Zoo Life Quotes

We've searched our database for all the quotes and captions related to Zoo Life. Here they are! All 100 of them:

I know zoos are no longer in people's good graces. Religion faces the same problem. Certain illusions about freedom plague them both.
Yann Martel (Life of Pi)
To find out if she really loved me, I hooked her up to a lie detector. And just as I suspected, my machine was broken.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits—a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Our love was a two-person game. At least until one of us died, and the other became a murderer.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
We commonly say in the trade that the most dangerous animal in a zoo is Man.
Yann Martel (Life of Pi)
After dinner or lunch or whatever it was -- with my crazy 12-hour night I was no longer sure what was what -- I said, "Look, baby, I'm sorry, but don't you realize that this job is driving me crazy? Look, let's give it up. Let's just lay around and make love and take walks and talk a little. Let's go to the zoo. Let's look at animals. Let's drive down and look at the ocean. It's only 45 minutes. Let's play games in the arcades. Let's go to the races, the Art Museum, the boxing matches. Let's have friends. Let's laugh. This kind of life like everybody else's kind of life: it's killing us.
Charles Bukowski (Post Office)
..the most dangerous animal in a zoo is Man.
Yann Martel (Life of Pi)
What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.
Yann Martel (Life of Pi)
Just beyond the ticket booth Father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? An arrow pointed to a small curtain. There were so many eager, curious hands that pulled at the curtain that we had to replace it regularly. Behind it was a mirror.
Yann Martel (Life of Pi)
Life is a zoo in a jungle
Peter De Vries
I had a dream about you. We installed Dr. Robert Jarvik’s artificial heart in a mannequin and brought it to life, only to later kill it because a creature that’s all fake heart and no brain is what’s commonly called a “politician,” and must be destroyed.

Dark Jar Tin Zoo (I Had a Dream About You)
She gave me money to buy condoms, and instead I bought a book of baby names. That’s life. That’s love. That’s fiscally irresponsible.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstitiion will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate. I dont see what that has to do with catchin birds. The freedom of birds is an insult to me. I'd have them all in zoos. That would be a hell of a zoo. The judge smiled. Yes, he said. Even so.
Cormac McCarthy
I believe that the best way to create good living conditions for any animal, whether it's a captive animal living in a zoo, a farm animal or a pet, is to base animal welfare programs on the core emotion systems in the brain. My theory is that the environment animals live in should activate their positive emotions as much as possible, and not activate their negative emotions any more than necessary. If we get the animal's emotions rights, we will have fewer problem behaviors... All animals and people have the same core emotion systems in the brain.
Temple Grandin (Animals Make Us Human: Creating the Best Life for Animals)
The caged eagle become a metaphor for all forms of isolation, the ultimate in imprisonment. A zoo is prison.
Nadine Gordimer (Get a Life)
We made love like green is blue. That’s because we were only half into it, though for the record I was the blue and she was the disinterested yellow.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
One might even argue that if an animal could choose with intelligence, it would opt for living in a zoo, since the major difference between a zoo and the wild is the absence of parasites and enemies and the abundance of food in the first, and their respective abundance and scarcity in the second. Think about it yourself. Would you rather be put up at the Ritz with free room service and unlimited access to a doctor or be homeless without a soul to care for you?... But I don't insist. I don't mean to defend zoos. Close them all down if you want (and let us hope that what wildlife remains can survive in what is left of the natural world). I know zoos are no longer in people's good graces. Religion faces the same problem. Certain illusions about freedom plague them both.
Yann Martel (Life of Pi)
It was a huge zoo, spread over numberless acres, big enough to require a train to explore it, though it seemed to get smaler as I grew older, train included. Now it's so small it fits in my head.
Yann Martel
I was driven to Whipsnade one sunny morning. When we set out I did not believe that Jesus Christ is the son of God, and when we reached the zoo I did. Yet I had not exactly spent the journey in thought. Nor in great emotion. “Emotional” is perhaps the last word we can apply to some of the most important events. It was more like when a man, after a long sleep, still lying motionless in bed, becomes aware that he is now awake.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
Much of human behavior can be explained by watching the wild beasts around us. They are constantly teaching us things about ourselves and the way of the universe, but most people are too blind to watch and listen.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
He was about to find out that when you open a door with a psychiatrist’s name on it, you’d better be prepared to witness exactly how fucked up your life has become.
Jim Carroll (The Petting Zoo)
Best day of my life was January 9, 1997. I was eight years old and my mom and I went to the zoo on a class trip. I liked the bears. She liked the monkeys. Best day ever. End of story.
John Green (Looking for Alaska)
...if you fall into a lion's pit, the reason the lion will tear you to pieces is not because it's hungry-be assured, zoo animals are amply fed-or because it's bloodthirsty, but because you've invaded it's territory.
Yann Martel (Life of Pi)
Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can get.
Yann Martel (Life of Pi)
If you stand tall, you'll be shot at. If you stoop down, you'll get stepped on. Everybody faces this, Ana. It's up to you to decide what you want and who you are.
Jess Keating (How to Outrun a Crocodile When Your Shoes Are Untied (My Life Is a Zoo, #1))
My mind is like a Zoo with no cages... Watch where you step
Stanley Victor Paskavich
I really wanted to believe that there were these magic celestial bodies that would direct my life, tell me what to do, and it turns out it's not stars, it's some bits of screwy DNA. I'm just meat with faulty programming.
Lauren Beukes (Zoo City)
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
I unwrapped my love for her like one might unwrap leftovers. Gotta eat up the old stuff first, as a cannibal might say in a retirement home.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
Every one of us is a zoo in our own right – a colony enclosed within a single body. A multi-species collective. An entire world.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits—a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
For the first time I examined myself with a seriously practical purpose. And there I found what appalled me; a zoo of lusts, a bedlam of ambitions, a nursery of fears, a harem of fondled hatreds. My name was legion.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
A zoo is a cultural institution. Like a public library, like a museum, it is at the service of popular education and science. And by that token, not much of a money-making venture for the Greater Good and the Greater Profit are not compatible aims.
Yann Martel (Life of Pi)
I love full on, like 65 mph in a handicapped parking spot.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
I don't mean to defend zoos. Close them all down if you want (and let us hope that what wildlife remains can survive in what is left of the natural world). I know zoos are no longer in people's good graces. Religion faces the same problem. Certain illusion about freedom plague them both.
Yann Martel (Life of Pi)
Misfortune of this kind comes to many. Life is well ordered, like a nécessaire, but not all of us can find our places in it. Life tailors us for a certain person and laughs when we are drawn to someone unable to love us. All this is simple--like postage stamps.
Victor Shklovsky (Zoo or Letters Not About Love)
Better to honor the pinch of fear than regret the punch of fang.
Wendy Beck (9th Life (The Naming of Legends, #1))
But throughout my life I have rarely if ever achieved what I wanted by tackling it in a logical fashion.
Gerald Durrell (A Zoo in My Luggage)
But you know what I've learned about bravery? It's not something you just have. It's something you choose. And the more you choose it, the more it grows.
Jess Keating (How to Outrun a Crocodile When Your Shoes Are Untied (My Life Is a Zoo, #1))
For example, the main reason zebras never got domesticated is that they’re ultra-high-fear. Zebras may bite people and not let go. They injure more people in zoos than the tigers do.15
Temple Grandin (Animals Make Us Human: Creating the Best Life for Animals)
To prosper, a zoo needs parliamentary government, democratic elections, freedom of speech, freedom of the press, freedom of association, rule of law and everything else enshrined in India's Constitution. Impossible to enjoy the animals otherwise. Long-term, bad politics is bad for business.
Yann Martel (Life of Pi)
Perhaps the most noticeable aspect of my confidence is the way I sustain eye contact. Some people have called it a “predator stare,” and it appears that most sociopaths have it. Sustained eye contact can seem hostile, and so zoo visitors are frequently advised not to stare at gorillas, lest it be taken as a sign of aggression. Most humans seem to think so, too;
M.E. Thomas (Confessions of a Sociopath: A Life Spent Hiding in Plain Sight)
A good zoo is a place of carefully worked-out coincidence: exactly where an animal says to us, "Stay out!"...we say to it, "Stay in!" with our barriers. Under such conditions of diplomatic peace, all animals are content and we can relax and have a look at each other.
Yann Martel (Life of Pi)
All zoos, even the most enlightened, are built upon the idea both beguiling and repellent—the notion that we can seek out the wildness of the world and behold its beauty, but that we must first contain that wildness. Zoos argue that they are fighting for the conservation of the Earth, that they educate the public and provide refuge and support for vanishing species. And they are right. Animal-rights groups argue that zoos traffic in living creatures, exploiting them for financial gain and amusement. And they are right. Caught inside this contradiction are the animals themselves, and the humans charged with their well-being.
Thomas French (Zoo Story: Life in the Garden of Captives)
Traveling across the United States, it's easy to see why Americans are often thought of as stupid. At the San Diego Zoo, right near the primate habitats, there's a display featuring half a dozen life-size gorillas made out of bronze. Posted nearby is a sign reading CAUTION: GORILLA STATUES MAY BE HOT. Everywhere you turn, the obvious is being stated. CANNON MAY BE LOUD. MOVING SIDEWALK ABOUT TO END. To people who don't run around suing one another, such signs suggest a crippling lack of intelligence. Place bronze statues beneath the southern California sun, and of course they're going to get hot. Cannons are supposed to be loud, that's their claim to fame, and - like it or not - the moving sidewalk is bound to end sooner or later. It's hard trying to explain a country whose motto has become You can't claim I didn't warn you. What can you say about the family who is suing the railroad after their drunk son was killed walking on the tracks? This pretty much sums up my trip to Texas.
David Sedaris
Zookeeper foible #1: Tendency to not equate fur and scale with fracture and scar.
Wendy Beck (9th Life (The Naming of Legends, #1))
She is the only island for you in your life. From her there is no turning back for you. Only around her does the sea have color.
Victor Shklovsky (Zoo or Letters Not About Love)
New life insists. It does not debate. It simply appears, trembling and hungry, and will not be denied.
Thomas French (Zoo Story: Life in the Garden of Captives)
A prison for animals who committed no crimes is what a zoo is." - On Zoos
Lamine Pearlheart (The Sunrise Scrolls: To Life from the Shadows II)
It's a joke in the zoo business, a weary joke, that the paperwork involved in trading a shrew weighs more than an elephant, that the paperwork involved in trading an elephant weighs more than a whale, and that you must never try to trade a whale, never.
Yann Martel (Life of Pi)
But what the hell, I told myself, it wasn't as if I were one of them or even competing with them, for heaven's sake, I was merely a disinterested spectator at the Banquet of Life. The scientist dropping into the zoo at feeding time. That is what I told myself.
Elaine Dundy (The Dud Avocado)
I had a dream about you. At first you were a mannequin, and I was a fashion designer. Then, inexplicably, we switched roles and I became the mannequin. But instead of putting clothes on me, you laughed at my nakedness, and you sold me to the owner of a sex shop. 

Dark Jar Tin Zoo (I Had a Dream About You)
I had a dream about you. In my dream I stole all your money, kidnapped your parents, and mailed you mannequin parts spray-painted red in a series of packages that also included ransom notes. Then, towards the end of the dream, the cops surrounded my cave and swarmed in to arrest me. Sweating, my eyes shot open, and I realized it was a dream. “Of course it’s a dream,” I thought. “The cops have no idea where my cave is, and your first package has yet to be delivered.”

Dark Jar Tin Zoo (I Had a Dream About You)
Elephants, it turns out, are surprisingly stealthy. As the sunlight fades, other species declare their presence. Throngs of zebras and wildebeests thunder by in the distance, trailing dust clouds. Cape buffalo snort and raise their horns and position themselves in front of their young. Giraffes stare over treetops, their huge brown eyes blinking, then lope away in seeming slow motion. But no elephants.
Thomas French (Zoo Story: Life in the Garden of Captives)
An adult female orang-utan cannot defeat an adult male spotted hyena. That is the plain empirical truth. Let it become known among zoologists. Had Orange Juice been a male, had she loomed as large on the scales as she did in my heart, it might have been another matter. But portly and overfed though she was from living in the comfort of a zoo, even so she tipped the scales at barely 110 pounds. Female orang-utans are half the size of males. But it is not simply a question of weight and brute strength. Orange Juice was far from defenseless. What it comes down to is attitude and knowledge. What does a fruit eater know about killing? Where would it learn where to bite, how hard, for how long? An orang-utan may be taller, may have very strong and agile arms and long canines, but if it does not know how to use these as weapons, they are of little use. The hyena, with only its jaws, will overcome the ape because it knows what it wants and how to get it.
Yann Martel (Life of Pi)
I remember spending an afternoon with Mr. Richter in the Central Park Zoo, I went weighted down with food for the animals, only someone who’d never been an animal would put up a sign saying not to feed them, Mr. Richter told a joke, I tossed hamburger to the lions, he rattled the cages with his laughter, the animals went to the corners, we laughed and laughed, together and separately, out loud and silently, we were determined to ignore whatever needed to be ignored, to build a new world from nothing if nothing in our world could be salvaged, it was one of the best days of my life, a day during which I lived my life and didn’t think about my life at all.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Is there such a thing as public good? That's all I'm asking. I mean, is your good the same as my good? I doubt that seriously. So, if we do not agree on a common sense of good, then how can there be any larger public good? What about some homeless person who sleeps on a heat grating down the street from that sculpture? Does he feel the public good when he stares up at this excessive interplay of metallic shapes? More likely he interprets this art through the way its form and function are relevant to his life, making this piece fairly useless. Such a lost soul's aesthetic viewpoint is overriden by the terms of his subsistence. Maybe he feels frustrated and hopeless that a behemoth made almost entirely of metal contains no surfaces large enough that he could use as shelter from rain or snow. Seeing the abstract metaphors, analogies, and conclusions that they invoke, or just laughing at the artist's pretense or the corrupt visions, which are particularly rife as this century comes to an end, requires taking your bank account for granted. That's a fine luxury for those with places to sleep and clothes that are clean.
Jim Carroll (The Petting Zoo)
Despite all their flaws, zoos wake us up. They invite us to step outside our most basic assumptions. Offered for our contemplation, the animals remind us of nature’s impossibly varied schemes for survival, all the strategies that species rely upon for courtship and mating and protecting the young and establishing dominance and hunting for something to eat and avoiding being eaten. On a good day, zoos shake people into recognizing the manifold possibilities of existence, what it’s like to walk across the Earth, or swim in its oceans of fly above its forests—even though most animals on display will never have the chance to do any of those things again, at least not in the wild.
Thomas French (Zoo Story: Life in the Garden of Captives)
Kretanje je duša svega što drhti. Započinje tako da se prvo dogodi trenutak onima koji žive trenutak, a onda se, onima koji žive vječnost, vječnost nametne kao bolest.
Kemal Mujičić Artnam (Zona Zoo)
Now, here is what I had wanted to happen: I had tried to love, and I had tried to kill, and both had been unsuccessful by themselves.
Edward Albee (The Zoo Story)
The paths people choose in life can lead to the creation or destruction of people, places, things, and relationships. The future is uncertain, but what is certain is there will be change.
Stephen Black (The Zoo: An Allegorical Adventure)
I had a dream about you. You were you, but you were many—a multitude of mannequins, each named Manny. And I was me, but I was Dark Jar Tin Zoo, and as such I made love to you—all of you. Then I woke up alone, naked, cuddling a mannequin I named after you who smells like you, because I spray it with the same fragrance you used to wear. Is that crazy? No, I didn’t think so either. 

Dora J. Arod (I Had a Dream About You)
I don't mean to defend zoos. Close them all down if you want (and let us hope that what wildlife remains can survive in what is left of the natural world). I know zoos are no longer in people's good graces. Religion faces the same problem. Certain illusions about freedom plague them both.
Yann Martel (Life of Pi)
That golden pin ball of a hare must be fresh dead! Thirty eight rabbits, seven squirrels, and one kitty cat D.O.A--MEEEEOOOWWW! Bippity bop-bop-bop bippity boo! I’m not no swineherd, my flocks a dead zoo! Won’t crunch on no crumpets, I slurp bacon stew! Ain’t dyin’ in one life, “my brothaaaa”, I’m livin’ two! Yo! Everything melts like grilled cheese in the grease of Old Blue! Old Blue! Old Blue! Everything melts like grilled cheese in the grease of Old Blue!” The Old Blue the character raps of…is money.
Kevin Moccia (The Beagle and the Hare)
That which interests most people leaves me without any interest at all. This includes a list of things such as: social dancing, riding roller coasters, going to zoos, picnics, movies, planetariums, watching tv, baseball games; going to funerals, weddings, parties, basketball games, auto races, poetry readings, museums, rallies, demonstrations, protests, children’s plays, adult plays … I am not interested in beaches, swimming, skiing, Christmas, New Year’s, the 4th of July, rock music, world history, space exploration, pet dogs, soccer, cathedrals and great works of Art. How can a man who is interested in almost nothing write about anything? Well, I do. I write and I write about what’s left over: a stray dog walking down the street, a wife murdering her husband, the thoughts and feelings of a rapist as he bites into a hamburger sandwich; life in the factory, life in the streets and rooms of the poor and mutilated and the insane, crap like that, I write a lot of crap like that
Charles Bukowski (Shakespeare Never Did This)
Mkhaya's herd is a good-sized group - sixteen in all, counting the calves - and even though they are the largest land mammals on earth, they are not always easy to find. Elephants, it runs out, are surprisingly stealthy.
Thomas French (Zoo Story: Life in the Garden of Captives)
The right to lead a life free of fear is a fundamental right of all living beings. But this fundamental right is being brutally violated by humans in animal testing, meat and dairy industry, circus, zoos, aquariums, and sports.
Ama H. Vanniarachchy
Ensuring that our home planet is healthy and life sustaining is an overwhelming priority that undercuts all other human activities. The ship must first float. Our failure to grasp these fundamental tenants of existence will be our undoing. And one thing is for certain. No calvary is going to come charging to our rescue. We are going to have to rescue ourselves or die trying. Workable solutions are urgently needed. Saving seals and tigers or fighting yet another oil pipeline through a wilderness area, while laudable, is merely shuffling the deck chairs on the Titanic. The real issue is our elementary accord with Earth and the plant and animal kingdoms has to be revitalized and re-understood. The burning question is, How?
Lawrence Anthony (Babylon's Ark: The Incredible Wartime Rescue of the Baghdad Zoo)
Disasterology The Badger is the thirteenth astrological sign. My sign. The one the other signs evicted: unanimously. So what? ! Think I want to read about my future in the newspaper next to the comics? My third grade teacher told me I had no future. I run through snow and turn around just to make sure I’ve got a past. My life’s a chandelier dropped from an airplane. I graduated first in my class from alibi school. There ought to be a healthy family cage at the zoo, or an open field, where I can lose my mother as many times as I need. When I get bored, I call the cops, tell them there’s a pervert peeking in my window! then I slip on a flimsy nightgown, go outside, press my face against the glass and wait… This makes me proud to be an American where drunk drivers ought to wear necklaces made from the spines of children they’ve run over. I remember my face being invented through a windshield. All the wounds stitched with horsehair So the scars galloped across my forehead. I remember the hymns cherubs sang in my bloodstream. The way even my shadow ached when the chubby infants stopped. I remember wishing I could be boiled like water and made pure again. Desire so real it could be outlined in chalk. My eyes were the color of palm trees in a hurricane. I’d wake up and my id would start the day without me. Somewhere a junkie fixes the hole in his arm and a racing car zips around my halo. A good God is hard to find. Each morning I look in the mirror and say promise me something don’t do the things I’ve done.
Jeffrey McDaniel
I had a dream about you. You looked like you, but you also looked like a mannequin. And I looked like me, but I also looked like a mannequin. Between the two of us, we were too fake even for Hollywood. And as such, we were forced to reside in Washington DC.

Dark Jar Tin Zoo (I Had a Dream About You)
Taken together, the narratives of how the animals ended up at Lowry Park revealed as much about Homo sapiens as they revealed about the animals themselves. The precise details—how and where each was born, how they were separated from their mothers and taken into custody, all they had witnessed and experienced on their way to becoming the property of this particular zoo—could have filled an encyclopedia with insights into human behavior and psychology, human geopolitics and history and commerce. Lowry Park’s very existence declared our presumption of supremacy, the ancient belief that we have been granted dominion over other creatures and have the right to do with them as we please. The zoo was a living catalogue of our fears and obsessions, the ways we see animals and see ourselves, all the things we prefer not to see at all. Every corner of the grounds revealed our appetite for amusement and diversion, no matter what the cost. Our longing for the wildness we have lost inside ourselves. Our instinct to both exalt nature and control it. Our deepest wish to love and protect other species even as we scorch their forests and poison their rivers and shove them toward oblivion. All of it was on display in the garden of captives.
Thomas French (Zoo Story: Life in the Garden of Captives)
I don’t mean to defend zoos. Close them all down if you want (and let us hope that what wildlife remains can survive in what is left of the natural world). I know zoos are no longer in people’s good graces. Religion faces the same problem. Certain illusions about freedom plague them both.
Yann Martel (Life of Pi)
Why is this happening? Who knows, really? Life and existence can never be fully understood. Stars are born only to explode. Creatures hunt other creatures, and then they die. The universe is a chaos of irrational forces wrestling with one another in a war without end. The human race is on the receiving end now.
James Patterson (Zoo)
They looked at each other for a moment. The moment became a longer moment, and suddenly it was a very long moment, so long one could hardly tell where all the time was coming from. For Arthur, who could usually contrive to feel self-conscious if left alone with a Swiss cheese plant, the moment was one of sustained revelation. He felt on the sudden like a cramped and zoo-born animal who wakes up one morning to find the door to his cage hanging quietly open and the savanna stretching gray and pink to the distant rising sun, while all around new sounds are waking. He wondered what the new sounds were as he gazed at her openly wondering face and her eyes that smiled with a shared surprise. He hadn't realized that life speaks with a voice to you, a voice that brings you answers to the questions you continually ask of it, had never consciously detected it or recognized its tones until it now said something it had never said to him before, which was "yes.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
Just beyond the ticket booth Father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? An arrow pointed to a small curtain. There were so many eager, curious hands that pulled at the curtain that we had to replace it regularly. Behind it was a mirror. (1.8.4)
Yann Martel
When Manya read, there was no waking her from her absorption; she heard nothing. A whole household might plan to tease and make a noise like all the zoos let loose with tin cans to play with and yet Manya wouldn't hear till her book was done. That was concentration and it was a joyful gift to have seized from the lucky-bag of life.
Eleanor Doorly (The Radium Woman;A Youth Edition of the Life of Madame Curie)
All the governments were telling their soldiers that they had God and right on their side, and that dying for their country was the least they could do, but – well, think about it – what does it mean, dying for your country? What exactly is your country? The buildings and the grass and the trees? The people? The way of life? People say you should love your country, and be proud of it, and there are usually things to love and be proud of. But there are usually things to dislike as well, and every country has things to be ashamed of. So what does dying for your country achieve? Nothing, as far as I could see. Living for your country, you get the chance to make it better.
David Downing (Zoo Station)
If I could tell you how many times Noah lost his temper as a kid and set his parents’ house on fire—they were uncountable.” He shook his head. “Hell, Bella, the first time I shape-shifted it took me a week to figure out how to switch back.” That made her release a soft, watery laugh. “Oh, it gets better. Ask me what my first choice of animal was.” “Nooo . . .” “A pig. Not just any pig, mind you,” he said, talking over her startled laugh. “A huge, slobbery, grunting warthod. I had seen one at the zoo, and the next I knew . . .” Bella was laughing against her fists, trying to smother it with her fingers. “My father loved to tell the story for years about how he had to kidnap his own son from the zoo, a son who was so upset he squealed loudly the entire time his father was trying to smuggle him out. My father was a Demon of the Body, so he had no way of transforming me into a less conspicuous form of matter. He never let me live it down. Can you imagine? Centuries of being reminded of the most ridiculous moment of my life.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Why do we so mindlessly abuse our planet, our only home? The answer to that lies in each of us. Therefore, we will strive to bring about understanding that we are--each one of us--responsible for more than just ourselves, our family, our football team, our country, or our own kind; that there is more to life than just these things. That each one of us must also bring the natural world back into its proper place in our lives, and realize that doing so is not some lofty ideal but a vital part of our personal survival.
Lawrence Anthony (Babylon's Ark: The Incredible Wartime Rescue of the Baghdad Zoo)
I know zoos are no longer in people’s good graces. Religion faces the same problem. Certain illusions about freedom plague them both.
Yann Martel (Life of Pi)
You’ve had twelve more years than my sister had, and what have you done with them? What would you tell her, Flint? I’d tell her to let her family have as much of her time as she can give them. Go to the zoo, and the beach, and every museum within a hundred-mile radius if that’s what they want, just to be in the car with them. I’d tell her to soak up whatever spots of joy she can. To slow down and savor that gorgeous sunset, a long hug, a warm blanket, her favourite food. To let in that old friend and all the good memories that come with them.
Brianna Bourne (The Half-Life of Love)
So much of our world has been brutally wrested from us; we now have to say enough. No more. Perhaps if enough individuals find out what is actually going on for themselves and start doing something about it, then maybe we can stave off the fast-advancing crisis and create a beautiful. healthy, livable planet where all life flourishes and man is free to rise to greater heights.
Lawrence Anthony (Babylon's Ark: The Incredible Wartime Rescue of the Baghdad Zoo)
Until he was four years old, James Henry Trotter had a happy life. He lived peacefully with his mother and father in a beautiful house beside the sea. There were always plenty of other children for him to play with, and there was the sandy beach for him to run about on, and the ocean to paddle in. It was a perfect life for a small boy. Then, one day, James's mother and father went to London to do some shopping, and there a terrible thing happened. Both of them suddenly got eaten up (in full daylight, mind you, and on a crowded street) by an enormous angry rhinoceros which had escaped from the London Zoo.
Roald Dahl (James and the Giant Peach)
After the curtain had fallen, a raucous display of malice had erupted from the gallery, and the ensuing scene, a quarter of an hour in which Hr'y's friends close to the stage attempted to applaud over the hoots and jeers of callous roughs in the shadows - a spectacle that culminated with the play's nervous director appearing on stage to quickly apologize for the production - is one of the better documented episodes in the many biographies of Hr'y's life. What's worth revisiting is the way he described it once he mustered the courage to put it all in a letter. The play had never really had a chance, he wrote. His 'extremely human' effort was met by a mob that responded with 'roars (like those of a cage of beasts at some infernal 'Zoo')
J.C. Hallman
I saw once a jaguar in zoo, behind a glass, so that all the bugs in hueman form could gawk at it and humiliate it. This animal felt a noble and persistent sadness, being observed everywhere by the obsequious monkeys, not even monkeys, that were taunting it with stares. He could tell—I saw this! He could tell he was living in a simulated environment and that he had no power to move or live. His sadness crushed me and I will always remember this animal. I never want to see life in this condition!
Bronze Age Pervert (Bronze Age Mindset)
Coriolanus moved back to his seat - she knew where to find him now - to listen and to savor their actual reunion, which was only a song away. His eyes teared up when she began the song from the zoo. "Down in the valley, valley so low, Late in the evening, hear the train blow. The train, love, hear the train blow. Late in the evening, hear the train blow." Coriolanus felt an elbow nudge his ribs and looked over to see Sejanus beaming at him. It was nice, after all, to have someone else who knew the significance of the song. Someone who knew what they'd been through. "Go build me a mansion, build it so high, So I can see my true love go by. See him go by, love, see him go by. So I can see my true love go by." That's me, Coriolanus wanted to tell people around him. I'm her true love. And I saved her life. "Go write me a letter, send it by mail. Bake it and stamp it to the Capitol jail. Capitol jail, love, to the Capitol jail. Bake it and stamp it to the Capitol jail." Should he say hello first? Or just kiss her? "Roses are red, love; violets are blue. Birds in the heavens know I love you." Kiss her. Definitely, just kiss her. "Know I love you, oh, know I love you, Birds in the heavens know I love you. "Good night, everybody. Hope we see you next week, and until then, keep singing your song," said Lucy Gray, and the whole Covey took one final blow.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
just beyond the ticket booth father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? an arrow pointed to a small curtain. there were so many eager, curious hands that pulled at that curtain that we had to replace it regularly. behind it was a mirror
Yann Martel (Life of Pi)
I realize belatedly that sending sharks to the aid of humans is a stupid idea. When one of the men tries to kick a tiger shark in the eye-and how could I blame him?-I tell the sharks to retreat. They’ve done all they can do, and I won’t let them be abused for their efforts. After a few more minutes, I see a small, chubby pair of legs struggling nearby. The owner of the legs can’t be older than a toddler. I scoop him up and keep him at the surface. He’s adorable really, with rounded cheeks and a snotty nose and brown eyes with lashes that would make a supermodel jealous. Close to us, a woman who I assume is his mother is crying frantically and calling out to the empty waves around her. I swim him over to her and deliver the little guy into her arms. “He swallowed a good part of the ocean, but otherwise he’ll be fine,” I tell her, knowing that she doesn’t understand. She clutches him to her and trembles. I swim two life jackets over to her and help her strap them on to her and the baby boy. She nods, and despite the language barrier, I can tell that she’s thanking me. Which makes me feel like zoo dirt, since I helped put her and her child in this predicament. If she knew that, she would probably be trying to choke the life from me. And I would probably let her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The basic common denominator of all life is the urge to survive, and the survival of life on Planet Earth is achieved only as a shared initiative with and through all life-forms. Life is a joint effort; no 'man' separate from 'nature.' Homo sapiens as individuals and as species are as much a part of life's overall thrust for survival as any other species. As living organisms, we are part if the greater whole, and as such, we are embodied with exactly the same fundamental purpose: to survive. And to do so--as individuals, families, groups, and as a species--we have to live in dynamic collaboration with the plant and animal kingdoms in a healthy, life-sustaining environment.
Lawrence Anthony (Babylon's Ark: The Incredible Wartime Rescue of the Baghdad Zoo)
to shriek and to slam the door shut repeatedly—with a deafening clang each time—until the keeper, notified by a visitor, hurried over to remedy the situation. A herd of roe-deer in a European zoo stepped out of their corral when the gate was left open. Frightened by visitors, the deer bolted for the nearby forest, which had its own herd of wild roe-deer and could support more. Nonetheless,
Yann Martel (Life of Pi)
I dream that someone in space says to me: So let us rush, then, to see the world. It is shaped like an egg, covered with seas and continents, warmed and lighted by the sun. It has churches of indescribable beauty, raised to gods that have never been seen; cities whose distant roofs and smokestacks will make your heart leap; ballparks and comfortable auditoriums in which people listen to music of the most serious import; to celebrate life is recorded. Here the joy of women’s breasts and backsides, the colors of water, the shapes of trees, athletes, dreams, houses, the shapes of ecstasy and dismay, the shape even of an old shoe, are celebrated. Let us rush to see the world. They serve steak there on jet planes, and dance at sea. They have invented musical instruments to express love, peaceableness; to stir the finest memories and aspirations. They have invented games to catch the hearts of young men. They have ceremonies to exalt the love of men and women. They make their vows to music and the sound of bells. They have invented ways to heat their houses in the winter and cool them in the summer. They have even invented engines to cut their grass. They have free schools for the pursuit of knowledge, pools to swim in, zoos, vast manufactories of all kinds. They explore space and the trenches of the sea. Oh, let us rush to see this world.
John Cheever (The Journals of John Cheever)
Futuristic as this may sound, the vision of individuals and groups as so many objects to be continuously tracked, wholly known, and shunted this way or that for some purpose of which they are unaware has a history. It was coaxed to life nearly sixty years ago under the warm equatorial sun of the Galapagos Islands, when a giant tortoise stirred from her torpor to swallow a succulent chunk of cactus into which a dedicated scientist had wedged a small machine. It was a time when scientists reckoned with the obstinacy of free-roaming animals and concluded that surveillance was the necessary price of knowledge. Locking these creatures in a zoo would only eliminate the very behavior that scientists wanted to study, but how were they to be surveilled? The solutions once concocted by scholars of elk herds, sea turtles, and geese have been refurbished by surveillance capitalists and presented as an inevitable feature of twenty-first-century life on Earth. All that has changed is that now we are the animals
Shoshana Zuboff (The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power)
One night, as I cooked dinner in our home on the zoo grounds, I brooded over my troubles. I didn’t want to spend the evening feeling sorry for myself, so I thought about Steve out in the back, fire-gazing. He was a very lucky man, because for Steve, fire-gazing literally meant getting to build a roaring fire and sitting beside it, to contemplate life. Suddenly I heard him come thundering up the front stairs. He burst wild-eyed into the kitchen. He’s been nailed by a snake, I thought immediately. I didn’t know what was going on. “I know what we have to do!” he said, extremely excited. He pulled me into the living room, sat me down, and took my hands in his. Looking intensely into my eyes, he said, “Babe, we’ve got to have children.” Wow, I thought, that must have been some fire. “Ok-aaay,” I said. “You don’t understand, you don’t understand!” he said, trying to catch me up to his thoughts. “Everything we’ve been working for, the zoo that we’ve been building up, all of our efforts to protect wildlife, it will all stop with us!” As with every good idea that came into his head, Steve wanted to act on it immediately. Just take it in stride, I said to myself. But he was so sincere. We’d talked about having children before, but for some reason it hit him that the time was now. “We have got to have children,” he said. “I know that if we have kids, they will carry on when we’re gone.” “Great,” I said. “Let’s get right on that.” Steve kept pacing around the living room, talking about all the advantages of having kids--how I’d been so passionate about carrying on with the family business back in Oregon, and how he felt the same way about the zoo. He just knew our kids would feel the same too. I said, “You know, there’s no guarantee that we won’t have a son who grows up to be a shoe salesman in Malaysia.” “Come off the grass,” Steve said. “Any kid of ours is going to be a wildlife warrior.” I thought of the whale calves following their mamas below the cliffs of the Great Australian Bight and prepared myself for a new adventure with Steve, maybe the greatest adventure of all.
Terri Irwin (Steve & Me)
In zoos, as in nature, the best times to visit are sunrise and sunset. That is when most animals come to life. They stir and leave their shelter and tiptoe to the water's edge. They show their raiments. They sing their songs. They turn to each other and perform their rites. The reward for the watching eye and the listening ear is great. I spent more hours than I can count a quiet witness to the highly mannered, manifold expressions of life that grace our planet. It is something so bright, loud, weird and delicate as to stupefy the senses.
Yann Martel
But I learned at my expense that Father believed there was another animal even more dangerous than us, and one that was extremely common, too, found on every continent, in every habitat: the redoubtable species Animalus anthropomorphicus, the animal as seen through human eyes. We've all met one, perhaps even owned one. It is an animal that is "cute", "friendly", "loving", "devoted", "merry", "understanding". These animals lie in ambush in every toy store and children's zoo. Countless stories are told of them. They are the pendants of those "vicious", "bloodthirsty", "depraved" animals that inflame the ire of the maniacs I have just mentioned, who vent their spite on them with walking sticks and umbrellas. In both cases we look at an animal and see a mirror. The obsession with putting ourselves at the centre of everything is the bane not only of theologians but also of zoologists. I learned the lesson that an animal is an animal, essentially and practically removed from us, twice: once with Father and once with Richard Parker. Martel, Yann. Life of Pi (p. 39). Houghton Mifflin Harcourt.
Yann Martel (Life of Pi)
never so happy in my whole life. Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen.
Stephen Chbosky (The Perks of Being a Wallflower)
Henrietta, at heart a contemplative person, enjoyed alarums and excursions for a short while only. For her a background of quiet was essential to happiness. It had been fun to stay with Felicity, to be petted and spoiled by her friends, to be applauded by big audiences in a crowded theater, to have lovely things to eat and go to the zoo whenever she liked, but it had completely upset her equilibrium and she had felt as though she had been turned upside down so that everything that was worth while in her mind fell out. She, like everyone else, had to find out by experience in what mode of life she could best adjust herself to the twin facts of her own personality and the moment of time in which destiny had planted it, and she was lucky perhaps that she found out so early.
Elizabeth Goudge (A City of Bells (Torminster, #1))
What can I tell you that you do not know Of the life after death? Your son’s eyes, which had unsettled us With your Slavic Asiatic Epicanthic fold, but would become So perfectly your eyes, Became wet jewels, The hardest substance of the purest pain As I fed him in his high white chair. Great hands of grief were wringing and wringing His wet cloth of face. They wrung out his tears. But his mouth betrayed you — it accepted The spoon in my disembodied hand That reached through from the life that had survived you. Day by day his sister grew Paler with the wound She could not see or touch or feel, as I dressed it Each day with her blue Breton jacket. By night I lay awake in my body The Hanged Man My neck-nerve uprooted and the tendon Which fastened the base of my skull To my left shoulder Torn from its shoulder-root and cramped into knots — I fancied the pain could be explained If I were hanging in the spirit From a hook under my neck-muscle. Dropped from life We three made a deep silence In our separate cots. We were comforted by wolves. Under that February moon and the moon of March The Zoo had come close. And in spite of the city Wolves consoled us. Two or three times each night For minutes on end They sang. They had found where we lay. And the dingos, and the Brazilian-maned wolves — All lifted their voices together With the grey Northern pack. The wolves lifted us in their long voices. They wound us and enmeshed us In their wailing for you, their mourning for us, They wove us into their voices. We lay in your death, In the fallen snow, under falling snow, As my body sank into the folk-tale Where the wolves are singing in the forest For two babes, who have turned, in their sleep, Into orphans Beside the corpse of their mother.
Ted Hughes (Birthday Letters)
Our life together was filled with contrasts. One week we were croc hunting with Dateline in Cape York. Only a short time after that, Steve and I found ourselves out of our element entirely, at the CableACE Award banquet in Los Angeles. Steve was up for an award as host of the documentary Ten Deadliest Snakes in the World. He lost out to the legendary Walter Cronkite. Any time you lose to Walter Cronkite, you can’t complain too much. After the awards ceremony, we got roped into an after-party that was not our cup of tea. Everyone wore tuxedos. Steve wore khaki. Everyone drank, smoked, and made small talk, none of which Steve did at all. We got separated, and I saw him across the room looking quite claustrophobic. I sidled over. “Why don’t we just go back up to our room?” I whispered into his ear. This proved to be a terrific idea. It fit in nicely with our plans for starting a family, and it was quite possibly the best seven minutes of my life! After our stay in Los Angeles, Steve flew directly back to the zoo, while I went home by way of one my favorite places in the world, Fiji. We were very interested in working there with crested iguanas, a species under threat. I did some filming for the local TV station and checked out a population of the brilliantly patterned lizards on the Fijian island of Yadua Taba. When I got back to Queensland, I discovered that I was, in fact, expecting. Steve and I were over the moon. I couldn’t believe how thrilled he was. Then, mid-celebration, he suddenly pulled up short. He eyed me sideways. “Wait a minute,” he said. “You were just in Fiji for two weeks.” “Remember the CableACE Awards? Where you got bored in that room full of tuxedos?” He gave me a sly grin. “Ah, yes,” he said, satisfied with his paternity (as if there was ever any doubt!). We had ourselves an L.A. baby.
Terri Irwin (Steve & Me)
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)