“
Neil thought about Renee's bruised knuckles, Dan's fierce spirit, and Allison holding her ground on the court a week after Seth's death. He thought about his mother standing unflinching in the face of his father's violent anger and her ruthlessly leaving bodies in their wake. He felt compelled to say, "Some of the strongest people I've known are women.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Above all else, I think that you are a compulsive liar."
My laughter was tense, but sincere. "Hardly. In fact, I consider myself a compulsive truth teller. It's only that everyone else seems compelled to misunderstand me.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
I should ask her to marry me now. If I do it while she's coming, she probably won't be able to say no. It would be physically impossible. Like performing a sex exorist. THE POWER OF THE ORGASM COMPELS YOU!
”
”
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
“
If the day should ever come when we must go, if some day we are compelled to leave the scene of history, we will slam the door so hard that the universe will shake and mankind will stand back in stupefaction..
”
”
Joseph Goebbels
“
You’ll come with us,” she said.
“Sure,” Gavin said.
“It wasn’t a request.”
“Yes it was,” Gavin said. “When you don’t have power to compel obedience, by definition you’re making a request.
”
”
Brent Weeks (The Blinding Knife (Lightbringer, #2))
“
Um…” Simon started slowly “at the risk of stating the obvious I feel I have to point out that Interpol has the worldʼs best database of international criminals.”
“Thatʼs the idea ” Gabrielle said with a nod.
“And I feel compelled to remind you that weʼre international criminals ” he finished but Kat was already smiling.
“Donʼt worry Simon. Itʼs not like anyone in there knows it was a bunch of teenagers who robbed the
Henley.
”
”
Ally Carter (Uncommon Criminals (Heist Society, #2))
“
You might be the cruelest person I’ve ever met,” he said in a conversational tone.
“What?” I gasped.
“My first wife killed herself. Took me centuries to get over it and love again, yet you weren’t going to mention that you might be compelled to slay yourself in front of me.
”
”
Jeaniene Frost (Twice Tempted (Night Prince, #2))
“
The guy’s smile faltered just a little, and I saw him blink in surprise. His eye’s didn’t glaze over in the same way Lissa’s victims did, but Christian had done enough to briefly enthrall him. Unfortunately, I could tell right then and there that it wouldn’t be enough to make him forget. Fortunately, I’d been trained to compel people without the use of magic.
Sitting near his post was an enormous Maglite, two feet long and easily seven pounds. I grabbed the Maglite and clocked him on the back of the head. He grunted and crumpled to the ground. He’d barely seen me coming, and despite the horribleness of what I’d just done, I kind of wished one of my instructors had been there to grade me one my awesome performance.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
She looked into his eyes. “Well?”
“I don’t feel anything,” he said. His voice sounded embarrassingly hoarse.
She arched a brow. “Nothing?”
“What did you try to make me do?”
“I’m trying to compel you to kiss me.”
“That’s foolish.”
“Why is that?”
“Because I always want to kiss you,” he admitted.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
You cannot compel love," he said finally, "nor summon it at will. Still less," he added ruefully, "can you dismiss it.
”
”
Diana Gabaldon (Lord John and the Brotherhood of the Blade (Lord John Grey, #2))
“
People fidget. They are compelled to look engaged in an activity, or purposeful. Vampires can just occupy space without feeling obliged to justify it.
”
”
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
“
Love,' Cardan goes on. 'That force that compels us to be sometimes better and often worse. That power by which we can all be bound. That which we ought to fear and yet most desire...
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
Why don't you like girls?"
Nicky looked startled by the interruption, but he rallied quickly and made a face. "They're so soft."
Neil thought about Renee's bruised knuckles, Dan's fierce spirit, and Allison holding her ground on the court a week after Seth's death. He thought about his mother standing unflinching in the face of his father's violent anger and her ruthlessly leaving bodies in their wake. He felt compelled to say, "Some of the strongest people I've known are women."
"What? Oh, no," Nicky hurried to say. "I mean literally soft. Too many curves, see? I feel like my hands would slide right off. It's totally not my thing. I like…" He drew a box with his fingers as he searched for words. "Erik. Erik's perfect. He's a total outdoors junkie, rock climbing and hiking and mountain biking, all that awful bug-infested fresh-air stuff. But oh my god, you should see what it does to his body. He's like this, all hard edges." He drew another box. "He's stronger than I am, and I like that. I feel like I could lean on him all day and he wouldn't break a sweat.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Anyone have a hatchet handy? … Because I’m feeling the compelling need to hack a bitch.
”
”
Linda Kage (To Professor, with Love (Forbidden Men, #2))
“
But are you finding monastic history a very compelling reason to live?"
"I'm not human," he said. "I don't require a reason to live. Living is my default condition."
I couldn't help it; I laughed, and teas weleld in my eyes. That answer was quintessentially Orma, distilled to his elemental Orma-ness.
”
”
Rachel Hartman (Shadow Scale (Seraphina, #2))
“
Did you sleep?" she asked.
"Of course not. Someday we'll see an end to war, and then you and I will take a nap together."
"Is that your idea of seduction?"
"These days? Yes."
"I'll be honest- it's incredibly compelling.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Gods, to fall for someone so hard surely you were bound to break apart. Unravel at the seams because you are undone by how they make you feel.
”
”
Penelope Fletcher (Compel (Rae Wilder, #2))
“
Deeds may speak more compellingly than words,but I believe words have their place too. A man who has both is gifted indeed.
”
”
Elizabeth Chadwick (The Greatest Knight (William Marshal, #2))
“
I do not know what, in the end, makes a person who they are. If we`re all born one way, or if we only arrive there after as series of chioces. The bible claims that the wicked act on their own desires and impulses, because God is good, only good, and He would never compel a soul to wickedness. That I`m supposed to count on justice in the next life, even if I can`t have it in this one.
”
”
Alexandra Bracken (Sparks Rise (The Darkest Minds #2.5))
“
~We struggle against the darkness, to forget the voices that compel us, and even the ones that do not. For we are witches, and our struggle is constant. ~
”
”
S.L. Perrine (Turning the Stone (Blood Rites Trilogy #2))
“
and no one had so far been able to offer any scientific conclusions more compelling than Hmm. Weird.
”
”
James S.A. Corey (Caliban's War (Expanse, #2))
“
I detest nice weather. Everyone feels compelled to do things out of doors.
”
”
Gail Carriger (Imprudence (The Custard Protocol, #2))
“
Ram wanted to marry a woman in front of whom he would be compelled to bow his head in admiration. P.210
”
”
Amish Tripathi (Sita: Warrior of Mithila (Ram Chandra, #2))
“
No, it had never been like this for him before, with anyone. Of all the women he’d known, she was the only one he was compelled to be with, driven to touch. Beyond the physical, the basic and apparently unsatiable lust she inspired in him, was a constant fascination. Her mind, her heart, her secrets, her scars. He had told her once they were two lost souls. He thought now he’d spoken no more than the truth. But with each other, they’d found something that rooted them. For a man who had been wary of cops all of his life, it was staggering to know his happiness now depended on one.
”
”
J.D. Robb (Glory in Death (In Death, #2))
“
Alaric waited. It’s a good enough trick. Say nothing and men feel compelled to fill the silence, even if it’s with things they would rather have kept secret. It’s a good enough trick, but I know it and I said nothing.
”
”
Mark Lawrence (King of Thorns (Broken Empire #2))
“
I believe in the compelling power of love. I do not understand it. I believe it to be the most fragrant blossom of all this thorny existence. —Theodore Dreiser
”
”
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
“
The only thing more compelling than love is power.
”
”
Claudia Gray (Steadfast (Spellcaster, #2))
“
Of course it’s taken many years to be able to express what’s been inside me. But nowadays I say to people I was born and brought up in a Latvian house in the country of Australia. So I consider that this house has always been a small part of Latvia, there’s always been Latvian traditions, Latvian foods, Latvian language and I’ve always considered that even though I lived in a large city, I lived in a Latvian ghetto. I mentioned the word ‘ghetto’ … which a lot of people consider negatively, but I consider it in a positive sense. I consider myself quite a competent schizophrenic—I am able to be very Latvian and very dinky-di strong. I don’t have any trouble switching hats. - Viktor Brenners, 2nd Generation DP
”
”
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
“
Mount is turning me into an addict, stripping me of control of my own body and compelling me to hand it over willingly at the same time.
”
”
Meghan March (Defiant Queen (Mount Trilogy, #2))
“
Mother Teresa said: Today it is very fashionable to talk about the poor. Unfortunately, it is not fashionable to talk with them.2
”
”
Heidi Baker (Compelled by Love: How to Change the World Through the Simple Power of Love in Action)
“
Here’s a blueprint for marriage: 1. We become overwhelmed by Christ’s care for us. 2. So we shower our wives with the same love we receive from God. 3. Then, people are shocked by our extravagant love toward our wives. 4. As a result, we are given an opportunity to tell them about the love of Christ that compels us.
”
”
Francis Chan (You and Me Forever: Marriage in Light of Eternity)
“
Ten times a day I am compelled to reflect on my past life ... and I can never justify to myself the spending of four years on dramatic criticism. I have sworn an oath to endure no more of it. Never again will I cross the threshold of a theatre. The subject is exhausted; and so am I.
I am off duty forever, and am going to sleep.
”
”
George Bernard Shaw (Dramatic Opinions and Essays, volume 2)
“
The great events of an age appear, to those living through them, as backdrops only to the vastly more compelling dramas of their own lives, and how could it be otherwise?
In this same way, many of the men and women there in the Hippodrome (and some who were not, but later claimed to have been) would cling to one private image or another of what transpired. They might be entirely different things, varying moments, for each of us has strings within the soul, and we are played upon in different ways, like instruments, and how could it be otherwise?
”
”
Guy Gavriel Kay (Lord of Emperors (The Sarantine Mosaic, #2))
“
Nonetheless the man (Hitler) had a remarkable ability to transform himself into something far more compelling, especially when speaking in public or during private meetings when some topic enraged him. He had a knack as well for projecting an aura of sincerity that blinded onlookers to his true motives and beliefs..
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Then what is true love?” she asked audaciously.
Derian leaned forward, his focus powerfully fixed on her. His voice turned delicate and compelling as he spoke.
“Love is so much more than a feeling. True love, Eena, is something that develops over time. It’s not that initial infatuation nor the shivers and butterflies that take your breath away when you’re first attracted to someone. Those things are nice, but they are barely the beginning of what could become true love. The emotions you speak of are temporary and unreliable, elicited when two people come together. The power I speak of grows ever stronger over time until it is steadfast, even in separation. Then, reunited, it solidifies unshakably.”
She shook her head. “I don’t quite follow.”
The captain inched closer, fixing her with the sincerest of gazes. His hands cupped as if he were holding his very heart within them.
“True love is a developed and intense appreciation for someone. It’s that perfect awareness that you are finally whole when she’s with you, and that hollow incompleteness you suffer when she’s gone. True love takes time, Eena. It’s an earned comfort that tells you she’ll be right there beside you no matter what you do, not necessarily happy with your every action, but faithful to you just the same. Love is knowing someone so deeply, understanding her so completely, that you can finish her thoughts without hesitation, confident in reading her face, her body, even her slightest gesture means something to you. Love is years of devotion, sacrifice, commitment, loyalty, trust, faith, and friendship all wrapped up in one. True love does more than cause your heart to flutter, Eena. It upholds your heart when the infatuation no longer makes it flutter.”
“Wow.
”
”
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
“
Every day I like what and who I am less and less,” he whispered more quietly than before,
“because I know you wish for a different life. And I cannot give it to you.
”
”
Penelope Fletcher (Compel (Rae Wilder, #2))
“
If mathematical objects exist independently of human thought what else are they independent of? The universe, I suppose. When you solve a problem there is always the compelling sense that the solution was there and that you have discovered it.
”
”
Cormac McCarthy (Stella Maris (The Passenger #2))
“
This episode isn't about spiders. Nor owls. It's about looking at something and thinking you understand what it is. It's about assuming the best of what you see only to find out quite suddenly that it is the worst.
This kind of misunderstanding has always been, to me, the most compelling kind of horror. The StrexPet here is that issue of Zoobooks.
”
”
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
“
Something compelling and attractive surrounded walking anonymously at night in the streets of Arrakeen.
”
”
Frank Herbert (Dune Messiah (Dune Chronicles, #2))
“
why when death approaches, does the world hold its breath
”
”
Penelope Fletcher (Compel (Rae Wilder, #2))
“
Ask of me, and I will make the nations your inheritance, the ends of the earth your possession. —PSALM 2:8
”
”
Heidi Baker (Compelled by Love: How to Change the World Through the Simple Power of Love in Action)
“
No one but a preaching clergyman has, in these realms, the power of compelling an audience to sit silent and be tormented.
”
”
Anthony Trollope (Barchester Towers (Chronicles of Barsetshire, #2))
“
There are, I have discovered, ten commandments for mother-in-law. These rules are not mine. They come from mothers-in-law of every color, race, class, and disposition. Given the diversity of the women, the uniformity of opinion on this compels attention -- also discussion. Here are the ten most recommended rules:
1. Keep your mouth shut.
2. Keep your mouth shut.
3. Keep your mouth shut.
4. Keep your mouth shut.
5. Keep your mouth shut.
6. Keep your mouth shut.
7. Keep your mouth shut.
8. Keep your mouth shut.
9. Keep your mouth shut.
10. Keep your mouth shut.
”
”
Susan Abel Lieberman (The Mother-in-Law's Manual: Proven Strategies for Creating and Maintaining Healthy Relationships with Married Children)
“
If you play a video game on your computer, such as "Doom" or "Uncharted", you see compelling 3D worlds with 3D objects. Yet the information is entirely 2D, limited by the number of pixels on the screen. The same is true when you look away from your computer to the world around you. It too has pixels, and all the information is 2D.
”
”
Donald D. Hoffman (The Case Against Reality: Why Evolution Hid the Truth from Our Eyes)
“
Being productive.
Ugh.
It's such a human concept. It implies you have limited time (LOL) and have to work hard to make something happen (double LOL). I mean, perhaps if you were labouring away for years writing an opera about the glories of Apollo, I could understand the appeal of being productive. But how can you get a sense of satisfaction and serenity from preparing food? That I did not understand.
Even at Camp Half-Blood I wasn't asked to make my own meals. True, the hot dogs were questionable, and I never found out what sort of bugs were in bug juice, but at least I'd been served by a cadre of beautiful nymphs.
Now I was compelled to wash lettuce, dice tomatoes and chop onions.
”
”
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
“
Kiss me, woman. I command you,” the voice echoed, this time compelling her to obey. Helena’s survival instincts gave her a hard kick, jarring her back into the horrific reality of the situation. But as she tried to regain control of her body, her tongue slipped from her mouth and wet her lips. Traitorous tongue. Backstabbing lips. What the hell are you doing?
”
”
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
“
such a social-media environment; it is merely the most recent and most efficient way that humans have found to scratch a prehistoric itch. The compelling nature of social media, then, can be traced back in part to the evolution of the social brain, as
”
”
Tom Standage (Writing on the Wall: Social Media - The First 2,000 Years)
“
There have been several pamphlets warning of the hazards of reading during air travel. The evidence is sadly compelling. I'm quite distressed. I'm considering abstaining from partaking while we are in transit. So I want to read this pamphlet before we leave."
Rue and Primrose both stared at him, mouths agape.
Primrose put a hand to her cheek. "Not read while we travel? But you'll die!
”
”
Gail Carriger (Imprudence (The Custard Protocol, #2))
“
The world beyond the hidden garden vanished from her awareness. There was only this place, this patch of Eden, sunny and quiet and blazing with unearthly color. The mixed scents of lavender and warm male skin were all around her... too delicious... too compelling...
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
There are some who are still weak in faith, who ought to be instructed, and who would gladly believe as we do. But their ignorance prevents them...we must bear patiently with these people and not use our liberty; since it brings to peril or harm to body or soul...but if we use our liberty unnecessarily, and deliberately cause offense to our neighbor, we drive away the very one who in time would come to our faith. Thus St. Paul circumcised Timothy (Acts 16:3) because simple minded Jews had taken offense; he thought: what harm can it do, since they are offended because of ignorance? But when, in Antioch, they insisted that he out and must circumcise Titus (Gal. 2:3) Paul withstood them all and to spite them refused to have Titus circumcised... He did the same when St. Peter...it happened in this way: when Peter was with the Gentiles he ate pork and sausages with them, but when the Jews came in, he abstained from this food and did not eat as he did before. Then the Gentiles who had become Christians though: Alas! we, too, must be like the Jews, eat no pork, and live according to the law of Moses. But when Paul learned that they were acting to the injury of evangelical freedom, he reproved Peter publicly and read him an apostolic lecture, saying: "If you, though a Jew, live like a Gentile, how can you compel the Gentiles to live like Jews?" (Gal. 2:14). Thus we, too, should order our lives and use our liberty at the proper time, so that Christian liberty may suffer no injury, and no offense be given to our weak brothers and sisters who are still without the knowledge of this liberty.
”
”
Martin Luther
“
I am not sure whether I can make you understand it. It was something more than a prudent desire to avoid creatures alien in kind, very powerful, and very intelligent. The truth was that all I heard about them served to connect two things which one's mind tends to keep separate, and that connecting gave one sort of a shock. We tend to think about non-human intelligences in two distinct categories which we label "scientific" and "supernatural" respectively. We think, in one mood, of Mr. Wells' Martians (very unlike the real Malacandrians, by the bye), or his Selenites. In quite a different mood we let our minds loose on the possibility of angels, ghosts, fairies, and the like. But the very moment we are compelled to recognise a creature in either class as real, the distinction begins to get blurred: and when it is a creature like an eldil the distinction vanishes altogether. These things were not animals-to that extent one had to classify them with the second group; but they had some kind of material vehicle whose presence could (in principle) be scientifically verified. To that extent they belonged to the first group. The distinction between natural and supernatural, in fact, broke down; and when it had done so, one realised how great a comfort it had been-how it had eased the burden of intolerable strangeness which this universe imposes on us by dividing it into two halves and encouraging the mind never to think of both in the same context.
”
”
C.S. Lewis (Perelandra (Space Trilogy, #2))
“
Nothing makes fools of people quite like a luxurious life,” Achamian said, shaking his head and nodding. “Ajencis says they confuse decisions made atop pillows for those compelled by stones. When they hear of other people being deceived, they’re certain they would know better. When they hear of other people being oppressed, they’re certain they would do anything but beg and cringe when the club is raised …” “And so they judge,” Mimara said sourly.
”
”
R. Scott Bakker (The White Luck Warrior (Aspect-Emperor, #2))
“
But are you finding monastic history a very compelling reason to live?"
"I'm not human," he said. "I don't require a reason to live. Living is my default condition."
I couldn't help it; I laughed, and tears welled in my eyes. That answer was quintessentially Orma, distilled to his elemental Orma-ness.
”
”
Rachel Hartman (Shadow Scale (Seraphina, #2))
“
Miranda v. Arizona, the most famous of all self-incrimination cases, the Supreme Court imposed procedural safeguards to protect the rights of the accused. A suspect has a constitutional right not to be compelled to talk, and any statement made during an interrogation cannot be used in court unless the police and the prosecutor can prove that the suspect clearly understood that (1) he had the right to remain silent, (2) anything said could be used against him in court, and (3) he had a right to an attorney, whether or not he could afford one. If, during an interrogation, the accused requests an attorney, then the questioning stops immediately.
”
”
John Grisham (The Innocent Man: Murder and Injustice in a Small Town)
“
Avoiding unpleasant acts doesn’t make a man good. Look at where we are, what’s been done to us. Escaping this place requires that we do what is necessary, even if our nature compels us otherwise..... so don’t measure me by how tightly I cling to my goodness, measure me by what I’m willing to sacrifice that you might cling to yours.
”
”
Stuart Turton (The 7 1/2 Deaths of Evelyn Hardcastle)
“
I do love it. That big, demonstrative moment where nothing else matters but making sure the person you care about knows it. That you’re in. You’re all in and you want everyone to know, no matter how wild or risky it is. Weddings are like that. The vows are, at least.” Something about the soft look in Annie’s eyes, wistful almost, compelled him to keep going. To confess what he’d never told anyone before. “I don’t have a single memory of my mom and dad saying I love you to each other.” Annie made a soft noise, but he soldiered on, wanting to get this out. “Maybe those movies aren’t perfect, but for most of my life, they were the best proof I had that people could wind up happy together.
”
”
Alexandria Bellefleur (Hang the Moon (Written in the Stars, #2))
“
I think you would have answered the question very cuttingly, if you felt comfortable with your reply.” Her audacity should not be able to surprise him any longer. But he still did not understand how she did this: how she shifted the balance of power between them so suddenly that he felt compelled to reply, to prove himself, to be accountable to her.
”
”
Meredith Duran (Fool Me Twice (Rules for the Reckless, #2))
“
If the essence of successful strategy is the ability to compel one’s opponents to accept one’s own appraisal of a situation,
”
”
Bruce Catton (Terrible Swift Sword (Centennial History of the Civil War Book 2))
“
Sometimes the lure of thought and memory was too much for her, a tug that compelled her away from the world and into her own head.
”
”
Christina Henry (Red Queen (The Chronicles of Alice, #2))
“
You have to suffer through the emptiness and find what compels you to continue.
”
”
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
“
The feelings I have for another man are so compelling…I’m afraid that I might take whatever I can have of him, no matter how fleeting the moment is. If I heard some other woman confessing to such thoughts, I would condemn her as a fool and worse. I’ve always considered myself a sensible person, guided more by reason than by passion. I can’t explain what’s come over me. All I know is that from the moment I met him—” She broke off, unable to finish the sentence. Sighing, she rubbed her aching forehead. “I don’t think time will help. It hasn’t so far.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers, #2))
“
One thing you can say about Twilight is that it is not boring. There are a billion characters, they’re always saying some crazy shit, and they’re SO HORNY! Twilight feels like it was written by an AI that almost gets it. Something is just 2 percent off about every line and every interaction, which, taken cumulatively, is like a window into one of those dimensions where everything is identical to ours except cats and turtles are switched and Prince never died. Twilight took me out of my body in a way that did not give me pleasure but did give me fascination, and when it was over, I couldn’t believe it, but I felt compelled to watch the next one just to continue the satisfying, itchy glitch of it all. Twilight kept me awake, which honestly is more than I can say for Top Gun, peace be upon Tony Scott (I stan Déjà Vu).
”
”
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
“
Eisenhower has been much criticized for his failure publicly to endorse the Court's decision. But he felt that doing so would set an undesirable precedent. If a president endorsed decisions he agreed with, might he feel compelled to oppose decisions he did not agree with? And what would that do to the rule of law? "The Supreme Court has spoken and I am sworn to uphold ... the constitutional processes.... I will obey."3
”
”
William J. Bennett (From a World at War to the Triumph of Freedom 1914-1989 (America: The Last Best Hope #2))
“
Why did you refuse to marry me then?” he demanded.
She should be quiet; she should just stay mute. But she was angry and hurt. Only moments before he’d been saying such lovely things; now he was being horrible. “Why can’t you help yourself?” she countered, shouting back.
“What?”
“Why are you compelled to come after me?” she demanded, setting her hands on her hips.
For a moment, he just stared at her as if she was daft.
“Because I love you,” he finally said, as if it were the most obvious thing in the world.
“What?” She’d waited to hear him say those words for what seemed like an eternity, and now he’d said them just as casually and unconcernedly as he might have said, “I like that dress” or “Spot is a good name for a dog.”
“Because I love you,” he repeated. “Why else would I?”
“I don’t know. Because you’re mad?” she suggested. How dare he say he loved her here, in such a manner, with so little fanfare?
He was watching her carefully. “You seem upset.”
“Oh. Do I?” she asked sweetly. Behind her, the horse shifted uneasily. Smart horse. “Perhaps it’s because I do not believe you.
”
”
Connie Brockway (The Other Guy's Bride (Braxton, #2))
“
Friend of yours?” Priss asked.
He turned on her so fast, she jumped back a foot.
“You don’t look happy,” Priss noted. What an understatement. “It was just a question. Don’t implode or anything, okay?”
He fumed quietly, and even in his rage, he looked self-possessed. “Under no circumstances will you provoke that woman. Do you understand me?”
Intrigued by the warning, Priss tried to see around him to wherever the woman had gone. He didn’t allow it.
His big, hard hand clasped her face, none too gently. “She will slit your throat and smile while doing it. And no one here will stop her. Do you understand me?”
“Uh . . .” It wasn’t easy to speak with the way he smooshed her cheeks, but she felt compelled to point out, “You stopped her.”
“This time.” He leaned down, close enough to kiss her, but his eyes said he had far from affectionate gestures on his mind. “I won’t always be around.”
“Duly noted. Now you can stop abusing my face.” He released her and she worked her jaw. “Jerk. I bruise easy.”
His eye did that interesting twitching thing again before he grabbed her elbow and hustled her forward.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
I have rules,” she said to him. He stilled his pen, raised expressionless eyes to her face, and waited. “When you bring me an old servant who’s come willingly where the king’s men have bidden him, a man who’s never been convicted, or even accused, of a crime,” Fire said, “I will not take his mind. I’ll sit before him and ask questions, and if my presence makes him more talkative, very well. But I will not compel him to say things he would otherwise not have said. Nor,” she added, voice rising, “will I take the mind of a person who’s been fed too little, or denied medicines, or beaten in your jails. I won’t manipulate a prisoner you’ve mistreated.” Garan sat back and crossed his arms. “That’s rich, isn’t it? Your own manipulation is mistreatment; you’ve said it yourself.” “Yes, but mine is meant to be for good reason. Yours is not.” “It’s not my mistreatment. I don’t give the orders down there, I’ve no idea what goes on.” “If you want me to question them, you’d best find out.” To Garan’s credit, the treatment of Dellian prisoners did change after that. One particularly laconic man, after a session in which Fire learned positively nothing, thanked her for it specifically. “Best dungeons I ever been in,” he said, chewing on a toothpick. “Wonderful,” Garan grumbled when he’d gone. “We’ll grow a reputation for our kindness to lawbreakers.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Outside the wind rushed through the mountains, and thunder cracked. The dark clouds burst, and rain pelted down in sheets. Out of the trees loped a huge black wolf with pale, burning eyes. As he approached the small porch, the powerful body contorted, stretched, shape-shifted into a heavily muscled man with wide shoulders, long dark hair, and slashing silver eyes. He stepped onto the porch out of the pouring rain and regarded the two men facing him. The tension was tangible between Mikhail and Byron. Mikhail, as always, was inscrutable. Byron looked like a thundercloud. The newcomer’s eyebrows went up, and he leaned close to Byron. “The last time someone got Mikhail seriously angry, it was not a pretty sight. I do not wish to attempt to replace major organs in your body, so go take a walk and cool off.” The voice was beautiful, with a singsong cadence—compelling, soothing even, yet it clearly commanded. It was a voice so hypnotic, so mesmerizing, even those of their kind were drawn into its power.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
This is a behavior in which particles, once in contact, remain linked thereafter, no matter how far they are separated. The linkage is astonishingly intimate; a change in one is correlated with a change in the other, instantly, and to the same degree. Some researchers believe that the entangled behaviors of subatomic particles may in some way underlie these distant connections in humans. This possibility is explored at length in the pioneering book Entangled Minds by Dean Radin, chief scientist at California’s Institute of Noetic Sciences. Radin suggests that we “take seriously the possibility that our minds are physically entangled with the universe …”2 Radin reviews hundreds of experiments that compellingly suggest that entanglement is more than a metaphor for how minds are linked at the human level.
”
”
Larry Dossey (One Mind: How Our Individual Mind is Part of a Greater Consciousness and Why it Matters)
“
He kisses my chin, caresses my throat. I close my eyes against what I see in his eyes. It’s so much more than the need to fuck, than the base urge of one alpha male compelled to take a woman from another of his species. It’s tender and sincere and all the things I’ve told myself all these years he wasn’t capable of. “I saw you first,” he whispers, kissing the bridge of my nose where my freckles are. “I had you first.” He kisses my face where the dimple dents my cheek when I smile. “I want you back,” he declares, meeting my eyes and taking my mouth in a deep kiss, never looking away.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
Visualization—or the act of creating compelling and vivid pictures in your mind—may be the most underutilized success tool you possess because it greatly accelerates the achievement of any success in three powerful ways. 1. Visualization activates the creative powers of your subconscious mind. 2. Visualization focuses your brain by programming its reticular activating system (RAS) to notice available resources that were always there but were previously unnoticed. 3. Visualization magnetizes and attracts to you the people, resources, and opportunities you need to achieve your goal.
”
”
Jack Canfield (The Success Principles: How to Get from Where You Are to Where You Want to Be)
“
I studied her while she regained her composure. So beautiful. Even crying, she was beautiful. I felt like I should look away from her, but I didn’t even know how. I still felt the hug, even though it was over, and it disabled something inside of me again, just the way she did that first day in Benny’s hospital room. I was rendered frozen and speechless and completely at her mercy, and I had to wonder with a touch of awe and amusement if she had bewitched me. If I was under some spell. Because I’d never felt like this before, this compelled to do something for someone I just met, this drawn to anyone.
”
”
Abby Jimenez (Yours Truly (Part of Your World, #2))
“
Most churches do not grow beyond the spiritual health of their leadership. Many churches have a pastor who is trying to lead people to a Savior he has yet to personally encounter. If spiritual gifting is no proof of authentic faith, then certainly a job title isn't either.
You must have a clear sense of calling before you enter ministry. Being a called man is a lonely job, and many times you feel like God has abandoned you in your ministry. Ministry is more than hard. Ministry is impossible. And unless we have a fire inside our bones compelling us, we simply will not survive. Pastoral ministry is a calling, not a career. It is not a job you pursue.
If you don’t think demons are real, try planting a church! You won’t get very far in advancing God’s kingdom without feeling resistance from the enemy.
If I fail to spend two hours in prayer each morning, the devil gets the victory through the day. Once a month I get away for the day, once a quarter I try to get out for two days, and once a year I try to get away for a week. The purpose of these times is rest, relaxation, and solitude with God.
A pastor must always be fearless before his critics and fearful before his God. Let us tremble at the thought of neglecting the sheep. Remember that when Christ judges us, he will judge us with a special degree of strictness.
The only way you will endure in ministry is if you determine to do so through the prevailing power of the Holy Spirit. The unsexy reality of the pastorate is that it involves hard work—the heavy-lifting, curse-ridden, unyielding employment of your whole person for the sake of the church. Pastoral ministry requires dogged, unyielding determination, and determination can only come from one source—God himself.
Passive staff members must be motivated. Erring elders and deacons must be confronted. Divisive church members must be rebuked. Nobody enjoys doing such things (if you do, you should be not be a pastor!), but they are necessary in order to have a healthy church over the long haul. If you allow passivity, laziness, and sin to fester, you will soon despise the church you pastor.
From the beginning of sacred Scripture (Gen. 2:17) to the end (Rev. 21:8), the penalty for sin is death. Therefore, if we sin, we should die. But it is Jesus, the sinless one, who dies in our place for our sins. The good news of the gospel is that Jesus died to take to himself the penalty of our sin.
The Bible is not Christ-centered because it is generally about Jesus. It is Christ-centered because the Bible’s primary purpose, from beginning to end, is to point us toward the life, death, and resurrection of Jesus for the salvation and sanctification of sinners.
Christ-centered preaching goes much further than merely providing suggestions for how to live; it points us to the very source of life and wisdom and explains how and why we have access to him. Felt needs are set into the context of the gospel, so that the Christian message is not reduced to making us feel better about ourselves.
If you do not know how sinful you are, you feel no need of salvation. Sin-exposing preaching helps people come face-to-face with their sin and their great need for a Savior.
We can worship in heaven, and we can talk to God in heaven, and we can read our Bibles in heaven, but we can’t share the gospel with our lost friends in heaven.
“Would your city weep if your church did not exist?”
It was crystal-clear for me. Somehow, through fear or insecurity, I had let my dreams for our church shrink. I had stopped thinking about the limitless things God could do and had been distracted by my own limitations. I prayed right there that God would forgive me of my small-mindedness. I asked God to forgive my lack of faith that God could use a man like me to bring the message of the gospel through our missionary church to our lost city. I begged God to renew my heart and mind with a vision for our city that was more like Christ's.
”
”
Darrin Patrick (Church Planter: The Man, The Message, The Mission)
“
Encounter w/ strange man June 3, approx. 2 a.m. White, 5'9", slightly scruffy, shaggy brown hair. Ripped T-shirt, jeans, no shoes. Origin and destination unknown, believed to be night wanderer.
I chewed on the end of the pen, wondering if I should include any other details. It had been too dark to tell what color his eyes were. His voice had been deep, with a rasp, almost... but I couldn't write that. If my body was found in the woods behind the house, and investigators were competent enough to do a forensic analysis of this notebook, I didn't want editorializing words complicating the narrative. Words like compelling, or god forbid, sexy.
”
”
Alicia Thompson (Love in the Time of Serial Killers)
“
She’s not a mere duplicate of the male version, as many female heroes tend to be characterized, simply adopting the masculine narrative, nor is she a hyper-sexualized object using seduction as the source of her strength. Olivia is not overly emotional, but she’s sensitive when the occasion arises. Because she plays such an even-keeled, reasonable character (one long-criticized for being “wooden”), her moments of vulnerability, anger, or lust are that much more compelling. Though she is “haunted” as Peter says (“Over There, Part 2”), she is not vengeful or hateful. In fact this may be a key reason why fans were so completely underwhelmed by her character in season 1: Olivia’s no drama queen. She tries her best to be impartial, honest, and painstakingly reasonable.
”
”
Sarah Clarke Stuart (Into the Looking Glass: Exploring the Worlds of Fringe)
“
The music of a civilization has far-reaching consequences on consciousness and, thus, influences the basic nature of a society. Music and its rhythms divert and compel the awareness, describing the limits within which a consciousness, thus fascinated, may operate.
Control the music, then, and you own a powerful tool with which to shape the society.
―The Dosadi Analysis, BuSab Documents
”
”
Frank Herbert (The Dosadi Experiment (ConSentiency Universe, #2))
“
If we learn to wait for His voice we can walk by faith. If we walk by faith He will direct our paths. In the end it all boils down to being led by Him on a day to day basis. As we said before, the first aspect of learning to be led is learning His voice. The second is waiting to hear it and the third is submitting to it no matter the cost it brings on your life. And why? Because your love for God compels you to do so! There is no other way to please Him, and we could never understand our own way. This is why we addressed in the previous prayer the need for surrender. By being pliable we can be led. Then by being led we can be justified, because it is God who works in us and through us both to will and to do. As we read, “For it is God who works in you both to will and to do for His good pleasure.” Php 2:13
”
”
Adam Houge (The 7 Most Powerful Prayers That Will Change Your Life Forever)
“
She lifted his mask and her own veil; then slowly, she placed a hand on either side of his face. Her fingers slid into his hair and Matthias’ focus shattered. It felt like she was touching him everywhere.
She looked into his eyes. “Well?”
“I don’t feel anything,” he said. His voice sounded embarrassingly hoarse.
She arched a brow. “Nothing?”
“What did you try to make me do?”
“I’m trying to compel you to kiss me.”
“That’s foolish.”
“Why is that?”
“Because I always want to kiss you,” he admitted.
“Then how come you never do?”
“Nina, you just went through a terrible ordeal—”
“I did. That’s true. You know what would help? A lot of kissing. We haven’t been alone since we were aboard the Ferolind.”
“You mean when you almost died?” said Matthias. Someone had to remember the gravity of this situation.
“I prefer to think of the good times. Like when you held my hair as I was vomiting into a bucket.”
“Stop trying to make me laugh.”
“But I like your laugh.”
“Nina, this is not the time to flirt.”
“I need to catch you off your guard, otherwise you’re too busy protecting me and asking me if I’m okay.”
“Is it wrong to worry?”
“No, it’s wrong to treat me like I might break apart at any moment. I’m not that fine or that fragile.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Images of him continued to plague me, unbidden and cruelly tantalising: the mesmerizing blue eyes that compelled me to share with him my most private fears; the feel of his thick, untidy hair as the sunlight split it into myriad shades of gold; the soft laugh that touched my soul; his aloof but unpretentious manner; his confident assurance that I could make my own choices. I shuddered at the thought of Steldor's attitude toward me, for he saw me as only a woman, relegated to supervising that household, planning and executing social events and raising the children. All he really wanted was my presence in his bed, which made me all the more unwilling to comply. Steldor's glance made me uncomfortable, his patronising laugh made me cringe, his condescension frequently led to my humiliation. In Narians arms, I had felt extraordinary happiness; in Steldor's I felt trapped.
”
”
Cayla Kluver (Allegiance (Legacy, #2))
“
You’re either remarkable or invisible,” says Seth Godin in his 2002 bestseller, Purple Cow.1 As he elaborated in a Fast Company manifesto he published on the subject: “The world is full of boring stuff—brown cows—which is why so few people pay attention…. A purple cow… now that would stand out. Remarkable marketing is the art of building things worth noticing.”2 When Giles read Godin’s book, he had an epiphany: For his mission to build a sustainable career, it had to produce purple cows, the type of remarkable projects that compel people to spread the word. But this left him with a second question: In the world of computer programming, where does one launch remarkable projects? He found his second answer in a 2005 career guide with a quirky title: My Job Went to India: 52 Ways to Save Your Job.3 The book was written by Chad Fowler, a well-known Ruby programmer who also dabbles in career advice for software developers.
”
”
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
“
There is simply no compelling reason we know of to explain why human brains got large,’ says Tattersall. Huge brains are demanding organs: they make up only 2 per cent of the body’s mass, but devour 20 per cent of its energy42. They are also comparatively picky in what they use as fuel. If you never ate another morsel of fat, your brain would not complain because it won’t touch the stuff. It wants glucose instead, and lots of it, even if it means short-changing other organs.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
My railings against the platonists are a thing of the past. Assuming at last that one could, what would be the advantage of ignoring the transcendent nature of mathematical truths. There is nothing else that all men are compelled to agree upon, and when the last light in the last eye fades to black and takes all speculation with it forever I think it could even be that these truths will glow for just a moment in the final light. Before the dark and the cold claim everything.
”
”
Cormac McCarthy (Stella Maris (The Passenger #2))
“
My father was taking me as seriously as the Ringolds were, but not with Ira’s political fearlessness, with Murray’s literary ingenuity, above all, with their seeming absence of concern for my decorum, for whether I would or would not be a good boy. The Ringolds were the one-two punch promising to initiate me into the big show, into my beginning to understand what it takes to be a man on the larger scale. The Ringolds compelled me to respond at a level of rigor that felt appropriate to who I now was. Be a good boy wasn’t the issue with them. The sole issue was my convictions. But then, their responsibility wasn’t a father’s, which is to steer his son away from the pitfalls. The father has to worry about the pitfalls in a way the teacher doesn’t. He has to worry about his son’s conduct, he has to worry about socializing his little Tom Paine. But once little Tom Paine has been let into the company of men and the father is still educating him as a boy, the father is finished. Sure, he’s worrying about the pitfalls—if he wasn’t, it would be wrong. But he’s finished anyway. Little Tom Paine has no choice but to write him off, to betray the father and go boldly forth to step straight into life’s very first pit. And then, all on his own—providing real unity to his existence—to step from pit to pit for the rest of his days, until the grave, which, if it has nothing else to recommend it, is at least the last pit into which one can fall.
”
”
Philip Roth (I Married a Communist (The American Trilogy, #2))
“
Not only did Jesus save Mary; He gave her a job to do. Everyone whom the Lord cleans He commissions. After Isaiah had his lips cleaned with a coal from God’s altar, the Lord commissioned him to go and preach (Isa. 6:1-9). Basically, Jesus said to Mary, “Don’t just cling to Me; go and tell others.” If we love Jesus as Mary loved Jesus, we are compelled to tell others. We can’t keep Him to ourselves. The man from whom Jesus purged an army of demons wanted to just stay at His side. “Now the man from whom the demons had departed begged Him that he might be with Him. But Jesus sent him away, saying, ‘Return to your own house, and tell what great things God has done for you’ ” (Luke 8:38, 39). Like Mary and this man, the church is saved for the purpose of telling others. Salvation involves coming and going. We come to Jesus at His great invitation, then we go for Jesus -181- with the Great Commission. “Come to Me, all you who labor and are heavy laden, and I will give you rest” (Matt. 11:28). “Go therefore and make disciples of all the nations” (Matt. 28:19). “Now therefore come, that we may go and tell the king’s household” (2 Kings 7:9, KJV). We should not go for Jesus until we first come to Jesus. God uses people to reach people. He could preach the gospel much more efficiently through angels. However, witnessing is part of our sanctification process. Mary is never identified as having an exceptional gift of communication, but the Lord chose her to communicate the good news of His resurrection. This should encourage each of us to come to Jesus that we might go for Jesus and become witnesses of His resurrection.
”
”
Doug Batchelor (At Jesus Feet)
“
Lily Chadwick knew there was something different about the fiercely scowling gentleman the first moment she saw him.
She could feel it.
The instant their gazes met, caught, held, something skittered across her skin like a rain of white sparks. It entered her bloodstream, heating her from the inside until her breath became stilted and her knees went alarmingly weak.
He stared at her from beneath a brow drawn low in a forbidding expression. His eyes were so dark, even the light of the glittering ballroom could not be reflected there. The angles of his face were hard, his jaw sharply defined, and he held his mouth in a harsh line that attempted to harden the full curve of his lower lip but didn't quite manage it.
Lily tried to glance away demurely, but she couldn't seem to manage. She felt a flutter that became a tightening in her belly. Her heart stopped, skipped a few beats, then started up again in a frantic rhythm as he just kept watching her.
Despite his severe, aloof appearance, something about him reached out to her, touching her with an intrinsic sort of recognition. It left her feeling as though she stood in the heart of a firestorm. She sensed with a certainty beyond rational explanation that his unyielding manner was a facade, as if he were a hero in some gothic novel. There was passion in him. She felt it in every quickened, prey-like breath she took while frozen under his intent stare.
The silent interaction between them was becoming more inappropriate by the minute, yet she could not compel herself to break away. As though caught in an invisible trap, she stared back at him while her hands began to sweat and her stomach trembled.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
Legalism The weight we are describing is called legalism. It is a form of religious perfectionism that focuses on the careful performance and avoidance of certain behaviors. It teaches people to gain a sense of spiritual acceptance based on their performance, instead of accepting it as a gift on the basis of Christ. Why were the leaders of Jesus’ and Paul’s day spreading legalistic teaching? Was it simply a matter of being right? It’s more serious than that. Look at Galatians 6: 12-13: Those who desire to make a good showing in the flesh try to compel you to be circumcised, simply that they may not be persecuted for the cross of Christ. For those who are circumcised do not even keep the Law themselves, but they desire to have you circumcised, that they may boast in your flesh. You see, living with Jesus as your only source of life and acceptance is a confrontation to those who seek God’s approval on the basis of their own religious behavior. This, then, explains the pressure you feel to perform religious behaviors in spiritually abusive contexts. If you perform as they say you must: (1) it will make them look good; (2) their self-righteousness will escape the scrutiny of the cross of Christ as the only means to God’s favor; (3) it will allow them to examine you instead of themselves; (4) they will be able to “boast in” or gain a sense of validation from your religious performance. Can you see the abusive dynamic described in chapter one? Here we have religious people trying to meet their own spiritual needs through someone else’s religious performance. And it’s all cloaked in the language of being holy and helping others to live holy lives.
”
”
David R. Johnson (Subtle Power of Spiritual Abuse, The: Recognizing and Escaping Spiritual Manipulation and False Spiritual Authority Within the Church)
“
The great majority of those who, like Frankl, were liberated from Nazi concentration camps chose to leave for other countries rather than return to their former homes, where far too many neighbors had turned murderous. But Viktor Frankl chose to stay in his native Vienna after being freed and became head of neurology at a main hospital in Vienna. The Austrians he lived among often perplexed Frankl by saying they did not know a thing about the horrors of the camps he had barely survived. For Frankl, though, this alibi seemed flimsy. These people, he felt, had chosen not to know. Another survivor of the Nazis, the social psychologist Ervin Staub, was saved from a certain death by Raoul Wallenberg, the diplomat who made Swedish passports for thousands of desperate Hungarians, keeping them safe from the Nazis. Staub studied cruelty and hatred, and he found one of the roots of such evil to be the turning away, choosing not to see or know, of bystanders. That not-knowing was read by perpetrators as a tacit approval. But if instead witnesses spoke up in protest of evil, Staub saw, it made such acts more difficult for the evildoers. For Frankl, the “not-knowing” he encountered in postwar Vienna was regarding the Nazi death camps scattered throughout that short-lived empire, and the obliviousness of Viennese citizens to the fate of their own neighbors who were imprisoned and died in those camps. The underlying motive for not-knowing, he points out, is to escape any sense of responsibility or guilt for those crimes. People in general, he saw, had been encouraged by their authoritarian rulers not to know—a fact of life today as well. That same plea of innocence, I had no idea, has contemporary resonance in the emergence of an intergenerational tension. Young people around the world are angry at older generations for leaving as a legacy to them a ruined planet, one where the momentum of environmental destruction will go on for decades, if not centuries. This environmental not-knowing has gone on for centuries, since the Industrial Revolution. Since then we have seen the invention of countless manufacturing platforms and processes, most all of which came to be in an era when we had no idea of their ecological impacts. Advances in science and technology are making ecological impacts more transparent, and so creating options that address the climate crisis and, hopefully, will be pursued across the globe and over generations. Such disruptive, truly “green” alternatives are one way to lessen the bleakness of Earth 2.0—the planet in future decades—a compelling fact of life for today’s young. Were Frankl with us today (he died in 1997), he would no doubt be pleased that so many of today’s younger people are choosing to know and are finding purpose and meaning in surfacing environmental facts and acting on them.
”
”
Viktor E. Frankl (Yes to Life: In Spite of Everything)
“
The internet’s prime purpose is to facilitate uniformity of thought (always a good starting point for the bluffer when discussing social media). The rules for what you’re allowed to think online change all the time, but they’re usually something like this: 1. Julian Assange is the victim of a CIA and media conspiracy aimed at causing his eventual death. 2. Rupert Murdoch is Satan. 3. You are compelled to say RIP about the death of strangers. 4. You are not allowed to offend anyone, ever. 5. Anything someone else says can be taken as offensive. 6. Being offensive is illegal. 7. Cats do the cutest things.
”
”
Susie Boniface (Bluffer's Guide to Social Media (Bluffer's Guides))
“
In reality, electrons move in “probability clouds.” So what do you tell a sixth grader? Do you talk about the motion of planets, which is easy to understand and nudges you closer to the truth? Or do you talk about “probability clouds,” which are impossible to understand but accurate? The choice may seem to be a difficult one: (1) accuracy first, at the expense of accessibility; or (2) accessibility first, at the expense of accuracy. But in many circumstances this is a false choice for one compelling reason: If a message can’t be used to make predictions or decisions, it is without value, no matter how accurate or comprehensive it is. Herb Kelleher could tell a flight attendant that her goal is to “maximize shareholder value.” In some sense, this statement is more accurate and complete than that the goal is to be “THE low-fare airline.” After all, the proverb “THE low-fare airline” is clearly incomplete—Southwest could offer lower fares by eliminating aircraft maintenance, or by asking passengers to share napkins. Clearly, there are additional values (customer comfort, safety ratings) that refine Southwest’s core value of economy. The problem with “maximize shareholder value,” despite its accuracy, is that it doesn’t help the flight attendant decide whether to serve chicken salad. An accurate but useless idea is still useless.
”
”
Chip Heath (Made to Stick: Why some ideas take hold and others come unstuck)
“
February 12 MORNING “For as the sufferings of Christ abound in us, so our consolation also aboundeth by Christ.” — 2 Corinthians 1:5 HERE is a blessed proportion. The Ruler of Providence bears a pair of scales — in this side He puts His people’s trials, and in that He puts their consolations. When the scale of trial is nearly empty, you will always find the scale of consolation in nearly the same condition; and when the scale of trials is full, you will find the scale of consolation just as heavy. When the black clouds gather most, the light is the more brightly revealed to us. When the night lowers and the tempest is coming on, the Heavenly Captain is always closest to His crew. It is a blessed thing, that when we are most cast down, then it is that we are most lifted up by the consolations of the Spirit. One reason is, because trials make more room for consolation. Great hearts can only be made by great troubles. The spade of trouble digs the reservoir of comfort deeper, and makes more room for consolation. God comes into our heart — He finds it full — He begins to break our comforts and to make it empty; then there is more room for grace. The humbler a man lies, the more comfort he will always have, because he will be more fitted to receive it. Another reason why we are often most happy in our troubles, is this — then we have the closest dealings with God. When the barn is full, man can live without God: when the purse is bursting with gold, we try to do without so much prayer. But once take our gourds away, and we want our God; once cleanse the idols out of the house, then we are compelled to honour Jehovah. “Out of the depths have I cried unto thee, O Lord.” There is no cry so good as that which comes from the bottom of the mountains; no prayer half so hearty as that which comes up from the depths of the soul, through deep trials and afflictions. Hence they bring us to God, and we are happier; for nearness to God is happiness. Come, troubled believer, fret not over your heavy troubles, for they are the heralds of weighty mercies.
”
”
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
“
Here are the four keys to successful commitments: 1. Strong desire: In order to fully commit to something, you need a clear and personally compelling reason. Without a strong desire you will struggle when the implementation gets difficult, but with a compelling desire, seemingly insurmountable obstacles are seen as challenges to be met. The desired end result needs to be meaningful enough to get you through the hard times and keep you on track. 2. Keystone actions: Once you have an intense desire to accomplish something, you then need to identify the core actions that will produce the result you’re after. In today’s world, many of us have become spectators rather than participants. We must remember that it’s what we do that counts. In most endeavors there are often many activities that help you accomplish your goal. However there are usually a few core activities that account for the majority of the results, and in some cases there are only one or two keystone actions that ultimately produce the result. It is critical that you identify these keystones and focus on them. 3. Count the costs: Commitments require sacrifice. In any effort there are benefits and costs. Too often we claim to commit to something without considering the costs, the hardships that will have to be overcome to accomplish your desire. Costs can include time, money, risk, uncertainty, loss of comfort, and so on. Identifying the costs before you commit allows you to consciously choose whether you are willing to pay the price of your commitment. When you face any of these costs, it is extremely helpful to recognize that you anticipated them and decided that reaching your goal was worth it. 4. Act on commitments, not feelings: There will be times when you won’t feel like doing the critical activities. We’ve all been there. Getting out of bed at 5:30 a.m. to jog in the winter cold can be daunting, especially when you’re in a toasty warm bed. It is during these times that you will need to learn to act on your commitments instead of your feelings. If you don’t, you will never build any momentum and will get stuck continually restarting or, as is so often the case, giving up. Learning to do the things you need to do, regardless of how you feel, is a core discipline for success.
”
”
Brian P. Moran (The 12 Week Year: Get More Done in 12 Weeks than Others Do in 12 Months)
“
The fist on his chest uncurled. A finger began to stray, tracing the line of hair down toward his navel. It was a slow, tentative movement, for this was all too new. Passion unchained. Not just her own nakedness, but his.Especially his. She was still half-afraid to touch him. Then all at once he caught her hand, as if he could stand it no longer, and guided it down the tight grid of his belly, between the ridge of his hips.
Straight to the heart of him.
She gasped in shock when he dragged her hand up and down, up and down. Her eyes flew wide. It was a caress as outrageously shocking as when he'd slid his fingers inside her; as bold and daring as the man himself.
"Aid- Aidan!" She stuttered his name, part-question, part jarringly shocked.
"No, it's all right. Touch me, sweet, just like that... Oh, yes, just like that."
His whisper compelled surrender. Watching him, the glint of his eyes, half-closed now, her reserve slipped away.
”
”
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
“
When we were in London, you told me that your world was very small. Well, my world is very large. And you're the most important person in it. You're safe and wanted now, Helen. In time, you'll become used to that, and you won't worry." As she turned her face against his chest, he lowered his mouth to her ear. "We're bound to each other," he whispered, "for as long as the world exists. Remember?"
Helen rubbed her cheek against his velvet robe. "We haven't made our vows yet."
"We did that afternoon, when you came to my bed. That's what it meant." His fingers slid beneath her chin, coaxing her to look at him. Amusement deepened the faint whisks at the outer corners of his eyes. "I'm sorry, sweetheart, but there's no getting rid of me."
Desperately she stared at the face above hers, all strong, stark angles and shadows, a striking framework for those compelling sable eyes. Rhys hid nothing, letting her see the tenderness that was reserved for her alone. She felt the overwhelming pull between them, like the force of gravity between twin stars.
”
”
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
“
Did they have all the ingredients for the seed cake, Miss Sophia? The caraway and rye, and the currants for the top?"
"Yes," Sophia replied as the cook-maid disappeared into the larder. "But we could find no red currants, and-"
Suddenly her words were smothered into silence as Sir Ross pulled her into his arms. His lips descended to hers in a kiss so tender and carnal that she could not help responding. Stunned, she struggled to retain her hatred of him, to remember the wrongs of the past, but his lips were utterly warm and compelling, and her thoughts scattered crazily. The pink rose dropped from her nerveless fingers. Sophia swayed against him, groping for his hard shoulders in a futile bid for balance. His tongue searched her mouth... delicious... sweetly intimate. Sophia inhaled sharply and tilted her head back in utter surrender, her entire existence distilled to this one burning moment.
Through the pounding heartbeat in her ears she dimly heard Eliza's concerned voice echoing from the larder. "No red currants? But what will we top the seed cake with?"
Sir Ross released Sophia's mouth, leaving her lips moist and kiss-softened. His face remained close to hers, and Sophia felt as if she were drowning in the silver pools of his eyes. His hand came to the side of her face, his fingers curving over her cheek, his thumb brushing the corner of her mouth. Somehow Sophia managed to answer Eliza. "We f-found golden currants instead-"
As soon as the words left her mouth, Sir Ross kissed her again, his tongue exploring, teasing. Her groping fingers touched the back of his neck, where the thick black hair curled against his nape. Sensation rustled through her, spurring her pulse to an intemperate pace. Taking advantage of her surrender, he kissed her more aggressively, hunting for the deepest, sweetest taste of her. As her knees weakened, his arms wrapped securely around her, supporting her body as he continued to ravish her mouth.
"Golden currants?" came Eliza's dissatisfied voice. "Well, the flavor won't be quite the same, but they will be better than nothing."
Sir Ross released Sophia and steadied her with his hands at her waist. While she stared at him blankly, he gave her a brief smile and left the kitchen just as Eliza reemerged from the larder.
”
”
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
“
Which brings me back to Ecclesiastes, his search for happiness, and mine. I spoke in chapter 4 about my first meeting, as a student, with Rabbi Menachem Mendel Schneersohn, the Lubavitcher Rebbe. As I was waiting to go in, one of his disciples told me the following story. A man had recently written to the Rebbe on something of these lines: ‘I need the Rebbe’s help. I am deeply depressed. I pray and find no comfort. I perform the commands but feel nothing. I find it hard to carry on.’ The Rebbe, so I was told, sent a compelling reply without writing a single word. He simply ringed the first word in every sentence of the letter: the word ‘I’. It was, he was hinting, the man’s self-preoccupation that was at the root of his depression. It was as if the Rebbe were saying, as Viktor Frankl used to say in the name of Kierkegaard, ‘The door to happiness opens outward.’23 It was this insight that helped me solve the riddle of Ecclesiastes. The word ‘I’ does not appear very often in the Hebrew Bible, but it dominates Ecclesiastes’ opening chapters. I enlarged my works: I built houses for myself, I planted vineyards for myself; I made gardens and parks for myself and I planted in them all kinds of fruit trees; I made ponds of water for myself from which to irrigate a forest of growing trees. I bought male and female slaves and I had homeborn slaves. Also I possessed flocks and herds larger than all who preceded me in Jerusalem. Also, I collected for myself silver and gold and the treasure of kings and provinces. (Ecclesiastes 2:4–8) Nowhere else in the Bible is the first-person singular used so relentlessly and repetitively. In the original Hebrew the effect is doubled because of the chiming of the verbal suffix and the pronoun: Baniti li, asiti li, kaniti li, ‘I built for myself, I made for myself, I bought for myself.’ The source of Ecclesiastes’ unhappiness is obvious and was spelled out many centuries later by the great sage Hillel: ‘If I am not for myself, who will be? But if I am only for myself, what am I?’24 Happiness in the Bible is not something we find in self-gratification. Hence the significance of the word simchah. I translated it earlier as ‘joy’, but really it has no precise translation into English, since all our emotion words refer to states of mind we can experience alone. Simchah is something we cannot experience alone. Simchah is joy shared.
”
”
Jonathan Sacks (The Great Partnership: Science, Religion, and the Search for Meaning)
“
As to my intense wish never to come into contact with the eldila myself, I am not sure whether I can make you understand it. It was something more than a prudent desire to avoid creatures alien in kind, very powerful and very intelligent. The truth was that all I heard about them served to connect two things which one’s mind tends to keep separate, and that connecting gave one a sort of shock. We tend to think about non-human intelligences in two distinct categories which we label “scientific” and “supernatural” respectively. We think, in one mood, of Mr. Wells’ Martians…In quite a different mood we let our minds loose on the possibility of angels, ghosts, fairies, and the like. But the very moment we are compelled to recognize a creature in either class as real the distinction begins to get blurred: and when it is a creature like and eldil the distinction vanishes altogether. These things were not animals—to that extent one had to classify them with the second group; but they had some kind of material vehicle whose presence could (in principle) be scientifically verified. To that extent they belonged to the first group. The distinction between natural and supernatural, in fact, broke down; and when it had done so, one realised how great a comfort it had been—how it has eased the burden of tolerable strangeness which this universe imposes on us by dividing it into two halves and encouraging the mind never to think of both in the same context. What price we may have paid for this comfort in the way of false security and accepted confusion of thought is another matter.
”
”
C.S. Lewis (Perelandra (The Space Trilogy, #2))
“
In 1924, riding a wave of anti-Asian sentiment, the US government halted almost all immigration from Asia. Within a few years, California, along with several other states, banned marriages between white people and those of Asian descent. With the onset of World War II, the FBI began the Custodial Detention Index—a list of “enemy aliens,” based on demographic data, who might prove a threat to national security, but also included American citizens—second- and third-generation Japanese Americans. This list was later used to facilitate the internment of Japanese Americans. In 1940, President Franklin D. Roosevelt signed the Alien Registration Act, which compelled Japanese immigrants over the age of fourteen to be registered and fingerprinted, and to take a loyalty oath to our government. Japanese Americans were subject to curfews, their bank accounts often frozen and insurance policies canceled. On December 7, 1941, the Japanese attacked a US military base at Pearl Harbor, Hawaii. More than 2,400 Americans were killed. The following day, America declared war on Japan. On February 19, 1942, FDR signed Executive Order 9066, permitting the US secretary of war and military commanders to “prescribe military areas” on American soil that allowed the exclusion of any and all persons. This paved the way for the forced internment of nearly 120,000 Japanese Americans, without trial or cause. The ten “relocation centers” were all in remote, virtually uninhabitable desert areas. Internees lived in horrible, unsanitary conditions that included forced labor. On December 17, 1944, FDR announced the end of Japanese American internment. But many internees had no home to return to, having lost their livelihoods and property. Each internee was given twenty-five dollars and a train ticket to the place they used to live. Not one Japanese American was found guilty of treason or acts of sedition during World War II.
”
”
Samira Ahmed (Internment)
“
Give the Audience Something to Cheer For Austin Madison is an animator and story artist for such Pixar movies as Ratatouille, WALL-E, Toy Story 3, Brave, and others. In a revealing presentation Madison outlined the 7-step process that all Pixar movies follow. 1. Once there was a ___. 3 [A protagonist/ hero with a goal is the most important element of a story.] 2. Every day he ___. [The hero’s world must be in balance in the first act.] 3. Until one day ___. [A compelling story introduces conflict. The hero’s goal faces a challenge.] 4. Because of that ___. [This step is critical and separates a blockbuster from an average story. A compelling story isn’t made up of random scenes that are loosely tied together. Each scene has one nugget of information that compels the next scene.] 5. Because of that ___. 6. Until finally ____. [The climax reveals the triumph of good over evil.] 7. Ever since then ___. [The moral of the story.] The steps are meant to immerse an audience into a hero’s journey and give the audience someone to cheer for. This process is used in all forms of storytelling: journalism, screenplays, books, presentations, speeches. Madison uses a classic hero/ villain movie to show how the process plays out—Star Wars. Here’s the story of Luke Skywalker. Once there was a farm boy who wanted to be a pilot. Every day he helped on the farm. Until one day his family is killed. Because of that he joins legendary Jedi Obi-Wan Kenobi. Because of that he hires the smuggler Han Solo to take him to Alderaan. Until finally Luke reaches his goal and becomes a starfighter pilot and saves the day. Ever since then Luke’s been on the path to be a Jedi knight. Like millions of others, I was impressed with Malala’s Nobel Peace prize–winning acceptance speech. While I appreciated the beauty and power of her words, it wasn’t until I did the research for this book that I fully understood why Malala’s words inspired me. Malala’s speech perfectly follows Pixar’s 7-step storytelling process. I doubt that she did this intentionally, but it demonstrates once again the theme in this book—there’s a difference between a story, a good story, and a story that sparks movements.
”
”
Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
“
Leo was at her side in an instant, crouching on the floor as he sorted through the hissing tangle of limbs and skirts. “Are you hurt? I feel certain there’s a woman in here somewhere. … Ah, there you are. Easy, now. Let me—” “Don’t touch me,” she snapped, batting at him with her fists. “I’m not touching you. That is, I’m only touching you with the—ow, damn it—with the intention of helping.” Her hat, a little scrap of wool felt with cheap corded trim, had fallen over her face. Leo managed to push it back to the top of her head, narrowly missing a sharp blow to his jaw. “Christ. Would you stop flailing for a moment?” Struggling to a sitting position, she glared at him. Leo crawled to retrieve the spectacles and returned to hand them to her. She snatched them from him without a word of thanks. She was a lean, anxious-looking woman. A young woman with narrowed eyes, from which bad temper flashed out. Her light brown hair was pulled back with a gallows-rope tightness that made Leo wince just to see it. One would have hoped for some compensating feature—a soft pair of lips, perhaps, or a pretty bosom. But no, there was only a stern mouth, a flat chest, and gaunt cheeks. If Leo were compelled to spend any time with her—which, thankfully, he wasn’t—he would have started by feeding her. “If you want to help,” she said coldly, hooking the spectacles around her ears, “retrieve that blasted ferret for me. Perhaps I’ve tired him enough that you may be able to run him to ground.” Still crouching on the floor, Leo glanced at the ferret, which had paused ten yards away and was watching them both with bright, beady eyes. “What is his name?” “Dodger.” Leo gave a low whistle and a few clicks of his tongue. “Come here, Dodger. You’ve caused enough trouble for the morning. Though I can’t fault your taste in … ladies’ garters? Is that what you’re holding?” The woman watched, stupefied, as the ferret’s long, slender body wriggled toward Leo. Chattering busily, Dodger crawled onto Leo’s thigh. “Good fellow,” Leo said, stroking the sleek fur. “How did you do that?” the woman asked in annoyance. “I have a way with animals. They tend to acknowledge me as one of their own.” Leo gently pried a frilly bit of lace and ribbon from the long front teeth. It was definitely a garter, deliciously feminine and impractical. He gave the woman a mocking smile as he handed it to her. “No doubt this is yours.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
In 1910 Leroux had his greatest literary success with Le Fantôme de l’Opéra (The Phantom of the Opera). This is both a detective story and a dark romantic melodrama and was inspired by Leroux’s passion for and obsession with the Paris Opera House. And there is no mystery as to why he found the building so fascinating because it is one of the architectural wonders of the nineteenth century. The opulent design and the fantastically luxurious furnishings added to its glory, making it the most famous and prestigious opera house in all Europe. The structure comprises seventeen floors, including five deep and vast cellars and sub cellars beneath the building. The size of the Paris Opera House is difficult to conceive. According to an article in Scribner’s Magazine in 1879, just after it first opened to the public, the Opera House contained 2,531 doors with 7,593 keys. There were nine vast reservoirs, with two tanks holding a total of 22,222 gallons of water. At the time there were fourteen furnaces used to provide the heating, and dressing-rooms for five hundred performers. There was a stable for a dozen or so horses which were used in the more ambitious productions. In essence then the Paris Opera House was like a very small magnificent city.
During a visit there, Leroux heard the legend of a bizarre figure, thought by many to be a ghost, who had lived secretly in the cavernous labyrinth of the Opera cellars and who, apparently, engineered some terrible accidents within the theatre as though he bore it a tremendous grudge. These stories whetted Leroux’s journalistic appetite. Convinced that there was some truth behind these weird tales, he investigated further and acquired a series of accounts relating to the mysterious ‘ghost’. It was then that he decided to turn these titillating titbits of theatre gossip into a novel.
The building is ideal for a dark, fantastic Grand Guignol scenario. It is believed that during the construction of the Opera House it became necessary to pump underground water away from the foundation pit of the building, thus creating a huge subterranean lake which inspired Leroux to use it as one of his settings, the lair, in fact, of the Phantom. With its extraordinary maze-like structure, the various stage devices primed for magical stage effects and that remarkable subterranean lake, the Opera House is not only the ideal backdrop for this romantic fantasy but it also emerges as one of the main characters of this compelling tale. In using the real Opera House as its setting, Leroux was able to enhance the overall sense of realism in his novel.
”
”
David Stuart Davies (The Phantom of the Opera)
“
What, then, is addiction? In the words of a consensus statement by addiction experts in 2001, addiction is a “chronic neurobiological disease… characterized by behaviors that include one or more of the following: impaired control over drug use, compulsive use, continued use despite harm, and craving.” The key features of substance addiction are the use of drugs or alcohol despite negative consequences, and relapse. I’ve heard some people shrug off their addictive tendencies by saying, for example, “I can’t be an alcoholic. I don’t drink that much…” or “I only drink at certain times.” The issue is not the quantity or even the frequency, but the impact.
“An addict continues to use a drug when evidence strongly demonstrates the drug is doing significant harm…. If users show the pattern of preoccupation and compulsive use repeatedly over time with relapse, addiction can be identified.” Helpful as such definitions are, we have to take a broader view to understand addiction fully. There is a fundamental addiction process that can express itself in many ways, through many different habits. The use of substances like heroin, cocaine, nicotine and alcohol are only the most obvious examples, the most laden with the risk of physiological and medical consequences.
Many behavioural, nonsubstance addictions can also be highly destructive to physical health, psychological balance, and personal and social relationships. Addiction is any repeated behaviour, substance-related or not, in which a person feels compelled to persist, regardless of its negative impact on his life and the lives of others. Addiction involves: 1. compulsive engagement with the behaviour, a preoccupation with it; 2.
impaired control over the behaviour; 3. persistence or relapse, despite evidence of harm; and 4. dissatisfaction, irritability or intense craving when the object — be it a drug, activity or other goal — is not immediately available. Compulsion, impaired control, persistence, irritability, relapse and craving — these are the hallmarks of addiction — any addiction.
Not all harmful compulsions are addictions, though: an obsessive-compulsive, for example, also has impaired control and persists in a ritualized and psychologically debilitating behaviour such as, say, repeated hand washing. The difference is that he has no craving for it and, unlike the addict, he gets no kick out of his compulsion. How does the addict know she has impaired control? Because she doesn’t stop the behaviour in spite of its ill effects. She makes promises to herself or others to quit, but despite pain, peril and promises, she keeps relapsing. There are exceptions, of course. Some addicts never recognize the harm their behaviours cause and never form resolutions to end them. They stay in denial and rationalization. Others openly accept the risk, resolving to live and die “my way.
”
”
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)