Zurich Lake Quotes

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If I was set an essay on Friday, I’d spend three hours on Saturday morning in the library. Was that normal? I didn’t know. What I did know was that I felt less prone to depression and more normal walking through Venice or staring out over the lake in Zurich. At home I wrestled continually with my moods. The black thing inside me gnawed like a rat at my self-esteem and self-confidence. I felt there was a happy person inside me too, who wanted to enjoy life, to be normal, but my feelings of self-loathing and the deep distrust I had towards my father wouldn’t allow that sunny person to come out. When the black thing had an iron grip on me, I couldn’t even look at my father: Did you do bad things to me when I was little? Like a line from a song stuck in your brain, the words ran through my head and never once came out of my mouth. Not that I needed to say what was in my mind. I was sure Father could read my thoughts in my moods, in the blank, dead stare of my eyes. It was hardly surprising that there was always an atmosphere of strain and awkwardness in the house, and the blame was always mine: Alice and her moods, Alice and her anorexia; Alice and her low self-esteem; Alice and her inescapable feelings of loss and emptiness.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
The house is still standing on the banks of the lake in Zurich. Jung’s descendants manage it, but unfortunately it’s not open to the public, so people can’t view the interior. Rumor has it, though, that at the entrance to the original tower there is a stone into which Jung carved some words with his own hand. ‘Cold or Not, God Is Present.’ That’s what he carved into the stone himself.” Tamaru paused again. “ ‘Cold or Not, God Is Present,’ ” he intoned, quietly, once more. “Do you know what this means?” Ushikawa shook his head. “No, I don’t.” “I can imagine. I’m not sure myself what it means. There’s some kind of deep allusion there, something difficult to interpret. But consider this: in this house that Carl Jung built, piling up the stones with his own hands, at the very entrance, he found the need to chisel out, again with his own hands, these words. I don’t know why, but I’ve been drawn to these words for a long time. I find them hard to understand, but the difficulty in understanding makes it all the more profound. I don’t know much about God. I was raised in a Catholic orphanage and had some awful experiences there so I don’t have a good impression of God. And it was always cold there, even in the summer. It was either really cold or outrageously cold. One or the other. If there is a God, I can’t say he treated me very well. Despite all this, those words of Jung’s quietly sank deep into the folds of my soul. Sometimes I close my eyes and repeat them over and over, and they make me strangely calm. ‘Cold or Not, God Is Present.’ Sorry, but could you say that out loud?” “ ‘Cold or Not, God Is Present,’ ” Ushikawa repeated in a weak voice, not really sure what he was saying. “I can’t hear you very well.” “ ‘Cold or Not, God Is Present.’ ” This time Ushikawa said it as distinctly as he could. Tamaru shut his eyes, enjoying the overtones of the words. Eventually, as if he had made up his mind about something, he took a deep breath and let it out. He opened his eyes and looked at his hands. He had on disposable latex gloves so he wouldn’t leave behind any fingerprints. “I’m sorry about this,” Tamaru said in a low voice. His tone was solemn. He took out the plastic bag again, put it over Ushikawa’s head, and wrapped the thick rubber band around his neck. His movements were swift and decisive. Ushikawa was about to protest, but the words didn’t form, and they never reached anyone’s ears. Why is he doing this? Ushikawa thought from inside the plastic bag.
Haruki Murakami (1Q84 (1Q84, #1-3))
Zurich in winter is often smothered in fog and low clouds for months on end. Prevailing winds from the north ram the clouds coming in from the Atlantic against the wall of the Alps, and there they stick. Gray day after gray day, in a gray city by a gray lake, split by a gray river.
Kim Stanley Robinson (The Ministry for the Future)
You will increasingly have these kinds of sublime realizations about the block universe and your own unconscious role in fulfilling your fate the more you become attuned to precognitive dreaming. PAY IT FORWARD Earlier I mentioned the possibility of sowing seeds in our past for a better tomorrow via establishing habits of honoring our dreams and other potentially precognitive experiences. Among the positive values of Jung’s writings and teachings was his emphasis on honoring and commemorating the miraculous in one’s life. He encouraged his patients to draw or paint their dreams, for instance, and he commemorated his own synchronicities in the grand style that his and (mostly) his wife’s wealth allowed. For instance, during a period in 1933 when he was studying the relationship between Christianity and Alchemy, he encountered a snake that had choked to death trying to swallow a fish. This seemed to him like a concrete symbol of the fatal inability of both systems of thought—the Christian fish and the Alchemical serpent—to integrate each other. He honored this synchronistic discovery with a stone engraving that can still be seen at his Bollingen tower retreat on the shore of Lake Zurich, where he had found the animals.1 Developing personal habits and rituals to honor our dreams is an important part of precognitive dreamwork. Writing dreams down in the morning in a notebook dedicated for the purpose is the most fundamental part of it. But drawing or painting striking images from dreams is also a common practice. However you choose to honor your dreams, such honoring is a crucial feed-forward component helpful in manifesting precognition with regularity. As with any habit or skill we wish to improve upon, it is important to build positive associations with it, so these little celebratory acts of honoring can contribute to those associations and in some cases even serve as the target of our precognition. Some of these targets may become powerful personal symbols and associations that you will then find have fed back into your prior dreamlife.
Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
She is a Zuriseemeitli, a girl from Lake Zurich:
Susann Bosshard (Westward: Encounters with Swiss American Women)
Railways ushered in an era of faster, cheaper mass transport – 25 million passengers in 1880, 240 million in 1910 – but for many Swiss it was still out of reach financially. What was affordable for British visitors was a luxury for locals. Transport history centre Via Storia reckons that most of those 240 million passengers were tourists and the small layer of Swiss society with money, but the middle classes could at least contemplate a trip for the first time; not often or far, but a possibility, although in third class most likely, as first class was double the price, and mountain trains were even more expensive. Someone from Zurich might manage a day trip once a year to Lake Lucerne or to another Swiss city, one that had probably been an economic rival until then.
Diccon Bewes (Slow Train to Switzerland: One Tour, Two Trips, 150 Years and a World of Change Apart)
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Yes,” said Papa, “and to me it doesn’t seem so very long ago. Of course we didn’t know then that we’d be spending your tenth birthday steaming about Lake Zurich as refugees from Hitler.” “Is a refugee someone who’s had to leave their home?” asked Anna. “Someone who seeks refuge in another country,” said Papa. “I don’t think I’m quite used to being one yet,” said Anna. “It’s an odd feeling,” said Papa. “You live in a country all your life. Then suddenly it is taken over by thugs and there you are, on your own in a strange place, with nothing.” He looked so cheerful as he said this that Anna asked, “Don’t you mind?” “In a way,” said Papa. “But I find it very interesting.
Judith Kerr (When Hitler Stole Pink Rabbit (Out of the Hitler Time, #1))