—แƒ•แƒ˜แƒก. แƒ”แƒ’แƒ แƒ”แƒ•แƒ” แƒ—แƒฃ แƒ“แƒแƒ˜แƒ‘แƒ แƒ˜แƒ“แƒ”แƒ‘แƒ, แƒฎแƒแƒšแƒฎแƒก แƒกแƒแƒฅแƒ›แƒ” แƒ›แƒ˜แƒ”แƒชแƒ”แƒ›แƒ, แƒแƒคแƒฃแƒกแƒคแƒฃแƒกแƒ“แƒ”แƒ‘แƒ˜แƒแƒœ. แƒ”แƒ’แƒ”แƒ— แƒ›แƒแƒ›แƒ”แƒœแƒขแƒก แƒฎแƒ”แƒšแƒ˜แƒ“แƒแƒœ แƒแƒ  แƒฃแƒจแƒ•แƒ”แƒ‘แƒ”แƒœ แƒฎแƒแƒšแƒ›แƒ”โ€ฆ แƒงแƒ•แƒ”แƒšแƒแƒคแƒ”แƒ แƒก แƒ™แƒ˜แƒ‘แƒแƒก แƒฃแƒฏแƒ แƒ”แƒ“แƒ”แƒ‘แƒ˜ แƒฏแƒแƒ‘แƒ˜แƒ. แƒ™แƒ˜, แƒ™แƒ˜, แƒœแƒ”แƒขแƒ แƒ”แƒ’ แƒฃแƒฏแƒ แƒ”แƒ“แƒ”แƒ‘แƒ˜ แƒ’แƒแƒฃแƒฉแƒœแƒ“แƒ”แƒก แƒ“แƒ แƒœแƒ”แƒš-แƒœแƒ”แƒšแƒ แƒ’แƒแƒ›แƒแƒฎแƒ แƒแƒก แƒกแƒ˜แƒ›แƒกแƒ˜แƒ•แƒœแƒ”แƒ›!.. แƒฃแƒ™แƒ•แƒ” แƒ•แƒ’แƒ แƒซแƒœแƒแƒ‘ แƒ™แƒ˜แƒ“แƒ”แƒช, แƒ”แƒ’ แƒฃแƒฏแƒ แƒ”แƒ“แƒ”แƒ‘แƒ˜ แƒ แƒ แƒฃแƒ•แƒ˜แƒ—แƒแƒ แƒ“แƒ”แƒ‘แƒโ€ฆ แƒ—แƒฃแƒ›แƒชแƒ, แƒ”แƒ’ แƒžแƒ แƒแƒชแƒ”แƒกแƒ˜ แƒ›แƒ’แƒแƒœแƒ˜ แƒกแƒฌแƒแƒ แƒ”แƒ“ แƒฉแƒ”แƒ›แƒจแƒ˜ แƒ›แƒ˜แƒ›แƒ“แƒ˜แƒœแƒแƒ แƒ”แƒแƒ‘แƒก แƒแƒฎแƒšแƒโ€ฆ แƒซแƒแƒšแƒ˜แƒแƒœ แƒ“แƒแƒ•แƒ˜แƒฆแƒแƒšแƒ”, แƒ›แƒแƒ’ แƒ‘แƒ”แƒ‘แƒ แƒฃแƒฎแƒแƒœแƒแƒก แƒกแƒ˜แƒซแƒฃแƒšแƒ•แƒ˜แƒšแƒ˜แƒก แƒ—แƒแƒ•แƒ˜แƒช แƒแƒฆแƒแƒ แƒ แƒ›แƒแƒฅแƒ•แƒก. แƒกแƒ แƒฃแƒš แƒแƒžแƒแƒ—แƒ˜แƒแƒจแƒ˜ แƒฉแƒแƒ•แƒ•แƒแƒ แƒ“แƒ˜. แƒ‘แƒ”แƒ‘แƒ แƒฃแƒฎแƒแƒœแƒแƒ› โ€œแƒ›แƒแƒชแƒ”แƒ›แƒฃแƒšแƒ˜ แƒ›แƒแƒ›แƒ”แƒœแƒขแƒ˜แƒกโ€ แƒ›แƒ˜แƒฆแƒ›แƒ แƒ’แƒแƒ“แƒแƒ˜แƒœแƒแƒชแƒ•แƒšแƒ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah hate cunts like that. Cunts like Begbie. Cunts that are intae baseball-batting every fucker that's different; pakis, poofs n what huv ye. Fucking failures in a country ay failures. It's nae good blamin it oan the English fir colonising us. Ah don't hate the English. They're just wankers. We can't even pick a decent, vibrant, healthy culture to be colonised by. No. We're ruled by effete arseholes. What does that make us? The lowest of the fuckin low, the scum of the earth. The most wretched, servile, miserable, pathetic trash that was ever shat intae creation. Ah don't hate the English. They just git oan wit the shite thuv goat. Ah hate the Scots.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แƒ‘แƒ”แƒ’แƒ‘แƒ˜ แƒแƒฎแƒšแƒ แƒ˜แƒ›แƒแƒก แƒ›แƒ”แƒ‘แƒแƒ–แƒ แƒ”แƒ‘แƒ, แƒ แƒ แƒ›แƒแƒ’แƒแƒ แƒ˜ แƒ‘แƒ˜แƒญแƒ˜ แƒ•แƒแƒ  แƒ“แƒ แƒ˜แƒ›แƒ”แƒ“แƒ˜ แƒแƒฅแƒ•แƒก, แƒ แƒ แƒ›แƒ”แƒช แƒ˜แƒ’แƒ˜แƒ•แƒ”แƒก แƒ•แƒ”แƒขแƒงแƒ•แƒ˜. แƒฐแƒแƒ“แƒ, แƒ›แƒ”แƒช แƒ•แƒ”แƒ›แƒแƒ แƒฉแƒ˜แƒšแƒ”แƒ‘แƒ˜. แƒ แƒแƒฆแƒแƒช แƒฎแƒแƒœแƒก แƒ‘แƒ”แƒ’แƒ‘แƒ˜แƒกแƒ—แƒ•แƒ˜แƒก แƒ“แƒแƒ›แƒแƒฎแƒแƒกแƒ˜แƒแƒ—แƒ”แƒ‘แƒ”แƒšแƒ˜ แƒกแƒแƒ แƒ”แƒ™แƒšแƒแƒ›แƒ แƒจแƒแƒฃแƒก แƒกแƒแƒงแƒ แƒ“แƒ”แƒœแƒ˜ แƒ•แƒฎแƒ“แƒ”แƒ‘แƒ˜, แƒคแƒฎแƒ˜แƒ–แƒ”แƒš แƒ›แƒแƒกแƒขแƒก แƒ•แƒ—แƒแƒ›แƒแƒจแƒแƒ‘ แƒ“แƒ แƒกแƒแƒซแƒ›แƒแƒก แƒ‘แƒ”แƒ’แƒ‘แƒ˜แƒก แƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ˜แƒ“แƒแƒœ แƒ แƒแƒ›แƒ“แƒ”แƒœแƒ˜แƒ›แƒ” แƒ™แƒšแƒแƒกแƒ˜แƒ™แƒฃแƒ  แƒ”แƒžแƒ˜แƒ–แƒแƒ“แƒก แƒ•แƒฃแƒงแƒ•แƒ”แƒ‘แƒ˜. แƒ”แƒ’ แƒ”แƒžแƒ˜แƒ–แƒแƒ“แƒ”แƒ‘แƒ˜ แƒ›แƒแƒฌแƒ›แƒแƒ‘แƒก, แƒ แƒ แƒ›แƒแƒ’แƒแƒ แƒ˜ แƒขแƒ˜แƒžแƒ˜แƒ แƒ“แƒ แƒ แƒแƒ’แƒแƒ แƒ˜ แƒกแƒแƒœแƒแƒจแƒ”แƒœแƒ แƒ‘แƒฃแƒฆแƒแƒ. แƒ แƒแƒชแƒ แƒแƒ› แƒ›แƒ˜แƒ—แƒ”แƒ‘แƒก แƒกแƒฎแƒ•แƒ”แƒ‘แƒ˜ แƒงแƒ•แƒ”แƒ‘แƒ˜แƒแƒœ, แƒ‘แƒ”แƒ•แƒ แƒแƒ“ แƒ“แƒแƒ›แƒแƒฏแƒ”แƒ แƒ”แƒ‘แƒšแƒแƒ“ แƒŸแƒฆแƒ”แƒ แƒก แƒฎแƒแƒšแƒ›แƒ”. แƒ›แƒ”แƒ แƒ” แƒฉแƒ•แƒ”แƒœ แƒแƒ แƒœแƒ˜ แƒ‘แƒแƒ แƒ˜แƒ“แƒแƒœ แƒ’แƒแƒ›แƒแƒ•แƒ“แƒ˜แƒ•แƒแƒ แƒ— แƒ“แƒ แƒฅแƒฃแƒฉแƒแƒก แƒ›แƒ˜แƒ•แƒฃแƒงแƒ•แƒ”แƒ‘แƒ˜แƒ—. แƒ”แƒ แƒ—แƒ˜ แƒกแƒฃแƒšแƒ˜ แƒ›แƒแƒฅแƒ•แƒก, แƒ“แƒ”แƒ“แƒแƒฉแƒ”แƒ›แƒ—แƒแƒœ แƒ›แƒ˜แƒ•แƒ˜แƒ“แƒ” แƒ“แƒ แƒชแƒแƒขแƒ แƒฌแƒแƒ•แƒฃแƒซแƒ˜แƒœแƒ, แƒ›แƒแƒ’แƒ แƒแƒ› แƒ›แƒแƒ—แƒฎแƒแƒ•แƒแƒ แƒ แƒ›แƒแƒฌแƒ•แƒ”แƒ‘แƒ, แƒฉแƒ”แƒ›แƒ—แƒแƒœ แƒฌแƒแƒ›แƒแƒ“แƒ˜ แƒ“แƒ แƒ“แƒแƒ•แƒšแƒ˜แƒแƒ—แƒ. แƒ‘แƒ”แƒ’แƒ‘แƒ˜แƒกแƒ—แƒแƒœ แƒ”แƒ แƒ—แƒแƒ“ แƒ“แƒ˜แƒ“แƒ˜แƒก แƒแƒ›แƒ‘แƒ˜แƒ— แƒ แƒ แƒ›แƒ˜แƒ•แƒกแƒ”แƒ˜แƒ แƒœแƒแƒ‘ แƒฅแƒฃแƒฉแƒแƒจแƒ˜, แƒ—แƒแƒ•แƒ˜ แƒฃแƒ™แƒ•แƒ” แƒ›แƒกแƒฎแƒ•แƒ”แƒ แƒžแƒšแƒ˜ แƒ™แƒ˜ แƒแƒ แƒ, แƒ›แƒขแƒแƒชแƒ”แƒ‘แƒ”แƒšแƒ˜ แƒ›แƒ’แƒแƒœแƒ˜แƒ แƒ“แƒ แƒฎแƒแƒ แƒ‘แƒแƒ“ แƒ•แƒแƒชแƒ”แƒชแƒ”แƒ‘ แƒ—แƒ•แƒแƒšแƒ”แƒ‘แƒก แƒแƒฅแƒ”แƒ—-แƒ˜แƒฅแƒ˜แƒ—. แƒ›แƒแƒ’แƒ แƒแƒ› แƒ›แƒแƒšแƒ” แƒ•แƒฎแƒ•แƒ“แƒ”แƒ‘แƒ˜, แƒ แƒ แƒกแƒแƒชแƒแƒ“แƒแƒ•แƒ˜ แƒ˜แƒ“แƒ˜แƒแƒขแƒ˜ แƒ•แƒแƒ  แƒ“แƒ แƒ•แƒ˜แƒ—แƒ แƒ’แƒฃแƒœแƒ”แƒ‘แƒ˜.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ahโ€™d rather see ma sister in a brothel than ma brother in a Hearts scarf n thatโ€™s fuckin true...
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah fall off the pan, ma knees splashing ontae the pishy flair. My jeans crumple tae the deck and greedily absorb the urine, but ah hardly notice. Ah roll up ma shirt sleeve and hesitate only briefly, glancing at ma scabby and occasionally weeping track marks, before plunging ma hands and forearms intae the brown water. Ah rummage fastidiously and get one ay ma bombs back straight away. Ah rub off some shite that's attached tae it. A wee bit melted, but still largely intact. Ah stick it oan toap ay the cistern. Locating the other takes several long dredges through the mess and the panhandling of the shite ay many good Muirhoose and Pilton punters. Ah gag once, but get ma white nugget ay gold, surprisingly even better preserved than the first. The feel ay water disgusts us even mair than the shite. Ma brown-stained airm reminds us ay the classic t-shirt tan. The line goes right up past ma elbow as ah hud tae go right aroond the bend.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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-- HOUSE! That's-you-Mark. He's-goat-hoose. OWER-HERE! Wis-nae-eve-in-gaunn-ae-shout-oot. Cu-moan-son. Git-a-fu-kin-grip-ay-yir-sel. Ah smile benignly at Jocky, all the time wishing a prompt and violent death oan the nosey cunt.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Toplum, davranฤฑลŸlarฤฑ kendi normlarฤฑnฤฑn dฤฑลŸฤฑnda kalan insanlarฤฑ emebilmek iรงin yapay ve dolambaรงlฤฑ bir mantฤฑk icat eder. Diyelim ki bรผtรผn artฤฑlarฤฑn ve eksilerin farkฤฑndayฤฑm, kฤฑsa bir รถmrรผm olacaฤŸฤฑnฤฑ biliyorum ve aklฤฑm yerinde, falan filan ve yine de eroin kullanmak istiyorum? ฤฐzin vermezler. ฤฐzin vermezler รงรผnkรผ bu kendi baลŸarฤฑsฤฑzlฤฑklarฤฑnฤฑn bir iลŸareti olarak gรถrรผlecektir. Sana sunduklarฤฑ ลŸeyleri reddetmen bรถyle algฤฑlanฤฑr. Bizi seรง. Hayatฤฑ seรง. Mortgage'ฤฑ seรง, รงamaลŸฤฑr makinesi seรง, araba seรง, bir kanepeye oturup aฤŸzฤฑna berbat ลŸeyler tฤฑkฤฑลŸtฤฑrarak beyin uyuลŸturucu ve ruh รงรถkertici aptal televizyon programlarฤฑ seyretmeyi seรง. Bir huzur evinde รผzerine sฤฑรงฤฑp iลŸeyerek รงรผrรผmeyi, bencil ve kafayฤฑ yemiลŸ รงocuklarฤฑn iรงin bir utanรง kaynaฤŸฤฑ olmayฤฑ seรง. Hayatฤฑ seรง. ฤฐyi de, ben hayatฤฑ seรงmemeyi seรงiyorum. Pislikler bunu kabullenemiyorlarsa, bu onlarฤฑn sorunu. Harry Lauder'ฤฑn bir keresinde dediฤŸi gibi, ben yolu sonuna kadar izlemeye kararlฤฑyฤฑm...
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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This internal sea. The problem is that this beautiful ocean carries with it loads ay poisonous flotsam and jetsam... that poison is diluted by the sea, but once the ocean rolls out, it leaves the shite behind, inside ma body.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Now most people would put this doon tae experience, ye always want what ye cannae have and the things that ye dinnae really gie a toss aboot get handed tae ye oan a plate.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah pulled some notes ootay ma poakit.
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Irvine Welsh (Trainspotting (Mark Renton series Book 2))
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It wis soon time fir us tae go. Johnny wis gabbin a load ay shite intae ma ear; things ah didnae want tae listen tae.
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Irvine Welsh (Trainspotting (Mark Renton series Book 2))
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People talk aboot youngsters and vandalism, what aboot the psychic vandalism caused by these auld bastards?
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Irvine Welsh (Trainspotting (Mark Renton series Book 2))
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It felt strange telling the truth, heโ€™d got so comfortable with deception. It made him feel real, and consequently vulnerable. tended to look at ma behaviour and ways of modifying it, rather than determining its causes.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Still, failure, success, what is it? Whae gies a fuck. We aw live, then we die, in quite a short space ay time n aw. That's it; end ay fuckin story.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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La sociedad inventa una lรณgica falsa y retorcida para absorber y canalizar el comportamiento de la gente cuyo comportamiento estรก fuera de los cรกnones mayoritarios.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Basically, we live a short, disappointing life; and then we die. We fill up oor lives wi shite, things like careers and relationships tae delude oorsels that it isnae aw totally pointless.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Ah wonder if anybody this side of the Atlantic has ever bought a baseball bat with playing baseball in mind.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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It seemed like there were no real pubs in Australia, and that place was like a warm version of Baberton Mains, Buckstone or East Craigs.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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He told her: - I'm gaunnae fuck you like you've never been fucked in your life. He was right. She'd never been fucked that badly, either before or since.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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ืขื“ ืฉื”ื’ืขืชื™ ืœื’ื™ืœ ืขืฉืจื™ื ื—ืฉื‘ืชื™ ืฉื›ืœ ืžื™ ืฉื’ื™ืœื• ืžืขืœ ืขืฉืจื™ื ื”ื•ื ืืคืก ืฉืœื ืฉื•ื•ื” ื™ืจื™ืงื”. ื›ื›ืœ ืฉืื ื™ ืจื•ืื” ื™ื•ืชืจ, ืื ื™ ืžืฉืชื›ื ืข ื™ื•ืชืจ ืฉืฆื“ืงืชื™. ืžืขืœ ื”ื’ื™ืœ ื”ื–ื” ื”ื›ืœ ืคืฉืจื•ืช. ื”ื›ืœ ื›ื ื™ืขื” ืจืคื”, ืชื”ืœื™ืš ื”ื”ืชืงืจื‘ื•ืช ืœืžื•ื•ืช.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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If we jist be oorselves, n be honest, thill nivir gie either ay us the fuckin joab.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Buckinโ€™ is one ay Na Naโ€™s favourite words likesay, along wi โ€˜pishโ€™. Naebody says โ€˜pishโ€™ like Na Na. She sortay drags oot the sssshhh, itโ€™s likesay, ye kin see the steam rising oaf the yellay jet as it hits the white porcelain, ken?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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He had recently graduated with a degree in English Literature and was on the dole. So were most of his fellow graduates.
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Irvine Welsh (Trainspotting (Mark Renton, #2))