12 Gauge Shotgun Quotes

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On the morning of the July 24, Pioneer Day, Dan got up, prayed, and felt prompted by the Lord to saw the barrel and stock off a 12-gauge, pump-action shotgun that he had been storing at his mother’s house.
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
One of the worst incidents of that era caused no complaints at all: this was a sort of good-natured firepower demonstration, which occured one Sunday morning about three-thirty. For reasons that were never made clear, I blew out my back windows with five blasts of a 12 gauge shotgun, followed moments later by six rounds from a .44 Magnum. It was a prolonged outburst of heavy firing, drunken laughter, and crashing glass. Yet the neighbors reacted with total silence. For a while I assumed that some freakish wind pocket had absorbed all the noise and carried it out to sea, but after my eviction I learned otherwise. Every one of the shots had been duly recorded on the gossip log. Another tenant in the building told me the landlord was convinced, by all the tales he'd heard, that the interior of my apartment was reduced to rubble by orgies, brawls, fires, and wanton shooting. He had even heard stories about motorcycles being driven in and out the front door.
Hunter S. Thompson (Hell's Angels)
Whether hunting is right or wrong, a spiritual experience, or an outlet for the killer instinct, one thing it is not is a sport. Sport is when individuals or teams compete against each other under equal circumstances to determine who is better at a given game or endeavor. Hunting will be a sport when deer, elk, bears, and ducks are... given 12-gauge shotguns. Bet we'd see a lot fewer drunk yahoos (live ones, anyway) in the woods if that happened.
R. Lerner
extreme zombie fighting” kit. Tactical boots and tacticals. Firefighting bunker gear. Nomex head cover tucked under the collar of the bunker gear. Full face respirator. Helmet with integrated visor. Body armor with integral MOLLE. Knee, elbow and shin guards. Nitrile gloves. Tactical gloves. Rubber gloves. Assault pack with hydration unit. Saiga shotgun on friction strap rig. A .45 USP in tactical fast-draw holster. Two .45 USP in chest holsters. Fourteen Saiga ten-round 12-gauge magazines plus one in the weapon. Nine pistol magazines in holster plus three in weapons. Kukri in waist sheath. Machete in over-shoulder sheath, right. Halligan tool in over-shoulder sheath, left. Tactical knife in chest sheath. Tactical knife in waist sheath. Bowie knife in thigh sheath. Calf tactical knife times two. A few clasp knives dangling in various places. There was the head of a teddy bear peeking out of her assault pack.
John Ringo (Under a Graveyard Sky (Black Tide Rising, #1))
For reasons that were never made clear, I blew out my back windows with five blasts of a 12-gauge shotgun, followed moments later by six rounds from a .44 Magnum. It was a prolonged outburst of heavy firing, drunken laughter and crashing glass. Yet the neighbors reacted with total silence.
Hunter S. Thompson
The dramatic interplay was more in Lester’s wheelhouse, particularly the scene where Billy Bob contemplates suicide. Wracked with guilt over disappointing his coach (and, in retrospect, possibly suffering from post-concussion syndrome), Billy Bob sits on the back of his pickup with his football trophies, a bottle of tequila, and a Mossberg 12-gauge pump shotgun when he’s confronted by Mox. “Championship trophy. Steelers. We were 9. Remember this shit? Playing Pee Wee?” “Yeah,” Mox says. “It was fun.” “No, it wasn’t. I remember being yelled at.” Billy Bob throws the trophy. “Too fat, Billy Bob!” Bang! “Too slow and dumb!” He pulls the pump handle. Bang! “It was great,” Robbins, the director, says. “I remember that night shooting that scene, and you don’t do that once, you do it over and over again from different angles. And he was just able to deliver that performance over and over again, and those were real tears and real emotion coming out of him.” Lester drew on pain from his personal life, thinking of his late father and his sister Linda, who died at 35. He also pulled from his own struggles with suicide. Inconsolable after Linda passed, he had put a loaded gun to his head and pulled the trigger. Nothing happened. “God,” he says, is the only explanation. “I actually have the bullet, still. It’s not a dud; it’s live. It just didn’t go off,” Lester says. “I was kind of dreading [that scene] because I knew where I’d go. But I’m an actor and I’m making a commitment to the character. To do that, you have to go 100 percent and just hope you pull yourself out of it.
Billy Bob's Blues
Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.
Susannah Sandlin (Black Diamond (Wilds of the Bayou, #2))
12 gauge pump action shotgun,
Casey Christie (Night (Night #1))
He selected an AR-15 rifle and a Benelli M1014 12-gauge combat shotgun and propped them in the corner to take along. Cody packed a gear bag with two .45 ACP 1911 Colts with extra magazines, night vision goggles, body armor, .223 rounds for the AR-15 and 12-gauge buck for the shotgun, binoculars, rope, handcuffs and flex-ties, a pair of radios, and several cell phones. While he was bent over buckling a holster with a 9MM Model 26 “Baby” Glock to his ankle, the door was pushed open.
C.J. Box (The Highway (Highway Quartet #2))
Unloaded and propped in one corner are a pistol-grip pump-action 12-gauge shotgun and an AR-15 that is often called an assault rifle by people who don’t know anything about guns.
Dean Koontz (The House at the End of the World)