“
What if it lines up like it did in the Trojan War ... Athena versus Poseidon?"
"I don't know. But I just know that I'll be fighting next to you."
"Why?"
"Because you're my friend, Seaweed Brain. Any more stupid questions?
”
”
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
“
He was born with a gift of laughter and a sense that the world was mad.
”
”
Rafael Sabatini (Scaramouche (Scaramouche, #1))
“
Peeta, you said at the interview you’d had a crush on me forever. When did forever start?
Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."
Your father? Why?"
He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"
What? You’re making that up!"
No, true story. And I said, 'A coal miner? Why did she want a coal miner if she could’ve had you?' And he said, 'Because when he sings...even the birds stop to listen.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Right now I'd like all my troubles to stand in front of me in a straight line, and one by one I'd give each a black eye.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
The sky above the port was the color of television, tuned to a dead channel.
”
”
William Gibson (Neuromancer (Sprawl #1))
“
There are two kinds of guilt. The kind that's a burden and the kind that gives you purpose. Let your guilt be your fuel. Let it remind you of who you want to be. Draw a line in your mind. Never cross it again. You have a soul. It's damaged but it's there. Don't let them take it from you.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
She is the embodiment of a bad decision. The twin of danger and desire. The fine line between deadly and divine. And I can feel myself drowning.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
So this is it," said Arthur, "We are going to die."
"Yes," said Ford, "except... no! Wait a minute!" He suddenly lunged across the chamber at something behind Arthur's line of vision. "What's this switch?" he cried.
"What? Where?" cried Arthur, twisting round.
"No, I was only fooling," said Ford, "we are going to die after all.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
A chasm reminds us that there is a fine line between bravery and idiocy.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I've spent years living safely to secure a longer life, and look where that's gotten me. I'm at the finish line but I never ran the race.
”
”
Adam Silvera (They Both Die at the End (They Both Die at the End, #1))
“
But no matter what choices we make - solo or together - our finish line remains the same … No matter how we choose to live, we both die at the end.
”
”
Adam Silvera (They Both Die at the End (They Both Die at the End, #1))
“
I should have guessed you were Jace's sister," he said. "You both have the same artistic talent."
Clary paused, her foot on the lowest stair. She was taken aback. "Jace can draw?"
Nah." When Alec smiled, his eyes lit like blue lamps and Clary could see what Magnus had found so captivating about him. "I was just kidding. He can't draw a straight line.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
There's a very fine line between pleasure and pain. They are two sides of the same coin, one not existing without the other.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Luckily, I always travel with a book, just in case I have to wait on line for Santa, or some such inconvenience.
”
”
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
You’re not a pit stop. You’re my finish line. There’s no one after you.
”
”
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
“
Children ceased to be children when you put a sword in their hands. When you taught them to fight a war, then you armed them and put them on the front lines, they were not children anymore. They were soldiers.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
That's what you do when the curtain is falling--you give the line that the audience wants to hear.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
Mr. and Mrs. Dursley, of number four Privet Drive, were proud to say that they were perfectly normal, thank you very much.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
Well, I'd certainly hate to interrupt your pleasant night stroll with my sudden death."
He blinked. "There is a fine line between sarcasm and outright hostility, and you seem to have crossed it. What's up?
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Celaena," Chaol said gently. And then she heard the scraping noise as his hand came into view, sliding across the flagstones. His fingertips stopped just at the edge of the white line. "Celaena," he breathed, his voice laced with pain—and hope. This was all she had left—his outstretched hand, and the promise of hope, of something better waiting on the other side of the line.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I went down like a drunken cowgirl trying to line dance to Metallica.
”
”
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
“
Dignity
/ˈdignitē/ noun
1. The moment you realize that the person you cared for has nothing intellectually or spiritually to offer you, but a headache.
2. The moment you realize God had greater plans for you that don’t involve crying at night or sad Pinterest quotes.
3. The moment you stop comparing yourself to others because it undermines your worth, education and your parent’s wisdom.
4. The moment you live your dreams, not because of what it will prove or get you, but because that is all you want to do. People’s opinions don’t matter.
5. The moment you realize that no one is your enemy, except yourself.
6. The moment you realize that you can have everything you want in life. However, it takes timing, the right heart, the right actions, the right passion and a willingness to risk it all. If it is not yours, it is because you really didn’t want it, need it or God prevented it.
7. The moment you realize the ghost of your ancestors stood between you and the person you loved. They really don't want you mucking up the family line with someone that acts anything less than honorable.
8. The moment you realize that happiness was never about getting a person. They are only a helpmate towards achieving your life mission.
9. The moment you believe that love is not about losing or winning. It is just a few moments in time, followed by an eternity of situations to grow from.
10. The moment you realize that you were always the right person. Only ignorant people walk away from greatness.
”
”
Shannon L. Alder
“
I found him carefully studying me, his lips in a thin line. “Has anyone ever taken care of you?” he asked quietly.
“No.” I’d long since stopped feeling sorry for myself about it.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
In the beginning we were a group of nine.
Three are gone, dead.
There are six of us left.
They are hunting us, and they won't stop until they've killed us all.
I am Number Four.
I know that I am next.
”
”
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
“
He hung up on me.
I stared at the phone in disbelief, then ripped a clean sheet of paper from my notebook. I scribbled Jerk on the first line. One the line beneath it, I added, Smokes cigars. Will die of lung cancer. Hopefully soon. Excellent physical shape.
I immediately scribbled over the last observation until it was illegible.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
A straight line is not the shortest distance between two points.
”
”
Madeleine L'Engle (A Wrinkle in Time: With Related Readings (A Wrinkle in Time Quintet #1))
“
Whether a thought is spoken or not it is a real thing and it has power," Tuek said. "You might find the line between life and death among the Fremen to be too sharp and quick.
”
”
Frank Herbert (Dune (Dune #1))
“
That's why I love spiders. 'If at first you don't succeed, try, try, try again.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
There's a thin line between love and hate. Maybe you're confusing your emotions.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Fix me," I commanded him. "This thing, what I've done - there's something wrong with me, Noah. Fix it."
Noah's expression broke my heart as he brushed my hair from my face, and skimmed the line of my neck. "I can't"
"Why not?" I asked, my voice threatening to crack.
"Because," he said, "You're not broken.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Pulvis et umbra sumus. It's a line from Horace. 'We are dust and shadows'. Appropriate, don't you think?" Will said. "It's not a long life, killing demons; one tends to die young, and then they burn your body - dust to dust, in the literal sense. And then we vanish into the shadows of history, nary a mark on the page of a mundane book to remind the world that once we existed at all.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
The shortest distance between two points is the line from me to you.
”
”
Fisher Amelie (Vain (The Seven Deadly, #1))
“
I am but paper. Brittle and thin. I am held up to the sun, and it shines right through me. I get written on, and I can never be used again. These scratches are a history. They’re a story. They tell things for others to read, but they only see the words, and not what the words are written upon. I am but paper, and though there are many like me, none are exactly the same. I am parched parchment. I have lines. I have holes. Get me wet, and I melt. Light me on fire, and I burn. Take me in hardened hands, and I crumple. I tear. I am but paper. Brittle and thin.
”
”
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
“
Sometimes when you see the line, you think it's a good idea to cross it--until you do.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
We must assume every event has significance and contains a message that pertains to our questions...this especially applies to what we used to call bad things...the challenge is to find the silver lining in every event, no matter how negative.
”
”
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
“
I stopped. She was bleeding after all. Perfect lines crossed her wrists, not near any crucial veins, but enough to leave wet red tracks across her skin. She hadn;t hit her veins when she did this; death hadn't been her goal.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Adam stares at me so long I begin to blush. He tips my chin up so I meet his eyes. Blue blue blue boring into me. His voice is deep, steady. "I don't think I've ever heard you laugh."
He's so excruciatingly correct I don't know how to respond except with the truth. My smile is tucked into a straight line. "Laughter comes from living." I shrug, try to sound indifferent. "I've never really been alive before.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
We’re a different sort of thief here, Lamora. Deception and misdirection are our tools. We don’t believe in hard work when a false face and a good line of bullshit can do so much more.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
His breath was warm on her neck as he bent his head, resting his cheek against her hair. Her heart beat so quickly, and yet she felt utterly calm—as if she could have stayed there forever and not minded, stayed there forever and let the world fall apart around them. She pictured his fingers, pushing against that line of chalk, reaching for her despite the barrier between them.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
The best listeners listen between the lines.
”
”
Nina Malkin (Swoon (Swoon, #1))
“
Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
The act of reading is a partnership. The author builds a house, but the reader makes it a home.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Snow kissed me last night until my mouth was sore. He kissed me so much, I was worried I’d Turn him with all my saliva. He held himself up on all fours above me and made me reach up for his mouth—and I did. I would again. I’d cross every line for him.
I’m in love with him.
And he likes this better than fighting.
”
”
Rainbow Rowell (Carry On (Simon Snow, #1))
“
Just because it's fiction doesn't mean it's any less true.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
That's how they say it: He loves you in his own way. Well, what about my way? What if I need for him to love me in my way?
”
”
Tammara Webber (Between the Lines (Between the Lines, #1))
“
I’d much rather pretend I’m
somewhere else, and any time I open
the pages of a book, that happens.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Your stepfather? I'd like to meet him."
Oh no... why?
"I'm not sure that's a good idea."
Christian unlocks the door, his mouth in a grim line.
"Are you ashamed of me?"
"No!" It's my turn to sound exasperated. "Introduce you to my dad as what? 'This is the man who deflowered me and wants to start a BDSM relationship'. You're not wearing running shoes.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
He found me on my darkest day. He followed me to war, to the front lines. He came between me and Death, taking wounds that were supposed to be mine.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts... A graphic representation of data abstracted from banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding...
”
”
William Gibson (Neuromancer (Sprawl #1))
“
He was a collection of hard lines and tailored edges.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The quality of strength lined with tenderness is an unbeatable combination, as are intelligence and necessity when unblunted by formal education.
”
”
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography #1))
“
We all live inside the terrible engine of authority, and it grinds and shrieks and burns so that no one will say: lines on maps are silly.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
The moments that define lives aren't always obvious. They don't scream LEDGE, and nine times out of ten there's no rope to duck under, no line to cross, no blood pact, no official letter on fancy paper. They aren't always protracted, heavy with meaning. Between one sip and the next, Victor made the biggest mistake of his life, and it was made of nothing more than one line. Three small words.
"I'll go first.
”
”
Victoria Schwab (Vicious (Villains, #1))
“
This is me facing failure. This is me putting everything on the line even though I know I might lose. And I'm terrified. But like you said, anything worth having is worth the risk.
”
”
Kasie West (The Distance Between Us (Old Town Shops, #1))
“
I loved her when I hated her. And I loved her when I didn’t want anything to do with her. I was so crazy about her, the lines had blurred together. Feelings were mixed, emotions twisted together.
”
”
L.J. Shen (Vicious (Sinners of Saint, #1))
“
Nothing but a symbol? People die for symbols. People have hope because of symbols. They're not just lines. They're histories, cultures, traditions, given shape.
”
”
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
“
To say that I met Nicholas Brisbane over my husband's dead body is not entirely accurate. Edward, it should be noted, was still twitching upon the floor.
”
”
Deanna Raybourn (Silent in the Grave (Lady Julia Grey, #1))
“
You won't even know you've crossed the line until it's way back in your rearview mirror.
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
Truths are written, never said... Lines are drawn, but then they fade.
”
”
Colleen Hoover (Maybe Someday (Maybe, #1))
“
When she wanted to escape her life, she read books
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
I'm not sure how to order."
"Easy," Josh says. "Stand in line. Tell them what you want. Accept delicious goodies. And then give them your meal card and two pints of blood."
"I heard they raised it to three pints this year," Rashmi says.
"Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Skip meeting him? The butterflies, the pounding heart, the blushing? The part where you enter each other's magnetic fields for the first time, and it's like invisble lines of energy are drawing you together-
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
Clary widened her eyes, which was good for keeping herself from crying. "Isabelle, can I ask you something?"
"Sure," said Isabelle, wielding the eyeliner expertly.
"Is Alec gay?"
Isabelle's wrist jerked. The eyeliner skidded, inking a long line of black from the corner of Clary's eye to her hairline. "Oh hell," Isabelle said, putting the pen down.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
More than anything, the journal wanted. It wanted more than it could hold, more than words could describe, more than diagrams could illustrate. Longing burst from the pages, in every frantic line and every hectic sketch and every dark-printed definition. There was something pained and melancholy about it.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
How do you know that you are not part of a book? That someone's not reading your story right now?
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
What's your name, love?"
Love? LOVE! Still dying, here.
"Bliss."
"Is that a line?"
I blushed crimson. "No, it's my name."
"Lovely name for a lovely girl.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
Lines drawn into his face suggested he had spent many years thinking very hard over very difficult problems.
”
”
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
“
There weren’t many people in this world who would let you be vulnerable and still believe you were strong.
”
”
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
“
I stared at the phone in disbelief, then ripped a clean sheet of paper from my notebook. I scribbled ' Jerk ' on the first line. On the line beneath it I added, ' Smokes cigars. Will die of lung cancer. Hopefully soon.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Keep up," said an irritable voice in her ear. It was Jace, who had dropped back to walk beside her. "I don't want to have to keep looking behind me to make sure nothing's happened to you."
"So don't bother."
"Last time I left you alone, a demon attacked you," he pointed out.
"Well, I'd certainly hate to interrupt your pleasant night stroll with my sudden death."
He blinked. "There is a fine line between sarcasm and outright hostility, and you seem to have crossed it.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I felt a warm hand on the skin of my lower back.”
I twisted my neck, looked up and there he was.
I held my breath and he asked, “You comin’ or what?”
That was it. That was his pickup line. “You comin’ or what?”
I went.
”
”
Kristen Ashley (Mystery Man (Dream Man, #1))
“
Look, I didn't want to be a half-blood.
”
”
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
“
Somewhere along the line, I started thinking that if I just got through this bad experience, this bad day, that tomorrow I’d have something better, brighter, newer.
I still believe that. I still believe that there’s something good out there for me. I just have to keep going until my time comes.
”
”
Erin Watt (Paper Princess (The Royals, #1))
“
Do you understand any of this?" he said, pointing to the lines and symbols that covered the massive screens.
"Some people understand the value of an education."
Hale stretched and crossed his legs, the settled his arm around Kat's shoulders.
"That's sweet, Kat. Maybe later I'll buy you a university. And an ice cream."
"I'd settle for the ice cream."
"Deal.
”
”
Ally Carter (Heist Society (Heist Society, #1))
“
I want you for eternity, not for a brief finish line.
There's no one after you.
”
”
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
“
She lifted her eyes to his face, and found his gaze lined with silver. "Get up," was all he said.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Draw a line in your mind. Never cross it again. You have a soul. It's damaged, but it's there. Don't let them take it from you, Elias.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
Because now people use the phrase OCD to describe minor personality quirks. "Oooh, I like my pens in a line, I'm so OCD."
NO YOU'RE FUCKING NOT.
"Oh my God, I was so nervous about that presentation, I literally had a panic attack."
NO YOU FUCKING DIDN'T.
"I'm so hormonal today. I just feel totally bipolar."
SHUT UP, YOU IGNORANT BUMFACE.
”
”
Holly Bourne (Am I Normal Yet? (The Spinster Club, #1))
“
In hind sight, telling him all strangers wanted to eat him wasn’t my finest hour. Having to explain to a bunch of crying children in line to see Santa why my kid was screaming ‘DON’T GO NEAR HIM! HE’LL EAT YOUR FINGERS!’ was no picnic.
”
”
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
“
Photographs tell a story," Alison mutters. "But people forget to read between the lines.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Everyone deserves a happy ending.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
The monster licked his lips, long lines of whiskers twitching, and spoke in a deep growl. "Pretty, aren't I?" Curran. In midform. I broke from his gaze. "Adorable.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
The question is not if you're willing to die for her. The question is, can you live without her?
”
”
Samantha van Leer (Between the Lines (Between the Lines, #1))
“
One by one, drops fell from her eyes like they were on an assembly line - gather, fall, slide...gather, fall, slide...each one commemorating something she had lost. Hope. Faith. Confidence. Pride. Security. Trust. Independence. Joy. Beauty. Freedom. Innocence.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
If you pass out, I'll put you in my lap and wheel you across the finish line
”
”
Carrie Jones (Need (Need, #1))
“
Fang and I searched in every way we could think of and found a million institutes of one kind or another, in Manhattan and throughout New York state, but none of them seemed promising. My favorite? The Institute for Realizing Your Pet's Inner Potential. Anyone who can explain that to me, drop a line.
”
”
James Patterson (The Angel Experiment (Maximum Ride #1))
“
Do you feel that, baby? That's your man moving inside you.
”
”
Tessa Bailey (Protecting What's His (Line of Duty, #1))
“
No one ever asks a kid for her opinion, but it seems to me that growing up means you stop hoping for the best, and start expecting the worst.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
There is no lake at Camp Green Lake.
”
”
Louis Sachar (Holes (Holes, #1))
“
I know crazy when I see it." The moment the words flew out of my mouth I regretted them. Sometimes when you see the line, you think it's a good idea to cross it--until you do.~Noah
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
The line between education and brainwashing is paper thin
”
”
Yana Toboso (Black Butler I (Black Butler, #1))
“
Jack turned to Cameron. "Do you just line them up, waiting to yell at me, on the off chance I'll stop by?
”
”
Julie James (Something About You (FBI/US Attorney, #1))
“
I looked closely at it for the first time; the charm was just a slim line of silver - half of it hammered into the shape of a feather, the other half a dagger. It was interesting and beautiful; just like him.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
What is a man’s life worth?” Dalinar asked softly.
“The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning.
“And what do you say?”
“A life is priceless,” he said immediately, quoting his father.
Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
What do you say when the feelings don't fit into words?
”
”
Tammara Webber (Between the Lines (Between the Lines, #1))
“
It was almost December, and Jonas was beginning to be frightened.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
Too many dots," Miller said. "Not enough lines.
”
”
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
“
Why can't we have a chance?" I ask Rufus.
"A chance at what?" He's looking around, taking pictures of the arena and the lines.
"A chance at another chance." I say.
”
”
Adam Silvera (They Both Die at the End (They Both Die at the End, #1))
“
In another time and place, she might have felt differently, but thinking along those lines was pointless now.
”
”
Nicholas Sparks (True Believer (Jeremy Marsh & Lexie Darnell, #1))
“
1,320 seconds walk into the room before he does.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
There are three kinds of males in this world: boys, guys, and men. Boys – like Billy – never grow up, never get serious. They only care about themselves, their music, their cars. Guys – like you – are all about numbers and variety. Like an assembly line, it’s just one one-night stand after another. Then there are men – like Matthew. They’re not perfect, but they appreciate women for more than their flexibility and mouth suction.
”
”
Emma Chase (Tangled (Tangled, #1))
“
Tough guy, if brooding was a sport, you'd have gold medals with scowling faces lining the walls of your room.
”
”
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
“
Life should be a risk. It's more than a straight line that you can see clearly from one point to the other. It dips and curves and you never know what's around the bend sometimes until you get there. That scares a lot of people. But that's the beauty of it.
”
”
Katie Kacvinsky (Awaken (Awaken, #1))
“
In every letter, in every line, she saw him. He hadn't changed - he'd only grown into the man he'd meant to be.
”
”
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
“
So you know what your punishment is going to be, sweetheart? I'm going to make love to you. Slowly. Hell, it might take me until tomorrow. I'm going to lose count of how many times you come. And every time you do, I'm going to tell you that I love you. Until you fucking get used to it.
”
”
Tessa Bailey (Protecting What's His (Line of Duty, #1))
“
You know a lot about math," I said. You know a lot about math? What type of statement was that? Right along the lines of "Hey, you have hair and it's red and curly." Real smooth.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
His eyes were still closed and his body rocked gently to the music, but his face was almost...desolate. His words matched his face, as he sang about how each day was a struggle, and never seeing my face caused him physical pain. He sang that "my face was his light, and he felt drenched in darkness without it." Tears fell freely after I heard that line.
”
”
S.C. Stephens (Thoughtless (Thoughtless, #1))
“
Sometimes the key to happiness is just expecting a little bit less
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Sure, I’m gray-shading the line that separates stable and crazy, but the point is, there is a line. And I haven’t completely crossed over to lunatic.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
From: Anastasia Steele
Subject: Moaning
Date: May 31 2011 19:39 EST
To: Christian Grey
Gotta go.
Laters, baby.
.....
From: Christian Grey
Subject: Plagiarism
Date: May 31 2011 16:41
To: Anastasia Steele
You stole my line.
And left me hanging.
Enjoy your dinner.
Christian Grey
CEO, Grey Enterprises Holdings Inc.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Everyone knows that quote because of the Doors."
Jace looked at her blankly.
"The Doors. They were a band."
"If you say so," he said.
"I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work."
He shrugged. "Maybe the occasional wailing chorus of the damned.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
He’s not your typical prince, more like a square peg in a round hole, kind of like me. He’s the sort of guy who wouldn’t mind reading side by side on a date.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Truth be told, I liked that blurriness. That line where reality and fiction jutted up against each other.
”
”
Brittany Cavallaro (A Study in Charlotte (Charlotte Holmes, #1))
“
Marina sighs. "Love's a tidal wave," she says. "Because it sweeps you off your feet?" I ask. "No. Because it sucks you under and you drown.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
A moment comes in war when the last line must be crossed. The line that separates what you hold dear from what total war demands. If he couldn't cross that line, the battle was over, and he was lost.
His heart, the war.
Her face, the battlefield.
With a cry only he could hear, the hunter turned.
And ran.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
Home is not a place, but rather, the people you love
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Bottom line, you didn’t take care of what was yours. Now, as Nina has explained, you’ve lost it, I found it and it’s mine.
”
”
Kristen Ashley (The Gamble (Colorado Mountain, #1))
“
The story of my life doesn’t exist. Does not exist. There’s never any center to it. No path, no line. There are great spaces where you pretend there used to be someone, but it’s not true, there was no one.
”
”
Marguerite Duras (The Lover (The Lover #1))
“
Here's what no one ever tells you about love: it hurts, having your heart broken
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
I was in the neighborhood," he said, answering the question I was about to ask. His lips twitched. "You know, wandering around, trying to be a hero.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
She must have been debating staying in the line or forcing me to run home and change.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Baby, I don't need an excuse to cuff you. I just need the opportunity.
”
”
Tessa Bailey (Protecting What's His (Line of Duty, #1))
“
He knew what he was doing – justifying an atrocity. But in war, that’s what always happened. Your red lines – those you swore to defend at all costs when you signed up – shifted, until finally none worth fighting for remained. PTSD wasn’t just about what happened to you; it was about what you did.
”
”
Barry Kirwan (When the children come (Children of the Eye, #1))
“
This was the reason there was music, he realized. There were some feelings that didn't have words big enough to describe them.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
To stand up for someone was to stitch your fate into the lining of theirs.
”
”
Tom Rob Smith (Child 44 (Leo Demidov, #1))
“
What makes a treasure a treasure." Marine replied, "is how rare a find it is, when you need it the most.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
You've written three lines"
"Three carefully considered lines,"Xavier objected. "Quality over quantity, remember
”
”
Alexandra Adornetto (Halo (Halo, #1))
“
I am a vampire, and that is the truth.
”
”
Christopher Pike (The Last Vampire (The Last Vampire, #1))
“
I love you."
lightning. Once it has forked, hot-white, from sky to earth, there is no going back.
It's time. I feel it, I know it. My eyes on him, his on me, and both of us breathing, watching, tired of of waiting. Ky close his eyes, but mine are still open. what will it feel like, his lips on mine? Like a secret told, a promise kept? Like that line in the poem-a shower of all my days- silvery rain falling all around me, where the lighting meets the earth?
The whistle blows below us and the moment breaks. We are safe.
For now.
”
”
Ally Condie (Matched (Matched, #1))
“
I think that when you live in a world with limits... when you've met everyone and seem everything you're going to see - you lose the hope that something extraordinary will happen in your life
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
There is always that fine line between doing what we want and doing what we're told.
”
”
Kelly Creagh (Nevermore (Nevermore, #1))
“
I think this cut might need stiches,” Scarlett said, yet as her cloth wiped away the blood it revealed a smooth line of unmarked, unbroken flesh. “Wait, I don’t see a wound.”
“There’s not one. But that feels really good.” Julian moaned and arched his back.
“You scoundrel!
”
”
Stephanie Garber (Caraval (Caraval, #1))
“
Princes don't come around everyday, and happy endings don't grow on trees
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
What in me is dark
Illumine, what is low raise and support,
That to the height of this great argument
I may assert eternal Providence,
And justify the ways of God to men. 1
Paradise Lost. Book i. Line 22.
”
”
John Milton
“
8:58 We go to McDonald's. The woman in front of me in line spends more than five seconds contemplating her order. This infuriates me, "WHAT ARE YOU LOOKING FOR?? MC-SEABASS?? IT'S THE GODDAMN MCDONALDS'S MENU, IT'S BEEN THE SAME FOR TEN YEARS! IT'S ALL MCSHIT!JUST ORDER!
”
”
Tucker Max (I Hope They Serve Beer in Hell (Tucker Max, #1))
“
Just so you know, when they say "Once upon
a time” . . . they’re lying
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
And, suddenly, I want to touch him. Not a push, or a shove, or even a friendly hug. I want to feel the creases in his skin, connect his freckles with invisible lines, brush my fingers across the inside of his wrist.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The moments that define lives aren't always obvious. They don't always scream LEDGE, and nine times out of ten there's no rope to duck under, no line to cross, no blood pact, no official letter on fancy paper. They aren't always protracted, heavy with meaning.
”
”
Victoria Schwab (Vicious (Villains, #1))
“
I was no better at reading people than I had been ten seconds ago, but in that moment, I suddenly gained a flash of understanding into the mystery that was Adrian Ivashkov. People didn't believe in him very often. They had low expectations of him, so he did as well. Even Eddie had sort of written him off: 'He's Adrian'. As though there was nothing to be done for it.
I also suddenly realized that, as unlikely as it seemed, Adrian and I had a lot in common. Both of us were constantly boxed in by others' expectations. It didn't matter that people expected everything of me and nothing of him. We were still the same, both of us constantly trying to break out of the lines that others had defined for us and be our own person. Adrian Ivashkov — flippant, vampire party boy — was more like me than anyone else knew.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
I stared at the couch with revulsion. "She's someone's daughter, Travis. What if, down the line, someone treats your daughter like that?"
"My daughter better not drop her panties for some jackass she just met, let's put it that way.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Ut cum spiritu postrema sacramentum dejuremus," he chanted. "Et hostes ornamenta addent ad ianuam necem."
"You just...finished the prophesy,"Rachael stammered. "-An oath to keep with a final breath/And foes bear arms to the Doors of Death. How did you-"
"I know those lines." Jason winced and put his hands to his temples. "I don't know how, but I KNOW that prophecy."
"In Latin, no less," Drew called out. "Handsome AND smart.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
Everything lined up. It has been easy, as if it were meant-"
"Meant!" she said, amazed. She spun to face him, which, in the crush, brought her against his chest as if they were still dancing. She fought backward for space. As if what were meant?"
"You," he said. "And me.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
It was as if this night were only one of thousands of nights, world without end, night curving into night to make a great arching line of which I couldn’t see the end, a night in which I roamed alone under cold, mindless stars.
”
”
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
“
I blushed when he stepped behind me, encircling my waist with his arms.
His lips brushed against my ear. “I believe the answer that will not get me in trouble with you is: the happiest day of my life. Or something along those lines. Definitely not the end of my carefree days or when I get a ball and chain. Hmmm, I’m just realizing that I’m going to have to buy you birthday and anniversary presents at the same time. What a pain.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
Who was that?” I whispered, as if the walls could hear me. They were lined with pictures, a few of which I recognized as being painted by master painters.
“Rhys.”
“Yeah, I know but… is he my brother?” I asked. I had already decided that he was foxy, so I really hoped that he wasn‟t.
”
”
Amanda Hocking (Switched (Trylle, #1))
“
He was like one of those pictures full of small errors, the kind you could only pick out by searching the image from every angle, and even then, a few always slipped by. On the surface, Eli seemed perfectly normal, but now and then Victor would catch a crack, a sideways glance, a moment when his roommate's face and his words, his look and his meaning, would not line up. Those fleeting slices fascinated Victor. It was like watching two people, one hiding in the other's skin. And their skin was always too dry, on the verge of cracking and showing the color of the thing beneath.
”
”
Victoria Schwab (Vicious (Villains, #1))
“
― The Viking Prayer
“Lo, there do I see my father.
Lo, there do I see my mother,
and my sisters, and my brothers.
Lo, there do I see the line of my people,
Back to the beginning!
Lo, they do call to me.
They bid me take my place among them,
In the halls of Valhalla!
Where the brave may live forever!
”
”
Michael Alexander (Risen from Ashes (Thieves of Elysium #1))
“
There was a girl, and her uncle sold her. Put like that it seems so simple.
No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique.
Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children?
We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.
Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.
A life that is, like any other, unlike any other.
And the simple truth is this: There was a girl, and her uncle sold her.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
Helen felt as if the whole world had turned into some gigantic punch line that she had waited patiently for, and then when she heard it she found it insulting. If she had been in a comedy club she would have gotten up and walked out, but instead she had to go to the comedian's house after school and let his cousin beat the crap out of her.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
Symptoms of Amor Deliria Nervosa
PHASE ONE:
-preoccupation; difficulty focusing
-dry mouth
-perspiration, sweaty palms
-fits of dizziness and disorientation
-reduced mental awareness; racing thoughts; impaired reasoning skills
PHASE TWO:
-periods of euphoria; hysterical laughter and heightened energy
-periods of despair; lethargy
-changes in appetite; rapid weight loss or weight gain
-fixation; loss of other interests
-compromised reasoning skills; distortion of reality
-disruption of sleep patterns; insomnia or constant fatigue
-obsessive thoughts and actions
-paranoia; insecurity
PHASE THREE (CRITICAL):
-difficulty breathing
-pain in the chest, throat or stomach
-complete breakdown of rational faculties; erratic behavior; violent thoughts and fantasies; hallucinations and delusions
PHASE FOUR (FATAL):
-emotional or physical paralysis (partial or total)
-death
If you fear that you or someone you know may have contracted deliria, please call the emergency line toll-free at 1-800-PREVENT to discuss immediate intake and treatment.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
I’d heard all this before, but I also knew that this line of argument worked. If you tell people that they’re being attacked for their beliefs, then suddenly they want to defend their beliefs, even if they didn’t really believe them before. It’s pretty amazing, really.
”
”
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
“
It’s not just clothing. It’s a message. You’re not deciding what to wear. You’re deciding what story you want your image to tell. Are you the ingenue, young and sweet? Do you dress to this world of wealth and wonders like you were born to it, or do you want to walk the line: the same but different, young but full of steel?
”
”
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
“
Leif's frown eased and he slid his finger under my chin and gently caressed my jaw line with the pad of his thumb.
"Pagan,will you do me the honor of being my date for Homecoming Dance?The prospect of not being able to hold you in my arms all night is heartbreaking."
Mirand sighed from across the table.
"Okay,that was beautiful.Why didn't you ask me like that?"she asked Wyatt.
Wyatt shot Leif an annoyed frown.
"Thanks,buddy.Next time you decide to break out your romantic side,could you do it alone?
”
”
Abbi Glines (Existence (Existence, #1))
“
We were five. You had a plaid dress and your hair...it was in two braids instead of one. My father pointed you out while we were waiting to line up. He said, 'See that little girl? I wanted to marry her mother, but she ran off with a coal miner.' And I said, 'A coal miner? Why did she want a coal miner if she could've had you?' And he said, 'Because when he sings...even the birds stop to listen.' So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She put you up on a stool and had you sing it for us. And I swear, ever bird outside the windows fell silent. And right when your song ended, I knew -just like your mother- I was a goner.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Well, in that hit you miss. She'll not be hit
With Cupid's arrow. She hath Dian's wit,
And, in strong proff of chastity well armed,
From Love's weak childish bow she lives uncharmed.
She will not stay the siege of loving terms,
Nor bide th' encounter of assailing eyes,
Nor ope her lap to saint-seducing gold.
O, she is rich in beauty; only poor
That, when she dies, with dies her store.
Act 1,Scene 1, lines 180-197
”
”
William Shakespeare (Romeo and Juliet)
“
Assume nothing. Even if you think you know everything. Even if you’re sure that you’re right. Get confirmation. That whole “ass” cliché about assuming? It’s right on the money. And if you’re not careful, it could end up costing you the best thing that’s ever going to happen to you.
And another thing—don’t get too comfortable. Take chances. Don’t be afraid to lay it on the line. Even if you’re happy. Even if you think life is happy. Even if you think life is freaking perfect
”
”
Emma Chase (Tangled (Tangled, #1))
“
It may not be easy, in every possible case, to trace the line of separation between the rights of religion and the Civil authority with such distinctness as to avoid collisions and doubts on unessential points. The tendency to usurpation on one side or the other, or to a corrupting coalition or alliance between them, will be best guarded agst. by an entire abstinence of the Govt. from interference in any way whatsoever, beyond the necessity of preserving public order, and protecting each sect agst. trespasses on its legal rights by others.
[Letter to the Reverend Jasper Adams, January 1, 1832]
”
”
James Madison (Letters and Other Writings of James Madison Volume 3)
“
Religion?” I asked more firmly.
Patch dragged a hand thoughtfully along the line of his jaw. “Not religion … cult.”
“You belong to a cult?” I realized too late that while I sounded surprised, I shouldn’t have.
“As it turns out, I’m in need of a healthy female sacrifice. I’d planned on luring her into trusting me first, but if you’re ready now …
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
And for about the millionth time in her life she felt an overwhelming gratitude for her best friend. Because she knew he wouldn't mention this afterward; she knew he wouldn't take it as a sign that she was losing her nerve or was in too deep. There weren't many people in this world who would let you be vulnerable and still believe you were strong.
”
”
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
“
This, I think, is the boundary line of adulthood. Not the crap they claim it is- graduating from high school or losing your virginity or getting your first apartment or whatever. You cross the boundary the first time you're changed forever. You cross it the first time you know you can never go back.
”
”
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
“
On Writing: Aphorisms and Ten-Second Essays
1. A beginning ends what an end begins.
2. The despair of the blank page: it is so full.
3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself.
4. The best time is stolen time.
5. All work is the avoidance of harder work.
6. When I am trying to write I turn on music so I can hear what is keeping me from hearing.
7. I envy music for being beyond words. But then, every word is beyond music.
8. Why would we write if we’d already heard what we wanted to hear?
9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation.
10. Writer: how books read each other.
11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love.
12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything.
13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough.
14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear.
15. There are silences harder to take back than words.
16. Opacity gives way. Transparency is the mystery.
17. I need a much greater vocabulary to talk to you than to talk to myself.
18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean.
19. Believe stupid praise, deserve stupid criticism.
20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do.
21. Minds go from intuition to articulation to self-defense, which is what they die of.
22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday.
23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open).
24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
”
”
James Richardson
“
You know what it's like. Sometimes, you meet a wonderful person, but it's only for a brief instant. Maybe on vacation or on a train or maybe even in a bus line. And they touch your life for a moment, but in a special way. And instead of mourning because they can't be with you for longer, or because you don't get the chance to know them better, isn't it better to be glad that you met them at all?
”
”
Marian Keyes (Watermelon (Walsh Family, #1))
“
Lies 1: There is only the present and nothing to remember.
Lies 2: Time is a straight line.
Lies 3: The difference between the past and the future is that one has happened while the other has not.
Lies 4: We can only be in one place at a time.
Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...)
Lies 6: Reality as something which can be agreed upon.
Lies 7: Reality is truth.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Tell me about the farm," she pleaded as drops of blood began to appear on her hand.
"The farm?"
"The farm that Finnikin the peasant would have lived on with his bride."
"Evanjalin. That was her name. Did I mention that?"
She laughed through a sob. "No, you didn't."
"They would plant rows upon rows of wheat and barley, and each night they would sit under the stars to admire what they owned. Oh, and they would argue. She believes the money made would be better spent on a horse, and he believes they need a new barn. But then later they would forget all their anger and he would hold her fiercely and never let her go."
"And he'd place marigolds in her hair?" she asked.
He clasped her hands against his and watched her blood seep through the lines of his skin. "And he would love her until the day he died," he said.
”
”
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
“
What you did for me, Chaol,” she tried again. “Not even with Cain, but when you—”
“I have to go,” he interrupted, and half turned away.
“Chaol,” she said, grabbing his hand and whirling him to face her. She only saw the haunted gleam in his eyes before she threw her arms around his neck and held him tightly. He straightened, but she crushed her body into his, even though it still aggravated her wounds to do so. Then, after a moment, his arms wrapped around her, keeping her close to him, so close that as she shut her eyes and breathed him in, she couldn’t tell where he ended and she began.
His breath was warm on her neck as he bent his head, resting his cheek against her hair. Her heart beat so quickly, and yet she felt utterly calm—as if she could have stayed there forever and not minded, stayed there forever and let the world fall apart around them. She pictured his fingers, pushing against that line of chalk, reaching for her despite the barrier between them.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
“Your father? Why?” I ask.
“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
“What? You’re making that up!” I exclaim.
“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
“Oh, please,” I say, laughing.
“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
“Without success,” I add.
“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
“I am now,” I say.
“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Dammit, Michael, get out of my room, you pervert!” Could you even be a pervert if you were dead? She supposed you could, if you had a working body half the time. “I swear, I’m going to start taking my clothes off!”
The cold spot stayed resolutely put until she got the hem of her T-shirt all the way up to her bra line, and then faded away. “Chicken,” she said, and paced the room, back and forth.
”
”
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
“
Are tou trying to be annoying?" I demanded. My patience was not waning, but entirely gone. "Because if you are, then be assured, you have succeeded."
Jared and Wes looked at me with shocked eyes.
"I am female," I complained. "That 'it' business is really getting on my nerves."
Jared blinked in surprise, then his face settled back into harder lines. "Because of the body you wear?"
Wes glared at him.
"Because of me," I hissed.
"By whose definition?"
"How about by yours? In my species, I am the one that bears young. Is that not female enough for you?"
That stopped him short. I felt almost smug.
'As you should', Melanie approved. 'He's wrong and he's being a pig about it'.
Thank you.
'We girls have to stick together'.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Now Gansey grinned, the warmth of discovery starting to course through him. "So, pop quiz, Mr Parrish. Three things that appear in the vicinity of ley lines?"
"Black dogs," Adam said indulgently. "Demonic presences."
"Camaros," Ronan inserted.
Gansey continued as if he hadn't spoken. "And ghosts. Ronan, queue up the evidence if you would.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
here’s a toast to Alan Turing
born in harsher, darker times
who thought outside the container
and loved outside the lines
and so the code-breaker was broken
and we’re sorry
yes now the s-word has been spoken
the official conscience woken
– very carefully scripted but at least it’s not encrypted –
and the story does suggest
a part 2 to the Turing Test:
1. can machines behave like humans?
2. can we?
”
”
Matt Harvey
“
At last he stopped, and she stared down at the printed column of words, unable to comprehend a single one. His hand, warm and steady, wound its way around hers, wrapping it like a spider would its prey. She surrendered it to him, unable to watch even as his thumb traced the place, just above her knuckles, where he had once written his number in deep violet. Isobel ceased to breathe. Her heart pounded in her chest, her thoughts shattering into senseless fragments. All the while, her eyes remained trained and unblinking on the open page. Lines without meaning stared up at her, little more than black sticks in an otherwise white world.
”
”
Kelly Creagh (Nevermore (Nevermore, #1))
“
What did the fish say when it hit a concrete wall?" he asks me. We're sitting on the bank of a stream and he's tying a fly onto my fishing rod, wearing a cowboy hat and a red lumberjack-style flannel shirt over a gray tee. So adorable.
"What?" I say, wanting to laugh and he hasn't even told me the punch line.
He grins. Unbelievable how gorgeous he is. And that he's mine. He loves me and I love him and how rare and beautiful is that?
"Dam!" he says.
”
”
Cynthia Hand (Unearthly (Unearthly, #1))
“
Two black boots came into view, then a pair of knees as someone crouched on the edge of the ring.
“Get up,” Chaol whispered. She couldn’t bring herself to look him in the face. It was over.(...)
“Get up,” Chaol said again, louder. She could only stare at the white line of chalk that marked the ring.(...)
“Celaena,” Chaol said gently. And then she heard the scraping noise as his hand came into view, sliding across the flagstones. His fingertips stopped just at the edge of the white line. “Celaena,” he breathed, his voice laced with pain—and hope. This was all she had left—his outstretched hand, and the promise of hope, of something better waiting on the other side of that line.
Moving her arm made sparks dance before her eyes, but she extended it until her fingertips reached the line of chalk, and stayed there, not a quarter of an inch from Chaol, the thick white mark separating them.
She lifted her eyes to his face, and found his gaze lined with silver. “Get up,” was all he said.
And in that moment, somehow his face was the only thing that mattered. She stirred, and couldn’t stop her sob as her body erupted with pain that made her lie still again. But she kept her focus on his brown eyes, on his tightly pressed lips as they parted and whispered, “Get up.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I have seen war. I have seen war on land and sea. I have seen blood running from the wounded. I have seen men coughing out their gassed lungs. I have seen the dead in the mud. I have seen cities destroyed. I have seen 200 limping, exhausted men come out of line—the survivors of a regiment of 1,000 that went forward 48 hours before. I have seen children starving. I have seen the agony of mothers and wives. I hate war.
”
”
Franklin D. Roosevelt
“
He likes her."
"Yuri, no!" Vik said.
Yuri turned redder, confirming it.
"Yuri, come on, man," Tom cried.
Yuri gave a helpless shrug. "Divisions cannot divide human hearts."
"Oh God," Vik cried, clapping hands over his ears. "He's even spouting cheesy lines now. Make him stop, Tom!"
"I can't!" Tom told him. "My ears... They're bleeding. Bleeding!"
"It's a brain hemorrhage! He's murdered us!" Vik said.
"Murderer!" Tom cried, fake collapsing onto the ground.
Yuri shook his head. "This is not very mature.
”
”
S.J. Kincaid (Insignia (Insignia, #1))
“
I prayed all the way up that hill yesterday,” he said softly. “Not for you to stay; I didna think that would be right. I prayed I’d be strong enough to send ye away.” He shook his head, still gazing up the hill, a faraway look in his eyes.
“I said ‘Lord, if I’ve never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay. He pulled his eyes away from the cottage and smiled briefly at me.
"Hardest thing I ever did, Sassenach.” He turned in the saddle, and reined the horse’s head toward the east. It was a rare bright morning, and the early sun gilded everything, drawing a thin line of fire along the edge of the reins, the curve of the horse’s neck, and the broad planes of Jamie’s face and shoulders.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting.
I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.
In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy.
I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain.
Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
The summer of 2019 had overstayed its welcome in Florida,
lingering well into September. As if to make a point about global
warming, the rabid sun scorched the waters of Biscayne Bay for
weeks, generating a haze of humidity that blurred the line between
the windless sea and the sky above. Not to be accused of playing
favorites, the sun’s rays beat down on the land with equal spite,
pummeling grass, palms, and bushes into limp submission. The
heat weaponized asphalt roads and cement sidewalks, the shimmery
mirages above them a clear warning to all living things to stay away
or burn.
”
”
J.K. Franko (Eye for Eye (Talion #1))
“
Here’s what I believe: 1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed. There is a line. It’s etched from dignity. And raging, fearful people from the right and left are crossing it at unprecedented rates every single day. We must never tolerate dehumanization—the primary instrument of violence that has been used in every genocide recorded throughout history.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
After a steadying breath, Aislinn turned to Keenan. "I'm sure you can figure out lunch without help. So, umm, go make friends or whatever."
And she walked away.
He sped up to stay beside her as they entered the cafeteria. "May I join you?"
"No."
He stepped in front of her. "Please?"
"No." She dropped her bag into a chair next to Rianne's things. Ignoring him-and the stares they were attracting-she opened her bag.
He hadn't moved.
With a shaky gesture, she pointed. "The line's over there."
He looked at the throng slowly progressing to the vats of food. "Can I get you something?"
"A little space?"
A flare of anger flashed over his too-beatiful face, but he said nothing. He just walked away.
”
”
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
“
The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide.
”
”
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
“
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see?
I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good.
My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen!
I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us.
“I’m a fighter, not a lover,” I gasped.
“You can’t be both?” His smile made my knees buckle.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
Even the simple act which we describe as 'seeing someone we know' is, to some extent, an intellectual process. We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds those ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
If we go that way, it seems less like we’ll be shot for trespassing. We can’t be low profile because of your shirt.”
“Aquamarine is a wonderful color, and I won’t be made to feel bad for wearing it,” Gansey said. But his voice was a bit thin, and he glanced back at the church again. Just then he looked younger than she’d ever seen him, his eyes narrowed, hair messed up, features unstudied. Young and, strangely enough, afraid.
Blue thought: I can’t tell him. I can never tell him. I have to just try to stop it from happening.
Then Gansey, suddenly charming again, flipped a hand in the direct of her purple tunic dress. “Lead the way, Eggplant.”
She found a stick to poke at the ground for snakes before they set off through the grass. The wind smelled like rain, and the ground rumbled with thunder, but the weather held. The machine in Gansey’s hands blinked red constantly, only flickering to orange when they stepped too far away from the invisible line.
“Thanks for coming, Jane,” Gansey said.
Blue shot him a dirty look. “You’re welcome, Dick.”
He looked pained. “Please don’t.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Death. The only thing inevitable in life.
People don't like to talk about death because it makes them sad.
They don't want to imagine how life will go on without them,
all the people they love will briefly grieve
but continue to breathe.
They don't want to imagine how life will go on without them,
Their children will still grow
Get married
Get old..
They don't want to imagine how life will continue to go on without them
Their material things will be sold
Their medical files stamped "closed"
Their name becoming a memory to everyone they
know.
They don't want to imagine how life will go on without them, so instead of accepting it head on, they avoid the subject all together,
hoping and praying it will somehow...
pass them by.
Forget about them,
moving on to the next one in line.
no, they didn't want to imagine how life would
continue to go on....
without them.
But death
didn't
forget.
Instead they were met head-on by death,
disguised as an 18-wheeler
behind a cloud of fog.
No.
Death didn't forget about them.
If only they had been prepared, accepted the inevitable, laid out their plans, understood that it
wasn't just their lives at hand.
I may have legally been considered an adult at the age
of nineteen, but still i felt very much
all
of just nineteen.
Unprepared
and overwhelmed
to suddenly have the entire life of a seven-year-old
in my realm.
Death. The only thing inevitable in life.
-Will
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
Everyone needed to have the opportunity to catch a long langorous glimpse of my disgrace. "This looks so much like you," she said to Noah pressing her body against his.
"My girl is talented," Noah said. My heart stopped beating. Anna's heart stopped beating. Everyone's heart stopped beating. The buzzing of a solitary gnat would have sounded obscene in the stillness.
"Bullshit," Anna whispered finally, but it was loud enough for everyone to hear. She hadn't moved an inch. Noah shrugged.
"Im a vein bastard, and Mara indulges me." After a pause, he added, "Im just glad you didnt get your greedy little claws on the other sketchbook. That would have been embarrasing." His lips curved into a sly smile as he slid from the picnic table he'd been sitting on. "Now, get the fuck off me," he said calmly to a dumbfounded speechless Anna as he pushed past her, plucking the sketchbook roughly from her hands. And walked over to me.
"Lets go," Noah ordered gently, once he was at my side. His body brushed the line of my shoulder and arm protectively. And then he held out his hand. I wanted to take it and i wanted to spit in Anna's face and i wanted to kiss him and i wanted to knee Aiden Davis in the groin. Civilization won out, and i willed each individual nerve to respond to the signal i sent with my brain and placed my fingers in his. A current traveled from my fingertips through to the hollow where my stomach used to be. And just like that i was completely, utterly and entirely, his.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
I need a book that says 'Here's how to defeat Spring and restore power to your king, and while you're at it, here's how to prove you matter when no one else thinks you do—”
I stop. I'm staring at the bookshelves and not at Theron, and I don't think I'll ever be able to look at him again without shriveling up from embarrassment. I can still hear what I said hanging around me, my weak, weak admission, and I can't bring myself to breathe, let alone face him.
Theron doesn't give me a choice. He crawls up onto his knees and moves into my line of sight, his forehead wrinkled and his eyes darting over mine like he's trying to figure me out the same way he figured out that passage. After a moment of silence, he grimaces.
“You matter,” is all he says.
”
”
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
“
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face.
For a brief moment,I'm lost to my surroundings.
The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance.
This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face.
Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede.
But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram.
This girl strikes like a viper.
”
”
Marie Lu (Legend (Legend, #1))
“
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
”
”
H. Rider Haggard (She (She, #1))
“
As well, they used their B-52 bombers to drop thousands of tons of bombs which included napalm and cluster bombs. In a particularly vile attack, they used poisonous chemicals on our base regions of Xuyen Moc, the Minh Dam and the Nui Thi Vai mountains. They sprayed their defoliants over jungle, and productive farmland alike. They even bull-dozed bare, both sides along the communication routes and more than a kilometre into the jungle adjacent to our base areas.
This caused the Ba Ria-Long Khanh Province Unit to send out a directive to D445 and D440 Battalions that as of 01/November/1969, the rations of both battalions would be set at 27 litres of rice per man per month when on operations. And 25 litres when in base or training.
So it was that as the American forces withdrew, their arms and lavish base facilities were transferred across to the RVN. The the forces of the South Vietnamese Government were with thereby more resources but this also created any severe maintenance, logistic and training problems.
The Australian Army felt that a complete Australian withdrawal was desirable with the departure of the Task Force (1ATF), but the conservative government of Australia thought that there were political advantages in keeping a small force in south Vietnam.
Before his election, in 1964, Johnston used a line which promised peace, but also had a policy of war. The very same tactic was used by Nixon. Nixon had as early as 1950 called for direction intervention by American Forces which were to be on the side of the French colonialists.
The defoliants were sprayed upon several millions of hectares, and it can best be described as virtual biocide. According to the figure from the Americans themselves, between the years of 1965 to 1973, ten million Vietnamese people were forced to leave their villages ad move to cities because of what the Americans and their allies had done.
The Americans intensified the bombing of whole regions of Laos which were controlled by Lao patriotic forces. They used up to six hundred sorties per day with many types of aircraft including B52s.
On 07/January/1979, the Vietnamese Army using Russian built T-54 and T-59 tanks, assisted by some Cambodian patriots liberated Phnom Penh while the Pol Pot Government and its agencies fled into the jungle. A new government under Hun Sen was installed and the Khmer Rouge’s navy was sunk nine days later in a battle with the Vietnamese Navy which resulted in twenty-two Kampuchean ships being sunk.
”
”
Michael G. Kramer (A Gracious Enemy)
“
Some say the Tudors transcend this history, bloody and demonic as it is: that they descend from Brutus through the line of Constantine, son of St Helena, who was a Briton. Arthur, High King of Britain, was Constantine's grandson. He married up to three women, all called Guinevere, and his tomb is at Glastonbury, but you must understand that he is not really dead, only waiting his time to come again.
His blessed descendant, Prince Arthur of England, was born in the year 1486, eldest son of Henry, the first Tudor king. This Arthur married Katharine the princess of Aragon, died at fifteen and was buried in Worcester Cathedral. If he were alive now, he would be King of England. His younger brother Henry would likely be Archbishop of Canterbury, and would not (at least, we devoutly hope not) be in pursuit of a woman of whom the cardinal hears nothing good: a woman to whom, several years before the dukes walk in to despoil him, he will need to turn his attention; whose history, before ruin seizes him, he will need to comprehend.
Beneath every history, another history.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
Do you know what it was like kissing Holly and looking up to see you?"
"What?"
"You said to begin anywhere."
But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you."
"What were you thinking?"
"I don't remember."
"Don't you start using that line," he chided.
"Then don't ask me, Nick." Did he suspect how I felt.
He caught me and turned me around to face him. I focused on his shirt.
"Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else."
I glanced up.
"Your turn, brave girl. What were you thinking?"
"That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you."
He drew me to him. "I'm not pulling away again," he said holding me close.
”
”
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
“
Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces.
Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web.
It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept...
..I have danced with the spider. I have cut a caper with the dancing mad god.
”
”
China Miéville (Perdido Street Station (New Crobuzon, #1))
“
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him.
'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.'
Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her.
'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.'
She heard Arin shift, felt him look at her.
'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.'
There was a silence as long as a smile.
'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.'
Kestrel could no longer deny sleep. It pulled her under.
'And I would never have met you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done.
And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.
”
”
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
“
What other agents then are there, which, at the same time that they are under the influence of man's direction, are susceptible of happiness? They are of two sorts: (1) Other human beings who are styled persons. (2) Other animals, which, on account of their interests having been neglected by the insensibility of the ancient jurists, stand degraded into the class of things... But is there any reason why we should be suffered to torment them? Not any that I can see. Are there any why we should not be suffered to torment them? Yes, several. The day has been, I grieve to say in many places it is not yet past, in which the greater part of the species, under the denomination of slaves, have been treated by the law exactly upon the same footing as, in England for example, the inferior races of animals are still. The day may come, when the rest of the animal creation may acquire those rights which never could have been withholden from them but by the hand of tyranny. The French have already discovered that the blackness of the skin is no reason why a human being should be abandoned without redress to the caprice of a tormentor. It may come one day to be recognized, that the number of the legs, the villosity of the skin, or the termination of the os sacrum, are reasons equally insufficient for abandoning a sensitive being to the same fate. What else is it that should trace the insuperable line? Is it the faculty of reason, or, perhaps, the faculty of discourse? But a full-grown horse or dog is beyond comparison a more rational, as well as a more conversable animal, than an infant of a day, or a week, or even a month, old. But suppose the case were otherwise, what would it avail? the question is not, Can they reason? nor, Can they talk? but, Can they suffer? Why should the law refuse its protection to any sensitive being? The time will come when humanity will extend its mantle over everything which breathes.
”
”
Jeremy Bentham (The Principles of Morals and Legislation)
“
Anna turned the pages slowly for effect, and like some demonic schoolmarm, held the book at an angle to provide maximum exposure to the assembled crowd. Everyone needed to have the opportunity to catch a long, languorous glimpse of my disgrace.
"This looks so much like you," she said to Noah, pressing her body against his.
"My girl is talented," Noah said.
My heart stopped beating.
Anna's heart stopped beating.
Everyone's heart stopped beating. The buzzing of a solitary gnat would have sounded obscene in the stillness.
"Bullshit," Anna whispered finally, but it was loud enough for everyone to hear. She hadn't moved an inch.
Noah shrugged. "I'm a vain bastard, and Mara indulges me." After a pause, he added, "I'm just glad you didn't get your greedy little claws on the other sketchbook. That would have been embarrassing." His lips curved into a sly smile as he slid from the picnic table he'd been sitting on. "Now, get the fuck off me," he said calmly to a dumbfounded, speechless Anna as he pushed past her plucking the sketchbook roughly from her hands.
And walked over to me.
"Let's go," Noah ordered gently, once he was at my side. His body brushed the line of my shoulder and arm protectively. And then he held out his hand.
I wanted to take it and I wanted to spit in Anna's face and I wanted to kiss him and I wanted to knee Aiden Davis in the groin. Civilization won out, and I willed each individual nerve to respond to the signal I sent with my brain and placed my fingers in his. A current traveled from my fingertips through to the hollow where my stomach used to be.
And just like that, I was completely, utterly and entirely,
His.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))