$b Lyrics Quotes

Jason took me by the shoulders—not out of anger, or in a clinging way, but as a brother. “Promise me one thing. Whatever happens, when you get back to Olympus, when you’re a god again, remember. Remember what it’s like to be human.” A few weeks ago, I would have scoffed. Why would I want to remember any of this? At best, if I were lucky enough to reclaim my divine throne, I would recall this wretched experience like a scary B-movie that had finally ended. I would walk out of the cinema into the sunlight, thinking Phew! Glad that’s over. Now, however, I had some inkling of what Jason meant. I had learned a lot about human frailty and human strength. I felt…different toward mortals, having been one of them. If nothing else, it would provide me with some excellent inspiration for new song lyrics!

Animal minds are simple, and therefore sharp. Animals never spend time dividing experience into little bits and speculating about all the bits they've missed. The whole panoply of the universe has been neatly expressed to them as things to (a) mate with, (b) eat, (c) run away from, and (d) rocks. This frees the mind from unnecessary thoughts and gives it a cutting edge where it matters. Your normal animal, in fact, never tries to walk and chew gum at the same time. The average human, on the other hand, thinks about all sorts of things around the clock, on all sorts of levels, with interruptions from dozens of biological calendars and timepieces. There's thoughts about to be said, and private thoughts, and real thoughts, and thoughts about thoughts, and a whole gamut of subconscious thoughts. To a telepath the human head is a din. It is a railway terminus with all the Tannoys talking at once. It is a complete FM waveband- and some of those stations aren't reputable, they're outlawed pirates on forbidden seas who play late-night records with limbic lyrics.

Words Are Windows (or They’re Walls) I feel so sentenced by your words, I feel so judged and sent away, Before I go I’ve got to know, Is that what you mean to say? Before I rise to my defense, Before I speak in hurt or fear, Before I build that wall of words, Tell me, did I really hear? Words are windows, or they’re walls, They sentence us, or set us free. When I speak and when I hear, Let the love light shine through me. There are things I need to say, Things that mean so much to me, If my words don’t make me clear, Will you help me to be free? If I seemed to put you down, If you felt I didn’t care, Try to listen through my words, To the feelings that we share. -–Ruth Bebermeyer

When there's music in your soul, there's soul in your music.

Stunning" Melanin rich and honeyed, butter brown syrupy ‘Da blacker the berry, the sweeter the sweet Girl, all hues of the ebony rainbow shine Our rind so rare, age like fine wine Lips plump like cherries ready to be picked. Dey spend all kind of money tryin’ to look like ‘dis

We have to teach, tell, and show Black girls that they are beautiful ... that there is no standard of beauty, only defining it. And we, Black girls, define beauty, too. Our hair, shade, shape, and features are beautiful. We set trends, and the world follows.

MOST DAYS MY LIFE CAN BE SUMMED UP IN MOVIE QUOTES AND HIP HOP AND R&B LYRICS

We are a beautiful people. Even the way we face and overcome challenges is beautiful. Our beauty deserves to be elevated and celebrated.

While he originally sang about ‘a coloured boy named Johnny B. Goode’, under pressure from white-owned radio stations Berry changed the lyrics to ‘a country boy named Johnny B. Goode’. As

You see, there's some blues for folks ain't never had a thing, and that's a sad blues ... but the saddest kind of blues is for them that's had everything they ever wanted and has lost it, and knows it won't come back no more. Ain't no sufferin' in this world worse than that; and that's the blue we call 'I Had It But It's All Gone Now.

Third, hear our loss of focus on the gospel in our songs. This is no comment on musical styles and tastes, but simply an observation about the lyrical content of much that is being sung in churches today. In many cases, congregations unwittingly have begun to sing about themselves and how they are feeling rather than about God and His glory.

Close your eyes. Hear the cries. Oh, the screams as another one dies. All this pain For what gain? And the devil is telling you lies.

American Soup" We've taken the lid off, the pot is boiling over. Watch yourself, don't touch it lest you burn and bear the scars of that good ole American melting pot that’s cracking under the weight of its faux democracy.

Chuck Berry himself bowed to the dictates of the capitalist juggernaut. While he originally sang about ‘a coloured boy named Johnny B. Goode’, under pressure from white-owned radio stations Berry changed the lyrics to ‘a country boy named Johnny B. Goode’.

Sometimes you have to tell the whole damn truth no matter how ugly and painful it may be. America needs to smell and sit in her own feces for a while and walk around and let the world see her stained rear end and cover its nose at the stench of her democracy.

Black Diamonds Black gemstones pillaged from Mother Earth and mined from Kemet, Crystallized into rare gems under centuries of pressure. Yet, clarity remains pure under the brutal heat of history And the alluvial mining along the coastlines of black beaches. Whitewashing while extracting Nubian gems from sable sands, Twelve million carats separated from the soil of black lands.

Dylan's voice was awful, an aged quaver that sounded nothing like the deep-throated or silky R&B that Dad took as gospel. But the lyrics wore him down, until he played Dylan in that addicted manner of college kids who cordon off portions of their lives to decipher the prophecies of their favorite band. Dad heard poetry, but more than that an angle that confirmed what a latent part of him already suspected. This was was bullshit.

PARODY OF "YOU'RE THE TOP" BY COLE PORTER You're the pop You're the baby's father You're the pop But you needn't bother I will make no claim to your ancient name at all When I let you make me You promised you'd take me to the city hall My mistake wasn't getting plastered, What a break for the little b***stard I was bad when I let you get on top But if baby I'm the momma, You're the pop! [Sung by Elaine Stritch when interviewed by Michael Parkinson on YouTube.

Maybe you are a nihilistic death-metal punk. You are deeply skeptical and pessimistic. You find meaning nowhere. You hate everything, just on principle. But then your favorite nihilistic death-metal punk band lead guitarist and his bandmates start to blast out their patterned harmonies—each in alignment with the other—and you are caught! “Ah, I do not believe in anything—but, God, that music!” And the lyrics are destructive and nihilistic and cynical and bitter and hopeless but it does not matter, because the music beckons and calls to your spirit, and fills it with the intimation of meaning, and moves you, so that you align yourself with the patterns, and you nod your head and tap your feet to the beat, participating despite yourself. It is those patterns of sound, layered one on top of another, harmoniously, moving in the same direction, predictably and unpredictably, in perfect balance: order and chaos, in their eternal dance. And you dance with it, no matter how scornful you are. You align yourself with that patterned, directional harmony. And in that you find the meaning that sustains.

It's true that Lucinda had once spent hours of her own time putting together a research memo on the Canadian rock band Barenaked Ladies, specifically investigating whether then lead singer Steven Page was purposefully singing in a fake American accent for their 1998 hit single "One Week." She'd notice that the song loudly announces itself with the lyric "IT'S BEEN," but the word "been" is pronounced *bin*, which is the American pronunciation, as opposed to the more Canadian way of saying it, *bean*. Even more notably, the oft-repeated lyric "sorry" is also pronounced the American way, *sawry*, instead of a round Canadian *soary*. After scouring the internet for video and audio interviews with Steven Page, she discovered that he did in fact pronounce "been" the Canadian way in casual conversation, which meant he (intentionally or not) was putting on a fake America accent when he recorded the song. Lucinda couldn't find any literature or analysis on this subject, so she was forced to conjure her own theories, which included: a. Steven Page was actively suppressing his Canadian accent because someone told him his music would be more successful worldwide if he sounded more American, b. he was subconsciously suppressing his accent because he'd already internalized this idea, or c. the song itself is sung from the point of view of a character who lives in the United States and is in fact a subtle satire of American culture.

For Dylan, this electric assault threatened to suck the air out of everything else, only there was too much radio oxygen to suck. “Like a Rolling Stone” was the giant, all-consuming anthem of the new “generation gap” disguised as a dandy’s riddle, a dealer’s come-on. As a two-sided single, it dwarfed all comers, disarmed and rejuvenated listeners at each hearing, and created vast new imaginative spaces for groups to explore both sonically and conceptually. It came out just after Dylan’s final acoustic tour of Britain, where his lyrical profusion made him a bard, whose tabloid accolade took the form of political epithet: “anarchist.” As caught on film by D. A. Pennebaker’s documentary Don’t Look Back, the young folkie had already graduated to rock star in everything but instrumentation. “Satisfaction” held Dylan back at number two during its four-week July hold on Billboard’s summit, giving way to Herman’s Hermits’ “I’m Henry the Eighth, I Am” and Sonny and Cher’s “I Got You Babe” come August, novelty capstones to Dylan’s unending riddle. (In Britain, Dylan stalled at number four.) The ratio of classics to typical pop schlock, like Freddie and the Dreamers’ “I’m Telling You Now” or Tom Jones’s “It’s Not Unusual,” suddenly got inverted. For cosmic perspective, yesterday’s fireball, Elvis Presley, sang “Do the Clam.” Most critics have noted the Dylan influence on Lennon’s narratives. Less space gets devoted to Lennon’s effect on Dylan, which was overt: think of how Dylan rewires Chuck Berry (“Subterranean Homesick Blues”) or revels in inanity (“Rainy Day Women #12 & 35”). Even more telling, Lennon’s keening vocal harmonies in “Nowhere Man,” “And Your Bird Can Sing,” and “Dr. Robert” owed as much to the Byrds and the Beach Boys, high-production turf Dylan simply abjured. Lennon also had more stylistic stretch, both in his Beatle context and within his own sensibility, as in the pagan balalaikas in “Girl” or the deliberate amplifier feedback tripping “I Feel Fine.” Where Dylan skewed R&B to suit his psychological bent, Lennon pursued radical feats of integration wearing a hipster’s arty façade, the moptop teaching the quiet con. Building up toward Rubber Soul throughout 1965, Beatle gravity exerted subtle yet inexorable force in all directions.

Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]

Finally, the ethical staying power of the Apocalypse is a product of its imaginative richness. The text throbs with theopoetic energy, expressed in its numerous songs of praise and worship. It is no accident that Milton drew inspiration from Revelation or that Handel found the lyrics for the climactic choruses of the Messiah (“Hallelujah” and “Worthy Is the Lamb”) in the poetry of Revelation: “The kingdom of this world is become the kingdom of our Lord and of his Christ, and he shall reign for ever and ever” (based on Rev. 11:15).

Ignorance is the enemy.

After a time I saw what I believed, at the time, to be a radio relay station located out on a desolate sand spit near Villa Bens. It was only later that I found out that it was Castelo de Tarfaya, a small fortification on the North African coast. Tarfaya was occupied by the British in 1882, when they established a trading post, called Casa del Mar. It is now considered the Southern part of Morocco. In the early ‘20s, the French pioneering aviation company, Aéropostale, built a landing strip in this desert, for its mail delivery service. By 1925 their route was extended to Dakar, where the mail was transferred onto steam ships bound for Brazil. A monument now stands in Tarfaya, to honor the air carrier and its pilots as well as the French aviator and author Antoine Marie Jean-Baptiste Roger, comte de Saint-Exupéry better known as Antoine de Saint-Exupéry. As a newly acclaimed author in the literary world. “Night Flight,” or “Vol de nuit,” was the first of Saint-Exupéry’s literary works and won him the prix Femina, a French literary prize created in 1904. The novel was based on his experiences as an early mail pilot and the director of the “Aeroposta Argentina airline,” in South America. Antoine is also known for his narrative “The Little Prince” and his aviation writings, including the lyrical 1939 “Wind, Sand and Stars” which is Saint-Exupéry’s 1939, memoir of his experiences as a postal pilot. It tells how on the week following Christmas in 1935, he and his mechanic amazingly survived a crash in the Sahara desert. The two men suffered dehydration in the extreme desert heat before a local Bedouin, riding his camel, discovered them “just in the nick of time,” to save their lives. His biographies divulge numerous affairs, most notably with the Frenchwoman Hélène de Vogüé, known as “Nelly” and referred to as “Madame de B.

Happy and thrice happy are those who enjoy an uninterrupted union, and whose love, unbroken by any sour complaints, shall not dissolve until the last day of their existence. Horace (65 B.C.–8 B.C.), Roman lyric poet

Books When Books Went to War, Molly Guptill Manning Books as Weapons, John B. Hench The Book Thieves: The Nazi Looting of Europe’s Libraries and the Race to Return a Literary Inheritance, Anders Rydell The Berlin Stories, Christopher Isherwood The Rise and the Fall of the Third Reich, William L. Shirer The Death of Democracy, Benjamin Carter Hett In the Garden of Beasts, Erik Larson Gay Berlin, Robert Beachy Articles Leary, William M. “Books, Soldiers and Censorship during the Second World War.” American Quarterly Von Merveldt, Nikola. “Books Cannot Be Killed by Fire: The German Freedom Library and the American Library of Nazi-Banned Books As Agents of Cultural Memory.” John Hopkins University Press Appelbaum, Yoni. “Publishers Gave Away 122,951,031 Books During World War II.” The Atlantic “Paris Opens Library of Books Burnt by Nazis.” The Guardian Archives Whisnant, Clayton J. “A Peek Inside Berlin’s Queer Club Scene Before Hitler Destroyed It.” The Advocate “Between World Wars, Gay Culture Flourished in Berlin.” NPR’s Fresh Air More The Great Courses: A History of Hitler’s Empire, Thomas Childers “Hitler: YA Fiction Fan Girl,” Robert Evans, Behind the Bastards Podcast Magnus Hirschfeld, Leigh Pfeffer and Gretchen Jones, History Is Gay Podcast “Das Lila Lied,” composed by Mischa Spoliansky, lyrics by Kurt Schwabach

Rejoice Always, Pray Without Ceasing, In Everything Give Thanks. You sent Refresh Your Spirit, While Rejoicing In Your Soul. If You Find Yourself About To Complain, Think Of Your Many Blessings And Again Rejoice! You sent Keep Breathing. Just Keep Doing It. It's Easy. In And Out. Breath Is The Finest Gift Of Nature. Be Grateful For This Wonderful Gift. You sent Breathe Life Back Into Your Ambitions, Your Belief, Your Desires, Your Goals, Your Relationships. These Are The Times That Try Men's Souls. You sent Keep Believing. In A Flash, Let It Take Hold. What A Feeling, Make It Happen. Spirit of God Activate My Life. Every Heart Sings A Song, Experience Grace Under Pressure. When I Feel The Heat, I See The Light. Some Express, Some Write And Some Just Feel It. We Move From Song To Song, From Lyric To Lyric, From Chord To Chord. There Is No Ending Here. It's An Infinite Playlist.

Rejoice Always, Pray Without Ceasing, In Everything Give Thanks. Refresh Your Spirit, While Rejoicing In Your Soul. If You Find Yourself About To Complain, Think Of Your Many Blessings And Again Rejoice! Keep Breathing. Just Keep Doing It. It's Easy. In And Out. Breath Is The Finest Gift Of Nature. Be Grateful For This Wonderful Gift. Breathe Life Back Into Your Ambitions, Your Belief, Your Desires, Your Goals, Your Relationships. These Are The Times That Try Men's Souls. Keep Believing. In A Flash, Let It Take Hold. What A Feeling, Make It Happen. Spirit of God Activate My Life. Every Heart Sings A Song, Experience Grace Under Pressure. When I Feel The Heat, I See The Light. Become Light In The Lord. Some Express, Some Write And Some Just Feel It. We Move From Song To Song, From Lyric To Lyric, From Chord To Chord. There Is No Ending Here. It's An Infinite Playlist.

THE HOLY ALPHABET ! Although things are not perfect Because of trial or pain Continue in thanksgiving Do not begin to blame Even when the times are hard Fierce winds are bound to blow God is forever able Hold on to what you know Imagine life without His love Joy would cease to be Keep thanking Him for all the things Love imparts to thee Move out of "Camp Complaining" No weapon that is known On earth can yield the power Praise can do alone Quit looking at the future Redeem the time at hand Start every day with worship To "thank" is a command Until we see Him coming Victorious in the sky We'll run the race with gratitude Xalting God most high Yes, there'll be good times and yes some will be bad, but... Zion waits in glory...where none are ever sad! Lyric Poems Adapted from Psalm 119

Y'all ain't even the s***, no y'all ain't even the doodoo. I got more flavor on the tissue paper under my two buns.

True Fans are, loyal & unconditional (Support deserves acknowledging) Never let your success get the best of you!!! T.B

[I] the is the duty of black men to judge the Southern discriminate lyrics. The present generation of Southerners are not responsible for the past, and they should not be blindly hated or blamed for it.

Miley Cyrus-Flowers” comes on, and we all sing our hearts out, belting out the lyrics to the Single, Independent, Woman, power ballad, even though… I’m with a man who would never allow me to ‘buy my own flowers and hold my own hand’. Ava wouldn’t allow Tucker to make her buy her own flowers. Riley would rather burn the flowers than buy them. And Harper is too cool to even want the flowers.

I miss you like the melodies and love-driven lyrics of old R&B. I miss you like a long, lost love that I’ll never get back again. I miss you like I miss you – like only I could miss you.

I was switching up my lyrical style, but I wasn’t expecting the impact that one B side was going to have, that it would pretty much transform the hip-hop sound of the West Coast and give birth to an entire genre called gangsta rap.

Movies, plays, operas, TV dramas—even the lyrics of songs—help us deal with our lived experiences, which are something different and broader than the mere material from which our experience hypothetically rises.

If you don't like my kisses, honey, Here's what I will do: I'll go see a girl in purple, Kiss this sad world toodle-oo. If you don't want my lovin', Why should I take up all this space? I'll get off this old planet, Let some sweet baby have my place.

Then Barry came up with our opening line: “You never close your eyes anymore when I kiss your lips.” MANN: My heart had been broken a few times before I met Cynthia, so it wasn’t a stretch to feel that lyric.

As a newly acclaimed author in the literary world, Night Flight, or Vol de nuit, was the first of Saint-Exupéry’s literary works and won him the prix Femina, a French literary prize created in 1904. The novel was based on his experiences as an early mail pilot and the director of the Aeroposta Argentina airline in South America. Antoine is also known for his narrative The Little Prince and his aviation writings, including the lyrical 1939 Wind, Sand and Stars, which is Saint-Exupéry’s 1939 memoir of his experiences as a postal pilot. It tells how on the week following Christmas in 1935, just a year after I was born, he and his mechanic amazingly survived a crash in the Sahara desert. The two men suffered dehydration in the extreme desert heat before a local Bedouin, riding his camel, discovered them “just in the nick of time” to save their lives. His biographies were quite hot for the time and divulged numerous affairs, most notably with the Frenchwoman Hélène de Vogüé, known as “Nelly,” who was referred to as “Madame de B.” Photo Caption: Monument of Saint-Exupéry’s airplane in the Sahara desert. Read these award winning books!

I aim to convey, through lines and verse, the Black experience as it is today so that the generations who come after us have a lyrical but accurate account of how we contended with racial and social injustice and violence during our lifetime. In essence, I write to promote the reverence we deserve for our resilience, beauty, and humanity.

Elegy to Black Panther" Yibambe, Mfalme, yibambe on your crossing to the ancestral land Where we imagine the Infinity Gauntlet sitting safely upon your taloned hand. Rest in power, Mfalme, sleep peacefully, for your earthly battles are won; The King of Wakanda forever, our most esteemed, Native son.

Blacktivitiy" Bespattered with brilliant stars shining bright And suspended over the splendid, sable sea. Though all His works are wondrous beauties, God’s greatest paintings are of you and me.

Black Lives Matter, Too" Black Lives Matter doesn’t mean this fist, but it does mean resist When oppression and injustice are not up for discussion Insurrections and protections when wrongs aren’t corrected. It means black is equal, inherits the same rights, Liberties, protections, and the pursuit of happiness as whites

We still tiptoe around having an honest discussion about what it really means to exist while Black in this country. All lives can’t matter if Black lives don’t matter. Demanding equality and equity isn’t radicalism. This is realism. We make these demands because the Constitution isn’t an accurate reflection of Black life in this country. If liberty escapes few, it escapes all.

The Run" It’s the middle of the day, I know some are home, and they see and hear the wrong that’s going on. A Black man is being hunted on their street, That’s why no one calls in help for me. I hear the shots, three times I’m struck. I try and try, but I can’t get up. My head is lifted toward the sky, No pain, I’m riding the runner’s high.

Blood-Stained" Six minutes, no medics, I gasped as ragged breaths escaped my lungs. “Hold on, Bre, hold on,” my love pleaded, but I was already gone. I drowned in my own life’s blood as I heard my love weep for me. Lord, wake us from this nightmare – we want to go back to sleep.

Suppose, in our time, the War actually comes. With no current refinements wasted, the elephantine blasts, fire storms, and fallout finish their appointed tasks. Several decades later the literary archaeologists from Tierra del Fuego and the Samoyedes rake loose from London's heaps part of a volume of literary criticism in which stand, entire, Yeats' lines 'My fiftieth year had come and gone'⁠—and the 'Second Coming,' with a few single lines quoted amid the unknown critic's comments. Then a gutted Pittsburgh mansion yields two charred anonymous sheets of a poem whose style⁠—what can be seen of it⁠—resembles Yeats. A fragmentary dictionary cites, as a rare alternate pronunciation of fanatic: "F⁠á-na-tic. Thus in W. B. Yeats' 'Remorse for Intemperate Speech'". There are similar further recoveries, equally scanty. So much for the poet whom T. S. Eliot has called the greatest of the twentieth century. But this has happened already, in time's glacial cataclysm, to the greatest lyric poet (so men say) of the West before the thirteenth century—to Sappho. And to Archilochos, whom some ancients paired with Homer. And to many others, the Herricks, Donne, and Herberts of Greece's first lyric flowering. For however much one may take it as unmerited grace that one at least has Homer, at least the iceburg tip of the fifth century and its epigones, one must still question the providence which allowed from the vastly different age between—the Lyric Age of the seventh and sixth centuries—only Pindar and the scraps for one other small book. That uniquely organic outgrowth of successive literary styles and forms in Greece—forms which are the ineluctable basis for most Western literature—is thus desperately mutilated for us in what seems to have been its most explosively diverse and luxuriant phase.

All I want for Christmas is a diamond ring; You don't have to get me anything. Just tell my darling boy to get his head on right, And propose Midwinter's Night.

There’s a song by Nine Inch Nails, called “Hurt.” The lyrics go like this: I hurt myself today, to see if I still feel. I focus on the pain… the only thing that’s real. It’d be really easy to dismiss this as the ramblings of a morose kid who grew up to become an idol for depressed teenagers, and that’s what most adults do. Kids do dumb shit, and as adults, it’s our job to explain away said dumb shit so that we don’t have to try to understand it. Dumb shit doesn’t require an explanation. It can simply be dismissed, because it’s dumb.

Our lips and bodies coming together like a well-crafted melody. Chance’s every touch, every breath, strummed against me like a finely tuned guitar. I wrapped around him like lyrics begging to align into the perfect song.

Growing out of the housing projects and ghettos on the West Coast in the 1980s, gangsta rap made the gritty reality of gangs, violence and drugs central features. And law enforcement took note. In a 2006 article distributed to prosecutors, an F.B.I. analyst recommended looking for rap lyrics when searching homes and jail cells because of their potential as leads.