Zora Neale Hurston Love Quotes

Love makes your soul crawl out from its hiding place.

I love myself when I am laughing. . . and then again when I am looking mean and impressive.

Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.

If you kin see de light at daybreak, you don't keer if you die at dusk. It's so many people never seen de light at all.

Love is like the sea. It's a moving thing, but still and all, it takes its shape from the shore it meets, and it's different with every shore.

I have known the joy and pain of friendship. I have served and been served. I have made some good enemies for which I am not a bit sorry. I have loved unselfishly, and I have fondled hatred with the red-hot tongs of Hell. That's living.

Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.

He looked like the love thoughts of women.

Then you must tell 'em dat love ain't somethin' lak uh grindstone dat's de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It's uh movin' thing, but still and all, it takes its shape from de shore it meets, and it's different with every shore.

Love, I find, is like singing.

Of course he wasn't dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.

You'se something tuh make uh man forgit to git old and forgit tuh die.

She knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman.

Please God, please suh, don't let him love nobody else but me. Maybe Ah'm is uh fool, Lawd, lak dey say, but Lawd, Ah been so lonesome, and Ah been waitin', Jesus. Ah done waited uh long time.

She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight.

There is two things everybody got to find out for theirselves. They got to find out about love and they got to find out about living.

She often spoke to falling seeds and said, "Ah hope you fall on soft ground," because she had heard seeds saying that to each other as they passed. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.

She couldn’t make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom – a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung above him. He was a glance from God.

Tea Cake, the son of the Evening Sun, had to die for loving her.

When one is too old for love, one finds great comfort in good dinners.

it seems that tears and laughter, love and hate, make up the sum of life!

Everytime Ah see uh patch uh roses uh somethin' oversportin' theyselves makin' out they pretty, Ah tell 'em 'Ah want yuh tuh see mah Janie sometime.' You must let de flowers see yuh sometimes, heah, Janie?

Perhaps I am just a coward who loves to laugh at life better than I do cry with it. But when I do get to crying, boy, I can roll a mean tear.

Those who love us never leave us alone with our grief.

The one who makes the idols never worships them, however tenderly he might have molded the clay. You cannot have knowledge and worship at the same time. Mystery is the essence of divinity. Gods must keep their distances from men.

At certain times I have no race. I am me. I belong to no race or time. I am the eternal feminine with its string of beads. I do not weep at the world--I am too busy sharpening my oyster knife. I have a strong suspicion, but I can't be sure, that much that passes for constant love is a golded-up moment walking in its sleep. Ships at a distance have every man's wish on board. Sometimes I feel discriminated against, but it does not make me angry. It merely astonishes me. How can anyone deny themselves the pleasure of my company? It's beyond me. There are years that ask questions and years that answer.

So Janie waited a bloom time, and a green time and an orange time. But when the pollen again gilded the sun and sifted down on the world she began to stand around the gate and expect things. What things? She didn't know exactly. Her breath was gusty and short. She knew things that nobody had ever told her. For instance, the words of the trees and the wind. She often spoke to falling seeds and said, 'Ah hope you fall on soft ground,' because she had heard seeds saying that to each other as they passed. She knew the world was a stallion rolling in the blue pasture of ether. She knew that God tore down the old world every evening and built a new one by sun-up. It was wonderful to see it take form with the sun and emerge from the gray dust of its making. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.

Husbands and wives always loved each other, and that was what marriage meant. It was just so. Janie felt glad of the thought, for then it wouldn't seem so destructive and mouldy. She wouldn't be lonely anymore.

Dis love! Dat’s just whut’s got us uh pullin’ and haulin’ and sweatin’ and doin’ from can’t see in de mornin’ till can’t see at night." Nanny to Janie

He looked like the love thoughts of women. He could be a bee to a blossom-a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God.

It was hard to love a woman that always made you feel so wishful.

He was a glance from God.

There's two things everybody got to find out for theyselves; they got to find out about love, and they got to find out about living.

Now they got to look into me loving Tea Cake and see whether it was done right or not! They don't know if life is a mess of corn-meal dumplings, and if love is a bed-quilt!

She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage!

Ah'll clean 'em, you fry 'em and let's eat,' he said with the assurance of not being refused. They went out into the kitchen and fixed up the hot fish and corn muffins and ate. Then Tea Cake went to the piano without so much as asking and began playing blues and singing, and throwing grins over his shoulder. The sounds lulled Janie to soft slumber and she woke up with Tea Cake combing her hair and scratching the dandruff from her scalp. It made her more comfortable and drowsy.

Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.

Janie stood where he left her for unmeasured time and thought. She stood there until something fell off the shelf inside her. Then she went inside there to see what it was. It was her image of Jody tumbled down and shattered. But looking at it she saw that it never was the flesh and blood figure of her dreams. Just some thing she had grabbed up to drape her dreams over.

She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage! She had been summoned to behold a revelation. Then Janie felt a pain remorseless sweet that left her limp and languid.

Things lak dat got uh whole lot tuh do wid convenience, but it ain’t got nothin’ tuh do wid love.

Dis ain’t no business proposition, and no race after property and titles. Dis is uh love game. Ah done lived Grandma’s way, now Ah means tuh live mine.

Some people could look at a mud-puddle and see an ocean with ships. But Nanny belonged to that other kind that loved to deal in scraps.

Those who love us never leave us alone with our grief. At the moment they show us our wound, they reveal they have the medicine. Barracoon: The Story of the Last “Black Cargo” is a perfect example of this.

Ah jus’ know dat God snatched me out de fire through you. And Ah loves yuh and feel glad.

So den we gittee married by de license, but I doan love my wife no mo' wid de license than I love her befo' de license. She a good woman and I love her all de time. (Oluale Kossula)

there in the fresh young darkness close together. Pheoby eager to feel and do through Janie, but hating to show her zest for fear it might be thought mere curiosity. Janie full of that oldest human longing—self-revelation. —ZORA NEALE HURSTON, THEIR EYES WERE WATCHING GOD

She hated the old woman who had twisted her so in the name of love. Most humans didn’t love one another nohow, and this mislove was so strong that even common blood couldn’t overcome it all the time.

There are years that ask questions and years that answer. Janie had had no chance to know things, so she had to ask. Did marriage end the cosmic loneliness of the unmated? Did marriage compel love like the sun the day? In

He ain’t kissin’ yo’ mouf when he carry on over yuh lak dat. He’s kissin’ yo’ foot and ’tain’t in uh man tuh kiss foot long. Mouf kissin’ is on uh equal and dat’s natural but when dey got to bow down tuh love, dey soon straightens up.

comfort for herself. Yes, she would love Logan after they were married. She could see no way for it to come about, but Nanny and the old folks had said it, so it must be so. Husbands and wives always loved each other, and that was what

Then you must tell ’em dat love ain’t somethin’ lak uh grindstone dat’s de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.

But we see something else: the nobility of a soul that has suffered to the point almost of erasure, and still it struggles to be whole, present, giving. Growing in love, deepening in understanding. Cudjo’s wisdom becomes so apparent, toward the end of his life, that neighbors ask him to speak to them in parables. Which he does. Offering peace.

A woman robbed of her love is more terrible than an army with banners.

Love makes your soul crawl out from its hiding space,’ to quote the late, great Zora Neale Hurston. It

She knew that God tore down the old world every evening and built a new one by sun-up. It was wonderful to see it take form with the sun and emerge from the gray dust of its making. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.

The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman.

pay no attention to what I say about love, for as I said before, it may not mean a thing. It is my own bathtub singing. Just because my mouth opens up like a prayer book, it does not just have to flap like a Bible.

on. Then Tea Cake would help get supper afterwards. “You don’t think Ah’m tryin’ tuh git outa takin’ keer uh yuh, do yuh, Janie, ’cause Ah ast yuh tuh work long side uh me?” Tea Cake asked her at the end of her first week in the field. “Ah naw, honey. Ah laks it. It’s mo’ nicer than settin’ round dese quarters all day. Clerkin’ in dat store wuz hard, but heah, we ain’t got nothin’ tuh do but do our work and come home and love.

Kimberlé Crenshaw’s “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color”; Jennifer L. Morgan’s Laboring Women: Reproduction and Gender in New World Slavery; All the Women Are White, All the Blacks Are Men, but Some of Us Are Brave, edited by Akasha Gloria Hull, Patricia Bell-Scott, and Barbara Smith; bell hooks’s Ain’t I a Woman: Black Women and Feminism; and Alice Walker’s In Search of Our Mother’s Gardens are all like scripture to me. Zora Neale Hurston’s Their Eyes Were Watching God was my first introduction (on the page) to a Black feminist heroine as well as to the African American southern vernacular that my mother’s family spoke.

It seems like the first law of Nature is that everybody likes to receive things, but nobody likes to feel grateful. And the very next law is that people talk about tenderness and mercy, but they love force. If you feed a thousand people you are a nice man with suspicious motives. If you kill a thousand you are a hero. Continue to get them killed by the thousands and you are a great conqueror, than which nothing on earth is greater. Oppress them and you are a great ruler. Rob them by law and they are proud and happy if you let them glimpse you occasionally surrounded by the riches that you have trampled out of their hides. You are truly divine if you meet their weakness with the sword to slay and the dogs to tear. The only time you run a great risk is when you serve them. The most repulsive thing to all men is gratitude. Men give up property, freedom and even life before they will have the obligation laid on them. Yet they make offerings at every altar and pray fervently to every god they have ever made to make them thankful. But no god has ever twisted Nature to that extent. So they often rush out of temples to destroy those who have served them too well.

Then Tea Cake came prancing around her where she was and the song of the sigh flew out of the window and lit in the top of the pine trees. Tea Cake, with the sun for a shawl. Of course he wasn't dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.

Besides she liked being lonesome for a change. This freedom feeling was fine. These men didn't represent a thing she wanted to know about. She had already experienced them through Logan and Joe. She felt like slapping some of them for sitting around grinning at her like a pack of cheesy cats, trying to make out they looked like love.

She couldn’t make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom—a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God. So

Here Nanny had taken the biggest thing God ever made, the horizon—for no matter how far a person can go the horizon is still way beyond you—and pinched it in to such a little bit of a thing that she could tie it about her granddaughter’s neck tight enough to choke her. She hated the old woman who had twisted her so in the name of love. Most humans didn’t love one another nohow, and this mislove was so strong that even common blood couldn’t overcome it all the time. She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still-bait. When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Then after that some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks make them hunt for one another, but the mud is deaf and dumb. Like all the other tumbling mud-balls, Janie had tried to show her shine.

He had given Israel back the notes to songs. The words would be according to their own dreams, but they would sing. They had songs and singers. They might not be absolutely free inside, but anyway he had taken from them the sorrow of serving without will, and had given them the strife of freedom. He had called to their memories the forgotten words of love and family. They had the blessing of being responsible for their own.

All next day in the house and store she thought resisting thoughts about Tea Cake. She even ridiculed him in her mind and was a little ashamed of the association. But every hour or two the battle had to be fought all over again. She couldn’t make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom—a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God.

Dis is uh love game. Ah done lived Grandma’s way, now Ah means tuh live mine.” “What you mean by dat, Janie?” “She was borned in slavery time when folks, dat is black folks, didn’t sit down anytime dey felt lak it. So sittin’ on porches lak de white madam looked lak uh mighty fine thing tuh her. Dat’s whut she wanted for me—don’t keer whut it cost. Git up on uh high chair and sit dere. She didn’t have time tuh think whut tuh do after you got up on de stool uh do nothin’. De object wuz tuh git dere. So Ah got up on de high stool lak she told me, but Pheoby, Ah done nearly languished tuh death up dere.

She closed in and sat down. Combing road-dust out of her hair. Thinking. The day of the gun, and the bloody body, and the courthouse came and commenced to sing a sobbing sigh out of every corner in the room; out of each and every chair and thing. Commenced to sing, commenced to sob and sigh, singing and sobbing. Then Tea Cake came prancing around her where she was and the song of the sigh flew out of the window and lit in the top of the pine trees. Tea Cake, with the sun for a shawl. Of course he wasn’t dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see. Afterword Zora Neale Hurston: “A Negro Way of Saying

If we consider the possibility that all women–from the infant suckling her mother’s breast, to the grown woman experiencing orgasmic sensations while suckling her own child, perhaps recalling her mother’s milk-smell in her own; to two women, like Virginia Woolf’s Chloe and Olivia, who share a laboratory; to the woman dying at ninety, touched and handled by women–exist on a lesbian continuum, we can see ourselves as moving in and out of this continuum, whether we identify ourselves as lesbian or not. It allows us to connect aspects of woman-identification as diverse as the impudent, intimate girl-friendships of eight- or nine-year-olds and the banding together of those women of the twelfth and fifteenth centuries known as Beguines who “shared houses, rented to one another, bequeathed houses to their room-mates … in cheap subdivided houses in the artisans’ area of town,” who “practiced Christian virtue on their own, dressing and living simply and not associating with men,” who earned their livings as spinners, bakers, nurses, or ran schools for young girls, and who managed–until the Church forced them to disperse–to live independent both of marriage and of conventual restrictions. It allows us to connect these women with the more celebrated “Lesbians” of the women’s school around Sappho of the seventh century B.C.; with the secret sororities and economic networks reported among African women; and with the Chinese marriage resistance sisterhoods–communities of women who refused marriage, or who if married often refused to consummate their marriages and soon left their husbands–the only women in China who were not footbound and who, Agnes Smedley tells us, welcomed the births of daughters and organized successful women’s strikes in the silk mills. It allows us to connect and compare disparate individual instances of marriage resistance: for example, the type of autonomy claimed by Emily Dickinson, a nineteenth-century white woman genius, with the strategies available to Zora Neale Hurston, a twentieth-century black woman genius. Dickinson never married, had tenuous intellectual friendships with men, lived self-convented in her genteel father’s house, and wrote a lifetime of passionate letters to her sister-in-law Sue Gilbert and a smaller group of such letters to her friend Kate Scott Anthon. Hurston married twice but soon left each husband, scrambled her way from Florida to Harlem to Columbia University to Haiti and finally back to Florida, moved in and out of white patronage and poverty, professional success and failure; her survival relationships were all with women, beginning with her mother. Both of these women in their vastly different circumstances were marriage resisters, committed to their own work and selfhood, and were later characterized as “apolitical ”. Both were drawn to men of intellectual quality; for both of them women provided the ongoing fascination and sustenance of life.

Dey gointuh make ’miration ’cause mah love didn’t work lak they love, if dey ever had any. Then you must tell ’em dat love ain’t somethin’ lak uh grindstone dat’s de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.

Love makes your soul crawl out from its hiding place

Tain’t in uh man tuh kiss foot long. Mouf kissin’ is on uh equal and dat’s natural but when dey got to bow down tuh love, dey soon straightens up.

Husbands and wives always loved each other, and that was what marriage meant. It was just so. Janie felt glad of the thought, for then it wouldn’t seem so destructive and mouldy. She wouldn’t be lonely anymore

Love is lak de sea. It's uh movie' thing, but still and all, it takes its shape from de shore it meets, and it's different with every shore.

They don’t know if life is a mess of cornmeal dumplings, and if love is a bed-quilt!

The kiss of his memory made pictures of love and light against the wall. Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.

It’s no use of talking unless people understand what you say.” ZORA NEALE HURSTON

Did marriage end the cosmic loneliness of the unmated? Did marriage compel love like the sun the day?

God made it so you spent yo' ole age first wid somebody else, and saved up yo' young girl days to spend wid me.

Tea Cake love me in blue, so Ah wears it. Jody ain't never in his life picked out no color for me.

Love is a choice. Either we choose to behave lovingly toward others....or not; either we conduct ourselves in ways that enhance our relationship....or not. But we should be aware that genuine love requires effort. Simply put, if we wish to build lasting relationship, we must be willing to do our part. Building lasting relationship requires compassion, wisdom, empathy, kindness, courtesy, and forgiveness ( lots of forgiveness). If that sounds like work, it is – which is perfectly okay, since the rewards of love always outweigh the costs. Zora Neale Hurston observed, "Love makes your soul crawl out of its hiding place." Your capable of choosing that kind of love—and the world becomes a better place when you do.v January 27th

Of course he wasn’t dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.

She hated her grandmother and had hidden it from herself all these years under a cloak of pity. She had been getting ready for her great journey to the horizons in search of people; it was important to all the world that she should find them and they find her. But she had been whipped like a cur dog, and run off down a back road after things. It was all according to the way you see things. Some people could look at a mud-puddle and see an ocean with ships. But Nanny belonged to that other kind that loved to deal in scraps. Here Nanny had taken the biggest thing God ever made, the horizon—for no matter how far a person can go the horizon is still way beyond you—and pinched it in to such a little bit of a thing that she could tie it about her granddaughter’s neck tight enough to choke her. She hated the old woman who had twisted her so in the name of love. Most humans didn’t love one another nohow, and this mislove was so strong that even common blood couldn’t overcome it all the time. She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still-bait.

Love makes you go all in. Love makes you voluntarily stupid. Love robs you of the humor you use to protect yourself and leaves you speechless. Love makes your soul crawl out from its hiding place. And then it strips you down, and leaves you fully nude for all to see. Zora Neale Hurston

Jenie waited a bloom time, and a green time and an orange time. But when the pollen again gilded the sun and sifted down on the world she began to stand around the gate and expect things. What things. She didn't know exactly. She knew things that nobody had ever told her. For instance, the words of the trees and the wind. She often spoke to falling seeds and said, 'Ah hope you fall on soft ground,' because she had heard the seeds saying that to each other as they passed. She knew the world was a stallion rolling in the blue pasture of ether. She knew that God tore down the old world every evening and built a new one by sun-up. It was wonderful to see it take form with the sun and emerge from the grey dust of its making. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.

Tea Cake, the son of Evening Sun, had to die for loving her.

There are years that ask questions and years that answer,” Zora Neale Hurston once wrote.

All night now the jooks clanged and clamored. Pianos living three lifetimes in one. Blues made and used right on the spot. Dancing, fighting, singing, crying, laughing, winning and losing love every hour. Work all day for money, fight all night for love. The rich black earth clinging to bodies and biting the skin like ants.

She couldn't make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom-- a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God.

But if I should live to be very old, I have laid plans for that so that it will not be too tiresome. So far, I have never used coffee, liquor, nor any form of stimulant. When I get old, and my joints and bones tell me about it, I can sit around and write for myself, if for nobody else, and read slowly and carefully the mysticism of the East, and re-read Spinoza with love and care. All the while my days can be a succession of coffee cups. Then

Those who love us never leave us alone with our grief. At the moment they show us our wound, they reveal they have the medicine.